(313) money makes the world go round
http://www.discogs.com/lists/Top-100-Highest-Selling-Price/11450 http://blog.discogs.com/2010/02/top-100-music-w-highest-selling-price.html
Re: (313) my WTF Facebook moment for the night
I've always liked Hall & Oates as good quality pop -- Abandoned Luncheonette is actually quite remarkable in some ways. And of course they have been heavily sampled by De La and many others... But ... DEMF? WTF?? fh - >I don't know, watch the awesome keyboard knob turn in the intro: >http://www.youtube.com/watch?vÌenFp_3kq8 > >Guilty pleasure, I actually love parts of this song and was >considering sampling it for a deep house cut... In some subtle fashion >of course. Maybe for something in the 112-116 bpm range. > >~David > >On Tue, Feb 9, 2010 at 8:57 PM, wrote: >> When I think of Detroit Techno, Hall & Oates always pops into my head... >> >> NOT ! >> >> telepathic regards, >> the kooky scientist >> >> PS. If I get asked to play I will work on a technofied Hall & Oates section >> of my set. >> >> >> >> - Original Message - >> From: "Denise Dalphond" >> To: "kent williams" >> Cc: "list 313" <313@hyperreal.org> >> Sent: Tuesday, February 9, 2010 9:32:47 PM GMT -05:00 US/Canada Eastern >> Subject: Re: (313) my WTF Facebook moment for the night >> >> I know, hilarious! Hall & Oats is almost like Prince and B-52s in >> Detroit. :) It's like Scott Grooves dropping some Christopher Cross, >> or Rick Wilhite playing Queen or Devo. It just makes perfect sense! >> >> >> >> On Tue, Feb 9, 2010 at 8:44 PM, kent williams wrote: >>> DEMF-related: >>> >>> http://tinyurl.com/ycsu5cy >>> >> >> >> >> -- >> Denise Dalphond >> Ph.D. Candidate >> Department of Folklore & Ethnomusicology >> Indiana University >> http://denisedjsdetroit.blogspot.com/ >> >
Re: (313) money makes the world go round
> http://www.discogs.com/lists/Top-100-Highest-Selling-Price/11450 > http://blog.discogs.com/2010/02/top-100-music-w-highest-selling-price.html Crikey, I have five things in the top 50 in my collection m
Re: (313) my WTF Facebook moment for the night
On 10 Feb 2010, at 07:10, Fred Heutte wrote: > I've always liked Hall & Oates as good quality pop -- Abandoned > Luncheonette is actually quite remarkable in some ways. And of course > they have been heavily sampled by De La and many others... But ... DEMF? > WTF?? Rather them than say Crookers :) m
Re: (313) New WPA record
Hey Ang, How comes Submerge only use UPS? $36 is a lot of wedge for postage. m On 10 Feb 2010, at 03:02, Detroit Techno Militia wrote: > I just received the message from Submerge. There is going to be a new > WPA record. > Bridgette has samples up on the Submerge site and this release is > going to be mail order only. > > From her message: > WPA-4UR-079: For those who know, a new WPA release has been identified. > http://www.submerge.com/Merchant2/merchant.mvc?Screen=PROD&Product_Code=WPA-4UR-079 > > More music..less talk. > > Angela Schwendemann > Label Manager > Detroit Techno Militia > http://www.detroittechnomilitia.com > 313-449-8655
RE: (313) money makes the world go round
Oooh, that made me look again. I have one I think (I have 2 of the titles but I think the other is a boot). However when looking again more closely what really caught my eye was number 75 and 76!!! Anyone heard these? Especially the Derrick? > From: Martin Dust [mailto:mar...@dustscience.com] > Sent: 10 February 2010 9:47 > > > > http://www.discogs.com/lists/Top-100-Highest-Selling-Price/11450 > > http://blog.discogs.com/2010/02/top-100-music-w-highest-selling-price.html > > Crikey, I have five things in the top 50 in my collection > > m
