[313] OT- jazzanova
please forgive me everybody but i have no other place to find this out. what is the name of a jazzanova that has the vocal "things change.." ? - Original Message - From: "Michael D Tyrer" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Cc: "Maarten Baute" <[EMAIL PROTECTED]> Sent: Tuesday, February 05, 2002 7:54 PM Subject: [313] Georgio Moroder > a whole site dedicated to the guy > http://www.dj-empire.com/morobe.htm > > his biog : > Born in 1940 in Ortisei, Italy, Giorgio Moroder played guitar in small night > clubs and theatres across half of Europe at the age of 19 before settling > down in Berlin in 1967 to start his great career as a producer and composer > in a somewhat unorthodox way: he wrote German schlager songs, and landed his > first hit after just 6 months. He worked with singers like Michael Holm and > Ricky Shayne and was soon an established composer on the schlager scene. > > > Having shown at an early stage that he had an extraordinary instinct for > mass audience appeal, Moroder started work as a producer after a spell at > the Musicland Studios in Munich; by this time, it was clear that Giorgio > Moroder did not crank out hits to a formula, but always let his intuition > guide him. It was not long before he had mastered and integrated all the new > studio technology. > > Moroder, who always dreamed of an American sound in Motown style, chose the > bubblegum wave of 1969 as his launch-pad onto the international stage for a > song he had not only composed and produced himself, but which for the first > time featured English lyrics: the single "Lookie Lookie" was well received > in Holland, Spain and France. Then the album with Pete Bellote, who has been > his permanent partner since 1970, Chicory Tip - "Son of my Father" became a > smash hit in England. > > His really big breakthrough, however, came with Donna Summer, who had > initially auditioned as a background singer for Moroder and Bellote at the > end of 1975: just 6 months later her interpretation of "The Hostage" climbed > to the top of the Dutch and French charts. After the album "Lady of the > Night" the trio recorded a not entirely serious track inspired by Serge > Gainsbourg and Jane Birkin's steamy hit "Je t'aime", adding more than a > pinch of sex themselves. "Love to love you Baby" was initially a flop as a > single, but when Moroder had the brilliant idea of extending the track into > a 17-minute disco symphony and releasing it as an album, the whole world > wanted to make love with Donna. "Love to love you Baby" was the first > worldwide disco hit - the decisive breakthrough for disco music in general > and one of the most frequently copied and sampled pieces of dance music ever > recorded. > > As a result of this enormous success, Moroder, Bellote and Summer reached > their creative climax in the mid-70s and released one record after another > in a very short space of time: after the concept albums "A Love Triology" > and "Four Seasons Of Love" (both 1976), the "I Remember Yesterday" LP was > released in 1977 featuring the unbelievable "I Feel Love" with its famous > galloping bass line, fiery electronic percussion and futuristically polished > production, all of which contributed to giving the track the status of an > unforgettable disco anthem. > > > The Moroder/Bellote/Summer team released two more albums, one of them "Bad > Girls" with its chart single "Hot Stuff". However, with an Oscar to his > credit for the soundtrack to the Alan Parker Film "Midnight Express" in > 1978, Moroder increasingly turned, at the beginning of the 1980s, to > composing and producing film music. > > In addition to Flashdance - whose title song "What A Feeling" gained him > another Oscar in 1983 - the best-known of his 40 soundtracks are those for > "American Gigolo", "Scarface", "Top Gun" and his exciting and daring > electro-pop re-setting of Fritz Lang's silent movie classic "Metropolis". > Moroder has also written the official songs for two Olympic Games and the > soccer World Cup. In the 1980s he produced bands like Sigue Sigue Sputnik > and went into the remixing business with the Eurythmics' "Sweet Dreams". > > As if that was not enough, Moroder has exhibited his sculptures at numerous > exhibitions and has designed a sports car which has won several awards. > > > - Original Message - > From: "Benn Glazier" <[EMAIL PROTECTED]> > To: <313@hyperreal.org> > Sent: Tuesday, February 05, 2002 09:31 > Subject: [313] Re: Georgio Moroder > > > At 21:30 05/02/2002 +, you wrote: > > >From: "Maarten Baute" <[EMAIL PROTECTED]> > >Subject: georgio moroder > > > > | I want to get a clear vision on the impact that georgio moroder > > | had in the late 70´s and later on house and techno.. Does anyone > > | know a good text about this guy? And more important -> can I find > > | some sound previews of what he has produced? > > > >Have you ever listened/watched the movie "Scarface"? A prime example of > >Moroder's scoring... >
Re: [313] St Vitus Dance (was: RE: (313) Elements Of Jazz CD)
that mystic vibrations track is a jewel... ahh - Original Message - From: "tom churchill" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; "'313'" <313@hyperreal.org> Sent: Thursday, February 07, 2002 8:37 AM Subject: Re: [313] St Vitus Dance (was: RE: (313) Elements Of Jazz CD) > > St Vitus Dance isn't that a Dan Curtin alias that he used on Peacefrog? > > No, it's an alias of Hope Grant, aka Envoy (who released an album on > Soma)... > > Cheers, > > Tom > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Sounds like Environ
hi there. i asked the same question some months ago and no one could point me in the right direction.. but as a sugestion, check out the ep's that GOSUB released on isoplux.. take care - Original Message - From: "Andy Mitchell" <[EMAIL PROTECTED]> To: "313 List" <313@hyperreal.org> Sent: Tuesday, February 12, 2002 1:45 AM Subject: [313] Sounds like Environ > Hey peoples, > A friend of mine is looking for labels to hit with some crunchy retro > stuff... Environ immediately came to mind, but can anyone recommend some > other labels on a similar tip? If anything his sound is a little less housey > and a bit more IDM-hoppy, maybe somewhere along the lines of Metro Area > meets Prefuse 73 (maybe). > Thanks in advance, > Andy > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] isolee
man i think you are lieing to us. i wont beliave that u did not liked that album. i dont know what source of paradigms can someone use to hear those tracks and dont like it. : / - Original Message - From: "Gwendal Cobert" <[EMAIL PROTECTED]> To: "'313'" <313@hyperreal.org> Sent: Thursday, February 21, 2002 5:58 AM Subject: RE: [313] isolee > Dunno... I was a bit disappointed by it, in fact, partly because I was > expecting one hour of "Beau mot rivage", partly because some tracks are > really lame, Computer for example. So, run, but ask to listen first... > Gwendal > > > I guess you mean Isolee - Rest, on Playhouse. If so I'd say > > run, don't walk, > > to your record store. If you know what I mean ;) > > > > I can't wait to hear what he comes up with next. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] carl craig question
anyone knows in what ep or lp was the track DREAMLAND released? i would love to have this song on vinyl.. take care u all henrique - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] submerge site
anyone else having problems to open the site? henrique casanova S.O.M. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Technasia...
i will hear technasia live next weekend in São Paulo. i hope it sounds diferent from its releases, wish are simply dead tech music to me.. > -- Mensagem original --- > > De : robin pinning <[EMAIL PROTECTED]> > Para: "Grammenos, Peter" <[EMAIL PROTECTED]> > Cc : 313@hyperreal.org, <[EMAIL PROTECTED]> > Data: Fri, 12 Apr 2002 15:17:31 +0100 (BST) > Assunto : RE: [313] Technasia... > > > > > does anyone have a recent online technasia set i can listen to ? > > > the future mix cd isn't really mixed as such, which is a shame. > > yeah i'd like to hear a proper dj mix too > > robin... > > > > > > > > > -Original Message- > > From: Michael D Tyrer [mailto:[EMAIL PROTECTED] > > Sent: Friday, April 12, 2002 2:38 AM > > To: [EMAIL PROTECTED]; 313@hyperreal.org; [EMAIL PROTECTED] > > Subject: Re: [313] Technasia... > > > > > > 4 wots it worth - we saw these Charles Siegling/Technasia in Belgium a few > > weeks back at the Fuse Club and were very impressed. We thought it was one > > of the better sets we had recently heard. > > > > Well, well worth booking. > > > > - Original Message - > > From: "Gerald" <[EMAIL PROTECTED]> > > To: <313@hyperreal.org>; <[EMAIL PROTECTED]> > > Sent: Friday, April 12, 2002 12:44 > > Subject: [313] Technasia... > > > > > > > Is anyone interested in booking these guys in North America? > > > There are still a few open dates on their tour. > > > > > > If so, drop me a line. > > > > > > Cheers! > > > > > > G > > > > > > - > > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > > > > > > > > -- --- > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > -- --- > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > robin... > -- > Dr. Robin Pinning | E: [EMAIL PROTECTED] > Manchester Computing, University of Manchester, | T: +44 161 275 7028 > Manchester, M13 9PL, United Kingdom.| F: +44 161 275 6040 > --www.mrccs.man.ac.uk--- -- > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > henrique casanova S.O.M. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] a confirmation
sorry for this post but i can't read all e-mails today. anyone knows if these artists will be at demf for sure?: -drexciya -robert hood -stewart walker ---- henrique casanova S.O.M. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF afterparties
what reasons would the police have to cancel these partys?? im just curious. we live in very diferent worlds in this list. i'm never heard about a party being closed by the police here in brazil. > -- Mensagem original --- > > De : Gerald <[EMAIL PROTECTED]> > Para: 313@hyperreal.org > Cc : > Data: Mon, 15 Apr 2002 12:29:07 -0400 > Assunto : [313] DEMF afterparties > > Ok, > > Does anyone know how the Detroit authorities (Police/Gov't) are treating > them this year. The past 2 years i take it, they've turned a blind eye > to these events. > > However, i've heard of one event which was cancelled (unless they can > find another place) after the owner receieved a visit from a city > official. Who knows, it could be unrelated to DEMF, maybe the club just > has a bad reputation and officials are just taking action now. Bad > timing eh. > > One of the main reason's i attend DEMF is to goto the amazing > afterparties! > It would be a real bummer if they started cracking down on them this > year. > Am i getting paranoid or what?!? > > G > > ---- - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > henrique casanova S.O.M. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] techasia live
hi.. i just saw thecnasia live yesterday. i was in the most POP party of the world!! really sad.. the scnene in brazil isnt dead, but it would be muc better if it was. considering this, technasia live was a gift! i discovered that they have two tracks that i like a lot. one its "swarm" with that efect sounding like a good jeff mills track, and the oder is a electro. a great electro, with detroit classic drums. sounding like a red planet or something.. anyone know about this track? the rest of the show was nice too. much more seruious then the rest of the party so it was allready great to me. i dont know technasia discog but i think they played their classics. one of the songs was singed by one of them, and this guy played something like a flute on another song.. a cool song by the way. the show didnt took more than 45 minutes i think. take care u all - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Josh Wink responds to Dan Bell
