Re: (313) Electronic music culture in America
I should amend this - Problem with Minneapolis is Chicago. Many artists overlook our city for that much larger one. at the same time, the proximity to Chicago has allowed Minneapolis to have a healthy house music 'scene' when the techno hasn't been it's starting to balance out now MEK
Re: (313) Electronic music culture in America
On Thu, 7 Oct 2004, Tosh Cooey wrote: All the North Americans I know who have been over to Europe in the last year keep saying the same thing over and over, that electronic music culture in America is dying. Dying? It's been dead since 2001. -- --- DJ Entropy America's #1 Hardcore DJ/Producer http://www.djentropy.com Conservative/Libertarian/Republican/Right-Wing/Constitutionalist/whatevertheliberalmediacallsmethisweek http://www.livejournal.com/users/djentropy http://www.freestateproject.org C.O.C.K. - Conservatives Organized to Crush Kerry http://www.c-o-c-k.org
(313) FUZION
can someone post the new keith tucker duo web page again. it had the Aux Men mix along with some other mixes. ryan _ Express yourself instantly with MSN Messenger! Download today - it's FREE! hthttp://messenger.msn.click-url.com/go/onm00200471ave/direct/01/
Re: (313) Electronic music culture in America
Lester Kenyatta Spence wrote: when i first got on this list i was in my mid twenties with the world in front of me. now i'm in my mid thirties with a growing family that keeps on growing. much harder to go clubbing. Good point, how much of it is due to age? Tosh
Re: (313) Funk Faker
Tristan Watkins wrote: On Wed Oct 6 14:10 , robin [EMAIL PROTECTED] sent: http://www.juno.co.uk/IP/IF141862-01.htm so we gonna see this on vinyl then? from the clips, it's an interesting release. i'd like to see the track House Music as a12 tho. Listenin' to this now. 'Techno Blues' (or whatever people have called it) seems an apt description I think. So any word on vinyl availability dates? I think that's expected to be released in November.
Re: (313) Electronic music culture in America
i used to rave all night in a warehouse now i rave all morning at the gym. time to move to never never land... ...i mean berlin =P On Thu, 7 Oct 2004, Tosh Cooey wrote: Lester Kenyatta Spence wrote: when i first got on this list i was in my mid twenties with the world in front of me. now i'm in my mid thirties with a growing family that keeps on growing. much harder to go clubbing. Good point, how much of it is due to age? Tosh
Re: (313) Electronic music culture in America
age depends on the person. in my teens I raved. in my early twenties I clubbed. in my mid/late twenties I've been all about graduate school. (I'm dragging my ass out to see algorithm in philly tomorrow though!) and I'm looking forward to graduation so I can finally start going out and seeing some of the stuff I'm missing now. I definitely am more of a home body now, and my interests aren't so narrow- but I'm in a bit of an opposite boat 'age' wise. I think politics effects alot of the atmosphere in the states. Could it be that the election year is overshadowing much of what's going on socially? dunno. Perhaps it's just the overall age group and music taste of the list. If we were on a *gasp* 'progressive house' list, would the post be diff't. It seems to be that the people from the states moving to Berlin are of a particular electronic music group of tastes? maybe you can be more insightful there Tosh. Is it about radio? Do they play techno on the radio in Berlin? Does that effect any outcome? You have to remember also when you say Europe it's much easier for people to city hop there. The trains or so much more connected and it's cheaper to travel. The economy is diff't...and face it, economy does effect social/entertainment life. ...just some ideas. diana --- [EMAIL PROTECTED] wrote: i used to rave all night in a warehouse now i rave all morning at the gym. time to move to never never land... ...i mean berlin =P On Thu, 7 Oct 2004, Tosh Cooey wrote: Lester Kenyatta Spence wrote: when i first got on this list i was in my mid twenties with the world in front of me. now i'm in my mid thirties with a growing family that keeps on growing. much harder to go clubbing. Good point, how much of it is due to age? Tosh __ Do you Yahoo!? Read only the mail you want - Yahoo! Mail SpamGuard. http://promotions.yahoo.com/new_mail
(313) 10:09:04: THE FURNACE vol.II issue 2 Release Party this Saturday!]
Original Message Subject: 10:09:04: THE FURNACE vol.II issue 2 Release Party this Saturday! From:Jocelyne Ninneman [EMAIL PROTECTED] Date:Wed, October 6, 2004 5:21 pm To: [EMAIL PROTECTED] -- Yet another issue of THE FURNACE loose on the streets SATURDAY . OCTOBER 9 . 2004 The Corktown Press proudly presents the 5th edition of Detroit's literary arts journal THE FURNACE volume II . issue 2 exposUre at yet another fabulous release party: 8pm - 1am ___ at The Display Group Warehouse 1700 West Fort St. [between Trumbull Rosa Parks] __ featuring live performances from: KINDRED feat. Detroit's musical legend, Faruq Z. Bey, Joel Peterson, Kevin Kalloway, and Kenny Green The one-man band, FRANK PAHL DJ Greg Mudge Art Exhibit by the ARTIST GUILD of DETROIT *ample refreshments provided __ Tickets: $10 advance | $15 door *ticket includes a FREE copy of the fresh Furnace! Pre-Sale available at the following locations: Cafe de Troit : 1260 Library St. near E. Grand River Ave. Idle Kids: 3535 Cass Ave. near MLK Blvd. | Detroit Summer For more information pre-sale tickets: V.II i.2 features: Graffiti in the Cut Shrinking Cities Motor City Record Labels kick-out the jams: Cass Records . Ersatz Audio . timestereo fiction poetry art cartoons you. check it. ::: SPONSORS: www.thedetroiter.com www.detroitsynergy.org Cafe de Troit Motor City Brewing Works Idle Kids Find the music you love on MSN Music. Start downloading now!
