Re: new subscribers

[313]

Hey 313,

Btw my name is Cindy. I'm a Capricorn lol which means I'm selfish. I 
also love Detroit Escalator Co, Anthony Rother and wearing obscure AUX 
88 Tshirts whilst I'm working as a support worker on mh wards in 
Brooklyn. Ha


I have a little brother called Chuck who sometimes borrows my account 
and writes his www blog totheoutside.


313 trivia - I once had a dream that Shake came by my house but we fell 
out because he wouldn't stop messing with my Shake records.


Peace

$0.02

C

On 2018-10-27 09:35, mislav bobic wrote:

Greetings to all, my name is Mislav Bobić. I’ve been (actively)
lurking here since mid 90’s. I am thankful to everyone who was and
stll is here for shaping my music taste and helping me undertand whole
detroit techno story.

In terms of my active involvement with music, I co-run Burek label and
I do A for its sub-label Barba focusing on predomanently techno and
electro stuff. Been to demf in 2007 and hoping to be back sometime
soon.

Hope to see this list's activity soaring again as is the case these
days.

And finally, wishing all new subscribers big welcome, hoping you’ll
have fun and manage to find out whatever you’re looking for.

mislav

Re: new subscribers

[mislav bobic]

Greetings to all, my name is Mislav Bobić. I’ve been (actively) lurking here 
since mid 90’s. I am thankful to everyone who was and stll is here for shaping 
my music taste and helping me undertand whole detroit techno story.

In terms of my active involvement with music, I co-run Burek label and I do A 
for its sub-label Barba focusing on predomanently techno and electro stuff. 
Been to demf in 2007 and hoping to be back sometime soon. 

Hope to see this list's activity soaring again as is the case these days.

And finally, wishing all new subscribers big welcome, hoping you’ll have fun 
and manage to find out whatever you’re looking for.


mislav




> On 27 Oct 2018, at 10:44 AM, Kevin Kennedy  wrote:
> 
> Hi...I'm Kevin M. Kennedy.
> 
> Some of the more affiliated of you may know me as FBK or The Sleep 
> Engineer...and some of you may know me as Powerhouse.
> 
> I have a few releases on Detroit labels.  Namely Frictional, Xplor & Soiree.
> 
> I hide in plain sight and am friends with many of the legendary folks of 
> Detroit, and around the world...
> 
> I am frequently lurking in the shadows, and sometimes releasing things on my 
> own digital imprint-Absoloop...
> 
> Welcome if you're new...and hope you all have fun here...
> 
> On Thu, Oct 25, 2018 at 9:17 AM John Sokolowski  <mailto:jrsokolow...@hotmail.com>> wrote:
> I'm Marsel and since I'm 15 I trying to complete my Transmat record 
> collection - although since I yet didn't manage to 100% complete it, I 
> started a label -
> and now we're doing a re-issue of MS-31 -> 
> https://www.delsinrecords.com/release/6196/indio/inca-ep 
> <https://www.delsinrecords.com/release/6196/indio/inca-ep> - (although I 
> now see we still have track B2 wrong... :-/
> 
> >>>>Such a great release! Thanks for reissuing it. Speaking of Indio, they 
> >>>>also have an uber limited release on Rhythmic Tech called "Conquistador." 
> >>>>Does anyone know if it is available anywhere on the web to listen to? My 
> >>>>google-fu has come up empty on that one.
> 
> oh, and for who didn't notice, Transmat just released three new releases 
> this summer - wasn't really impressed to be honest
> and they also did finally a proper re-issue of MS008
> 
> >>>>I didn't mind the Scan 7 one but to each his or her own! Cheers!
> 
> 
> 
> -- 
> FBK
> 
> Absoloop/Orange 82

Re: new subscribers

[Kevin Kennedy]

Hi...I'm Kevin M. Kennedy.

Some of the more affiliated of you may know me as FBK or The Sleep
Engineer...and some of you may know me as Powerhouse.

I have a few releases on Detroit labels.  Namely Frictional, Xplor & Soiree.

I hide in plain sight and am friends with many of the legendary folks of
Detroit, and around the world...

I am frequently lurking in the shadows, and sometimes releasing things on
my own digital imprint-Absoloop...

Welcome if you're new...and hope you all have fun here...

On Thu, Oct 25, 2018 at 9:17 AM John Sokolowski 
wrote:

> I'm Marsel and since I'm 15 I trying to complete my Transmat record
> collection - although since I yet didn't manage to 100% complete it, I
> started a label -
> and now we're doing a re-issue of MS-31 ->
> https://www.delsinrecords.com/release/6196/indio/inca-ep - (although I
> now see we still have track B2 wrong... :-/
>
> Such a great release! Thanks for reissuing it. Speaking of Indio, they
> also have an uber limited release on Rhythmic Tech called "Conquistador."
> Does anyone know if it is available anywhere on the web to listen to? My
> google-fu has come up empty on that one.
>
> oh, and for who didn't notice, Transmat just released three new releases
> this summer - wasn't really impressed to be honest
> and they also did finally a proper re-issue of MS008
>
> I didn't mind the Scan 7 one but to each his or her own! Cheers!
>
>