1- how can i hear those two tracks???!! 2- "dan bell - acid phreak" or "dbx - beat phreak" - Original Message - From: "marsel" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, April 23, 2002 12:50 PM Subject: [313] Josh Wink responds to Dan Bell > > >From: "Ovum Mailing List" <[EMAIL PROTECTED]> > >Reply-To: "Ovum Mailing List" <[EMAIL PROTECTED]> > >Organization: Ovum Mailing List > >Subject: Josh Wink responds to Dan Bell > > > >For Immediate Release: > > > >I was very surprised to learn of Dan Bell's claim that my track called > >"Superfreak" infringes on his track entitled "Phreak." I did not copy or > >sample his work and, apart from being of the same genre of music, I don't > >believe the tracks are similar. Except for Dan, no one else has come to > >me and said that my track reminded them of Dan's track, and those I know > >who have heard both tracks, agree with me that the tracks are not similar > >except for the genre of music. I seldom sample, but when I do, I clear > >the samples and follow procedures to ensure everything is legal. My > >"Superfreak" track is 100% sample free. > > > >I am very pleased that the track has promotionally been doing well. I > >don't know what Dan's motives are in making these claims but it sounds > >like "sour grapes" to me. I have known Dan for a while and bear no ill > >will toward him. However, I do strongly disagree with his claim and his > >recent tactic of trying to tarnish my reputation in the music industry > >through mass email mailings and press releases broadcasting his unfounded > >allegations against me of copyright infringement. Given that Bell has not > >yet begun a lawsuit, much less won one, it is disturbing to say the least > >that Bell would stoop to such hurtful and unwarranted mudslinging against > >a fellow artist. I stand behind the integrity and originality of my > >"Superfreak" song without reservation. > > > >The letter that Dan wrote to an industry publication regarding his claim > >against me has gotten a lot of attention. Unfortunately for me and for > >the music community, it contains numerous inaccuracies and false > >allegations on top of his baseless claim concerning "Superfreak." To > >highlight a few: > > > >-In regard to my track "How's Your Evening So Far," Dan is completely off > >base. My label, Ovum Recordings properly sought to clear the Lil' Louis > >sample included on the track prior to the release of my record. We agreed > >to give Lil' Louis 100% of the publishing. An issue arose with the > >clearance because we had been incorrectly advised that Sony controlled the > >song for the world when it only controlled it for North America. A > >lengthy negotiation ensued between Sony and London Records, which > >published the song outside North America, which held up the release > >outside North America. However, neither I nor Ovum had resisted giving > >Lil' Louis proper writer credit for the song. > > > >- Dan implies that my track "Don't Laugh" mimics his track "Losing > >Control." However, I wrote "Don't Laugh" before I ever heard "Losing > >Control." > > > >- Dan suggests that he originated the technique of manipulating a > >frequency filter over a repeated vocal phrase that on his "Losing Control" > >track released in 1995. However, my 1993 track entitled "How's the > >Music," released on Nervous Records NYC in 1994, among others, uses that > >technique. > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] detroit lables logos
a couple of years ago i found a site with some detroit lables logos. now i cant remember where it was. anyone know where can i find it?? the submerge site have some but they are too litle there for what i want to do with it. take care u all. S.O.M. Wood Tower - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] bell vs wink / forcefield
in my opinion everyone is free to draw an acid synth into a drum programing and name the track. we all have to agree that josh wink's behavior was really weird since he put the sample the same word into the track but i dont have a big problem with that. im surprised that this topic ever came out. The Wood Tower > > That is a blatant rip off, period! Tracks feel the same, sound the same, and > probably use the use the same production techniques ! [ one can never be > certain ]. How lame, especially for a producer like wink who has been in the > business for this long. But then again, he isn't the first producer to do > this... > > Nice article... > > > -Original Message- > From: marsel [mailto:[EMAIL PROTECTED] > Sent: Wednesday, April 24, 2002 12:52 PM > To: 313@hyperreal.org; [EMAIL PROTECTED]; truevibes-yahoogroups.com > Subject: [313] bell vs wink / forcefield > > > > forcefield seems to being rebuild > > for dan bell & josh wink > > both tracks and letters are up at: > > http://www.forcefield.org > > tracks go in streaming mp3.. a lot easier for you all > > up as well is the new column from our techno space cadet 'amazing' arnold > > so far so good > > .. > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] is there a Red Planet site?
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[313] demf website
because he is the most popular techno dj in the world. --someone wrote: > so again we need to enter the question: > > why is he on so many photos ? > > > > > > > >> 5 out of the 6 pics of dj's on the website are of richie > >> > >> > >> whitewashing at it's finest > >> > >> > >> *angry beyond measure* > > > > > > if it was 5 different white artists, then maybe i can understand. But if > > all five are of Richie, then i don't think this is whitewashing in the > > SLIGHTEST. Say what you want, but richie is a far more popular and well > > recognized artist (please, don't just say because he's white), and most > > likely *that* is why so many of those pictures are of him. > > > > > > > > > > > > > > _ > > Send and receive Hotmail on your mobile device: http://mobile.msn.com > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] john beltran - colage of dreams
is it on vinyl??? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] OT - producing question
hi list! sorry for the OT but i'm in panic. i lost almost all files and data of an important track and all i have now is the wave file of the final result of the track. the problem is that the track volume (level) is not as loud as apropriated. i tryed to fix it using the volume options on soundforge but obviously the lows got distorced. is there anything i can do at all? thanx everyone. take care. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fragile
the best work ever from garnier is in this lable (imo). it calls acid eifiel. laurent shows the he perfectlu understand the detroit spirit. > Hi...one of the record shops here in Rome has re-hashed part of its back > catalogue and among variuos things they have a dozen or so Fragile > releases.are they worth checking out? Do any of you have any records in > particular that you reccomend? > > thanks > fab. > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Never on Sunday
talkin about them, dont u guys agree with me that those other 430w formations as never on sunday or random noise generator release more interesting music than the regular Octave One formation?? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] (OT) R.I.P. audiogalaxy
: / - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] isolee
someone post a link to a isolee personal site a couple of months ago. can someone post it again? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] track on line
hi guys, i just put a track on line in my friends site. the url is http://planeta.terra.com.br/arte/djelieser/audio/redemption_song.mp3 its is old school detroit techno. no sofistication, just the classic gears. let me know what u think ok? i would love to hear any kind of coments. take care u all, henrique - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] strand
the track "Georges" on strand message I is one of the most important songs ever to me. > -- Mensagem original --- > > De : "ryan burns" <[EMAIL PROTECTED]> > Para: 313@hyperreal.org > Cc : > Data: Thu, 04 Jul 2002 01:24:55 -0500 > Assunto : [313] strand > > > does anyone have any favorite strand tracks they would like to recom end for > me? thanks. > > ryan > > > > _ > MSN Photos is the easiest way to share and print your photos: > http://photos.msn.com/support/worldwide.aspx > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > henrique casanova S.O.M. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] test
can anyone read me? please replay me if u do - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] trying again. hehe
hi guys, i just put a track on line in my friends site. the url is http://planeta.terra.com.br/arte/djelieser/audio/redemption_song.mp3 its old school detroit techno. no sofistication, just the classic gears. let me know what u think ok? i would like to hear any kind of coments. take care u all, henrique - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Robert Hood on Peacefrog????
i couldnt find any streamings to this record. how is it?? its impossible to buy all releases by thim man. hehe i guess thares no other detroit artist releasing so many recods. - Original Message - From: "Arne Weinberg" <[EMAIL PROTECTED]> To: "313 Mailing List" <313@hyperreal.org> Sent: Tuesday, July 09, 2002 3:06 PM Subject: [313] Robert Hood on Peacefrog Hello folks... Just received the new 12" of Robert Hood on Peacefrog. Does anybody of you know if there will be also an album coming up on Peacefrog? Cheers, Arne -- °°° www.arneweinberg.de STARBABY Rec. DOWN LOW MUSIC NATIVE Rec. KEYNOTE Rec. (ex-Ground Zero Rec.) °°° - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] m-p304 (was :Hood on Peacefrog)
Niko Tzoukmanis wrote: > 'the figure' on 'puppet master' is his best track imo > and of course, 'untitled', 'untitled', and 'untitled' > (in this order !) > :O)) mine is C1 track on minimal nation. dont know the songs name cos my copy is a promo. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] m-p304 (was :Hood on Peacefrog)
man, take the SHOP/LEARN EP on duet. believe me, its way diferent from the
other releases in this lable. kick dirty ep on m plant has a cool track too.
slower than usual, with out of compass chords. similar to that unbeliaveble
track on his album on Drama records.
- Original Message -
From: "Neil Wallace" <[EMAIL PROTECTED]>
To: "henrique casanova" <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Wednesday, July 10, 2002 12:56 PM
Subject: RE: [313] m-p304 (was :Hood on Peacefrog)
>
> i think the vision ep is strrets ahead of anything else he has done though
> b2 on minimal nation is also really nice ("the rhythm of vision" that one)
>
> ive not been buying records for _ages_ so any recommendations of hood
stuff
> from the last couple of years i should be checking would be cool :)
>
> cheers
>
> neil
>
> :-Original Message-
> :From: henrique casanova [mailto:[EMAIL PROTECTED]
> :Sent: Wednesday, July 10, 2002 4:59 PM
> :To: 313@hyperreal.org
> :Subject: Re: [313] m-p304 (was :Hood on Peacefrog)
> :
> :
> :
> :Niko Tzoukmanis wrote:
> :
> :
> :> 'the figure' on 'puppet master' is his best track imo
> :> and of course, 'untitled', 'untitled', and 'untitled'
> :> (in this order !)
> :> :O))
> :
> :mine is C1 track on minimal nation. dont know the songs name cos my copy
is
> :a promo.
> :
> :
> :
> :-
> :To unsubscribe, e-mail: [EMAIL PROTECTED]
> :For additional commands, e-mail: [EMAIL PROTECTED]
> :
> :
>
>
-
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[313] OT - paging Guilherme (Dinamica Sonora)
your e-mail adress seems to be out of order.. : ] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] kinda OT
i friend of mine who lives in São Paulo have this cool music project that now i'll share with u. he is making really interesting music.. http://www.twodividedbyzero.com/ "Two Divided By Zero is an electronic music project whose idea is to merge 80's technopop and early 90's dance music elements with electronic music made nowadays, mainly techno, electro and breakbeat. The project is also influenced by artists like Orbital and Leftfield, as well as dub and minimal music." his tracks sound better than his description. : ] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] lalala
> -- Mensagem original --- > > De : Wibo Lammerts <[EMAIL PROTECTED]> > Para: 'Lester Kenyatta Spence' <[EMAIL PROTECTED]> > Cc : "'313@hyperreal.org'" <313@hyperreal.org> > Data: Tue, 30 Jul 2002 09:53:12 +0200 > Assunto : RE: [313] lalala > > Kathy Sledge "Another Star" > > Salome de Bahia "Outro Lugar" (same as Kathy, but in spanish. Big su mmer hit > of last year) spanish? dont know it but the title and the artistic name are in portuguese. henrique casanova S.O.M. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] hood mixes lately (was Re: [313] This Saturday in Detroit 8.10.2002
anyone saw hood spining lately? i wander if he steel plays minimal sets, using his own work. when i saw him spining it was just regular bangin techno (NYC 2000) > This Saturday 8.10.2002 > Fusion Technology Records and Resin8tion > are very pleased to bring you, our fist installment of > > Industry:Intelligence. > > Robert Hood -M-plant Music/Detroit > -the master of minimal is back- > > Twonz-Hi jacked Records/Detroit > -Hard techno/Detroit Groove- > > Allen Gamble-FTR/Detroit > -Detroit Techno/soulful flavor- > > Shaun Reeves-resin8tion/Detroit > -Detroit Techno/Minimal- > > This event will take place at the Detorit Arts Space > at 101 east Baltimore, Detroit MI > If you are not clear on how to get to the DAS, please > either call our information line > 586.997.7201 > > or check out > www.mapquest.com and type in the adress. > > This event will take place from 10pm-6am, > and will go later than 6am depending on attendance, > there will be adult refreshments provided for a small tip, > so please be courteous to your server. > > Guestlist is very limited so please > e mail [EMAIL PROTECTED] > if you would like to request a legitimate spot. > This event will be 18+ 21+ for refresments. > > Any questions, comments or concerns, you can reach me > by AIM or e mail at: fusiontecrecords > or by voice mail 586.997.7201 > Thank you and I hope to see every one out, > Allen Gamble > > www.fusiontechnologyrecords.com > www.forwardthought.org > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] your most soulful DJ?