Re: (313) money makes the world go round
On 10 Feb 2010, at 10:06, wrote: > Oooh, that made me look again. I have one I think (I have 2 of the titles > but I think the other is a boot). Some of those prices are crazy, all the same if you must have something I can kinda understand it. m
RE: (313) money makes the world go round
Also - related. I was just saying to Robin last night (we were talking records / collections generally) I always assumed any mainstream LPs on majors from over 10 years back wouldn't have high second hand value, as they were produced in sufficient quantity at the time that there'd be plenty of supply knocking about. Not talking obscure weirdies / limited things / things with faults / very early releases on smaller labels etc. A couple of things recently have shown me this isn't the case (maybe many of you are puzzled that I thought it was!): I was talking with someone at a meal who told me she wanted Talk Talk : Laughing Stock on vinyl, but it goes for around £300. I was partly pleased as I knew I had it. But I was (and still am) more worried as I don't know if I *still* have it, if I do I don't know if it's stashed in some corner of my flat or up at my father's place - or even if might have just got sat on at a party at mine or some similar awful fate that has befallen a few of my records. Then a friend in a shop asked me the other day if I wanted vinyl of the new Sade LP saving. I was kind of "no, sure if I get that it'll just be a download to listen to on my phone". And he was "do you know the last one" (late 90s I think?) "goes for round £150?". I think it's one of the few things *ever* I thought "I'm not going to DJ with *that*" and so got the CD! > From: fran...@thatamazingthing.com [mailto:fran...@thatamazingthing.com] > Sent: 10 February 2010 10:07 > > Oooh, that made me look again. I have one I think (I have 2 of the titles > but I think the other is a boot). > > However when looking again more closely what really caught my eye was number > 75 and 76!!! > > Anyone heard these? Especially the Derrick? > > > > From: Martin Dust [mailto:mar...@dustscience.com] > > Sent: 10 February 2010 9:47 > > > > > > > http://www.discogs.com/lists/Top-100-Highest-Selling-Price/11450 > > > http://blog.discogs.com/2010/02/top-100-music-w-highest-selling-price.html > > > > Crikey, I have five things in the top 50 in my collection > > > > m
Re: (313) Vinyl Shops in Manhattan?
The topic is good, but if you want anything other than hipster brooklyn rock, head to brooklyn. First go to halcyon near the manhattan bridge, and then dope jams on myrtle. Both are quite different, and halcyon is much older and bigger. Both have quite diverse, and often detroit centric music and miscellany. On Tue, Feb 9, 2010 at 11:02 PM, Arturo Lopez wrote: > Awesome! thanks Frank and Klaus. I figured there were 10,000 record > shops, thanks for narrowing it down. > > -Art > > On Tue, Feb 9, 2010 at 9:58 PM, klaus boss wrote: >> Please allow me to point out this index on Discogs >> >> http://www.discogs.com/groups/topic/86816 >> >> On Wed, Feb 10, 2010 at 4:50 AM, Arturo Lopez >> wrote: >>> >>> I'm going to be up in Manhattan next weekend, was wondering if any >>> 313ers had any recommendations for NY vinyl shops that carry things of >>> a Detroit-flavor. I don't know a thing about the NYC scene so not >>> sure if that kind of sound gets stocked very much out there. >>> >>> Thanks, >>> >>> -Arturo >> >> >> >> -- >> Regards, >> >> Klaus B >> >
Re: (313) Vinyl Shops in Manhattan?