Re: (313) 10:09:04: THE FURNACE vol.II issue 2 Release Party this Saturday!]
looks like you guys are gonna have fun up there in the d, On Wednesday, October 6, 2004, at 07:31 PM, [EMAIL PROTECTED] wrote: Original Message Subject: 10:09:04: THE FURNACE vol.II issue 2 Release Party this Saturday! From:Jocelyne Ninneman [EMAIL PROTECTED] Date:Wed, October 6, 2004 5:21 pm To: [EMAIL PROTECTED] --- --- Yet another issue of THE FURNACE loose on the streets SATURDAY . OCTOBER 9 . 2004 The Corktown Press proudly presents the 5th edition of Detroit's literary arts journal THE FURNACE volume II . issue 2 exposUre at yet another fabulous release party: 8pm - 1am ___ at The Display Group Warehouse 1700 West Fort St. [between Trumbull Rosa Parks] __ featuring live performances from: KINDRED feat. Detroit's musical legend, Faruq Z. Bey, Joel Peterson, Kevin Kalloway, and Kenny Green The one-man band, FRANK PAHL DJ Greg Mudge Art Exhibit by the ARTIST GUILD of DETROIT *ample refreshments provided __ Tickets: $10 advance | $15 door *ticket includes a FREE copy of the fresh Furnace! Pre-Sale available at the following locations: Cafe de Troit : 1260 Library St. near E. Grand River Ave. Idle Kids: 3535 Cass Ave. near MLK Blvd. | Detroit Summer For more information pre-sale tickets: V.II i.2 features: Graffiti in the Cut Shrinking Cities Motor City Record Labels kick-out the jams: Cass Records . Ersatz Audio . timestereo fiction poetry art cartoons you. check it. ::: SPONSORS: www.thedetroiter.com www.detroitsynergy.org Cafe de Troit Motor City Brewing Works Idle Kids Find the music you love on MSN Music. Start downloading now!
Re: (313) Claude's Laptop stolen
people that steal laptops should have their legs ground and fed to them. -Joe - Original Message - From: Wildtek Concept / DJ Dimitri Pike [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, October 06, 2004 3:17 PM Subject: (313) Claude's Laptop stolen One or more unknown persons stole his Apple Notebook in the night between 1st and 2nd October and inflicted him a massive loss. During or after his gig in the Prison Club Straßkirchen/Germany somebody of the people in the club stole his Notebook. On the Apple Notebook are all tracks wich he requieres urgent to play on his next gigs, likewise all his private and business information, too. This is an unbelievable loss in financial and private respect. Maybe all following gigs have to be canceled, if the Notebook will not be recovered. We ask for all, to contact mailto:[EMAIL PROTECTED] who know something about it. You can also use the contact form at http://www.claudeyoung.de Please propagate this mail... Thanks for your help Prison Crew + Bikini BPM -- Dimitri Pike http://wildtek.free.fr http://groups.msn.com/313TechnoMusic
Re: (313) Electronic music culture in America
im waiting the first wave of sound-alike records from the We-all-moved-to-germany crowd. well, not waiting... - Original Message - From: [EMAIL PROTECTED] To: Tosh Cooey [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Wednesday, October 06, 2004 8:00 PM Subject: Re: (313) Electronic music culture in America i used to rave all night in a warehouse now i rave all morning at the gym. time to move to never never land... ...i mean berlin =P On Thu, 7 Oct 2004, Tosh Cooey wrote: Lester Kenyatta Spence wrote: when i first got on this list i was in my mid twenties with the world in front of me. now i'm in my mid thirties with a growing family that keeps on growing. much harder to go clubbing. Good point, how much of it is due to age? Tosh
(313) playlist WNUR Chicago - 1 Oct 2004 - DJ Patrick Russell, Detroit
Clinically Inclined 1 October 2004 Fridays 9:30pm - 12:00am, 89.3 FM WNUR Chicago http://SonicSunset.com --- download this show part 1 EZ warm-up set welcoming Danny Wang to Chicago for a DJ gig, lush warm electronic disco done only the way he can. 'Misty' is the old jazz standard performed on Theramin! (sorry guys...) plus ultra-deep house abstraction from Further Details. Chicago's own Common Factor shows us how to Get Down, and an early celestial funk track from UK's Space DJz. part 2 I am EXTRA jacked to welcome an old Michigan friend Patrick 'Hustle' Russell from Detroit (Record Time / Mentalux), who has earnestly DJ'd everything from Lansing warehouse parties to DEMF 2001. Patrick always digs deep into his bottomless crates to deliver an expansive set for the real heads. Top shelf selections, all programmed from the heart. part 1 Matt MacQueen Daniel Wang - Free Lovin' (Housedream) - The Morning Kids (Balihu) Daniel Wang - Let's Go To Mars - Subtle Shuttle (Balihu) Daniel Wang - Misty - Idealism (Environ) Furthur Details - Can't Go Early - Volume Two (A Touch of Class) Common Factor - Get Down - Expanded (Planet e) 3 Chairs - Dreamz - 3 (3 Chairs) Space DJz - Celestial Funk - On Manoeuvres In Uncharted Territories (infonet) Jeanette Thomas - Shake Your Body - Chicago Boogie vol. 3 (Eskimo / Rush Hour) House Gang - Cool J Trax - Hittrax II (I.H.R.) 1988 Kenny Jammin Jason - Jam Track - Jam Tracks (DJ International) 1985 Yellow House - Jack My Body [Beated by Farley] (Dance Mania) 1987 part 2 Patrick Russell - Record Time / Mentalux, Detroit new york citi peech boys - life is something special (accapella) - island franck roger - mambo - brs alexander robotnik - dance boy dance - mental groove wet - that's the game - std velodrome - capataz - news catacombus - catacombus - stilleben omar s - oasis collaboration #1 - white electric funk - on a journey - prelude theo parrish - ugly edit #6 - white black devil - timing forget the timing - rephlex mayday - freestyle - pheerce citi severed heads - dead eyes opened (remix three) - nettwerk fingers inc - i'm strong (track) - jack trax fingers inc - i'm strong (bonus beats) - alleviated joe r lewis - sometimes i - target mix your own stars - track three - break macho - i'm a man - prelude a certain ratio - knife slits water - soul jazz flying lizards - steam away - joe r lewis - change reaction (headache mix) - target mixx/blood/camero - psychotic house - saber rinder/lewis - gluttony - avi severed heads - petrol (remix five) - nettwerk glass domain - interlock - clone grant - dance - precision Download this and past shows as MP3 -- http://SonicSunset.com ---
Re: (313) Electronic music culture in America
when i first got on this list i was in my mid twenties with the world in front of me. now i'm in my mid thirties with a growing family that keeps on growing. much harder to go clubbing. Good point, how much of it is due to age? we had a discussion with a slightly different focus last year about this. there was a thread that asked for anyone under the age of 25 on this list to pipe up. i think there was one person. i think the rubbishing of things like electroclash on here might be an age thing, for example. robin...
RE: (313) Is this the new Swayzak sound?
