(313) Detroit's bankruptcy is over!
...at least on a formal basis.We know there's still lots of work for the City and other authorities to do.But this news is a start.http://www.reuters.com/article/2014/11/07/usa-detroit-bankruptcy-judge-idUSL1N0SX20Z20141107?feedType=RSSfeedName=bondsNews
(313) Population One returns to Metroplex
More new Terrence Dixon action. If this is his regular output in 'retirement', long may it continue. Kenhttp://www.interstellarsounds.com/product.php?productid=5607cat=0page=
Re: (313) Terrence Parker
There's that mischief maker, Rob, again ;) Sent from my BlackBerry 10 smartphone. From: Rob TaylorSent: Wednesday, 30 April 2014 08:49To: Wibo LammertsCc: John Sokolowski; list 313Subject: Re: (313) Terrence ParkerHe's got a nerve, hasn't he? (Parker)On Wed, Apr 30, 2014 at 8:03 AM, Wibo Lammerts wibo...@gmail.com wrote: Donald Keys also:https://www.indiegogo.com/projects/terrence-parker-scam-legal-aid-fund-for-promoters#home 2014-04-26 5:17 GMT+02:00 John Sokolowski jrsokolow...@hotmail.com: Needs your help: https://www.indiegogo.com/projects/terrence-parker-dj-tour-debt-relief-fund#home -- |http://soundcloud.com/w1b0 | http://twitter.com/w1b0| --
Re: (313) Terrence Parker
Really? Oops. Sent from my BlackBerry 10 smartphone. From: Lerato KhatiSent: Wednesday, 30 April 2014 11:33To: KenCc: Rob Taylor; Wibo Lammerts; John Sokolowski; list 313Subject: Re: (313) Terrence Parkera couple of promoters in the uk said they were owed fee deposits that were kept despite a no show .On 30 April 2014 10:05, Ken k...@bleep43.com wrote: There's that mischief maker, Rob, again ;) Sent from my BlackBerry 10 smartphone. From: Rob TaylorSent: Wednesday, 30 April 2014 08:49To: Wibo LammertsCc: John Sokolowski; list 313Subject: Re: (313) Terrence Parker He's got a nerve, hasn't he? (Parker) On Wed, Apr 30, 2014 at 8:03 AM, Wibo Lammerts wibo...@gmail.com wrote: Donald Keys also:https://www.indiegogo.com/projects/terrence-parker-scam-legal-aid-fund-for-promoters#home 2014-04-26 5:17 GMT+02:00 John Sokolowski jrsokolow...@hotmail.com: Needs your help: https://www.indiegogo.com/projects/terrence-parker-dj-tour-debt-relief-fund#home -- |http://soundcloud.com/w1b0 | http://twitter.com/w1b0| -- -- Lerato Khathihttp://uzurirecordings.comhttp://uzuriartistbookingsandmanagement.com http://soundcloud.com/uzuriSkype : Lakuti
Re: (313) Terrence Parker
I dunno anymore! Sent from my BlackBerry 10 smartphone. From: Rob TaylorSent: Wednesday, 30 April 2014 11:40To: Lerato KhatiCc: Ken; Wibo Lammerts; John Sokolowski; list 313Subject: Re: (313) Terrence ParkerSo, is this a scam by unknown fraudsters or is Mr Parker genuinely asking for our help?On Wed, Apr 30, 2014 at 11:32 AM, Lerato Khati booki...@uzuriartistbookingsandmanagement.com wrote: a couple of promoters in the uk said they were owed fee deposits that were kept despite a no show . On 30 April 2014 10:05, Ken k...@bleep43.com wrote: There's that mischief maker, Rob, again ;) Sent from my BlackBerry 10 smartphone. From: Rob TaylorSent: Wednesday, 30 April 2014 08:49To: Wibo LammertsCc: John Sokolowski; list 313Subject: Re: (313) Terrence Parker He's got a nerve, hasn't he? (Parker) On Wed, Apr 30, 2014 at 8:03 AM, Wibo Lammerts wibo...@gmail.com wrote: Donald Keys also:https://www.indiegogo.com/projects/terrence-parker-scam-legal-aid-fund-for-promoters#home 2014-04-26 5:17 GMT+02:00 John Sokolowski jrsokolow...@hotmail.com: Needs your help: https://www.indiegogo.com/projects/terrence-parker-dj-tour-debt-relief-fund#home -- |http://soundcloud.com/w1b0 | http://twitter.com/w1b0| -- -- Lerato Khathihttp://uzurirecordings.comhttp://uzuriartistbookingsandmanagement.com http://soundcloud.com/uzuriSkype : Lakuti
Re: (313) Silent Phase (The Theory Of)
Almost 20 years later, The Theory of... still beats most of SP's other output, including the second LP. Go here for the new Roland Gear (if you're a purist prepare to be disappointed a bit!): http://www.engadget.com/2014/02/14/roland-aira-tr-8-system-1-tb-3-vt-3/ Sent from my BlackBerry 10 smartphone. Original Message From: 3...@coke-smyth.net Sent: Saturday, 26 April 2014 18:22 To: 313@hyperreal.org Reply To: 3...@coke-smyth.net Subject: (313) Silent Phase (The Theory Of) V. Underrated Album. Recommended. http://www.discogs.com/Silent-Phase-The-Theory-Of/release/4682 C
Re: (313) EZMLM problem
I'm no techy. But we've been using g groups privately for years now. It's watertight. Of course the need to migrate would be offensive for a lot of subscribers, though, I guess. Sent from my BlackBerry 10 smartphone. From: kent williamsSent: Friday, 25 April 2014 15:50To: Matthew KaneCc: list 313Subject: Re: (313) EZMLM problemYeah we'll see what Brian decides. Switching over all the hyperreal.org lists will be kind of a chore.I'd just switch to a google group if I didn't think that would cause other problems. On Fri, Apr 25, 2014 at 9:38 AM, Matthew Kane m...@hydrogenproject.com wrote: Mailman 2.1.16 has the Threadable change. On Fri, Apr 25, 2014 at 10:12 AM, kent williams chaircrus...@gmail.com wrote: Apparently there is a problem with something called DMARC that big e-mail providers are implementing. I've quoted the e-mail from Brian Behlendorf (who is the man behind hyperreal.org) on the subject. The big problem is people with yahoo.com e-mail addresses. The way EZMLM works is that it takes your e-mail and resends it to all the list members. Any mail server implementing DMARC rejects e-mails where the FROM: address is x...@yahoo.com, but it doesn't come from a yahoo mail server. This has resulted in people getting bounce notices from hyperreal. It has happened to me, and I don't even have a yahoo.com e-mail address. Bottom line is the hyperreal team is working on a solution, but this will likely screw up 313 emails for the near term. If you're an e-mail list wizard and can suggest a linux based mailing list server that can circumvent this stupidity, please let me and (br...@hyperreal.org) know. - If you list is still active and hasn't been swept away by folks moving to Facebook or whatever, you might have heard complaints from yahoo.comusers, or possibly even folks who have started to see strange bounces where yahoo.com senders are involved. This is due to a current hullabaloo about an anti-spam tech called DMARC and Yahoo's recent and strict implementation of it. http://thehackernews.com/2014/04/yahoos-new-dmarc-policy-destroys-every.html DMARC is a system designed to allow domain owners to specify policies and rules regarding how to deal with email from senders using that domain. For example, for an email with a From header like: From: Brian brianbehlend...@yahoo.com Yahoo published a policy that says unless that email came from Yahoo's servers, it should be rejected. This is a great anti-spam technique given that lots of spammers use yahoo.com addresses fraudulently (I guess?). But what it means for senders to mailing lists like those we host at Hyperreal, when that mail goes through Hyp and comes back to Yahoo's servers, it bounces. Not only that, but that Yahoo sender's mail bounces at Gmail and other mail service providers who implement DMARC. Those bounces can cause chaos, of course. Ezmlm/qmail will keep track of those bounces and at least let subscribers know they're missing messages and why, and shouldn't unsub those users automatically, but it still causes chaos. More details on technically why this is wrong: http://www.ietf.org/mail-archive/web/ietf/current/msg87153.html Yahoo appears to not get why this is a big deal: http://yahoo.tumblr.com/post/82426971544/an-update-on-our-dmarc-policy-to-protect-our-users There is no good fix here. Changing the From: header to say something like From: Brian Behlendorf via sfra...@hyperreal.org seems wacky, but it's what Threadable did, specifically for DMARC-checking recipients and DMARC-policy-publishing sender domains: http://blog.threadable.com/how-threadable-solved-the-dmarc-problem Sadly, though, no open source mailing list manager has implemented this well. Mailman seems to have implemented this partially, but no one's even talking about this for ezmlm and I doubt it'll happen. I've not decided whether to move the Hyperreal mailing lists to Mailman or something else, but clearly we need to move off of ezmlm anyways. I was hoping to be able to choose between a couple of them, but now that choice seems much more narrow (and not necessarily the best - Sympa was looking promising too). Anyways - I am sad that this is how things have played out, that I can't provide a quick resolution to this. For now all I can suggest is asking youryahoo.com users to
Re: (313) pertin-nce_046 - emmanuel buchanan - resort vacations - free DL
I agree with Joe on this one.I do accept that this issue is obviously not cut and dried though.For instance, I would be more receptive if someone came on here and posted stuff about moderately known to very obscure Chicago house, or whatever. So yes, what governs the idea of what type of music to promote on the list is quite a subjective set of considerations. I think the issue with pertin-nce, for me, is that it feels like for the last several years, the list has been bombarded by updates about a pet project, in tortuous detail, which hardly anyone else on the list is feeling.If that's what people want though, fair enough. I'm just saying it's not for me. I tend to immediately delete anything that contains the words pertin-nce.Ken From: Joe MarougiSent: Thursday, 19 December 2013 17:20To: SteveCc: 313Subject: Re: (313) pertin-nce_046 - emmanuel buchanan - resort vacations - free DLOk fair enough guys,Of course I don't make the rules but was just asking what others thought. I guess this would also open the door for anyone to post anything as long as they're "familiar" with Detroit artists/sound or feel that what they are sharing "sounds like it too" etc which I thought may be going a but too far with it. If that's the case then an argument could be made for a high percentage of dance music out there (since it's so subjective), could it not? ;)JoeSent from my iPhoneOn Dec 19, 2013, at 3:54 AM, Steve stev...@k-os.net wrote:Me too! The dub techno influence is also associated with Detroit, isn't it? I was thinking of Deepchord anyway. On 19 December 2013 11:48, maxphi...@gmail.com wrote: I welcome Pertin-nce's posts and announcements ^___^ m50 At 2013-12-19 05:40, Steve wrote: I've followed the list for a lot more time than I've been making music. It's an origin of some music I am very interested in. If it were just about any kind of music from Detroit-based artists (of all kinds of music I mean) I wouldn't be following it. My feeling is that this is a list with respect to those roots. People of Detroit have a privilege in having a strong localised and unique music history. I read the Techno Rebels book. I appreciate that there is a lot of house music and soulful music enthusiasts on the list too. It's not about one particular style or another. There's Detroit music in the DNA. I think luminaries from Detroit and like-minded people around the world continue to follow the list. The spirit lives on. I identify with Detroit/313. Does that count? :) On 18 December 2013 21:52, Joe Marougi mailto:jmaro...@gmail.comjmaro...@gmail.com wrote: Question to the group, Shouldn't we stick to Detroit related artists/news only here? I vote yes. My apologies if any of the artists or label in that message are from Detroit. Joe Sent from my iPhone On Dec 18, 2013, at 1:05 PM, max tanguay mailto:maxb...@yahoo.commaxb...@yahoo.com wrote: label : pertin-nce catalogue number : [pertin-nce_046] artist : emmanuel buchanan title : resort vacations track listing: 1- a year of weirds 2- so low 3- 67 castles 4- got no tatoos 5- so low part 2 6- a year of weirds (hemiptera remix) 7- so low (extended version) sounds like : techno, minimal stream free download on: http://www.pertin-nce.cawww.pertin-nce.ca www.pertin-nce.bandcamp.com peace out! net label : http://pertin-nce.capertin-nce.ca me : http://soundcloud.com/bleupulpsoundcloud.com/bleupulp
Re: (313) EDDIE FOWLKES / DETROIT WAX
I hear where Eddie Fowlkes is coming from.His contribution has been fairly pivotal, judging from memory and my record collection.I wouldn't overstate it, but neither would I underestimate it.I don't think he deserves such patronising flak, although granted he does come over as quite spikey in interviews. Ken From: maxphi...@gmail.comSent: Wednesday, 27 November 2013 21:53To: David Powers; Mike TaylorCc: kent williams; 313Subject: Re: (313) EDDIE FOWLKES / DETROIT WAXlegendnoun1.a nonhistorical or unverifiable story handeddown by tradition from earlier times andpopularly accepted as historical.At 2013-11-27 15:06, David Powers wrote:My theory is that you can't really be a legend until you're dead.~DavidOn Wednesday, November 27, 2013, Mike Taylor wrote:It has been my experience that legends generally don't need to tell you that they are legends.On Wednesday, November 27, 2013, kent williams wrote:Haha. Eddie is kinda right. He also got Derrick started on crack-talking.On Tue, Nov 26, 2013 at 11:49 PM, jeremy bispo jbi...@gmail.com wrote: An interesting read.http://testpressing.org/2013/11/eddie-fowlkes-detroit-wax/http://testpressing.org/2013/11/eddie-fowlkes-detroit-wax/ "This is what a lot of people don't know about me. I am a legend in Detroit, because everyone will tell you "Fowlkes jumpstarted this whole game of Detroit Techno". People will tell you that because I had that epiphany from God to start this entire domino effect. A lot of people find that hard to believe, but it is the truth. Kevin understands how he got his career; if it wasn't for me, he probably would not even be making music." -- Best, Jeremy As You Like It Founder Executive Producer skype: jeremybispo i...@ayli-sf.com www.ayli-sf.com
(313) Elmore Leonard
He wasn’t born in the city, but he’s surely one of the most famous American novelists of the 20th century and beyond to be closely associated with Detroit. http://en.wikipedia.org/wiki/Elmore_Leonard Sent from my BlackBerry® wireless device
Re: (313) Elmore Leonard
I thought it would be obvious to such a cultured man as ye, Rob [and I mean that sincerely]. The news is all over the bulletins right now, after all. [Not to mention the clue in the Wikipedia entry which has today's date as the date Leonard died. ;] Ken --Original Message-- From: Rob Taylor To: Odeluga Cc: 313@hyperreal.org Subject: Re: (313) Elmore Leonard Sent: 20 Aug 2013 15:28 Perhaps you should have mentioned that he has died. I was wondering why you had posted about him! On 20 Aug 2013, at 15:10, k...@bleep43.com wrote: He wasn’t born in the city, but he’s surely one of the most famous American novelists of the 20th century and beyond to be closely associated with Detroit. http://en.wikipedia.org/wiki/Elmore_Leonard Sent from my BlackBerry® wireless device Sent from my BlackBerry® wireless device
Re: (313) Received a new demo today (says he's from Detroit?
This is actually not cool folks. How about dropping it? It's probably enough to decide that the guy's track is not very well done [or not to your taste] and to leave it at that. K - Original Message - From: Joe Marougi [mailto:jmaro...@gmail.com] Sent: Friday, June 21, 2013 06:42 PM To: Patrick Wacher pwac...@gmail.com Cc: 313@hyperreal.org 313@hyperreal.org Subject: Re: (313) Received a new demo today (says he's from Detroit? Well, let's see...I just asked him to make a video On Fri, Jun 21, 2013 at 8:46 AM, Patrick Wacher pwac...@gmail.com wrote: It's a slow burner! On Thu, Jun 20, 2013 at 11:08 PM, Ronny Pries r...@rohformat.de wrote: Wow. The last time i listened to a track which sounded like 3 that weren't matched at all i was actually listening to Autechre live. But it was sort of different? Hilarious! Made my day. Am 20.06.2013 um 22:48 schrieb Joe Marougi jmaro...@gmail.com: He's looking for a label but my schedule is full, any takers? http://prasanthakurathi.bandcamp.com/ Sent from my iPhone
Re: (313) filtering back on...
So why did that e-mail come through the filter then?From: "Matthew Kane" m...@hydrogenproject.comTo: "list 313" 313@hyperreal.orgSent: 6 June 2013 18:42Subject: Re: (313) filtering back on...LET'S SEE IF THIS SHIT WORKSOn Tue, Jun 4, 2013 at 12:32 PM, kent williams chaircrus...@gmail.com wrote: OK so, I think the infamous 313 naughty-words and multipart mime bouncer is working. This means everyone using GMail needs to figure out where the 'plain text' option is: In the 'new Compose' window it's in the pull down menu to the right of the trash can icon at the bottom of the compose window. In the 'old Compose', if you see font and color buttons in the message edit window, click where it says 'plain text mode' or something like that. -- matt kanetwitter: the_real_mkb / nynexrepublichttp://hydrogenproject.com
Re: (313) filtering back on...
So why did that last e-mail come through the filter then?From: "Matthew Kane" m...@hydrogenproject.comTo: "list 313" 313@hyperreal.orgSent: 6 June 2013 18:42Subject: Re: (313) filtering back on...LET'S SEE IF THIS SHIT WORKSOn Tue, Jun 4, 2013 at 12:32 PM, kent williams chaircrus...@gmail.com wrote: OK so, I think the infamous 313 naughty-words and multipart mime bouncer is working. This means everyone using GMail needs to figure out where the 'plain text' option is: In the 'new Compose' window it's in the pull down menu to the right of the trash can icon at the bottom of the compose window. In the 'old Compose', if you see font and color buttons in the message edit window, click where it says 'plain text mode' or something like that. -- matt kanetwitter: the_real_mkb / nynexrepublichttp://hydrogenproject.com Sent from my BlackBerry® PlayBook™www.blackberry.com
Re: (313) Testing
That's the mos succinct e-mail I've received all day I think. Sent from my BlackBerry® wireless device -Original Message- From: kent williams chaircrus...@gmail.com Date: Mon, 3 Jun 2013 10:47:40 To: list 313313@hyperreal.org Subject: (313) Testing This is a test. fuck.