-- 
FBK

Absoloop/Orange 82

Re: new subscribers

[John Sokolowski]

I'm Marsel and since I'm 15 I trying to complete my Transmat record
collection - although since I yet didn't manage to 100% complete it, I
started a label -
and now we're doing a re-issue of MS-31 ->
https://www.delsinrecords.com/release/6196/indio/inca-ep - (although I
now see we still have track B2 wrong... :-/

Such a great release! Thanks for reissuing it. Speaking of Indio, they also 
have an uber limited release on Rhythmic Tech called "Conquistador." Does 
anyone know if it is available anywhere on the web to listen to? My 
google-fu has come up empty on that one.

oh, and for who didn't notice, Transmat just released three new releases
this summer - wasn't really impressed to be honest
and they also did finally a proper re-issue of MS008

I didn't mind the Scan 7 one but to each his or her own! Cheers!

Re: new subscribers

[Edward Thompson]




On Thu., 25 Oct. 2018, 11:11 pm Martin Dust,  wrote:

> Get your purse out
> https://www.kickstarter.com/projects/detroittechnomovie/god-said-give-em-drum-machines-the-story-of-detroi?ref=project_facebook

Re: new subscribers

[Martin Dust]

Get your purse out 
https://www.kickstarter.com/projects/detroittechnomovie/god-said-give-em-drum-machines-the-story-of-detroi?ref=project_facebook

Re: new subscribers

[Rob Theakston]

Mrs. Worthy, Mrs. Tucker, Mrs. Sweat for starters

On Thu, Oct 25, 2018 at 7:04 AM Martin Dust  wrote:

> > Hey, my name is Keith and I'm a Scorpio from Athens, GA and I like to
> find the essence from within
>
> Who looks at a baby and decides to call it Keith?
>
> m

Re: new subscribers

[Ronny Pries (rktic)]

https://www.youtube.com/watch?v=0bomkgXeDkE 



> Am 25.10.2018 um 13:02 schrieb Rob Theakston :
> 
> Hey, I'm Fred the Cancerian from New Jersey I like collecting records and 
> exploring the cave of the unknown
> 
> Hello, I'm Cindy, I'm a Pisces and I like Chihuahuas and Chinese noodles
> 
> Hi, my name is Ricky and I'm a Pisces I love computers and hot tamales
> 
> Hey, I'm Kate and I am a Taurus I love tomatoes and black-capped chickadees
> 
> Hey, my name is Keith and I'm a Scorpio from Athens, GA and I like to find 
> the essence from within
> 
> On Oct 25, 2018 4:29 AM, "Marsel van der Wielen"  > wrote:
> 
> hi there -
> 
> I'm Marsel and since I'm 15 I trying to complete my Transmat record 
> collection - although since I yet didn't manage to 100% complete it, I 
> started a label -
> and now we're doing a re-issue of MS-31 -> 
> https://www.delsinrecords.com/release/6196/indio/inca-ep 
>  - (although I now 
> see we still have track B2 wrong... :-/
> 
> also after 25 years I still didn't find out how to unsubscribe from this 
> list, but luckily there still pleny of those same other 40+ aged people who 
> didn't
> 
> and of course I've got a print from both Alan Oldham and Abdul Qadim Haqq on 
> my wall - I also already purchased another cover of Abdul, but we don't have 
> a release yet - ideas welcome
> oh, and for who didn't notice, Transmat just released three new releases this 
> summer - wasn't really impressed to be honest
> and they also did finally a proper re-issue of MS008
> 
> further more I think all techno artists should stop performing along with 
> complete orchestras,
> same as Derrick shouldn't have been in the studio with Dj Marcello and maybe 
> also not with Steve Hillage,
> like Ashley Beedle shouldn't have remixed String Of Life,
> maybe remixes should be forbidden anyways (i.e. Luciano remixing Model 500's 
> No UFO's)
> and I never had, but now eagerly want a Red Planet t-shirt

Re: new subscribers

[Martin Dust]

> Hey, my name is Keith and I'm a Scorpio from Athens, GA and I like to find 
> the essence from within

Who looks at a baby and decides to call it Keith?

m

Re: new subscribers

[Rob Theakston]

Hey, I'm Fred the Cancerian from New Jersey I like collecting records and
exploring the cave of the unknown

Hello, I'm Cindy, I'm a Pisces and I like Chihuahuas and Chinese noodles

Hi, my name is Ricky and I'm a Pisces I love computers and hot tamales

Hey, I'm Kate and I am a Taurus I love tomatoes and black-capped chickadees

Hey, my name is Keith and I'm a Scorpio from Athens, GA and I like to find
the essence from within
On Oct 25, 2018 4:29 AM, "Marsel van der Wielen" 
wrote:

