(313) Live set online
Hi folks, I played a live set at Poema in Utrecht last Saturday, which was broadcast on Dutch national radio. There's now a totally trashy RealAudio stream available here, for those of you who don't mind telephone-quality fidelity: http://cgi.omroep.nl/cgi-bin/streams?/radio3/bnn/dancetination/01.rm The whole stream is 3 hours long, and my set runs about an hour, starting about 22 minutes in. I'm bookended by Nuno Dos Santos in the front and Estroe after, both of whom rocked it. Enjoy, -- Dennis DeSantis www.dennisdesantis.com
(313) Re: [idm] Autechre May US Tour... we can talk about autechre all day.
to someone like me, who came to idm long after industrial/noise, this is funny. in the loud grating machine sounds department, even autechre's least musical moments don't compare to the likes of einsturzende neubauten or controlled bleeding to name a few. ++
(313) Sean Deason - Tsunami mix tracklisting?
I know Sean is an active member on the list, and was wondering if he, or any of the other members happen to have a track listing of this mix. This is an excellent mix, and I had the unfortunate pleasure of djing in the other room while he was performing at this party. I wish I could have heard this at the party. Really glad that it got recorded. There are a ton of great songs in this mix. One specific track that I've been hearing a lot of, and can't quite put my finger on is a minimal acid record with a very very deep voice saying acid in it. Thanks -Andy
Re: (313) Sean Deason - Tsunami mix tracklisting?
that would be Josh Wink 516 Acid :^) sean p.s. I'll post a track listing for this mix soon for those interested in that sort of thing. on 2/14/05 7:56 PM, Andrew James Hegler at [EMAIL PROTECTED] uttered these words: I know Sean is an active member on the list, and was wondering if he, or any of the other members happen to have a track listing of this mix. This is an excellent mix, and I had the unfortunate pleasure of djing in the other room while he was performing at this party. I wish I could have heard this at the party. Really glad that it got recorded. There are a ton of great songs in this mix. One specific track that I've been hearing a lot of, and can't quite put my finger on is a minimal acid record with a very very deep voice saying acid in it. Thanks -Andy
Re: (313) Sean Deason - Tsunami mix tracklisting?
haha it's pretty sad when you need a tracklisting for something you own! Thanks for the info though! M : A : T : R : I : X wrote: that would be Josh Wink 516 Acid :^) sean p.s. I'll post a track listing for this mix soon for those interested in that sort of thing. on 2/14/05 7:56 PM, Andrew James Hegler at [EMAIL PROTECTED] uttered these words: I know Sean is an active member on the list, and was wondering if he, or any of the other members happen to have a track listing of this mix. This is an excellent mix, and I had the unfortunate pleasure of djing in the other room while he was performing at this party. I wish I could have heard this at the party. Really glad that it got recorded. There are a ton of great songs in this mix. One specific track that I've been hearing a lot of, and can't quite put my finger on is a minimal acid record with a very very deep voice saying acid in it. Thanks -Andy
Re: (313) Sean Deason - Tsunami mix tracklisting?
we're not elephants :) On 15/02/2005, at 1:39 PM, Andrew Hegler wrote: haha it's pretty sad when you need a tracklisting for something you own! Thanks for the info though! M : A : T : R : I : X wrote: that would be Josh Wink 516 Acid :^) sean p.s. I'll post a track listing for this mix soon for those interested in that sort of thing. on 2/14/05 7:56 PM, Andrew James Hegler at [EMAIL PROTECTED] uttered these words: I know Sean is an active member on the list, and was wondering if he, or any of the other members happen to have a track listing of this mix. This is an excellent mix, and I had the unfortunate pleasure of djing in the other room while he was performing at this party. I wish I could have heard this at the party. Really glad that it got recorded. There are a ton of great songs in this mix. One specific track that I've been hearing a lot of, and can't quite put my finger on is a minimal acid record with a very very deep voice saying acid in it. Thanks -Andy -- Ryan Snowden Paul McCarthy Advertising Level 14, 221 Miller Street North Sydney. 2060 P: 02 8 920 8222 F: 02 8 920 8333
Re: (313) One Perfect Day
Here, yes! A lot of people in the industry. That was the main criticism - it seemed to reinforce the link. Promoters were sensitive about what seemed to be happening in the US. Funny when I was allowed on I was given a censored script so I couldn't leak spoilers but, from that, I guessed it was a Romeo Juliet style tragedy drug purge. I wouldn't have put that in the story anyway as I am respectful. This was 2 years before it came out. I'd love to know what people OS think. We're all maybe too close. For a first time director it was actually very promising as a film - leaving aside the ideology. I'm in awe of someone who can do that. The whole dance community was invited to be a part of it. I mean Melbourne is v close knit at the best of times. They shot a lot of scenes at special parties and brought in rival promoters. My thing was that the rave moment had past. I found it a bit dated. If it came out 5 years ago, or 10... The Age ran a glowing five star review but it was the sort of film people who never go to parties like. Richie got some very cool people on the soundtrack - they licensed tracks by Laurent and co - but I think when they brought in Anton - who was Baz' music director - it went awry as Anton didn't really understand the dance culture and was open on that. That big single would be cute in Moulin Rouge but not in OPD. These kind of films have to pre-empt the moment, not cover it 5 years too late. They could have held off another five years and called it retro I guess. ;) -- From: [EMAIL PROTECTED] To: Cyclone Wehner [EMAIL PROTECTED] Subject: Re: (313) One Perfect Day Date: Tue, 15 Feb 2005 1:34 AM Visually it looks great but I feel that many here in the local scene had ideological problems with the way drugs were represented in the film. Has anyone voiced their concern/opinion about this? MEK