Re: (313) Giorgio Moroder Deep Space NY 2013 1st ever DJ Set
A stripped down live set would be more congruent, perhaps... K Sent from my BlackBerry® wireless device -Original Message- From: Rob Taylor barringtonphelo...@gmail.com Date: Thu, 23 May 2013 13:29:23 To: Andrew Duke In The Mix/Cognition Audioworksandrewdukecognit...@gmail.com Cc: edward thompsoned612...@iinet.net.au; list 313313@hyperreal.org Subject: Re: (313) Giorgio Moroder Deep Space NY 2013 1st ever DJ Set I'm sure it will be excellent and not a complete embarrassment ;) On Thu, May 23, 2013 at 1:25 PM, Andrew Duke In The Mix/Cognition Audioworks andrewdukecognit...@gmail.com wrote: Thanks, Ed. http://andrewdukeinthemix.com On Thu, May 23, 2013 at 8:59 AM, edward thompson ed612...@iinet.net.auwrote: Hi guys, Maybe some interest to some? :) Giorgio Moroder Deep Space NY 2013 1st ever DJ Set (at 73 years old!! Haha) https://soundcloud.com/ed612313/giorgio-moroder-deep-space-ny/comment-114543771 Enjoy Ed
RE: (313) KRU Noise Radio 2013-04-20
45-year old techno dad here. Still throwing parties [nowadays, they're not parties which are liable to get busted.] Still listening to electronic music for dancing and myriad other forms of music. Still making tracks. Ken From: kent williams [mailto:chaircrus...@gmail.com] Sent: 24 April 2013 16:03 To: Kerr Knoll Cc: list 313 Subject: Re: (313) KRU Noise Radio 2013-04-20 I'm going to be 56 in August. My first appreciation of electronic music happened when I was 14 or 15 (Kraftwerk! Tangerine Dream!) -- unless you count Switched On Bach, which was in heavy rotation at our house when I was 11 or 12 ... During the disco period (which ran roughly from when I was 18 until 21 or so) I gravitated to the more electronic stuff like Giorgio Moroder. I got into techno house music seriously about 20 years ago... The mixes I post are from Noise Radio KRUI (Iowa City) -- I don't get asked to DJ in clubs very often. Since I'm mostly using Ableton Live, some premeditation is involved, and my mixes are sorted from lowest tempo to highest. If you can start out at a lower tempo, the higher tempos later are felt as an increase in energy. On Wed, Apr 24, 2013 at 8:56 AM, Kerr Knoll kerr.kn...@me.commailto:kerr.kn...@me.com wrote: I'm 38. I'm another techno-dad. I understand there's a few on this list :) When I was younger I made couple of techno tracks on an Amiga computer and when I listened to them recently I had the same kind of reaction. They were about 160 BPM and I didn't really think about that at the time. It wasn't like what I listened to, though I'd been into Hardcore, or UK breakbeat as well as techno before then. I may have put that down to youth as well, but I'm not sure. On Apr 24, 2013, at 02:43 PM, Andrew Duke Cognition Audioworks new email address andrewdukecognit...@gmail.commailto:andrewdukecognit...@gmail.com wrote: I'm 44. I'll leave Kent to share his age if he so desires. In explanation: I've mellowed somewhat in terms of the speed of the tempos I produce and mix as I age. Example: I was lucky enough to have a track released on Matrix back in 1995, but quite soon thereafter lost my master and copy of the CD compilation. At the time the song was produced, it was the tempo I was into. I only recently reacquired that CD and I knew, as I was about to first listen to the track in 18 or so years, that it was going to be faster than what I produce/play these days. I figured it would be a bit faster than what I'm playing these days. Well, it was VERY fast. I shudder to listen to it now simply because it is so incredibly fast, it gallops along like some out of control train. Anyway, that's the way I'm feeling now as I get older, I still listen to a huge variety of styles of music, much of it much faster than the music I play on the show, of course, but personally I tend to make and mix music at much much slower tempos than when I was 20 years younger. http://andrewdukeinthemix.com On Wed, Apr 24, 2013 at 10:29 AM, Kerr Knoll kerr.kn...@me.commailto:kerr.kn...@me.com wrote: Well said :) On Apr 24, 2013, at 02:24 PM, Lechowicz, Thomas tale...@pointpark.edu wrote: On the note of age, I'm 21 and thoroughly enjoy the material you guys put out. Regardless of age, a good mix is a good mix. Keep em coming :) From: Kerr Knoll [kerr.kn...@me.commailto:kerr.kn...@me.com] Sent: Wednesday, April 24, 2013 3:09 AM To: andrewdukecognit...@gmail.commailto:andrewdukecognit...@gmail.com Cc: list 313 Subject: Re: (313) KRU Noise Radio 2013-04-20 Really? I'm not sure what age has to do with it though I suppose it's more measured with less urgency but no less lively. It's grown-up music. I'm neither young or old either. I'm not sure I can tell that much from music or whether or not it really matters. There's maturity and taste, and that counts. http://k-os.net/music/kerr-knoll http://soundcloud.com/kerr-knoll On 24 Apr 2013, at 02:31, andrewdukecognit...@gmail.commailto:andrewdukecognit...@gmail.com wrote: Thanks for the kind words. I'm guessing the laid back-ness is likely because Kent and I are both so darn old! ;) http://andrewdukeinthemix.comhttp://andrewdukeinthemix.com/ http://cognitionaudioworks.comhttp://cognitionaudioworks.com/ On 2013-04-23, at 10:01 PM, Kerr Knoll kerr.kn...@me.commailto:kerr.kn...@me.com wrote: I note that both Kent and Andrew's mixes are about 2 hours each and filled with quality tracks. Thoroughly enjoyed those too. They are filled with laid-back colourful techno vibes. There are a lot of mixes about but you guys are doing a great job with these and well worth listening too. On Apr 22, 2013, at 02:17 PM, Kerr Knoll kerr.kn...@me.commailto:kerr.kn...@me.com wrote: We are spoiled for quality mixes today :) Been listening to the Darkwave 11 and thoroughly enjoying it. Looking forward to listening to Kent and Andrew's mixes next. On Apr 22, 2013, at 02:10 PM, Martin Dust mar
( 313) Google Street View and Drexciya [not serious]
313-related silliness. What does this apparent prank on the Google Street View van remind you of? http://bp2.uuuploads.com/funny-google-street-view-photos/funny-google-street-view-photos-34.jpg I have no idea of the location or whether the image was genuinely taken [by accident] from one of the vehicles Google uses to take images of streets. K
RE: ( 313) Google Street View and Drexciya [not serious]
Can you shed some light on it Benn? From: bennglaz...@gmail.com [mailto:bennglaz...@gmail.com] On Behalf Of Benn Glazier Sent: 31 January 2013 17:09 To: Odeluga, Ken Cc: list 313 Subject: Re: ( 313) Google Street View and Drexciya [not serious] It's in Bergen, Norway. Here's the live view. https://maps.google.co.uk/maps?f=qsource=s_qhl=engeocode=q=rugdevein+30+Bergensll=60.391321,5.330558sspn=0.016136,0.038495ie=UTF8hq=rugdevein+30hnear=Bergen,+Norwaylayer=ccbll=60.360884,5.369468panoid=vIlVwLm8kDoxekaRJ0MwdQcbp=12,275.75,,0,11.78ll=60.360887,5.369654spn=0,359.99673t=hz=19 On 31 January 2013 17:06, Odeluga, Ken ken.odel...@dowjones.commailto:ken.odel...@dowjones.com wrote: 313-related silliness. What does this apparent prank on the Google Street View van remind you of? http://bp2.uuuploads.com/funny-google-street-view-photos/funny-google-street-view-photos-34.jpg I have no idea of the location or whether the image was genuinely taken [by accident] from one of the vehicles Google uses to take images of streets. K -- Benn Glazier b...@glzr.infomailto:b...@glzr.info www.BennGlazier.com www.twitter.com/BennGlazier www.facebook.com/BennGlazierPhotographyhttp://www.twitter.com/bennglazier +44 (0) 7714 3000 18
RE: ( 313) Google Street View and Drexciya [not serious]
Found this on YouTube. http://www.youtube.com/watch?v=_kcY0b_v_n4 Whoever chose the music obviously missed out on Drexciya in life. Ken -Original Message- From: Martin Dust [mailto:mar...@dustscience.com] Sent: 31 January 2013 17:12 To: 313 list Subject: Re: ( 313) Google Street View and Drexciya [not serious] That's brilliant :) On 31 Jan 2013, at 17:06, Odeluga, Ken ken.odel...@dowjones.com wrote: 313-related silliness.
(313) Analysis: Stuck in reverse, Detroit edges closer to bankruptcy
http://mobile.reuters.com/article/idUSBRE90R13O20130128?irpc=935 Ken Odeluga | Assistant News Editor - Markets Dow Jones Newswires 10 Fleet Place, 5th Floor, Limeburner Lane, London EC4M 7QN p: +44 (0)207 801 0145 | m: +44 (0)7887793644 ken.odel...@dowjones.com
RE: (313) Kraftwerk: Concerts next year
Some Bleep43 folk got tickets I think, Paul. -Original Message- From: Paul Kendrick [mailto:p...@dagmar-tara.com] Sent: 13 December 2012 11:42 To: Williams Graham G; 1-11 Cc: 313@hyperreal.org Subject: RE: (313) Kraftwerk: Concerts next year Hey, Did any of the UK peeps get tickets for the London Tate shows? From looking at forums it seems the Tate didn't handle the demand very well and their system crashed immediately. The web site said no in person sales and they were selling tickets over the counter too I can't go so didn't even bother but it seems like chaos, I hope this is not a sign of things to come and that the shows go off ok. -Original Message- From: Williams Graham G [mailto:graham.willi...@hpcds.com] Sent: 26 November 2012 22:24 To: 1-11 Cc: 313@hyperreal.org Subject: Re: (313) Kraftwerk: Concerts next year Are there any original members still playing live or is just a cover band now? G Sent from my phone... On 22 Nov 2012, at 14:26, 1-11 1...@bethere.co.uk wrote: http://www.kraftwerk.com/concerts/index-concerts.html __ Information from ESET NOD32 Antivirus, version of virus signature database 7720 (20121122) __ The message was checked by ESET NOD32 Antivirus. http://www.eset.com
RE: (313) Kraftwerk: Concerts next year
I'm more philosophical about it Paul ;-). Got more important things I want to worry about. I would have *liked* to go, but on a cost-benefit basis, I decided on balance to sack off efforts to spend that 60 quid. I'm sure the 'gigs' will be enjoyable for those who decided to persist, though. Ken -Original Message- From: Paul Kendrick [mailto:p...@dagmar-tara.com] Sent: 13 December 2012 11:56 To: Odeluga, Ken; Williams Graham G; 1-11 Cc: 313@hyperreal.org Subject: RE: (313) Kraftwerk: Concerts next year You not going Ken? Id have been up for going if I was able to go...its a great room for exhibitions, but it could have sound problems if not handled correctly and the Tate have failed at the first hurdle so I hope its not a sign of things to come. Nicholas Serota (Director of Tate) says it's not the first time the website has crashed from over demand, so he must have known there would be the same problem. So this leads me to think he doesn't care enough to sort out the problems and in turn couldn't care about the shows them self's and the sound bouncing around in that concrete room. -Original Message- From: Odeluga, Ken [mailto:ken.odel...@dowjones.com] Sent: 13 December 2012 11:43 To: Paul Kendrick; Williams Graham G; 1-11 Cc: 313@hyperreal.org Subject: RE: (313) Kraftwerk: Concerts next year Some Bleep43 folk got tickets I think, Paul. -Original Message- From: Paul Kendrick [mailto:p...@dagmar-tara.com] Sent: 13 December 2012 11:42 To: Williams Graham G; 1-11 Cc: 313@hyperreal.org Subject: RE: (313) Kraftwerk: Concerts next year Hey, Did any of the UK peeps get tickets for the London Tate shows? From looking at forums it seems the Tate didn't handle the demand very well and their system crashed immediately. The web site said no in person sales and they were selling tickets over the counter too I can't go so didn't even bother but it seems like chaos, I hope this is not a sign of things to come and that the shows go off ok. -Original Message- From: Williams Graham G [mailto:graham.willi...@hpcds.com] Sent: 26 November 2012 22:24 To: 1-11 Cc: 313@hyperreal.org Subject: Re: (313) Kraftwerk: Concerts next year Are there any original members still playing live or is just a cover band now? G Sent from my phone... On 22 Nov 2012, at 14:26, 1-11 1...@bethere.co.uk wrote: http://www.kraftwerk.com/concerts/index-concerts.html __ Information from ESET NOD32 Antivirus, version of virus signature database 7720 (20121122) __ The message was checked by ESET NOD32 Antivirus. http://www.eset.com
RE: (313) Kraftwerk: Concerts next year
Agreed. I saw them at the same time and possibly at the same venue [I think you mean The Fridge Paul.] Although the 'liveness' of their shows is becoming more and more questionanble, it seems most fans will still enjoy them, no matter how pre-programmed they become. Ken -Original Message- From: Placid [mailto:pla...@acid-house.net] Sent: 13 December 2012 12:25 To: Aidan O'Doherty Cc: Matt Chester; Odeluga, Ken; Paul Kendrick; Williams Graham G; 1-11; 313@hyperreal.org Subject: Re: (313) Kraftwerk: Concerts next year I saw them in Brixton in 2003 and they were great Is it just one original member now Sent from my iPhone On 13 Dec 2012, at 12:21, Aidan O'Doherty aidan.b.odohe...@gmail.com wrote: i am probably gonna be shot down for this, but, havin' seen kraftwerk 'live' twice, i wouldn't lose any sleep about missin' them in concert. On Thu, Dec 13, 2012 at 12:16 PM, Matt Chester chesterm...@gmail.com wrote: Any of you up for Depeche Mode instead? It's cheaper and the website works fine ;) On Thu, Dec 13, 2012 at 12:01 PM, Odeluga, Ken ken.odel...@dowjones.com wrote: I'm more philosophical about it Paul ;-). Got more important things I want to worry about. I would have *liked* to go, but on a cost-benefit basis, I decided on balance to sack off efforts to spend that 60 quid. I'm sure the 'gigs' will be enjoyable for those who decided to persist, though. Ken -Original Message- From: Paul Kendrick [mailto:p...@dagmar-tara.com] Sent: 13 December 2012 11:56 To: Odeluga, Ken; Williams Graham G; 1-11 Cc: 313@hyperreal.org Subject: RE: (313) Kraftwerk: Concerts next year You not going Ken? Id have been up for going if I was able to go...its a great room for exhibitions, but it could have sound problems if not handled correctly and the Tate have failed at the first hurdle so I hope its not a sign of things to come. Nicholas Serota (Director of Tate) says it's not the first time the website has crashed from over demand, so he must have known there would be the same problem. So this leads me to think he doesn't care enough to sort out the problems and in turn couldn't care about the shows them self's and the sound bouncing around in that concrete room. -Original Message- From: Odeluga, Ken [mailto:ken.odel...@dowjones.com] Sent: 13 December 2012 11:43 To: Paul Kendrick; Williams Graham G; 1-11 Cc: 313@hyperreal.org Subject: RE: (313) Kraftwerk: Concerts next year Some Bleep43 folk got tickets I think, Paul. -Original Message- From: Paul Kendrick [mailto:p...@dagmar-tara.com] Sent: 13 December 2012 11:42 To: Williams Graham G; 1-11 Cc: 313@hyperreal.org Subject: RE: (313) Kraftwerk: Concerts next year Hey, Did any of the UK peeps get tickets for the London Tate shows? From looking at forums it seems the Tate didn't handle the demand very well and their system crashed immediately. The web site said no in person sales and they were selling tickets over the counter too I can't go so didn't even bother but it seems like chaos, I hope this is not a sign of things to come and that the shows go off ok. -Original Message- From: Williams Graham G [mailto:graham.willi...@hpcds.com] Sent: 26 November 2012 22:24 To: 1-11 Cc: 313@hyperreal.org Subject: Re: (313) Kraftwerk: Concerts next year Are there any original members still playing live or is just a cover band now? G Sent from my phone... On 22 Nov 2012, at 14:26, 1-11 1...@bethere.co.uk wrote: http://www.kraftwerk.com/concerts/index-concerts.html __ Information from ESET NOD32 Antivirus, version of virus signature database 7720 (20121122) __ The message was checked by ESET NOD32 Antivirus. http://www.eset.com -- matt chester 11th hour recordings twitter - @hour_11th facebook - facebook.com/mattchester11 soundcloud - soundcloud.com/11thhour
RE: (313) Kraftwerk: Concerts next year
Of course it was, sorry. Brain/typing mismatch. -Original Message- From: Placid [mailto:pla...@acid-house.net] Sent: 13 December 2012 12:52 To: Odeluga, Ken Cc: Aidan O'Doherty; Matt Chester; Paul Kendrick; Williams Graham G; 1-11; 313@hyperreal.org Subject: Re: (313) Kraftwerk: Concerts next year Pretty sure it was the academy Sent from my iPhone On 13 Dec 2012, at 12:30, Odeluga, Ken ken.odel...@dowjones.com wrote: Agreed. I saw them at the same time and possibly at the same venue [I think you mean The Fridge Paul.] Although the 'liveness' of their shows is becoming more and more questionanble, it seems most fans will still enjoy them, no matter how pre-programmed they become. Ken -Original Message- From: Placid [mailto:pla...@acid-house.net] Sent: 13 December 2012 12:25 To: Aidan O'Doherty Cc: Matt Chester; Odeluga, Ken; Paul Kendrick; Williams Graham G; 1-11; 313@hyperreal.org Subject: Re: (313) Kraftwerk: Concerts next year I saw them in Brixton in 2003 and they were great Is it just one original member now Sent from my iPhone On 13 Dec 2012, at 12:21, Aidan O'Doherty aidan.b.odohe...@gmail.com wrote: i am probably gonna be shot down for this, but, havin' seen kraftwerk 'live' twice, i wouldn't lose any sleep about missin' them in concert. On Thu, Dec 13, 2012 at 12:16 PM, Matt Chester chesterm...@gmail.com wrote: Any of you up for Depeche Mode instead? It's cheaper and the website works fine ;) On Thu, Dec 13, 2012 at 12:01 PM, Odeluga, Ken ken.odel...@dowjones.com wrote: I'm more philosophical about it Paul ;-). Got more important things I want to worry about. I would have *liked* to go, but on a cost-benefit basis, I decided on balance to sack off efforts to spend that 60 quid. I'm sure the 'gigs' will be enjoyable for those who decided to persist, though. Ken -Original Message- From: Paul Kendrick [mailto:p...@dagmar-tara.com] Sent: 13 December 2012 11:56 To: Odeluga, Ken; Williams Graham G; 1-11 Cc: 313@hyperreal.org Subject: RE: (313) Kraftwerk: Concerts next year You not going Ken? Id have been up for going if I was able to go...its a great room for exhibitions, but it could have sound problems if not handled correctly and the Tate have failed at the first hurdle so I hope its not a sign of things to come. Nicholas Serota (Director of Tate) says it's not the first time the website has crashed from over demand, so he must have known there would be the same problem. So this leads me to think he doesn't care enough to sort out the problems and in turn couldn't care about the shows them self's and the sound bouncing around in that concrete room. -Original Message- From: Odeluga, Ken [mailto:ken.odel...@dowjones.com] Sent: 13 December 2012 11:43 To: Paul Kendrick; Williams Graham G; 1-11 Cc: 313@hyperreal.org Subject: RE: (313) Kraftwerk: Concerts next year Some Bleep43 folk got tickets I think, Paul. -Original Message- From: Paul Kendrick [mailto:p...@dagmar-tara.com] Sent: 13 December 2012 11:42 To: Williams Graham G; 1-11 Cc: 313@hyperreal.org Subject: RE: (313) Kraftwerk: Concerts next year Hey, Did any of the UK peeps get tickets for the London Tate shows? From looking at forums it seems the Tate didn't handle the demand very well and their system crashed immediately. The web site said no in person sales and they were selling tickets over the counter too I can't go so didn't even bother but it seems like chaos, I hope this is not a sign of things to come and that the shows go off ok. -Original Message- From: Williams Graham G [mailto:graham.willi...@hpcds.com] Sent: 26 November 2012 22:24 To: 1-11 Cc: 313@hyperreal.org Subject: Re: (313) Kraftwerk: Concerts next year Are there any original members still playing live or is just a cover band now? G Sent from my phone... On 22 Nov 2012, at 14:26, 1-11 1...@bethere.co.uk wrote: http://www.kraftwerk.com/concerts/index-concerts.html __ Information from ESET NOD32 Antivirus, version of virus signature database 7720 (20121122) __ The message was checked by ESET NOD32 Antivirus. http://www.eset.com -- matt chester 11th hour recordings twitter - @hour_11th facebook - facebook.com/mattchester11 soundcloud - soundcloud.com/11thhour
