Re: (313) no (ellen) alliens in nyc

[Carissa Tintinalli]

P.S. Also no CLaude Young.


From his post on DetroitLuv.com:


"There was a misunderstanding with the booking for movement / demf. I am 
only playing at the 7th City event, it is my label after all and the main 
reason i decided to come home in the first place. Movement will be 
spectacular and i will be there in the streets (probably with Shake & Dan 
having a good time and visiting friends and family). but the festival 
doesn't need me to be there to happen. Im only involved in my labels event 
due to time constraints on my schedule in the USA. I fully support the 
Movement festival 100%. So check it out if you can and ill see you down town 
for a beer and a chat, 4 SURE!!! C out.."


(link: 
http://www.detroitluv.com/index.php?board=31;action=display;threadid=14685;start=90)


_
Free yourself from those irritating pop-up ads with MSn Premium. Get 2months 
FREE*  
http://join.msn.com/?pgmarket=en-ca&page=byoa/prem&xAPID=1994&DI=1034&SU=http://hotmail.com/enca&HL=Market_MSNIS_Taglines

Re: (313) no (ellen) alliens in nyc

[/0]

oh please no.

- Original Message - 
From: <[EMAIL PROTECTED]>
To: "Carissa Tintinalli" <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Monday, May 17, 2004 7:02 PM
Subject: Re: (313) no (ellen) alliens in nyc


>
>
>
>
> And that's why I'm voting for  __  and against
Bush/Cheney/Rove
>
>
>
>
>
>   "Carissa
>   Tintinalli"  To:   313@hyperreal.org
>   <[EMAIL PROTECTED]cc:
>   mail.com>Subject:  Re: (313) no
(ellen) alliens in nyc
>
>   05/17/04 05:58 PM
>
>
>
>
>
>
> My guess is that we'll start seeing even more artists getting denied entry
> into the U.S. Hopefully this won't affect Movement anymore, but I wouldn't
> be suprised if it did.
>
> The INS announced a couple of months ago that it was going to get stricter
> with work visas for artists and entertainers. They feel that this would be
> an easier route for terrorists to enter the country, seeing as the
> requirements aren't as strict as those to obtain a permanent work visa
> (i.e.
> needing a college degree or official certification in your field).
>
> But even beyond those reasons, the INS has more power than many realize to
> deny people, and for a variety of reasons. If Ellen Allien had even some
> misdemeanor charge for jaywalking on her record, they could use that as
> reason to turn her back. Actually, they don't even need a reason. They
> could
> have just thought "female techno dj from Germany travelling with all these
> records...hthis doesn't appeal to my conservative outlook.
> DENIED!".
>
>
> >From: [EMAIL PROTECTED]
> >
> >
> >
> >oooh, I wonder how much this (customs and increased "security") will
> affect
> >Movement this year?
> >
>
> _
> Tired of spam? Get advanced junk mail protection with MSN Premium
>
http://join.msn.com/?pgmarket=en-ca&page=byoa/prem&xAPID=1994&DI=1034&SU=http://hotmail.com/enca&HL=Market_MSNIS_Taglines
>
>
>
>
>

Re: (313) no (ellen) alliens in nyc

[Michael . Elliot-Knight]

And that's why I'm voting for  __  and against Bush/Cheney/Rove





  
  "Carissa  
  
  Tintinalli"  To:   313@hyperreal.org  
  
  <[EMAIL PROTECTED]cc: 
   
  mail.com>Subject:  Re: (313) no (ellen) 
alliens in nyc  

  
  05/17/04 05:58 PM 
  

  

  




My guess is that we'll start seeing even more artists getting denied entry
into the U.S. Hopefully this won't affect Movement anymore, but I wouldn't
be suprised if it did.

The INS announced a couple of months ago that it was going to get stricter
with work visas for artists and entertainers. They feel that this would be
an easier route for terrorists to enter the country, seeing as the
requirements aren't as strict as those to obtain a permanent work visa
(i.e.
needing a college degree or official certification in your field).

But even beyond those reasons, the INS has more power than many realize to
deny people, and for a variety of reasons. If Ellen Allien had even some
misdemeanor charge for jaywalking on her record, they could use that as
reason to turn her back. Actually, they don't even need a reason. They
could
have just thought "female techno dj from Germany travelling with all these
records...hthis doesn't appeal to my conservative outlook.
DENIED!".


>From: [EMAIL PROTECTED]
>
>
>
>oooh, I wonder how much this (customs and increased "security") will
affect
>Movement this year?
>

_
Tired of spam? Get advanced junk mail protection with MSN Premium
http://join.msn.com/?pgmarket=en-ca&page=byoa/prem&xAPID=1994&DI=1034&SU=http://hotmail.com/enca&HL=Market_MSNIS_Taglines

Re: (313) no (ellen) alliens in nyc

[/0]

christ, hire me for INS duty.

all german techno girl DJs get in free! :)


- Original Message - 
From: "Carissa Tintinalli" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Monday, May 17, 2004 6:58 PM
Subject: Re: (313) no (ellen) alliens in nyc


> My guess is that we'll start seeing even more artists getting denied entry
> into the U.S. Hopefully this won't affect Movement anymore, but I wouldn't
> be suprised if it did.
>
> The INS announced a couple of months ago that it was going to get stricter
> with work visas for artists and entertainers. They feel that this would be
> an easier route for terrorists to enter the country, seeing as the
> requirements aren't as strict as those to obtain a permanent work visa
(i.e.
> needing a college degree or official certification in your field).
>
> But even beyond those reasons, the INS has more power than many realize to
> deny people, and for a variety of reasons. If Ellen Allien had even some
> misdemeanor charge for jaywalking on her record, they could use that as
> reason to turn her back. Actually, they don't even need a reason. They
could
> have just thought "female techno dj from Germany travelling with all these
> records...hthis doesn't appeal to my conservative outlook.
> DENIED!".
>
>
> >From: [EMAIL PROTECTED]
> >
> >
> >
> >oooh, I wonder how much this (customs and increased "security") will
affect
> >Movement this year?
> >
>
> _
> Tired of spam? Get advanced junk mail protection with MSN Premium
>
http://join.msn.com/?pgmarket=en-ca&page=byoa/prem&xAPID=1994&DI=1034&SU=http://hotmail.com/enca&HL=Market_MSNIS_Taglines
>

Re: (313) no (ellen) alliens in nyc

[Carissa Tintinalli]

My guess is that we'll start seeing even more artists getting denied entry 
into the U.S. Hopefully this won't affect Movement anymore, but I wouldn't 
be suprised if it did.


The INS announced a couple of months ago that it was going to get stricter 
with work visas for artists and entertainers. They feel that this would be 
an easier route for terrorists to enter the country, seeing as the 
requirements aren't as strict as those to obtain a permanent work visa (i.e. 
needing a college degree or official certification in your field).


But even beyond those reasons, the INS has more power than many realize to 
deny people, and for a variety of reasons. If Ellen Allien had even some 
misdemeanor charge for jaywalking on her record, they could use that as 
reason to turn her back. Actually, they don't even need a reason. They could 
have just thought "female techno dj from Germany travelling with all these 
records...hthis doesn't appeal to my conservative outlook. 
DENIED!".




From: [EMAIL PROTECTED]



oooh, I wonder how much this (customs and increased "security") will affect
Movement this year?



_
Tired of spam? Get advanced junk mail protection with MSN Premium   
http://join.msn.com/?pgmarket=en-ca&page=byoa/prem&xAPID=1994&DI=1034&SU=http://hotmail.com/enca&HL=Market_MSNIS_Taglines

(313) Chris Gray is....