(313) drugs clubs
http://www.7digital.com/downloads/soulwax/soulwaxplayer.html i presume this is some sort of promotional video for a band fab. CITYMORB MUSIC www.citymorb.net | [EMAIL PROTECTED]
Re: (313) Telepathica
Out on the 25th of April Kamal, cheers for the props... Martin On 14 Feb 2005, at 17:28, Stoddard, Kamal wrote: I know I'm gonna catch flack from somebody, but this is the most exciting of the dust-eez for me (I know black dog and claude are super ace). The melodies are sublime and well felt out, which I think is the most overlooked element in modern techno. The strings in distant gratification remind me of Bone (and if you didn't know that's a great thing in my book) and those little plinky delayed things gave me eye spasms. I almost didn't like delirious but then the bottom dropped and made it gel with the disco feel. And prescience is just right up my alley, deep bassline melodies and sweeping gorgeous bizness. I want one now. Has it been that long since we heard techno proper from the kook? Or is it me (late again)? Kamal K. Stoddard Turner Broadcasting Systems ** I am exactly what I wanted to become since I was 5 years old. Since 5 year olds are not noted for mature judgement and sometimes aspire to piracy or gunfighting, this is not necessarily a sign of success. ** -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: Monday, February 14, 2005 12:10 PM To: 313 mailing list Subject: (313) Telepathica Easy 313, may I present 313's very own Fred Giannelli http://www.dustscience.com/Releases/FredGiannelli-Telepathica.php Martin
RE: (313) a guy called gerald
Great CD, been playing it quite a lot and it grows on you. Much less dnb, more Detriot atmospherics too the sound. Theres a thumper of a house track too. Middle Eastern influences on some of the vocals samples. Hmm I hear you say, but it works. Much better than Essence imo. Rav. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 14 February 2005 20:50 To: matt kane's brain Cc: 313@hyperreal.org Subject: Re: (313) a guy called gerald so how much less drum bass is it? He was supposedly making a protest against the current grain of dnb with this album. MEK matt kane's brain [EMAIL PROTECTED]To 313@hyperreal.org 02/14/05 02:45 PM cc Subject (313) a guy called gerald did i miss a thread on this or something? 'to all things what is needed' just arrived in the radio station's mailbox this week. it's excellent! especially the tracks 'meaning' and 'tajeen' i could skip the ursula rucker one, though. -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || AIM: mkbatwerk To view the terms under which this email is distributed, please go to http://disclaimer.leedsmet.ac.uk/email.htm
Re: (313) Mad Mike Unmasked (was Los Hermanos)
I don't think he was ever apologising or hiding anything at all- it was (as he has stated quite a few times now) simply an attempt to make people focus on the music and not the personality behind the music. As for techno elitists and the whole underground thing, its just not something that pops up in most music fans conversations these days, at least not in the sort of negative clique-ey sort of way that it perhaps used to- I simply can't remember the last time I heard someone complain oh, they're just not underground anymore- give us a few examples of the people you are talking about? cheers Jason On 14 Feb 2005, at 15:30, Martin Dust wrote: Not really, those days are gone and so are the days of apologising for doing great work, there's a whole group of techno elitists who still feel that things should be so underground they actually turned into their own trap. M the era of the faceless techno producer - Mike Banks is one of the last whose image was a ? in lots of peoples minds. So no more masks? Takes away a bit of the whole UR shroud of mystery don't you think? At least the music is still great.
Re: (313) Mad Mike Unmasked (was Los Hermanos)
My comment wasn't really aimed at Mike Jason nor UR - although I did hear someone yesterday saying that they (UR) will now be accused of going commercial - how we laughed! There is a school of people who believe that releasing records and not telling anyone, and by this I mean no marketing, is the way to go and what to scene needs, it's dead romantic and certainly one for the starving artists. And someone spoke to me about this last week so it does exist. Martin On 15 Feb 2005, at 09:28, Jason Brunton wrote: I don't think he was ever apologising or hiding anything at all- it was (as he has stated quite a few times now) simply an attempt to make people focus on the music and not the personality behind the music. As for techno elitists and the whole underground thing, its just not something that pops up in most music fans conversations these days, at least not in the sort of negative clique-ey sort of way that it perhaps used to- I simply can't remember the last time I heard someone complain oh, they're just not underground anymore- give us a few examples of the people you are talking about? cheers Jason On 14 Feb 2005, at 15:30, Martin Dust wrote: Not really, those days are gone and so are the days of apologising for doing great work, there's a whole group of techno elitists who still feel that things should be so underground they actually turned into their own trap. M the era of the faceless techno producer - Mike Banks is one of the last whose image was a ? in lots of peoples minds. So no more masks? Takes away a bit of the whole UR shroud of mystery don't you think? At least the music is still great.