RE: (313) Kraftwerk: Concerts next year
£60 does seem like too much, but I would have paid it, if I could have bought a ticket quickly and efficiently. Tate clearly doesn't have state-of-the-art admin which can match the technocratic 'Gestalt' [pardon me for being poncy] of Kraftwerk. Even so, there's little doubt that Kraftwerk would only appear at a venue [nowadays] if the sound facilities were top notch. And that's what really matters, I think; so wishing all who will be attending an enjoyable time. Ken -Original Message- From: Rob Taylor [mailto:barringtonphelo...@gmail.com] Sent: 13 December 2012 12:44 To: Odeluga, Ken Cc: Paul Kendrick; Williams Graham G; 1-11; 313@hyperreal.org Subject: Re: (313) Kraftwerk: Concerts next year £60 is a greedy rip off. Wouldn't pay that even if I was loaded. And you'd just hear one album. I'd want to hear the whole oeuvre for £60. I have seen them once and that's enough for me. On 13 Dec 2012, at 12:01, Odeluga, Ken ken.odel...@dowjones.com wrote: I'm more philosophical about it Paul ;-). Got more important things I want to worry about. I would have *liked* to go, but on a cost-benefit basis, I decided on balance to sack off efforts to spend that 60 quid. I'm sure the 'gigs' will be enjoyable for those who decided to persist, though. Ken -Original Message- From: Paul Kendrick [mailto:p...@dagmar-tara.com] Sent: 13 December 2012 11:56 To: Odeluga, Ken; Williams Graham G; 1-11 Cc: 313@hyperreal.org Subject: RE: (313) Kraftwerk: Concerts next year You not going Ken? Id have been up for going if I was able to go...its a great room for exhibitions, but it could have sound problems if not handled correctly and the Tate have failed at the first hurdle so I hope its not a sign of things to come. Nicholas Serota (Director of Tate) says it's not the first time the website has crashed from over demand, so he must have known there would be the same problem. So this leads me to think he doesn't care enough to sort out the problems and in turn couldn't care about the shows them self's and the sound bouncing around in that concrete room. -Original Message- From: Odeluga, Ken [mailto:ken.odel...@dowjones.com] Sent: 13 December 2012 11:43 To: Paul Kendrick; Williams Graham G; 1-11 Cc: 313@hyperreal.org Subject: RE: (313) Kraftwerk: Concerts next year Some Bleep43 folk got tickets I think, Paul. -Original Message- From: Paul Kendrick [mailto:p...@dagmar-tara.com] Sent: 13 December 2012 11:42 To: Williams Graham G; 1-11 Cc: 313@hyperreal.org Subject: RE: (313) Kraftwerk: Concerts next year Hey, Did any of the UK peeps get tickets for the London Tate shows? From looking at forums it seems the Tate didn't handle the demand very well and their system crashed immediately. The web site said no in person sales and they were selling tickets over the counter too I can't go so didn't even bother but it seems like chaos, I hope this is not a sign of things to come and that the shows go off ok. -Original Message- From: Williams Graham G [mailto:graham.willi...@hpcds.com] Sent: 26 November 2012 22:24 To: 1-11 Cc: 313@hyperreal.org Subject: Re: (313) Kraftwerk: Concerts next year Are there any original members still playing live or is just a cover band now? G Sent from my phone... On 22 Nov 2012, at 14:26, 1-11 1...@bethere.co.uk wrote: http://www.kraftwerk.com/concerts/index-concerts.html __ Information from ESET NOD32 Antivirus, version of virus signature database 7720 (20121122) __ The message was checked by ESET NOD32 Antivirus. http://www.eset.com
RE: (313) Kraftwerk: Concerts next year
Didn't know that. I'm surprised. I've heard quite a bit of music at the Tate over the years and the sound was very good; although those events were in the 'studio' thingies, not the Turbine Hall -Original Message- From: Martin Dust [mailto:mar...@dustscience.com] Sent: 13 December 2012 13:01 To: list 313 Subject: Re: (313) Kraftwerk: Concerts next year Tate clearly doesn't have state-of-the-art admin which can match the technocratic 'Gestalt' [pardon me for being poncy] of Kraftwerk. Even so, there's little doubt that Kraftwerk would only appear at a venue [nowadays] if the sound facilities were top notch. Not so sure about that Ken, the event at Manchester Velodrome was pretty poor.
(313) Juan Atkins - Electric Jungle
Blackmarket Records going for the 'lost' / 'unreleased' tracks gambit. http://www.discogs.com/Juan-Atkins-Electric-Jungle-/release/4088314 At least one - 'Impulse' - has been released before though. It was out on the 'Infiniti Collection' on Tresor, in '96. In any case, they seem fine tracks to my ears, dated mostly by the obviously real-time nature of the audio quality; which of course is not an aesthetic fault. K
Re: (313) Ask 313
Seconded on Kevin Kennedy--I'm still appreciating well-crafted techno. Maybe one day I will stop. I'd also say the same about Kelli Hand; although I'd also remind [again] about K. Hand's sizeable repertoire of solid house, with the odd unsung classic thrown in too. Like this: Give it Me http://www.youtube.com/watch?v=HjkvImPH3qosns=em As I typed this e-mail, I had a flashback to a not too dissimilar thread many years ago in which I also recommended K Hand. It seems she has continued to be unjustly under-rated [IMO]. Link to the thread in the archives: http://www.mail-archive.com/313@hyperreal.org/msg42411.html Ken Odeluga | Assistant News Editor - Markets Dow Jones Newswires 10 Fleet Place, 5th Floor, Limeburner Lane, London EC4M 7QN p: +44 (0)207 801 0145 | m: +44 (0)7887793644 ken.odel...@dowjones.com From: Kevin Kennedy [mailto:the...@gmail.com] Sent: Monday, December 03, 2012 07:00 PM To: Matt Kane's Brain mkb-pr...@hydrogenproject.com Cc: kent williams chaircrus...@gmail.com; list 313 313@hyperreal.org Subject: Re: (313) Ask 313 How about FBK on Diametric...since it's 313 related and nobody on the list will ever talk about it except me? :) On Mon, Dec 3, 2012 at 1:48 PM, Matt Kane's Brain mkb-pr...@hydrogenproject.commailto:mkb-pr...@hydrogenproject.com wrote: IRIDITE. The only time I ever wrote a sappy drunk email it was to Jason Brunton. On Mon, Dec 3, 2012 at 1:23 PM, kent williams chaircrus...@gmail.commailto:chaircrus...@gmail.com wrote: OK, now that we've established that lurkers know how to send e-mail to the list ... This is an idea for a mix I'd like to do. Here's the question: What is your favorite techno that no one else seems to rate highly? Extra points for being obscure. What's my impetus? I buy a lot of records at thrift stores and from crawling around in the crates on the floor at Dave's in Chicago. I look for things that might be OK based on producer, remixer and artists. So I have a lot of records that have decent to excellent tracks on them, that for one reason or another never got much enduring attention. Since I can't crate dig in Detroit very often, I'm looking for those sorts of things, after which i can engage in Internet searchage. -- matt kane's brain http://hydrogenproject.com -- FBK Absoloop/Orange 82
RE: (313) New Transmat Comp.
Good on yer Aidan. But yes, trying to raise journalistic standards at RA might be a bit of a forlorn hope. ;-) -Original Message- From: Aidan O'Doherty [mailto:aidan.b.odohe...@gmail.com] Sent: 28 November 2012 10:00 To: Wibo Lammerts Cc: Marsel van der Wielen; wojciech; Patrick Wacher; Sam; John Sokolowski; irid...@gmail.com; 313@hyperreal.org Subject: Re: (313) New Transmat Comp. i mailed their news editor - not that i expect anything to come of it On Wed, Nov 28, 2012 at 9:34 AM, Aidan O'Doherty aidan.b.odohe...@gmail.com wrote: so, for the likes of philip and stephen brown, the fact that they were not contacted about his comp, despite may's quote that all artists got paid in advance, means they will not get the royalties they deserve? i think resident advisor should be made aware of this. what i find surprising about their piece is the obvious fact that none of it was checked out - a quick google search would turn up loads of info on djinxx - sure they have him in their profiles, including his twitter feed. it's not like they are up against print deadlines. On Wed, Nov 28, 2012 at 9:05 AM, Wibo Lammerts wibo...@gmail.com wrote: oops 2012/11/28 Marsel van der Wielen mar...@nomorewords.net Fabric once went bankrupt when I still had some unpaid statements Op 28-11-2012 7:24, Wibo Lammerts schreef: Stories like this one are very common, i think. Artists that do not get paid, ripped off etc etc. The worst of them being Larry Sherman and Trax Records. But you never hear of the companies that actually do a good job. Last year I had the pleasure of having a track included on the Fabric 60 Dave Clarke compilation. I think both Fabric and Tracksuite both do a fine job, Just this last week I got another royalty-statement from them in the mail. And I must add that this was my first bit of experience with labels and royalties and stuff, and so far so good. 2012/11/28 wojciech wojtek@gmail.com make that money !!! ;) On Nov 27, 2012, at 17:08, Patrick Wacher pwac...@gmail.com wrote: GO DERRICK! On Tue, Nov 27, 2012 at 4:39 PM, Sam samuel.kar...@gmail.com wrote: Way to shoot yourself in the foot Derrick ..ie keep it hush when you rip off artists ..that's the best way..maybe something like I had to sell my Ferrari to pay for the cd press and all profits are going to the Red Cross Sent from my iPhone On 28/11/2012, at 6:28 AM, John Sokolowski jrsokolow...@hotmail.com wrote: 'It's a seriously real thing with a fairly decent budget spent on it. Every artist got paid in advance. There's marketing and promotions-it's real!' -Derrick May on business per usual at Transmat CC: 313@hyperreal.org From: irid...@gmail.com Date: Tue, 27 Nov 2012 19:05:57 + To: philipmcga...@gmail.com Subject: Re: (313) New Transmat Comp. LOL - Stephen Brown was in our store on Saturday helping us celebrate our 20th Birthday and he didn't know much about it either :) Cheers Jason Sent from my iPad On 26 Nov 2012, at 21:39, Philip McGarva philipmcga...@gmail.com wrote: Yes thanks for the heads up. First I've heard of it too :^) Philip / Microworld Cool. Thanks much for the heads-up on this. On Fri, Nov 23, 2012 at 12:59 PM, Christian Hcjh4...@gmail.com wrote: http://www.residentadvisor.net/news.aspx?id=18303 Nice to see people like Rennie Foster get more exposure. -- | http://soundcloud.com/w1b0 | http://vibedeck.com/wibo/ | http://twitter.com/w1b0 | -- -- | http://soundcloud.com/w1b0 | http://vibedeck.com/wibo/ | http://twitter.com/w1b0 | --
RE: (313) roll call?
Subscribed in 2000 and have yet to follow the 'Exodus.' Why would I? I've never regretted being on here. Cheers, Ken From: Wibo Lammerts [mailto:wibo...@gmail.com] Sent: 28 November 2012 14:19 To: maxphi...@gmail.com Cc: mar...@nomorewords.net; 313@hyperreal.org Subject: Re: (313) roll call? Me - writing from work, DutchSpace in rainy Leiden. Now that I think of it, I think I must have been on this list for about 16-17 years? 2012/11/28 maxphi...@gmail.commailto:maxphi...@gmail.com I'm still here - writing from a train on the way from Hamburg to Berlin. Anyone else? m50 At 2012.11.28 11:47, Marsel van der Wielen wrote: how many subscribers are left anyway? and will there be a 20 years anniversary party? Op 28-11-2012 11:46, Philip McGarva schreef: btw i haven't been lurking for like 5 years - i just resubbed. it's good to be back! -- | http://soundcloud.com/w1b0 | http://vibedeck.com/wibo/http://vibedeck.com/w1b0/ | http://twitter.com/w1b0 | --
Re: (313) Terrence Dixon From The Far Future Part 2
Wow. Only twelve years after 'Part I'. There are still not many records which have the feel and overall ambience of that LP. Looking forward to the new instalment. Ken Sent from my BlackBerry® wireless device -Original Message- From: Lerato Khati booki...@uzuriartistbookingsandmanagement.com Sender: i...@uzurirecordings.com Date: Mon, 12 Nov 2012 17:57:15 To: kent williamschaircrus...@gmail.com Cc: list 313313@hyperreal.org Subject: Re: (313) Terrence Dixon From The Far Future Part 2 great record . i bought the wax On 12 November 2012 17:56, kent williams chaircrus...@gmail.com wrote: This sounds really great, if you buy downloads, it's has bonus tracks. -- Lerato Khathi http://uzurirecordings.com http://uzuriartistbookingsandmanagement.com http://soundcloud.com/uzuri Skype : Lakuti
Re: (313) DJ Stingray XLR8R podcast
Cheers! Ken Odeluga | Assistant News Editor - Markets Dow Jones Newswires 10 Fleet Place, 5th Floor, Limeburner Lane, London EC4M 7QN p: +44 (0)207 801 0145 | m: +44 (0)7887793644 ken.odel...@dowjones.com - Original Message - From: kent williams [mailto:chaircrus...@gmail.com] Sent: Friday, September 14, 2012 05:03 PM To: list 313 313@hyperreal.org Subject: (313) DJ Stingray XLR8R podcast http://www.xlr8r.com/podcast/2012/09/dj-stingrays-new-forms-mix Interesting track list: 01 The Advent Dark (Fader) Side (Kombination Research) 02 Hell Jonzon Lifeform (Disko B) 03 Delinquent Dialect Minimal Electronic (Temple Dog) 04 Ultradyne Fantasy Era (SCSI AV) 05 Shadow People Firestarter (Southern Outpost) 06 Autechre Dial (Warp) 07 Dead Silence Syndicate Edge City Express (Control Tower UK) 08 Galaxian Repent (Trajectory 2020X) 09 E8 Micropacer 1 (Marguerita) 10 Addison Groove Work It (Swamp 81) 11 Tactical Systems Graviton Force (Roulette Rekordz) 12 Silicon Electron Push (NSC) 13 Transllusion Cerebral Cortex Malfunction (Supremat) 14 The Sentinel Wrong Time (Southern Outpost) 15 Alden Tyrell Digger (Clone) 16 Silicon 0% (Frustrated Funk) 17 The Advent Wasper (Kombination Research) 18 Cosmic Force Optical Rape (Clone) 19 Delinquent Dialect Fear LED (Temple Dog) 20 Galaxian Repent (Trajectory 2020X) 21 Drexciya Positron Island (Underground Resistance)
Re: (313) Rob Hood Mike Banks interview.
Thanks for the heads-up guys. I'll pick up my first copy of The Wire for a few years, tomorrow! Ken Ken Odeluga | Assistant News Editor - Markets Dow Jones Newswires 10 Fleet Place, 5th Floor, Limeburner Lane, London EC4M 7QN p: +44 (0)207 801 0145 | m: +44 (0)7887793644 ken.odel...@dowjones.com From: Jeff Davis [mailto:j...@jeffreyjdavis.com] Sent: Sunday, September 02, 2012 12:22 AM To: Patrick Wacher pwac...@gmail.com Cc: 313@hyperreal.org 313@hyperreal.org Subject: Re: (313) Rob Hood Mike Banks interview. And two very nice new Hood tracks streaming on the Wire website. On Saturday, September 1, 2012, Patrick Wacher wrote: Just picked up the September issue of The Wire and theres an interview with both Rob Hood and Mike Banks. Still yet to read, but wanted to give a heads up! - Patrick.
(313) Theo Parrish on Running Back recordings
Digital versions have appeared at various outlets today, including Juno. (Pardon me if this was already mentioned.) Vinyl available too [Discogs isn't working for me today - there is an entry on there, but the page won't render properly.] Post about a test pressing by this Hamburg-based label, about a month ago: http://running-back-records.tumblr.com/image/28192051364 Ken Sent from my BlackBerry® wireless device
Re: (313) Who was George Smiley?
I remember that too Tristan. I was already familiar with the character of the Le Carre novels when happening across the name used as a pseudonym, so assumed the same thing as you. Not v. helpful I know just some validation of your recollection! --Original Message-- From: Tristan Watkins To: 313 Subject: (313) Who was George Smiley? Sent: 17 Aug 2012 16:41 Despite discovering that film is basically a sedative for me since becoming a parent, I persevered through Tinker Tailor Soldier Spy last night. Part of the way through I couldn't shake the notion that I knew the name George Smiley from somewhere. Then it clicked. He was the original (313) list admin back in the day. From the time that I joined the list around '98, he never really posted much, but it occurs to me now that this was more likely to have been a pseudonym than a coincidence. Anyone know who George Smiley was? Just curious if it was one of the later (313) admins in disguise, or maybe one of the hyperreal people? Clearly not really important, but it just made me curious, especially given the fictional character. Cheers, Tristan Sent from my BlackBerry® wireless device
(313) Twitter to open small office in Detroit
I'm probably late on this - but I hope it's still interesting to some. The news seems to represent a broader trend too, apparently. Ken http://www.crainsdetroit.com/apps/pbcs.dll/article?AID=/20120404/FREE/120409958template=mobile
Re: (313) From the mouth of babes...