DJ Luciano Benites, Canoas RS (Brasil) > > - Original Message - > From: "Darren Longton (Merch)" <[EMAIL PROTECTED]> > To: <[EMAIL PROTECTED]>; <313@hyperreal.org> > Sent: Friday, August 09, 2002 4:50 PM > Subject: RE: [313] your most soulful DJ? > > > DJ's that leave me in awe: > Terry Mullan (nuf said) > John Acquaviva(also, nuf said) > Mark Farina (saw him last night...DAMN! he's good) > Traxx (likes to show off...but has every right) > Kenny Larkin (Transmat tour in SF..had people drooling) > Twonz (always a local fav) > Minx (another local fav..deep house) > Kit Clayton (check out his mix on Beta Lounge) > John Tejada (someone from the west coast that knows whaz up) > Eric Haupt(haven't seen him in a whiiile..wonder what happen to him) > > ..just to name a few > > d$ > > > > -Original Message- > From: [EMAIL PROTECTED] > [mailto:[EMAIL PROTECTED] > Sent: Friday, August 09, 2002 3:43 PM > To: 313@hyperreal.org > Subject: Re: [313] your most soulful DJ? > > > > Also - maybe it's not just one person - give me a list of top 5, 10... > whoever you'd pay time and again to see because you know you're going to > walk out floating on clouds > > I'm really curious (and it'll give me a list of people to check out > possibly) > MEK > > > > > Michael.Elliot-Knight > @fallon.com To: > 313@hyperreal.org >cc: > 08/09/02 02:36 PMSubject: [313] your most > soulful DJ? > > > > > > > Hey all- > I know it's a big and open question to ask but I'm curious to hear who - in > your own opinion- is the most soulful DJ. What I mean is - for you who is > the one whose "got it" and manages to bring "it" to your heart every time. > And I'm talking only DJs here. > > Now I know that people will want to argue about what is soulful and what > isn't - personally I don't care - and I really don't want to hear any > negative comments please - I'm just interested in the positive. I don't > want to see this go down as a "Richie Hawtin doesn't play soul music" > thread - if your grandma is the most soulful let me know and I'll respect > your opinion. Give some examples or details if you want. > > I'm not looking to stir up controversy - just want to see who makes the > list(s). > > Please keep this a fun discussion (argue off list). > > > MEK > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] metro area album
did i hear about a metro area album some months ago? or was i dreaming?? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] confused about confuser
nothing wrong with loops (minimal nation is maybe my favorite release ever). but what people name "detroit techno" have something more then the loops, when it is loopy. a detroit techno song must have 3 things in my opinion: minimalism, seriousity (does this word existis? hehe) and feeling. i can find no feeling or seriousity in those "tech-house" tracks that are made to be spined only, with apelative vocal samples working as the main chord. even when there are some interesting efects. take care you all. henrique. - Original Message - From: "David Powers" <[EMAIL PROTECTED]> To: "Wibo Lammerts" <[EMAIL PROTECTED]> Cc: "'Sean Creen'" <[EMAIL PROTECTED]>; "Rusty Blasco" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Thursday, August 15, 2002 11:57 AM Subject: Re: [313] confused about confuser > What is G-Tech? > I've noticed that 313 seems to be a lot more on the house vibe these days. > And everybody hates loops now. > I personally don't see what's offensive about a bunch of nice minimal loops. > (Of course some techno DJs are boring I agree...) > > /dave.cyborg_k > > > > Wibo Lammerts wrote: > > >Shit, u telling me that this IS NOT G-tech? > > > >faaack! > > > >w > > > >-Original Message- > >From: Sean Creen [mailto:[EMAIL PROTECTED] > >Sent: donderdag 15 augustus 2002 15:04 > >To: Rusty Blasco; 313@hyperreal.org > >Subject: RE: [313] confused about confuser > > > > > >Did I die and get sent to G-tech? > > > >;-) > > > >Sean. > > > >-Original Message- > >From: Rusty Blasco [mailto:[EMAIL PROTECTED] > >Sent: 15 August 2002 13:56 > >To: 313@hyperreal.org > >Subject: [313] confused about confuser > > > > > >Hello all. I have a certain question concerning a certain record I > >purchased a couple of months ago. The label simply reads 'Confuser' and > >bears the names Tobias & Marco. For the longest time I had no inkling as to > >what the origin of this album truly was. As serendipity would have it, I > >was mindlessly leafing through an old issue of URB the other night, and lo > >and behold I see the name Confuser 1 in the reviews section. (If I remember > >correctly, the guest columnist was Regis.) From what I gathered the artists > >responsible were none other than Tobias Schmidt and Marco Carola. Is this > >correct? The tracks are amalgamations of samples from classic house and > >techno tracks. Am I way off base here? Now, was this a one shot deal, or > >the beginning of a continued series? And is Confuser simply a project name > >or a label spinoff? Thanks in advance for the inside scoop. > > > > Rusty > > > > > > > >_ > >MSN Photos is the easiest way to share and print your photos: > >http://photos.msn.com/support/worldwide.aspx > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] c. block live pa or mix
anyone knows about any in the web? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] brazilian artist
hi guys. i friend of mine from Caxias do Sul (RS / Brasil) is constructing a site. some of his tracks are allready on line. check it out: http://planeta.terra.com.br/arte/sinenomine/ and i have a track to download in his domain too: http://planeta.terra.com.br/arte/sinenomine/redemption_song.mp3 this is the same track i posted some time ago so if you got it allready dont waste your time. take care u all henrique - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] A great tragedy and loss......... (fwd)
for me is impossible to name a favorite drexciya song cos there are a lot of songs i really love. triangular hydrogen strain, sighting in the abyss, water walker, organic hydropoly spores, birth of new life.. these are songs i really love. im listening to them now and for the first time in my life drexciya is soundin blue for me.. - Original Message - From: "Dan Sicko" <[EMAIL PROTECTED]> To: "Benn Glazier" <[EMAIL PROTECTED]> Cc: "313 list" <313@hyperreal.org> Sent: Friday, September 06, 2002 8:52 AM Subject: RE: [313] A great tragedy and loss. (fwd) > > > On Fri, 6 Sep 2002, Benn Glazier wrote: > > > I still love 'Depressurisation" from the Deep Sea Dweller EP on > > Shockwave, some nasty track on this EP too, in a Hardwax vein. > > > > bg > > Still my favorite as well. > > -d (still stunned) > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Detroit :: 9.13-9.14 :: Juan Atkins Birthday Party Weekend
why is this being discussed in my mail box? - Original Message - From: "Darren Longton (Merch)" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Thursday, September 12, 2002 2:31 PM Subject: RE: [313] Detroit :: 9.13-9.14 :: Juan Atkins Birthday Party Weekend Smart @ss! ;) -Original Message- From: ::P [mailto:[EMAIL PROTECTED] Sent: Thursday, September 12, 2002 2:38 PM To: Darren Longton (Merch); 313@hyperreal.org Subject: Re: [313] Detroit :: 9.13-9.14 :: Juan Atkins Birthday Party Weekend BTW, "F*ucked" shouldn't be capitalized. :P -Joe - Original Message - From: "Darren Longton (Merch)" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Thursday, September 12, 2002 12:29 PM Subject: RE: [313] Detroit :: 9.13-9.14 :: Juan Atkins Birthday Party Weekend Personally I think the English language in general is pretty F*ucked up. I mean come onthree their/they're/there's!! Sure glad it was my first language. ;) -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Thursday, September 12, 2002 2:35 PM To: Darren Longton (Merch); Robert Taylor; ::P; Robert Taylor; T.J.Johnson; 313@hyperreal.org Subject: RE: [313] Detroit :: 9.13-9.14 :: Juan Atkins Birthday Party Weekend This may be due to the differences between American English and Proper English. Or just another example of American's perverting the cherished Queen's English, depending on your point of view. Don't get me started on spelling -Original Message- From: Darren Longton (Merch) [mailto:[EMAIL PROTECTED] Sent: Thursday, September 12, 2002 5:24 PM To: Robert Taylor; ::P; Robert Taylor; T.J.Johnson; 313@hyperreal.org Subject: RE: [313] Detroit :: 9.13-9.14 :: Juan Atkins Birthday Party Weekend $hitI thought they were called quotes? -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Thursday, September 12, 2002 2:30 PM To: '::P'; Robert Taylor; 'T.J.Johnson'; 313@hyperreal.org Subject: RE: [313] Detroit :: 9.13-9.14 :: Juan Atkins Birthday Party Weekend Erm...if you invert commas (), what do you get? ' -Original Message- From: ::P [mailto:[EMAIL PROTECTED] Sent: Thursday, September 12, 2002 6:27 PM To: Robert Taylor; 'T.J.Johnson'; 313@hyperreal.org Subject: Re: [313] Detroit :: 9.13-9.14 :: Juan Atkins Birthday Party Weekend bullshit. if you invert them, they arent commas. Im telling my mom on you :P -Joe - Original Message - From: "Robert Taylor" <[EMAIL PROTECTED]> To: "'T.J.Johnson'" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Thursday, September 12, 2002 1:16 PM Subject: RE: [313] Detroit :: 9.13-9.14 :: Juan Atkins Birthday Party Weekend > Have you ever noticed that your keyboard has these little things: " " ? > They're called inverted commas. > > -Original Message- > From: T.J.Johnson [mailto:[EMAIL PROTECTED] > Sent: Thursday, September 12, 2002 5:13 PM > To: 313@hyperreal.org > Subject: Re: [313] Detroit :: 9.13-9.14 :: Juan Atkins Birthday Party > Weekend > > > --- Start of forwarded message --- > > Subject: Re: [313] Detroit :: 9.13-9.14 :: Juan Atkins > Birthday Party Weekend > From: "T.J.Johnson" <[EMAIL PROTECTED]> > Date: Thu, 12 Sep 2002 10:06:55 -0700 (PDT) > To: [EMAIL PROTECTED] > > Well, here is what I think. Delete now... > > I've heard of "The Surgeon" from Detroit and > that he is > a really good house/booty DJ. I am a huuge fan of > "Surgeon". Technically he's not even using > the same > name. Plus, it is a different stlye of music. I > wouldn't doubt if "The Surgeon" hadn't even > ever heard > of "Surgeon" from England. > > Let's let "The Surgeon" keep going and make > it big and > we can let the lawyers do the rest. > > To tell you all the truth, though, I was actually > thinking about going to see "Surgeon" and > Juan's B-day > party because I thought it was Anthony Child so I could > see how people could get disgruntled about it. I'd be > pissed if I had already purchased my tix. > > I'd probably also be pissed if another artist started > using my name. I'm not sure how I would handle it > though. If I found out that there was another artist > already using my name (like there is on mp3.com) then > I'm not sure what I would do. If he was huge (as in > famous) Id probably step down though... > > T! > > www.acidsonicresearch.com <~~go here > www.mp313.com <~~and here > > PeoplePC: It's for people. And it's just smart. > href="http://mail.peoplepc.com//jump/http://www.peoplepc.com";>http://www.peo > plepc.com > > --- End of forwarded message --- > > T! > > www.acidsonicresearch.com <~~go here > www.mp313.com <~~and here > > PeoplePC: It's for people. And it's just smart. > http://www.peoplepc.com > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands,