Sorry for double posting, but my point is that all the manhattan shops stock are hipster brooklyn rock (and yes, brooklyn record shops stock brooklyn hipster rock too). The two I mention below in brooklyn stock electronic music. I actually don't know of any real valid manhattan electronic music store. Other Music technically stocks new electronic, but it's a rock focused place. If you want the vibe of a good underground style electronic vinyl shop, I stand by my recommendations. Stores that CLOSED that had good vibes, at least that I got to visit: vinyl market on 10th run by a cool hard to understand japanese dude, place on 3rd street that used to stock a lot house music in east village, etherea, and satellite (unless they have some secret location I don't know). Turntable lab is a cool place if you want to look at cool production and dj gear, that's also in the east village. On Wed, Feb 10, 2010 at 6:12 AM, kuszyn...@gmail.com wrote: > The topic is good, but if you want anything other than hipster > brooklyn rock, head to brooklyn. First go to halcyon near the > manhattan bridge, and then dope jams on myrtle. Both are quite > different, and halcyon is much older and bigger. Both have quite > diverse, and often detroit centric music and miscellany. > > On Tue, Feb 9, 2010 at 11:02 PM, Arturo Lopez > wrote: >> Awesome! thanks Frank and Klaus. I figured there were 10,000 record >> shops, thanks for narrowing it down. >> >> -Art >> >> On Tue, Feb 9, 2010 at 9:58 PM, klaus boss wrote: >>> Please allow me to point out this index on Discogs >>> >>> http://www.discogs.com/groups/topic/86816 >>> >>> On Wed, Feb 10, 2010 at 4:50 AM, Arturo Lopez >>> wrote: I'm going to be up in Manhattan next weekend, was wondering if any 313ers had any recommendations for NY vinyl shops that carry things of a Detroit-flavor. I don't know a thing about the NYC scene so not sure if that kind of sound gets stocked very much out there. Thanks, -Arturo >>> >>> >>> >>> -- >>> Regards, >>> >>> Klaus B >>> >> >
RE: (313) my WTF Facebook moment for the night
Pardon me, but wtf does it say that please? Ken -Original Message- From: Martin Dust [mailto:mar...@dustscience.com] Sent: Wednesday, February 10, 2010 9:53 AM To: Fred Heutte Cc: 313@hyperreal.org Subject: Re: (313) my WTF Facebook moment for the night On 10 Feb 2010, at 07:10, Fred Heutte wrote: > I've always liked Hall & Oates as good quality pop -- Abandoned > Luncheonette is actually quite remarkable in some ways. And of course > they have been heavily sampled by De La and many others... But ... DEMF? > WTF?? Rather them than say Crookers :) m
Re: (313) my WTF Facebook moment for the night
Maybe Paxahau should book the CARS. They have nothing to do with Detroit-Techno, they don't play live anymore but at least they named themselves after something made in Detroit. ; P telepathic regards, the Kooky Scientist - Original Message - From: "Denise Dalphond" To: telepat...@comcast.net Cc: "list 313" <313@hyperreal.org>, "kent williams" Sent: Tuesday, February 9, 2010 10:11:54 PM GMT -05:00 US/Canada Eastern Subject: Re: (313) my WTF Facebook moment for the night Yeah, I know, but I seriously think it's coming from a strong local desire to expand musical genres that are presented at the festival - like George Clinton, De La Soul, or Saul Williams in earlier years. And maybe this is contrary to popular opinion/assumption, but Detroit techno and house artists in Detroit are really not genre police. Most folks are way more interested in educating people about all the different kinds of music that have been and continue to be influential to Detroit techno...and house, and electro, and booty, and on and on. Denise On Tue, Feb 9, 2010 at 9:57 PM, wrote: > When I think of Detroit Techno, Hall & Oates always pops into my head... > > NOT ! > > telepathic regards, > the kooky scientist > > PS. If I get asked to play I will work on a technofied Hall & Oates section > of my set. > > > -- Denise Dalphond Ph.D. Candidate Department of Folklore & Ethnomusicology Indiana University http://denisedjsdetroit.blogspot.com/
Re: (313) money makes the world go round