>
> hi there -
>
> I'm Marsel and since I'm 15 I trying to complete my Transmat record
> collection - although since I yet didn't manage to 100% complete it, I
> started a label -
> and now we're doing a re-issue of MS-31 -> https://www.delsinrecords.com/
> release/6196/indio/inca-ep - (although I now see we still have track B2
> wrong... :-/
>
> also after 25 years I still didn't find out how to unsubscribe from this
> list, but luckily there still pleny of those same other 40+ aged people who
> didn't
>
> and of course I've got a print from both Alan Oldham and Abdul Qadim Haqq
> on my wall - I also already purchased another cover of Abdul, but we don't
> have a release yet - ideas welcome
> oh, and for who didn't notice, Transmat just released three new releases
> this summer - wasn't really impressed to be honest
> and they also did finally a proper re-issue of MS008
>
> further more I think all techno artists should stop performing along with
> complete orchestras,
> same as Derrick shouldn't have been in the studio with Dj Marcello and
> maybe also not with Steve Hillage,
> like Ashley Beedle shouldn't have remixed String Of Life,
> maybe remixes should be forbidden anyways (i.e. Luciano remixing Model
> 500's No UFO's)
> and I never had, but now eagerly want a Red Planet t-shirt
>

Re: new subscribers

[denisedalphond]

This one time I got a pen light from Cornelius Harris. 

> On Oct 25, 2018, at 04:29, Marsel van der Wielen  
> wrote:
> 
> 
> hi there -
> 
> I'm Marsel and since I'm 15 I trying to complete my Transmat record 
> collection - although since I yet didn't manage to 100% complete it, I 
> started a label -
> and now we're doing a re-issue of MS-31 -> 
> https://www.delsinrecords.com/release/6196/indio/inca-ep - (although I now 
> see we still have track B2 wrong... :-/
> 
> also after 25 years I still didn't find out how to unsubscribe from this 
> list, but luckily there still pleny of those same other 40+ aged people who 
> didn't
> 
> and of course I've got a print from both Alan Oldham and Abdul Qadim Haqq on 
> my wall - I also already purchased another cover of Abdul, but we don't have 
> a release yet - ideas welcome
> oh, and for who didn't notice, Transmat just released three new releases this 
> summer - wasn't really impressed to be honest
> and they also did finally a proper re-issue of MS008
> 
> further more I think all techno artists should stop performing along with 
> complete orchestras,
> same as Derrick shouldn't have been in the studio with Dj Marcello and maybe 
> also not with Steve Hillage,
> like Ashley Beedle shouldn't have remixed String Of Life,
> maybe remixes should be forbidden anyways (i.e. Luciano remixing Model 500's 
> No UFO's)
> and I never had, but now eagerly want a Red Planet t-shirt

Re: new subscribers

[Fred Heutte]

Somewhere I still have the mouse pad with Alan Oldham's classic
artwork that came with the Miss Djax Spiderwoman red vinyl 7"
(Djax 268).  Used that mouse pad for many years until I retired my
last desktop computer.

fh


-
>
>hi there -
>
>I'm Marsel and since I'm 15 I trying to complete my Transmat record
>collection - although since I yet didn't manage to 100% complete it, I
>started a label -
>and now we're doing a re-issue of MS-31 ->
>https://www.delsinrecords.com/release/6196/indio/inca-ep - (although I
>now see we still have track B2 wrong... :-/
>
>also after 25 years I still didn't find out how to unsubscribe from this
>list, but luckily there still pleny of those same other 40+ aged people
>who didn't
>
>and of course I've got a print from both Alan Oldham and Abdul Qadim
>Haqq on my wall - I also already purchased another cover of Abdul, but
>we don't have a release yet - ideas welcome
>oh, and for who didn't notice, Transmat just released three new releases
>this summer - wasn't really impressed to be honest
>and they also did finally a proper re-issue of MS008
>
>further more I think all techno artists should stop performing along
>with complete orchestras,
>same as Derrick shouldn't have been in the studio with Dj Marcello and
>maybe also not with Steve Hillage,
>like Ashley Beedle shouldn't have remixed String Of Life,
>maybe remixes should be forbidden anyways (i.e. Luciano remixing Model
>500's No UFO's)
>and I never had, but now eagerly want a Red Planet t-shirt
>
>

new subscribers

[Marsel van der Wielen]

hi there -

I'm Marsel and since I'm 15 I trying to complete my Transmat record 
collection - although since I yet didn't manage to 100% complete it, I 
started a label -
and now we're doing a re-issue of MS-31 -> 
https://www.delsinrecords.com/release/6196/indio/inca-ep - (although I 
now see we still have track B2 wrong... :-/


also after 25 years I still didn't find out how to unsubscribe from this 
list, but luckily there still pleny of those same other 40+ aged people 
who didn't


and of course I've got a print from both Alan Oldham and Abdul Qadim 
Haqq on my wall - I also already purchased another cover of Abdul, but 
we don't have a release yet - ideas welcome
oh, and for who didn't notice, Transmat just released three new releases 
this summer - wasn't really impressed to be honest

and they also did finally a proper re-issue of MS008

further more I think all techno artists should stop performing along 
with complete orchestras,
same as Derrick shouldn't have been in the studio with Dj Marcello and 
maybe also not with Steve Hillage,

like Ashley Beedle shouldn't have remixed String Of Life,
maybe remixes should be forbidden anyways (i.e. Luciano remixing Model 
500's No UFO's)

and I never had, but now eagerly want a Red Planet t-shirt

Re: New subscribers?