He gets one point for knowing the name. --Original Message-- From: David Powers To: 313 Subject: (313) From the mouth of babes... Sent: 12 Jul 2012 05:58 http://www.thedailyswarm.com/headlines/david-guetta-mocks-underground-resistance/ 'For [David] Guetta, dance music’s newfound popularity can only be a good thing. He won’t convince everyone, but few in the industry would deny his phenomenal success in the US has given the industry as a whole a healthy financial boost. “Listen, some people take themselves very, very seriously,” Guetta says. “I’m not a politician, you know what I mean? You remember in the old days you had people like Underground Resistance?” [a late 80s militant dance collective from Detroit]. He pauses and smiles. “I never took myself so seriously.”' WOW. ~David Sent from my BlackBerry® wireless device
(313) Carls Davis AKA Carl Craig
New EP; new alias. http://pulseradio.net/articles/2012/05/carl-craig-releases-ep-under-new-moniker
RE: (313) Carls Davis AKA Carl Craig
Guess I'd better have a listen! -Original Message- From: Aidan O'Doherty [mailto:aidan.b.odohe...@gmail.com] Sent: 22 May 2012 11:08 To: Odeluga, Ken Cc: 313@hyperreal.org Subject: Re: (313) Carls Davis AKA Carl Craig since i can't listen to samples in work, can i ask people's opinions - is it any cop? On Tue, May 22, 2012 at 10:36 AM, Odeluga, Ken ken.odel...@dowjones.com wrote: New EP; new alias. http://pulseradio.net/articles/2012/05/carl-craig-releases-ep-under-new-moniker
RE: (313) Carls Davis AKA Carl Craig
Hmmm 'Sound Sketches'...is one way of putting it. In fact, what these productions appear to be [unless I'm mistaken] are individual pieces made with perhaps a maximum of 16 channels. Additionally, judging by the tonal character of sounds used, I'd suggest that these were produced using real hardware - and I'd even go so far as to say I can recognise some proper analogue tones here too. When you're using hardware with a small studio, what you make often ends up sounding like 'sketches'. But they're not strictly that. Each of these pieces has just the kind of intrigue, warmth and apparent simplicity which I tend to like, from what I can tell so far. Thumbs up. [And this is from someone who's been quite disappointed by CC's recent output - albeit that's mostly been in the form of remixes.] Ken -Original Message- From: Aidan O'Doherty [mailto:aidan.b.odohe...@gmail.com] Sent: 22 May 2012 11:08 To: Odeluga, Ken Cc: 313@hyperreal.org Subject: Re: (313) Carls Davis AKA Carl Craig since i can't listen to samples in work, can i ask people's opinions - is it any cop? On Tue, May 22, 2012 at 10:36 AM, Odeluga, Ken ken.odel...@dowjones.com wrote: New EP; new alias. http://pulseradio.net/articles/2012/05/carl-craig-releases-ep-under-new-moniker
Re: (313) Carls Davis AKA Carl Craig
The character of these sketches reminds me of many of the ones in the recent spate of tracks 'from the vaults' which a lot of folk have made a big fuss of. Perhaps if CC had claimed they were 'rediscovered' or something, and maybe got Clone to pick them up ;-) --Original Message-- From: Patrick Wacher To: Andrew Green Cc: Ken Odeluga Cc: Aidan O'Doherty Cc: 313@hyperreal.org Subject: Re: (313) Carls Davis AKA Carl Craig Sent: 22 May 2012 18:46 I'm digging it! -- Patrick Wacher Sent with Sparrow (http://www.sparrowmailapp.com/?sig) On Tuesday, May 22, 2012 at 4:31 AM, Andrew Green wrote: Hi Ken and all I had a listen too and came to very similar conclusions. Great to hear something more like machine funk, analogue, stripped down and without the bells and whistles. Ill be getting a copy for sure. Andrew Green mr.verd...@gmail.com (mailto:mr.verd...@gmail.com) 07816 373278 On 22 May 2012, at 11:08, Odeluga, Ken wrote: Guess I'd better have a listen! -Original Message- From: Aidan O'Doherty [mailto:aidan.b.odohe...@gmail.com] Sent: 22 May 2012 11:08 To: Odeluga, Ken Cc: 313@hyperreal.org (mailto:313@hyperreal.org) Subject: Re: (313) Carls Davis AKA Carl Craig since i can't listen to samples in work, can i ask people's opinions - is it any cop? On Tue, May 22, 2012 at 10:36 AM, Odeluga, Ken ken.odel...@dowjones.com (mailto:ken.odel...@dowjones.com) wrote: New EP; new alias. http://pulseradio.net/articles/2012/05/carl-craig-releases-ep-under-new-moniker Sent from my BlackBerry® wireless device
RE: (313) New live set
That's going to be the soundtrack to close my working day. Cheers. -Original Message- From: Kevin Reynolds [mailto:kevinreynoldsdetr...@gmail.com] Sent: 01 May 2012 13:00 To: 313@hyperreal.org Subject: (313) New live set Enjoy. http://www.junodownload.com/plus/2012/04/25/juno-plus-podcast-33-kevin-reynolds/
Re: (313) Hawtin interviews Skrillex.
Jeez. I started to actually read that. Then I flushed. Happy Sunday to all. Ken --Original Message-- From: Patrick Wacher To: 313@hyperreal.org Subject: (313) Hawtin interviews Skrillex. Sent: 1 Apr 2012 06:25 My head just exploded… http://www.teshno.com/2012/03/richie-hawtin-interviews-skrillex.html Peace, Patrick. Sent from my BlackBerry® wireless device
Re: (313) Jeff Mills. Axis Records 20th Anniversary @ Globus Berlin 23.03.
Indeed. Looks set to be a crazy party (in a good way) perhaps slung together at short notice...? We'll just have to wait for the Corsica one; which is some compensation. Ken - Original Message - From: Matt Chester [mailto:chesterm...@gmail.com] Sent: Thursday, March 22, 2012 08:56 PM To: 313@hyperreal.org 313@hyperreal.org Subject: Re: (313) Jeff Mills. Axis Records 20th Anniversary @ Globus Berlin 23.03. Looks great - could use more than 24 hours notice though! On 22/03/2012 20:33, circonium wrote: Fri. 23.03.2012 | 11:59pm Jeff Mills. Axis Records 20th Anniversary @ Globus Berlin from 11:59pm - 6 am Jeff Mills (Axis Records/ Detroit) with an exclusive 6-hour set from 06:30am on: Blake Baxter (Mix Media/ Detroit) Vince Watson (Tresor Rec., Delsin/ NL) http://tresorberlin.com/2012/02/fri-23-03-2012-tresor-invites-jeff-mills-1159pm/ Anyone going? ines -- matt chester 11th hour recordings www.matt-chester.com
RE: (313) 'soulful techno'
It's a beautiful EP from track A to D. Techno for grown ups whilst still being true to the genre in terms of immediacy and essential simplicity. Ken -Original Message- From: Matt Chester [mailto:chesterm...@gmail.com] Sent: 09 March 2012 13:09 To: Aidan O'Doherty Cc: list 313 Subject: Re: (313) 'soulful techno' Have you got this one? Highly recommended, it's got a lovely electro track on it. http://www.discogs.com/Nick-Dunton-Sketches-Of-My-Life/release/2623862 On Thu, Mar 1, 2012 at 2:33 PM, Aidan O'Doherty aidan.b.odohe...@gmail.com wrote: here's the latest 'soulful' techno favourite i've discovered: http://www.youtube.com/watch?v=TtgTSC18C6sfeature=related and one that i've rediscovered: http://www.youtube.com/watch?v=BNgzYQbqCqk
Re: (313) Not Skrillex.
Hmm, good looking-out Patrick. Cheers, Ken --Original Message-- From: Patrick Wacher To: 313@hyperreal.org Subject: (313) Not Skrillex. Sent: 2 Mar 2012 00:43 Da Sampla 2x12 on Kyle Halls label! http://wildkyleoats.com/news.php - P. Sent from my BlackBerry® wireless device
Re: (313) Soul Train Creator Don Cornelius Dead
She lives on somewhere in a lot of peoples' minds. As does Cornelius, of
course. RIP.
--Original Message--
From: darnistle
To: 313@hyperreal.org
Subject: Re: (313) Soul Train Creator Don Cornelius Dead
Sent: 25 Feb 2012 04:02
The SOULLL TRAIN!
I wonder what ever happened to the Asian woman with the long hair who
was always dancing prominently on the show.
{}0+|
On 2/1/2012 11:14 AM, Odeluga, Ken wrote:
It’s in The Freep.
_http://www.freep.com/article/20120201/ENT07/120201014/Don-Cornelius-dead-suicide?odyssey=tab|topnews|text|FRONTPAGE_
Ken
Sent from my BlackBerry® wireless device
(313) Soul Train Creator Don Cornelius Dead
It's in The Freep. http://www.freep.com/article/20120201/ENT07/120201014/Don-Cornelius-dead-suicide?odyssey=tab|topnews|text|FRONTPAGE Ken
RE: (313) Drexciya re-issue/compilation available now.
The fact remains many have never heard / do not own: Welcome To Drexciya Aquarazorda Take Your Mind Dehydration Lardossen Funk Sea Quake Darthouven Fish Men [Including me and I think you all know how obsessed with Drexciya I am.] This sort of exercise can never go wrong, from a grand pa's point of view. Ken -Original Message- From: Marsel van der Wielen [mailto:mar...@nomorewords.net] Sent: 07 December 2011 09:40 To: Three-One-Three Subject: Re: (313) Drexciya re-issue/compilation available now. yeah compilations of released stuff and/but still unclear if there also will be unreleased stuff all re-mastered - that will be 4xcd, and 4x 2xlp Op 7-12-2011 10:37, Placid schreef: just to get it straight, these arent represses are they..more of a compilation of tracks from various eps and lps I tohught at one point they were going to just repress them as they appeared originally... On 7 Dec 2011, at 09:35, Emile Facey wrote: There's a double vinyl pack coming too. On 7 Dec 2011, at 06:06, Wibo Lammerts wrote: indeed very well done. 2011/12/7 Marsel van der Wielenmar...@nomorewords.net: 1st cd out of 4 (!) A very nice job done by Clone! - Reply message - Van: Patrick Wacherpwac...@gmail.com Aan:313@hyperreal.org Onderwerp: (313) Drexciya re-issue/compilation available now. Datum: di, dec. 6, 2011 22:47 Just saw on Clone's site that the Drexciya re-issue CD is now available: http://clone.nl/item21961.html Remastered from the original tapes by Alden Tyrell (AFAIK) Tracklisting 01 Welcome To Drexciya 02 Wavejumper 03 Lardossen Funk 04 Bubble Metropolis 05 Hydro Theory 06 Beyond The Abyss 07 Unknown Journey 08 Aquarazorda 09 Rubick's Cube 10 Sea Quake 11 Take Your Mind 12 Darthouven Fish Men 13 Dehydration Peace, Patrick. -- http://soundcloud.com/w1b0 | http://network.technobass.net/profile/w1b0 | http://twitter.com/w1b0 --
RE: (313) One for the gramps again - Mayday @ The Music Institute, '88
Interesting developments... let's see -Original Message- From: mkb.dirty...@gmail.com [mailto:mkb.dirty...@gmail.com] On Behalf Of Matt Kane's Brain Sent: 02 December 2011 13:40 To: Robin Pinning Cc: trm; 313@hyperreal.org Subject: Re: (313) One for the gramps again - Mayday @ The Music Institute, '88 So is this one more or less believable than the Mark Verbos set that got passed around as Jeff Mills vs. Rob Hood at Limelight? On Fri, Dec 2, 2011 at 08:33, Robin Pinning robin.pinn...@me.com wrote: In the comments on the first link that Ken posted (http://soundcloud.com/technobar/derrick-may-live-music-institute-1988): bennglazier about 2 hours ago So, Derrick has said that this is not his mix, but his friends... https://twitter.com/#!/derrickmayday/status/142435593908011008; -- matt kane's brain http://hydrogenproject.com
RE: (313) One for the gramps again - Mayday @ The Music Institute, '88
There are a few odd things one could think about that tweet apparently from DM, denying he did the mix in question. There's also the fact that that tweet now seems to have disappeared from his timeline. Even weirder, Derrick also sent the another tweet yesterday about the same mix, I think: derrickmayday Derrick May A new favorite: Derrick May Live @ Music Institute - 1988 by technobar soundcloud.com/technobar/derr… on #SoundCloud 1 Dec [Direct copy/paste from his timeline] Ken -Original Message- From: 1-11 [mailto:1...@bethere.co.uk] Sent: 02 December 2011 15:45 To: 313@hyperreal.org Subject: RE: (313) One for the gramps again - Mayday @ The Music Institute, '88 My slippers are warming by the fire and I've just opened another packet of Werther's Originals in anticipation. -Original Message- From: Odeluga, Ken [mailto:ken.odel...@dowjones.com] Sent: Friday, December 02, 2011 2:05 PM To: 313@hyperreal.org Subject: RE: (313) One for the gramps again - Mayday @ The Music Institute, '88 Interesting developments... let's see -Original Message- From: mkb.dirty...@gmail.com [mailto:mkb.dirty...@gmail.com] On Behalf Of Matt Kane's Brain Sent: 02 December 2011 13:40 To: Robin Pinning Cc: trm; 313@hyperreal.org Subject: Re: (313) One for the gramps again - Mayday @ The Music Institute, '88 So is this one more or less believable than the Mark Verbos set that got passed around as Jeff Mills vs. Rob Hood at Limelight? On Fri, Dec 2, 2011 at 08:33, Robin Pinning robin.pinn...@me.com wrote: In the comments on the first link that Ken posted (http://soundcloud.com/technobar/derrick-may-live-music-institute-1988): bennglazier about 2 hours ago So, Derrick has said that this is not his mix, but his friends... https://twitter.com/#!/derrickmayday/status/142435593908011008; -- matt kane's brain http://hydrogenproject.com __ Information from ESET NOD32 Antivirus, version of virus signature database 6678 (20111202) __ The message was checked by ESET NOD32 Antivirus. http://www.eset.com
RE: (313) One for the gramps again - Mayday @ The Music Institute, '88
Alrighty. This still looks odd to me, but if that's what he said, sure. Cheers, Ken -Original Message- From: mkb.dirty...@gmail.com [mailto:mkb.dirty...@gmail.com] On Behalf Of Matt Kane's Brain Sent: 02 December 2011 16:23 To: Odeluga, Ken Cc: 313@hyperreal.org Subject: Re: (313) One for the gramps again - Mayday @ The Music Institute, '88 On Fri, Dec 2, 2011 at 11:01, Odeluga, Ken ken.odel...@dowjones.com wrote: There's also the fact that that tweet now seems to have disappeared from his timeline. Here is the whole sequence, still present in his timeline: djmeph djmeph #detroit #techno @derrickmayday live @ Music Institute, Detroit - 1988 snd.sc/cnOFkT 13 hours ago derrickmayday Derrick May @djmeph my music but not me mixing it was mid afternoon my bros where having a joke trying to play Iike me. I remember this moment clearly. 13 hours ago djmeph @derrickmayday Do you have any legit mixes from back then that I can get access to? 13 hours ago » derrickmayday Derrick May @djmeph I was in the room laughing at them While they did there mayday impression.. It's legit enough -- matt kane's brain http://hydrogenproject.com
(313) One for the gramps again - Mayday @ The Music Institute, '88
http://soundcloud.com/technobar/derrick-may-live-music-institute-1988 If it was posted already, please forgive me. It's just that it's the bees knees folks, and currently rocking the matter between my ears. Ken Ken Odeluga Assistant News Editor Markets – Market Talk Dow Jones Newswires 10 Fleet Place Limeburner Lane LONDON EC4M 7QN ken.odel...@dowjones.com 44 (0) 20 7842 9297 44 (0) 7887793644
Re: (313) BMG Derek
This might actually turn out to be my favourite IT, which is a bit ironic! Very pleased to see the label back up and running. Beautiful website too, I might add. Ken - Original Message - From: ja...@iridite.com [mailto:ja...@iridite.com] Sent: Tuesday, November 29, 2011 08:15 PM To: mar...@nomorewords.net mar...@nomorewords.net Cc: 313@hyperreal.org 313@hyperreal.org Subject: Re: (313) BMG Derek Yes indeed! I posted about it a couple of weeks ago I think - really like it! Jason On 26 November 2011 01:25, Marsel van der Wielen mar...@nomorewords.net wrote: yes very tasty! great to see Interdimensional Transmissions is back in business talking about BMG/IT this one just out, and very great! http://www.rushhour.nl/store_detailed.php?item=61025 Op 26-11-2011 1:13, Rob schreef: 313 list members from Detroit/Michigan make music. If this ain't on-topic then I dunno what is. Coming soon: http://interdimensionaltransmissions.com/discography/it-29-bmg-derek-plaslaiko-your-mother-home Sound clips here: http://www.rushhour.nl/store_detailed.php?item=62817
Re: Fwd: (313) Derrick May - Heartbeat Presents Mixed By Derrick May Ã- Air Vol.2 (CD) at Discogs
That for me, is part of what makes the man [Mr. Shakir] great and memorable, apart from magical talent. Shake has the same outlook as a number of well-known Detroit names, some 'grandpas' and some almost literally kids. (Of course, it's not a mindset which ends with just Detroit musos.) We agree with it 100% and we try to enact it too, in our own small way. It's a great lesson to learn [IMO] **and will, in fact stand you in good stead*** if you're involved with music in any way at all that's not solely as a consumer. (Thanks btw, Robin.) Ken Ken Odeluga Assistant News Editor Markets – Market Talk Dow Jones Newswires 10 Fleet Place Limeburner Lane LONDON EC4M 7QN ken.odel...@dowjones.com 44 (0) 20 7842 9297 44 (0) 7887793644 From: Robin Pinning [mailto:robin.pinn...@me.com] Sent: Sunday, November 27, 2011 08:04 AM To: 313 List 313@hyperreal.org Subject: Fwd: (313) Derrick May - Heartbeat Presents Mixed By Derrick May Ã- Air Vol.2 (CD) at Discogs Shake sent this to me but we figured it was worth sharing... Begin forwarded message: On 26 Nov 2011, at 16:39, Anthony Shakir wrote: Anthony Shakir shake1sha...@aol.commailto:shake1sha...@aol.com -Original Message- From: Robin Pinning robin.pinn...@me.commailto:robin.pinn...@me.com To: marsel mar...@nomorewords.netmailto:mar...@nomorewords.net Cc: 313 313@hyperreal.orgmailto:313@hyperreal.org Sent: Sat, Nov 26, 2011 8:16 am Subject: Re: (313) Derrick May - Heartbeat Presents Mixed By Derrick May Ã- Air Vol.2 (CD) at Discogs Guess I'm one of the grand pas too. Nice combo of tracks Marsel... Robin here's one for the 313 grand pas feat MK http://www.delsinrecords.com/release.php?idxRelease=2919 and talking about re-issues here's the first of four Drexciya albums http://clone.nl/item21960.html Op 26-11-2011 0:07, David Powers schreef: This is the whole problem with this list, nobody cares about new music it's like a bunch of grandpas sitting on their porch talking about the good ole days... Which is ridiculous because there has NEVER been a better time for new music, despite the fact that it's terribly hard to make any kind of money at it anymore. my friend fbk told me that that people want the classics. some of these (r)ecords were hard to get when they were made. and in trying to get them if you were not in the stores when they were delivered you missed out. i always looked at this music as bigger than it ever was. and the actual sales reminded me of the reality of it not being as big as i thought. but it was big to me. and still is big to me. the distributors only (buy) what they will sell. so i guess that is what help(s)it stay what it is. a cultish/niche genre thing. i can live with that having made some of it. money is an afterthought. it is a labor of love for me. so i do no not complain that i make just enough to keep doing it. (this is a business ron murphy reminded me once r.i.p .) so i will go on. for some, music is life. for others, it is noise and a waste of time. you can always hope that some hip hop guy will borrow it (sample it) and turn it into a profitable venture. shake shakir frictional recordings detroit, michigan.