[Michael . Elliot-Knight]

he still producing/remixing/DJing?

There is the message on the Deep4Life website where Chris says they have to
put things on hold.
Does anyone know if he's working on anything for another label?
DJing any time soon?
anything along those lines...

MEK

Re: (313) I killed canonball

[Phonopsia]

- Original Message - 
From: "kj at technotourist dot org" <[EMAIL PROTECTED]>
To: "313 Mailinglist List" <313@hyperreal.org>
Sent: Monday, May 17, 2004 10:38 PM
Subject: (313) I killed canonball


> Taken from: http://interdimensionaltransmissions.com/
>
>   Interdimensional Transmissions and Soft Curls present
> "I Killed Cannonball"
>
>   Traxx (gigolo, kode)
> once you lock in to the sound of the underground, there is no escape..
>
>   BMG of Ectomorph (IT) & Sal Principato of Liquid Liquid (99, DFA)
>   man and machine mix in an improv collaboration
> bmg- electronics
> sal-live vocals and percussion
>
>   Highfish (WMF, berlin)
> resident of WMF in berlin, no relation to lowfish
>
>   + expect special suprises
>
>   Sunday May 30 2004, 10 PM
> Oslo
> John R & Woodward SE corner
> 5 blocks north of fest
> $10 pre pay $15 night of
>
>   limited capacity, try to arrive before 2 for best seats
>
>   the offical movement anti afterparty
>
>   advance tickets at oslo 313 963 0300 (open daily at 5 for food and
> tickets)

We've got a secret weapon. God is our co-pilot!

My driving is rivaled only by the lightning bolts from the heavens!

Nah. I know, a bloodmobile. They wouldn't stop a bloodmobile, would they?

An ice cream truck! Yeah, an ice cream truck! Y'know, they gotta get there
before it melts!

She doesn't fit in the AMBULANCE!

Yeah, and we're going to stay in pursuit until we catch them.

Terrorists my dimpled ass! These people make terrorists look like the
Sisters of Charity! These guys are Cannonballers!

Maybe next year, we'll do this again.

Tristan
===
http://www.phonopsia.co.uk
[EMAIL PROTECTED]

Re: (313) no (ellen) alliens in nyc

[Michael . Elliot-Knight]

oooh, I wonder how much this (customs and increased "security") will affect
Movement this year?

MEK



  
  [EMAIL PROTECTED] 
  
  et   To:   diana potts <[EMAIL 
PROTECTED]>  
   cc:   313@hyperreal.org  
  
  05/17/04 05:20 PMSubject:  Re: (313) no (ellen) 
alliens in nyc  

  

  




i just spoke with her agent.

ALL US dates are cancelled. Thank your friendly neighborhood customs agent

On Mon, 17 May 2004, diana potts wrote:

>  Due to unintentional circumstance
>
>
>  Ellen Allien WILL NOT be playing in NYC Tuesday
> night.
>
> It is well advised that you check with venues in the
> US that she's playing before making the effort to see
> her.
>
>
> *this is reliable info from a tour sponsor*
>
>
>
>
> __
> Do you Yahoo!?
> SBC Yahoo! - Internet access at a great low price.
> http://promo.yahoo.com/sbc/
>

Re: (313) no (ellen) alliens in nyc

[yussel]

i just spoke with her agent.

ALL US dates are cancelled. Thank your friendly neighborhood customs agent

On Mon, 17 May 2004, diana potts wrote:

>  Due to unintentional circumstance
>
>
>  Ellen Allien WILL NOT be playing in NYC Tuesday
> night.
>
> It is well advised that you check with venues in the
> US that she's playing before making the effort to see
> her.
>
>
> *this is reliable info from a tour sponsor*
>
>
>
>
> __
> Do you Yahoo!?
> SBC Yahoo! - Internet access at a great low price.
> http://promo.yahoo.com/sbc/
>

(313) no (ellen) alliens in nyc

[diana potts]

 Due to unintentional circumstance


 Ellen Allien WILL NOT be playing in NYC Tuesday
night.

It is well advised that you check with venues in the
US that she's playing before making the effort to see
her.


*this is reliable info from a tour sponsor*




__
Do you Yahoo!?
SBC Yahoo! - Internet access at a great low price.
http://promo.yahoo.com/sbc/

Re: (313) movement lineup

[J. T.]

Oh and anyone noticed some changes to the Movement line-up?  I haven't seen 
these names on the list before:


- Traxx
- BMG of Ectomorph
- Kill Memory Crash
- Sal Principato of Liquid Liquid


cool...they've also added links to bios to some/most of the names...unless i 
just hadnt noticed that before..


alden tyrell's name is still on the roster, but he cancelled his preceding 
u.s. tour at the last minute. maybe (i hope) he will still fly over for the 
festival...but i would not be surprised if not..


also there is another afterparty sunday night, i see it isnt on the 
technotourist list yet:


Live :
Dj Overdose (of novamen)
Ultradyne
Counter-Couture
Mesu Kasumai (aka tangible on pi gao movement)

DJ:
Polarius
Speculator
Jan D.
Grackle vs Smackos

at the detoit art space sunday/may 30
10pm $10

http://www.viacirca.com

_
MSN Toolbar provides one-click access to Hotmail from any Web page – FREE 
download! http://toolbar.msn.click-url.com/go/onm00200413ave/direct/01/

Re: (313) friday records (Abacus)

[Thomas D. Cox, Jr.]

-- Original Message --
From: "/0" <[EMAIL PROTECTED]>

>I don't mean to seem so combative, but "give it time, i bet many 
copycats
>will pop up using "real" sounds from synths." seems like you're 
saying that
>anyone using real sounds (you used UR as your reference) from 
synths is a
>copycat

obviously since this is a techno discussion list, i was referring 
to techno producers biting that sound which is pretty much non-
existant right now. 

>so if I misunderstood you, fine.  no sense in calling me 
a "f*cking
>crackhead", tough guy.
>
>jeez, techno kids used to be nice,

im just saying, i think my original post was pretty clear. im not 
someone who has his head up his ass in reguard to music, i dont 
listen to only techno. i know enough of what im talking about in 
reguard to the equipment being used to tell what im hearing in 
techno songs. sorry for the irritated comment. 

tom 


andythepooh.com


 
   

Re: (313) Stacey Pullen Australasian Dates

[Cyclone Wehner]

Good question. By co-ordinating dates across Asia. Usually they tie in with
Singapore as we are very close culturally and there's a lot of exchange as
well as Japan. Then all the promoters contribute to flight share.
If you get Australia, you can get NZ or vice versa. Almost all the promoters
here have contacts in Asia. It's still hard to make money at times... ;)
Sponsorship helps.


> just out of curiosity, how do promoters in australia cover their costs?
>
> it must be expensive to fly someone to the land of roos, plus the artist
> fee...
>
> I've heard the events there are pretty cozy too, so just being curious.
>
> sounds like good fun no matter.
> -Joe

(313) I killed canonball

[kj at technotourist dot org]

Taken from: http://interdimensionaltransmissions.com/

 Interdimensional Transmissions and Soft Curls present
"I Killed Cannonball"

 Traxx (gigolo, kode)
once you lock in to the sound of the underground, there is no escape..

