Re: (313) Carl Craig '
my impression of him behind the decks is that it depends greatly on his mood he can be (apparently) intentionally obtuse, then really good but the characterization of him as someone who generally just plays records is not unfounded and on the right night, that doesn't matter.. it's still fun. or maybe that's all changed since i haven't seen him in a few years if he's asking for 3 decks and 2 cd players either he's beginning to take this djing thing seriously or he's pulling your leg On Mar 13, 2005, at 12:23 PM, Tristan Watkins wrote: I think my problem is that isn't always the case anymore. When I saw him in Brighton in Nov/Dec the first half of his set was fairly bland, despite following a Harvey-esque DJ. Like I said, he made up for it, but maybe a little too little a little too late. That said, reports of his set in Kings Cross last year were nothing short of stunning. Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk Original message Subject:Re: (313) Carl Craig ' Author: Fred Heutte [EMAIL PROTECTED] Date: 12th March 2005 7:25:39 Like all the best DJs in Detroit, Carl can play anything and basically will, even sometimes pushing well past where the crowd will go. I'm not always thrilled with his playing but it's always interesting. -- fh
Re: (313) Ron Trent mix
and you need that r in the address, as well (i.e. http://www.grooveparlor.com ) :-) that's what i'm talking about - i can't even get the address right!! bloody hopeless i am! ;-) nath
Re: (313) talking heads
Sherman, set the WABAC for the year 1979 ... It's 1979. Your faithful correspondent is going through the worst nightmare of a year of his young life. He's so skint that he gets evicted from his flat that he shares with 2 flatmates because he can't come up with his share of the rent - $55 a month. (That's not even 30 quid to you lot across the pond. Or 41 Euro to the ... erm, Euros.) No car, no job, no money - no nothing. Not even turning 21 in October of that year helped - he had no money to get legally drunk with. If ever the phrase Music Saves My Soul was true, it was true for me in 1979. The Year That (Post-)Punk Broke. It may have been a horrific year for me personally, but it was a fscking insane year for music. No less than the following all-time-greatest-albums hit the streets that year: 1. Joy Division's Unknown Pleasures 2. Wire's 154 3. Public Image Ltd.'s Metal Box Meanwhile, back in the States, David Byrne co. were coming off of 2 minimalist, skittish Rock classics, the stylistically similar Talking Heads '77 and More Songs About Buildings And Food. But, much like PiL, they were about to take things in a vastly different direction. Fear Of Music hit, like the 3 albums above, like an atom bomb. A huge quantum leap forward for the 'Heads, while it had a few songs (Memories Can't Wait, Heaven, Paper) that weren't terribly dissimilar to the first two albums, most of the other tracks were a big step forward, and a couple (Life During Wartime, I Zimbra) presaged their subsequent conversion in to a monster Afro-Funk workout outfit. But of the remainder, there are tracks that just don't fit any mold, T. Heads or otherwise - all of them brilliant: Mind, Electric Guitar, Air, and, for me, the most brilliant Talking Heads track of all: Drugs. Fear Of Music is a great album (especially in headphones) from start to finish, and it remains timeless to this day. Definitely my favorite Talking Heads album (with Remain In Light a close 2nd) - and they made lots of great ones. Highly recommended. (Ob313: Erm ... listening to Alex's blackheartdisco mix now!) - Greg's Geezer Reviews
(313) Clubs in Seoul
I know this is a really long shot but a mate is in Seoul at the moment and is looking for a club (techno/house) to go to. Anyone have any ideas? robin...
Re: (313) 313 in da 323 this month
On Mar 11, 2005, at 11:15 PM, [EMAIL PROTECTED] wrote: yeah- but there's a million and one djs in miami. doubt i'll even go see any of these since there's hotter stuff going on. What hotter stuff? I looked at the WMC master party list, and it's gotta be the lamest WMC party list lineup I've ever seen. (On the other hand, on Saturday at the official Ultra Music Festival event there's Jackyl and Hyde vs. Dynamix II live, which I'd give my left nutsack to see.) just funny cause in La these are prime time events. On Fri, 11 Mar 2005, Ramon Crespo wrote: [EMAIL PROTECTED] wrote: so great three of these events are when i'm down in miami. figures, right? My heart doth bleed for you Josh, really it does ;-P - Greg
RE: (313) Carl Craig '
I share your opinion about the Brighton gig Tristan, not sure if you would be able to remember the first half that well because I seem to recall your being kicked out of the club ( and sneaking back in) and falling a sleep at the front leaning on the booth while Carl was playing HAHAHAHAHAH- classic moment. And I was also at the Kings cross gig last year and it was may be my best night out for the whole of last year. Stunning. 3 decks and 2 cd players- don't sound like the CC I've seen before In Brighton he only used CD decks. Paul -Original Message- From: Tristan Watkins [mailto:[EMAIL PROTECTED] Sent: 13 March 2005 20:23 To: Fred Heutte Cc: 313@hyperreal.org; [EMAIL PROTECTED] Subject: Re: (313) Carl Craig ' I think my problem is that isn't always the case anymore. When I saw him in Brighton in Nov/Dec the first half of his set was fairly bland, despite following a Harvey-esque DJ. Like I said, he made up for it, but maybe a little too little a little too late. That said, reports of his set in Kings Cross last year were nothing short of stunning. Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk Original message Subject:Re: (313) Carl Craig ' Author: Fred Heutte [EMAIL PROTECTED] Date: 12th March 2005 7:25:39 Like all the best DJs in Detroit, Carl can play anything and basically will, even sometimes pushing well past where the crowd will go. I'm not always thrilled with his playing but it's always interesting. -- fh