RE: (313) Derrick May - Heartbeat Presents Mixed By Derrick May Ã- Air Vol.2 (CD) at Discogs
I personally will be buying it. But then I am old. Ken -Original Message- From: David Powers [mailto:cybo...@gmail.com] Sent: 25 November 2011 17:11 To: 313 Subject: Re: (313) Derrick May - Heartbeat Presents Mixed By Derrick May Ã- Air Vol.2 (CD) at Discogs Hi Mike, I'm trying to figure out what you are saying here? People don't buy mix CD's really any more, as far as I know, so surely that is correct. But, why would be people be unlikely to consume it in any manner? I would personally be curious to hear it, as I think D May will always be a great DJ. ~David On Thu, Nov 24, 2011 at 9:03 PM, kuszyn...@gmail.com kuszyn...@gmail.com wrote: thanks for writing up on this. unfortunately, most of us won't be buying it, in fact, few of are likely to consume it in any manner. I generally suspect his last rants at the monetizable DEMF's are the last peeps we hear from this deeply valuable man. Celebrity or not, one of our few folk.
RE: (313) Derrick May - Heartbeat Presents Mixed By Derrick May Ã- Air Vol.2 (CD) at Discogs
You know what mate; mine too. I really enjoyed that. The only disappointing part of it is that I was of course working for most of it and could enjoy *only* the last 4 hours ;-) Ken -Original Message- From: Andrew Green [mailto:mr.verd...@gmail.com] Sent: 25 November 2011 17:18 To: Odeluga, Ken Cc: David Powers; 313 Subject: Re: (313) Derrick May - Heartbeat Presents Mixed By Derrick May Ã- Air Vol.2 (CD) at Discogs hey Ken, dont let anyone under-estimate the stamina of us techno veterans and BTW ill be getting a copy too. my faith in Derrick May was restored after last year's EPIC Bleep43 night =) Andrew Green 83 The Waterfront Mill Road Hertford mr.verd...@gmail.com 07816 373278 On 25 Nov 2011, at 17:12, Odeluga, Ken wrote: I personally will be buying it. But then I am old. Ken -Original Message- From: David Powers [mailto:cybo...@gmail.com] Sent: 25 November 2011 17:11 To: 313 Subject: Re: (313) Derrick May - Heartbeat Presents Mixed By Derrick May Ã- Air Vol.2 (CD) at Discogs Hi Mike, I'm trying to figure out what you are saying here? People don't buy mix CD's really any more, as far as I know, so surely that is correct. But, why would be people be unlikely to consume it in any manner? I would personally be curious to hear it, as I think D May will always be a great DJ. ~David On Thu, Nov 24, 2011 at 9:03 PM, kuszyn...@gmail.com kuszyn...@gmail.com wrote: thanks for writing up on this. unfortunately, most of us won't be buying it, in fact, few of are likely to consume it in any manner. I generally suspect his last rants at the monetizable DEMF's are the last peeps we hear from this deeply valuable man. Celebrity or not, one of our few folk.
(313) Derrick May - Heartbeat Presents Mixed By Derrick May Ã- Air Vol.2 (CD) at Discogs
Some interesting stuff on the tracklist. Including the 'unknowns'. Ken http://www.discogs.com/Derrick-May-Heartbeat-Presents-Mixed-By-Derrick-May-Air-Vol2/release/3243802
Re: (313) Extensive show about UR/G2G from Melbourne radio RRR
Yep, cheers. Ken --Original Message-- From: Andrew Duke Cognition Audioworks new email address To: 313@hyperreal.org Subject: Re: (313) Extensive show about UR/G2G from Melbourne radio RRR Sent: 13 Nov 2011 02:36 Thanks for the headsup on this, Greg. On Sat, Oct 15, 2011 at 3:39 AM, Greg Earle ea...@isolar.dyndns.org wrote: Grab this quick before they remove download access in a couple of days ... it's filled with pure Mad Mike GOLD! http://www.soundcloud.com/enniostyles/stylin-508-w-underground - Greg -- http://soundcloud.com/andrewdukecognitionaudio http://myspace.com/andrewduke Sent from my BlackBerry® wireless device
RE: (313) Reporting in from Paris
It means the same thing here! Ken -Original Message- From: kent williams [mailto:chaircrus...@gmail.com] Sent: 13 September 2011 15:49 To: list 313 Subject: Re: (313) Reporting in from Paris I think that means something different to us in the States. 'First gear' would mean 'never got up to speed.' On Mon, Sep 12, 2011 at 12:57 PM, 1-11 1...@bethere.co.uk wrote: Derrick May played in Manchester, Ingerland, a few weeks ago. First gear all night. Bobbins. From: Mel N [mailto:mymachines...@gmail.com] Sent: Sunday, September 11, 2011 8:40 AM To: list 313 Subject: (313) Reporting in from Paris Hi all I just thought I'd report in. Saw Derrick May and Rolando play at Showcase on Friday night. Interesting the venue was a boathouse by the Seine under Alexandre III bridge before it became a venue. The venue was odd - guys in button shirts, loafers etc and girls in short dresses and heels. There was a VIP section where people slammed down bottles of champagne. I think the place was a pick up joint. The drinks were super expensive (5 euro for water/ softdrink, 8 euro for a heineken, 12 for vodka redbull). However the guestlist is free if you sign up online and you arrive before 1.30 am. I signed up at 11pm and got an instant response back that I was on the list. Luckily you just have to show the door an email. I didn't meet the promotor, so I couldn't tell you how Derrick and Rolando ended up on the bill there. There were a few usual clubbing kids there though. I don't know who was on before Derrick, but it was just some techno, i think slightly more minimal style. I couldn't name any trax, I think Derrick played a few usual ones he always plays (but still welcome...) I haven't seen Derrick play this well in ages, despite the crowd. I think there were a few happy cheesy moments, but overall spot on, tight mixing, pretty good track selection. He played from 2 - 4 Rolando came on 4 and totally just smashed it out of the ballpark. Over the years I've noticed how uncompromising he is with the tunes and he just plays what he does best... slamming hard but funky at the same time...and in this case I think some of the crowd left (but could have been due to tiredness). I think he played a few things that totally reminded me of the older harder UR stuff but 'new'. I think there was new Red Planet in there... He played all of Jaguar, BUT the crowd didn't pick up on it really so in a way that was good because it was as though the song was just another track. Anyway he played until 6.20 am, and after that it was strange but nice to come out of the bottom of the bridge to see the lights still glistening on the Seine, and the sun just about to rise. Cheers! Melody __ Information from ESET NOD32 Antivirus, version of virus signature database 6458 (20110912) __ The message was checked by ESET NOD32 Antivirus. http://www.eset.com
RE: (313) the drexciyan immersion project (was Re: (313) Drexciya reissues)
I'd be interested to hear the ones you can't stand and the ones you love Frank. Not because I want to tear into them or nuthin'. [It's your choice and all that.] Just that it will be intriguing, I think. Ken -Original Message- From: Denise Dalphond [mailto:ddalp...@umail.iu.edu] Sent: 07 September 2011 15:51 To: Frank Glazer Cc: Odeluga, Ken; 313@hyperreal.org Subject: Re: (313) the drexciyan immersion project (was Re: (313) Drexciya reissues) I accept that, even though I would probably mostly disagree. The fact that it's not fun and you're still doing it is pretty cool. Best of luck, my friend! Actually, now that I think about it, the fact that you're sonically suffering makes me laugh in a friendly/sarcastic I'm a big jerk kind of way. Ha! Denise On Wed, Sep 7, 2011 at 10:46 AM, Frank Glazer cpe1704...@gmail.com wrote: I'll be honest - it hasn't been very much fun for me. The number of Stinson/Donald tracks that I love is a very low percent compared to the ones that I really can't stand! ;) Sent from my iPhone On Sep 7, 2011, at 10:40 AM, Denise Dalphond ddalp...@umail.iu.edu wrote: I love that you're doing this project, Frank! Such a great idea. And it's so much fun to read about everyone's favorites. I'm also a huge fan of Drexciya. Denise -- Denise Dalphond Ph.D. Candidate Department of Folklore Ethnomusicology Indiana University http://schoolcraftwax.com/
Re: (313) the drexciyan immersion project (was Re: (313) Drexciya reissues)
Well personally, I salute Frank for (finally!) coming over to the aquatic side.
Even the act of setting out on such a gargantuan task in itself shows a degree
of dedication to music which several people whom he respects think is great.
That in itself is admirable in my view.
I'm sure you'll find many more tracks to your liking.
I'm not going to give faves myself - there are simply too many; and I say that
fairly sheepishly, as it's true.
I'd just remind people of some of the late side projects which were perhaps a
little overlooked: not so much Other People Place; more like Lab Rat XL,
Shifted Phases, Transllusion (especially the very odd second LP on Rephlex) and
the very last LP - 'Hypothetical Situations' by Abstract Thought on Kombination
Research.
Aside from that, how wonderful it is to see so many of the familiar 'old' names
back on the list!
Long may it continue, I hope ;-).
Ken
- Original Message -
From: darnistle [mailto:darnis...@cafe-ebola.com]
Sent: Sunday, September 04, 2011 04:08 AM
To: 313@hyperreal.org 313@hyperreal.org
Subject: Re: (313) the drexciyan immersion project (was Re: (313) Drexciya
reissues)
I go through Drexciya-fests every now and then, though not to the extent
you are right now. Twenty-four hours of the same artist sounds arduous,
though. I can't imagine listening to that much of anyone's music,
except maybe Atom Heart or Pierre Henry.
My favorite is still Neptune's Lair, especially Running Out of Space
and Lost Vessel
http://www.youtube.com/watch?v=uwqjYhoiKzs
http://www.youtube.com/watch?v=esOSZtSe05E
The Other People Place always hits the spot too!
{}0+|
On 9/1/2011 6:34 PM, Frank Glazer wrote:
Since August 1st I've been trying to concentrate entirely on devouring
the oeuvre of Gerald Donald and James Stinson (R.I.P.). We're talking
about 24 full hours of music over about 45-50 albums, EPs, and singles
including all their various pseudonyms. The reason I am doing this is
because I find their music to be relatively tricky to wrap my head
around in general, while so many of my friends consider Stinson/Donald
to be among the best of their contemporaries. Specifically a lot of
Stinson/Donald tunes sound particularly chaotic even to my modern ears
well trained in noise, avant garde, and the repetitive loops of
minimal classical (Steve Reich, Philip Glass) and techno music. I
wondered if completely saturating my ears with only their music would
change my opinion/enlighten me to their supposed genius at all.
To date I am about halfway through the project based on mostly casual
subway ride listening, and I've not been as diligent in avoiding the
fast forward button as I'd hoped I could be. It's really difficult to
stick to one artist who produced a pretty consistent style of music
without listening to anything else for such an extended period of
time. I do occasionally give my ears a bit of a break and allow myself
to hear some non Stinson/Donald tunage.
To date Wavejumper from their 1995 Aquatic Invasion EP remains my
absolute favorite Drexciya tune:
http://youtu.be/imKh_TKqHt4
As a side note, the name I've given this experiment - Drexciyan
Immersion Project - is a kind of funny nod to the sci-fi underwater
mythology that Drexciya built around their music/built their music
around.
On Thu, Sep 1, 2011 at 6:24 PM, Jason Kenjarjasonk1...@gmail.com wrote:
an undiscovered track or three would be nice..i can dream rite?
On Sep 1, 2011, at 5:14 PM, Patrick Wacher wrote:
Some interesting news on the wire:
http://www.xlr8r.com/news/2011/09/drexciya-reissues-coming-soon
Sadly, it's been nearly a decade since early '90s Detroit
techno/electro duo Drexciya last released new music. However, we've
just discovered that reissues of the pair's early material will be
surfacing in the near future. Clone Classic Cuts, the reissues imprint
for Dutch label Clone, announced just yesterday: We will reissue the
early Drexciya catalogue on Clone. We are currently busy restoring the
original master tapes, and hopefully we will have the first one ready
before the end of the year! Of course, we will keep you updated on the
process. No further details were shared, but the news itself is
certainly exciting, to say the least. (via FACT)
Re: (313) As I'm sure most of you heard: Real Scenes: Detroit RA
So many brilliant and inspiring posts over the last few days have given my enjoyment of the list a shot in the arm. And almost made me feel like a complete idiot! ;-) 'cause I definitely could not say what's been said by you guys any better. Good weekend all, Ken Ken Odeluga Assistant News Editor Markets – Market Talk Dow Jones Newswires 10 Fleet Place Limeburner Lane LONDON EC4M 7QN ken.odel...@dowjones.com 44 (0) 20 7842 9297 44 (0) 7887793644 - Original Message - From: Fred Heutte [mailto:ph...@sunlightdata.com] Sent: Friday, August 12, 2011 07:24 PM To: 313@hyperreal.org 313@hyperreal.org Subject: Re: (313) As I'm sure most of you heard: Real Scenes: Detroit RA We've discussed this all for many years on 313. As BMG says in the RA piece, there is a tendency to think that what happens on one weekend in Detroit is how it is all the time. Another tendency is to pay homage to the Belleville Three (usually without delving into the breadth of what they actually accomplished) and forget all that has happened since. Or to focus entirely on one aspect like minimal, etc. Like Motown, Detroit techno has had global influence. But as the RA oral history of the festival last year showed, the mayor of Detroit, Dennis Archer, did not even know about it when the festival idea first surfaced a dozen years ago. The surface view of Detroit electronic music ranges from total hype to total invisibility. The reality is different, much deeper and richer, and ties back to the history of a city that has traced to a stronger degree than most the trajectory of the American economy. fh - I would like you to expand on the idea of Detroit being 'hyped.' Do you mean the stories on US media that come up every few months on slow news days about the 'sorry plight of detroit' with stock footage of ruins? Or... What vexes me is musicians who use Detroit as a touchstone without any real appreciation for the music, or ever having visited. Exhibit A Fedde Le Grand's Put Your Hands Up For Detroit. And I don't know the guy's music at all but 'Motor City Drum Ensemble' doesn't seem a good name for a german producer. OTOH he is from Stuttgart... On Fri, Aug 12, 2011 at 2:43 AM, Fred Heutte ph...@sunlightdata.com wrote: I am more impressed with this Real Scenes piece than I expected to be. The real story of Detroit is a lot more interesting than the hype, if you ask me. fh - What a wicked, wicked post. I totally agree. I've sensed the same thing about Mr. Huckaby for a few years. But of course, I've not articulated it as well, even to myself. Ken --Original Message-- From: Kent Williams To: Jeff Davis Cc: 313@Hyperreal. Org Subject: Re: (313) As I'm sure most of you heard: Real Scenes: Detroit RA Sent: 11 Aug 2011 15:43 Mike Huckabee's educational work is amazing. He's a guy that, unlike many of his peers in Detroit, stayed in Detroit and dedicated himself to keeping it a vital center for musical innovation. He did it, I believe, at a personal cost. If all he cared about was making money and becoming famous, he could easily have moved to Berlin, gotten a good booking agent, and hooked up with European labels. I don't mean to criticize the people who have taken that path -- if it works for them it's fine -- but there's no denying that moving away changes their music. Instead he's stayed true to the city, true to his own music, and perfected the art of DJing. And he's taken direct action to help the young people of Detroit, who face serious obstacles to finding a place in the world. I admire a lot of Detroit musicians, and certainly isn't alone in his commitment to Detroit. In particular Underground Resistance and Submerge have demonstrated a deep and sustained commitment to the people of Detroit. There are others but to list them is to risk leaving someone out. What really makes me return again and again to the music that comes out of Detroit isn't a particular style, it's the deep, clear-eyed emotion and soul that infuses the best Detroit music. Music can point to itself, it can reflect listeners' aspirations back on them, it can start a party. Or music can do all that, and point up and out of itself. It can make you think about the world in a different way. On Thu, Aug 11, 2011 at 6:55 AM, Jeff Davis j...@jeffreyjdavis.com wrote: I left this vid having even more respect for huckabee than I did before Sent from my BlackBerry® wireless device
Re: (313) As I'm sure most of you heard: Real Scenes: Detroit RA
What a wicked, wicked post. I totally agree. I've sensed the same thing about Mr. Huckaby for a few years. But of course, I've not articulated it as well, even to myself. Ken --Original Message-- From: Kent Williams To: Jeff Davis Cc: 313@Hyperreal. Org Subject: Re: (313) As I'm sure most of you heard: Real Scenes: Detroit RA Sent: 11 Aug 2011 15:43 Mike Huckabee's educational work is amazing. He's a guy that, unlike many of his peers in Detroit, stayed in Detroit and dedicated himself to keeping it a vital center for musical innovation. He did it, I believe, at a personal cost. If all he cared about was making money and becoming famous, he could easily have moved to Berlin, gotten a good booking agent, and hooked up with European labels. I don't mean to criticize the people who have taken that path -- if it works for them it's fine -- but there's no denying that moving away changes their music. Instead he's stayed true to the city, true to his own music, and perfected the art of DJing. And he's taken direct action to help the young people of Detroit, who face serious obstacles to finding a place in the world. I admire a lot of Detroit musicians, and certainly isn't alone in his commitment to Detroit. In particular Underground Resistance and Submerge have demonstrated a deep and sustained commitment to the people of Detroit. There are others but to list them is to risk leaving someone out. What really makes me return again and again to the music that comes out of Detroit isn't a particular style, it's the deep, clear-eyed emotion and soul that infuses the best Detroit music. Music can point to itself, it can reflect listeners' aspirations back on them, it can start a party. Or music can do all that, and point up and out of itself. It can make you think about the world in a different way. On Thu, Aug 11, 2011 at 6:55 AM, Jeff Davis j...@jeffreyjdavis.com wrote: I left this vid having even more respect for huckabee than I did before Sent from my BlackBerry® wireless device
Re: (313) Drexciya The Quest CD
I remember picking this up at HMV one afternoon in June 1998. Then putting it down. I thought it was extravagant to buy it when I already had the LP. Also the tracks missing off the CD are all available elsewhere in the catalogue. The completist in me regrets not owning it but, not much. I can understand the inflated S/H price though: Drexciya+hard to find item+it's an almost complete compilation of what they did up to 1996ish. Ken - Original Message - From: kent williams [mailto:chaircrus...@gmail.com] Sent: Saturday, July 09, 2011 04:12 PM To: list 313 313@hyperreal.org Subject: (313) Drexciya The Quest CD I didn't know there was anything particularly rare or valuable about this when I put it up on EB*y but my copy is up to $61 and on discogs.com you can't find one for less than $200. Is this a rare release? I know it's a Submerge no-bar-code joint, but really? A CD?