 BMG of Ectomorph (IT) & Sal Principato of Liquid Liquid (99, DFA)
 man and machine mix in an improv collaboration
bmg- electronics
sal-live vocals and percussion

 Highfish (WMF, berlin)
resident of WMF in berlin, no relation to lowfish

 + expect special suprises

 Sunday May 30 2004, 10 PM
Oslo
John R & Woodward SE corner
5 blocks north of fest
$10 pre pay $15 night of

 limited capacity, try to arrive before 2 for best seats

 the offical movement anti afterparty

 advance tickets at oslo 313 963 0300 (open daily at 5 for food and 
tickets)

Re: (313) friday records (Abacus)

[/0]

I don't mean to seem so combative, but "give it time, i bet many copycats
will pop up using "real" sounds from synths." seems like you're saying that
anyone using real sounds (you used UR as your reference) from synths is a
copycat

so if I misunderstood you, fine.  no sense in calling me a "f*cking
crackhead", tough guy.

jeez, techno kids used to be nice,
-Joe


- Original Message - 
From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Monday, May 17, 2004 5:26 PM
Subject: Re: (313) friday records (Abacus)


> -- Original Message --
> From: "/0" <[EMAIL PROTECTED]>
>
> >are you saying anyone who uses real sounds in music that is
> electronic-jazz
> >minded is ripping off UR?  LOL
>
> yeah thats exactly what im saying, you f*cking crackhead. can you
> not read or are you just trolling for flames?
>
> >the machines being used to make techno were originally made to
> reproduce
> >real sounds without having to have 10 people there to play each
> instrument.
>
> yeah and they didnt actually sound like any instrument. as much as
> i try, my 101 just doesnt sound like a guitar.
>
> >a 909 has a bass drum, hi hats, snare, etc.  just like a real
> drum kit.
> >technology limited their ability to pull off an accurate
> representation and
> >as these machines gave way to sampling devices, their prices fell
> as did
> >their demand.  at this point, people started picking them up for
> making all
> >kinds of electronic music (and others no doubt), and things kind
> of built on
> >that.  at some point sounding "wrong" got cool and now the synth
> market is
> >in the process of doing a 180 to catch up.
>
> wow, youre really on top of things. i of course summed this up in
> my original post that you disagreed with where i pointed out how
> popular virtual analogue synths are in dance music.
>
> >look at the old ultramarine albums if you want some heavy mixture
> of
> >synthetic and real sounds in a jazzy/electronic vein.  your
> assertion that
> >someone who uses "real" sounds in tracks will be biting from UR
> is just
> >silly.
>
> i know it is, which is why you sound like an idiot for putting
> words in my mouth. i pointed out that in techno theyre the only
> people using OBVIOUSLY SYNTHETIC "REAL" sounds. find me 5 other
> TECHNO records that are as fake sounding as the most recent UR
> records have been.
>
> >the music has existed as long as the gear has, but it seems its
> just never
> >been marketed in a way that has caught your attention
> >
> >perhaps I misunderstand you, but at the very least, your original
> statement
> >could stand some clarification
>
> really i was very clear considering the fact that 4 days later
> youve been the only person to take objection to it. all i said was
> that it was interesting how they seem to be taking the route LEAST
> used by techno artists: making "real" sounds with a synth, even
> though they obviously sound fake.
>
> tom
>
> 
> andythepooh.com
>
>
>
>

Re: (313) movement lineup

[/0]

still rocked it :)

wrong,
-Joe

- Original Message - 
From: "kj at technotourist dot org" <[EMAIL PROTECTED]>
To: "matt kane's brain" <[EMAIL PROTECTED]>
Cc: "313" <313@hyperreal.org>
Sent: Monday, May 17, 2004 5:05 PM
Subject: Re: (313) movement lineup


> 
> On 17-mei-04, at 19:18, matt kane's brain wrote:
> 
> >> perhaps someone here has the booklet from the first demf and can put 
> >> my
> >> derangement or sense of curiosity to rest?
> >
> > i'm pretty sure he played at an afterparty or two at either the first 
> > or the second. i remember him being mentioned on the list, anyway.
> 
> I have sick and twisted mind, i still have the booklet of the first 
> DEMF in mint condition (no this in not an ad :))
> 
> May 27th:
> 
> Underground Stage
> 12:00 Jeff Karolski
> 1:00 Scott Zacherias
> 2:00 Jason Hogans
> 3:00 Scott Zacherias
> 4:00 Bill van Loo
> 5:00 Recloose
> 7:00 Dykehouse
> :800 Kelvin Larkin
> 9:00 Wild Planet
> 10:00 Kelvin Larkin
> 11:00 Scan 7
> 12:00 End
> 
> So there you have it... Kelvin Larkin :)
> 

Re: (313) friday records (Abacus)

[Thomas D. Cox, Jr.]

-- Original Message --
From: "/0" <[EMAIL PROTECTED]>

>are you saying anyone who uses real sounds in music that is 
electronic-jazz
>minded is ripping off UR?  LOL

yeah thats exactly what im saying, you f*cking crackhead. can you 
not read or are you just trolling for flames? 

>the machines being used to make techno were originally made to 
reproduce
>real sounds without having to have 10 people there to play each 
instrument.

yeah and they didnt actually sound like any instrument. as much as 
i try, my 101 just doesnt sound like a guitar. 

>a 909 has a bass drum, hi hats, snare, etc.  just like a real 
drum kit.
>technology limited their ability to pull off an accurate 
representation and
>as these machines gave way to sampling devices, their prices fell 
as did
>their demand.  at this point, people started picking them up for 
making all
>kinds of electronic music (and others no doubt), and things kind 
of built on
>that.  at some point sounding "wrong" got cool and now the synth 
market is
>in the process of doing a 180 to catch up.

wow, youre really on top of things. i of course summed this up in 
my original post that you disagreed with where i pointed out how 
popular virtual analogue synths are in dance music. 

>look at the old ultramarine albums if you want some heavy mixture 
of
>synthetic and real sounds in a jazzy/electronic vein.  your 
assertion that
>someone who uses "real" sounds in tracks will be biting from UR 
is just
>silly.

i know it is, which is why you sound like an idiot for putting 
words in my mouth. i pointed out that in techno theyre the only 
people using OBVIOUSLY SYNTHETIC "REAL" sounds. find me 5 other 
TECHNO records that are as fake sounding as the most recent UR 
records have been. 

>the music has existed as long as the gear has, but it seems its 
just never
>been marketed in a way that has caught your attention
>
>perhaps I misunderstand you, but at the very least, your original 
statement
>could stand some clarification

really i was very clear considering the fact that 4 days later 
youve been the only person to take objection to it. all i said was 
that it was interesting how they seem to be taking the route LEAST 
used by techno artists: making "real" sounds with a synth, even 
though they obviously sound fake. 

tom 


andythepooh.com


 
   

Re: (313) movement lineup

[kj at technotourist dot org]

Oh and anyone noticed some changes to the Movement line-up?  I haven't 
seen these names on the list before:


- Traxx
- BMG of Ectomorph
- Kill Memory Crash
- Sal Principato of Liquid Liquid

On 17-mei-04, at 23:05, kj at technotourist dot org wrote:



On 17-mei-04, at 19:18, matt kane's brain wrote:

perhaps someone here has the booklet from the first demf and can put 
my

derangement or sense of curiosity to rest?


i'm pretty sure he played at an afterparty or two at either the first 
or the second. i remember him being mentioned on the list, anyway.