On the music doesn't sell as much as it used to... tip - I've read that while record sales are going down, tickets for concerts are going up very fast... Is it the same in the US and Australia as well, or just some European cultural exception ? Gwendal -Message d'origine- De : Cyclone Wehner [mailto:[EMAIL PROTECTED] Envoyé : Wednesday, October 06, 2004 6:19 PM À : 313 Detroit Objet : Re: (313) Is this the new Swayzak sound? Music isn't selling as it used to, period. The market is in transition and no one knows where it's heading. I think it's some kind of technological revolution that we don't completely understand as of yet. There does seem to be a trend for underground acts to set themselves up as bands, get a singer, and make something more organic, perhaps less 'faceless'. I don't think it's necessarily cynical as after all most grew up with bands like Depeche Mode or whatever (many techno types here are old goths, weirdly, who are rediscovering their love of bands like The Cure) and that's a genuine avenue of exploration for a maturing producer. But at the same time I hear a lot of tracks with vocals, not songs, and when the music is like that it's not especially memorable, doesn't stand out, doesn't click. I'm not sure what I'm trying to say - I'm not a slave to pop structures, but... I think Technasia make brilliant techno 'songs' with hooks and the vocals and everything - superb. The songs with Charles Siegling and their instrumentals are first-rate. I am sure with a different marketing strategy (and some money for videos, ha ha) they could have become a techno Daft Punk without changing their music at all.
RE: (313) Is this the new Swayzak sound?
Cobert, Gwendal wrote on Thu, 7 Oct 2004 about following: On the music doesn't sell as much as it used to... tip - I've read that while record sales are going down, tickets for concerts Dunno bout concerts, but I recently read that most major record companies are saying that cd sales are going up for a change. sakke
Re: (313) Claude's Laptop stolen
So sad... Everythings need to be underlocked and watch over conscientiously :( I know that at the Rex Club they are like this now. Cause you see the dj's booth has a sliding window upon the dancefloor. And Djs like to keep it open in order to be 'closer' to the crowd. And happened ? Some people has stolen the turntable's needles! While the Dj where spinning, looking for a vinyl in his case !! Peww... = For ryan, the Fuzion's page : http://www.stereolize.org/fuzion.html = - KiDDy. - Original Message - From: /0 [EMAIL PROTECTED] To: Wildtek Concept / DJ Dimitri Pike [EMAIL PROTECTED]; 313@hyperreal.org Sent: Thursday, October 07, 2004 5:45 AM Subject: Re: (313) Claude's Laptop stolen people that steal laptops should have their legs ground and fed to them. -Joe - Original Message - From: Wildtek Concept / DJ Dimitri Pike [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, October 06, 2004 3:17 PM Subject: (313) Claude's Laptop stolen One or more unknown persons stole his Apple Notebook in the night between 1st and 2nd October and inflicted him a massive loss. During or after his gig in the Prison Club Straßkirchen/Germany somebody of the people in the club stole his Notebook. On the Apple Notebook are all tracks wich he requieres urgent to play on his next gigs, likewise all his private and business information, too. This is an unbelievable loss in financial and private respect. Maybe all following gigs have to be canceled, if the Notebook will not be recovered. We ask for all, to contact mailto:[EMAIL PROTECTED] who know something about it. You can also use the contact form at http://www.claudeyoung.de Please propagate this mail... Thanks for your help Prison Crew + Bikini BPM -- Dimitri Pike http://wildtek.free.fr http://groups.msn.com/313TechnoMusic
Re: (313) Underated Producers
so alex what makes you sit on your perch and talk smack. probably just that. you don't know me or my crew or what we are about or who we support... you're right, I don't. just tried to find your website via google. it says this: Hi Welcome to Good Tree Records Official Website We are under serious construction right now Please come back at a later date. If you need to contact us you can do so at [EMAIL PROTECTED] Thanks So, I tried. Yes, I'm the idiot. Thought that was a given here. I kinda gave up worrying what people think a while ago. Thought that was obvious given the absolute rubbish I spout here on a daily basis. Look, here's the deal. You posted that thing, I left you out of it. Then after a few days and it was still rumbling on, I got bored and thought sod it, and took a pop at you, as you're the only way we have of communicating with this guy. So, OK, I apologise. I shouldn't have took a pop at you. cause i don't see [EMAIL PROTECTED] from you. You don't see [EMAIL PROTECTED] from me, cos I ain't got no [EMAIL PROTECTED] to show off. Not sure what you're saying? To have an opinion on this list you have to be doing something? except to use this list as your personal record spotter Well, I always tak about records because a) I'm interested in them, and b) I haven't got anything else more worthwhile to say. Thought talking about records was OK though? thought that was on topic? and to let people know how down you are.. I am so down with the kids it hurts me. I own three Mathew Jonson records ffs. FACT. I am down with the kids big time. so if you have something to say about me or my crew say it... I haven't really I suppose, just thought you were being a bit daft by posting that thing, that's all. Nowt personal, and also you're probably right, I'm sure we would agree on a lot of things. Anyway, sorry to carry subject on list. My last word, hopefully it's the end (providing I've not managed to offend Mike and his crew any more) Alex _ - End of message text Is your business ready for the new era of accounting? http://www.ifrs.co.uk This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) Electronic music culture in America
I believe the age thing is a big factor. Which is why I was so focused on the misguided marketing or promoting of techno. I think I would be safe to say that most electronic music is marketed towards a 25 and under crowdi.e. dance night clubs, raves, bars, small records stores, cliché' magazines,,etc. But for most larger cities and small cities the 25 to 40 crowd is the largest in population demographic. Come on we have to be honest, once we hit 30 it's hard to make it to these late night events with all of our other responsibilites. I'm starting to promote my live P.a.'s to Daytime,weekend festivals, Gallery Crawls,Park festivals, Car shows, Electronics or computer events, etc. and I'm getting way better response not to mention better pay. WAY more people actually buy c.d's and ask for contact information. The music at these events are usually reserved for Rock/top 40 or even some hip-hop. After getting booked I asked why aren't more electronic music being showcased and the event coordinator would state simply,,, No one from that music approaches me. For 25 years techno in america has been marketed to a demographic that's getting smaller and smaller and more divided. Of the number of 25 and under group, most are into hip-hop and top 40 and the rest are even more divided now days between the plethora of sub-genres within electronic music. Our techno shows very rarely pull progressive house heads or d-n-b crowds and vice-versa. An come to think of it, Even within 25 and under crowds we're poorly marketed. How many 18 year old non d.j.'s actually buy vinyl? Why is it that in almost every University sponsered event electronic music is missing in action with the exception of the occasional big name trance d.j. hear and there.? How do we expect for american, electronic music culture to grow, when our music is only expose to such a small portion of the population. I guess I'm ranting now, but a bunch of us down here in the south have been discussing this very thing. -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: Thursday, October 07, 2004 4:54 AM To: 313 Org Subject: Re: (313) Electronic music culture in America when i first got on this list i was in my mid twenties with the world in front of me. now i'm in my mid thirties with a growing family that keeps on growing. much harder to go clubbing. Good point, how much of it is due to age? we had a discussion with a slightly different focus last year about this. there was a thread that asked for anyone under the age of 25 on this list to pipe up. i think there was one person. i think the rubbishing of things like electroclash on here might be an age thing, for example. robin...