Re: [313] Religious producers/DJ's (was: TERRENCE PARKER)
the man dont wanna spin records at partys no more. whats the big trouble? - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, September 13, 2002 1:45 PM Subject: Re: [313] Religious producers/DJ's (was: TERRENCE PARKER) > > Sorry - no offense to TP - he does what he needs to get by but really... > stop using a talent that "God" gave him? That's just too bad that "God" has > asked him to stop using it. > > MEK > > > > > Michael.Elliot-Knight > @fallon.com To: Michael Lees <[EMAIL PROTECTED]> >cc: 313@hyperreal.org > 09/13/02 11:36 AMSubject: Re: [313] Religious producers/DJ's (was: TERRENCE PARKER) > > > > > > > > No there probably won't be any collaborations but this makes me think why > is sex so bad in the eyes of "Christians"? I know it all comes down to > creationism vs. evolution - but really in the end it's about the state > controlling the masses. > Religion is just a means of making everyone fall in line - not a way of > keeping you from "FALLING DOWN". > You can be spiritual without being religious so it's really sad for me to > read TP's words. His music has always been quite spiritual for me and now I > have a feeling it's going to just be religious. Spiritual music has a > voodoo quality to it that makes you move your body (I don't mean that in > any negative way) and is sexual because sex is part of Life, part of what > it means to be a human - religious music removes all that in the name of > making you this sterile, sexless, "vessel of the Lord". If he only wants to > play to "Christians" then fine - preach to the converted then... go hide > yourself away, pull out of society. Even Jesus walked among the "sinful" > because he knew even he was not free from "sin" (whatever that is). > Religion is the opium of the masses. > > MEK > > > > > Michael Lees > > <[EMAIL PROTECTED]To: > > K> cc: 313@hyperreal.org > >Subject: Re: [313] > Religious producers/DJ's (was: TERRENCE PARKER) > 09/13/02 10:48 AM > > > > > > > > > > > I've had my > > moments of FALLING DOWN. Two years ago at Shake's Benefit Party @ Motor > here > > in Detroit, I got so drunk that I had to be carried out of the club by > > DJ/Producer Mike Clark and driven home by DJ T.Linder and Superstar Sally > > (his girlfriend at that time). I had an epiphany that following morning > > (while feeling sick ALL DAY), and I decided not to drink ever again. > > It's been two (2) years now, and I haven't had a drink since. The deepest > > part of that experience is knowing that GOD was with me then even though > I > > still had not given my life to him. He kept his angels around me in the > form > > of Mike Clark, T.Linder, Superstar Sally, Al Oldham, and others. I love > each > > and every one of those people who helped me that night. GOD knew my heart > > and spared me from harm that night. Now I am saved, sanctified, and > filled > > with the Holy Ghost! > > > > You know it's a bad hangover when you wake up and have an epiphany! > > I wonder what his views on DJ assault, booty etc are? I don't think any > collaborations are planned? > > -- > Mike > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] ROB HOOD (was 28 SEPT. JEFF MILLS / STEVE BICKNELL...)
the only time i saw hood spinning was in NYC and he did played two hip hop tunes. i thought it was very meaninfull to him so i respected and apreciated it a lot. take care you all - Original Message - From: "Odeluga, Ken" <[EMAIL PROTECTED]> To: "[EMAIL PROTECTED] Org" <313@hyperreal.org> Sent: Wednesday, September 18, 2002 2:56 AM Subject: [313] ROB HOOD (was 28 SEPT. JEFF MILLS / STEVE BICKNELL...) > j bucknell - > > >rob hood always > >tries to play hip hop sets in new york (or is that how he >starts his sets > > The one time I saw Rob Hood he started his set (@ Lost incidentally) with a > trashy 4/4 disco version of "Survivor" by Destiny's Child! > > I couldn't dance for laughing! Yep, it was camp. > > The 'Point Blank' LP on the other hand (available on promo fr your > record shop owner if you're nice to them) redeems RH. I don't think there's > a single weak track. And he has managed to squeeze some progress out of the > basic beat too. > > k > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] What would you consider to be your rarest 313 record?
claude young - brother from another planet - 7th city rob hood - minimal nation - m plant (promo copy. a present from mr hood him self. the same peaces of vinyl we can hear on his old mixes i beliave) de que vale tanta ciência para quem já não tem nada? - Original Message - From: "Robert Taylor" <[EMAIL PROTECTED]> To: "'Tristan Watkins'" <[EMAIL PROTECTED]>; "Placid" <[EMAIL PROTECTED]>; "313 mailing list" <313@hyperreal.org> Sent: Thursday, September 19, 2002 12:29 PM Subject: RE: [313] What would you consider to be your rarest 313 record? > What's the point of owning an unopened record? > Records are meant to be played, not treated as artifacts. > -Original Message- > From: Tristan Watkins [mailto:[EMAIL PROTECTED] > Sent: Thursday, September 19, 2002 2:26 PM > To: Placid; 313 mailing list > Subject: Re: [313] What would you consider to be your rarest 313 record? > > > Silly thread. :) > > Autographed copy of 'Strings' unopened. Gold ink no less! ;) > > How do you autograph an unopened record you ask? Good question, I say. > > Tristan > = > Text/Mixes: http://phonopsia.tripod.com > Music: http://www.mp313.com > Contact: [EMAIL PROTECTED] > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
(313) (OT) anyone have contact for SKANFROM?
anyone have contact for SKANFROM?
(313) still on the ferox thread
who is "4th wave" ??? man this Rudder track is just unbeliaveble!! what a techno song!!
Re: (313) still on the ferox thread
- Original Message - From: "J. T." <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Tuesday, October 01, 2002 1:37 PM Subject: Re: (313) still on the ferox thread > steve paton ain't it? is he from detroit?
(313) the aproaching of 2012
my good friend Luciano left this world too this weekend. a great lost to the world since he was really evoluated and rightous. and a lost to music as well, since he was part of a group of people that may be one of the last resistances of the true techno in this planet. take care L; we know you can face this experience with out big trouble. >
Re: (313) Time:Space 2
the EP I is really interesting. two tracks. the A side is a strong techno track, with powerfull drumns and a wiked efect wish brings seriosity to the song. it have somo vocals that if understood wrong, can make the track sound a litle clubby. the B side is a track just with drums and a deep synth. its a nice track to sping too. - Original Message - From: "Neil Wallace" <[EMAIL PROTECTED]> To: "'Andy Mitchell'" <[EMAIL PROTECTED]>; "'313 List'" <313@hyperreal.org> Sent: Monday, October 07, 2002 6:59 AM Subject: RE: (313) Time:Space 2 > > Just out of interest how are stephen browns transmat releases? I have > pretty much all his sativae/drought/djax/realtime releases and love them > all but ive never heard any of his workfor transmat. > > Cheers > > neil > > :-Original Message- > :From: Andy Mitchell [mailto:[EMAIL PROTECTED] > :Sent: Sunday, October 06, 2002 6:07 AM > :To: 313 List > :Subject: (313) Time:Space 2 > : > :I just found this tracklisting online, for the new Transmat compilation > :which seems to already be out in Japan... Does anyone know if this is > going > :to be the same tracklisting for the rest of the world? Sure looks good! > : > :DISC 1 > :1. Aril Brikha - Bytes > :2. Microworld - BC Style > :3. Indio - Inca > :4. Stephen Brown - I Am Someone > :5. Louis Haiman - Actualization > :6. Yellow Planet - Story of China Men > :7. Sans Soleil - Stretched Blue Oval > :8. Sans Soleil - Winter Light > :9. Ebb - Someone So True > :10. Reggie Dokes - Metu Neter > : > :DISC 2 > :1. Rodenbush - Tranquility > :2. Lucien Nicolet - Pasando Una Puerta > :3. Rodenbush - Awakening > :4. Stephen Brown - The Year Zero > :5. L.S. - Thyme Spice > :6. John Arnold - Respectall > :7. Yellow Planet - The Fugitive > :8. Louis Haiman - The Question of You > :9. Microworld - DB > :10. Sans Soleil - Sahara VHF > :11. Tony Drake - Wings > > >
(313) what was the first techno record ever?
and i mean really techno, named that way and produced on detroit. it was by juan atkins? or it was a transmat? take care you all
Re: (313) first techno record
well and who are the artists behind Sharivari and Cybotron. people say Juan Atkins is the "creator". is it him?