this is awesome. discogs could be so much more useful a tool if they would aggregate more data like this. i've often wished for a searchable "record rarity rating" based on some algorithm involving math done on data such as copies wantlisted vs. copies in collections vs. available copies for sale vs. typical sale value. On Wed, Feb 10, 2010 at 3:51 AM, Marsel van der Wielen wrote: > http://www.discogs.com/lists/Top-100-Highest-Selling-Price/11450 > http://blog.discogs.com/2010/02/top-100-music-w-highest-selling-price.html > -- peace, frank dj mix archive: http://www.deejaycountzero.com
Re: (313) my WTF Facebook moment for the night
perhaps Oates' moustache could be the opening act, I hear there are people in Detroit with moustaches who listen to techno ... http://www.facebook.com/pages/John-Oates-Moustache/30246389654 lisa telepat...@comcast.net wrote: Maybe Paxahau should book the CARS. They have nothing to do with Detroit-Techno, they don't play live anymore but at least they named themselves after something made in Detroit. ; P telepathic regards, the Kooky Scientist - Original Message - From: "Denise Dalphond" To: telepat...@comcast.net Cc: "list 313" <313@hyperreal.org>, "kent williams" Sent: Tuesday, February 9, 2010 10:11:54 PM GMT -05:00 US/Canada Eastern Subject: Re: (313) my WTF Facebook moment for the night Yeah, I know, but I seriously think it's coming from a strong local desire to expand musical genres that are presented at the festival - like George Clinton, De La Soul, or Saul Williams in earlier years. And maybe this is contrary to popular opinion/assumption, but Detroit techno and house artists in Detroit are really not genre police. Most folks are way more interested in educating people about all the different kinds of music that have been and continue to be influential to Detroit techno...and house, and electro, and booty, and on and on. Denise On Tue, Feb 9, 2010 at 9:57 PM, wrote: When I think of Detroit Techno, Hall & Oates always pops into my head... NOT ! telepathic regards, the kooky scientist PS. If I get asked to play I will work on a technofied Hall & Oates section of my set.
Re: (313) my WTF Facebook moment for the night
I found this thread to be interesting. The issue I have with it is not that Hall and Oates aren't relevant to electronic music. But do we really need to push this word of influence any further? I remember them being described as "blue-eyed soul." "White Motown?" This doesn't have to do with colour for me, but I bring this up for one reason-Gillespie and others have latched on to this idea saying that hall and oates are as relevant as the other acts being booked for the festival. Sure they are. I guess I remember it being called the Detroit Electronic Music Festival not the Artists Who Are All Influenced By Detroit and its Various Sounds and Want to Play in Detroit to Validate Their Career Festival. I just say that whereas I agree with this thing in principle (I know it won't happen unless it's Chromeo and Darryl Hall), I also think that we all are forgetting that Paxahau is like a Frank Zappa album title: "were only in this for the money." So if it will make dollars, it will make sense. they'll have a publicist tell us why it's relevant, and someone to corral us into a line for tickets. Oh. and since I'm not from the D, take what I say with a grain of salt. On Wed, Feb 10, 2010 at 11:27 AM, lisa wrote: > perhaps Oates' moustache could be the opening act, I hear there are people > in Detroit with moustaches who listen to techno ... > > http://www.facebook.com/pages/John-Oates-Moustache/30246389654 > > lisa > > > telepat...@comcast.net wrote: >> >> Maybe Paxahau should book the CARS. They have nothing to do with >> Detroit-Techno, they don't play live anymore but at least they named >> themselves after something made in Detroit. ; P >> telepathic regards, the Kooky Scientist >> >> - Original Message - From: "Denise Dalphond" >> To: telepat...@comcast.net Cc: "list 313" >> <313@hyperreal.org>, "kent williams" Sent: Tuesday, >> February 9, 2010 10:11:54 PM GMT -05:00 US/Canada Eastern Subject: Re: (313) >> my WTF Facebook moment for the night >> Yeah, I know, but I seriously think it's coming from a strong local desire >> to expand musical genres that are presented at the festival - like George >> Clinton, De La Soul, or Saul Williams in earlier years. And maybe this is >> contrary to popular opinion/assumption, but Detroit techno and house artists >> in Detroit are really not genre police. Most folks are way more interested >> in educating people about all the different kinds of music that have been >> and continue to be influential to Detroit techno...and house, and electro, >> and booty, and on and on. >> Denise >> On Tue, Feb 9, 2010 at 9:57 PM, wrote: >>> >>> When I think of Detroit Techno, Hall & Oates always pops into my head... >>> NOT ! >>> telepathic regards, the kooky scientist >>> PS. If I get asked to play I will work on a technofied Hall & Oates >>> section of my set. >>> >>> >> > -- fbk sleepengineering/absoloop US