Re: (313) Carl Craig '
yeah I remember that too. I also remember trawling the streets of Brighton with you looking for your lost 'phone' at one stage of the night, LOL. - Original Message - From: Paul Kendrick [EMAIL PROTECTED] To: Tristan Watkins [EMAIL PROTECTED]; Fred Heutte [EMAIL PROTECTED] Cc: 313@hyperreal.org; [EMAIL PROTECTED] Sent: Monday, March 14, 2005 9:25 AM Subject: RE: (313) Carl Craig ' I share your opinion about the Brighton gig Tristan, not sure if you would be able to remember the first half that well because I seem to recall your being kicked out of the club ( and sneaking back in) and falling a sleep at the front leaning on the booth while Carl was playing HAHAHAHAHAH- classic moment. And I was also at the Kings cross gig last year and it was may be my best night out for the whole of last year. Stunning. 3 decks and 2 cd players- don't sound like the CC I've seen before In Brighton he only used CD decks. Paul -Original Message- From: Tristan Watkins [mailto:[EMAIL PROTECTED] Sent: 13 March 2005 20:23 To: Fred Heutte Cc: 313@hyperreal.org; [EMAIL PROTECTED] Subject: Re: (313) Carl Craig ' I think my problem is that isn't always the case anymore. When I saw him in Brighton in Nov/Dec the first half of his set was fairly bland, despite following a Harvey-esque DJ. Like I said, he made up for it, but maybe a little too little a little too late. That said, reports of his set in Kings Cross last year were nothing short of stunning. Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk Original message Subject: Re: (313) Carl Craig ' Author: Fred Heutte [EMAIL PROTECTED] Date: 12th March 2005 7:25:39 Like all the best DJs in Detroit, Carl can play anything and basically will, even sometimes pushing well past where the crowd will go. I'm not always thrilled with his playing but it's always interesting. -- fh
Re: (313) blackheartdisco mixtape
oow! what are the two tracks between pam todd and theo parrish? 15:30 - 19:30 Hey Jurren! : ) Thanks for listening! I think its maybe 2 tracks, a loop of some beats (galifree?) and also an unreleased newworldaquarium track, called daylite thanks! alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) blackheartdisco mixtape
think its maybe 2 tracks, a loop of some beats (galifree?) and also an unreleased newworldaquarium track, called daylite oh, p.s. I forgot to say, that track is unmastered, so bear that in mind. also, being a complete f**kin doofus, I left a filter running over the track, so it should sound better really. however, as soon as I get the box my dad is making me, I wont do that any more as it has idiot proof indicators on it. what a dipstick! p.s. dont tell the 154 ; ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) talking heads
Greg. Your historical posts are ace! More please : ) Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Carl Craig '
Erm... well I remember some of it somehow. :/ Most discrediting post ever! And all of the below was nothing compared to the waking-up-at-Farringdon-running-across-the-platform-and-falling-in-the-gap-near-death-experience later that (next) day. Carl Craig, we salute you! Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk Original message Subject:Re: (313) Carl Craig ' Author: Stewart Caig [EMAIL PROTECTED] Date: 14th March 2005 9:42:58 yeah I remember that too. I also remember trawling the streets of Brighton with you looking for your lost 'phone' at one stage of the night, LOL. - Original Message - From: Paul Kendrick [EMAIL PROTECTED] To: Tristan Watkins [EMAIL PROTECTED]; Fred Heutte [EMAIL PROTECTED] Cc: 313@hyperreal.org; [EMAIL PROTECTED] Sent: Monday, March 14, 2005 9:25 AM Subject: RE: (313) Carl Craig ' I share your opinion about the Brighton gig Tristan, not sure if you would be able to remember the first half that well because I seem to recall your being kicked out of the club ( and sneaking back in) and falling a sleep at the front leaning on the booth while Carl was playing HAHAHAHAHAH- classic moment. And I was also at the Kings cross gig last year and it was may be my best night out for the whole of last year. Stunning. 3 decks and 2 cd players- don't sound like the CC I've seen before In Brighton he only used CD decks. Paul -Original Message- From: Tristan Watkins [mailto:[EMAIL PROTECTED] Sent: 13 March 2005 20:23 To: Fred Heutte Cc: 313@hyperreal.org; [EMAIL PROTECTED] Subject: Re: (313) Carl Craig ' I think my problem is that isn't always the case anymore. When I saw him in Brighton in Nov/Dec the first half of his set was fairly bland, despite following a Harvey-esque DJ. Like I said, he made up for it, but maybe a little too little a little too late. That said, reports of his set in Kings Cross last year were nothing short of stunning. Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk Original message Subject: Re: (313) Carl Craig ' Author: Fred Heutte [EMAIL PROTECTED] Date: 12th March 2005 7:25:39 Like all the best DJs in Detroit, Carl can play anything and basically will, even sometimes pushing well past where the crowd will go. I'm not always thrilled with his playing but it's always interesting. -- fh
Re: (313) Carl Craig '
Holy Bejesus, All on a little trip to Brightonbags never traveling to Detroit with you T ;) On 14 Mar 2005, at 11:00, Tristan Watkins wrote: Erm... well I remember some of it somehow. :/ Most discrediting post ever! And all of the below was nothing compared to the waking-up-at-Farringdon-running-across-the-platform-and-falling-in- the-gap-near-death-experience later that (next) day. Carl Craig, we salute you!