Re: (313) Metro Area interview
man it is amazing the fact that techno is not an important style on morgan geist home listening. this really surprised my. how can he touch the souls of techno lovers so much without having this influence.. what a surprise.. - Original Message - From: "Hans Veneman" <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Sent: Friday, October 11, 2002 3:21 PM Subject: (313) Metro Area interview > Online now at TechnoTourist.org, an interview with Morgan Geist & > Darshan Jesrani, AKA Metro Area. You can read the interview here -> > http://technotourist.org/modules.php?op=modload&name=Sections&file=index > &req=viewarticle&artid=18 > > > Other recent articles on TechnoTourist.org: > > Andy Vaz interview -> > http://technotourist.org/modules.php?op=modload&name=Sections&file=index > &req=viewarticle&artid=16 > > Let us dance! About Les Rendez-Vous Electroniques 2002 -> > http://technotourist.org/modules.php?op=modload&name=Sections&file=index > &req=viewarticle&artid=17 > > > Cheers, > Hans > > -- > Hans Veneman > [EMAIL PROTECTED] > http://technotourist.org > > >
Re: (313) future music for me is....
well i dont like the term future music because all music made today is not futuristic, its music made with the gears we have now, so it is not futuristic. music that sound modern to me is the experimental things, even in techno. i think the best exemple of what im saying is Yunx. this guy (or it is a group of people) is really good. - Original Message - From: "Brian 'balistic' Prince" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Friday, October 11, 2002 6:08 PM Subject: Re: (313) future music for me is > To me, P-Funk and Model 500 still sounds futuristic . . . futurism > is an attitude, not a production technique. > > Off the top of my head, futurism means to me: > > "e2-e4" Manuel Göttsching > "Inspiration" Mad Mike > "Night Drive" Model 500 > "Let's Go To Mars" Daniel Wang > "Ultraism/Paradisiac" Splinterfaction > "Agai" TV Victor > "Tryouts for the Human Race" Sparks > "Aquaticism" Drexciya > "Ten Four" Joey Beltram > > - > Brian "balistic" Prince > http://www.bprince.com - art and techno > Strokes of Defiance EP . . . soon. > >
Re: (313) Hood, Metro Area, & Heard - Chicago
wow metro area and mr hood!! it would be amazing to have this kind of oportunity.. the mesage says rob hood will make a live pa too. i never heard about it. but i can imagine all those early days m plant tracks making the greatest minimal techno set ever! anyone saw this before? henrique - Original Message - From: "John Sokolowski" <[EMAIL PROTECTED]> To: <> Sent: Friday, October 25, 2002 1:27 PM Subject: (313) Hood, Metro Area, & Heard - Chicago > First time I had to pick myself off the floor to copy and paste a post... > > > > On Friday Nov 15th 2002 > > We are proud to present > ADDICTIVE > celebrating the 10 YEAR ANNIVERSARY of > SENSE PRODUCTIONS > and the launch of WAXADDICT.COM > Chicago's online record store and cyberlounge > > featuring world class sets by: > > ROBERT HOOD (M-plant records)Detroit > *3 hour DJ set and LIVE PA!* > METRO AREA *LIVE*(Environ Rec)NY > featuring Morgan Geist and Darshan Jesrani > HARRY THE BASTARD (Statra/Watts)NY > PETER HELLER (Junior Boys Own)UK > LARRY HEARD & BERNARD BADIE > extended tag team set! > > along with Gabe Real(Motorlounge)Detroit > and your host Loki (Sense Prod.)Chicago > > and special guest TBA > > tickets go on sale through ticketmaster starting Friday. This is the only > way to ensure admission as ticket's at the door will be on a first come > first serve basis. This a 21+ event. Doors open at 9pm and show runs till > 4am. The event will take place at the Metro/Smart Bar. > > > > > > > > > > > _ > Internet access plans that fit your lifestyle -- join MSN. > http://resourcecenter.msn.com/access/plans/default.asp > >
(313) off topic
forgive the OT but i think this must be a good place to ask it. do you guys know about a good roots reggae mail list? take care. - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, October 28, 2002 4:28 PM Subject: Re: (313) NOV 15 @ GABES IN IOWA CITY : BUZZ GOREE > > > FLYER: http://avalon.net/~kent/nov15flyer.jpg -- extra points for knowing > > where I got the African Warriors! > > > burning spear - marcus garvey, one of my fav's > > how many points do I gat and what are the door prizes? > > scotto > lansing, mi >
Re: (313) ourtimemusic
can we listen to it from a streaming or something? - Original Message - From: "Matthew MacQueen" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Cc: "marsel" <[EMAIL PROTECTED]> Sent: Thursday, October 31, 2002 2:39 PM Subject: RE: (313) ourtimemusic > big prop for the new label ourtimemusic, from fellow list member alex bond > side a brings a smooth, dancefloor friendly stuff! going pretty dubby > bc-string style, funky guitar loop, with larkin-styled spacey 313-styled > chords - smooth stuff! yes this IS THE CUT! I agree this is a cool record and fan of 313 music will definitely dig it, epic for the deep long mix style too. Recommended. peace, Matt MacQueen
Re: (313) headphones for monitoring?
seems like 313 has become a gear list latly. i think that off-topic mails (including this one) are 85% of the discussion this last weeks.. : ] - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, December 06, 2002 11:48 AM Subject: (313) headphones for monitoring? > On Fri, 06 Dec 2002, Simon M Pascoe wrote: > > >does anyone have any recommendations for quality > headphones for monitoring (ie; not DJ headphones) > please ? > > sImon Pascoe > > ***Simon: Sony's MDR-V600 are good headphones, and > thus good for any type of listening. But, I would > strongly caution you against producing only with > headphones. If you produce with just headphones, your > brain and your ears will work together to make things > sound better than they really are and > psychoacoustically fill in the sonic holes. Then when > you play something on a speaker system that you've > produced while monitoring on headphones, you will find > that your balances will be off (too much/too little of > different frequencies). I broke this rule a month or > so back and it was obvious: I had been working on a > remix for Tristan (Phonopsia) and decided to play with > my rough version during a live PA. All was sounding > great till I dropped in the bassline I had created > and--even over the club's system--it just wasn't > cutting it. Turned out that I had done the bassline > one night while my girlfriend was over; she was really > tired and had gone to bed, and I was working on > headphones so as not to disturb her. So the rest of > the remix, that which had been done on monitors, was > fine, but the balance, because I had done it on > headphones, wasn't all that it was cracked up to be > because my ears and my brain had made it sound better > and more "right" than it really was. (Over the > headphones, it was like "wow, this is a sweet > bassline"; over the club speakers--and mind you, > everything else sounded great--it was like "uh, what > the hell is this?") Note to Tristan: Don't worry, > I'll be fixing this! :) So, if you want to get a bit > of work done--say late at night--and don't want to > disturb room mates/partners with your work, use the > headphones to get some rough work done (editing sounds, > things like that that aren't frequency and > balance-based) and not disturb them, but it is best to > use monitors and headphones when getting into EQing, > mixdowns, mastering, etc-- monitors to get the balances > right, and then headphones later to listen to the > quieter and more detailed parts, fade outs, listen for > unwanted clicks, errors, etc, and fine tune 'em. Hope > this helps. Take care. Andrew > > albums out now: Sprung (http://bip-hop.com) > More Destructive Than Organized > (http://staalplaat.com) > Highest Common Denominator (http://pieheadrecords.com) > Physical and Mental Health (http://dialrecords.com) > 74'02 (split with Hypo) (http://tsunami-addiction.com) > check Cognition (http://techno.ca/cognition) > for upcoming appearance and release updates > __ > Get your FREE personalized e-mail at http://www.canada.com >
Re: (313) headphones for monitoring?
delete butom, delete butom, delete butom, delete butom, delete butom, delete butom, delete butom, delete butom, - Original Message - From: "diana potts" <[EMAIL PROTECTED]> To: "henrique casanova" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Friday, December 06, 2002 1:38 PM Subject: Re: (313) headphones for monitoring? > > I think off topic discussions is what has kept me, > and i believe a lot of people, on this list. Sometimes > a breather from 'track id' or a discussion about > saunderson, mills etc. is needed. There are other > dimensions to detroit music, djing and > producingand I'm sure there are other dimensions > to us as people. > > As for headphones, I personally like my big ole Sonys > that have a button that allows me to turn off one ear. > > > how's that for technical talk;) > > d > --- henrique casanova <[EMAIL PROTECTED]> wrote: > > seems like 313 has become a gear list latly. i think > > that off-topic mails > > (including this one) are 85% of the discussion this > > last weeks.. : ] > > > > - Original Message - > > From: <[EMAIL PROTECTED]> > > To: <313@hyperreal.org> > > Sent: Friday, December 06, 2002 11:48 AM > > Subject: (313) headphones for monitoring? > > > > > > > On Fri, 06 Dec 2002, Simon M Pascoe wrote: > > > > > > >does anyone have any recommendations for quality > > > headphones for monitoring (ie; not DJ headphones) > > > please ? > > > > sImon Pascoe > > > > > > ***Simon: Sony's MDR-V600 are good headphones, > > and > > > thus good for any type of listening. But, I would > > > strongly caution you against producing only with > > > headphones. If you produce with just headphones, > > your > > > brain and your ears will work together to make > > things > > > sound better than they really are and > > > psychoacoustically fill in the sonic holes. Then > > when > > > you play something on a speaker system that you've > > > produced while monitoring on headphones, you will > > find > > > that your balances will be off (too much/too > > little of > > > different frequencies). I broke this rule a month > > or > > > so back and it was obvious: I had been working on > > a > > > remix for Tristan (Phonopsia) and decided to play > > with > > > my rough version during a live PA. All was > > sounding > > > great till I dropped in the bassline I had created > > > and--even over the club's system--it just wasn't > > > cutting it. Turned out that I had done the > > bassline > > > one night while my girlfriend was over; she was > > really > > > tired and had gone to bed, and I was working on > > > headphones so as not to disturb her. So the rest > > of > > > the remix, that which had been done on monitors, > > was > > > fine, but the balance, because I had done it on > > > headphones, wasn't all that it was cracked up to > > be > > > because my ears and my brain had made it sound > > better > > > and more "right" than it really was. (Over the > > > headphones, it was like "wow, this is a sweet > > > bassline"; over the club speakers--and mind you, > > > everything else sounded great--it was like "uh, > > what > > > the hell is this?") Note to Tristan: Don't > > worry, > > > I'll be fixing this! :) So, if you want to get a > > bit > > > of work done--say late at night--and don't want to > > > disturb room mates/partners with your work, use > > the > > > headphones to get some rough work done (editing > > sounds, > > > things like that that aren't frequency and > > > balance-based) and not disturb them, but it is > > best to > > > use monitors and headphones when getting into > > EQing, > > > mixdowns, mastering, etc-- monitors to get the > > balances > > > right, and then headphones later to listen to the > > > quieter and more detailed parts, fade outs, listen > > for > > > unwanted clicks, errors, etc, and fine tune 'em. > > Hope > > > this helps. Take care. Andrew > > > > > > albums out now: Sprung (http://bip-hop.com) > > > More Destructive Than Organized > > > (http://staalplaat.com) > > > Highest Common Denominator > > (http://pieheadrecords.com) > > > Physical and Mental Health > > (http://dialrecords.com) > > > 74'02 (split with Hypo) > > (http://tsunami-addiction.com) > > > check Cognition (http://techno.ca/cognition) > > > for upcoming appearance and release updates > > > > > > __ > > > Get your FREE personalized e-mail at > > http://www.canada.com > > > > > > > > __ > Do you Yahoo!? > Yahoo! Mail Plus - Powerful. Affordable. Sign up now. > http://mailplus.yahoo.com > >