(313) Tsunami Mix
heres the track list for the Tsunami Mix. (note: I dont know the artist or titles on the End to End tracks because I only have a pre-release CDR. Maybe Mr. Grant can fill in the blanks on those?). the mix can be downloaded here: http://www.pulsation.com/mixes/seandeason.php Sean Deason : Tsunami Intro InnerCity : Do Me Right (Pullen remix) Convextion : Miranda (Sean Deason remix) Arne Weinberg : A True Story Sean Deason : Radium Derrick May : Sinister Depeche Mode : I Feel Loved Sean Deason : AntAcid Josh Wink : 516 Acid Chaircrusher : Easy Pimp (Sean Deason remix) Unknown End To End track Kenny Larkin : Ancient Beats Carl Craig : Throw Prince : Erotic City Kratfwerk : Music Nonstop Cybotron : Alleys Of Your Mind UR : Jupiter Jazz A Number Of Names : Shari Vari (accapella) Unknown End To End Track Depeche Mode : Lie To Me Derrick May : Strings of LIfe Unknown End To End Track Scan 7 : you Have The Right InnerCity : title unknown Sean Deason : Tsunami Outro
RE: (313) a guy called gerald
Does anyone within the dnb scene really care if Gerald is making a protest against the way the music has gone? How much weight does he have within the dnb community? Seems like the techno heads pay more attention to Gerald than dnb fans. Is this out on vinyl? Sounds like a good LP. MEK Mann, Ravinder [EMAIL PROTECTED] ac.uk To '[EMAIL PROTECTED]' 02/15/05 03:14 AM [EMAIL PROTECTED], matt kane's brain [EMAIL PROTECTED] cc 313@hyperreal.org Subject RE: (313) a guy called gerald Great CD, been playing it quite a lot and it grows on you. Much less dnb, more Detriot atmospherics too the sound. Theres a thumper of a house track too. Middle Eastern influences on some of the vocals samples. Hmm I hear you say, but it works. Much better than Essence imo. Rav. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 14 February 2005 20:50 To: matt kane's brain Cc: 313@hyperreal.org Subject: Re: (313) a guy called gerald so how much less drum bass is it? He was supposedly making a protest against the current grain of dnb with this album. MEK matt kane's brain [EMAIL PROTECTED]To 313@hyperreal.org 02/14/05 02:45 PM cc Subject (313) a guy called gerald did i miss a thread on this or something? 'to all things what is needed' just arrived in the radio station's mailbox this week. it's excellent! especially the tracks 'meaning' and 'tajeen' i could skip the ursula rucker one, though. -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || AIM: mkbatwerk To view the terms under which this email is distributed, please go to http://disclaimer.leedsmet.ac.uk/email.htm
RE: (313) a guy called gerald
It is available on vinyl MEK --- [EMAIL PROTECTED] wrote: Does anyone within the dnb scene really care if Gerald is making a protest against the way the music has gone? How much weight does he have within the dnb community? Seems like the techno heads pay more attention to Gerald than dnb fans. Is this out on vinyl? Sounds like a good LP. MEK Mann, Ravinder [EMAIL PROTECTED] ac.uk To '[EMAIL PROTECTED]' 02/15/05 03:14 AM [EMAIL PROTECTED], matt kane's brain [EMAIL PROTECTED] cc 313@hyperreal.org Subject RE: (313) a guy called gerald Great CD, been playing it quite a lot and it grows on you. Much less dnb, more Detriot atmospherics too the sound. Theres a thumper of a house track too. Middle Eastern influences on some of the vocals samples. Hmm I hear you say, but it works. Much better than Essence imo. Rav. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 14 February 2005 20:50 To: matt kane's brain Cc: 313@hyperreal.org Subject: Re: (313) a guy called gerald so how much less drum bass is it? He was supposedly making a protest against the current grain of dnb with this album. MEK matt kane's brain [EMAIL PROTECTED] To 313@hyperreal.org 02/14/05 02:45 PM cc Subject (313) a guy called gerald did i miss a thread on this or something? 'to all things what is needed' just arrived in the radio station's mailbox this week. it's excellent! especially the tracks 'meaning' and 'tajeen' i could skip the ursula rucker one, though. -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || AIM: mkbatwerk To view the terms under which this email is distributed, please go to http://disclaimer.leedsmet.ac.uk/email.htm
(313) [London] Flashpoint presents Headspace - this Saturday
This Saturday, 19th February, we're proud to be inviting Headspace Recordings down to Public Life in east London. Here are the details: Vince Watson (live) (Headspace, Transmat, F-Com, Bio, Rotation, Ibadan) Arne Weinberg (Headspace, 11th Hour, Matrix, Down Low, Keynote, Starbaby) Tom Churchill (Headspace, Emoticon, Nordic Trax, DiY Discs) plus Flashpoint residents Guy Thackeray (Non Stop DJs) Brendan Nelson (Non Stop DJs) Matt Chester (11th Hour) Visuals by circuit_c @ Public Life, 82a Commercial St, London EC1 Saturday 9th February 9pm - late nearest tube Liverpool St / Aldgate East directions - http://tinyurl.com/5v9tq And a bit of background information: Headspace Recordings was founded in Cardiff by Tom Churchill and Raeph Powell in 1996, and has been described in DJ magazine as 'one of the world's finest deep techno outlets'. Based in Glasgow since 2002, its past releases have featured tracks and mixes from artists such as Fabrice Lig, Arne Weinberg, Derek Carr, Rei Loci, CiM, Aubrey, Funk D'Void and Morgan Geist. Headspace's sister label, Emoticon, was launched in 2001 to focus on soulful techno, broken beats and abstract electronica, and releases to date have featured artists such as Russ Gabriel, Yotoko, Future Beat Alliance, Total Science and Jeff Samuel. Headspace will be celebrating its 17th release in April with its first artist album, courtesy of Scottish techno stalwart Vince Watson. Vince must be one of the hardest-working producers in the country at the moment, with releases out now or coming soon on his own Bio Music label, F Communications and the mighty Transmat, to name but three, while his punishing DJ and live schedule sees him play his music across the world every weekend. 