Re: (313) Carl Craig '
No one really seems to want to talk about him.
Aha!
GOTCHA.
I could tak about Carl Craig all day long. You'll be sorry you asked
sunshine.
; )
Nah. But, well, you know as someone mentioned we do talk about him rather
alot. He's deffo my favourite techno producer I think. I know not that many
agree with me - but f**k it, I dont care, he's the bees knees, the top
shizzle, leader of the pack, the dogs bo**ocks etc. to me anyway.
He takes other peoples music, and sprinkles it with gold dust, everytime.
Yeah, so he doesn't disguise his samples as well as most, but, hey, if
theres anything wrong with that, you could discount the entire hiphop
genre. How did he find all that obscure electronic european music to sample
anyway? this stuff wasn't readily available in the states for sure. I'm
guessing basic channel might have put him on to alot of stuff maybe.
and in a way, thats why I like sandstorms so much. it's all him surely. and
its a classic. I'll pick that record up in ten years and describe it a
timeless classic. it's awesome, up there with any of the best techno
produced in the early years. deffo. deep, soulful, melodic. beautiful.
Dj wise. Hmm. Early to mid ninties? Utter rubbish. couldn't beat match for
toffee. always good records tho. Remember him throwing a benny at sankeys
in 95 cos he was struggling - he threw a record against the wall. it
smashed in two and these two girls I knew had it up in their office on the
wall carl craig smashed this record. remember lost at vox ('92?) same
deal, couldn't mix. played domina though, and it hadn't been out long at
that point.
these days - dunno - not seen him lately - 100% better though by all
accounts.
alex
_
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Re: (313) Carl Craig '
i'd rather go out and hear good tunes over good mixing any day of the
week...
obvioulsy the 2 combined is ideal but if you can't have both, then i
choose records..
saw cc in bristol last december and he played some deep sh*twas on
laptop tho which i found a bit dissapointing..but in this day and age
every tom , dick, harry and his dog seems to be laptopping it nowadays
p
[EMAIL PROTECTED] wrote:
No one really seems to want to talk about him.
Aha!
GOTCHA.
I could tak about Carl Craig all day long. You'll be sorry you asked
sunshine.
; )
Nah. But, well, you know as someone mentioned we do talk about him rather
alot. He's deffo my favourite techno producer I think. I know not that many
agree with me - but f**k it, I dont care, he's the bees knees, the top
shizzle, leader of the pack, the dogs bo**ocks etc. to me anyway.
He takes other peoples music, and sprinkles it with gold dust, everytime.
Yeah, so he doesn't disguise his samples as well as most, but, hey, if
theres anything wrong with that, you could discount the entire hiphop
genre. How did he find all that obscure electronic european music to sample
anyway? this stuff wasn't readily available in the states for sure. I'm
guessing basic channel might have put him on to alot of stuff maybe.
and in a way, thats why I like sandstorms so much. it's all him surely. and
its a classic. I'll pick that record up in ten years and describe it a
timeless classic. it's awesome, up there with any of the best techno
produced in the early years. deffo. deep, soulful, melodic. beautiful.
Dj wise. Hmm. Early to mid ninties? Utter rubbish. couldn't beat match for
toffee. always good records tho. Remember him throwing a benny at sankeys
in 95 cos he was struggling - he threw a record against the wall. it
smashed in two and these two girls I knew had it up in their office on the
wall carl craig smashed this record. remember lost at vox ('92?) same
deal, couldn't mix. played domina though, and it hadn't been out long at
that point.
these days - dunno - not seen him lately - 100% better though by all
accounts.
alex
_
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Re: (313) Carl Craig '
i'd rather go out and hear good tunes over good mixing any day of the week... obvioulsy the 2 combined is ideal but if you can't have both, then i choose records.. agreed p. saw cc in bristol last december and he played some deep sh*twas on laptop tho which i found a bit dissapointing..but in this day and age every tom , dick, harry and his dog seems to be laptopping it nowadays luddite! ; ) whats the difference P? same shizz coming out the speakers no? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) ..earth calling francis....or other berlin goers....