I have sick and twisted mind, i still have the booklet of the first 
DEMF in mint condition (no this in not an ad :))


May 27th:

Underground Stage
12:00 Jeff Karolski
1:00 Scott Zacherias
2:00 Jason Hogans
3:00 Scott Zacherias
4:00 Bill van Loo
5:00 Recloose
7:00 Dykehouse
:800 Kelvin Larkin
9:00 Wild Planet
10:00 Kelvin Larkin
11:00 Scan 7
12:00 End

So there you have it... Kelvin Larkin :)

Re: (313) movement lineup

[kj at technotourist dot org]

On 17-mei-04, at 19:18, matt kane's brain wrote:

perhaps someone here has the booklet from the first demf and can put 
my

derangement or sense of curiosity to rest?


i'm pretty sure he played at an afterparty or two at either the first 
or the second. i remember him being mentioned on the list, anyway.


I have sick and twisted mind, i still have the booklet of the first 
DEMF in mint condition (no this in not an ad :))


May 27th:

Underground Stage
12:00 Jeff Karolski
1:00 Scott Zacherias
2:00 Jason Hogans
3:00 Scott Zacherias
4:00 Bill van Loo
5:00 Recloose
7:00 Dykehouse
:800 Kelvin Larkin
9:00 Wild Planet
10:00 Kelvin Larkin
11:00 Scan 7
12:00 End

So there you have it... Kelvin Larkin :)

Re: (313) friday records (Abacus)

[/0]

you said:
>i see it as one of the new UR sounding records that actually seems
>to be doing something wildly different from what is going on
>elsewhere in techno. while VA and real analogue synths as well as
>soft synth recreations of them are still massively popular, it
>seems like UR is taking the ROM or sample based recreations of
>actual instruments and are making future jazz-funk from it. for
>example, the "live" version of hi tech jazz, or the timeline
>version of return of the dragons. my mother's guitarra is just
>like a latin version of that same style that no one else is
>jocking right now. give it time, i bet many copycats will pop up
>using "real" sounds from synths. IMO it gives their tunes a really
>strange plastic hi-fi vibe.

are you saying anyone who uses real sounds in music that is electronic-jazz
minded is ripping off UR?  LOL

the machines being used to make techno were originally made to reproduce
real sounds without having to have 10 people there to play each instrument.

a 909 has a bass drum, hi hats, snare, etc.  just like a real drum kit.
technology limited their ability to pull off an accurate representation and
as these machines gave way to sampling devices, their prices fell as did
their demand.  at this point, people started picking them up for making all
kinds of electronic music (and others no doubt), and things kind of built on
that.  at some point sounding "wrong" got cool and now the synth market is
in the process of doing a 180 to catch up.

look at the old ultramarine albums if you want some heavy mixture of
synthetic and real sounds in a jazzy/electronic vein.  your assertion that
someone who uses "real" sounds in tracks will be biting from UR is just
silly.

the music has existed as long as the gear has, but it seems its just never
been marketed in a way that has caught your attention

perhaps I misunderstand you, but at the very least, your original statement
could stand some clarification

-Joe



- Original Message - 
From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Monday, May 17, 2004 11:57 AM
Subject: Re: (313) friday records (Abacus)


> -- Original Message --
> From: "/0" <[EMAIL PROTECTED]>
>
> >are you kidding me??  people have been using real sounds since
> before
> >synthetic were available, and they continue to now.  if you think
> about it,
> >Im sure you can see how silly this is.  be it samples of
> instruments or
> >samples from romplers, real sounds are all over the place and
> detroit was
> >not nearly the first to do it, in any context.
>
> how is it silly? most synthetic sounds havent tried to
> sound "real" in the context of techno music. if you look at like
> new age or something else, youll hear alot of it. in the meantime
> theyre making fully synthesized tracks that they call "live"
> despite not having any actual instruments on them. it doesnt sound
> like house music that uses synthesized organs or anything else
> like it.
>
> tom
>
> 
> andythepooh.com
>
>
>
>

Re: (313) Stacey Pullen Australasian Dates

[/0]

just out of curiosity, how do promoters in australia cover their costs?

it must be expensive to fly someone to the land of roos, plus the artist
fee...

I've heard the events there are pretty cozy too, so just being curious.

sounds like good fun no matter.
-Joe

- Original Message - 
From: "Cyclone Wehner" <[EMAIL PROTECTED]>
To: "313 Detroit" <313@hyperreal.org>
Sent: Sunday, May 16, 2004 5:27 AM
Subject: (313) Stacey Pullen Australasian Dates


> Things are looking good for a few Detroit tours this year.
>
> Here are the Stacey Pullen Aus/NZ dates for June:
>
> Thu 24.06  Auckland  Morison
>  Fri 25.06  Melbourne  Room 680
>  Sat 26.06  Sydney  Home
>  Thu 01.07  Adelaide  Heaven
>  Fri 02.07  Perth  Delirium
>  Sat 03.07  Brisbane  Family
>
> Kevin Saunderson is returning to Aust in Sept. (Last year he played a
wicked
> set in the basement at the Slipp In in Syd where of course in 2000 Tassie
> girl Mary Donaldson met her hunky Danish Prince!)

(313) Subject: Re: (313) movement lineup/Kelvin Larkin

[Ken Odeluga]

Strange that the list should have such a short memory - admittedly for 
someone 313-related who's that bit more obscure.


What does Kenny Larkin say about Kelvin Larkin? :"My buddy, friend, 
twin brother and occasional hoe, Kelvin Larkin." (sleeve notes for 
'Seven Days' by Dark Comedy.)


They're more than usually close. It makes sense that they're involved 
in each other's business at least to a degree. But I remember about a 
couple of years ago both Kelvin and Kenny Larkin were booked as 
residents at a series of parties in Los Angeles for a fairly long run 
in the summer. And at that time there was no mention of Kelvin Larkin 
making any sort of debut at those parties. It was assumed (by those who 
had not before realized he that he was also a dj) that he was already a 
dj of many years experience. This still seems correct now.


k

(313) AXEL MORI HITTING PORTUGAL JUNE 2 - JUNE 6

[TrustYourTechno]

Hi all,

I'll be in Portugal from June 2 till June 6. I'll be available for (techno)
bookings.

Out current single (Detour "Tension EP"
http://www.discogs.com/release/236511) is doing really well. Already on
heavy rotation by Marco Carola, Josh Wink, Michel de Hey and Carl Cox and
others. It is also featured on Michel de Hey's mixcd for Trust The DJ, and
on "Impulz: innocense is no excuse", the double CD that accompanied the
Impulz Winter Gathering last January.

Carl Cox has also announced that he is going to put "Tension" on his mixcd
for MixMag, which will come out within the next few months. He already put
the track on his top 10 of march:
http://www.trustthedj.com/CarlCox/news_article.php?news_id=2330&djid=17

 Hit me back privately if you want to know more.

thanx

AXEL MORI
Trust Your Techno

Re: (313) movement lineup

[/0]

well SOMETHING at the first demf said SOMETHING about one of the larkins
having only giged out once or twice or something.