Re: (313) Re:9
Good riddance! - Original Message - From: kent williams [mailto:chaircrus...@gmail.com] Sent: Monday, June 20, 2011 06:16 AM To: list 313 313@hyperreal.org Subject: Re: (313) Re:9 Bye Bye! On Sun, Jun 19, 2011 at 8:02 PM, famz...@aol.com wrote: I hope you�ll enjoy everything here!. http://www.liscen.com/friends.links.php?axayahooID=35z4
Re: (313) more thoughts on Movement 2011
Thanks a lot for the excellent, informative post Mr. Huette :) I'm happy to admit I also particularly like it because I agree with your sentiments near the end! Ken Sent from my BlackBerry® wireless device -Original Message- From: Fred Heutte ph...@sunlightdata.com Date: Wed, 1 Jun 2011 01:59:03 To: 313@hyperreal.org Subject: (313) more thoughts on Movement 2011 Monday was a good day at the festival. I arrived in time to hear TP on the main stage bring Strings of Life into a remix of Patrice Rushen's Haven't You Heard (I like Steve Rachmad's A Lot of Love on Spiritual/Outland more but this version was slower and more in line with the mix). Terrence was in a vocal mood, singing along with several tracks. And he played Blow Your House Down. Couldn't ask for more. I liked DJ Three (Chris Milo) on the Beatport stage playing an unhurried set of solid acid-tinged stuff. Boo Williams and GU were unfortunately stuck in the underground stage; when will Paxahau finally admit house just doesn't work in there? But I spent most of the day at the Made in Detroit stage. Just missed seeing Franki Juncaj (formerly the friendly guy at the register at Somewhere in Detroit and also a quite good DJ), but heard a lot of District 909 (Tim Baker and HD Substance). Tim Baker has had some interesting releases but I wasn't sure what to expect, and what they deliver is basic stripped down live techno sliding back and forth between really tough and cool and somewhat aimless. Next up was DTM on 5 turntables, that's right, count 'em, 5x5. It could have been a classic pileup but actually it was kind of fun. First up was Throw as the soundbed, which is the obvious way to get started and it went from there. Layers and layers of tracks'n'scratches. Then DJ T-1000 or as known among these parts, Alan. You know what he does and that's bring it up to a high level of intensity and lets it roll. As good as AO was, Claude Young finally had the time, the space and the crowd to really throw down -- nearly two and half hours worth. Everyone I talked to including the man himself felt the inspiration. It's not just about playing the great old records, as great as they remain, or the great new ones, still fresh and not struggling against familiarity. It is about playing great music with purpose and precision. It's what Detroit techno at its best truly represents. And now some comments on the festival itself (I'll save my rant about afterparties for another time). With a year away due to work requirements last year, I have a little more perspective perhaps than I used to, having been to all ten from 2000 to 2009. First of all, what's working right? Paxahau has a business model that actually works. They are putting serious, serious cash into upgrading the sound, the staging, the lights and all the little things needed to make this work better every year. Even the underground. The big improvement to me was the decision to get rid of the tents for the Beatport and Made in Detroit areas and invest in real stages. The music selection is somewhat less adventurous than I suppose could be imagined, but it is a pretty decent job for what it does. There are too many overrated European superstar-or-wannabes on stage for my taste, but they bring in a crowd (see business model). On the other hand, I can complain about Fatboy Slim or whatever but they also bring in Adam X who rocks the box. I didn't feel this year like there were periods where nothing decent was on offer, which was the case in previous years ago for considerable parts of the weekend. And I want to call Paxahau out for praise very specifically for one thing: the strong commitment to live performances across all genres. They not only book creatively on that, but they obviously put serious effort into providing the staging and support needed, from equipment setups to sound and lights. The ticket prices are reasonable given the size and breadth of the event. The lines were better run this year, and amidst the usual carney fare they brought in Slows -- epic win. The not so good parts. Well, obviously it's a white people festival now. I'm not sorry to say it so bluntly. It is in the city of Detroit, but it does not represent Detroit the city. Why? This gets back to business model. When the festival was free, the city did come, and not just because it was free, but because the proportion of known Detroit talent was higher. The organizing of the festival was drama supreme in the early years, but out on the walks and in the stage audiences, it was inclusive for all of Detroit and the region. So Movement has evolved from being a somewhat disorganized civic celebration to being more of a destination event for the suburbs (see business model). Give Paxahau credit, the Made in Detroit stage is an explicit nod to where this all comes from and provides (some) space for the various threads of Detroit techno and house for the last 30 years
Re: (313) track id: want/need/feel my love
I'd say it's not the great track 'Don't You Want It' by UR (yes!) feat. Davina. The other lyrics don't seem to fit how I remember it. But maybe I better dig out my copy before I say for sure. Ken - Original Message - From: Frank Glazer [mailto:cpe1704...@gmail.com] Sent: Wednesday, June 01, 2011 08:25 PM To: list 313 313@hyperreal.org Subject: (313) track id: want/need/feel my love hi all omar s killed it on saturday at deep detroit. pretty much his whole set was unidentifiable mid 90s house/garage/acid. one track in particular had lyrics which presumably should make it easier to identify though my efforts so far have failed. basically it was a female vocal that repeated the following in a call and response style: don't you want it? don't you want my love? don't you need it? don't you need my love? don't you feel it? don't you feel my love? any ideas? -- peace, frank http://www.deejaycountzero.com http://www.infinitestatemachine.com
Re: (313) Visions (Shake or Marty Bonds?)
This is good to know. It's intriguing too. Notice there was no mention of Marty's involvement even as late as the 'Twenty Years of Metroplex' comp which came out in 2005: http://is.gd/tpqryK Ken --Original Message-- From: Patrick Wacher To: Info@Big50entertainment. Com Cc: Jeffrey Richards Cc: 313@Hyperreal. Org Subject: Re: (313) Visions (Shake or Marty Bonds?) Sent: 17 May 2011 00:24 Agreed! For years I thought Vessels In Distress, possibly one of my favorite techno tracks ever, was written by Juan. It just blew my mind finding out on 20 Years Surkit it was actually Marty w/ additional strings by Juan. - Patrick. On Sat, May 14, 2011 at 7:09 PM, Big 50 Entertainment i...@big50entertainment.com wrote: I'd trust those that were there rather than those reading the label. There are several things Marty hasn't received credit for. MG On Sat, May 14, 2011 at 12:43 AM, Jeffrey Richards mistamuthaf...@yahoo.com wrote: Slight cross post. I know Shake is around somewhere...Poor Marty Bonds, seems to get his name left off of a lot of high quality work. Just messing around on YouTube and I found a video for the Other Side Of Life (Juan Atkins rmx) by Visions. Discogs says that Visions is Anthony Shikir and a few others. Marty Bonds is on Youtube saying it was him. Who is right, Discogs fantboys or Marty Bonds? http://www.youtube.com/watch?v=_wmedbAZZh0 Jeff Buy Records from me! http://www.discogs.com/user/tekkno-guy -- Mike Grant +1 313 473 0050 mikegran...@gmail.com www.facebook.com/michaelAgrant www.myspace.com/djmikegrant
RE: (313) list admin test
So let's have more BS from all you mofos out to give the new filter a proper run-through FFS... ;-) -Original Message- From: kent williams [mailto:chaircrus...@gmail.com] Sent: 16 May 2011 14:32 To: list 313 Subject: (313) list admin test beezlebub If you're curious, the EZMLM software on hypereal has been updated, and I'm checking on the operation of the naughty words filter.
RE: (313) Wanted: London (second hand) record stores
Hi Roland. Berwick Street, London W1, is still more or less the Capital's record-shop mecca, despite the decline in vinyl sales this decade. Try Music Video Exchange at 95 Berwick Street, London: Telephone 020 7434 2939. They're excellent, even if their website appears to be busted. Reckless Records http://is.gd/mCxTuA And to a slightly lesser extent Sister Ray http://is.gd/hiAQO5 All are on the same road, all have a great history and hopefully, future. Good luck and enjoy! Ken Ken Odeluga Assistant News Editor Markets - Market Talk Dow Jones Newswires 10 Fleet Place Limeburner Lane LONDON EC4M 7QN ken.odel...@dowjones.commailto:ken.odel...@dowjones.com 44 (0) 20 7842 9297 44 (0) 7887793644 From: Roland Meijer Drees [mailto:roowl...@gmail.com] Sent: 12 May 2011 11:34 To: list 313 Subject: (313) Wanted: London (second hand) record stores Hi 313-ers I've been reading the 313 list for very long time and now is the time to send my first email/request. Next week I'm travelling to London (from Holland). Part of my trip will be some record-hunting ;) It's been long since I've visited London and I'm afraid I've lost track of all the good (second hand) record stores in London (I know there were quit a few in and around Soho area) Do any of you have tips for where to find those nice record stores? Any other tips regarding music, good exhibits etc.. are also welcome Thanks! Regards Roland http://twitter.com/#!/roowlant
RE: (313) Wanted: London (second hand) record stores
I've definitely accumulated a big chunk of techno from there over the years too Matt. I'd forgotten they even had another shop on the same road, but yes, they did! The one still open is ths smaller one you hit first from Oxford Street. Ken From: Matt Chester [mailto:chesterm...@googlemail.com] Sent: 12 May 2011 14:39 To: 313@hyperreal.org Subject: Re: (313) Wanted: London (second hand) record stores Thanks Ken, I didn't even know Reckless was back in business! Is that store the smaller of the two they used to have? Will have to get back there soon, it was always my favourite record store - I reckon about 30% of my collection came from there... On 12/05/2011 14:22, Mel N wrote: Great recs Ken. I 'third' reckless - I find they are more 'organised' (or should that be 'more selective') ... and i second the music vid exchage at notting hill gate On Thu, May 12, 2011 at 8:41 PM, Odeluga, Ken ken.odel...@dowjones.commailto:ken.odel...@dowjones.com wrote: Hi Roland. Berwick Street, London W1, is still more or less the Capital's record-shop mecca, despite the decline in vinyl sales this decade. Try Music Video Exchange at 95 Berwick Street, London: Telephone 020 7434 2939tel:020%207434%202939. They're excellent, even if their website appears to be busted. Reckless Records http://is.gd/mCxTuA And to a slightly lesser extent Sister Ray http://is.gd/hiAQO5 All are on the same road, all have a great history and hopefully, future. Good luck and enjoy! Ken Ken Odeluga Assistant News Editor Markets - Market Talk Dow Jones Newswires 10 Fleet Place Limeburner Lane LONDON EC4M 7QN ken.odel...@dowjones.commailto:ken.odel...@dowjones.com 44 (0) 20 7842 9297 44 (0) 7887793644 From: Roland Meijer Drees [mailto:roowl...@gmail.commailto:roowl...@gmail.com] Sent: 12 May 2011 11:34 To: list 313 Subject: (313) Wanted: London (second hand) record stores Hi 313-ers I've been reading the 313 list for very long time and now is the time to send my first email/request. Next week I'm travelling to London (from Holland). Part of my trip will be some record-hunting ;) It's been long since I've visited London and I'm afraid I've lost track of all the good (second hand) record stores in London (I know there were quit a few in and around Soho area) Do any of you have tips for where to find those nice record stores? Any other tips regarding music, good exhibits etc.. are also welcome Thanks! Regards Roland http://twitter.com/#!/roowlanthttp://twitter.com/#%21/roowlant -- matt chester 11th hour recordings www.matt-chester.comhttp://www.matt-chester.com
RE: (313) Wanted: London (second hand) record stores
I wouldn't be surprised Rob, there were usually some tasty slabs to be had there! :-) -Original Message- From: Rob Taylor [mailto:barringtonphelo...@googlemail.com] Sent: 12 May 2011 16:28 To: Odeluga, Ken Cc: Matt Chester; 313@hyperreal.org Subject: Re: (313) Wanted: London (second hand) record stores i bet some of that was mine, ken as that's where i sold all my records! On Thu, May 12, 2011 at 3:17 PM, Odeluga, Ken ken.odel...@dowjones.com wrote: I've definitely accumulated a big chunk of techno from there over the years too Matt. I'd forgotten they even had another shop on the same road, but yes, they did! The one still open is ths smaller one you hit first from Oxford Street. Ken From: Matt Chester [mailto:chesterm...@googlemail.com] Sent: 12 May 2011 14:39 To: 313@hyperreal.org Subject: Re: (313) Wanted: London (second hand) record stores Thanks Ken, I didn't even know Reckless was back in business! Is that store the smaller of the two they used to have? Will have to get back there soon, it was always my favourite record store - I reckon about 30% of my collection came from there... On 12/05/2011 14:22, Mel N wrote: Great recs Ken. I 'third' reckless - I find they are more 'organised' (or should that be 'more selective') ... and i second the music vid exchage at notting hill gate On Thu, May 12, 2011 at 8:41 PM, Odeluga, Ken ken.odel...@dowjones.com wrote: Hi Roland. Berwick Street, London W1, is still more or less the Capital's record-shop mecca, despite the decline in vinyl sales this decade. Try Music Video Exchange at 95 Berwick Street, London: Telephone 020 7434 2939. They're excellent, even if their website appears to be busted. Reckless Records http://is.gd/mCxTuA And to a slightly lesser extent Sister Ray http://is.gd/hiAQO5 All are on the same road, all have a great history and hopefully, future. Good luck and enjoy! Ken Ken Odeluga Assistant News Editor Markets - Market Talk Dow Jones Newswires 10 Fleet Place Limeburner Lane LONDON EC4M 7QN ken.odel...@dowjones.com 44 (0) 20 7842 9297 44 (0) 7887793644 From: Roland Meijer Drees [mailto:roowl...@gmail.com] Sent: 12 May 2011 11:34 To: list 313 Subject: (313) Wanted: London (second hand) record stores Hi 313-ers I've been reading the 313 list for very long time and now is the time to send my first email/request. Next week I'm travelling to London (from Holland). Part of my trip will be some record-hunting ;) It's been long since I've visited London and I'm afraid I've lost track of all the good (second hand) record stores in London (I know there were quit a few in and around Soho area) Do any of you have tips for where to find those nice record stores? Any other tips regarding music, good exhibits etc.. are also welcome Thanks! Regards Roland http://twitter.com/#!/roowlant -- matt chester 11th hour recordings www.matt-chester.com
RE: (313) 313
Time that address was bloked. Getting that person's spam is just boring Instead, here's something fun, but maybe not for Derrick May anyone (not!) seen this: http://is.gd/Gkj5vJ -Original Message- From: shakirt...@aol.com Sent: 27 April 2011 16:34 To: 313@hyperreal.org Subject: (313) 313 313 This has been the key to my financial security i can tip the delivery person what they deserve presently it really does go to show that you can accomplish anything you set your mind to i have been on top of everything i do since starting it http://bit.ly/hBUVPi this has to be the greatest experience of my life
RE: (313) 313
Yeah I get that as well sometimes, when responding to the list from my other e-mail address. It looks like the name of a real German 'Public Bank' [the rough meaning of 'Sparkasse'] http://is.gd/I3w8gA Sparkasse Kehl http://is.gd/fFoxTX Perhaps I might open an account. Ken -Original Message- From: Martin Dust [mailto:mar...@dustscience.com] Sent: 27 April 2011 17:17 To: Odeluga, Ken Cc: 313@hyperreal.org Subject: Re: (313) 313 On 27 Apr 2011, at 16:38, Odeluga, Ken wrote: Time that address was bloked. Getting that person's spam is just boring Who's this as well: autorespon...@sparkasse-kehl.de Bitte antworten Sie nicht auf diese E-Mail. Vielen Dank für Ihre Nachricht. Wir werden Ihr Anliegen so schnell wie möglich innerhalb unserer Geschäftszeiten bearbeiten. Der Austausch von Nachrichten mit der Sparkasse Hanauerland via E-Mail dient ausschließlich Informationszwecken. Rechtsgeschäftliche Erklärungen werden über dieses Medium nicht angenommen. Bitte nutzen Sie zur Erteilung rechtsgeschäftlich verbindlicher Aufträge oder Weisungen (z. B. Überweisungen, Wertpapieraufträge, Einwendungen gegen Rechnungsabschlüsse, Belastungsbuchungen aus Lastschriften etc.) das durch unser Institut angebotene Online-Banking-Verfahren oder wenden Sie sich an Ihren Berater. Sparkasse Hanauerland, Hauptstraße 88, 77694 Kehl, Telefon (0 78 51) 8 60-0, Telefax (0 78 51) 8 60-4000, Sitz Kehl, Anstalt des öffentlichen Rechts, Handelsregister Freiburg HRA 370665 Kent? m