[Suzanne Heinrichs]

Hi there-
I've been lurking since the beginning of 313 (Morgan Geist's first post maybe?)

I love Detroit techno (and Detroit). I have a show on
intergalactic.fm's Dream Machine that usually features a track or two
from a Detroit artist. (I even got to check out the Packard Plant the
first time I went there in 1994!)

In my opinion, Drexciya and Detroit Escalator Co. made some of the
most beautiful music ever.

Love reading all your posts, and I'm super happy people are posting again.

-Suzanne

On Wed, Oct 24, 2018 at 11:58 AM  wrote:
>
> “The paradox of black cultural movements -- Techno, Hip Hop, Jazz, Blues etc 
> -- is that it is dependent on the majority culture -- i.e. mostly white -- to 
> support it, because they are the ones with the numbers money.  Remaining true 
> to that culture without diluting it is always a challenge, among all the 
> other challenges to being an artist.”
>
> Artists can bow down to the white dollar or make revolutionary art, huh. 
> Kenny Dixon seems to do both.
>
> White people are on our way out as a majority. So your old ways of thinking 
> won’t hold true in even five years, and they don’t hold true for many people 
> right now.
>
> Denise

Re: New subscribers?

[denisedalphond]

“The paradox of black cultural movements -- Techno, Hip Hop, Jazz, Blues etc -- 
is that it is dependent on the majority culture -- i.e. mostly white -- to 
support it, because they are the ones with the numbers money.  Remaining true 
to that culture without diluting it is always a challenge, among all the other 
challenges to being an artist.”

Artists can bow down to the white dollar or make revolutionary art, huh. Kenny 
Dixon seems to do both. 

White people are on our way out as a majority. So your old ways of thinking 
won’t hold true in even five years, and they don’t hold true for many people 
right now. 

Denise 

Re: New subscribers?

[Joe Marougi]

ng in how it all began. I'm really interested in learning more and
>>>> this feels like a decent place to do it so. Any resources people can
>>>> recommend will be greatly appreciated!
>>>>
>>>> As I said I am interested in understanding the origins of the music,
>>>> but at the same time I am also interested in supporting musicians trying to
>>>> push the boundaries of the genre. I am a schooled jazz musician and
>>>> composer and, although I am passionate about the music, I'm still trying to
>>>> wrap my head around exactly why I love it so much. There is something
>>>> fundamental within it I can't quite put my finger on which intrigues me.
>>>> Before I started reading about techno's history I though my musical journey
>>>> was unusual, but have since realised it isn't as unusual as I thought. This
>>>> realisation has helped me focus my sound and produce the work I'm most
>>>> proud of, which proves to me understanding the history of the music is
>>>> extremely important.
>>>>
>>>> I could probably ramble on all day on the subject, but I'll leave it
>>>> there. There are links below to my stuff if anyone is interested, otherwise
>>>> I look forward to your reading what you write.
>>>>
>>>> Best wishes,
>>>> Matt
>>>>
>>>> 
>>>> I work under the pseudonym Epistrophe Smith, here's some links to my
>>>> stuff...
>>>> Main site: www.epsmith.net
>>>> An online ambient music project using an algorithm to never be the same
>>>> twice: http://neverendingalbum.myl2mr.com
>>>>
>>>> On Sat, Oct 20, 2018 at 1:15 AM kent williams 
>>>> wrote:
>>>>
>>>>> For some reason we've had a bunch of new subscribers. I guess that is
>>>>> a challenge to us old timers to, uh, generate some compelling content.
>>>>>
>>>>
>>

Re: New subscribers?

[kent williams]