Re: (313) Derrick Back In Oz
>> Derrick May returns to Australia for a series of exclusive underground >> parties late December. they used the "underground" expresion with no point of this means that derrick may will do a diferent set on those partys? derrick may is my favorite composer and main inspiration on my own music but usualy when he plays he shows sets that definitly dont atract me. will it be diferent now? or im just dreaming here.. take care you all
(313) Theory Recordings
anyone knows is this lable have a site? any links? thanks u all take care, henrique
Re: (313) Re: new vinyl recommendations
wow i had never heard about this artist. but by hearing the streamings i found it is a name to remember.. very good music. i couldnt found the streamings for the related LP though.. : / --- Also absolutely recommended is the new LP by Kettel on Dub (DUBLP07) Beautiful deep electronica that reminds me on Black Dog sometimes. Great electronic sounds with lots of soul and athmosphere. Perfectly for some holidays of your brain when you try to get rid of all the stress after a long day at work Cheers, Arne °°° www.arneweinberg.de STARBABY Rec. DOWN LOW MUSIC NATIVE Rec. KEYNOTE Rec. (ex-Ground Zero Rec.) °°° "tom churchill" <[EMAIL PROTECTED]> schrieb: > >> The new Los Hermanos Quetzal was a little disapointing, it sounds a little > >> cheesy like trance, I don't see what all the hype is about. > > > > hey, i can agree on this one > > I don't think it sounds any more 'trance' than 'Jaguar' did... :) > > > on the probably less expected 313-tip, really cheeck ian o'brien mix for > > jazzanova - around now for more than a month.. straight 909 driven, with > > detroit synths - very reminding to mayday's mix of inner city' praise > > Yeah, a very epic tune, I've been playing this a lot... the Ayro mix is > great too in a little more laid-back style... > > > and do the cats think of the return of the martian on rp-11 ? > > ? the night of the wolf? > > I like it - it's not as 'instant classic' as some of the others in the > series but I think it's good. The Vintage Future 12" is good too, but the > Dark Energy 12" is the pick of the new bunch for me... > > > and oh, i can seriously tip harco pront! > > just expect the unexpected, it's deeply funky > > Yeah, big tip for the 'Skifo' EP! Playing it every day... also the Aardvarck > 'Donkeyboy' on Music for Speakers with Harco Pront remix is dope... > > Some reviews of all these are now up at > http://www.twoplayer.net/reviews/dec_02/ > > Cheers, > > Tom > > | tom churchill > | emoticon recordings > | http://www.emoticonrecordings.com > > >
Re: (313) Derrick Back In Oz
so i guess the answer to my original post is "no, he will not play Icon, It is what it is or Ilusion!! the word underground dont mean that!!!" hehe :D - Original Message - From: "::)" <[EMAIL PROTECTED]> To: "Cyclone Wehner" <[EMAIL PROTECTED]>; "313 Detroit" <313@hyperreal.org> Cc: <313@hyperreal.org> Sent: Tuesday, December 10, 2002 12:16 AM Subject: Re: (313) Derrick Back In Oz > OK fair enough :) > > cultural differences are not always readily apparent > > -Joe > > - Original Message - > From: "Cyclone Wehner" <[EMAIL PROTECTED]> > To: "313 Detroit" <313@hyperreal.org> > Cc: <313@hyperreal.org> > Sent: Monday, December 09, 2002 8:55 PM > Subject: Re: (313) Derrick Back In Oz > > > If I had time to write 10, 000 words I would and I don't think I would > present any new arguments that you wouldn't find in past archives. > But I use that term euphemistically. > If you live in Australia you would know. > If you knew what the Australian music industry is like, you'd know. > If you listen to Triple J, you would definitely know! > > > Inbox Message > > > > From: "::\)" <[EMAIL PROTECTED]> > > Subject: Re: (313) Derrick Back In Oz > > Date: 10/12/2002 12:19:44 > > To: "Cyclone Wehner" <[EMAIL PROTECTED]>, "313 Detroit" > > <313@hyperreal.org> > > > >>little support of dance and especially Black music. It's not inconsistent > > at > >>all! > > > > Im not trolling, just looking for clarification. I dont know what to think > > when someone identifies a music by the color of the people who listen to > it > > (is this what you mean? i dont know) > > > > reply off list. this is not on topic. > > > > > > > > > >
Re: (313) end of the night
well the greatest end of a party i have ever been trough was last year in a very underground party in the city of Canoas, Brasil. all the djs in the line up were truth techno lovers. my good friend João Paulo Cavalcanti ended the party with the song John Beltran - Petra, an unbeliaveble song that ends with one of the most bealtufull strings programation in the history of eletronic music in my opinion. here is a sample of the song, unfortunaly without the strings :( taje care you all! stay with God http://www.groovetech.com/PhoenixData/SilverStream/Pages/srvltRecMed?Recorde dMediaID=24878 - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Thursday, December 12, 2002 12:42 AM Subject: RE: (313) end of the night > 5 to send them home: > > Psyance - The Answer /+8 > Jake Slazenger - Slowdance /Warp > The Orb - Oxbow Lakes /any version will do but the C2 rmx catches some > folks out > Theorem - Embed /th3 > Raven Maize - Together Forever /Quark on the classics vibe > > > -dave >
Re: (313) Rob Hood in Leeds
> something to look forward to next month for uk folk... > > 15.02.03 @ The Orbit, Leeds > > m-plant tour with > ROB HOOD - 3 DECKS+909 - SEMI LIVE m-plant tour??? so it means he wont be spining his regular hard techno sets??? man, dancing a rob hood set only with m plant related tracks is one of my bigest dreams in eletronic music!! maybe the bigest!! i wish i could see this.. : ( take care you all henrique
(313) republic of sweden 01
hi there list!! did anyone make coments on this record allready??? i was really waiting for mr brikha's lable to get in action. how is it? unfortunaly i only listened to short streamings of it but i think that b side track is a damm good and deep techno to an inteligent dance floor. anyone got this ep allready?? take care you all henrique
Re: (313) republic of sweden 01
> > did anyone make coments on this record allready??? > > You're talking about 'Junction', which came out about a year ago, right? I a year ago?? wow im definitly late on this one. hehe i thought it was new stuff.. how come we here never heard about it beeing such fans of aril's work.. well better late then never. hehe take care you all > really like it, the a side is more of a minimal groover for the dancefloor, > but the b-side is a gorgeous, chord-driven slice of deepness that's right up > my street... > > Cheers, > > Tom > >
Re: (313) Robert Hood imitations?
Jacek Sienkiewicz's work is very good. his album techne will never leave my bag. i am a gigant fan of Hood's music (m plant style mainly) and im really glad other talented persons make music with this kinda inspiration. a good example would be sterac tracks that sometimes sound like tributes to robert hood style. i hope you guys can name a big number of "rob hood imitations" because it will definitly sound good. i was listening to the groovetech stremings of neil iceton's singularity ep and it sound pretty cool to me. serious drum programming, deep strong chords (sounding similar to hood's chords) and a nice atmosfere to make a str8 techno set more interesting. well, lets wait for more minimal advices from this topic. : ] take care you all light! henrique - Original Message - From: "s mcgill" <[EMAIL PROTECTED]> To: "techno" <[EMAIL PROTECTED]> Cc: "313" <313@hyperreal.org> Sent: Wednesday, January 15, 2003 1:42 AM Subject: Re: (313) Robert Hood imitations? > I have always liked Jacek Sienkiewicz's records. > I think he complements Hood, but still has his own take on things. > I know he is from Poland and he sometimes appears on here. Do you mean him? > > SM > - Original Message - > From: "techno" <[EMAIL PROTECTED]> > To: <313@hyperreal.org> > Sent: Wednesday, January 15, 2003 1:34 AM > Subject: (313) Robert Hood imitations? > > > > Here's a good one that came out last year: > > > > NEIL ICETON SINGUALRITY ADAPTED > > > > what are others you kmow of? > > what's the name of that record that came out of Poland several years ago? > > > > > > > > > >
Re: (313) Robert Hood interview
Bush's political and militar acts are much more evil that anything "Osama" could do. (and for the love of god, this osama guy probably dont even exist.. turn off you televisions) - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, January 17, 2003 6:08 PM Subject: (313) Robert Hood interview > > in John Osselaers interview with Robert Hood, Hood stated that "Osama Bin Laden > is a man possessed with evil". Osama Bin Laden is a man possessed with > religion. >
Re: (313) Out of Detroit
why do we read this name "Eminem" so much in the list? i think i will have to know who this guy is someday.. - Original Message - From: "Cyclone Wehner" <[EMAIL PROTECTED]> To: "313 Detroit" <313@hyperreal.org> Sent: Sunday, February 02, 2003 4:53 AM Subject: (313) Out of Detroit Yeah but even Eminem still lives there. ;) > From: "Mann, Ravinder [CCS]" <[EMAIL PROTECTED]> > Subject: (313) Out of Detroit > Date: 31/01/2003 21:48:46 > To: '313' <313@hyperreal.org> > > > > http://www.guardian.co.uk/arts/fridayreview/story/0,12102,885354,00.html > > > "As Craig Marks points out, this partly explains its appeal to audiences in the > rest of the world. "When you listen to a record from New York, you get the sense > that you're listening to music made in the centre of the universe," he says. > "When you hear records from Detroit, you get the sense that the people making > them are desperate to get out of Detroit." " > Could this be true...quite a few detriot dont life in detriot ? > Rav
(313) OT gear
forgive please, but anyone have the 808 kick drum in wave format to send me (or another good detroitish electro kick drum?) take care you all..
