(313) Wang party - Squarepusher/Bolz Bolz

2006-03-29 Thread Michael . Elliot-Knight




just dropped in my mailbox -




Saturday 1st April 2006


Line-up so far is:


Squarepusher - Oldschool DJ Set
The legend that is Tom Jenkinson puts down his bass guitar for an evening
and takes us on an epic journey through his own personal record collection,
encompassing the whole history of 90s dance music from acid house, through
essex 'ardkore, to mentalist d'n'b.


Bolz Bolz - live
Bolz Bolz is best known for the breaktrough electro track and oldtime wang
electro anthem 'Take a walk', he is also responsible for the World
Electric, Formic, and Electrocord labels. He has been pushing the boundarys
between techno and electro since 1991, and has been responsible for
countless dirty analogue belters. Expect a tearing live set.


Ed Chamberlain (WANG) + George 'Skull' Hull
(Lockgrooves and laptop tag-team mashup from WANG regulars)


Lula & Electro Elvis (WANG)


More guests TBC


Our new venue is 100% confirmed, it's a large former boozer in east london,
located at 25 White Post Lane, Hackney E9 5EN, right next door to Hackney
Wick train station (on the Silverlink line, between Highbury and Islington
tube and Stratford tube stations). The 26, 30, 236, 276, 388 and S2 buses
also all stop right nearby.


The Fairshare Unity Sound System will be in full effect with no noise
restrictions, and we've got a full on intelligent lightshow lined up
specially for ya.
Bar prices will be cheap as chips (e.g. £2 for a cold can of decent larger,
or a spirit and mixer, etc.) and the venue will have our normal laidback
friendly atmosphere (strictly no moody bouncers)


Capacity is strictly limited and we're sure it's gonna be a belter so get
there early to avoid disappointment.


In the past just knowing where the party was, and smiling upon arrival was
enough to prove membership, but due to the move to a new venue this is
unfortunately going to have to change.


In order to stop us getting shut down (and to keep out any undesirables),
we will once again would ask you to fill out a membership form and bring it
with you on the night, THOSE OF YOU WHO CAME TO THE LAST PARTY ARE ALREADY
MEMBERS AND DONT NEED TO FILL THIS FORM IN AGAIN, WE WILL HAVE A LIST OF
NAMES AT THE DOOR AND WILL BE GIVING YOU YOUR MEMBERSHIP WANG CARDS ON THE
NIGHT.


If you did not attend the first night, a Word doc is available for download
from this website, that is a 'Membership renewal application form'. You
simply fill in you name, address and email address and print out and bring
to the party. We will then email you to confirm the email address is valid
and upon receipt of a reply from you, we will post you out your membership
cards.
We know it's a bit of a pain in the arse, but you only have to do it once,
and we hope you'll think it's worthwhile when you see the new venue, and
feel the old vibe...


Entry will be £7 plus a special introductory £3 membership (that you only
pay once, to cover the cost of the membership card, postage etc.)


PRE-PARTY ACTION AT THE GRIFFIN FROM 8PM WITH MAT VERNON, NC AND A FEW
OTHER WANG GUESTS.


WE'RE BACK!


WANG - Less of a club, more of a party!



(313) Vault Radio - March 22, 2006

2006-03-29 Thread Anton Banks \(313\)
Please click the link to reply to me directly: www.antonbanks.com/email.html

My show airs live tonight about 3 hours after this message was sent.

The last four programs are always archived online. Visit
www.antonbanks.com/show.htm to hear them.

CLICK THE LINK TO HEAR THE SHOW
http://www.antonbanks.com/audio/03-22-06.mp3


Dan Curtin, Peach, We Are The Ones We've Been Looking For, Headspace
Isolee, Djamel Et Jamshid (Villalobos Edit), The Western Edits Pt 1,
Playhouse
Alex Smoke, Never Want To Se You Again, Paradolia, Soma
The Separatists, Krochit, Percy X Presents, Soma
Dapayk, Nasty Things, Giornata, Friends Of Tomorrow
Mud Max, Roller Toaster, Hunger Ep, Ware
Isolee, Lost (And Then Stripped By The Glimmers), The Western Edits Pt. 1,
Playhouse
Number One Son Vs. Adultnapper, Sold Out, Matter Form
Dan Curtin, Don't Wait, We Are The Ones We've Been Looking For, Headspace
Reese Project, Direct Me (Rees Groove Mix), Giant