, transformed.
>>
>> Most of the communications on the list are civil (not always in the
>> past), don't remember much in the way of racism, but my memory could be
>> selective. Denise, feel free to call me a potato-eating, alcoholic Paddy
>> anytime you want, I won't be offended, because it's all true.
>>
>> Glad to see names popping up again that I haven't heard from in ages.
>>
>> Yours in music,
>> Aidan
>>
>>
>>
>> On Sat 20 Oct 2018, 13:02 ,  wrote:
>>
>>> Introductions.
>>>
>>> I’m Denise Dalphond. I wrote my dissertation on Detroit techno and house
>>> music in 2014 after spending three years doing research and conducting
>>> interviews with techno kings and queens in Detroit. I write about music and
>>> activism at schoolcraftwax.work. I’ve published a lot about Detroit
>>> electronic music. My CV is on my website.
>>>
>>> In 2006, I organized and led the Roots of Techno conference at Indiana
>>> University. Panelists were Theo Parrish, Terrence Parker, Rick Wilhite,
>>> Marcellus Pittman, Minx, Mike Clark, Cornelius Harris, and two rad people
>>> from the Detroit Historical Museum.
>>>
>>> The Archives of African American Music and Culture at Indiana University
>>> is where the video recordings of the conference are housed, as well as my
>>> research materials and interview recordings.
>>>
>>> I was co-founder if the Detroit Sound Conservancy with Carleton Gholz.
>>> Together, we hosted educational tours of Submerge, created the Dan Sicko
>>> scholarship for new Detroit journalists, and made plans for cultural
>>> preservation in Detroit music culture.
>>>
>>> I often make sure no one is being racist, but that’s been near
>>> impossible on this listserv. They think I’ll stop.
>>>
>>> I don’t make music because my time is full with my three kids and
>>> everything else. I’m not a DJ because I would forget and start dancing and
>>> make the needle jump. I do want to play on a modular synth someday.
>>>
>>> Thanks for joining this listserv!
>>> Denise Dalphond
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>> On Oct 20, 2018, at 07:38, Matt Deegan  wrote:
>>>
>>> Hi,
>>>
>>> With that in mind I reckon I should introduce myself.
>>>
>>> My name is Matt Deegan and I'm an electronic music producer from the UK
>>> with a focus on techno. I've been involved in music in various forms over
>>> the years starting as a jazz double bassist and more recently moving to
>>> techno, using analogue electronic gear to produce on. I specialise in
>>> improvised electronic music trying hard to tastefully fuse elements of jazz
>>> into my sound.
>>>
>>> I've become interested in the origins of techno and so started reading
>>> books on and around the subject, and through that reading I found
>>> Hyperreal. I think there is a large proportion of techno fans who have no
>>> idea where or how it started, or are misinformed. I was definitely one of
>>> them, and, although I still have a lot to learn, I now feel I have some
>>> grounding in how it all began. I'm really interested in learning more and
>>> this feels like a decent place to do it so. Any resources people can
>>> recommend will be greatly appreciated!
>>>
>>> As I said I am interested in understanding the origins of the music, but
>>> at the same time I am also interested in supporting musicians trying to
>>> push the boundaries of the genre. I am a schooled jazz musician and
>>> composer and, although I am passionate about the music, I'm still trying to
>>> wrap my head around exactly why I love it so much. There is something
>>> fundamental within it I can't quite put my finger on which intrigues me.
>>> Before I started reading about techno's history I though my musical journey
>>> was unusual, but have since realised it isn't as unusual as I thought. This
>>> realisation has helped me focus my sound and produce the work I'm most
>>> proud of, which proves to me understanding the history of the music is
>>> extremely important.
>>>
>>> I could probably ramble on all day on the subject, but I'll leave it
>>> there. There are links below to my stuff if anyone is interested, otherwise
>>> I look forward to your reading what you write.
>>>
>>> Best wishes,
>>> Matt
>>>
>>> 
>>> I work under the pseudonym Epistrophe Smith, here's some links to my
>>> stuff...
>>> Main site: www.epsmith.net
>>> An online ambient music project using an algorithm to never be the same
>>> twice: http://neverendingalbum.myl2mr.com
>>>
>>> On Sat, Oct 20, 2018 at 1:15 AM kent williams 
>>> wrote:
>>>
>>>> For some reason we've had a bunch of new subscribers. I guess that is a
>>>> challenge to us old timers to, uh, generate some compelling content.
>>>>
>>>
>

Re: New subscribers?

[ja...@iridite.com]

The Archives of African American Music and Culture at Indiana University
>>> is where the video recordings of the conference are housed, as well as my
>>> research materials and interview recordings.
>>>
>>> I was co-founder if the Detroit Sound Conservancy with Carleton Gholz.
>>> Together, we hosted educational tours of Submerge, created the Dan Sicko
>>> scholarship for new Detroit journalists, and made plans for cultural
>>> preservation in Detroit music culture.
>>>
>>> I often make sure no one is being racist, but that’s been near
>>> impossible on this listserv. They think I’ll stop.
>>>
>>> I don’t make music because my time is full with my three kids and
>>> everything else. I’m not a DJ because I would forget and start dancing and
>>> make the needle jump. I do want to play on a modular synth someday.
>>>
>>> Thanks for joining this listserv!
>>> Denise Dalphond
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>> On Oct 20, 2018, at 07:38, Matt Deegan  wrote:
>>>
>>> Hi,
>>>
>>> With that in mind I reckon I should introduce myself.
>>>
>>> My name is Matt Deegan and I'm an electronic music producer from the UK
>>> with a focus on techno. I've been involved in music in various forms over
>>> the years starting as a jazz double bassist and more recently moving to
>>> techno, using analogue electronic gear to produce on. I specialise in
>>> improvised electronic music trying hard to tastefully fuse elements of jazz
>>> into my sound.
>>>
>>> I've become interested in the origins of techno and so started reading
>>> books on and around the subject, and through that reading I found
>>> Hyperreal. I think there is a large proportion of techno fans who have no
>>> idea where or how it started, or are misinformed. I was definitely one of
>>> them, and, although I still have a lot to learn, I now feel I have some
>>> grounding in how it all began. I'm really interested in learning more and
>>> this feels like a decent place to do it so. Any resources people can
>>> recommend will be greatly appreciated!
>>>
>>> As I said I am interested in understanding the origins of the music, but
>>> at the same time I am also interested in supporting musicians trying to
>>> push the boundaries of the genre. I am a schooled jazz musician and
>>> composer and, although I am passionate about the music, I'm still trying to
>>> wrap my head around exactly why I love it so much. There is something
>>> fundamental within it I can't quite put my finger on which intrigues me.
>>> Before I started reading about techno's history I though my musical journey
>>> was unusual, but have since realised it isn't as unusual as I thought. This
>>> realisation has helped me focus my sound and produce the work I'm most
>>> proud of, which proves to me understanding the history of the music is
>>> extremely important.
>>>
>>> I could probably ramble on all day on the subject, but I'll leave it
>>> there. There are links below to my stuff if anyone is interested, otherwise
>>> I look forward to your reading what you write.
>>>
>>> Best wishes,
>>> Matt
>>>
>>> 
>>> I work under the pseudonym Epistrophe Smith, here's some links to my
>>> stuff...
>>> Main site: www.epsmith.net
>>> An online ambient music project using an algorithm to never be the same
>>> twice: http://neverendingalbum.myl2mr.com
>>>
>>> On Sat, Oct 20, 2018 at 1:15 AM kent williams 
>>> wrote:
>>>
>>>> For some reason we've had a bunch of new subscribers. I guess that is a
>>>> challenge to us old timers to, uh, generate some compelling content.
>>>>
>>>
>