come in agent wooofare you there? how was berlin? last weekend of tresor? send us a report!! when you get time alex p.s. bhd was ace! p.p.s. is it your boatparty this weekend? p.p.p.s i'm coming round to look for that damn record this week. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Carl Craig '
whats the difference P? same shizz coming out the speakers no? very true, but i like to see people mix with records and decks so i can listen to their style, see if theres bits , tricks which sound good that i can incorporate into my mixes.if i hear a record i like and i see its on a slab of vinyl, chances are it's either out or going to be released. i am old fashioned but i like to see em working for their money...sweating behind the decks, etc... p _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Carl Craig '
i am old fashioned but i like to see em working for their money...sweating behind the decks, etc.. ok. good point. still, yeah, you're a dinosaur. ha hahahahahahahhahaha ; ) only kidding like. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Carl Craig '
saw cc in bristol last december and he played some deep sh*twas on laptop tho which i found a bit dissapointing..but in this day and age every tom , dick, harry and his dog seems to be laptopping it nowadays Always enjoyed him when I've seen him, sometimes deep, sometimes in party mode - makes a difference from the stomp-a-thon's. Talking of laptops, if you are using Live 4.1 watch out for a bug after about two hours of play, cursor goes jerky followed by the sound - serious memory paging problem. We've switched back to 4.0.4 as we could get this problem to repeat. Cheers Martin
RE: (313) Carl Craig '
I'd rather go out to hear good tunes than good mixing myself - the performance isn't any more valid or enjoyable for me even if the performer has to go through an unnecessarily arduous process in order to send music out through the speakers. Then again, someone trying to generate Basic Channel-style techno using nothing but a swanny whistle and a tin can would make for a pretty interesting set... :) Brendan -Original Message- From: Placid [mailto:[EMAIL PROTECTED] Sent: 14 March 2005 11:50 To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) Carl Craig ' whats the difference P? same shizz coming out the speakers no? very true, but i like to see people mix with records and decks so i can listen to their style, see if theres bits , tricks which sound good that i can incorporate into my mixes.if i hear a record i like and i see its on a slab of vinyl, chances are it's either out or going to be released. i am old fashioned but i like to see em working for their money...sweating behind the decks, etc... p _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Carl Craig '
Talking of laptops, if you are using Live 4.1 watch out for a bug after about two hours of play, cursor goes jerky followed by the sound - serious memory paging problem. We've switched back to 4.0.4 as we could get this problem to repeat. flippin 'eck! cheers for posting that mr dust. I thought it was some weird latency thing - have you told them btw? also - ever had latency issues with echo indigo dj card? something funny going on with mine, using wyy too much cpu. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313)[was] Carl Craig [Now] Live
Talking of laptops, if you are using Live 4.1 watch out for a bug after about two hours of play, cursor goes jerky followed by the sound - serious memory paging problem. We've switched back to 4.0.4 as we could get this problem to repeat. cheers for posting that mr dust. I thought it was some weird latency thing - have you told them btw? Yeah, we've sent them the log files - did you know everything you do is logged? also - ever had latency issues with echo indigo dj card? something funny going on with mine, using wyy too much cpu. Never had a problem with the card, I know Live 4.1.1 tells fibs about CPU usage. And it has serious memory paging problems. We've switch back down to 4.0.4 on Friday and had no problems. Open Task Manager to see what is really happening and ensure you are booting with just what you need, turn everything off. Another tip is to turn the volume on the computer right up and set the volume in Live to around 6, stops a lot of distortion on big systems and gives you somewhere to go with the gains. We always pre-amp these days. We also load as much as we can into Ram these days and trim everything so we aren't carrying extra stuff we aren't going to use. We also keep on file running in a dead channel, the stop the hard disk winding down and the app from stopping and starting. Where is your machine spiking Alex? What are you doing to make it use loads of CPU? Martin
Re: (313)[was] Carl Craig [Now] Live
Yeah, we've sent them the log files - did you know everything you do is logged? ha. did I heck! log files eh? hmm. not sure what they do. Where is your machine spiking Alex? What are you doing to make it use loads of CPU? god knows. it's 100% fine with the internal sound card (with fairly high latency admittedly). put the indigo in and all of a sudden it's heavy on the cpu for anything - running 5 tracks at the same time with 3 plugins on each and its extremely close to tipping over. obviously this isn't a great deal at all and this shouldn't be happening. I'm relatively sure its the card though and not ableton or my computer? p.s. do the trick with the audio anyway, but. what does a pre-amp do? will it make it louder? I always seem to be close to the bone regards audio signal, looking for ways to improve. ta. p.p.s. how was friday in sunny manchester? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313)[was] Carl Craig [Now] Live
did I heck! log files eh? hmm. not sure what they do. Where is your machine spiking Alex? What are you doing to make it use loads of CPU? god knows. it's 100% fine with the internal sound card (with fairly high latency admittedly). put the indigo in and all of a sudden it's heavy on the cpu for anything - running 5 tracks at the same time with 3 plugins on each and its extremely close to tipping over. Start the machine with it in and ensure you have the latest drivers, there have been CPU problems with the Echo but these went away a long time ago, latest ones are 6.1.1 and there also another fix for crappy controllers so you may what to look at that. The card should hardly us any CPU. When you say 3 plug-ins on each, do you mean the ones that came with Live or one's you've added? If you have Norton installed turn it off, Auto-protect causes a lot of problems as does Auto-update. Another biggy is Wireless connection software, again turn it off. Defrag the hard disk as well. Set the Echo to 256 or 512 samples, this should give you a latency of around 23ms. This setting depends on what you have on your machine but we find 512 reduces the risk. Make sure your using the Asio drivers rather than DirectX. http://www.echoaudio.com/Downloads/Drivers.php Also check your laptop doesn't have PCMCIA controller made by ENE. http://www.echoaudio.com/Downloads/Other.php obviously this isn't a great deal at all and this shouldn't be happening. I'm relatively sure its the card though and not ableton or my computer? Something doesn't sound right here if you'll excuse the pun. Do all the above and report back. p.s. do the trick with the audio anyway, but. what does a pre-amp do? will it make it louder? I always seem to be close to the bone regards audio signal, looking for ways to improve. Gives you more head room if the person before you has everything set to 11 and has been playing +12db records. We go into a 8 track mixer, with earth-loop condenser attached. p.p.s. how was friday in sunny manchester? Great, got in front of a Police chase on the way in and the directed to Oxford Street instead of Road, had a great gig tho, well up for it crowd. Hope that helps Martin