'Sublimina' is his second full-length album - following 'Moments In Time' on Ibadan - and features 15 tracks of deep and soulful machine music, from shimmering dancefloor tracks to more reflective grooves, all laced with Vince's distinctive ear for melancholy harmony and intricate rhythm. This will be followed in the summer by a special 12 containing more dancefloor-oriented reworkings of some the album's key tracks. In September 2005 Headspace will releasing a brand new album from legendary US techno producer Dan Curtin, as well as the debut 12 from Dublin resident (and Scot in exile) Dave Anderson - one half of the Otomi project on Headspace's sister label Emoticon. And this summer will also see the return of label founder Tom Churchill with a brand new EP of techno/house cuts after a break of over three years. Resident DJ at the city's renowned Traxx events, Tom has been spinning for ten years, and has taken his finely-honed style of techno and house to clubs and parties over the planet, while still finding time to run Headspace and Emoticon and produce the occasional record for labels such as DiY and Nordic Trax. Joining Vince and Tom at Flashpoint will be Germany's Arne Weinberg, who over the past five years has established himself as one of Europe's leading deep techno producers, with acclaimed appearances on labels including Headspace, 11th Hour, Down Low, Technoir, Keynote and Pseudo. Arne spins regularly all over Europe, rocking crowds with his unique blend of deep and soulful techno, and will no doubt have the Flashpoint crowd dancing on the tables once again... Vince, Arne Tom will be ably assisted by the Flashpoint residents, Guy Thackeray, Matt Chester and Brendan Nelson; and visual action will once more be taken care of by Circuit_C. Flashpoint will then return on Saturday 26th March with a special D1 Recordings party, featuring the cream of the Dublin based labels talent more details to follow shortly...
RE: (313) [London] Flashpoint presents Headspace - this Saturday
As I told Matt last month, this was already in my diary even back then! :-). k Ken Odeluga Editor, Equities - Market Talk Dow Jones Newswires [EMAIL PROTECTED] -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: 15 February 2005 15:21 To: 313@hyperreal.org Subject: (313) [London] Flashpoint presents Headspace - this Saturday This Saturday, 19th February, we're proud to be inviting Headspace Recordings down to Public Life in east London. Here are the details: Vince Watson (live) - (Headspace, Transmat, F-Com, Bio, Rotation, Ibadan) Arne Weinberg - (Headspace, 11th Hour, Matrix, Down Low, Keynote, Starbaby) Tom Churchill - (Headspace, Emoticon, Nordic Trax, DiY Discs) plus Flashpoint residents Guy Thackeray (Non Stop DJs) Brendan Nelson (Non Stop DJs) Matt Chester (11th Hour) Visuals by circuit_c @ Public Life, 82a Commercial St, London EC1 Saturday 9th February 9pm - late nearest tube Liverpool St / Aldgate East directions - http://tinyurl.com/5v9tq And a bit of background information: Headspace Recordings was founded in Cardiff by Tom Churchill and Raeph Powell in 1996, and has been described in DJ magazine as 'one of the world's finest deep techno outlets'. Based in Glasgow since 2002, its past releases have featured tracks and mixes from artists such as Fabrice Lig, Arne Weinberg, Derek Carr, Rei Loci, CiM, Aubrey, Funk D'Void and Morgan Geist. Headspace's sister label, Emoticon, was launched in 2001 to focus on soulful techno, broken beats and abstract electronica, and releases to date have featured artists such as Russ Gabriel, Yotoko, Future Beat Alliance, Total Science and Jeff Samuel. Headspace will be celebrating its 17th release in April with its first artist album, courtesy of Scottish techno stalwart Vince Watson. Vince must be one of the hardest-working producers in the country at the moment, with releases out now or coming soon on his own Bio Music label, F Communications and the mighty Transmat, to name but three, while his punishing DJ and live schedule sees him play his music across the world every weekend. 'Sublimina' is his second full-length album - following 'Moments In Time' on Ibadan - and features 15 tracks of deep and soulful machine music, from shimmering dancefloor tracks to more reflective grooves, all laced with Vince's distinctive ear for melancholy harmony and intricate rhythm. This will be followed in the summer by a special 12 containing more dancefloor-oriented reworkings of some the album's key tracks. In September 2005 Headspace will releasing a brand new album from legendary US techno producer Dan Curtin, as well as the debut 12 from Dublin resident (and Scot in exile) Dave Anderson - one half of the Otomi project on Headspace's sister label Emoticon. And this summer will also see the return of label founder Tom Churchill with a brand new EP of techno/house cuts after a break of over three years. Resident DJ at the city's renowned Traxx events, Tom has been spinning for ten years, and has taken his finely-honed style of techno and house to clubs and parties over the planet, while still finding time to run Headspace and Emoticon and produce the occasional record for labels such as DiY and Nordic Trax. Joining Vince and Tom at Flashpoint will be Germany's Arne Weinberg, who over the past five years has established himself as one of Europe's leading deep techno producers, with acclaimed appearances on labels including Headspace, 11th Hour, Down Low, Technoir, Keynote and Pseudo. Arne spins regularly all over Europe, rocking crowds with his unique blend of deep and soulful techno, and will no doubt have the Flashpoint crowd dancing on the tables once again... Vince, Arne Tom will be ably assisted by the Flashpoint residents, Guy Thackeray, Matt Chester and Brendan Nelson; and visual action will once more be taken care of by Circuit_C. Flashpoint will then return on Saturday 26th March with a special D1 Recordings party, featuring the cream of the Dublin based label's talent - more details to follow shortly...