Yellow, Jungle Bill, (Big Pig Shuffle Mix), Smash
Unspecified Enemies, Multi Ordinal Tracking Unit, Subject Detroit, Eukahouse
Damon Jee & Oliver Giacomotto, Jamon Y Queso, Tora Tora Tora
Matt French, Mateo Murphy Remix, Crt Remixes, Surveillance
Justin Berkovi, Subvert (Christian Wunsch Rmx), Rising, Music Man
Karl O'Connor & Peter Sutton, Meat, Against Nature, Tresor
Oliver Ho, Film, Surface
Surgeon, Klonk, Dynamic Tension

---
About the show:

The Vault airs every Wednesday night from 9:30 pm until 11:00 am (21:30 to
23:00 US Eastern Time = GMT -5:00) on 88.1 FM WESU. The station's 1500 watt
signal can be heard from as far north as Springfield, MA to as far south as
Long Island, NY. WESU also broadcasts via the internet. Visit the station's
website www.wesufm.org for the details.
In addition to hosting this radio program, I am a freelance DJ and
occasionally write record reviews. I welcome any questions, suggestions, or
comments. Please feel free to respond to this message
(www.antonbanks.com/email.html) or visit my website for more information.

*** I appreciate all promotional music sent to me and will never sell any of
it online or anywhere else. All promotional material sent to me is aired on
my show as well as used in my DJ sets when I play out.




Re: (313) Re: SPAM-LOW: Re: (313) retroactive 002

2006-03-29 Thread Jason Brunton
I discussed this issue with the head of the MCPS in Scotland a year  
or so ago- the basic deal is that they treat audio clips on websites  
to be essentially a fund raising exercise, ie you are trying to sell  
something (duh!) in the same way a radio station is trying to sell  
something (advertising in their case) when they play music over the  
airways- therfore a license fee is due to artists who's music you  
play in the same way that they get paid if their music gets played on  
the radio or used in a TV transmission.


As far as I remember there is a "minimal" fee due as long as the  
clips are under 30 seconds and a more substantial (i.e. truly eye  
watering) fee if they are of a longer duration- Juno may either be  
paying the larger fee as they are a pretty substantial organisation  
or they may just be chancing their luck.


Of course, as always with these things, artists from small  
independent labels rarely see any of the cash collected by the  
relevant authorities "on their behalf" and the vast majority goes to  
Dire Straits, Robbie Williams and the odd bit left over for Tiesto  
and Joey Negro.


cheers

Jason

On 29 Mar 2006, at 15:36, Tristan Watkins wrote:


- Original Message - From: "robin" <[EMAIL PROTECTED]>
To: "Paul Hudson" <[EMAIL PROTECTED]>
Cc: "313@Hyperreal.Org" <313@hyperreal.org>
Sent: Wednesday, March 29, 2006 3:23 PM
Subject: SPAM-LOW: Re: (313) retroactive 002




it's a RIAA/BPI thing, any longer and technically they're in  
breach of licensing or something.


rediculous i know.



You sure? I'd like to see that. I would think any sample in excess  
of say, 3 seconds would be unauthorised unless there are explicit  
differneces set out for record shops.


Meanwhile, anyone know how most other online shops get away with  
longer samples?


Tristan
===
[EMAIL PROTECTED]
http://www.phonopsia.co.uk




Re: FW: (313) retroactive 002

2006-03-29 Thread J.T.
it's more the appalling quality of the clips at piccadilly that struck me then 
their short length (clone only has 30 second samples as well...)

they are extrmely lowfi...like made for streaming with no prebuffering on a 
bad 56kbps modem...125kb for a 30 second file is just silly...you could have 
the file be twice the quality/size and only have to prebuffer for a few seconds 
or something and it would still work fine even on a crappy modem...and the 
clips are recorded pretty poorly (low levels), so they're  buried in noise on 
top of being lowfi...and who tries to stream stuff on 56k anyways? haha 
anywaysss



Re: (313) retroactive 002

2006-03-29 Thread robin


Juno stick to the 30 second thing too. Some sites don't though as  
you say.


hmm, they do? usually they have something like 1m30s to 3m.. never  
seen less than 1m sample on their site!?