Re: (313)[was] Carl Craig [Now] Live
Hope that helps no s**t, thanks kindly martin, appreciate you taking the time to write that - I'll investigate tonight. might be the driver - I just installed the one that came with it on the cd. bet its old. Great, got in front of a Police chase on the way in and ha. not unusual round here I guess. let me guess, 2 x 12 year olds out running the coppers? ha. the directed to Oxford Street instead of Road, had a great gig tho, well up for it crowd. teehee, someone clocked your accent maybe?!! oxford st is just where I work.. : ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313)[was] Carl Craig [Now] Live
Hope that helps no s**t, thanks kindly martin, appreciate you taking the time to write that - I'll investigate tonight. might be the driver - I just installed the one that came with it on the cd. bet its old. The CPU user/abuser is DirectX--- IT kills it. We had both machines linked on Friday with 23 channels of noise running, and all the echo's set to 11, CPU usage = 3% - fingers in ears 100%. Sounds great tho. Great, got in front of a Police chase on the way in and ha. not unusual round here I guess. let me guess, 2 x 12 year olds out running the coppers? ha. Hand break turn in the middle lane on the main roundabout, 4 blokes doing a runner... the directed to Oxford Street instead of Road, had a great gig tho, well up for it crowd. teehee, someone clocked your accent maybe?!! oxford st is just where I work.. : ) We asked a couple of coppers, b*stards. Martin
Re: (313)[was] Carl Craig [Now] Live
The CPU user/abuser is DirectX--- IT kills it. We had both machines linked on Friday with 23 channels of noise running, and all the echo's set to 11, CPU usage = 3% - fingers in ears 100%. Sounds great tho. right - there's deffo something wrong. I'll have a look though as I need to check about 4 things you mentioned (my wireless stuff is on, norton is on, old driver etc etc). I am using an asio driver though. Hand break turn in the middle lane on the main roundabout, 4 blokes doing a runner... nice touch. you can't beat a bit of live Police.Camera.Action. used to get it every night out the window of my 11th floor luxurious penthouse. We asked a couple of coppers, b*stard bah. agreed. knobheads. alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Carl Craig '
Paul Kendrick wrote: And I was also at the Kings cross gig last year and it was may be my best night out for the whole of last year. Stunning. Seconded - that night was a bit special, Carl was on excellent form, as good as the time he played at Plastic People a couple of years earlier. I wouldn't hesitate to go and see him again (even though I didn't make it to Brighton). sImon
Re: (313)[was] Carl Craig [Now] Live
At 07:28 AM 3/14/2005, Martin Dust wrote: We also load as much as we can into Ram these days and trim everything so we aren't carrying extra stuff we aren't going to use. We also keep on file running in a dead channel, the stop the hard disk winding down and the app from stopping and starting. You can't use the Power Options control panel to disable the hard disk spin-down? -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || AIM: mkbatwerk
Re: (313)[was] Carl Craig [Now] Live
At 07:28 AM 3/14/2005, Martin Dust wrote: We also load as much as we can into Ram these days and trim everything so we aren't carrying extra stuff we aren't going to use. We also keep on file running in a dead channel, the stop the hard disk winding down and the app from stopping and starting. You can't use the Power Options control panel to disable the hard disk spin-down? True and we do have this set, the hard disks doesn't spin down, but we've found the machines do funny things when they are in a red hot environment. But you are correct, all power saving options should be switched off Alex, including the Screen Saver. The reason we have a loop running all the time was to help with the paging problem we found in 4.1.1. - It was more a visual thing, once we saw the cursor stuttering we would turn one of the laptops off and restart as this was the only way we could find to cure the problem. Cheers Martin
(313) sound stream record
where can I buy a sound stream record? it's soundhack right? someone played it in the club on saturday and it sounded dope, I need one. ta _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) sound stream record
off the top of my head: try hardwax fab. - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, March 14, 2005 3:55 PM Subject: (313) sound stream record where can I buy a sound stream record? it's soundhack right? someone played it in the club on saturday and it sounded dope, I need one. ta _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) sound stream record
-- Original Message -- From: [EMAIL PROTECTED] if anyone knows of a uk one - please let me know! it sounds very good on a big soundsystem! it sounds good on all systems. i had to suck it up last summer and do a hardwax order so i could get all the soundhack/smith n hack/soundstream joints since they dont seem to be sitting around at any distros here in america. im not sure how that can be. i remember watts not even having them in their database which means they never stocked them. too weird. what excellent records. tom andythepooh.com
(313) Los Hermanos Album
Hearing very good things about this album, not got a copy yet - anyone heard it? Martin
Re: (313) sound stream record
the Shake remix Soundhack did (Like a Dream) on Frictional is also worth picking up. i'd guess that'd be easier to find in the states at least robin... Thomas D. Cox, Jr. wrote: -- Original Message -- From: [EMAIL PROTECTED] if anyone knows of a uk one - please let me know! it sounds very good on a big soundsystem! it sounds good on all systems. i had to suck it up last summer and do a hardwax order so i could get all the soundhack/smith n hack/soundstream joints since they dont seem to be sitting around at any distros here in america. im not sure how that can be. i remember watts not even having them in their database which means they never stocked them. too weird. what excellent records.