Im not looking to be mr right here, I began by saying the guy rocked it out
and it was moreso impressive given the (possible) chance that it was his
second gig.  even if Im wrong, the man still played a great set.

or maybe Im getting him confused with crosby stills & nash @ woodstock (that
was their second show, positive of that (just to keep this on topic :p)

m00,
-Joe

- Original Message - 
From: "matt kane's brain" <[EMAIL PROTECTED]>
To: "313" <313@hyperreal.org>
Sent: Monday, May 17, 2004 1:18 PM
Subject: Re: (313) movement lineup


> >perhaps someone here has the booklet from the first demf and can put my
> >derangement or sense of curiosity to rest?
>
> i'm pretty sure he played at an afterparty or two at either the first
> or the second. i remember him being mentioned on the list, anyway.
>
> -- 
> Be sure and unplug Baby Jesus [EMAIL PROTECTED]
> before his head melts! AIM:pr0j2501
> http://www.dirty.org/~mkb
> Matt Kane's Brain

Re: (313) movement lineup

[yussel]

i'm certain i have a copy, because of was the editor of said book.

believe me- it said nothing about kelvin being a first time dj

On Mon, 17 May 2004, /0 wrote:

> perhaps someone here has the booklet from the first demf and can put my
> derangement or sense of curiosity to rest?
>
>
> - Original Message -
> From: "Phonopsia" <[EMAIL PROTECTED]>
> To: "/0" <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>
> Cc: "Kent williams" <[EMAIL PROTECTED]>; "313 list" <313@hyperreal.org>
> Sent: Monday, May 17, 2004 2:39 AM
> Subject: Re: (313) movement lineup
>
>
> > - Original Message -
> > From: "/0" <[EMAIL PROTECTED]>
> > To: <[EMAIL PROTECTED]>
> > Cc: "Kent williams" <[EMAIL PROTECTED]>; "313 list" <313@hyperreal.org>
> > Sent: Thursday, May 13, 2004 8:48 PM
> > Subject: Re: (313) movement lineup
> >
> >
> > > yes, but not publicly.  unless it was a ploy by the demf folks to
> attract
> > > more of an audience.
> > >
> > > just because the man mixes records and may have skills doesn't mean he's
> > > rocked them out before a crowd.
> > >
> > > :)
> > >
> > > that being said, it was a good time, and hopefully he drew from the
> > > confidence it no doubt instilled.
> > >
> > > thats very important for musicians and performers in general
> >
> >
> > Well, I played with him and Stewart Walker in Iowa City in '99, so it
> wasn't
> > his first public performance. I'd be *really* surprised if that was his
> > first too.
> >
> > Tristan
> > ===
> > http://www.phonopsia.co.uk
> > [EMAIL PROTECTED]
> >
> >
>
>

Re: (313) movement lineup

[yussel]

we very pften booked kelvin at Motor before the festival. In fact- if I
remember correctly, the first time he played Motor after I started working
there was Feb 2000, and i do believe he'd playd many many times before

On Mon, 17 May 2004, Phonopsia wrote:

> - Original Message -
> From: "/0" <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>
> Cc: "Kent williams" <[EMAIL PROTECTED]>; "313 list" <313@hyperreal.org>
> Sent: Thursday, May 13, 2004 8:48 PM
> Subject: Re: (313) movement lineup
>
>
> > yes, but not publicly.  unless it was a ploy by the demf folks to attract
> > more of an audience.
> >
> > just because the man mixes records and may have skills doesn't mean he's
> > rocked them out before a crowd.
> >
> > :)
> >
> > that being said, it was a good time, and hopefully he drew from the
> > confidence it no doubt instilled.
> >
> > thats very important for musicians and performers in general
>
>
> Well, I played with him and Stewart Walker in Iowa City in '99, so it wasn't
> his first public performance. I'd be *really* surprised if that was his
> first too.
>
> Tristan
> ===
> http://www.phonopsia.co.uk
> [EMAIL PROTECTED]
>
>
>

Re: (313) movement lineup

[matt kane's brain]

perhaps someone here has the booklet from the first demf and can put my
derangement or sense of curiosity to rest?


i'm pretty sure he played at an afterparty or two at either the first 
or the second. i remember him being mentioned on the list, anyway.


--
Be sure and unplug Baby Jesus [EMAIL PROTECTED]
before his head melts! AIM:pr0j2501
http://www.dirty.org/~mkb
Matt Kane's Brain

Re: (313) friday records (Abacus)

[Thomas D. Cox, Jr.]

-- Original Message --
From: "/0" <[EMAIL PROTECTED]>

>are you kidding me??  people have been using real sounds since 
before
>synthetic were available, and they continue to now.  if you think 
about it,
>Im sure you can see how silly this is.  be it samples of 
instruments or
>samples from romplers, real sounds are all over the place and 
detroit was
>not nearly the first to do it, in any context.

how is it silly? most synthetic sounds havent tried to 
sound "real" in the context of techno music. if you look at like 
new age or something else, youll hear alot of it. in the meantime 
theyre making fully synthesized tracks that they call "live" 
despite not having any actual instruments on them. it doesnt sound 
like house music that uses synthesized organs or anything else 
like it. 

tom 


andythepooh.com


 
   

Re: (313) Track ID......

[Thomas D. Cox, Jr.]

-- Original Message --
From: David Gillies <[EMAIL PROTECTED]>

>OK, had a quick Google. So with the Electrifyin' Mojo samples its 
J.A.N. 
>and without its Live in LA 1998... right?

well the live in la doesnt have the spooky little choir samples 
either. its really a far inferior version. 

tom 


andythepooh.com


 
   

Re: AW: (313) Workout Tracks

[Thomas D. Cox, Jr.]

-- Original Message --
From: "Katrin Richter" <[EMAIL PROTECTED]>

>I don't work out. I go in clubs and dance. Which makes me get 
drenched in
>sweat. I tried to go to a gym but it bored me to death.
>Even with a music playing device I could not entrance myself to 
the degree I
>didn't know how I got there. So I started doing sports outdoors. 
With real
>people.

thats why you should do all 3! i go to the gym to work on my 
endurance and leg strength for playing basketball, which i do at 
least once a week with my friends. and then when theres good music 
at a club, i go dance. if i had to wait for good music to come 
here for me to get some physical exercise, it would never happen. 

tom 


andythepooh.com


 
   

Re: (313) Track ID......

[Pete Grammenos]

When Dan Bell was in NYC a couple of weeks ago he started off with the Live
in LA version. Man I love this track and love to play it ;)! I found my copy
at Satellite records for $6 a couple years back, it's all black with a blue
moodyman face stamped on it.

-Pete

- Original Message -
From: "Williams, Graham" <[EMAIL PROTECTED]>
To: "313" <313@hyperreal.org>
Sent: Monday, May 17, 2004 10:08 AM
Subject: RE: (313) Track ID..


> Thanks to everyone..
>
>
> g
> -Original Message-
> From: David Gillies [mailto:[EMAIL PROTECTED]
> Sent: 17 May 2004 11:02
> To: Williams, Graham
> Cc: 313
> Subject: Re: (313) Track ID..
>
> David Gillies wrote:
>
> > Maarten Baute wrote:
> >
> >>> Looking to find out the name of the Moodymann track with someone (I
> >>> think
> >>>
> >>
> >> it
> >>
> >>
> >>> might be Prince), speaking about when "being on tour your basically
> >>> bring
> >>> your studio with you." I know it's on KDJ, but don't know the
> >>>
> >>
> >> name.
> >>
> >> It's KDJ 30, titled "J.A.N."
> >>
> >
> > I'm pretty sure it was Live in LA 1998 (not the version of Silence in
> > the Secret Garden though), not J.A.N. . And the person speaking is the
> > Electrifyin' Mojo, who is interviewing Prince.
> >
> > Someone a while back actually sent the full transcript of the interview.
>
> OK, had a quick Google. So with the Electrifyin' Mojo samples its J.A.N.
> and without its Live in LA 1998... right?

Re: (313) Stained Clothes

[Kent williams]

On Mon, 17 May 2004, Drew Daugherty wrote:
> Just picked this JZ 'Stained Clothes' release on Utensil.  Remix
> purports to be by Justin Martin.  Does anyone know where the samples are
> from in this track?  They sound something like 'change clothes and go /
> exchange clothes - furs & gold'.