(313) 3 Acid Tracks
here are some new analogue tracks ive done http://www.feedthemachine.org/getacidhoused.mp3 http://www.feedthemachine.org/bangtheacid.mp3 http://www.feedthemachine.org/anotheracidtrack.mp3 =)
(313) new records
has anyone heard a) the new Mahogani? b) the new Chez Damier? c) the new Carl Craig on Planet E? any good? _ - End of message text Is your business ready for the new era of accounting? http://www.ifrs.co.uk This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) who is....
...this Wajeed fellow who I saw dj'ing last night? He's from Detroit right? any mixtapes anywhere? he was dropping some nice stuff but I had to get off. thanks in advance Alex _ - End of message text Is your business ready for the new era of accounting? http://www.ifrs.co.uk This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) FW: Market elec music vs educate (Was: Electronic music culture in America)
-Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, October 07, 2004 10:12 AM To: Redmond, Ja'Maul; robin; 313@hyperreal.org Subject: Market elec music vs educate (Was: Electronic music culture in America) I also believe the 'age question' and the marketing of electronic music is an important factor in the success and distribution of the music. I also get the feeling most events/clubs/artists/hypes are marketed towards an audience that is generally a lot younger than most people on the list/most people who have been into techno since the beginning. Ask the average sixteen-year old visitor of a big techno event who invented techno and I wouldn't be surprised if some say Adam Beyer or Sven Väth. I've been thinking a lot about the question whether it's worth the trouble of trying to (re)educate them kids, but I'm afraid it's a collossal task that's not realistic. So let me throw this question into the group then: If you wanted to reach a younger, less-educated crowd with the intention of giving them some insight in the history of the music, how would you go about? John I believe the age thing is a big factor. Which is why I was so focused on the misguided marketing or promoting of techno. I think I would be safe to say that most electronic music is marketed towards a 25 and under crowdi.e. dance night clubs, raves, bars, small records stores, cliché' magazines,,etc. But for most larger cities and small cities the 25 to 40 crowd is the largest in population demographic. Come on we have to be honest, once we hit 30 it's hard to make it to these late night events with all of our other responsibilites. I'm starting to promote my live P.a.'s to Daytime,weekend festivals, Gallery Crawls,Park festivals, Car shows, Electronics or computer events, etc. and I'm getting way better response not to mention better pay. WAY more people actually buy c.d's and ask for contact information. The music at these events are usually reserved for Rock/top 40 or even some hip-hop. After getting booked I asked why aren't more electronic music being showcased and the event coordinator would state simply,,, No one from that music approaches me. For 25 years techno in america has been marketed to a demographic that's getting smaller and smaller and more divided. Of the number of 25 and under group, most are into hip-hop and top 40 and the rest are even more divided now days between the plethora of sub-genres within electronic music. Our techno shows very rarely pull progressive house heads or d-n-b crowds and vice-versa. An come to think of it, Even within 25 and under crowds we're poorly marketed. How many 18 year old non d.j.'s actually buy vinyl? Why is it that in almost every University sponsered event electronic music is missing in action with the exception of the occasional big name trance d.j. hear and there.? How do we expect for american, electronic music culture to grow, when our music is only expose to such a small portion of the population. I guess I'm ranting now, but a bunch of us down here in the south have been discussing this very thing. -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: Thursday, October 07, 2004 4:54 AM To: 313 Org Subject: Re: (313) Electronic music culture in America when i first got on this list i was in my mid twenties with the world in front of me. now i'm in my mid thirties with a growing family that keeps on growing. much harder to go clubbing. Good point, how much of it is due to age? we had a discussion with a slightly different focus last year about this. there was a thread that asked for anyone under the age of 25 on this list to pipe up. i think there was one person. i think the rubbishing of things like electroclash on here might be an age thing, for example. robin...
Re: (313) who is....
I have something somewhere Alex...If I can find it, I'll stick it up... Martin - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, October 07, 2004 6:47 AM Subject: (313) who is ...this Wajeed fellow who I saw dj'ing last night? He's from Detroit right? any mixtapes anywhere? he was dropping some nice stuff but I had to get off. thanks in advance Alex _ - End of message text Is your business ready for the new era of accounting? http://www.ifrs.co.uk This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) Fwd: Fri. Joakim of Tigersushi plays softcurls
more detailz: Begin forwarded message: Date: October 7, 2004 9:58:25 AM CDT To: [EMAIL PROTECTED] Subject: Fri. Joakim of Tigersushi plays softcurls This Friday Soft Curls is happy to bring you, all the way from Paris... JOAKIM (TIGERSUSHI) when: Fri. october 8 (10pm) where: OSLO (1456 woodward ) price: $10 / $5 advance (email names to [EMAIL PROTECTED] for guestlist) links: http://www.soft-curls.com/joakiminfo.htm http://www.osloworld.com/ http://www.tigersushi.com/ Trained in classical music at the prestigious National Conservatory of Versailles, Joakim took an unexpected, though welcome, detour afterwards. In addition to running the esteemed Tigersushi label, Joakim produces delightfully off-kilter house with disco, electro, and all around maniacal influences. He's also crafted robo-soul downtempo oddities like Woundelife on Brayt a Cool, a recent contribution to Radio Colette No. 2. The eclectic remixes under his belt range from tracks by everyone from Carl Craig and Max Berlin to Air and the Detroit Grand Pubahs. This Friday, he presides as the French ambassador of punk-funk and Detroit-inspired machine funk, alongside Soft-Curls resident loser Scott Zacharias.