Re: (313) Los Hermanos Album
Hearing very good things about this album, not got a copy yet - anyone heard it? just some bunch of heads from detroit with their mams guitar I heard. ; ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Paris?
Hi all, I'm back from Paris. You guys have been busy here, almost 400 new messages in one week! Went to few places which were recommended and I have to praise 12 inch records (in Rue De Turbigo) for their good selection and for their help. Here's the list that managed to creep in my bag while I was in paris (also few records from piccadilly): Recloose - dust - Love this record. Fat Freddys Drop - Flasback / Midnight marauders live - I think the original midnight marauders is one of the best tunes I know and I just had to get this. If it is even possible, this live version might be even better than the original. HIT! Candi Staton - Pepe bradock mixes - Finally managed to get this. Innerzone Orchestra - Bug in the bassbin - Another record that I've tried to hunt down for ages. I'm so happy :-) Matthew Johnson - followed by angels (iiwii 10) - Whoo, new stuff from iiwii. Only quirk for me on this ep is the sample/sound that is also used in the deconstruction ep. Anyway, very good and epic deep techno/techhouse. Ben Watt feat. Estelle and baby blak - outspoken part 1 (buzzingfly 10) - Totally unknown label to me but very good quality house! If anybody cares, it must be a good house tune (atleast for me) if I'll buy house nowadays. It seems like ages since I bought proper vocal house. I like this one. Alessandroni, Paul Honesty : Tridem Remixed Vol.2 - Good remix-ep. Broken beat, house and such... Syclops - Mom, The Video Broke - New stuff from maurice fulton. Other side nice downtempo electronic groover and on the other side very good wacky electroish track. I think the description in piccadilly was a bit more accurate. Anyway, listen to this record too :) NYC2 - NYC2 - Black label, no infos. VERY good deep techno/ tech-house. It's in Juno atleast. Highly recommended. If anybody knows more information on this, I would love to hear... -- Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net --
Re: (313) Paris?
NYC2 - NYC2 - Black label, no infos. VERY good deep techno/ tech-house. It's in Juno atleast. Highly recommended. If anybody knows more information on this, I would love to hear... nice tips jari, thanks for posting them! what you wanna know about this one? a 'man on the street' told me about it. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Paris?
[EMAIL PROTECTED] wrote: NYC2 - NYC2 - Black label, no infos. VERY good deep techno/ tech-house. It's in Juno atleast. Highly recommended. If anybody knows more information on this, I would love to hear... nice tips jari, thanks for posting them! what you wanna know about this one? a 'man on the street' told me about it. i think placid was talking about that last week. nugroove re-workings i think. p? robin...
Re: (313) Paris?
C2 - NYC2 - Black label, no infos. VERY good deep techno/ tech-house. It's in Juno atleast. Highly recommended. If anybody knows more information on this, I would love to hear... ta-da.. Both tracks are originally Rheji Burrell A side: Brand new cover version of Metro brownstone express B side : Edit/Rework off a Ny Housin Authority EP _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) B12 - help!
Ok folks, after some assistance. B12 played a party in London not long ago? I saw it on little detroit, but then searched for it and couldn't find it. Does anyone remember this party? I really need to get hold of the promoter if I can - can anyone rememeber who did the party, and know an email address or where I could dig about for one? Ta very muchly. Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) distributors in US
compiling a list of distributors in the US for someone in the UK major ones - Watts, Submerge, Syntax, Forced Exposure and who else? looking for independent distributors who specialize or who have large electronic dance music catalogs thanks MEK
Re: (313) distributors in US
How about Rhythmic, are they still going? There was a company called Nemesis too, IIRC - though I think everyone said they were crap! On this topic, how are other labels here finding US distribution? It's been all but impossible for us to get anything other than tiny exports over there, none of the big companies seem to be taking imports at the moment (probably because of the weak dollar I guess...) - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, March 14, 2005 4:44 PM Subject: (313) distributors in US compiling a list of distributors in the US for someone in the UK major ones - Watts, Submerge, Syntax, Forced Exposure and who else? looking for independent distributors who specialize or who have large electronic dance music catalogs thanks MEK
Re: (313) distributors in US
On this topic, how are other labels here finding US distribution? whack. very whack. I blame George Bush, he doesn't care about Techno. Oh, and, e. Mcdonalds. For making all the american kids too fat to walk to the record shops. Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) distributors in US
hey matt...we're even in the u.s., and we currently have zero US distribution. the u.s. is very bad for most techno things i think. we've never sold more than 200 copies of anything via a u.s. distributor (who has to deal exclusively with north america, mind). we left syntax last year and sales were hardly breaking 30 copies, 100-150 used to be the norm. maybe is just us. submerge seems to do pretty good with us retail tho. there are/were a few distribs out of chicago as well...but i havent had any coffee so systems are down -Original Message- From: Matt Chester [EMAIL PROTECTED] Sent: Mar 14, 2005 11:46 AM To: 313@hyperreal.org, [EMAIL PROTECTED] Subject: Re: (313) distributors in US How about Rhythmic, are they still going? There was a company called Nemesis too, IIRC - though I think everyone said they were crap! On this topic, how are other labels here finding US distribution? It's been all but impossible for us to get anything other than tiny exports over there, none of the big companies seem to be taking imports at the moment (probably because of the weak dollar I guess...) - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, March 14, 2005 4:44 PM Subject: (313) distributors in US compiling a list of distributors in the US for someone in the UK major ones - Watts, Submerge, Syntax, Forced Exposure and who else? looking for independent distributors who specialize or who have large electronic dance music catalogs thanks MEK