Re: New subscribers?

[denisedalphond]

ots of Techno conference at Indiana 
>>>> University. Panelists were Theo Parrish, Terrence Parker, Rick Wilhite, 
>>>> Marcellus Pittman, Minx, Mike Clark, Cornelius Harris, and two rad people 
>>>> from the Detroit Historical Museum. 
>>>> 
>>>> The Archives of African American Music and Culture at Indiana University 
>>>> is where the video recordings of the conference are housed, as well as my 
>>>> research materials and interview recordings. 
>>>> 
>>>> I was co-founder if the Detroit Sound Conservancy with Carleton Gholz. 
>>>> Together, we hosted educational tours of Submerge, created the Dan Sicko 
>>>> scholarship for new Detroit journalists, and made plans for cultural 
>>>> preservation in Detroit music culture. 
>>>> 
>>>> I often make sure no one is being racist, but that’s been near impossible 
>>>> on this listserv. They think I’ll stop. 
>>>> 
>>>> I don’t make music because my time is full with my three kids and 
>>>> everything else. I’m not a DJ because I would forget and start dancing and 
>>>> make the needle jump. I do want to play on a modular synth someday. 
>>>> 
>>>> Thanks for joining this listserv!
>>>> Denise Dalphond
>>>> 
>>>> 
>>>> 
>>>> 
>>>> 
>>>> 
>>>> 
>>>> 
>>>> 
>>>>> On Oct 20, 2018, at 07:38, Matt Deegan  wrote:
>>>>> 
>>>>> Hi,
>>>>> 
>>>>> With that in mind I reckon I should introduce myself. 
>>>>> 
>>>>> My name is Matt Deegan and I'm an electronic music producer from the UK 
>>>>> with a focus on techno. I've been involved in music in various forms over 
>>>>> the years starting as a jazz double bassist and more recently moving to 
>>>>> techno, using analogue electronic gear to produce on. I specialise in 
>>>>> improvised electronic music trying hard to tastefully fuse elements of 
>>>>> jazz into my sound.
>>>>> 
>>>>> I've become interested in the origins of techno and so started reading 
>>>>> books on and around the subject, and through that reading I found 
>>>>> Hyperreal. I think there is a large proportion of techno fans who have no 
>>>>> idea where or how it started, or are misinformed. I was definitely one of 
>>>>> them, and, although I still have a lot to learn, I now feel I have some 
>>>>> grounding in how it all began. I'm really interested in learning more and 
>>>>> this feels like a decent place to do it so. Any resources people can 
>>>>> recommend will be greatly appreciated!
>>>>> 
>>>>> As I said I am interested in understanding the origins of the music, but 
>>>>> at the same time I am also interested in supporting musicians trying to 
>>>>> push the boundaries of the genre. I am a schooled jazz musician and 
>>>>> composer and, although I am passionate about the music, I'm still trying 
>>>>> to wrap my head around exactly why I love it so much. There is something 
>>>>> fundamental within it I can't quite put my finger on which intrigues me. 
>>>>> Before I started reading about techno's history I though my musical 
>>>>> journey was unusual, but have since realised it isn't as unusual as I 
>>>>> thought. This realisation has helped me focus my sound and produce the 
>>>>> work I'm most proud of, which proves to me understanding the history of 
>>>>> the music is extremely important.
>>>>> 
>>>>> I could probably ramble on all day on the subject, but I'll leave it 
>>>>> there. There are links below to my stuff if anyone is interested, 
>>>>> otherwise I look forward to your reading what you write.
>>>>> 
>>>>> Best wishes,
>>>>> Matt
>>>>> 
>>>>> 
>>>>> I work under the pseudonym Epistrophe Smith, here's some links to my 
>>>>> stuff...
>>>>> Main site: www.epsmith.net
>>>>> An online ambient music project using an algorithm to never be the same 
>>>>> twice: http://neverendingalbum.myl2mr.com
>>>>> 
>>>>>> On Sat, Oct 20, 2018 at 1:15 AM kent williams  
>>>>>> wrote:
>>>>>> For some reason we've had a bunch of new subscribers. I guess that is a 
>>>>>> challenge to us old timers to, uh, generate some compelling content. 
> 

Re: New subscribers?