Re: (313) FW: Market elec music vs educate (Was: Electronic music culture in America)
If you wanted to reach a younger, less-educated crowd with the intention of giving them some insight in the history of the music, how would you go about? I say send them to that torture camp you've got. Guantanamo Bay? But, in reality, they'll only learn about it if they want to. Maybe if the resources are there for them to look into it if they want to, then thats a start. e.g. Techno Rebels book, or a good site on the subject? But I still say torture and intimidation is the best method. _ - End of message text Is your business ready for the new era of accounting? http://www.ifrs.co.uk This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) new records
On 7 Oct 2004, at 15:45, [EMAIL PROTECTED] wrote: has anyone heard a) the new Mahogani? piranhahead? i heard clips of that and one track sounds really nice. you'd like it i would have thought. b) the new Chez Damier? which one? there's a couple of 10s out at the mo by chez and the cru (on atal) the best one imo is the gathering vol1. prescription style depth on one side. the other side is a bit too sophisticated for me :) (a is vol2 as i didn't pick that up). there's a 12 out as well that i've not heard. c) the new Carl Craig on Planet E? ooh didn't know about that one. robin...
Re: (313) FW: Market elec music vs educate (Was: Electronic music culture in America)
Redmond, Ja'Maul wrote: So let me throw this question into the group then: If you wanted to reach a younger, less-educated crowd with the intention of giving them some insight in the history of the music, how would you go about? Are you talking about an educational setting, where you get to talk to them? Or are you talking about playing a gig, and having them get it? Dunno about option 2. As for option 1: Start by talking to them about music they already care about, and then step incrementally backwards in time. This seems to work sometimes for teachers who teach classical music to kids who really don't want to learn about classical music. -- Dennis DeSantis www.dennisdesantis.com
Re: (313) new records
b) the new Chez Damier? which one? there's a couple of 10s out at the mo by chez and the cru (on atal) the best one imo is the gathering vol1. prescription style depth on one side. the other side is a bit too sophisticated for me :) (a is vol2 as i didn't pick that up). there's a 12 out as well that i've not heard. dunno! will check, thank you Robin. _ - End of message text Is your business ready for the new era of accounting? http://www.ifrs.co.uk This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Fwd: Fri. Joakim of Tigersushi plays softcurls
Hmm. Talking of Joakim. That mix he did of Clashing Egos he did was brilliant. Check check check. And something else I never knew, that Clashing Egos is Max 404. Brilliant I hear you say. _ - End of message text Is your business ready for the new era of accounting? http://www.ifrs.co.uk This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) Fwd: Fri. Joakim of Tigersushi plays softcurls
yeah erwin shaky knees van moll he´s oldschool does nice dieskoow edits too i heard ; ) -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: donderdag 7 oktober 2004 17:10 To: 313@hyperreal.org Subject: Re: (313) Fwd: Fri. Joakim of Tigersushi plays softcurls Hmm. Talking of Joakim. That mix he did of Clashing Egos he did was brilliant. Check check check. And something else I never knew, that Clashing Egos is Max 404. Brilliant I hear you say. _ - End of message text Is your business ready for the new era of accounting? http://www.ifrs.co.uk This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
Re: (313) FW: Market elec music vs educate (Was: Electronic music culture in America)
So let me throw this question into the group then: If you wanted to reach a younger, less-educated crowd with the intention of giving them some insight in the history of the music, how would you go about? umm do a mix cd of older italo and chicago/acid house with some current (from the less noisey end of things) electroclash and market it at that crowd? (i think output and that lot are doing that tho...is it working? london people might know) i think a lot of electrodisco etc etc would appeal to some tranceheads too. the obvious example cos of the heritage of the producers is unit 4 'bodydub'. i think if a lot of the people into trance could hear mathew jonson in a club they might be swayed too. (can you tell i have friends who are into trance? :) ) i'm speaking of a UK angle tho (and i'm in my 30s so wtf would i know about what the kids are into, ask alex he's down :) ), this may differ wherever you are in the world. robin...
RE: (313) Is this the new Swayzak sound?
I either read an article about this or heard it on NPR - sales are going up on CDs because of downloading. People are becoming music fanatics again and they are using the downloading process to audition music. If I recall, there was a record shop owner in some college town who was afraid that since most students were downloading music his business would drop. It did immediately but is now picking up quickly. What more, the college kids are buying vinyl because they appreciate the format's sound and packaging. wish I could remember where I heard/read it. MEK Sakari Karipuro [EMAIL PROTECTED]To: 313 313@hyperreal.org iposti.net cc: Subject: RE: (313) Is this the new Swayzak sound? 10/07/2004 04:30 AM Cobert, Gwendal wrote on Thu, 7 Oct 2004 about following: On the music doesn't sell as much as it used to... tip - I've read that while record sales are going down, tickets for concerts Dunno bout concerts, but I recently read that most major record companies are saying that cd sales are going up for a change. sakke
RE: (313) Is this the new Swayzak sound?
At 11:15 AM 10/7/2004, [EMAIL PROTECTED] wrote: If I recall, there was a record shop owner in some college town who was afraid that since most students were downloading music his business would drop. It did immediately but is now picking up quickly. What more, the college kids are buying vinyl because they appreciate the format's sound and packaging. i wish that was the rule. two out of the three independent record stores near my old school have gone out of business. one of the nicest shops in providence closed not long ago as well. now it may very well be that these are due to new competition from FYE and Newbury Comics, but considering that the old shops were in walking distance of college campuses and the new ones are much farther, i doubt it. -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || [EMAIL PROTECTED]
(313) RE: Funk Faker (was: Is this the new Swayzak sound?)
On Thu, 7 Oct 2004 [EMAIL PROTECTED] wrote: What more, the college kids are buying vinyl because they appreciate the format's sound and packaging. I would appreciate if the whole Funk Faker album would be released on vinyl for the same reasons as mentioned above... Also because I don't own a cd-player a the moment and I would like to listen it without booting up my computer. _And_ I still don't like to play my dj-sets from cd's (user interface still sucks compared to vinyl and the sound isn't as good, but that's my opinion only). Jussi Lehtonen Metaprogram yourself.