Re: (313) distributors in US
I could probably personally sell 5-10 of your records in Chicago ;) It is really frustrating when good records aren't sitting there in the record store for me to buy... I can't bring myself to do mail order somehow... ~David -- Original Message - Subject: Re: (313) distributors in US Date: Mon, 14 Mar 2005 12:04:49 -0500 (GMT-05:00) From: J.T. [EMAIL PROTECTED] To: Matt Chester [EMAIL PROTECTED], 313@hyperreal.org, [EMAIL PROTECTED] hey matt...we're even in the u.s., and we currently have zero US distribution. the u.s. is very bad for most techno things i think. we've never sold more than 200 copies of anything via a u.s. distributor (who has to deal exclusively with north america, mind). we left syntax last year and sales were hardly breaking 30 copies, 100-150 used to be the norm. maybe is just us. submerge seems to do pretty good with us retail tho. there are/were a few distribs out of chicago as well...but i havent had any coffee so systems are down -Original Message- From: Matt Chester [EMAIL PROTECTED] Sent: Mar 14, 2005 11:46 AM To: 313@hyperreal.org, [EMAIL PROTECTED] Subject: Re: (313) distributors in US How about Rhythmic, are they still going? There was a company called Nemesis too, IIRC - though I think everyone said they were crap! On this topic, how are other labels here finding US distribution? It's been all but impossible for us to get anything other than tiny exports over there, none of the big companies seem to be taking imports at the moment (probably because of the weak dollar I guess...) - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, March 14, 2005 4:44 PM Subject: (313) distributors in US compiling a list of distributors in the US for someone in the UK major ones - Watts, Submerge, Syntax, Forced Exposure and who else? looking for independent distributors who specialize or who have large electronic dance music catalogs thanks MEK
Re: (313) distributors in US
I'm afraid that Nemesis has recently gone out of business. m. On Monday, March 14, 2005, at 10:46 AM, Matt Chester wrote: How about Rhythmic, are they still going? There was a company called Nemesis too, IIRC - though I think everyone said they were crap! On this topic, how are other labels here finding US distribution? It's been all but impossible for us to get anything other than tiny exports over there, none of the big companies seem to be taking imports at the moment (probably because of the weak dollar I guess...) - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, March 14, 2005 4:44 PM Subject: (313) distributors in US compiling a list of distributors in the US for someone in the UK major ones - Watts, Submerge, Syntax, Forced Exposure and who else? looking for independent distributors who specialize or who have large electronic dance music catalogs thanks MEK
Re: (313) CC '/ableton
On Mar 14, 2005, at 4:02 AM, Martin Dust wrote: saw cc in bristol last december and he played some deep sh*twas on laptop tho which i found a bit dissapointing..but in this day and age every tom , dick, harry and his dog seems to be laptopping it nowadays Always enjoyed him when I've seen him, sometimes deep, sometimes in party mode - makes a difference from the stomp-a-thon's. Talking of laptops, if you are using Live 4.1 watch out for a bug after about two hours of play, cursor goes jerky followed by the sound - serious memory paging problem. We've switched back to 4.0.4 as we could get this problem to repeat. Cheers Martin sure it's still an issue with 4.1.1 (rather than just 4.1)? and martin you never did post those surgeon/ableton tips you teased us with a bit ago?! ;)
Re: (313) Los Hermanos Album
On Mon, 2005-03-14 at 15:16 +, Martin Dust wrote: Hearing very good things about this album, not got a copy yet - anyone heard it? Yeah. I've heard it. I really like it. Keep in mind that I've missed out on getting most of the los hermanos ep's though, so I'm not sure what's new and what's been on the ep's previously. For me though, the most interesting track (in the wake of him no longer being involved in Los Hermanos) is a short snippet of Rolando talking about how Los Hermanos came about and how they're all brothers. Obligatory discogs entry: http://www.discogs.com/release/398509
Re: (313) Los Hermanos Album
Many thanks, looks ace, best get a couple of copies... :) - Original Message - From: David Gillies [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, March 14, 2005 7:35 PM Subject: Re: (313) Los Hermanos Album On Mon, 2005-03-14 at 15:16 +, Martin Dust wrote: Hearing very good things about this album, not got a copy yet - anyone heard it? Yeah. I've heard it. I really like it. Keep in mind that I've missed out on getting most of the los hermanos ep's though, so I'm not sure what's new and what's been on the ep's previously. For me though, the most interesting track (in the wake of him no longer being involved in Los Hermanos) is a short snippet of Rolando talking about how Los Hermanos came about and how they're all brothers. Obligatory discogs entry: http://www.discogs.com/release/398509
Re: (313) CC '/ableton
sure it's still an issue with 4.1.1 (rather than just 4.1)? Yeah, the beta does it as well - could be down to our set up tho... and martin you never did post those surgeon/ableton tips you teased us with a bit ago?! ;) I know, I know, I had great mails for Surge and Fred G but they are both personal mails and lifting all the info out would be pretty difficult, I have mentioned a lot of it in mails on this thread and to be honest I couldn't be arsed once I'd read the mails, sorry... but maybe we should do a long thread of tips on LD or here. m
Re: (313) CC '/ableton
At 04:07 PM 3/14/2005, Martin Dust wrote: sure it's still an issue with 4.1.1 (rather than just 4.1)? Yeah, the beta does it as well - could be down to our set up tho... The final version of the patch is out, might want to check it? -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || AIM: mkbatwerk
Re: (313) CC '/ableton
At 04:07 PM 3/14/2005, Martin Dust wrote: sure it's still an issue with 4.1.1 (rather than just 4.1)? Yeah, the beta does it as well - could be down to our set up tho... The final version of the patch is out, might want to check it? Don't fancy getting caught out again by it, going to stick with 4.0.4 for now. The Live techies still haven't got back to us yet, so we may just wait until then - as the old adage says, if it aint broke...