Re: (313) my WTF Facebook moment for the night
First of all, I think the whole Hall & Oates @ DEMF thing isn't 100% serious, and I doubt Paxahau even has H&O on their radar. And it's Carl Craig who will (mostly) be programming this year ... I think hating on Paxahau is a waste of time. In the world of event promotion they're a large scale business who depends on punters through the door to stay in business. That means they will book people we don't care for. To say they're only in it for the money is unfair, because while I haven't met Jason, everyone else who I have met from Paxahau has been a big music fan, and they take the idea of the festival very seriously. And think about it -- the festival is probably the most difficult, time consuming way possible for Paxahau to make money. They could do better for much less effort booking psytrance DJs and Hard House DJs into St. Andrews. I'm sure there's a Detroit equivalent to NYC's Bridge & Tunnel Guidos -- are their entertainment needs being met in the Detroit Metro area? There are currently 444 people on the 313 list, and while we might imagine ourselves as keepers of the sacred flame, 444 geographically scattered people probably couldn't even agree on a proper lineup, much less program a financially sustainable annual festival. On Wed, Feb 10, 2010 at 10:46 AM, Kevin Kennedy wrote: > I also think that we all are forgetting that Paxahau is like a Frank Zappa > album title: "were only in this for the money." >
Re: (313) New WPA record
This record and John Collins new one (UR-80) is some hot hot wax been waiting for UR to hit with this sound again. P. On Tue, Feb 9, 2010 at 7:02 PM, Detroit Techno Militia wrote: > I just received the message from Submerge. There is going to be a new > WPA record. > Bridgette has samples up on the Submerge site and this release is > going to be mail order only. > > From her message: > WPA-4UR-079: For those who know, a new WPA release has been identified. > http://www.submerge.com/Merchant2/merchant.mvc?Screen=PROD&Product_Code=WPA-4UR-079 > > More music..less talk. > > Angela Schwendemann > Label Manager > Detroit Techno Militia > http://www.detroittechnomilitia.com > 313-449-8655 >
Re: (313) my WTF Facebook moment for the night
Well, having just acquired the Hall and Oats box set I must say they're serious soul boys. Their earliest releases were straight up Philly soul. They have been sampled quite a bit by house music producers. Chromeo - now there's some straight up retro 80s overkill bandwagon jumping cheese right there but hey, if they're playing Bonaroo this year and so is Stevie Wonder... they should go big and try to book Stevie Kevin is smack on the point though with the Paxahau/Zappa title comparison Hey, wasn't Carl Craig supposed to be curating it again? I thought there was a press release some time back about that. Whatever happened to that? Sorry if this has been covered previously, I haven't been paying much attention to the list discussions as I've been in deep into Free/"Spiritual" Jazz world lately Can someone repost to me the original email that kicked off this discussion? MEK Kevin Kennedy wrote on 02/10/2010 10:46:12 AM: > I found this thread to be interesting. The issue I have with it is > not that Hall and Oates aren't relevant to electronic music. But do > we really need to push this word of influence any further? I remember > them being described as "blue-eyed soul." "White Motown?" This > doesn't have to do with colour for me, but I bring this up for one > reason-Gillespie and others have latched on to this idea saying that > hall and oates are as relevant as the other acts being booked for the > festival. Sure they are. I guess I remember it being called the > Detroit Electronic Music Festival not the Artists Who Are All > Influenced By Detroit and its Various Sounds and Want to Play in > Detroit to Validate Their Career Festival. > > I just say that whereas