[Ronny Pries (rktic)]

t.i.dee...@gmail.com>> wrote:
> 
>> Hi,
>> 
>> With that in mind I reckon I should introduce myself. 
>> 
>> My name is Matt Deegan and I'm an electronic music producer from the UK with 
>> a focus on techno. I've been involved in music in various forms over the 
>> years starting as a jazz double bassist and more recently moving to techno, 
>> using analogue electronic gear to produce on. I specialise in improvised 
>> electronic music trying hard to tastefully fuse elements of jazz into my 
>> sound.
>> 
>> I've become interested in the origins of techno and so started reading books 
>> on and around the subject, and through that reading I found Hyperreal. I 
>> think there is a large proportion of techno fans who have no idea where or 
>> how it started, or are misinformed. I was definitely one of them, and, 
>> although I still have a lot to learn, I now feel I have some grounding in 
>> how it all began. I'm really interested in learning more and this feels like 
>> a decent place to do it so. Any resources people can recommend will be 
>> greatly appreciated!
>> 
>> As I said I am interested in understanding the origins of the music, but at 
>> the same time I am also interested in supporting musicians trying to push 
>> the boundaries of the genre. I am a schooled jazz musician and composer and, 
>> although I am passionate about the music, I'm still trying to wrap my head 
>> around exactly why I love it so much. There is something fundamental within 
>> it I can't quite put my finger on which intrigues me. Before I started 
>> reading about techno's history I though my musical journey was unusual, but 
>> have since realised it isn't as unusual as I thought. This realisation has 
>> helped me focus my sound and produce the work I'm most proud of, which 
>> proves to me understanding the history of the music is extremely important.
>> 
>> I could probably ramble on all day on the subject, but I'll leave it there. 
>> There are links below to my stuff if anyone is interested, otherwise I look 
>> forward to your reading what you write.
>> 
>> Best wishes,
>> Matt
>> 
>> 
>> I work under the pseudonym Epistrophe Smith, here's some links to my stuff...
>> Main site: www.epsmith.net <http://www.epsmith.net/>
>> An online ambient music project using an algorithm to never be the same 
>> twice: http://neverendingalbum.myl2mr.com 
>> <http://neverendingalbum.myl2mr.com/>
>> On Sat, Oct 20, 2018 at 1:15 AM kent williams > <mailto:chaircrus...@gmail.com>> wrote:
>> For some reason we've had a bunch of new subscribers. I guess that is a 
>> challenge to us old timers to, uh, generate some compelling content. 

Re: New subscribers?

[Edward Thompson]

 within it I can't quite put my finger on which intrigues me.
>> Before I started reading about techno's history I though my musical journey
>> was unusual, but have since realised it isn't as unusual as I thought. This
>> realisation has helped me focus my sound and produce the work I'm most
>> proud of, which proves to me understanding the history of the music is
>> extremely important.
>>
>> I could probably ramble on all day on the subject, but I'll leave it
>> there. There are links below to my stuff if anyone is interested, otherwise
>> I look forward to your reading what you write.
>>
>> Best wishes,
>> Matt
>>
>> 
>> I work under the pseudonym Epistrophe Smith, here's some links to my
>> stuff...
>> Main site: www.epsmith.net
>> An online ambient music project using an algorithm to never be the same
>> twice: http://neverendingalbum.myl2mr.com
>>
>> On Sat, Oct 20, 2018 at 1:15 AM kent williams 
>> wrote:
>>
>>> For some reason we've had a bunch of new subscribers. I guess that is a
>>> challenge to us old timers to, uh, generate some compelling content.
>>>
>>

Re: New subscribers?

[Aidan O'Doherty]

 links below to my stuff if anyone is interested, otherwise
> I look forward to your reading what you write.
>
> Best wishes,
> Matt
>
> 
> I work under the pseudonym Epistrophe Smith, here's some links to my
> stuff...
> Main site: www.epsmith.net
> An online ambient music project using an algorithm to never be the same
> twice: http://neverendingalbum.myl2mr.com
>
> On Sat, Oct 20, 2018 at 1:15 AM kent williams 
> wrote:
>
>> For some reason we've had a bunch of new subscribers. I guess that is a
>> challenge to us old timers to, uh, generate some compelling content.
>>
>

Re: New subscribers?

[Arturo Lopez]

Welcome aboard, Matt!

This is actually the busiest the listserv has been in forever.  For good or
bad :P

All it takes is RA wankers ripping off Andrew Duke to get the posts flowing.

-Arturo

Re: New subscribers?

[denisedalphond]

Introductions. 

I’m Denise Dalphond. I wrote my dissertation on Detroit techno and house music 
in 2014 after spending three years doing research and conducting interviews 
with techno kings and queens in Detroit. I write about music and activism at 
schoolcraftwax.work. I’ve published a lot about Detroit electronic music. My CV 
is on my website. 

In 2006, I organized and led the Roots of Techno conference at Indiana 
University. Panelists were Theo Parrish, Terrence Parker, Rick Wilhite, 
Marcellus Pittman, Minx, Mike Clark, Cornelius Harris, and two rad people from 
the Detroit Historical Museum. 