Re: (313) drugs clubs
No, this is the actual video of the latest single of soulwax: The E talking. The band of the De Waele brothers from Belgium a.k.a. 2 Many Deejays. It's getting quite some airplay on MTV Europe and other TV music stations over here. I think it's hilarious and shockingly realistic at the same time. That image of that guy from the beginning when he's standing below the mirror ball with his head between his hands.. man! Joost On 15 Feb, 2005, at 9:36 AM, fab. wrote: http://www.7digital.com/downloads/soulwax/soulwaxplayer.html i presume this is some sort of promotional video for a band fab. CITYMORB MUSIC www.citymorb.net | [EMAIL PROTECTED]
Re: (313) [London] Flashpoint presents Headspace - this Saturday
Heavy duty line-up! Are we gonna be able to listen to it somewhere, sometime, for those of us who are geographically impaired? Cheers! G - Original Message - From: Brendan Nelson [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, February 15, 2005 10:20 AM Subject: (313) [London] Flashpoint presents Headspace - this Saturday This Saturday, 19th February, we're proud to be inviting Headspace Recordings down to Public Life in east London. Here are the details: Vince Watson (live) - (Headspace, Transmat, F-Com, Bio, Rotation, Ibadan) Arne Weinberg - (Headspace, 11th Hour, Matrix, Down Low, Keynote, Starbaby) Tom Churchill - (Headspace, Emoticon, Nordic Trax, DiY Discs) plus Flashpoint residents Guy Thackeray (Non Stop DJs) Brendan Nelson (Non Stop DJs) Matt Chester (11th Hour) Visuals by circuit_c @ Public Life, 82a Commercial St, London EC1 Saturday 9th February 9pm - late nearest tube Liverpool St / Aldgate East directions - http://tinyurl.com/5v9tq And a bit of background information: Headspace Recordings was founded in Cardiff by Tom Churchill and Raeph Powell in 1996, and has been described in DJ magazine as 'one of the world's finest deep techno outlets'. Based in Glasgow since 2002, its past releases have featured tracks and mixes from artists such as Fabrice Lig, Arne Weinberg, Derek Carr, Rei Loci, CiM, Aubrey, Funk D'Void and Morgan Geist. Headspace's sister label, Emoticon, was launched in 2001 to focus on soulful techno, broken beats and abstract electronica, and releases to date have featured artists such as Russ Gabriel, Yotoko, Future Beat Alliance, Total Science and Jeff Samuel. Headspace will be celebrating its 17th release in April with its first artist album, courtesy of Scottish techno stalwart Vince Watson. Vince must be one of the hardest-working producers in the country at the moment, with releases out now or coming soon on his own Bio Music label, F Communications and the mighty Transmat, to name but three, while his punishing DJ and live schedule sees him play his music across the world every weekend. 'Sublimina' is his second full-length album - following 'Moments In Time' on Ibadan - and features 15 tracks of deep and soulful machine music, from shimmering dancefloor tracks to more reflective grooves, all laced with Vince's distinctive ear for melancholy harmony and intricate rhythm. This will be followed in the summer by a special 12 containing more dancefloor-oriented reworkings of some the album's key tracks. In September 2005 Headspace will releasing a brand new album from legendary US techno producer Dan Curtin, as well as the debut 12 from Dublin resident (and Scot in exile) Dave Anderson - one half of the Otomi project on Headspace's sister label Emoticon. And this summer will also see the return of label founder Tom Churchill with a brand new EP of techno/house cuts after a break of over three years. Resident DJ at the city's renowned Traxx events, Tom has been spinning for ten years, and has taken his finely-honed style of techno and house to clubs and parties over the planet, while still finding time to run Headspace and Emoticon and produce the occasional record for labels such as DiY and Nordic Trax. Joining Vince and Tom at Flashpoint will be Germany's Arne Weinberg, who over the past five years has established himself as one of Europe's leading deep techno producers, with acclaimed appearances on labels including Headspace, 11th Hour, Down Low, Technoir, Keynote and Pseudo. Arne spins regularly all over Europe, rocking crowds with his unique blend of deep and soulful techno, and will no doubt have the Flashpoint crowd dancing on the tables once again... Vince, Arne Tom will be ably assisted by the Flashpoint residents, Guy Thackeray, Matt Chester and Brendan Nelson; and visual action will once more be taken care of by Circuit_C. Flashpoint will then return on Saturday 26th March with a special D1 Recordings party, featuring the cream of the Dublin based label's talent - more details to follow shortly...