I agree with this thing in principle (I > know it won't happen unless it's Chromeo and Darryl Hall), I also > think that we all are forgetting that Paxahau is like a Frank Zappa > album title: "were only in this for the money." > > So if it will make dollars, it will make sense. they'll have a > publicist tell us why it's relevant, and someone to corral us into a > line for tickets. > > Oh. and since I'm not from the D, take what I say with a grain of salt. > > > > On Wed, Feb 10, 2010 at 11:27 AM, lisa wrote: > > perhaps Oates' moustache could be the opening act, I hear there are people > > in Detroit with moustaches who listen to techno ... > > > > http://www.facebook.com/pages/John-Oates-Moustache/30246389654 > > > > lisa > > > > > > telepat...@comcast.net wrote: > >> > >> Maybe Paxahau should book the CARS. They have nothing to do with > >> Detroit-Techno, they don't play live anymore but at least they named > >> themselves after something made in Detroit. ; P > >> telepathic regards, the Kooky Scientist > >> > >> - Original Message - From: "Denise Dalphond" > >> To: telepat...@comcast.net Cc: "list 313" > >> <313@hyperreal.org>, "kent williams" > Sent: Tuesday, > >> February 9, 2010 10:11:54 PM GMT -05:00 US/Canada Eastern > Subject: Re: (313) > >> my WTF Facebook moment for the night > >> Yeah, I know, but I seriously think it's coming from a strong local desire > >> to expand musical genres that are presented at the festival - like George > >> Clinton, De La Soul, or Saul Williams in earlier years. And maybe this is > >> contrary to popular opinion/assumption, but Detroit techno and > house artists > >> in Detroit are really not genre police. Most folks are way more interested > >> in educating people about all the different kinds of music that have been > >> and continue to be influential to Detroit techno...and house, and electro, > >> and booty, and on and on. > >> Denise > >> On Tue, Feb 9, 2010 at 9:57 PM, wrote: > >>> > >>> When I think of Detroit Techno, Hall & Oates always pops into my head... > >>> NOT ! > >>> telepathic regards, the kooky scientist > >>> PS. If I get asked to play I will work on a technofied Hall & Oates > >>> section of my set. > >>> > >>> > >> > > > > > > -- > fbk > > sleepengineering/absoloop US Disclaimer The information in this email and any attachments may contain proprietary and confidential information that is intended for the addressee(s) only. If you are not the intended recipient, you are hereby notified that any disclosure, copying, distribution, retention or use of the contents of this information is prohibited. When addressed to our clients or vendors, any information contained in this e-mail or any attachments is subject to the terms and conditions in any governing contract. If you have received this e-mail in error, please immediately contact the sender and delete the e-mail.
Re: (313) my WTF Facebook moment for the night
The reason I mentioned Chromeo is that someone on fb posted a youtube clip featuring Darryl Hall talking and playing with them. I am not really trashing Paxahau, since I usually make the trip to Detroit for the festival anyhow, whether I'm playing or not. I am at a point with this that all promoters are less in need of my support and more in need of my money. I like Hall and Oates. Let's get that straight...as a kid I had nearly all of their 7" singles. What I am saying is that what the festival started out as and what the line ups show up as now seem to be in opposition. And if C2 is curating this year, then I guess that it is what it is. Stevie would be much more apropos, but that costs more money than I'd imagine any of us have (Would you pay $100 to Paxahau for the one day that Stevie's playing?). Anyhow, I am just stirring up trouble. Nobody can agree on who should/should not play the festival. Probably not even the people involved with Paxahau. Labeling and Genrefication tend to annoy me anyhow. cheers, Kevin (be looking for new works by me soon. www.soundcloud.com/fbk)
Re: (313) my WTF Facebook moment for the night