The Archives of African American Music and Culture at Indiana University is 
where the video recordings of the conference are housed, as well as my research 
materials and interview recordings. 

I was co-founder if the Detroit Sound Conservancy with Carleton Gholz. 
Together, we hosted educational tours of Submerge, created the Dan Sicko 
scholarship for new Detroit journalists, and made plans for cultural 
preservation in Detroit music culture. 

I often make sure no one is being racist, but that’s been near impossible on 
this listserv. They think I’ll stop. 

I don’t make music because my time is full with my three kids and everything 
else. I’m not a DJ because I would forget and start dancing and make the needle 
jump. I do want to play on a modular synth someday. 

Thanks for joining this listserv!
Denise Dalphond









> On Oct 20, 2018, at 07:38, Matt Deegan  wrote:
> 
> Hi,
> 
> With that in mind I reckon I should introduce myself. 
> 
> My name is Matt Deegan and I'm an electronic music producer from the UK with 
> a focus on techno. I've been involved in music in various forms over the 
> years starting as a jazz double bassist and more recently moving to techno, 
> using analogue electronic gear to produce on. I specialise in improvised 
> electronic music trying hard to tastefully fuse elements of jazz into my 
> sound.
> 
> I've become interested in the origins of techno and so started reading books 
> on and around the subject, and through that reading I found Hyperreal. I 
> think there is a large proportion of techno fans who have no idea where or 
> how it started, or are misinformed. I was definitely one of them, and, 
> although I still have a lot to learn, I now feel I have some grounding in how 
> it all began. I'm really interested in learning more and this feels like a 
> decent place to do it so. Any resources people can recommend will be greatly 
> appreciated!
> 
> As I said I am interested in understanding the origins of the music, but at 
> the same time I am also interested in supporting musicians trying to push the 
> boundaries of the genre. I am a schooled jazz musician and composer and, 
> although I am passionate about the music, I'm still trying to wrap my head 
> around exactly why I love it so much. There is something fundamental within 
> it I can't quite put my finger on which intrigues me. Before I started 
> reading about techno's history I though my musical journey was unusual, but 
> have since realised it isn't as unusual as I thought. This realisation has 
> helped me focus my sound and produce the work I'm most proud of, which proves 
> to me understanding the history of the music is extremely important.
> 
> I could probably ramble on all day on the subject, but I'll leave it there. 
> There are links below to my stuff if anyone is interested, otherwise I look 
> forward to your reading what you write.
> 
> Best wishes,
> Matt
> 
> 
> I work under the pseudonym Epistrophe Smith, here's some links to my stuff...
> Main site: www.epsmith.net
> An online ambient music project using an algorithm to never be the same 
> twice: http://neverendingalbum.myl2mr.com
> 
>> On Sat, Oct 20, 2018 at 1:15 AM kent williams  wrote:
>> For some reason we've had a bunch of new subscribers. I guess that is a 
>> challenge to us old timers to, uh, generate some compelling content. 

Re: New subscribers?

[Matt Deegan]

Hi,

With that in mind I reckon I should introduce myself.

My name is Matt Deegan and I'm an electronic music producer from the UK
with a focus on techno. I've been involved in music in various forms over
the years starting as a jazz double bassist and more recently moving to
techno, using analogue electronic gear to produce on. I specialise in
improvised electronic music trying hard to tastefully fuse elements of jazz
into my sound.

I've become interested in the origins of techno and so started reading
books on and around the subject, and through that reading I found
Hyperreal. I think there is a large proportion of techno fans who have no
idea where or how it started, or are misinformed. I was definitely one of
them, and, although I still have a lot to learn, I now feel I have some
grounding in how it all began. I'm really interested in learning more and
this feels like a decent place to do it so. Any resources people can
recommend will be greatly appreciated!

As I said I am interested in understanding the origins of the music, but at
the same time I am also interested in supporting musicians trying to push
the boundaries of the genre. I am a schooled jazz musician and composer
and, although I am passionate about the music, I'm still trying to wrap my
head around exactly why I love it so much. There is something fundamental
within it I can't quite put my finger on which intrigues me. Before I
started reading about techno's history I though my musical journey was
unusual, but have since realised it isn't as unusual as I thought. This
realisation has helped me focus my sound and produce the work I'm most
proud of, which proves to me understanding the history of the music is
extremely important.

I could probably ramble on all day on the subject, but I'll leave it there.
There are links below to my stuff if anyone is interested, otherwise I look
forward to your reading what you write.

Best wishes,
Matt


I work under the pseudonym Epistrophe Smith, here's some links to my
stuff...
Main site: www.epsmith.net
An online ambient music project using an algorithm to never be the same
twice: http://neverendingalbum.myl2mr.com

On Sat, Oct 20, 2018 at 1:15 AM kent williams 
wrote:

> For some reason we've had a bunch of new subscribers. I guess that is a
> challenge to us old timers to, uh, generate some compelling content.
>

New subscribers?

[kent williams]

For some reason we've had a bunch of new subscribers. I guess that is a
challenge to us old timers to, uh, generate some compelling content.