RE: (313) a guy called gerald
-- Original Message -- From: [EMAIL PROTECTED] Does anyone within the dnb scene really care if Gerald is making a protest against the way the music has gone? How much weight does he have within the dnb community? Seems like the techno heads pay more attention to Gerald than dnb fans. there were some threads related to his anti-dnb talk on DOA. i did my best to provoke all those idiots as best i could. drum and bass is effectively dead anyway, its kind of a late protest. the only good stuff coming out obviously owes quite a debt to his material and i think he would totally dig it. tom andythepooh.com
RE: (313) a guy called gerald
drum and bass is effectively dead anyway WOOHOO Can I dance on its grave? I never liked the pony-tailed, puffa jacketed, escort driving, half gippo, half posh student trying to be rudebwoy types anyway. and their bandwagon jumping ways. oh, no one wants mad records with 160 bpm breaks and sped up cheesy vocal samples anymore, I know, lets make JUNGLE. It's 'credible'. Oh, wait, no one wants jungle now, lets make speed GARAGE. You know, we'll just make it the same as everyone else does. No need for our own style or anything Just out of interest though - how does something become 'dead'? Surely 'detroit techno' died years ago right, if 'drum and bass' is dead? alex p.s. Tom - 5 of my english pounds (thats ten of your worthless U.S dollars), says you used to LOVE jungle/drum and bass. ; ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) a guy called gerald
Tom - Pay the man his moneey!;) jw Bring the Fun In! Shawn Rudiman Synthesexual Double EP CD (TNA 005 006) Now Available! -- Original Message -- From: [EMAIL PROTECTED] Date: Tue, 15 Feb 2005 16:47:44 + drum and bass is effectively dead anyway WOOHOO Can I dance on its grave? I never liked the pony-tailed, puffa jacketed, escort driving, half gippo, half posh student trying to be rudebwoy types anyway. and their bandwagon jumping ways. oh, no one wants mad records with 160 bpm breaks and sped up cheesy vocal samples anymore, I know, lets make JUNGLE. It's 'credible'. Oh, wait, no one wants jungle now, lets make speed GARAGE. You know, we'll just make it the same as everyone else does. No need for our own style or anything Just out of interest though - how does something become 'dead'? Surely 'detroit techno' died years ago right, if 'drum and bass' is dead? alex p.s. Tom - 5 of my english pounds (thats ten of your worthless U.S dollars), says you used to LOVE jungle/drum and bass. ; ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. __ __ __ __ technoiraudio.com
Re: (313) [London] Flashpoint presents Headspace - this Saturday
We'll definitely be recording the whole evening, so we'll try to get the sets online asap - there are some of the sets from previous nights up at www.flashpointclub.com, but still more to add - we'll probably get it fully updated after the weekend Cheers - Matt - Original Message - From: Gerald [EMAIL PROTECTED] To: Brendan Nelson [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, February 15, 2005 4:23 PM Subject: Re: (313) [London] Flashpoint presents Headspace - this Saturday Heavy duty line-up! Are we gonna be able to listen to it somewhere, sometime, for those of us who are geographically impaired? Cheers! G - Original Message - From: Brendan Nelson [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, February 15, 2005 10:20 AM Subject: (313) [London] Flashpoint presents Headspace - this Saturday This Saturday, 19th February, we're proud to be inviting Headspace Recordings down to Public Life in east London. Here are the details: Vince Watson (live) - (Headspace, Transmat, F-Com, Bio, Rotation, Ibadan) Arne Weinberg - (Headspace, 11th Hour, Matrix, Down Low, Keynote, Starbaby) Tom Churchill - (Headspace, Emoticon, Nordic Trax, DiY Discs) plus Flashpoint residents Guy Thackeray (Non Stop DJs) Brendan Nelson (Non Stop DJs) Matt Chester (11th Hour) Visuals by circuit_c @ Public Life, 82a Commercial St, London EC1 Saturday 9th February 9pm - late nearest tube Liverpool St / Aldgate East directions - http://tinyurl.com/5v9tq And a bit of background information: Headspace Recordings was founded in Cardiff by Tom Churchill and Raeph Powell in 1996, and has been described in DJ magazine as 'one of the world's finest deep techno outlets'. Based in Glasgow since 2002, its past releases have featured tracks and mixes from artists such as Fabrice Lig, Arne Weinberg, Derek Carr, Rei Loci, CiM, Aubrey, Funk D'Void and Morgan Geist. Headspace's sister label, Emoticon, was launched in 2001 to focus on soulful techno, broken beats and abstract electronica, and releases to date have featured artists such as Russ Gabriel, Yotoko, Future Beat Alliance, Total Science and Jeff Samuel. Headspace will be celebrating its 17th release in April with its first artist album, courtesy of Scottish techno stalwart Vince Watson. Vince must be one of the hardest-working producers in the country at the moment, with releases out now or coming soon on his own Bio Music label, F Communications and the mighty Transmat, to name but three, while his punishing DJ and live schedule sees him play his music across the world every weekend. 