..unless they've switched last week


i'm just showing that i haven't shopped there for over 18 months i  
guess.


robin...


FW: (313) retroactive 002

2006-03-29 Thread [EMAIL PROTECTED]
Yep it was me and that's how it is.  You can verify this if you can find a
clip of something from way back by searching Piccadilly's site as their
clips used to be (and still are for those older tracks) between 1min and 2
mins long (depended on how much they liked something).
Then the BPI approached them and told them it was 30 secs max - and
(although my memory is not up to being sure of this bit) they have to pay to
use those.  As far as I knew others get away with it as they aren't as big.
But that doesn't square with Juno now increasing from 30 to 60 as someone
says they've done.  Dunno that's the story as far as I knew / remembered /
made it up.


> -Original Message-
> From: robin [mailto:[EMAIL PROTECTED] 
> Sent: 29 March 2006 15:47
> >>
> >> it's a RIAA/BPI thing,
> > 
> > You sure? I'd like to see that. I would think any sample in 
> excess of 
> > say, 3 seconds would be unauthorised unless there are explicit 
> > differneces set out for record shops.
> > 
> > Meanwhile, anyone know how most other online shops get away with 
> > longer samples?
> 
> Juno stick to the 30 second thing too. Some sites don't 
> though as you say.
> 
> I think it was Francis that was telling us about this when we 
> last discussed it.



Re: (313) retroactive 002

2006-03-29 Thread Sakari Karipuro

robin wrote on Wed, 29 Mar 2006 about following:


Juno stick to the 30 second thing too. Some sites don't though as you say.


hmm, they do? usually they have something like 1m30s to 3m.. never seen 
less than 1m sample on their site!?


..unless they've switched last week


sakke


Re: (313) OT: retroactive 002

2006-03-29 Thread seek


- Original Message - 
From: "Matt Kane's Brain"
Oh man, at least I tend to shop when it's either hard pounding  
schranz or nasty evil breakcore.



Bank of America were playing Bunny Wailer in the lobby, one day
last week: insulting incongruity.

seek





 How about the sound of slightly muffled "uplifting" trance at +24  
volume?
Just enough to bleed through the headphone cup so that it  
interferes with

what you're trying to buy.  Then it would be just like shopping here.

MEK



 "Matt Kane's
 Brain"
  
<[EMAIL PROTECTED]>To

   robin <[EMAIL PROTECTED]>
 03/29/06 10:10  
AM  cc

   Tristan Watkins
   <[EMAIL PROTECTED]>,
   "313@Hyperreal.Org"
   <313@hyperreal.org>

Subject

   Re: (313) retroactive 002










They can mix in street noise, conversations, and other tracks in the
background to mimic shopping at a brick and mortar store.

On Mar 29, 2006, at 10:51, robin wrote:




They may have long ago, but not since they launched the new site.
Most samples are 60 seconds-ish now, although some older ones are
shorter, and occasionally some are longer.
Thing is, I can't think of many other sites that actually stick to
a 30 second limit, otherwise I would just assume Juno don't care.



I might have it wrong then. I hope so, I don't like short clips
either.

Vinyl Underground have a betterwas of doing it as they have long
clips often with multiple parts of the track so you get a better  
feel.


In an ideal world though we'd get medium-fi (to prevent people just
lifting the track) versions of the whole track to flick through.

robin...


--
matt kane's brain
http://hydrogenproject.com
aim -> mkbatwerk || mkbwriu
[EMAIL PROTECTED]





--
matt kane's brain
http://hydrogenproject.com
aim -> mkbatwerk || mkbwriu
[EMAIL PROTECTED]






Re: (313) retroactive 002

2006-03-29 Thread Matt Kane's Brain
Oh man, at least I tend to shop when it's either hard pounding  
schranz or nasty evil breakcore.


On Mar 29, 2006, at 11:31, [EMAIL PROTECTED] wrote:






 How about the sound of slightly muffled "uplifting" trance at +24  
volume?
Just enough to bleed through the headphone cup so that it  
interferes with

what you're trying to buy.  Then it would be just like shopping here.