Re: (313) 313 SHAKE- PLEASE READ
Chill. I don't think *anyone* wants to banish Anthony Shakir from the list. Well done for posting some constructive suggestions. Ken - Original Message - From: AntonBanks.com web...@snet.net To: 313@hyperreal.org 313@hyperreal.org Sent: Wed Apr 27 19:27:23 2011 Subject: RE: (313) 313 SHAKE- PLEASE READ For goodness sake, shouldn't someone at least point Shake in the right direction before banishing the guy? It's not like he wants his computer infected or is sending spam on purpose, right? I'm sure he could handle installing two programs himself. If he really can't, someone just has to install these two programs for him. Either way, it won't take more than 10-15 minutes to install these two. I've linked directly to the installers for both programs below. AVG Antivirus http://free.avg.com/us-en/download-free-antivirus Malwarebytes (note that software updates are done manually) http://malwarebytes-anti-malware.en.softonic.com/download#ptn=malwarebytes At risk of sounding like an endorsement, both programs do a surprisingly good job of protecting your computer from viruses considering that they are free. I gave up Norton years ago in favor of these two. They also don't bog my system down nearly as much as Norton did. 1) Download and install AVG and Malwarebytes 2) Uninstall whatever existing antivirus software he has on his machine now. 3) Run Malwarebytes and AVG scans Hope this helps him, -ant- -Original Message- From: jwan allen [mailto:jwan.al...@gmail.com] Sent: Wednesday, April 27, 2011 1:07 PM To: kent williams Cc: Thor Teague; Odeluga, Ken; Martin Dust; 313@hyperreal.org Subject: Re: (313) 313 hopefully a kind soul can do this over the memorial day weekend! On Wed, Apr 27, 2011 at 12:53 PM, kent williams chaircrus...@gmail.com wrote: Shake is aware of this problem. The problem -- I suspect -- is that his e-mail machine is infected with a virus of some sort. Tony is a brilliant musician, not a computer technician. It would be great if someone who actually lives in the Detroit area and is acquainted with him would volunteer to check his machine and get things fixed up. The reason I haven't yet blocked his address is that it would mean he doesn't see 313 list e-mail, and I know he's interested in it. The occasional spam message from his address is a price I'm willing to pay. I'll e-mail sebastien and tell him to find a non-work e-mail address to use for the list. If he doesn't respond I'll just unsub him. Cut him some slack, though -- I bet this auto-responder stuff happens outside his control. -- Technoir Audio http://www.technoiraudio.com dealing with your imperfect world - No virus found in this message. Checked by AVG - www.avg.com Version: 10.0.1209 / Virus Database: 1500/3600 - Release Date: 04/27/11
Re: (313) 313/Some Detroit in London Tonight
Yep Shake is aware, Michael. As for record shopping, none for me today. Last records I bought were 2 Bunker re issues: 'Survival of the Funkiest' by Nukubus and 'Air Leben in Pussywelt' by Legowelt vs. Orgue Electronique Not Detroit I know but to make up for it, we're continuing to book Detroit's finest DJ talent. (Sorry to hijack the thread; but I'm still broadly on-topic :) Tonight we've been lucky enough to secure an appearance by the much- in-demand Mr. Patrice Scott. He'll be appearing alongside the splendid and mighty talent that is Osunlade. Now, to avoid me pushing folks' tolerance too far, I'll leave it at that and ask that those interested to find out more please check here: http://www.bleep43.com Thanks. Have a good weekend everyone. Ken
(313) Some Detroit in London Tonight
Oops, forgot to mention Detroit lad Kevin Reynolds is also on tonight. Sorry Kevin, if you read this! :-) http://www.bleep43.com/
(313) The Map is Not the Territory
Just posted a new mix to Soundcloud featuring Raime, Andy Stott, and Luke Slater, among others. Hope you enjoy. KM -- Fear of Music presents Ken Meier 'The Map is Not the Territory' (Studio mix, March 2011) Stream or download: http://soundcloud.com/ken-meier/the-map-is-not-the-territory -- DEMDIKE STARE Eurydice (Modern Love, 2010) RAIME If Anywhere Was Here He Would Know Where We Are (Blackest Ever Black, 2010) NORMAN NODGE NN 8.0 (MDR, 2007) MAURIZIO M7 (Unreleased mix) (M, 1997) KALON Man is the Superior Animal (Original mix) (Sandwell Disrict, 2008) MONODER Kohinaattori (Statik, 2006) FOOG Kanazawa (Mule, 2009) ANDY STOTT Long Drive (Modern Love, 2005) TVO Tober (Stuff, 2009) SIDESHOW If Alone (Chateau Flight dub mix) (Aus, 2009) MIKE HUCKABY Wavetable No.9 (Synth, 2007) EXOS Spaeltt (Thule, 1999) DEADBEAT Elder Drum (Intr_version, 2001) PENDLE COVEN Uncivil Engineering (Modern Love, 2009) FUMIYA TANAKA For Set #3A (Torema, 2001) BEN KLOCK OK (Ostgut Ton, 2009) LITTLE NOBODY Metropolis How? (James Ruskin remix) (Gynoid Audio, 2010) PLANETARY ASSAULT SYSTEMS Tap Dance (Peacefrog, 1997) ø Kolmas (Sahko, 2006) LUX Data (Deepchord, 2000) PACOU Sound of Thought (Deepchord mix) (Cache, 2008) COMMIX Satellite Type 2 (Marcel Dettmann remix 2) (Metalheadz, 2010) THE YOUNG GODS Toi du Monde (edit) (Soyuz, 2005) RAIME This Foundry (Regis version) (Blackest Ever Black, 2010) FAMILY LOUNGE Kamakasi Part 4 (Kanzleramt, 2001) SCORN Falling (Autechre FR 13 remix) (Scorn, 1995) SANDWELL DISTRICT Grey Cut Out (Sandwell District, 2010) CLARO INTELECTO New Dawn (Modern Love, 2006) MONOLAKE Plumbicon (Deadbeat remix) (Monolake/Imbalance, 2006) SLEEPARCHIVE Track 4 (Sleeparchive, 2004)
Re: (313) Attention Shake or friends of Shake: email acct hacked...
Hi Kent. A similar thing happened to that e-mail address a while ago. I think Shake knows about it. He might not be using that e-mail address anymore. Ken - Original Message - From: kent williams chaircrus...@gmail.com To: list 313 313@hyperreal.org Sent: Sat Mar 12 22:19:16 2011 Subject: (313) Attention Shake or friends of Shake: email acct hacked... I think I tried to contact Mr. Shakir about it to no avail. So if you're Shake or know Shake, please investigate (or tell him to investigate) his shakirtony at aol dot com e-mail account. It's apparently been comprimised and is now sending out spam.
RE: (313) Uhhhhhhh - wow!
Oops, that reminds me; the answer was yes, sadly. Wholesale only. It says this on the website. I wasn't sure what the website was till I asked, so sorry if I was preaching to those whose research was already better than mine. http://www.fitdetroit.com/aboutus.php Ken -Original Message- From: Odeluga, Ken [mailto:ken.odel...@dowjones.com] Sent: 12 January 2011 07:10 To: 'Patrick Wacher'; ja...@iridite.com Cc: 313 list Subject: RE: (313) Uhhh - wow! Really? I know someone who knows Aaron (FIT) let me see if that's true. -Original Message- From: Patrick Wacher [mailto:pwac...@gmail.com] Sent: 11 January 2011 23:36 To: ja...@iridite.com Cc: 313 list Subject: Re: (313) Uhhh - wow! Not too bad, the EL mix is sleazy as hell ;) Wish I could order directly from FIT, but seems like they only do wholesale :( - P. On Tue, Jan 11, 2011 at 2:43 PM, ja...@iridite.com ja...@iridite.com wrote: Moodymann/Freeki Mutha F cker Label: KDJ Genre: Techno-House Item #: KDJ040 Format: 12EP Note: PRESALE Release Date: 01.25.2011 4 tracks including a Model 500 remix, and a Egyptian Lover remix Now that's an impressive sounding record! Hope it lives up to expectations! Jason
RE: (313) Uhhhhhhh - wow!
Really? I know someone who knows Aaron (FIT) let me see if that's true. -Original Message- From: Patrick Wacher [mailto:pwac...@gmail.com] Sent: 11 January 2011 23:36 To: ja...@iridite.com Cc: 313 list Subject: Re: (313) Uhhh - wow! Not too bad, the EL mix is sleazy as hell ;) Wish I could order directly from FIT, but seems like they only do wholesale :( - P. On Tue, Jan 11, 2011 at 2:43 PM, ja...@iridite.com ja...@iridite.com wrote: Moodymann/Freeki Mutha F cker Label: KDJ Genre: Techno-House Item #: KDJ040 Format: 12EP Note: PRESALE Release Date: 01.25.2011 4 tracks including a Model 500 remix, and a Egyptian Lover remix Now that's an impressive sounding record! Hope it lives up to expectations! Jason
(313) Ken Karl Meier — Live at Crocodile Loun ge
Here's a recent mix from my brother and I at Crocodile Lounge in Chicago: http://soundcloud.com/ken-meier/live-at-crocodile-lounge-january-6-2011 Enjoy, KM -- HIEROGLYPHIC BEING Galaxy (Milky Way Edit) (Klang Elektronik, 2005) OMAR S Busaru Beats (Sound Signature, 2009) WHIRLPOOL PRODUCTIONS In the Land of My Birth (Ladomat 2000, 1995) SYSTEM 360 Dekopan (Source, 1998) LITERON Permutation One (Frantic Flowers, 2009) HERBERT Non-stop (Phono, 1996) IZ DIZ Mouth (Brad Peeps Remix for Friends) (Greenskeepers, 2006) BROTHERS OF THE UNDERGROUND La Timba (Mixx, 2008) OMAR S For Us All (FXHE, 2004) CABARET VOLTAIRE Colours (Club Mix) (Plastex, 1991) SHIVER Oiled Love (Shiver, 1994) MARCEL DETTMANN Corebox (MDR, 2008) PARTYCRASHERS Short Sweet (Klang Elektronik, 1998) PRIMITIVE URGES Volume 1 (Primitive, 1997) PAPERCLIP PEOPLE Reach (Open, 1996) TAN-RU Assembly (Trelik, 1995) SUBSTANCE VAINQUEUR Emerge 1 (Processed Original) (Scion Versions, 2007) ADAM MARSHALL Things Don’t Go Right (Antenna International, 2004) DBX Baby Judy (Accelerate, 2000) MELCHIOR PRODUCTIONS Feel Sensual (Bahia Mix) (Perlon, 2003) WULF N’ BEAR Raptures of the Deep (20:20 Vision, 1995) THE ELECTRIC 10 Freakin’ (Indeep Mix) (Rough Cut, 1997) PRIMARY COLORS Web of Deceit (Fair Park, 1997) JS ZEITER JS-03R (JS, 1999) BABY FORD Night D3 Died (PAL SL, 1998) MOODYMANN LT1 #2 (KDJ, 2005) BABY FORD/M-CORE Rock Tek Da City (Ifach, 1999) JOHNNY DANGEROUS Problem No. 13 (Baseball Bat) (Downtown, 1992) RON TRENT Making Love (Warehouse, 1990) DBX Signal Zero (Accelerate, 1993) PHORTUNE Can You Feel the Bass? (Hot Mix 5, 1988) LA WILLIAMS All Aboard (Geometric, 1997) IO Windy City (Cheap, 1994) ø Ionos (Sahko, 2006) THEE J JOHANZ Savanah (Irdial, 1995)
RE: (313) Detroit Friendly New Andy Vaz Mix
I can confirm it's sweet people, just in case you're thinking of sampling it. A little bit of Chicago in there too [I recognize a Roy Davis Jr. track]. Thanks for posting, Kalle. Ken -Original Message- From: ka...@yore-records.com [mailto:ka...@yore-records.com] Sent: 22 December 2010 15:05 To: 313@hyperreal.org Subject: (313) Detroit Friendly New Andy Vaz Mix Hey Folks, There's a Detroit friendly new Andy Vaz Mix online as Yore Podcast#02 here: http://www.yore-records.com/yore-podcast/AndyVaz-YorePodcastMix02.mp3 Merry X-Mas everyone, Kalle
RE: (313) new mix - marginal 313 content
Something Happened On 313. Thanks, downloading as I type. Ken -Original Message- From: Frank Glazer [mailto:cpe1704...@gmail.com] Sent: 21 December 2010 15:59 To: list 313 Subject: (313) new mix - marginal 313 content hi all posted a new DJ mix over on infinitestatemachine.com only technically three detroit artists but most of you should enjoy it download it here http://infinitestatemachine.com/2010/12/21/tracklist-to-the-mix-i-posted-last-week/ 01. Anthony and the Camp - What I Like (Danceappella) - WB 02. Alex O Smith - Ultra Fine Two - FXHE Records 03. Marcello Napoletano - Raw As F*%k - Hour House Is Your Rush 04. Soulphiction Pres. Missing Linkx - Who To Call - Philpot 05. St. Plomb - Precious Soul (Jackmate Mix) - Perspectiv 06. Samuli Kemppi - Complex Numbers - Mote Evolver 07. Chicago Shags - Flamingo World - Strange Life Records 08. Raza - Sara - Millions Of Moments 09. Storm Queen - Look Right Through - Environ 10. Terrence Dixon - Minimalism II A2 - Background 11. Marcellus Pittman - Unirhythm Green Tom Remix - Unirhythm 12. Tazz - Underground 11 - UQ 13. Stefano E Bene Hard Ton - Why Your Love - Compost Disco 14. Cosmin TRG - Liebe Suende - Rush Hour 15. Bruce Ivery - Rush A2 - Stilove4music 16. Deep Dish EBTG - Future of the Future (Stay Gold) - Atlantic 17. GB - The Xpander - Gifted and Blessed 18. Werner Hitchell - Fractal Rip - Antenna International -- peace, frank http://www.deejaycountzero.com http://www.infinitestatemachine.com
RE: (313) Research question about vinyl manipulation
Just to chip one other small thing on this regarding the part of your question referring to: 'I'm thinking of things beyond concentric grooves, groove reversal (starting a record from the inside to play outward), and looped grooves. [I think you know all the following Denise. It's just for the record and for those who don't know! ;-) There are several well-known Detroit electronic music records which unconventionally play from 'inside-to-out'. Many of them were cut by renknowed cutting engineer, the late, great Ron Murphy at NSC. http://fwd4.me/mEe Here's one which plays like that: Drexciya - Deep Sea Dweller http://fwd4.me/mEg In fact Mr. Murphy was behind a number of unconventionally cut records of the same ilk, including this one, which was one of NSC's more well-known 'double-groove' cuts: Hidden In Plainsight EP http://fwd4.me/mEa Ken -Original Message- From: Michael Elliot-Knight [mailto:michael.elliot-kni...@fallon.com] Sent: 05 November 2010 16:06 To: Denise Dalphond Cc: 313@hyperreal.org Subject: Re: (313) Research question about vinyl manipulation I've never heard of it being done and I can't imagine it would work very well - any adhesive along the seam would stand a good chance of seeping into the grooves thus producing an obstacle for the needle Also, having seen enough microscopic images of vinyl record grooves I can tell you that the grooves of two different records will not line up well enough for the needle to track. Once the needle hits the seam it's going to bounce out of that groove. At best you could, if very lucky, find two records that might work but you'd have to use a microscope to find a matching point between the two at any point along their grooves. What more, if you were lucky enough to get the needle to track at one point I would bet money that upon reaching the 180 degree rotation the groove won't match and the needle will bounce. MEK Denise Dalphond ddalp...@umail.iu.edu wrote on 11/03/2010 05:08:48 PM: From: Denise Dalphond ddalp...@umail.iu.edu To: 313@hyperreal.org Date: 11/03/2010 05:09 PM Subject: (313) Research question about vinyl manipulation Hi all, Has anyone ever done or heard of anyone doing the following IN DETROIT: Physically manipulating a piece of vinyl by cutting it down the middle exactly and then gluing it to another half of vinyl so that the grooves match up and it can actually play? Or any other kind of dramatic vinyl manipulation? I'm thinking of things beyond concentric grooves, groove reversal (starting a record from the inside to play outward), and looped grooves. Feel free to message me directly if you'd rather. Thanks! -- Denise Dalphond Ph.D. Candidate Department of Folklore Ethnomusicology Indiana University http://denisedjsdetroit.blogspot.com/ Disclaimer The information in this email and any attachments may contain proprietary and confidential information that is intended for the addressee(s) only. If you are not the intended recipient, you are hereby notified that any disclosure, copying, distribution, retention or use of the contents of this information is prohibited. When addressed to our clients or vendors, any information contained in this e-mail or any attachments is subject to the terms and conditions in any governing contract. If you have received this e-mail in error, please immediately contact the sender and delete the e-mail.
RE: (313) Aarron Carl has passed
Unbelievable. R.I.P. Ken -Original Message- From: kent williams [mailto:chaircrus...@gmail.com] Sent: 30 September 2010 14:17 To: list 313 Subject: (313) Aarron Carl has passed Those of you up early in the US who checked Facebook or Twitter already know this, but Aaron Carl Ragland died overnight, having just started chemotherapy for a just-diagnosed cancer. This is a terrible loss for Aaron's family, Detroit, and the world. I didn't know the man well, other than a couple of long conversations earlier this year on the phone. I was impressed by his drive to make things happen in Detroit, not just for himself, or for Detroit Dance Music (though they were things he loved DEEP, second only to his family and friends) but the next generations of kids. Aaron was openly, flamboyantly gay man who came out at a time and place where it was a lot easier to stay on the down low. The Detroit dance scene is a lot more open and accepting than the wider culture, but it's a brave man who's willing to be honest with the whole world the way AC was. Aaron presented himself transcended his sexuality, it represented an openness and honesty that's an example for everyone. Aaron was genuine, authentic, true, no bullsh*t. And he was funny as hell too. Inexplicably, he was afraid of trees -- can you watch this and not laugh? http://www.youtube.com/watch?v=QJVdtEzUJII The W.A.R.M.T.H. Wallshaker Compilation he put out last December was a great example of what Aaron Carl could do -- bring people together under a positive vibe. That's what I'll be listening to today, and if you don't yet have it, you can listen to the mix I made of it: http://www.cornwarning.com/chaircrusher/Chaircrusher-WallshakerMix.mp3 AC I love you, and I hope you're slapping skin with Ron Hardy and Arthur Russell and James Stinson about now, and they've got your crate by the tables waiting for you.