(313) dfal'kfnma'dskfm
sthsrth
Re: (313) CC '/ableton
Can't say i've run into this problem with Live 4.1 running on Mac OS X yet. However, i've had a few sporadic crashes that never seem to occur at a convinient time. Part of that may have been due to running Ableton on an old G3 system (way under powered) but i've since moved to a snappy new G4. I did find a bug with the sample browser in Live that might have been fixed. If you browse to a network share in Live, close Live, disconnect from the network and open Live again... it would hang at the Live logo and never load. Glad I found that one before it was too late. :| Erik Cronin [EMAIL PROTECTED] --- Martin Dust [EMAIL PROTECTED] wrote: At 04:07 PM 3/14/2005, Martin Dust wrote: sure it's still an issue with 4.1.1 (rather than just 4.1)? Yeah, the beta does it as well - could be down to our set up tho... The final version of the patch is out, might want to check it? Don't fancy getting caught out again by it, going to stick with 4.0.4 for now. The Live techies still haven't got back to us yet, so we may just wait until then - as the old adage says, if it aint broke...
Re: (313) dfal'kfnma'dskfm
dude - don't even get me started on that! MEK ryan burns [EMAIL PROTECTED] ail.com To 313@hyperreal.org 03/14/05 04:17 PM cc Subject (313) dfal'kfnma'dskfm sthsrth
(313) Re: SPAM-LOW: (313) B12 - help!
Wheels Instead of Hooves: http://www.wheelsinsteadofhooves.co.uk/ Not sure if they booked 'em or if they were part of a SKAM or Wang room or something. But that'd be a good place to start. Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk Original message Subject:SPAM-LOW: (313) B12 - help! Author: [EMAIL PROTECTED] Date: 14th March 2005 4:27:55 Ok folks, after some assistance. B12 played a party in London not long ago? I saw it on little detroit, but then searched for it and couldn't find it. Does anyone remember this party? I really need to get hold of the promoter if I can - can anyone rememeber who did the party, and know an email address or where I could dig about for one? Ta very muchly. Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) sound stream record
they used to be distributed in the states. i bought all my sound hack records at temple records in new york. i'm thought they would have come through watts. but i guess it could have been from prime in the uk. james www.jbucknell.com Thomas D. Cox, Jr. [EMAIL PROTECTED] To h.com313@hyperreal.org cc 15/03/05 02:27 AM Subject Re: (313) sound stream record Please respond to [EMAIL PROTECTED] h.com -- Original Message -- From: [EMAIL PROTECTED] if anyone knows of a uk one - please let me know! it sounds very good on a big soundsystem! it sounds good on all systems. i had to suck it up last summer and do a hardwax order so i could get all the soundhack/smith n hack/soundstream joints since they dont seem to be sitting around at any distros here in america. im not sure how that can be. i remember watts not even having them in their database which means they never stocked them. too weird. what excellent records. tom andythepooh.com ForwardSourceID:NT0001B5F2
Re: (313) sound stream record
-- Original Message -- From: [EMAIL PROTECTED] they used to be distributed in the states. i bought all my sound hack records at temple records in new york. i'm thought they would have come through watts. but i guess it could have been from prime in the uk. i know they used to be, i just dont think anyone is stocking them now. which seems so wrong on so many levels. i dont remember the prime stickers being on any of my friends' copies. maybe it was nemesis? though that doesnt exactly make sense either. tom andythepooh.com
Re: (313) sound stream record
yeah, i don't remember any prime stickers on my copies. james www.jbucknell.com Thomas D. Cox, Jr. [EMAIL PROTECTED] To h.com313@hyperreal.org cc 15/03/05 10:28 AM Subject Re: (313) sound stream record Please respond to [EMAIL PROTECTED] h.com -- Original Message -- From: [EMAIL PROTECTED] they used to be distributed in the states. i bought all my sound hack records at temple records in new york. i'm thought they would have come through watts. but i guess it could have been from prime in the uk. i know they used to be, i just dont think anyone is stocking them now. which seems so wrong on so many levels. i dont remember the prime stickers being on any of my friends' copies. maybe it was nemesis? though that doesnt exactly make sense either. tom andythepooh.com ForwardSourceID:NT0001B66E