MEK



 "Matt Kane's
 Brain"
  
<[EMAIL PROTECTED]>To

   robin <[EMAIL PROTECTED]>
 03/29/06 10:10  
AM  cc

   Tristan Watkins
   <[EMAIL PROTECTED]>,
   "313@Hyperreal.Org"
   <313@hyperreal.org>

Subject

   Re: (313) retroactive 002










They can mix in street noise, conversations, and other tracks in the
background to mimic shopping at a brick and mortar store.

On Mar 29, 2006, at 10:51, robin wrote:




They may have long ago, but not since they launched the new site.
Most samples are 60 seconds-ish now, although some older ones are
shorter, and occasionally some are longer.
Thing is, I can't think of many other sites that actually stick to
a 30 second limit, otherwise I would just assume Juno don't care.



I might have it wrong then. I hope so, I don't like short clips
either.

Vinyl Underground have a betterwas of doing it as they have long
clips often with multiple parts of the track so you get a better  
feel.


In an ideal world though we'd get medium-fi (to prevent people just
lifting the track) versions of the whole track to flick through.

robin...


--
matt kane's brain
http://hydrogenproject.com
aim -> mkbatwerk || mkbwriu
[EMAIL PROTECTED]





--
matt kane's brain
http://hydrogenproject.com
aim -> mkbatwerk || mkbwriu
[EMAIL PROTECTED]




Re: (313) retroactive 002

2006-03-29 Thread Edward George
> > Thing is, I can't think of many other sites that actually stick to a 30
> > second limit, otherwise I would just assume Juno don't care.
> >
>
>
> I might have it wrong then. I hope so, I don't like short clips either.
>

last.fm have in their FAQ that their licenses only allow them to play
30 seconds of any "on-demand" track


Re: (313) retroactive 002

2006-03-29 Thread Michael . Elliot-Knight




 How about the sound of slightly muffled "uplifting" trance at +24 volume?
Just enough to bleed through the headphone cup so that it interferes with
what you're trying to buy.  Then it would be just like shopping here.

MEK


   
 "Matt Kane's  
 Brain"
 <[EMAIL PROTECTED]>To 
   robin <[EMAIL PROTECTED]> 
 03/29/06 10:10 AM  cc 
   Tristan Watkins 
   <[EMAIL PROTECTED]>,  
   "313@Hyperreal.Org" 
   <313@hyperreal.org> 
   Subject 
   Re: (313) retroactive 002   
   
   
   
   
   
   




They can mix in street noise, conversations, and other tracks in the
background to mimic shopping at a brick and mortar store.

On Mar 29, 2006, at 10:51, robin wrote:

>
>> They may have long ago, but not since they launched the new site.
>> Most samples are 60 seconds-ish now, although some older ones are
>> shorter, and occasionally some are longer.
>> Thing is, I can't think of many other sites that actually stick to
>> a 30 second limit, otherwise I would just assume Juno don't care.
>
>
> I might have it wrong then. I hope so, I don't like short clips
> either.
>
> Vinyl Underground have a betterwas of doing it as they have long
> clips often with multiple parts of the track so you get a better feel.
>
> In an ideal world though we'd get medium-fi (to prevent people just
> lifting the track) versions of the whole track to flick through.
>
> robin...

--
matt kane's brain
http://hydrogenproject.com
aim -> mkbatwerk || mkbwriu
[EMAIL PROTECTED]






Re: (313) retroactive 002

2006-03-29 Thread Matt Kane's Brain
They can mix in street noise, conversations, and other tracks in the  
background to mimic shopping at a brick and mortar store.


On Mar 29, 2006, at 10:51, robin wrote:



They may have long ago, but not since they launched the new site.  
Most samples are 60 seconds-ish now, although some older ones are  
shorter, and occasionally some are longer.
Thing is, I can't think of many other sites that actually stick to  
a 30 second limit, otherwise I would just assume Juno don't care.



I might have it wrong then. I hope so, I don't like short clips  
either.


Vinyl Underground have a betterwas of doing it as they have long  
clips often with multiple parts of the track so you get a better feel.


In an ideal world though we'd get medium-fi (to prevent people just  
lifting the track) versions of the whole track to flick through.


robin...