(313) pressing (was production and mastering
hi list! i know this question was allready asked a lot of times but i really need to know about this.. we here in Porto Alegre will finally put up a record lable to show the world this uniq underground techno scene we have here. but we have a problem and thats money!! we dont know nothing about pressing or distributing. can anyone give me a light here? where can we send it for being pressed and how are the prices regulary?? (we are thinking about maybe 3000 copys per release. is this a good number? )and after that some distributing advices would be really apreciated.. take care you all. forgive my bad english henrique
(313) ot
forgive me list members but i couldnt discover how to get out of the list by my own. i will be away from computers for one month now so i really need to go to the digest mode or to stay out of the list for this time. how do i do it?? is there a moderator there who would do this to me? im a lamme. hehe take care you all! henrique
[313] rob hood intervew
http://www.overloadmedia.co.uk/ol2k/library/robhood.htm - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] IRC
anyone knows about any irc channel discussin detroit techno? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] paul mac info
hi. i have the fragmented 017, produced by paul mac. there is a track in this record (b1, remember this #2) that i just love. a friend told me thet there are at least 5 more records from paul mac on FD recordings. i couldnt find those records to listen on the net. so anyone can tell me something about this records? does it have some detroit contemplative stuff (like derric may, carl craig, etc) like the fd 017 have? well thats it. take care - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF notes
its really hard reading stuff like that. metro area and all environ releases are so great. how i wish to have this kind of oportunity! anyone can tell me some other lable where those artist may have released anything? > Metro Area = Morgan Geist and Darshan Jesrani. > > one of the top three moments for me was this live PA. i could barely stay > awake, but once "the art of hot" started kicking in, i knew i made the right > choice to stay. they need to come back here soon. > > I remember Darshan from my high school days in upstate NY. A good friend of > mine > used to date his sister, and I remember he was starting to release music > back > then on some obscure labels (early nineties). Ahh, those were the days! > Jamie > Hodge, who released stuff on Plus 8, went to college at Vassar and used to > do a > dope radio show playing all kinds of Detroit and Chicago stuff. > > > actually morgan's girlfriend ana (former 313 list member as well) carried on > that tradition very well until she graduated. > > > Detroit. Does anyone know what other stuff he's has released, cause I > haven't > been following too closely? > > > i'd be curious about this one too. . . . . > > > rob > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] paging SCAPE ONE
anyone can give his e-mail adress? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] stacey pullen - electric relaxation
hy. was this track released on vinyl? i downloaded from the transmat space tour site at mp3.com and love it.. will i find it on vinyl? henrique
Re: [313] RE: (313) RE: (313) stacey pullen - electric relaxation
haehae.. i'm the one who fell in love with the song and it seems that i'll be the only one that will not buy the record. hehe.. this is the sad thing aout living in brasil.. : ] henrique - Original Message - From: <[EMAIL PROTECTED]> To: ":P" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org>; "Niko Tzoukmanis" <[EMAIL PROTECTED]> Sent: Thursday, January 24, 2002 12:42 PM Subject: Re: [313] RE: (313) RE: (313) stacey pullen - electric relaxation > > his the shittiest DJ I've even gone to see 3-4 times > > I think most people agree that Stacey Pullen is a top DJ. I've only been to > see him once but he made me get off the seat I was sitting on and go & > dance to a great selection of solid tech-house grooves for the rest of the > night. I'm just waiting for his return to the U.K. > On a production note I can't really comment but I do like the remix of > 'Air Frog' (the only record of his I own!) I'm gonna have to get this > 'Theory Of Silent Phase' EP I think! > > GG > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] jeff mills stars again
a man is free to do what he wants to.. we shouldnt judge anyone.. and one sugestion.. take the humana ep from your bag, and listen to gammaplayer one more time.. let this man spin britney spears if he feels like to... - Original Message - From: "innercity records" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Sunday, January 27, 2002 5:56 PM Subject: [313] jeff mills stars again we just heard that jeff's quitting (quit?) techno and in future will only play house clubs with dates this year at fabric and the god awful tribal sessions in manchester. he's totally blown out the uk's most important clubs orbit, lost, slam and atomic jam after constant assurances that he'd be touring uk this year. if he feels the need to take his sound to another new audience then fair play but to turn his back on what he's best known for really beggars belief. i for one won't be putting on me best shiny shoes and sparkly shirt and paying £20 to see him while in the company of a bunch of clueless fashion victims who are probably in the club only to prance around to some overrated, under skilled + massively overpaid superstar "tech" dj. after 3 years of not playing the uk due to his bollocks immigraion excuse this is how he repays his long time fans and followers who've spent countless money on his records and hours queing in the rain to go hear him spin. i don't think i'd actually be as angry over any other dj doing this which just shows the kind of admiration this guy has over here and i'm sure it'll be the same for many others. simple reply of course is for all us to turn our back to him and stop buying his music and going to his club dates. it works both ways. pure arrogance (again) innercity. . - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] about the members
21 years old. music lover. i live in Porto Alegre (Brasil) since i was born. i sell insurance douring the day and spend my nights with music.. i do make music.. oldscholl detroit techno. totaly influencied by the contemplative techno of may, mad mike, carl craig... i dont make any inovations.. just like the way things used to be. 808, 909, 303 and strings. its IS a hobby but i do plan to release some ep's for detroit lables douring this life time. take care u all.. - Original Message - From: "T.J.Johnson" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Thursday, January 31, 2002 12:57 PM Subject: [313] about the members > Ok, you guys might think this is dumb, but I was thinking it would be cool if we all had a better idea who we were talking to. What do you guys do for a living? How many of you are producers/DJs? Is music a hobby or your job? > > Me: > 27 yo > I design automobile axles for Visteon (Tier 1 supplier). > I live in the detroit metro area. > I go to school for engineering at Lawrence Tech during the night. > I produce techno tracks as a hobby and DJ them too (sometimes). > > Your turn... ;) > > TJ > www.wireframerecords.com > www.mp313.com > > PeoplePC: It's for people. And it's just smart. > http://www.peoplepc.com > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
[313] Never on Sunday
i guess everyone here know the track Urban Rains rigth? one of the best techno i've ever heard. anyone can direct me to other works from this artist? and by the way, who is it?? another octave one formation? h
Re: (313) badly cut records
can anyone pass me an online contact with D&M? thanks -- www.myspace.com/apoena From: Matt Chester <[EMAIL PROTECTED]> To: kent williams <[EMAIL PROTECTED]> CC: list 313 <313@hyperreal.org> Subject: Re: (313) badly cut records Date: Tue, 24 Jul 2007 14:25:21 +0100 Believe me, I've had about 7 different engineers! The only place I never had any problems with was D&M. But none of them were phase issues, always either distortion or surface noise... kent williams wrote: Sounds to me like you need a new cutting engineer. Assuming your tracks don't have out-of-phase bass, there's no excuse for a cut not playing clean. There are other factors that can affect the manufactured records, but it's just not that hard for a competent cutting engineer to get it right. It is worth it when you press to find someone who isn't using crap recycled vinyl to press with as well. This is your music after all On 7/24/07, Matt Chester <[EMAIL PROTECTED]> wrote: > surely > nobody just "goes for it", turns out a faulty product and the > label just accepts it? > Don't even get me started.In 5 releases I had to do 11 cuts _ Inscreva-se no novo Windows Live Mail beta e seja um dos primeiros a testar as novidades-grátis. Saiba mais: http://www.ideas.live.com/programpage.aspx?versionId=5d21c51a-b161-4314-9b0e-4911fb2b2e6d
(313) anyone from Buenos Aires?
Im brazilian from Porto Alegre and will be in Buenos Aires (Argentina) this weekend for the first time. i would like to know some underground eletronic music clubs (somewhere that plays deep stuff). anyone can please help me?
Re: (313) Aril Brikha on Kompakt
samples on line anywhere? peace From: [EMAIL PROTECTED] To: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> CC: 313@hyperreal.org Subject: Re: (313) Aril Brikha on Kompakt Date: Wed, 27 Dec 2006 12:34:25 -0600 I agree - it's very fluffy and definitely bleeding into Oakenfold/Sash& Digweed territory. I'm sure it's huge in Ibizia. MEK "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> wrote on 12/26/2006 10:23:43 AM: > On 12/26/06, John Sokolowski <[EMAIL PROTECTED]> wrote: > > http://www.myspace.com/kompakt > > > > I can't decide whether I like it or not. The chords are nice, as usual, but > > I don't know about the synth. > > hmmm, its a little clean and fluffy for my tastes, but its much better > sounding than his music man 12" which i actually regret buying. the > guy obviously should have stuck with whatever gear it was he used on > his old tracks, his sound suffers greatly due to over production. > > tom _ O Windows Live Spaces é seu espaço na internet com fotos (500 por mês), blog e agora com rede social http://spaces.live.com/
RE: (313) Aril Brikha - Winter (again)
Hi list members. because I give a gigant vallue to music, I never loose the respect or admiration for an artists when he have a release that I consider good and important. So Arils releases on Transmat will allways make him a chapter of good eletronic music for me. I agree with the list brother that "Pray for Peace EP" was allready an alert, musicaly. so, being pratic, I would say Aril is now bringin quality to trance music. nothing wrong. the only sad thing for me is that I didnt saw a live act from him, in the old times. he have a vinyl album to be released soon I beliave. maybe it will be a good surprise. all the best www.myspace.com/apoena From: "Odeluga, Ken" <[EMAIL PROTECTED]> To: "pauley" <[EMAIL PROTECTED]>,<[EMAIL PROTECTED]>,<313@hyperreal.org> Subject: RE: (313) Aril Brikha - Winter (again) Date: Thu, 8 Feb 2007 11:20:14 - Why is it that that word 'uplifting' seldom fails to have me in fits of guffaws, for some reason? :) (To even think that an Aril Brikha record might be 'funny' is a turn-up for the books.) -Original Message- From: pauley [mailto:[EMAIL PROTECTED] Sent: 09 February 2007 02:28 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) Aril Brikha - Winter (again) I always found his earlier stuff pretty boring, like a lot of goes nowhere trance...just because it's transmat doesn't mean it's lore...and for me this new stuff sort of progresses down the same path, just even more accessible That last Madonna CD blew me away though, so what do I know... -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 07, 2007 1:11 PM To: Thomas D. Cox, Jr. Cc: 313@hyperreal.org Subject: Re: (313) Aril Brikha - Winter (again) Frankly, I don't think he gives a sh*t what we think. After reading some of the blog entries on his myspace page, this statement for example: SUPPORT TRANCE MUSIC...AND MUSICIANS WITH CHEESY TASTE IN MUSIC!â¨â¨THANKS. .ARIL I get the feeling that his tongue is placed firmly in his cheek on this one. Still, no reason to support cheesy music even if it was supposed to be sort of funny. I went back and had a listen to his Prey for Peace/Dissorganized ep and thought those tracks were halfway to tranceville as well. A little to "Uplifting" for my taste. which one is the trance tune? http://mp3.juno.co.uk/MP3/SF181852-01-01-01.mp3 http://mp3.juno.co.uk/MP3/SF154298-01-02-01.mp3 http://mp3.juno.co.uk/MP3/SF255851-01-01-01.mp3 http://mp3.juno.co.uk/MP3/SF197373-01-01-08.mp3 MEK "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> wrote on 02/07/2007 02:49:11 PM: > On 2/7/07, [EMAIL PROTECTED] > <[EMAIL PROTECTED]> wrote: > > > What a load of crap that tune is - not only is the chord progression bad > > but the synthy strings coming up behind it are totally Tiestolicious. It > > sounds like an old BT track. Blech. > > aril used to be on this list, i wonder if hes still lurking around > listening to us rip his tune. DOOD, IF YOURE OUT THERE, GO BACK TO > YOUR OLD STYLE!!! > > tmo -- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.432 / Virus Database: 268.17.30/674 - Release Date: 2/7/2007 3:33 PM -- No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.5.432 / Virus Database: 268.17.30/674 - Release Date: 2/7/2007 3:33 PM _ Seja um dos primeiros a testar o novo Windows Live Mail Beta- grátis. Acesse http://www.ideas.live.com/programpage.aspx?versionId=5d21c51a-b161-4314-9b0e-4911fb2b2e6d
RE: (313) Aril Brikha - Winter (again)
hi MEK. in the track Winter I see this quality. maybe the best example is an key line that enters the song after 2 minutes I guess. it is a high notes line, no chords, only separeted keys. till today I dont know how to say "timbre" in english, but the "timbre" (the way the thing sounds) on this key is very good. definitly from the deep music knoaledge that he poses. but anyway, it is not much I agree. but, like you, I enjoy analizing music so I though that keynote line was worth mention. Im sorry I cant express my self better about the parts of eletronic music. it is only a dificult of lenguage to me. all the good ! From: [EMAIL PROTECTED] To: "henrique casanova" <[EMAIL PROTECTED]> CC: 313@hyperreal.org, [EMAIL PROTECTED] Subject: RE: (313) Aril Brikha - Winter (again) Date: Thu, 8 Feb 2007 14:01:05 -0600 >I would say Aril is now bringin quality to trance music. Check this links I posted - one track is by Aril, the rest are by the usual trance suspects > >http://mp3.juno.co.uk/MP3/SF181852-01-01-01.mp3 > >http://mp3.juno.co.uk/MP3/SF154298-01-02-01.mp3 > >http://mp3.juno.co.uk/MP3/SF255851-01-01-01.mp3 > >http://mp3.juno.co.uk/MP3/SF197373-01-01-08.mp3 Compare them and tell me what kind of "quality" Aril is bringing to trance music that isn't already there. Is it because he's bringing his history of producing Detroitesque techno for Detroit labels? Is that the quality? I have yet to hear anyone tell me they've listened to these tracks and said that Aril's is better or any different. If you think it's better than I'd love to hear your explanation as to how and why. MEK _ Verificador de Segurança do Windows Live OneCare: verifique já a segurança do seu PC! http://onecare.live.com/site/pt-br/default.htm
(313) 4 new tracks added
hi list. Im writing to say that all my songs on MySpace were substituted today, for 4 new. hope most of you can find the time an interest to check it out. the url is www.myspace.com/apoena I also want to remember all lable owners to consider this site as a demo. ; ] I dont have acess to proper monitors so the mix may not be the ideal. thanks for the attention. _ Chegou o Windows Live Spaces com rede social. Confira http://spaces.live.com/
(313) old school minimal techno mix
here is a mix by my good friend Luciano Benites. hope you enjoy it. Body: http://download.yousendit.com/67A871327A5A4725 _ Chegou o Windows Live Spaces com rede social. Confira http://spaces.live.com/
Re: (313) OT hockey time
now thats the senseless OT ever From: "dan lucas" <[EMAIL PROTECTED]> To: "Will Web" <[EMAIL PROTECTED]> CC: 313@hyperreal.org Subject: Re: (313) OT hockey time Date: Thu, 10 May 2007 10:40:34 -0400 With the lack of ticket sales, I am sure there will be plenty of tickets available if Detroit makes it to the finals. There are still tickets available for every home game of the Conference Finals. The question is how much are you willing to pay? On 5/10/07, Will Web <[EMAIL PROTECTED]> wrote: Ha!!! Nice try but Crosby can't carry a whole team and a cup. Go WINGS! If the make it to the cup I'll be comin' home for some games. Anybody got a line on cup tickets? WW - Original Message - From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, May 09, 2007 8:02 PM Subject: Re: (313) OT hockey time > On 5/9/07, diana potts <[EMAIL PROTECTED]> wrote: > >> Bring the Stanley Cup back to where it belongs! > > but why would they bring the cup back to pittsburgh? wherever it goes > this year is just a rest stop before it makes it permanent home in > pgh. > > tom > _ Descubra como mandar Torpedos do Messenger para o celular! http://mobile.msn.com/
RE: (313) Vinylmania in NYC closed?!