Re: (313) Underated Producers
just tried to find your website via google. it says this: Hi Alex, Mike had a direct link to the site below his name in the email he sent you, but I looked into it this morning. It looks like the Vhosts file that our ISP is using, reverted back to a test config. It's been removed, so that the method you got to the site,shows the proper site. If you're still curious: http://www.RenegadeRhythms.com As Mike said, the sites in the process of being revamped but at least our history back to 99 you can check out, for our history back to 88, you'll have to wait for the new site. Cheers... Dave
(313) out of the loop
No not the very nice Manchester / NYC label but me as I've been so busy working at work I haven't been able to do other things! Are other 313 list peeps cursed with this affliction? It amazes me (as a person with access to a PC at work only) how some of you find the time (and please don't misconstrue this, this is an honest question/comment not a dig) to find all the stuff on the net etc. that you do. Just occasionally I have the time to follow one of your links to Little Detroit or some similar site of goodness which I immediately run away from as there's no way I can handle all the information (I'm the type who can't seem to get the hang of skimming things) it looks like might be there! So many of you put up links to mixes etc. for which I'm really grateful but I just put those posts in a folder which I kid myself I'll one day have the time to come back to and listen to them all. In reality I never seem to have time to listen to my records let alone yours! Don't know what I'm on with here - just searching for a tell me about it from a kindred soul I guess. I will now try to post responses to several of the last few days' issues - though I'll try to keep schtum on the biggie - apart from to say the killer was having to trawl through what seemed like 1000 posts on the subject (could Charles Coke-Smyth [nice moniker] try to post more legibly, I spent 10 minutes trying to figure out whether you were dissing Stasis as well as Misteeq in one post - both heresy) only to have the gentleman (see how desperate I am not offend you Mike and open the whole can of worms again) who posted the stinker (sorry, not that desperate then :-) in the first place then say it had been posted to get a reaction and people had fallen for it. Francis
RE: (313) who is....
Is it the Platinum Pied Pipers guy Alex? Don't know anything except they have stuff on Ubiquity so maybe their site? He seems to be doing a lot round these parts at present. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] To: 313@hyperreal.org Subject: (313) who is ...this Wajeed fellow who I saw dj'ing last night? He's from Detroit right? any mixtapes anywhere? he was dropping some nice stuff but I had to get off. thanks in advance Alex
FW: (313) new records
No, what is it? On the c2 vibe I've got a recording of The Drummers (I think) which was on Giles Peterson's radio show recently and is him and his live extended version of Throw etc. (as you can tell as per my previous post I've recorded this but not had a chance to listen to it!) which I could try ad figure out how to make accessible (damning the legality) to peeps who are interested? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Subject: (313) new records has anyone heard c) the new Carl Craig on Planet E?
RE: (313) Manchester heads up Bonfire Night (a bit spam)
Why the cloak and dagger? It plainly says on Eyes Down's site it's KDJ. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Subject: (313) Manchester heads up Bonfire Night (a bit spam) Right. You'll all have to trust me if you're within reasonable driving distance of Manchester. What I'm saying is this. As soon as you see any tickets on sale for the Roadhouse for Bonfire Night (5th Nov), buy one or two immediately. Can't say who's on, but trust me, you'll want to go. Thanks. And don't say I didn't warn you. Alex
Re: (313) Electronic music culture in America
Damn you kids with 116+ posts in a day. Anyway, in answer to Toshie's questions: I think that part of it has to do with the way in which the discotheque tradition never completely died in Europe and continues today. When I was living in Toronto, the phrase let's do something tonight more often led to a round of beers at a pub than a night dancing. My experience elsewhere in North America has been similar. When you think about it, dance music's 'big break' in North America occurred as a repackaging of American (read: Chicago/Detroit/NYC) music by the booming European market. So we were getting into a European scene's re-reading of an earlier Chicago/Detroit/NYC scene, and it was fighting against the hostile post-disco legacy of the 80's in N. America. Interestingly enough, the N American 'scene' that has kept up a strong tradition of dance music up until now is the gay club scene. The styles have shifted and you're more likely to hear 'tribal' and 'circuit' flavours rather than techno or chicago-styled house, but the tradition(s) continue. It was mostly in these scenes that the remnants of disco percolated and eventually morphed into the Chicago house and NY garages scenes, so I wonder if this scenario might replay itself again. Hmmm. Luis On Wednesday, October 6, 2004, at 05:25 PM, Tosh Cooey wrote: All the North Americans I know who have been over to Europe in the last year keep saying the same thing over and over, that electronic music culture in America is dying. No clubs, all the smaller cities are non-existent for a DJ/live performance, etc. how true is this? I have seen some evidence via some of the labels I work with having trouble setting up tours that get outside of New York, Chicago, San Fran/LA. Is it really that bad? What would some of the reasons be? How would this be connected to the previous discussion about techno not selling? Tosh -- McIntosh Cooey - Twelve Hundred Group LLC - http://www.1200group.com/ Politics is parlour tricks. -W. Jean
RE: (313) FW: Market elec music vs educate (Was: Electronic music culture in America)
But, in reality, they'll only learn about it if they want to. -- Yes, I think that is what it boils down to. I've met people with no connection to techno or electronic music, but who were still interested to hear how this music came together. And then I've met techno fans who were not just merely interested in drum loop techno, but this sort of drumlooptechno, with that sort of compressor sound. Anything else? No, sorry, not interested. Maybe if the resources are there for them to look into it if they want to, then thats a start. e.g. Techno Rebels book, or a good site on the subject? -- I guess this is what I had in mind. Different ways to expose people to the information so that, if they are interested, they can at least find it. But I still say torture and intimidation is the best method. -- Always willing to fall back on that one if all else fails. ;-) John _ - End of message text Is your business ready for the new era of accounting? http://www.ifrs.co.uk This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) playlist WNUR Chicago - 1 Oct 2004 - DJ Patrick Russell, Detroit
-Original Message- From: Matt MacQueen [mailto:[EMAIL PROTECTED] Sent: 07 October 2004 05:53 To: 313 Cc: david siska Subject: (313) playlist WNUR Chicago - 1 Oct 2004 - DJ Patrick Russell, Detroit Clinically Inclined 1 October 2004 Fridays 9:30pm - 12:00am, 89.3 FM WNUR Chicago http://SonicSunset.com --- download this show Part two of this is dope BTW. Does Patrick Russell play out much? Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
RE: (313) playlist WNUR Chicago - 1 Oct 2004 - DJ Patrick Russell, Detroit
Part two of this is dope BTW. Does Patrick Russell play out much? patrick never plays out which is a shame. i definately classify him in the ranking of plaslaiko, souffront, geiger and the other detroit kids. is this archived? Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
RE: (313) Manchester heads up Bonfire Night (a bit spam)
-Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 07 October 2004 18:52 To: 313@Hyperreal.Org Subject: RE: (313) Manchester heads up Bonfire Night (a bit spam) Why the cloak and dagger? It plainly says on Eyes Down's site it's KDJ. Also not terribly hard to guess when you check Plastic People's Sunday that same weekend. ;) Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Is this the new Swayzak sound?