'Sublimina' is his second full-length album - following 'Moments In Time' on Ibadan - and features 15 tracks of deep and soulful machine music, from shimmering dancefloor tracks to more reflective grooves, all laced with Vince's distinctive ear for melancholy harmony and intricate rhythm. This will be followed in the summer by a special 12 containing more dancefloor-oriented reworkings of some the album's key tracks. In September 2005 Headspace will releasing a brand new album from legendary US techno producer Dan Curtin, as well as the debut 12 from Dublin resident (and Scot in exile) Dave Anderson - one half of the Otomi project on Headspace's sister label Emoticon. And this summer will also see the return of label founder Tom Churchill with a brand new EP of techno/house cuts after a break of over three years. Resident DJ at the city's renowned Traxx events, Tom has been spinning for ten years, and has taken his finely-honed style of techno and house to clubs and parties over the planet, while still finding time to run Headspace and Emoticon and produce the occasional record for labels such as DiY and Nordic Trax. Joining Vince and Tom at Flashpoint will be Germany's Arne Weinberg, who over the past five years has established himself as one of Europe's leading deep techno producers, with acclaimed appearances on labels including Headspace, 11th Hour, Down Low, Technoir, Keynote and Pseudo. Arne spins regularly all over Europe, rocking crowds with his unique blend of deep and soulful techno, and will no doubt have the Flashpoint crowd dancing on the tables once again... Vince, Arne Tom will be ably assisted by the Flashpoint residents, Guy Thackeray, Matt Chester and Brendan Nelson; and visual action will once more be taken care of by Circuit_C. Flashpoint will then return on Saturday 26th March with a special D1 Recordings party, featuring the cream of the Dublin based label's talent - more details to follow shortly...
RE: (313) a guy called gerald
Tom - Pay the man his moneey!;) Ah! I like you Jwan, you should stick about more ; ) Now then, where's Tom Cox Jnr? The jungle lovin', speed garage 'rinsing it out', son of a gun. Re-inflating his puffa jacket is my guess ; ) or, just checkin' his N.U.S card is still valid? Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) Pat Metheny Group
Has anyone heard this yet? It's absolutely fantastic! a 68-minute composition called on the way up. It's like climbing different levels of your highest peak. check! )) M _ Express yourself instantly with MSN Messenger! Download today - it's FREE! http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/
Re: (313) Pat Metheny Group
anyone threatening to wrap a guitar around kenny g's head is OK in my book. i saw him play in newport a couple years ago and he was great. (i MISSED the detroit experiment but the bad plus and dave brubeck made up for it) At 02:07 PM 2/15/2005, Mike Melody wrote: Has anyone heard this yet? It's absolutely fantastic! a 68-minute composition called on the way up. It's like climbing different levels of your highest peak. check! )) M _ Express yourself instantly with MSN Messenger! Download today - it's FREE! http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/ -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || AIM: mkbatwerk
Re: (313) Pat Metheny Group
On Tue, 15 Feb 2005, Mike Melody wrote: Has anyone heard this yet? It's absolutely fantastic! a 68-minute composition called on the way up. It's like climbing different levels of your highest peak. check! )) Strange that you mentioned this group. I just realized that one of my favourite tunes contains a sample by Pat Metheny Group. Name that tune. -- Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net --
Re: (313) Pat Metheny Group
I missed the Detroit Experiment too, however I heard that Planet E is re-releasing it. : )) sounds like a possible oportunity to see them! M From: matt kane's brain [EMAIL PROTECTED] To: Mike Melody [EMAIL PROTECTED],313@hyperreal.org Subject: Re: (313) Pat Metheny Group Date: Tue, 15 Feb 2005 14:10:44 -0500 anyone threatening to wrap a guitar around kenny g's head is OK in my book. i saw him play in newport a couple years ago and he was great. (i MISSED the detroit experiment but the bad plus and dave brubeck made up for it) At 02:07 PM 2/15/2005, Mike Melody wrote: Has anyone heard this yet? It's absolutely fantastic! a 68-minute composition called on the way up. It's like climbing different levels of your highest peak. check! )) M _ Express yourself instantly with MSN Messenger! Download today - it's FREE! http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/ -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || AIM: mkbatwerk _ Dont just search. Find. Check out the new MSN Search! http://search.msn.click-url.com/go/onm00200636ave/direct/01/
RE: (313) a guy called gerald
-- Original Message -- From: [EMAIL PROTECTED] drum and bass is effectively dead anyway WOOHOO Can I dance on its grave? youre really a couple years late for that, but go right ahead. I never liked the pony-tailed, puffa jacketed, escort driving, half gippo, half posh student trying to be rudebwoy types anyway. and their bandwagon jumping ways. oh, no one wants mad records with 160 bpm breaks and sped up cheesy vocal samples anymore, I know, lets make JUNGLE. It's 'credible'. Oh, wait, no one wants jungle now, lets make speed GARAGE. You know, we'll just make it the same as everyone else does. No need for our own style or anything Just out of interest though - how does something become 'dead'? Surely 'detroit techno' died years ago right, if 'drum and bass' is dead? no way. what exists in place of jungle now bears nearly no resemblance to jungle, speed garage, or hardcore. i wouldnt even know what to call it really. i do call it crap so thats one possible genre name. detroit techno still exists in largely the same role its always had: (mostly) melodic techno. you listen to new carl craig or UR records and they still sound like part of the same whole. 