I spoke to Cliff @ Submerge this morning and he said Carl is definitely curating this year. How much complete control he has is anyones guess of course... By the way, when did Saul Williams play at the festival?! I would have killed to see that. I don't think more than 2 weeks have gone by in the last 2 years when I haven't played his album... On 10 Feb 2010, at 17:32, Michael Elliot-Knight wrote: Well, having just acquired the Hall and Oats box set I must say they're serious soul boys. Their earliest releases were straight up Philly soul. They have been sampled quite a bit by house music producers. Chromeo - now there's some straight up retro 80s overkill bandwagon jumping cheese right there but hey, if they're playing Bonaroo this year and so is Stevie Wonder... they should go big and try to book Stevie Kevin is smack on the point though with the Paxahau/Zappa title comparison Hey, wasn't Carl Craig supposed to be curating it again? I thought there was a press release some time back about that. Whatever happened to that? Sorry if this has been covered previously, I haven't been paying much attention to the list discussions as I've been in deep into Free/"Spiritual" Jazz world lately Can someone repost to me the original email that kicked off this discussion? MEK Kevin Kennedy wrote on 02/10/2010 10:46:12 AM: I found this thread to be interesting. The issue I have with it is not that Hall and Oates aren't relevant to electronic music. But do we really need to push this word of influence any further? I remember them being described as "blue-eyed soul." "White Motown?" This doesn't have to do with colour for me, but I bring this up for one reason-Gillespie and others have latched on to this idea saying that hall and oates are as relevant as the other acts being booked for the festival. Sure they are. I guess I remember it being called the Detroit Electronic Music Festival not the Artists Who Are All Influenced By Detroit and its Various Sounds and Want to Play in Detroit to Validate Their Career Festival. I just say that whereas I agree with this thing in principle (I know it won't happen unless it's Chromeo and Darryl Hall), I also think that we all are forgetting that Paxahau is like a Frank Zappa album title: "were only in this for the money." So if it will make dollars, it will make sense. they'll have a publicist tell us why it's relevant, and someone to corral us into a line for tickets. Oh. and since I'm not from the D, take what I say with a grain of salt. On Wed, Feb 10, 2010 at 11:27 AM, lisa wrote: perhaps Oates' moustache could be the opening act, I hear there are people in Detroit with moustaches who listen to techno ... http://www.facebook.com/pages/John-Oates-Moustache/30246389654 lisa telepat...@comcast.net wrote: Maybe Paxahau should book the CARS. They have nothing to do with Detroit-Techno, they don't play live anymore but at least they named themselves after something made in Detroit. ; P telepathic regards, the Kooky Scientist - Original Message - From: "Denise Dalphond" To: telepat...@comcast.net Cc: "list 313" <313@hyperreal.org>, "kent williams" Sent: Tuesday, February 9, 2010 10:11:54 PM GMT -05:00 US/Canada Eastern Subject: Re: (313) my WTF Facebook moment for the night Yeah, I know, but I seriously think it's coming from a strong local desire to expand musical genres that are presented at the festival - like George Clinton, De La Soul, or Saul Williams in earlier years. And maybe this is contrary to popular opinion/assumption, but Detroit techno and house artists in Detroit are really not genre police. Most folks are way more interested in educating people about all the different kinds of music that have been and continue to be influential to Detroit techno...and house, and electro, and booty, and on and on. Denise On Tue, Feb 9, 2010 at 9:57 PM, wrote: When I think of Detroit Techno, Hall & Oates always pops into my head... NOT ! telepathic regards, the kooky scientist PS. If I get asked to play I will work on a technofied Hall & Oates section of my set. -- fbk sleepengineering/absoloop US Disclaimer The information in this email and any attachments may contain proprietary and confidential information that is intended for the addressee(s) only. If you are not the intended recipient, you are hereby notified that any disclosure, copying, distribution, retention or use of the contents of this information is prohibited. When addressed to our clients or vendors, any information contained in this e-mail or any attachments is subject to the terms and conditions in any governing contract. If you have received this e- mail in error, please immediately contact the sender and delete the e-mail.