--
matt kane's brain
http://hydrogenproject.com
aim -> mkbatwerk || mkbwriu
[EMAIL PROTECTED]




Re: (313) Re: SPAM-LOW: Re: (313) retroactive 002

2006-03-29 Thread KiDD*e
I often check excerpts on
http://www.cisco-records.co.jp
http://www.cisco-records.co.jp/cgi/style.php?qCate=3&qStyle=3-68
They are 1:30 to 2 minutes long.
~ KiDDy.


- Original Message - 
From: "Tristan Watkins" <[EMAIL PROTECTED]>
To: "robin" <[EMAIL PROTECTED]>
Cc: "313@Hyperreal.Org" <313@hyperreal.org>
Sent: Wednesday, March 29, 2006 5:50 PM
Subject: (313) Re: SPAM-LOW: Re: (313) retroactive 002
>
> They may have long ago, but not since they launched the new site. Most
> samples are 60 seconds-ish now, although some older ones are shorter, and
> occasionally some are longer.
>
> Thing is, I can't think of many other sites that actually stick to a 30
> second limit, otherwise I would just assume Juno don't care.
>
> Tristan
> ===
> [EMAIL PROTECTED]
> http://www.phonopsia.co.uk





(313) Re: SPAM-LOW: Re: (313) retroactive 002

2006-03-29 Thread Tristan Watkins
- Original Message - 
From: "robin" <[EMAIL PROTECTED]>

To: "Tristan Watkins" <[EMAIL PROTECTED]>
Cc: "313@Hyperreal.Org" <313@hyperreal.org>
Sent: Wednesday, March 29, 2006 4:51 PM
Subject: SPAM-LOW: Re: (313) retroactive 002




They may have long ago, but not since they launched the new site. Most 
samples are 60 seconds-ish now, although some older ones are shorter, and 
occasionally some are longer.


Thing is, I can't think of many other sites that actually stick to a 30 
second limit, otherwise I would just assume Juno don't care.


I might have it wrong then. I hope so, I don't like short clips either.

Vinyl Underground have a betterwas of doing it as they have long clips 
often with multiple parts of the track so you get a better feel.


In an ideal world though we'd get medium-fi (to prevent people just 
lifting the track) versions of the whole track to flick through.



Yeah, if I were to recommend something to Piccadilly it would be to offer 
both hi and low bandwidth clips, and maybe make them a minute long, but I 
haven't because I don't want to make them any more successful than they 
already are because it's already hard enough to get the records I want from 
them! ;)


Tristan
===
[EMAIL PROTECTED]
http://www.phonopsia.co.uk 



Re: (313) retroactive 002

2006-03-29 Thread robin


They may have long ago, but not since they launched the new site. Most 
samples are 60 seconds-ish now, although some older ones are shorter, 
and occasionally some are longer.


Thing is, I can't think of many other sites that actually stick to a 30 
second limit, otherwise I would just assume Juno don't care.





I might have it wrong then. I hope so, I don't like short clips either.

Vinyl Underground have a betterwas of doing it as they have long clips 
often with multiple parts of the track so you get a better feel.


In an ideal world though we'd get medium-fi (to prevent people just 
lifting the track) versions of the whole track to flick through.


robin...


(313) Re: SPAM-LOW: Re: (313) retroactive 002

2006-03-29 Thread Tristan Watkins
 Original Message - 
From: "robin" <[EMAIL PROTECTED]>

To: "Tristan Watkins" <[EMAIL PROTECTED]>
Cc: "313@Hyperreal.Org" <313@hyperreal.org>
Sent: Wednesday, March 29, 2006 3:46 PM
Subject: SPAM-LOW: Re: (313) retroactive 002






it's a RIAA/BPI thing,


You sure? I'd like to see that. I would think any sample in excess of 
say, 3 seconds would be unauthorised unless there are explicit 
differneces set out for record shops.


Meanwhile, anyone know how most other online shops get away with longer 
samples?


Juno stick to the 30 second thing too. Some sites don't though as you say.



They may have long ago, but not since they launched the new site. Most 
samples are 60 seconds-ish now, although some older ones are shorter, and 
occasionally some are longer.


Thing is, I can't think of many other sites that actually stick to a 30 
second limit, otherwise I would just assume Juno don't care.