Jay-Z Black Album "Change Clothes" -- I think. He may have jacked it from
somewhere else ...

> Then I believe there is another sample
> 'Whatcha want me to do?' that kicks in.  Also does anyone know anything
> more about Justin Martin?
>

Sometimes looking up lyrics on the net makes them look silly, for example,
from "Change Clothes":

Uh, uh (Sexy sexy) Woo! (Ah ah!!!)
Uh huh (Sexy sexy) It's so necessary right) (Ah ah!!!)
Uh huh, woo! (Sexy sexy) That's right it's a groove (Ah ah!!!)
Uh huh, it's a groove (Sexy sexy) bring it back (Ah ah)

Which makes Jay-Z sound like the Cheeky Girls.

RE: (313) Stained Clothes

[Andrew Duke Cognition Audioworks]

Is this released on the Detroit-based (and long dormant)
Terrence Dixon and Dave "Dow" Whiteside and Claude Young
related Utensil or the more recently started Australian
one? Thanks. Andrew Duke

-Original Message-
From: Drew Daugherty [mailto:[EMAIL PROTECTED]
Sent: Monday, May 17, 2004 11:24 AM
To: '313 List'
Subject: (313) Stained Clothes


Just picked this JZ 'Stained Clothes' release on Utensil.  Remix 
purports to be by Justin Martin.  Does anyone know where the samples are 
from in this track?  They sound something like 'change clothes and go / 
exchange clothes - furs & gold'.  Then I believe there is another sample 
'Whatcha want me to do?' that kicks in.  Also does anyone know anything 
more about Justin Martin?

-drew

Re: (313) movement lineup

[/0]

perhaps someone here has the booklet from the first demf and can put my
derangement or sense of curiosity to rest?


- Original Message - 
From: "Phonopsia" <[EMAIL PROTECTED]>
To: "/0" <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>
Cc: "Kent williams" <[EMAIL PROTECTED]>; "313 list" <313@hyperreal.org>
Sent: Monday, May 17, 2004 2:39 AM
Subject: Re: (313) movement lineup


> - Original Message - 
> From: "/0" <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>
> Cc: "Kent williams" <[EMAIL PROTECTED]>; "313 list" <313@hyperreal.org>
> Sent: Thursday, May 13, 2004 8:48 PM
> Subject: Re: (313) movement lineup
>
>
> > yes, but not publicly.  unless it was a ploy by the demf folks to
attract
> > more of an audience.
> >
> > just because the man mixes records and may have skills doesn't mean he's
> > rocked them out before a crowd.
> >
> > :)
> >
> > that being said, it was a good time, and hopefully he drew from the
> > confidence it no doubt instilled.
> >
> > thats very important for musicians and performers in general
>
>
> Well, I played with him and Stewart Walker in Iowa City in '99, so it
wasn't
> his first public performance. I'd be *really* surprised if that was his
> first too.
>
> Tristan
> ===
> http://www.phonopsia.co.uk
> [EMAIL PROTECTED]
>
>

Re: (313) FW: Environ Newsletter - metro area 5!

[/0]

I believe they've said they dont care for vocals in their tracks.

I will dig up the interview if I can

-Joe

- Original Message - 
From: "sasha" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Saturday, May 15, 2004 2:24 AM
Subject: RE: (313) FW: Environ Newsletter - metro area 5!




> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
> Sent: Friday, May 14, 2004 5:52 AM
> To: 313@hyperreal.org
> Subject: Re: (313) FW: Environ Newsletter - metro area 5!

> But, and here's the thing. Can Metro Area really lay 'claim' 
> to that sound?

I don't think they really lay "claim" to that sound. It seems to me that
they are paying homage to many musical flavors collected over a lifetime
of listening. It's unique in the sense that, when it's all put together,
it sounds rather different and unique and forward looking in a retro
kind of a way. Disco, Boogie, Italo, House, Detroit, etc. are the
musical roots of their sound and the tree gives off some rather nice
fruit. 

If you put a gun to my head and asked me to finger someone for helping
to expose that whole 70's/early 80's thing to an influential producer
audience, one might pick Danny Wang. He was putting out these quirky
disco-esque records, often at very slow bpms (relative to the current
dancefloor shtick at the time) back in the early nineties way before it
was fashionable to do so. While you were dancing to Charly, he was
releasing "Like Some Dream I Cant Stop Dreaming".  

> Having said that, I do think Metro Area is a very ace 
> project. I'd like to see it go further now, I reckon vocals 
> and song stuff would go brilliantly like this

If you look at their catalogue you will find that their stuff is already
quite musical. Violins, vocals, etc...it's all in the mix so to speak.
Better we should let the artists take us where they may

>

Re: (313) friday records (Abacus)

[/0]

are you kidding me??  people have been using real sounds since before
synthetic were available, and they continue to now.  if you think about it,
Im sure you can see how silly this is.  be it samples of instruments or
samples from romplers, real sounds are all over the place and detroit was
not nearly the first to do it, in any context.

- Original Message - 
From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Friday, May 14, 2004 12:03 PM
Subject: Re: (313) friday records (Abacus)


> -- Original Message --
> From: Matt MacQueen <[EMAIL PROTECTED]>
>
> >I don't care for it at all, personally.   It sounds cheap, thin,
> and
> >corny to me.  I have the utmost respect for Rolando and his past
> >productions, as a DJ, a producer, etc...  but I found this record
> just
> >so weak by comparison.  I even like the concept... but the
> execution
> >just didn't cut it IMHO.  Your mileage may vary...
>
> i see it as one of the new UR sounding records that actually seems
> to be doing something wildly different from what is going on
> elsewhere in techno. while VA and real analogue synths as well as
> soft synth recreations of them are still massively popular, it
> seems like UR is taking the ROM or sample based recreations of
> actual instruments and are making future jazz-funk from it. for
> example, the "live" version of hi tech jazz, or the timeline
> version of return of the dragons. my mother's guitarra is just
> like a latin version of that same style that no one else is
> jocking right now. give it time, i bet many copycats will pop up
> using "real" sounds from synths. IMO it gives their tunes a really
> strange plastic hi-fi vibe.
>
> tom
>
> 
> andythepooh.com
>
>
>
>

RE: (313) Stained Clothes

[Peteri, Jochem]

is Utensil back in business?? Claude Young/Terence Dixon Utensil??
mmm looking for a few oldies on it as well
mm

good news?


The information contained in this e-mail communication is solely intended for 
the person/legal person to whom it  has been sent, and as it may contain 
information of a personal or confidential nature, it may not be made public by 
virtue of law, regulations or agreement. If someone other than the intended 
recipient should receive or come into possession of this e-mail communication, 
he/she will not be entitled to read, disseminate, disclose or duplicate it. If 
you are not the intended recipient, you are requested to inform the sender of 
this e-mail message of this immediately, and to destroy the original e-mail 
communication. Neither Randstad Holding nv nor its subsidiaries accept any 
liability for incorrect and incomplete transmission or delayed receipt of this 
e-mail.

(313) Stained Clothes

[Drew Daugherty]

Just picked this JZ 'Stained Clothes' release on Utensil.  Remix 
purports to be by Justin Martin.  Does anyone know where the samples are 
from in this track?  They sound something like 'change clothes and go / 
exchange clothes - furs & gold'.  Then I believe there is another sample 
'Whatcha want me to do?' that kicks in.  Also does anyone know anything 
more about Justin Martin?