Yes, that is very true for Australia, but I have no figures. Alicia Keys' latest record is considered a commercial failure (to BMG's dismay, many of the staff believed in what is an extraordinary record) yet her Australian shows have sold out. I think people - young people - are putting money in mobile phones and so don't have as much money for records. They download. Also people spend money on live shows and download music. Many a musician says that touring, not record sales, is their main source of income these days. Australia has always had a strong live circuit though. -- From: Cobert, Gwendal [EMAIL PROTECTED] To: 313 Detroit 313@hyperreal.org Subject: RE: (313) Is this the new Swayzak sound? Date: Thu, 7 Oct 2004 7:03 PM On the music doesn't sell as much as it used to... tip - I've read that while record sales are going down, tickets for concerts are going up very fast... Is it the same in the US and Australia as well, or just some European cultural exception ? Gwendal -Message d'origine- De : Cyclone Wehner [mailto:[EMAIL PROTECTED] Envoyé : Wednesday, October 06, 2004 6:19 PM À : 313 Detroit Objet : Re: (313) Is this the new Swayzak sound? Music isn't selling as it used to, period. The market is in transition and no one knows where it's heading. I think it's some kind of technological revolution that we don't completely understand as of yet. There does seem to be a trend for underground acts to set themselves up as bands, get a singer, and make something more organic, perhaps less 'faceless'. I don't think it's necessarily cynical as after all most grew up with bands like Depeche Mode or whatever (many techno types here are old goths, weirdly, who are rediscovering their love of bands like The Cure) and that's a genuine avenue of exploration for a maturing producer. But at the same time I hear a lot of tracks with vocals, not songs, and when the music is like that it's not especially memorable, doesn't stand out, doesn't click. I'm not sure what I'm trying to say - I'm not a slave to pop structures, but... I think Technasia make brilliant techno 'songs' with hooks and the vocals and everything - superb. The songs with Charles Siegling and their instrumentals are first-rate. I am sure with a different marketing strategy (and some money for videos, ha ha) they could have become a techno Daft Punk without changing their music at all.
RE: (313) playlist WNUR Chicago - 1 Oct 2004 - DJ Patrick Russell, Detroit
-Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 07 October 2004 19:49 To: Tristan Watkins Cc: 'Matt MacQueen'; '313'; 'david siska' Subject: RE: (313) playlist WNUR Chicago - 1 Oct 2004 - DJ Patrick Russell, Detroit Part two of this is dope BTW. Does Patrick Russell play out much? patrick never plays out which is a shame. i definately classify him in the ranking of plaslaiko, souffront, geiger and the other detroit kids. That's a shame, because his selection and skills are way up there. Peepz in Europe should organise a Plaslaiko, Souffront, Traxx, Russell tour. Maybe throw Twonz in for good measure. All of them need exposure over here. is this archived? http://sonicsunset.com (Pt II of this week's show). Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
RE: (313) Fwd: Fri. Joakim of Tigersushi plays softcurls
-Original Message- From: Peteri, Jochem [mailto:[EMAIL PROTECTED] Sent: 07 October 2004 16:12 To: 313@hyperreal.org Subject: RE: (313) Fwd: Fri. Joakim of Tigersushi plays softcurls yeah erwin shaky knees van moll he´s oldschool does nice dieskoow edits too i heard ; ) He did a decent track with a Domu remix last year that I picked up. Not either's best work, but worth a listen. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
RE: (313) new records
-Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 07 October 2004 16:03 To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) new records On 7 Oct 2004, at 15:45, [EMAIL PROTECTED] wrote: b) the new Chez Damier? which one? there's a couple of 10s out at the mo by chez and the cru (on atal) the best one imo is the gathering vol1. prescription style depth on one side. the other side is a bit too sophisticated for me :) (a is vol2 as i didn't pick that up). there's a 12 out as well that i've not heard. Wasn't one of these just another (scarcely different) version of Warhead with a sophisticated, rather yawn-ish track on the other side? Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) playlist WNUR Chicago - 1 Oct 2004 - DJ Patrick Russell, Detroit
Exactly what i thought to, Tristan :) Just let's turn the underated Producers thread to Underated 'Detroit' DJs, and thoses Dj names would come out. I would looove to hang out to a party that has that kinda lineup. Carlos Souffront, Traxx, Townz, etc, yea i rally enjoyed the nights i spent in Detroit, while theses guys were spinning. But hmm veeery hard to book. I mean, not to contact, book and organize the party with them. But to find a decent place, and partners to support such a lineup ! Like, if you want the little story, ive been told that at the beginning of this year's Stereolize, my friends were the only ones to believe and work hard to book Egyptian Lover! Not that he didnt want to come, but their partners were totally negative and against such a booking...cuz, he is unfamous here... . . And actually to them!!! But once they realized that a (various) crowd in Paris, would definitevely come to see him, they changed their mind... Well, i dont really care about it...he's gonna here, f*ck about it, the party is close...let's enjoy :) - KiDDy. - Original Message - From: Tristan Watkins [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 'Matt MacQueen' [EMAIL PROTECTED]; '313' 313@hyperreal.org; 'david siska' [EMAIL PROTECTED] Sent: Thursday, October 07, 2004 8:53 PM Subject: RE: (313) playlist WNUR Chicago - 1 Oct 2004 - DJ Patrick Russell, Detroit -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 07 October 2004 19:49 To: Tristan Watkins Cc: 'Matt MacQueen'; '313'; 'david siska' Subject: RE: (313) playlist WNUR Chicago - 1 Oct 2004 - DJ Patrick Russell, Detroit Part two of this is dope BTW. Does Patrick Russell play out much? patrick never plays out which is a shame. i definately classify him in the ranking of plaslaiko, souffront, geiger and the other detroit kids. That's a shame, because his selection and skills are way up there. Peepz in Europe should organise a Plaslaiko, Souffront, Traxx, Russell tour. Maybe throw Twonz in for good measure. All of them need exposure over here. is this archived? http://sonicsunset.com (Pt II of this week's show). Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) 2005 Party
Did we get anywhere with the 313 DEMF Party action? Cheers Martin
(313) SPAM: Site redesigned and old audio archived in (much) better quality
Hello all, I've recently finished the first stage of a major overhaul of my website, including the purchase of some much-needed web space. The redesign is mostly finished and I've restored a decent chunk of the mix archives. Many of the older mixes are in 128kbps mp3 for the first time (previously only in low quality Real Audio). This covers most of my mixes since 2000. I've also added the beginnings of a pics section and archived charts. I used to have about 50 of my songs up at mp313.com until we let that die a year or so ago, at least half of which are up again. I'll be uploading the CD mix I did for mp313 that featured nothing but mp313 artists when I find some time to re-design the page. After all that I'll continue to upload mix archives, and let you know about it here. Eventually I'll get around to archiving some of my radio shows from '92-'97, which should be a fairly interesting time capsule. You'll get to hear me totally geek out on the air and read Iowa weather forecasts/Public Service Announcements. Further updates on archives will be posted through the site, or I'll keep SPAMming away here (so as to decrease the amount of nonsense on the [313]): http://www.littledetroit.net/forums/viewtopic.php?t=5793 URL below. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) 2005 Party
you mean other than in a fight? MEK Martin Dust [EMAIL PROTECTED]To: 313@hyperreal.org com cc: Subject: (313) 2005 Party 11/07/2004 10:56 PM Please respond to Martin Dust Did we get anywhere with the 313 DEMF Party action? Cheers Martin
Re: (313) 2005 Party
Fight? Fight for the right maybe, or who will lead the conga of 313ers around the D, singing Timezone... Cheers Martin - Original Message - From: [EMAIL PROTECTED] Subject: Re: (313) 2005 Party you mean other than in a fight?