Tristan
===
[EMAIL PROTECTED]
http://www.phonopsia.co.uk 



Re: (313) retroactive 002

2006-03-29 Thread robin




it's a RIAA/BPI thing, 


You sure? I'd like to see that. I would think any sample in excess of 
say, 3 seconds would be unauthorised unless there are explicit 
differneces set out for record shops.


Meanwhile, anyone know how most other online shops get away with longer 
samples?


Juno stick to the 30 second thing too. Some sites don't though as you say.

I think it was Francis that was telling us about this when we last 
discussed it.


robin...


(313) Re: SPAM-LOW: Re: (313) retroactive 002

2006-03-29 Thread Tristan Watkins
- Original Message - 
From: "robin" <[EMAIL PROTECTED]>

To: "Paul Hudson" <[EMAIL PROTECTED]>
Cc: "313@Hyperreal.Org" <313@hyperreal.org>
Sent: Wednesday, March 29, 2006 3:23 PM
Subject: SPAM-LOW: Re: (313) retroactive 002




it's a RIAA/BPI thing, any longer and technically they're in breach of 
licensing or something.


rediculous i know.



You sure? I'd like to see that. I would think any sample in excess of say, 3 
seconds would be unauthorised unless there are explicit differneces set out 
for record shops.


Meanwhile, anyone know how most other online shops get away with longer 
samples?


Tristan
===
[EMAIL PROTECTED]
http://www.phonopsia.co.uk 



Re: (313) retroactive 002

2006-03-29 Thread robin


it's a RIAA/BPI thing, any longer and technically they're in breach of 
licensing or something.


rediculous i know.

robin...

Paul Hudson wrote:

The thing which annoys me is that the clips are so short! How can you
tell what something is like from 30 seconds?
I rely on the clips quite a bit now as I rarely get to go into town any
more and find hearing new music difficult.

Anyway, great service from their mail order apart from that.



ps somebody needs to tell piccadilly that their soundclips 
are ridiculously low-fi and crappi. are they trying to 
accomodate 10 year old modems or something? 




RE: (313) retroactive 002

2006-03-29 Thread Paul Hudson

The thing which annoys me is that the clips are so short! How can you
tell what something is like from 30 seconds?
I rely on the clips quite a bit now as I rarely get to go into town any
more and find hearing new music difficult.

Anyway, great service from their mail order apart from that.


> 
> > ps somebody needs to tell piccadilly that their soundclips 
> > are ridiculously low-fi and crappi. are they trying to 
> > accomodate 10 year old modems or something? 
> 


(313) OT - Madrid: 21-24 of April

2006-03-29 Thread Tristan Watkins

Sorry for yet another OT contribution.

I'm in Madrid visitng a friend for the 21-25, and I'm wondering if there's 
anything good on. Had a glance at www.clubbingspain.com and saw Reinhard 
Voigt and Jan Jelinek are around. Wondering if there's anything else I 
should know about, particularly worthwhile stuff that I would be less likely 
to see in London. Replies off-list please.


Cheers!

Tristan
===
[EMAIL PROTECTED]
http://www.phonopsia.co.uk 



(313) Dj 3000 album / Nomorewords.net update

2006-03-29 Thread marsel


all sound files & info of 
Dj 3000's Migration album are up at:

http://nomorewords.net

As well, all info & sounds for three upcoming Delsin eps:
D5 - Neutrino EP
Nubian Mindz - Typewriter EP
Vince Watson - Vanishing Point EP
see -> http://nomorewords.net

bleeep



---
http://www.delsin.org
http://www.myspace.com/planetdelsin


FW: (313) retroactive 002

2006-03-29 Thread [EMAIL PROTECTED]
> ps somebody needs to tell piccadilly that their soundclips 
> are ridiculously low-fi and crappi. are they trying to 
> accomodate 10 year old modems or something? 

I discussed this with them a couple of years back - not because I find it an
issue so much [as being local I can just use the clips as a guide to what to
listen to in the shop :-) ] but just chatting really and although I guess
that means it was 8 year old rather than 10 and maybe they need to think
about moving up a notch or so now (as the last 2 years has seen a major
increase in broadband in the UK) the answer is basically yes - they found
that that quality was the best compromise in terms of reaching a balance
between people complaining about the lack of quality and people complaining
that it was too much and their systems couldn't cope!