-drew

(313) Interesting listening

[313]

A very interesting link, posted on the 313 list:

"OK, so it's not C2 remixing "Hot On The Heels Of Love", but ...

http://www.scannerdot.com/tg/TGScan_Branded_%26_Soldered.mp3  "

After I checked out that link I did a little digging on his site, I came
across a link to the Tate and I found this tasty tidbit:

http://www.tate.org.uk/onlineevents/archive/user_mode_music.htm

RM format of Akufen's performance at the Tate Modern.  Pretty relaxed for
the most part, and kinda' dull to watch...but a really enjoyable listen to
start the day.

There's a few more items of interest (including Vladislav Delay) here:

http://www.tate.org.uk/onlineevents/archive/ 

I never realized what a great resource for arts and culture the Tate website
is.  Sorry if this has been mentioned in the past.

Leslie

RE: (313) Track ID......

[Williams, Graham]

Thanks to everyone..


g
-Original Message-
From: David Gillies [mailto:[EMAIL PROTECTED] 
Sent: 17 May 2004 11:02
To: Williams, Graham
Cc: 313
Subject: Re: (313) Track ID..

David Gillies wrote:

> Maarten Baute wrote:
>
>>> Looking to find out the name of the Moodymann track with someone (I 
>>> think
>>>   
>>
>> it
>>  
>>
>>> might be Prince), speaking about when "being on tour your basically 
>>> bring
>>> your studio with you." I know it's on KDJ, but don't know the
>>>   
>>
>> name.
>>
>> It's KDJ 30, titled "J.A.N."
>>
>
> I'm pretty sure it was Live in LA 1998 (not the version of Silence in 
> the Secret Garden though), not J.A.N. . And the person speaking is the 
> Electrifyin' Mojo, who is interviewing Prince.
>
> Someone a while back actually sent the full transcript of the interview.

OK, had a quick Google. So with the Electrifyin' Mojo samples its J.A.N. 
and without its Live in LA 1998... right?

RE: (313) OT: Scanner remixes Throbbing Gristle (Akufen Mix)

[313]

Very interesting link, thanks for posting.

With a little digging on his site, I came across a link to the Tate and I
found this tasty tidbit:

http://www.tate.org.uk/onlineevents/archive/user_mode_music.htm

RM format of Akufen's performance at the Tate Modern.  Pretty relaxed for
the most part, and kinda' dull to watch...but a really enjoyable listen to
start the day.

There's a few more items of interest (including Vladislav Delay) here:

http://www.tate.org.uk/onlineevents/archive/ 

I never realized what a great resource for arts and culture the Tate website
is.  Sorry if this has been mentioned in the past.

Leslie

-Original Message-
From: Greg Earle [mailto:[EMAIL PROTECTED] 
Sent: Sunday, May 16, 2004 1:51 PM
To: 313@hyperreal.org
Subject: (313) OT: Scanner remixes Throbbing Gristle

OK, so it's not C2 remixing "Hot On The Heels Of Love", but ...

http://www.scannerdot.com/tg/TGScan_Branded_%26_Soldered.mp3

- Greg

Re: (313) Iridite/Frustrated Funk

[Tom Churchill]

And (ahem) check out the Rei Loci on Headspace: 
http://emoticon-headspace.net/infosheets/hs013.html :)


Cheers,

Tom


On 17 May 2004, at 10:43, Brendan Nelson wrote:


If you don't have them already, hunt down the four releases to date
on Iridite Productions - all are crucial. Also, try to get hold of
Rei Loci's "Faction" release on Seventh Sign, which is another EP
of extremely high quality techno music.

Brendan

-Original Message-
From: RAW2019 [mailto:[EMAIL PROTECTED]
Sent: 17 May 2004 10:44
To: [EMAIL PROTECTED]; 'Dr. Nutcracker'; 313@hyperreal.org
Subject: RE: Re: (313) Iridite/Frustrated Funk


Hi all,

Any other recommends in this iridite style ?
Brings back 'the' memories ..

Thx

RAW

Re: (313) Track ID......

[David Gillies]

David Gillies wrote:


Maarten Baute wrote:

Looking to find out the name of the Moodymann track with someone (I 
think
  


it
 

might be Prince), speaking about when "being on tour your basically 
bring

your studio with you." I know it's on KDJ, but don't know the
  


name.

It's KDJ 30, titled "J.A.N."



I'm pretty sure it was Live in LA 1998 (not the version of Silence in 
the Secret Garden though), not J.A.N. . And the person speaking is the 
Electrifyin' Mojo, who is interviewing Prince.


Someone a while back actually sent the full transcript of the interview.


OK, had a quick Google. So with the Electrifyin' Mojo samples its J.A.N. 
and without its Live in LA 1998... right?

AW: (313) Workout Tracks

[Katrin Richter]

I don't work out. I go in clubs and dance. Which makes me get drenched in
sweat. I tried to go to a gym but it bored me to death.
Even with a music playing device I could not entrance myself to the degree I
didn't know how I got there. So I started doing sports outdoors. With real
people.




-Ursprüngliche Nachricht-
Von: Marc Langsman [mailto:[EMAIL PROTECTED]
Gesendet: Freitag, 14. Mai 2004 18:37
An: doris; Thorin Teague
Cc: 313@hyperreal.org
Betreff: Re: (313) Workout Tracks

It'd have to be some Funk/Deeon - Shake what yo mama gave ya !

I have to confess I have actually listened to ghetto in a gym before - makes
the whole experience a lot more amusing :)

peace,
marc

- Original Message -
From: "doris" <[EMAIL PROTECTED]>
To: "Thorin Teague" <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Friday, May 14, 2004 5:35 PM
Subject: Re: (313) Workout Tracks


> carl craig's 'the workout' - duh =P
>
>
> On Fri, 14 May 2004, Thorin Teague wrote:
>
> > Dunno if this ground has already been covered, but I'm curious to know
who
> > likes what tracks/artists for working out? Do you like the more
loud/banging
> > stuff, or more subdued music? I can go either way.
> >
> > I find myself listening to:
> >
> > Dale Lawrence, Plastikman, Green Velvet, Jay Denham, Dopplereffekt, Daft
> > Punk, Suburban Knight, Mad Mike, Rob Hood (c. 1994-1996), and who knows
what
> > else.
> >
> > I generally look to go into sort of a trance (pardon the expression, I'm
in
> > no way referencing euro-cheesehead techno), not unlike what Mr. Cox is
> > describing here.
> >
> > Thomas D. Cox, Jr. writes:
> >
> > > ive been listening to that CD when im working out, it can get
> > > really intense, i close my eyes and when im done, im drenched in
> > > sweat and cant remember how the time went by. its also good for
> >
> >
> >

Re: (313) Track ID......

[David Gillies]

Maarten Baute wrote:


Looking to find out the name of the Moodymann track with someone (I think
   


it
 


might be Prince), speaking about when "being on tour your basically bring
your studio with you." I know it's on KDJ, but don't know the
   


name.

It's KDJ 30, titled "J.A.N."



I'm pretty sure it was Live in LA 1998 (not the version of Silence in 
the Secret Garden though), not J.A.N. . And the person speaking is the 
Electrifyin' Mojo, who is interviewing Prince.


Someone a while back actually sent the full transcript of the interview.

RE: Re: (313) Iridite/Frustrated Funk

[Brendan Nelson]

If you don't have them already, hunt down the four releases to date 
on Iridite Productions - all are crucial. Also, try to get hold of 
Rei Loci's "Faction" release on Seventh Sign, which is another EP 
of extremely high quality techno music.