I got my records bag in the store, back in 2000. a good bag, looks like new till today. I know that this discussion is allready on the topic for years but.. is the reason for this closing, the fact that vinyl is having problems to survive? Im still living in the 90's here in Brasil, thinking about nothing but vinyl. and I dont have much real information about the perspectives. the only thing I do is carry a internal and personal hope that many stil think as I do and there is so such thing as a real ending of vinyl. but I have seen some mp3 lables, even with interesting music. this got me a litle worried. -- www.myspace.com/apoena From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: (313) Vinylmania in NYC closed?! Date: Mon, 25 Jun 2007 12:16:56 -0500 Apparently it closed up shop in March :-( How come this wasn't bigger news?? Was probably NYC last remaining bastion of real house and disco music in the city was around the corner from the Paradise Garage - opened in 1978 rent in the neighborhood have increased too much http://gravityandfusion.blogspot.com/2007/03/vinyl-mania.html http://broklynbeats.blogspot.com/2007/03/vinylmania-empire-rink-close_23.html http://forum.defected.com/viewtopic.php?t=27655&highlight=&sid=765b66b5ff5053db6b6036665c88908a if you had never been to the shop it was an amazing experience great service - hand picked selection for you floor to ceiling records and just the pure heritage and history in that little shop a proper House Music Mecca damn... MEK _ Chegou o Windows Live Spaces com rede social. Confira http://spaces.live.com/
Re: (313) list bug (was mk BUSTED!)
I have this problem for about 2 years now. hehe -- www.myspace.com/apoena From: robin <[EMAIL PROTECTED]> To: "Odeluga, Ken" <[EMAIL PROTECTED]> CC: "Philip McGarva" <[EMAIL PROTECTED]>, <313@hyperreal.org> Subject: Re: (313) mk BUSTED! Date: Wed, 4 Jul 2007 12:24:20 +0100 I'm not getting half of the emails to this list (in fact the initiating emails). Anyone else with this problem? Kent any ideas? robin... On 4 Jul 2007, at 11:58, Odeluga, Ken wrote: What a find Phil! That's one of my favourite early techno/house hybrids (one of the first I ever heard anyway.) It's not what you got but how you use it, remember... Ken -Original Message- From: Philip McGarva [mailto:[EMAIL PROTECTED] Sent: 04 July 2007 11:56 To: 313@hyperreal.org Subject: (313) mk BUSTED! i hereby claim sample spotter / pathetic loser of the week! the vocal sound from MK's 'mirror mirror' is from the track 'sableyalo mi agontze' by the bulgarian state radio & television female choir from their album 'le mystère des voix bulgares'! just try & tell me this hasn't changed your life! p _ Descubra como mandar Torpedos SMS do seu Messenger para o celular dos seus amigos. http://mobile.msn.com/
(313) deep house V.A. releases
anyone remember of good deep house being released in vinyl these days, on V.A. albuns or EPs? all the good, -- www.myspace.com/apoena _ Mande torpedos SMS do seu messenger para o celular dos seus amigos http://mobile.msn.com/
RE: (313) deep house V.A. releases
these days I mean this entire year anyone remember of good deep house being released in vinyl these days, on V.A. albuns or EPs? all the good, -- www.myspace.com/apoena _ Mande torpedos SMS do seu messenger para o celular dos seus amigos http://mobile.msn.com/ _ Descubra como mandar Torpedos SMS do seu Messenger para o celular dos seus amigos. http://mobile.msn.com/
[313] Fracture lable
who r those guys??? any info?? and i'm pagin them too.. if they are somewhere arround.. henrique - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] (reposting) Fracture lable
guys.. i really need info on this lable.. anyone?
Re: [313] (reposting) Fracture lable
any link contact to Blueprint then?? > Tom: > > >I think it's a (defunct?) offshoot of Blueprint - the only release I have > >is > >a 12" by Claude Young - 'Golem Craft' - 003 on the label I think. > >Experimental downtempo techno stuff... > > i think you're right that Fracture was connected to Blueprint, Tom. from > Amazing Discographies (http://ad.techno.org): > > fr001 Paul Mac - Outerspace Obsessive (12") > fr002 Huburtus Krantz - Disturbe No (12") > fr003 Claude Young presents - Golem Craft of Ages (12") > fr004 Quentin Garlic - Independent Order of Oddfellows (12") > > given Paul Mac's liking for bizarre aliases i fancy there's a good chance > that the Huburtus Krantz and Quentin Garlic 12"s are his handywork too. > > > > rob > > > _ > Send and receive Hotmail on your mobile device: http://mobile.msn.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] UR "Inspiration"
more housey than i would wish... > -- Mensagem original --- > > De : "rob webb" <[EMAIL PROTECTED]> > Para: 313@hyperreal.org > Cc : > Data: Mon, 04 Mar 2002 15:16:51 + > Assunto : [313] UR "Inspiration" > > any thoughts on the new UR (http://www.submerge.com/intro/INSPIRATION.html)? > i know it's only a short clip, but listening to the preview gives me a > similar uplifted feeling to the one i get when i hear "Millenium 2 > Millenium", the same shivers down my spine that i get when i listen to > "Journey of the Dragons". can't wait til it's released. :) > > > > rob > > > _ > MSN Photos is the easiest way to share and print your photos: > http://photos.msn.com/support/worldwide.aspx > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > henrique casanova S.O.M. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] paging Scott Braithwaite
anyone can give me his e-mail adress? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Regarding to the visionary
> For me, the point of this debate was never, is Juan Atkins a good artist. > The debate was what makes an artist deserving of attention on a mass media > scale. about this, a think that one of the main points is the oportunity some people have more then others to comunicate. i'm pretty sure that there are many unknow artists arround the world who would touch me with theyr music. if those artists live in a poor country for exemple, where u have no chance of surviving by choosing a job that u would like to do, they probably wont have any way of pressing a record and sell it in stores. ---- henrique casanova S.O.M. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Regarding Business
man.. it really sounds strange all this talking of you guys about the skin of people.. i dont know what that english protestant preachers talked to you 500 years ago, but it must have been freaky.. i wish i could help you to stop considering those kind of particularitys betwen people. i dont know what to say.. research about some other cultures, try to figure it out what a big problem.. i hope u all in america can find a solution to it. love, henrique. > -- Mensagem original --- > > De : [EMAIL PROTECTED] > Para: [EMAIL PROTECTED], [EMAIL PROTECTED], > Cc : > Data: Thu, 7 Mar 2002 11:32:40 EST > Assunto : Re: [313] Regarding Business > > Racism is a system of insitutionalized discrimination against one group by > another. > > Under this system in America white skin and whiteness is accorded certain > priveiliges. > > It comes from a historical precedent set by North American chattel slavery > where whites owned so called "black" people. > > The Civil Rights Movement was about African-Americans earning their rights to > be treated as full citizens of a country we continue to build. > > Juan Atkins is African-American. His decisions can not affect the lives of > whole groups of people thus he can not be a "racist." > > Ever heard of Cornel West? bell hooks? Manning Marable? Martin Luther King? > Michael Eric Dyson?? > > Or how about Screamin' Jay Hawkins? Ike Turner? Wyonnie Harris? Little > RIchard or my personal favorite Jimi Hendrix? > > > My name is not "buddy" it's Tamara and if you have a problem with me you can > address me by Ms. Harris. > > Apparently some people on this list need to go back to Reading Comprehension > 101 and re-read Juan's interview. And it also sounds like many people here > need to do some "Black" (because this a social construct people are named by > their geographies although in the '60's the term was appropriated) and > "white" history studies of the United States. > > > I can not say that I like Juan Atkins because I don't know him personally but > I do love his music. > > I have been a fan of Detroit Techno since I heard "Cosmic Car" as a kid > listening to the radio and Mojo. > > > > Tamara Harris > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > henrique casanova S.O.M. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] about the 313 party
(sorry i deleted that e-mail) why the artists cant be payed? u mean that a detroit techno in Detroit wouldnt work out? henrique casanova S.O.M. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