Re: (313) FW: Market elec music vs educate (Was: Electronic music culture in America)
Yussel wrote:, 7 Oct 2004 [EMAIL PROTECTED] wrote: If you wanted to reach a younger, less-educated crowd with the intention of giving them some insight in the history of the music, how would you go about? OI! I didn't say that. *pokes Yussel in the eye* _ - End of message text Is your business ready for the new era of accounting? http://www.ifrs.co.uk This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) FW: Market elec music vs educate (Was: Electronic music culture in America)
On Thu, 7 Oct 2004, Redmond, Ja'Maul wrote: If you wanted to reach a younger, less-educated crowd with the intention of giving them some insight in the history of the music, how would you go about? John I would establish ties with the local high school, and convince them to set up a shop elective in electronic music. peace lks
Re: (313) FW: Market elec music vs educate (Was: Electronic music culture in America)
At 05:02 PM 10/7/2004, Lester Kenyatta Spence wrote: I would establish ties with the local high school, and convince them to set up a shop elective in electronic music. my girlfriend's high school does that (she's a teacher for those of you with sick minds) ;p tim o'keefe (maybe you have heard of him, who knows) helps the kids along with that sort of thing. they also have experiential learning programs in hip hop and stuff. the principal is an expert on graffiti! unfortunately, someone tried to promote our (college-sponsored electronic music organization) last event at the hearest high school and it only resulted in more attention from the cops and lots of drugged up teenagers... -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || [EMAIL PROTECTED]
Re: (313) FW: Market elec music vs educate (Was: Electronic music culture in America)
did i direct that to you? sorry it was meant for the list On Thu, 7 Oct 2004 [EMAIL PROTECTED] wrote: Yussel wrote:, 7 Oct 2004 [EMAIL PROTECTED] wrote: If you wanted to reach a younger, less-educated crowd with the intention of giving them some insight in the history of the music, how would you go about? OI! I didn't say that. *pokes Yussel in the eye* _ - End of message text Is your business ready for the new era of accounting? http://www.ifrs.co.uk This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) FW: Market elec music vs educate (Was: Electronic music culture in America)
now i'm confused. did my missive on why history is wack ever make it to the list? do i have to do a profanity check again? On Thu, 7 Oct 2004 [EMAIL PROTECTED] wrote: did i direct that to you? sorry it was meant for the list On Thu, 7 Oct 2004 [EMAIL PROTECTED] wrote: Yussel wrote:, 7 Oct 2004 [EMAIL PROTECTED] wrote: If you wanted to reach a younger, less-educated crowd with the intention of giving them some insight in the history of the music, how would you go about? OI! I didn't say that. *pokes Yussel in the eye* _ - End of message text Is your business ready for the new era of accounting? http://www.ifrs.co.uk This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) who is....
alex.bond wrote: ..this Wajeed fellow who I saw dj'ing last night? He's from Detroit right? wajeed, t-3 and jay dee were slum village wajeed along with ... is platinum pied pipers more info on wajeed http://www.bling47.com jurren (who still need to get a copy of that bpm instrumentals lp on bling47, as 'tron' is a dope track) _ MSN Search, for accurate results! http://search.msn.nl
(313) vintage gear
i'm trying to compile a list of vintage dance/hip-hop gear... here's what i have so far... MPC-60 808 303 909 Linn Drum Juno 60 i'm especially interested in DJ mixers, spanning from the mid-70's to the late 80's. any suggestions?
Re: (313) vintage gear
On Thu, 7 Oct 2004 18:19:39 -0400 (EDT), [EMAIL PROTECTED] wrote: i'm trying to compile a list of vintage dance/hip-hop gear... here's what i have so far... MPC-60 808 303 909 Linn Drum Juno 60 A Juno-106, perhaps? I have one. Don't use it tho... -- --- DJ Entropy America's #1 Hardcore DJ/Producer http://www.djentropy.com Conservative/Libertarian/Republican/Right-Wing/Constitutionalist/whatevertheliberalmediacallsmethisweek http://www.livejournal.com/users/djentropy http://www.freestateproject.org C.O.C.K. - Conservatives Organized to Crush Kerry http://www.c-o-c-k.org
(313) Chicago Events?
Hi all. Any 313 events of note going on in Chicago this weekend? Hit me back off-list. -drew
Re: (313) who is....
some stupid kid wrote: wajeed, t-3 and jay dee were slum village no they were not! jay dee, t-3 and baatin formed slum village; jay dee sort of left, and elzhi (sp?) joined, wajeed took care of some of the production to make up for my mistake, some more info: http://www.metrotimes.com/editorial/story.asp?id=5308 _ Play online games with your friends with MSN Messenger http://messenger.msn.nl/
Re: (313) vintage gear
Emu SP-1200? [EMAIL PROTECTED] wrote: i'm trying to compile a list of vintage dance/hip-hop gear... here's what i have so far... MPC-60 808 303 909 Linn Drum Juno 60 i'm especially interested in DJ mixers, spanning from the mid-70's to the late 80's. any suggestions?