Brendan

-Original Message-
From: RAW2019 [mailto:[EMAIL PROTECTED]
Sent: 17 May 2004 10:44
To: [EMAIL PROTECTED]; 'Dr. Nutcracker'; 313@hyperreal.org
Subject: RE: Re: (313) Iridite/Frustrated Funk


Hi all,

Any other recommends in this iridite style ? 
Brings back 'the' memories ..

Thx

RAW

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
Sent: Thursday, March 25, 2004 16:31
To: Dr. Nutcracker; 313@hyperreal.org
Subject: Re: Re: (313) Iridite/Frustrated Funk

The new DownLow is excellent!
A1 and B1 really drive me crazy. a superb sequence by Rei Loci on the A1
track! 

Also upcoming on Frustrated Funk is a Partisam Midi record I heard?!?!?!?

RE: Re: (313) Iridite/Frustrated Funk

[RAW2019]

Hi all,

Any other recommends in this iridite style ? 
Brings back 'the' memories ..

Thx

RAW

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
Sent: Thursday, March 25, 2004 16:31
To: Dr. Nutcracker; 313@hyperreal.org
Subject: Re: Re: (313) Iridite/Frustrated Funk

The new DownLow is excellent!
A1 and B1 really drive me crazy. a superb sequence by Rei Loci on the A1
track! 

Also upcoming on Frustrated Funk is a Partisam Midi record I heard?!?!?!?


Greetz, Arne


-Original Message-
Date: Thu, 25 Mar 2004 16:22:33 +0100
Subject: Re: (313) Iridite/Frustrated Funk
From: "Dr. Nutcracker" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>

I second that...
Excellent tracks within different dimensions of deep Techno Soul!

Anyone bought the new Downlow release by Iridite Productions?
At least two essential tracks on it.

: )


Dr. Nutcracker

Re: (313) Track ID......

[Maarten Baute]

> Looking to find out the name of the Moodymann track with someone (I think
it
> might be Prince), speaking about when "being on tour your basically bring
> your studio with you." I know it's on KDJ, but don't know the
name.

It's KDJ 30, titled "J.A.N."

Cheers,
Maarten

(313) Track ID......

[Williams, Graham]

Looking to find out the name of the Moodymann track with someone (I think it
might be Prince), speaking about when "being on tour your basically bring
your studio with you." I know it's on KDJ, but don't know the name.



G

Re: (313) Workout Tracks

[David Beattie]

You can dance in your house - I often find the music
better there than in clubs anyway ;-)

I dont but if I did I think I would look for
inspiration (not just for working out but for getting
it over with as quickly as possible...)

Sinitta - So Macho
Fat Boys - wipeout

and for the ladies anything from Iron Maiden

;-))

Cheers
BT


 --- Erin Bate <[EMAIL PROTECTED]> wrote: >
Actually working out is for "us" who are getting
> older, and for those 
> who don't have enough good club nights in our city
> to get out and dance! ;)
> ~E
> 
> Robert Taylor wrote:
> 
> >Working out is for the people who can't dance!
> >
> >-Original Message-
> >From: robin [mailto:[EMAIL PROTECTED]
> >Sent: Friday, May 14, 2004 3:37 PM
> >To: Thorin Teague
> >Cc: 313@hyperreal.org
> >Subject: Re: (313) Workout Tracks
> >
> >
> >
> >working out?!
> >
> >isn't that what dancing in clubs is for?
> >  
> >
> 
>  

Re: (313) movement lineup

[Phonopsia]

- Original Message - 
From: "/0" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Cc: "Kent williams" <[EMAIL PROTECTED]>; "313 list" <313@hyperreal.org>
Sent: Thursday, May 13, 2004 8:48 PM
Subject: Re: (313) movement lineup


> yes, but not publicly.  unless it was a ploy by the demf folks to attract
> more of an audience.
>
> just because the man mixes records and may have skills doesn't mean he's
> rocked them out before a crowd.
>
> :)
>
> that being said, it was a good time, and hopefully he drew from the
> confidence it no doubt instilled.
>
> thats very important for musicians and performers in general


Well, I played with him and Stewart Walker in Iowa City in '99, so it wasn't
his first public performance. I'd be *really* surprised if that was his
first too.

Tristan
===
http://www.phonopsia.co.uk
[EMAIL PROTECTED]

RE: (313) Workout Tracks

[Odeluga, Ken]

 

Working out is for the people who can't dance! 
[Ken Odeluga] 

Rubbish! Working out is for people who can dance and want to be fit enough
to dance all night!

Naturally, I use the gym as an excuse to keep listening to rough, hard,
minimal techno in my old age.

That 'Caught In The Act' mix by Rob Hood on Logistic is a fave.

k 

 

-Original Message- 
From: robin [mailto:[EMAIL PROTECTED]
 ] 
Sent: Friday, May 14, 2004 3:37 PM 
To: Thorin Teague 
Cc: 313@hyperreal.org 
Subject: Re: (313) Workout Tracks 



working out?! 

isn't that what dancing in clubs is for? 

:) 

robin... 

Thorin Teague wrote: 
> Dunno if this ground has already been covered, but I'm curious to know 
> who likes what tracks/artists for working out? Do you like the more 
> loud/banging stuff, or more subdued music? I can go either way. 
> I find myself listening to: 
> Dale Lawrence, Plastikman, Green Velvet, Jay Denham, Dopplereffekt, Daft 
> Punk, Suburban Knight, Mad Mike, Rob Hood (c. 1994-1996), and who knows 
> what else. 
> I generally look to go into sort of a trance (pardon the expression, I'm 
> in no way referencing euro-cheesehead techno), not unlike what Mr. Cox 
> is describing here. 
> Thomas D. Cox, Jr. writes: 
> 
>> ive been listening to that CD when im working out, it can get really 
>> intense, i close my eyes and when im done, im drenched in sweat and 
>> cant remember how the time went by. its also good for 


# 
Note: 

Any views or opinions are solely those of the author and do not necessarily
represent 
those of Channel Four Television Corporation unless specifically stated.
This email 
and any files transmitted are confidential and intended solely for the use
of the 
individual or entity to which they are addressed. If you have received this
email in 
error, please notify [EMAIL PROTECTED] 

Thank You. 

# 

(313) For Those Who Know...

[Andy Mitchell]

http://www.undergroundresistance.com/missions/m_010.html

(313) naw live in toronto may 21st and 22nd

[Neil Wiernik]

naw live in toronto, canada may 21st and 22nd
info is as follows:

may 21st 2004:
http://www.chillproductions.com/quasimojo/img/Press/052104.jpg

may 22nd 2004:
http://matrix.isoprax.com/Lofty.jpg

see you there...


--
[neil adam wiernik aka naw]
 [EMAIL PROTECTED]
[music available on]
 http://www.noisefactoryrecords.com
 http://www.pieheadrecords.com
 http://www.worthyrecords.com
 http://www.complot.ca
[artist features]
 http://www.clevermusic.net
 http://www.newmusiccanada.com
 http://www.cognitionaudioworks.com
--

(313) 3 Chairs - New LP

[Scott K Ellis]

Just got a flier for a 3 Chairs Album release party at the Majestic in
Detroit on June 5, 2004. Sounds good. Still digging the last release.

Scott

-Original Message-
From: Greg Earle [mailto:[EMAIL PROTECTED]
Sent: Sunday, May 16, 2004 1:51 PM
To: 313@hyperreal.org
Subject: (313) OT: Scanner remixes Throbbing Gristle


OK, so it's not C2 remixing "Hot On The Heels Of Love", but ...

http://www.scannerdot.com/tg/TGScan_Branded_%26_Soldered.mp3

- Greg