95 jungle vs today's drum and bass, even tunes made by the same artists, just doesnt work that wat. p.s. Tom - 5 of my english pounds (thats ten of your worthless U.S dollars), says you used to LOVE jungle/drum and bass. yeah and ive been angry about its demise since before it actually kicked the bucket. ive also watched the death of 2-step which i felt was the closest thing to real jungle music since then. ive since given up on UK street music. in the mid to late 90s you guys had it on lock. not sure whats in the water these days though tom andythepooh.com
RE: (313) a guy called gerald
-- Original Message -- From: [EMAIL PROTECTED] Tom - Pay the man his moneey!;) Ah! I like you Jwan, you should stick about more ; ) yeah but he steals my lines (which i stole from rounders in case anyone wondered what the hell he was going on about). Now then, where's Tom Cox Jnr? The jungle lovin', speed garage 'rinsing it out', son of a gun. Re-inflating his puffa jacket is my guess ; ) or, just checkin' his N.U.S card is still valid? :P never had a puffy jacket, i still think those things are terrible. actually the us army issue coat i use now is the same one i was wearing to jungle nights back in 96 ;) if anyone ever wants to test my limits as a deejay ill be happy to serve up a 5-6 hour set of jungle, house, techno, disco, 2-step, reggae, funk, soul, dancehall, rock, experimental, noise, hiphop, pop, etc. my record collection suffers from multiple personality disorder. :P tomm andythepooh.com
RE: (313) a guy called gerald
At 04:10 PM 2/15/2005, Thomas D. Cox, Jr. wrote: no way. what exists in place of jungle now bears nearly no resemblance to jungle, speed garage, or hardcore. i wouldnt even know what to call it really. i do call it crap so thats one possible genre name. the people i know who are concerned about the state of DnB call the crummy new stuff 'clownstep'. -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || AIM: mkbatwerk
RE: (313) a guy called gerald
-- Original Message -- From: matt kane's brain [EMAIL PROTECTED] At 04:10 PM 2/15/2005, Thomas D. Cox, Jr. wrote: no way. what exists in place of jungle now bears nearly no resemblance to jungle, speed garage, or hardcore. i wouldnt even know what to call it really. i do call it crap so thats one possible genre name. the people i know who are concerned about the state of DnB call the crummy new stuff 'clownstep'. which is an apt description. however i imagine they still listen to mostly wack stuff, which makes it pretty funny. really the only stuff thats out that im at all digging on is High Contrast, some Calibre, and the outputs of Inperspective and Offshore labels. theres some other bits and pieces here and there (like anything paradox/seba related), but most anything techy has advanced to computerized nonsense at this point. tom andythepooh.com
RE: (313) a guy called gerald
the only thing I've listened to lately that has been remotely near dnb would be the Grime compilations, some stuff on Shockout, and the artist Shitmat I think I ragged on grime when it first was mentioned here but I've come to like it quite a lot. I dropped out of listening to most dnb when techstep became the main sound. MEK Thomas D. Cox, Jr. [EMAIL PROTECTED] To h.com313@hyperreal.org cc 02/15/05 03:20 PM Subject RE: (313) a guy called gerald Please respond to [EMAIL PROTECTED] h.com -- Original Message -- From: matt kane's brain [EMAIL PROTECTED] At 04:10 PM 2/15/2005, Thomas D. Cox, Jr. wrote: no way. what exists in place of jungle now bears nearly no resemblance to jungle, speed garage, or hardcore. i wouldnt even know what to call it really. i do call it crap so thats one possible genre name. the people i know who are concerned about the state of DnB call the crummy new stuff 'clownstep'. which is an apt description. however i imagine they still listen to mostly wack stuff, which makes it pretty funny. really the only stuff thats out that im at all digging on is High Contrast, some Calibre, and the outputs of Inperspective and Offshore labels. theres some other bits and pieces here and there (like anything paradox/seba related), but most anything techy has advanced to computerized nonsense at this point. tom andythepooh.com
RE: (313) a guy called gerald
-- Original Message -- From: [EMAIL PROTECTED] the only thing I've listened to lately that has been remotely near dnb would be the Grime compilations, some stuff on Shockout, and the artist Shitmat I think I ragged on grime when it first was mentioned here but I've come to like it quite a lot. I dropped out of listening to most dnb when techstep became the main sound. see, for me grime is like the techstep of 2-step. its like all the fun party music aspects of it got sucked out and it got super male oriented and dark. i was into some of the earliest releases of MC led garage that eventually led to grime, but i just couldnt get into grime or really the later dubstep stuff for that matter. i have housey vocal tunes by horsepower productions if anyone ever wants to ruin their perception of those guys ;) to andythepooh.com
(313) who is Roman Debnar?
ala the Anonymous releases? NICE! jeff