(313) More news from nowhere
My set from last Friday's Leisure party at 319 Scholes in NYC: http://soundcloud.com/ken-meier/live-at-leisure-september-25-2010-mp3 JOHN ROBERTS Lines (Dial, 2010) BROTHERS VIBE Step Into It (Mixx, 2008) MARTYN Miniluv (Ostgut Ton, 2010) GOLDFISH UND DER DULZ Persiko (Playhouse, 2001) MOVE D Got Thing (Philpot, 2007) FUMIYA TANAKA VVV (Sundance, 2008) DUB TAYLOR Mutilated (Raum Musik, 2001) KENNY LARKIN Glob (Ben Klock Remix 1) (Planet E, 2010) CIO D'OR DONATO DOZZY Limone (Time to Express, 2009) THE ORB Asylum (Blood Sugar's Mix) (Island, 1997) STEVE BUG Honeymoon (Russ Gabriel Remix) (Raw Elements, 1996) CAJMERE DERRICK CARTER Wet Dream (Cajual, 1992) WAXMASTER MAURICE Freak (Dance Mania, 1995) DANIEL BELL Superminimal (Logistic, 1995/2003) M PITTMAN Chicago Nights (Unirhythm, 2007) ROBERT HOOD Clash (M Plant, 2010) PERC 1909 (Derek Plaslaiko Remix) (Perc Trax, 2010) ORPHX Threshold (Substance Remix) (Sonic Groove, 2009) ANDY STOTT Fine Metallic Dollar (Modern Love, 2008) SHED That Beats Everything! (Ostgut Ton, 2008) UGANDAN SPEED TRIALS Untitled (DN, 2007) DJ SKULL Frequency Response (Red Cat, 1994) MIKE DUNN So Let It Be House (Edit) (Westbrook, 1988) O/V/R Descending the Left Corner (Blueprint, 2010) CLARO INTELECTO Thieves (Modern Love, 2006) OLIVER HACKE Lichtung (Background, 2002) WLADIMIR M Evil (Re-Mixed) (Eevo Lute, 1993) Enjoy, KM
(313) Bleep43 Party October 1, LONDON - Full Line-Up
Hi, Please permit me to let you know exactly what we'll have on offer Friday week: Urban Tribe, comprising DJ Stingray and Kex, LIVE Convextion LIVE Legowelt LIVE DJ Overdose Mariska Plant43 LIVE Matt Whitehead LIVE Matilda Bleep43 residents: Toby Frith Dan Bean http://www.bleep43.com/ Remember, this party will also be celebrating the launch of Bleep43's own record label with a 12 featuring tracks from two of the artists on the line up: Convextion and Plant43. Out on 4th October, the vinyl and digital EP also includes tracks from Bleep43 members Orphan and Jo Johnson. If you are coming to the party and want to order a copy for collection on the night, we are taking orders. http://www.bleep43.com/collect-a-copy-of-bleep4ep001/ See you there!
RE: (313) New interviews
I disagree with most of what Wilhite says about working digital, but I have to say he knows how to make a party deep. I disagree as well, and I'm hoping one day I can tell him in person! But he's still a very skilled and talented producer and an excellent DJ to boot. To me that far out-weighs what I see as wrongheadedness about the validity of different production techniques. And even that is his point of view, which he's entitled to. I'm certainly not going to insult him as if he's evil or stupid simply because of his views, as some people on RA think they've got a right to. Whatever. Ken It is always the case that people with venal motivations can parlay a small amount of talent and a ruthless instinct for self-promotion into a career. They can appeal to an audience that likes their art to be a useful lifestyle accessory, that are scared of art that affects them deeply and changes their view of the world. They want their prejudices confirmed, not challenged. That social contract, between the panderer and the pandered to, is the most common form of 'art.' It's a fraudulent transaction -- they promise you more than they deliver, and people accept it at face value. I'd contend that they're being cheated. They're being uncritical consumers of a substandard product. It's the difference between a proper meal made from scratch and something that comes frozen or in a tin. But you can't force people to take their own lives seriously. Which is the long way round to this: It's not the technology, it's what people do with it. There are loads of people content to use it to perform the same cheap tricks over and over, but it doesn't mean there's nothing deep that can be done with it. Case in point: PanSonic. They sure don't make deep house music, but they used their laptops to make sounds so deep you can feel the magma flowing. On Thu, Sep 23, 2010 at 3:37 AM, Martin Dust mar...@dustscience.com wrote: On 23 Sep 2010, at 02:44, David Powers wrote: If my dad DJed like Rick Wilhite I might actually pay attention to what he said... ;) Haha Back in the day, we didn't have no flat wax, we used cylinders I think Wilhite is right in many ways about the stupidity of the electronic music business as a whole, but hasn't that always been the case ever since music became a commodity? Ask Franz Schubert or Charlie Parker... There's too many contradictions in the piece, he talks about real musicians in one breath and then about programming a drum machine in the next, which kinda voids his arguement about learning a trade because using a drum machine sure does bypass years of learning. Americans seem to be much more obsessed with authentic and real - like Bruce Springsteen is their poster boy! Techno for me is about saying fcuk off to those rockisms. The whole history of electronic music and sound design really interests me and when you read about how this guys struggled, you can't help but pay respect. And as far as I'm aware, all the equipment in the world still won't write you a good track. And sure, Beatport's top 10 is a crock of shite but worrying about that is like trying to influence the weather by making a cup of tea! m PS I also wonder if he's ever seen Kraftwerk live :)
RE: (313) MODEL 500 OFI
I don't know myself. I think it's a kinda ironic question and the source of the question is too! ;-) Peace, Ken -Original Message- From: Office [mailto:puzzle...@optic-universe.com] Sent: 23 September 2010 15:37 To: 313 Subject: (313) MODEL 500 OFI Where can you buy the Mp3 thanks Puzzlebox Ewcords http://www.optic-universe.com [] Cell Phone: (313) 492-1870 World Wide Web : http://www.puzzleboxrecords.com www.optic-universe.com Email : Puzzlebox Recordings Office http:///puzzle...@optic-universe.com Puzzlebox Recordings Info http:///i...@optic-universe.com Licensing : http://technosis...@optic-universe.com BOOKING Switch Booking (Spain) Austria, Switzerland, Denmark, Norway France, Iceland Artist booking Tel.+34647098103 Mail: http://email.secureserver.net/addressBookQuickAdd.php?contact=SW%2FTCH+Booking+%3Cinfo%40sw-tch.com%3Ei...@sw-tch.com Web:http://sw-tch.com/http://sw-tch.com Jennifer Wilson (UK ) Japan, Australia, South America, Africa Artist booking Tel. Mail: mailto:jenni...@a0rta.comjenni...@a0rta.mailto:jenni...@a0rta.comcom --
RE: (313) New interviews
I think he is a dad, FWIW. Anyway, I thought he just sounded forthright and a little opinionated. Nothing wrong with that. He makes a lot of sense to me. Ken -Original Message- From: Martin Dust [mailto:mar...@dustscience.com] Sent: 22 September 2010 10:28 To: 313 Subject: Re: (313) New interviews On 21 Sep 2010, at 18:56, wojciech wrote: -With Rick Wilhite: http://www.residentadvisor.net/feature.aspx?1245 It's so, so weird reading an interview from some who's into electronic music but bangs on like your f*cking dad! m
RE: (313) New interviews
You'll be lucky if you even manage to wake a few folk up with your comment Mike! Nowadays, there's no way will you be able to start a flame war of the kind we used to enjoy so well in days of yore. Still, I'm often surprised by the odd familiar name showing up as still subscribed, even though they've not posted anything for years, till today! ;-) Ken -Original Message- From: kuszyn...@gmail.com [mailto:kuszyn...@gmail.com] Sent: 22 September 2010 14:59 To: wojciech Cc: 313 Subject: Re: (313) New interviews (Here comes some flame bait) And this is why I really like Jeff Mills. Frankly, I know very few electronic music people who look at things as producers. They become producers after djing, which to me isn't musical, it's beat making. On Tue, Sep 21, 2010 at 12:56 PM, wojciech wojtek@gmail.com wrote: -With Rick Wilhite: ...The whole entertainment industry has created people that really have no passion doing what we do, as a producer, as a remixer, as a DJ. All these new websites and everything have totally annihilated the industry. Nowadays anybody can just do overnight what took somebody else ten years to really become sufficient enough or experienced enough to do. The industry is in total shambles-from the pressing plant to the mastering plant, the people that make the labels and the jackets, to the actual artists themselves. All of that is totally gone because most people don't believe music is worth more than a dollar. If that. http://www.residentadvisor.net/feature.aspx?1245 -With Jeff Mills: ...In my generation we learned differently from the way most DJs are learning now. Most of us came into DJing from being musicians, so when we thought about tracks to play, we were thinking about song structure - we had musical structure to refer to. I'm just trying to create a much more balanced view of what DJing is all about. http://www.junodownload.com/plus/2010/09/03/interview-jeff-mills/ -- -Mike
(313) Bleep43 Party With URBAN TRIBE Live, Convextion, Legowelt, DJ Overdose + First EP on Bleep43 Recordings
Good day all, Hope you won't mind me letting you know about our latest bash - and about the first Bleep43 record. We're back at Corsica Studios on Friday 1st October with another international line-up featuring Detroit's Urban Tribe, Convextion from Dallas, Legowelt and DJ Overdose from The Hague and upcoming producer Mariska from Ghent. Accompanying them on the night will be the our very own Plant43, plus Matt Whitehead and Matilda, alongside Bleep43 residents Toby Frith and Dan Bean. http://www.corsicastudios.co.uk This party will also be celebrating the launch of Bleep43's own record label: http://www.bleep43.com/label Our first VINYL 12 [OH YES!] features tracks from two of the artists on the line up: Convextion and Plant43. Out on 4th October, the vinyl and digital EP also includes tracks from Bleep43 members Orphan and Jo Johnson. If you are coming to the party and want to order a copy for collection on the night, we are taking orders. http://www.bleep43.com/collect-a-copy-of-bleep4ep001 We hope as many of you as possible can make it down and will like the record enough to pick up a copy. Look forward to seeing some of you down there. Cheers, Ken
RE: (313) name that sample
This is one that's worth cutting out and keeping Marsel!
[Or just saving.]
Thanks,
Ken
-Original Message-
From: Marsel van der Wielen [mailto:mar...@nomorewords.net]
Sent: 11 September 2010 20:54
To: 313@hyperreal.org
Subject: (313) name that sample
agent x - in the morning -
chaka khan - i know you, i live you
apollo 440 - krupa, spoken part comes from -
taxidriver (directed by martin scorsese, with robert de niro)
neuropolitique - wide (new electronica) -
sylvester - you make me feel (mighty real) (Fantasy, 1979)
kenny dope unreleased project - inside (strictly rhythm or 220st, France) -
slave - just a touch of love
daniel wang - free lovin' (housedream) (balihu004) -
trussel - i love it (love Injection lp) (elektra 1980)
hainault -ozutsumi (irdial) -
nytro -nytro express (whitfield)
ray tracing -the internal exterior (irdial) -
rhythim is rhythim -strings of life (transmat)
demon -midnight funk (herbert rmx) (vocal hook) -
. alvin cash - the ali shuffle
theo parrish - commandf your soul (trackmode) -
. the last poets - mean machine chant
herbert-oo licky -
. faze - o riding high
andres - set you free -
. gil scott heron
moodyman - amerika -
. idris muhammad - turn this mutha out
norma jean bell - nobody's gonna love you -
. joe bataan - rock me all night long
moodymann-don't be misled -
. joe bataan-rock me allnight long
theo parrish-dark patterns -
. bohannon-rap on mr dj
theo parrish-electric alleycat -
. sly and the family stone-babies makin' babies
moodymann - i can't kick this feeling(planet e) -
. intro for barry manilow - copacabana
2001 - no where (lower east side) -
. rap is a remake of Gary Jackmaster Wallace - party time(houseefect)
babies from gong - decadent butterfly(new electronica) -
. throbing gristle - hamburger lady (mute)
afx twin - we are the music makers (rs) -
. sampled of the movie willi wonka choclate factory
kb project(dan bell) - feel it (elevate) -
. two tones of fun - i got the feeling(fantasy)
laurent garnier - the hoe (f com) -
. remake of Mark Imperialco - she aint nuthin but a hoe(house nation)
christian smith john selway - cosmopolitan (intec) -
. sleazy d - i lost control (chicago trax)
common factor - feel what i feel (planet e) -
. jackmaster dick's revenge - sensous woman goes disco(chicago trax)
morgan geist -nebula jersey 2 (environ) -
. erotic drum band-love disco style (prism)
herbert - oo licky ('part one' ep, phono 002) -
. antonio carlos jobim - the girl from ipanema
push button objects - striffle -
. de la soul - stakes is high
push button objects - non existant (keyed in by gescom) -
. bahamadia - three the hard way
wagon christ - reedin -
. the roots - mellow my man
. the roots - the session
paperclip people - good girls (planet e) -
. good men - give it up (fresh fruit)
paperclip people - stevie knows (planet e) -
. stevie wonder - another star
paperclip people - no control -
. john rocca - i want to be real (street wise, nyc 1983)
paperclip people - throw (planet e) -
. loletta holloway - hit and run
paperclip people - the climax (reworked) -
. first choice - love thang
moodymann - black mahogany (kdj, peacefrog) -
. earth wind fire - evil
69 - frequency finale [4 jazz funk classics] (planet e) -
. visage - frequency
hokusai - 12 'till 4 (source direct recs) -
. notorious b.i.g. - friend of mine (bad boy)
gescom - snackwitch -
. ultramagnetic mc's - critical beatdown
gescom - puzl (clear) -
. cybotron - clear (fantasy)
global communication - funk in the fridge -
. thomas crown affair - original sound track
herbie hancock - raindance
boards of canada - aquarius -
. hair (the musical) - age of aquarius
moodymann - long hot sexy nights -
. marvin gaye - got to give it up
mr hazeltine - the mechanic (plug research 14) -
. bohannon - me and the gang
sound hack - soundhack - soundhack -
. the wisphers -
morgan geist - remnants (environ 2) -
. curtis mayfield - kung fu
kenny dixon jr - soul sounds (soul city 02) -
. george benson - give me the night lp
theo parrish - only the begining -
. luther vandross - never too much
norma jean bell - i am the baddest bitch -
. roy ayers - sweet tears
lo soul - open door (theo parrish remix) (elevate) -
. jimmy bo horne - spank
moodymann - u can dance if you want too -
. prince - all the critics love u in NY
moodymann - tribute -
. marvin gaye - what's going on
moodymann - one night in the disco -
. sister sledge - he's the greatest dancer
moodymann - shades of 78 -
. barry white - the more i get the more i want
theo parrish - babysteps (elevate) -
. donald byrd - lanasana's priestess
innerzone orchestra - galaxy -
. war - galaxy
moodymann - amerika -
. gill scott heron
rick wilhite - the godson -
. nightwriters - let the music
moodymann - don't be misled (kdj) -
. bionic boogie - risky changes
rick wilhite - roots of detroit -
. prince - let it go
. pam todd - get it together
. peoples choice -
moodymann - outer drive (kdj) -
. t-connection
RE: (313) Testing, testing
It's not working Jason. Keep trying. -Original Message- From: irid...@gmail.com [mailto:irid...@gmail.com] On Behalf Of ja...@iridite.com Sent: 09 September 2010 16:05 To: 313 list Subject: (313) Testing, testing just a test
RE: (313) Sarah Gregory's mural for The Music Institute!
I must say Greg, you give good 313. Apropos Sarah Gregory, some related trivia... She was married to the lead singer of 'chart-topping' UK synth-pop act Heaven 17. She took the name of Glenn Gregory; her maiden name was Sarah Osborne. Other juicy '80s bands she played in included Belgian-based Allez Allez who made a wicked track called 'Flesh Blood' ... [Just ignore the '80s annoying accoutrements] http://tinyurl.com/34t6ege Allez Allez in discogs, you can navigate to more about Ms. Gregory from there too: http://tinyurl.com/64d9go -Original Message- From: Greg Earle [mailto:ea...@isolar.dyndns.org] Sent: Wednesday, September 01, 2010 10:31 AM To: 313@hyperreal.org Subject: (313) Sarah Gregory's mural for The Music Institute! A long time ago (in a galaxy far, far away), the esteemed Mr. Sicko made this plangent plea to (313): http://music.hyperreal.org/lists/313/gallery/sg/ [Sarah] Gregory came to Detroit to paint a wonderful mural on the east wall of the Music Institute. Anyone with a photo of the mural -- PLEASE forward it on to someone on 313. Fast-forward to today, and through the miracle of Facebook, look what we have here ... http://sphotos.ak.fbcdn.net/hphotos-ak-ash2/hs037.ash2/35225_1455865509255_1011847824_31369461_1963436_n.jpg Another angle, with the creator admiring her handiwork: http://sphotos.ak.fbcdn.net/hphotos-ak-ash1/hs483.ash1/26460_1368451163951_1011847824_31133467_2890508_n.jpg Sarah is on Facebook nowadays and this and a few other photos are publicly visible. Have a look! - Greg
RE: (313) Juan Atkins photo
Ah that's what it was. Every now and then that issue catches me unawares. Anyway, someone else posted me a remade link for the pic, so I've seen it. It's evocative! Cheers, Ken -Original Message- From: DB [mailto:d...@renegaderhythms.com] Sent: Friday, August 13, 2010 6:23 PM To: Odeluga, Ken Cc: 313@hyperreal.org Subject: Re: (313) Juan Atkins photo Ken, You have to ad atkins3.jpg to the URL that you click, as the URL was too long... Dave Odeluga, Ken wrote: Cheers Anton, the mix downloads fine, but clicking the link for the image throws up a '500' [Internal Server Error]. Ken -Original Message- From: AntonBanks.com [mailto:web...@snet.net] Sent: Monday, August 09, 2010 12:52 AM To: 313@hyperreal.org Subject: (313) Juan Atkins photo I came across this photo of Juan Atkins. My compliments to whoever took this. I think it's a really striking image. http://www.digital-distortions.co.uk/bibzme/wp-content/uploads/2010/03/juan- atkins3.jpg BTW, it went along with this mix. http://soundcloud.com/wefearsilence/juan-atkins-we-fear-silence-mix/download
RE: (313) Juan Atkins photo
Cheers Anton, the mix downloads fine, but clicking the link for the image throws up a '500' [Internal Server Error]. Ken -Original Message- From: AntonBanks.com [mailto:web...@snet.net] Sent: Monday, August 09, 2010 12:52 AM To: 313@hyperreal.org Subject: (313) Juan Atkins photo I came across this photo of Juan Atkins. My compliments to whoever took this. I think it's a really striking image. http://www.digital-distortions.co.uk/bibzme/wp-content/uploads/2010/03/juan- atkins3.jpg BTW, it went along with this mix. http://soundcloud.com/wefearsilence/juan-atkins-we-fear-silence-mix/download