Re: (313) my WTF Facebook moment for the night
In 2001. I think he played right before Kid Koala. On Wed, Feb 10, 2010 at 14:14, Matt Chester wrote: > By the way, when did Saul Williams play at the festival?! I would have > killed to see that. I don't think more than 2 weeks have gone by in the > last 2 years when I haven't played his album... -- matt kane's brain http://hydrogenproject.com capoeira in boston http://capoeirageraisboston.com aim -> mkbatwerk ; y! -> mkb218 ; gtalk -> mkb.dirtyorg I need your sounds! http://nynex.hydrogenproject.com
Re: (313) New WPA record
I can't speak for UR, but I have seen some interesting things happen with USPS when you try to ship international. I have a promo package for CP01 that I sent to RA in Berlin that went from Austin, Texas, to Switzerland, to Germany, to Spain, back to Austin, and then to Portland, Maine. This trip took two months. The only reason I know this is because I have stamps from the different countries on the cardboard mailer. This was the second package that I sent out, the first one just disappeared completely. This happened twice in a row. It costs about 17-20usd to send a package of records over to Europe from the states. That is just the postage, it doesn't include the cost of the merch itself. That can kill your already thin margins if you do a lot of overseas business and lose a few packages a month. Omar S. has the same disclaimer on his website regarding USPS shipping. Take care, mt > -- Forwarded message -- > From: Martin Dust > To: 313 <313@hyperreal.org> > Date: Wed, 10 Feb 2010 10:01:51 + > Subject: Re: (313) New WPA record > Hey Ang, > > How comes Submerge only use UPS? $36 is a lot of wedge for postage. > > m
Re: (313) my WTF Facebook moment for the night
Figures. The line ups back then were insane. On 10 Feb 2010, at 19:17, Matt Kane's Brain wrote: In 2001. I think he played right before Kid Koala. On Wed, Feb 10, 2010 at 14:14, Matt Chester > wrote: By the way, when did Saul Williams play at the festival?! I would have killed to see that. I don't think more than 2 weeks have gone by in the last 2 years when I haven't played his album... -- matt kane's brain http://hydrogenproject.com capoeira in boston http://capoeirageraisboston.com aim -> mkbatwerk ; y! -> mkb218 ; gtalk -> mkb.dirtyorg I need your sounds! http://nynex.hydrogenproject.com
Re: (313) New WPA record
"Yeah" on UR-080 sounds especially nice. - J On Wed, 10 Feb 2010, Southern Outpost wrote: This record and John Collins new one (UR-80) is some hot hot wax been waiting for UR to hit with this sound again. P. On Tue, Feb 9, 2010 at 7:02 PM, Detroit Techno Militia wrote: I just received the message from Submerge. There is going to be a new WPA record. Bridgette has samples up on the Submerge site and this release is going to be mail order only. From her message: WPA-4UR-079: For those who know, a new WPA release has been identified. http://www.submerge.com/Merchant2/merchant.mvc?Screen=PROD&Product_Code=WPA-4UR-079 More music..less talk. Angela Schwendemann Label Manager Detroit Techno Militia http://www.detroittechnomilitia.com 313-449-8655
Re: (313) New WPA record
Too many issues shipping with USPS. If you want to take your chances, I'd be more than happy to pick one up for you and send it 1st class. :) Angela Schwendemann Label Manager Detroit Techno Militia http://www.detroittechnomilitia.com 313-449-8655 On Wed, Feb 10, 2010 at 5:01 AM, Martin Dust wrote: > Hey Ang, > > How comes Submerge only use UPS? $36 is a lot of wedge for postage. > > m > > > > On 10 Feb 2010, at 03:02, Detroit Techno Militia wrote: > >> I just received the message from Submerge. There is going to be a new >> WPA record. >> Bridgette has samples up on the Submerge site and this release is >> going to be mail order only. >> >> From her message: >> WPA-4UR-079: For those who know, a new WPA release has been identified. >> http://www.submerge.com/Merchant2/merchant.mvc?Screen=PROD&Product_Code=WPA-4UR-079 >> >> More music..less talk. >> >> Angela Schwendemann >> Label Manager >> Detroit Techno Militia >> http://www.detroittechnomilitia.com >> 313-449-8655 > >
