Re: [arr] Re: Rediff Review - Yuvvraaj
Rediff gave 4 stars to Jodhaa Akbar too! From: Nagaraj [EMAIL PROTECTED] To: arrahmanfans@yahoogroups.com Sent: Tuesday, October 21, 2008 7:11:25 PM Subject: [arr] Re: Rediff Review - Yuvvraaj I am regular reader of rediff and I cant remember any album getting 4/5.. So whether a few out here like it or not critics have liked it :) --- In arrahmanfans@ yahoogroups. com, Sai Theodore saitheodore@ ... wrote: here is the full article That A R Rahman is a master composer is no biggie. What is truly commendable is that he has earned an unblemished reputation of someone whose name alone sends promises of astounding melody. And so, at the risk of gushing, I'd say any soundtrack by him is like an event itself, more significant than hugely popular stars and their purported demigod status. This year, he took us on a breathtaking tour of royalty and romance with the majestic *Jodhaa Akbar [Imageshttp://search. rediff.com/ imgsrch/default. php?MT=jodhaa% 20akbar ] *and followed it with the frolic-filled, foot-tapping trendiness in the youthful beats of *Jaane Tu[Imageshttp://search. rediff.com/ imgsrch/default. php?MT=jaane% 20tu ]... Ya Jaane Na*. - *Why we should look forward toYuvvraajhttp://specials. rediff.com/ movies/2008/ oct/20slid1. htm * Next, he helms Subhash Ghai's[Imageshttp://search. rediff.com/ imgsrch/default. php? MT=subhash%20ghai ] lavishly-staged, *Yuvvraaj*, inspired in soul and element from European and Indian classical as well as Rahman's exclusive library of imagination. Being a wide-ranging musical, *Yuvvraaj*, starring Salman Khan [Imageshttp://search. rediff.com/ imgsrch/default. php?MT=salman% 20khan ], Katrina Kaif [Imageshttp://search. rediff.com/ imgsrch/default. php?MT=katrina% 20kaif ], Zayed Khan [Imageshttp://search. rediff.com/ imgsrch/default. php? MT=zayed%20khan ] and Anil Kapoor [Imageshttp://search. rediff.com/ imgsrch/default. php?MT=anil% 20kapoor ], like Ghai's *Taal [Imageshttp://search. rediff.com/ imgsrch/default. php?MT=taal ]*, is every music-aficionado' s delight. Here's why: Besides the CD layout, there's not much *Yuvvraaj *shares in common with * Taal*. The latter was deliberately theatrical and consisted folk- tune flavours. This one is marvelously smooth and meadow-fresh, conjuring lilting images of Prague and Austria, where it has been extensively filmed. At the same time, it packs in enough complex emotions of its own. The soundtrack opens with *Main hoon Yuvvraaj*, wherein Salman Khan spews hard-to-miss sarcasm, introducing himself as the proverbial 'bad boy' against the etched-in-every- memory Fifth of Beethoven (performed by The Chennai String Orchestra). He has a point to prove, a notion to dispel. And he does it, with spirit, beauty and Benny Dayal (of *Pappu can't dance saala *fame)'s striking vocals, through Gulzar's [Imageshttp://search. rediff.com/ imgsrch/default. php?MT=gulzar ] wistful poetry and Rahman's inventive intricacy of* Tu meri dost hain*. [image: Katrina Kaif]The lingering rhythm of *Tu meri dost *is swapped for the zingy, retro, disco-friendly beats of *Shano Shano*. An animated line-up of singers, right from Sonu Nigam [Imageshttp://search. rediff.com/ imgsrch/default. php?MT=sonu% 20nigam ], Srinivas to Sunaina, Vivienna Pocha bring the house down in this club-meets-lounge ditty. Its remix by Krishna Chetan, featuring Ember, is a dry and darker rap-inclusive interpretation of the racy original. *Tu muskura* is a lyrical delight sending a wave of goose bumps across the enamoured listener. Gulzar's vivid wizardry pours its heart out through verse like, '*Sharir see yeh muskurahatein teri. Badan main sunti hoon main aahatein teri*.' Needless to say it takes Rahman's exquisite touch to cast these delicate words into the silhouette of his melodies. Sonu Nigam lends his characteristic velvetiness to the peppy hues of *Mastam mastam*, again overflowing with Gulzar's graphic thoughts (*Bheje mein bhochal hain, pairon mein paatal hain*). Effortlessly free-flowing, *Mastam*'s USP lies in its being entertaining and silvery, at once. [image: Anil Kapoor]Misty- eyed poignancy breathes effectively through the melancholic realisation of *Zindagi*. Rendered with excellent restraint and stirring sentiment by Srinivas, against Rahman's deft play of woodwinds and breezy strings, this is easily one of *Yuvvraj*'s best compositions. Piano, cello and other participants of a grand orchestra and powerful chorus create a vision of escalating drama of sibling bonding under Rahman's intense guidance and signature *alaap. Dil ka rishta *is his brand of symphony, generating a state of big-screen showmanship and mellifluous festivities. The vigorously classical notes of Manmohini morey, with a conspicuous stamp of Rahman's whiz-kid personality, are grippingly and flawlessly translated
[arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments
Correct. Taal, the songs were independent of the movie and each other. They were just inserted appropriately. AR was hardly bound by limitations. In the case of Yuvvraaj, being a musical (in the sense of script I mean), all the songs are interwoven. Implying, the songs add to the screenplay, carry the script and the story forward. We need to watch the movie to understand why Yuvvraaj is not another Taal. Although I've never liked SG's style of movie making (personal opinion, Im allowed to)
[arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments
Please, let me decide what I am going to accept. You can't dictate like this, buddy. take it easy buddy, it was NOT directed towards you or any other individual, it was only said in a general sense. no one is dictating you or anyone else here. Yuvraj is having all the potential of becoming the biggest commercial hit of ARR's career. well i seriously doubt it. i dont see yuvvraaj staying in charts more than JTYJN or JA UNLESS THE FILM BECOMES A BLOCKBUSTER. and btw i doubt the success of film too, dont know why but keeping in mind ghai's recent record i have this feeling that ghai can lost it. if it is bombed or becomes an average i seriously doubt that music will stay in charts long. And, me think, that is what Ghai wanted - compromise on mindblowing song and give an outright commercial hit. how can an album become an outright commercial hit without any mindblowing songs??? sorry dude, for me it is hard to understand your theory. Why are you so inclined on keeping us fans in a separate category apart from masses? Does it satisfy your ego that you are on a higher ivory tower as a fan compared to lowly, meanly, measly masses. It is not so. We are all humans, made equal by our Creator. i must say you got it all wrong here. your last two comments (ego and humans/equal) are irrelevant to my post and don't make sense to me. the difference between fans and masses is that fans are aware of ARR's music and style, and understand when ARR gives something new/different. the second difference is that if fans dislike music in first hearing they give it second chance because they know hidden masterpiece in ARR's music and that it grows. on the other hand masses (by masses i am referring to non-ARR fans) just skip the song/music and may never return to it. The only album of ARR that I outright disliked is Love Bird. difference of tastes/opinions. love birds has milgaye milgaye, a masterpiece, one of my oldest favorites and most listened ARR songs. ARR has capability to make Manmohini 2 hours song, but Ghai wouldn't put a 2 hours manmohini in his film. So why make it 2 hours? it is simple. if ghai wants to put a short 3 minutes song in film, why not compose a full 5-6 minutes song and put only 3 minuites of it in film? is it something not already thousands of times in various films ? Sapney had two mediocre songs also, that prayer and that duet dont know which duet you are referring to. ek bagiya, chanda re, awara bhawre and the prayer (roshan hui raat) all are nothing short of masterpiece to me. From the above list of yours, remove Mani. he he he. i did not mean a particular list. i just randomly mentioned few of his biggest hits but the list was not limited to only that. And Ghai-ARR combo has delivered exactly what masses would love. i doubt. Ghai thinks different from you for his music based film. may be. here i have to agree with you. thanks --- In arrahmanfans@yahoogroups.com, V S Rawat [EMAIL PROTECTED] wrote: On 10/21/2008 10:10 PM India Time, _Jahanzeb Farooq_ wrote: man you have to accept it. Please, let me decide what I am going to accept. You can't dictate like this, buddy. although it is growing on us and we have started liking more compared to the first time, but the fact remains that it is not something liked by the masses. only one song Tu meri dost would be liked by the masses but not the rest. No way. Shano and Mastam are going to be on every youth's tongue, me think. even recent ARR albums had many songs loved by masses (and critics) e.g., Tere bina, Mayya mayya, Barso re (Guru), Pappu, Aditi, Kahin to (JTYJN) etc etc. Agreed. So? Furthermore the fact remains that Yuvvraaj does not have even a single song which can be called just mibdblowing or plain awesome as per the ARR standards etc. Hmm. I thought about it and I find that I have to agree with you. So, I also concede that even though Yuvraj is an album for the masses and it has good softer songs also (manmohini, zindagi), still, I have to agree that there is no mindblowing song AS PER ARR STANDARDS. I think that is the area where the freedom ARR gets makes the whole difference. Mani gives ARR complete freedom, so ARR's every Mani album has one or more mindblowing songs. Deepa mehta gives ARR complete freedom, so ARR's every Deepa album has one or more mindblowing songs. But, even though Ghai's inputs have done wonders in Taal and Yuvraj, those have restricted ARR from giving a mindblowing song in Yuvraj. But, I would not complain. ARR is operating in a commercial world, and Yuvraj is having all the potential of becoming the biggest commercial hit of ARR's career. That would help him. And it would help us fans also when we get ridiculed by ARR's detractors who never fail to highlight when Pritam or Himesh's songs top the chart. And, me think, that is what Ghai wanted -
[arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments
Jahazeb, Irrespective of how you think the masses will take to Yuvvraaj which nobody knows right now, how does the music make you feel? Leave your expectations aside. Forget Taal. When you listen to Yuvvraaj, do you feel good? Does it touch you? Does it lift your spirits? If yes, forget all this analysis. Just go with the flow and enjoy the music. It's a gift from Rahman. If the answer is no, give it some more chances. If still you don't feel good when listening to Yuvvraaj, just forget it and move on. Ghajini is next. --- In arrahmanfans@yahoogroups.com, Jahanzeb Farooq [EMAIL PROTECTED] wrote: Please, let me decide what I am going to accept. You can't dictate like this, buddy. take it easy buddy, it was NOT directed towards you or any other individual, it was only said in a general sense. no one is dictating you or anyone else here. Yuvraj is having all the potential of becoming the biggest commercial hit of ARR's career. well i seriously doubt it. i dont see yuvvraaj staying in charts more than JTYJN or JA UNLESS THE FILM BECOMES A BLOCKBUSTER. and btw i doubt the success of film too, dont know why but keeping in mind ghai's recent record i have this feeling that ghai can lost it. if it is bombed or becomes an average i seriously doubt that music will stay in charts long. And, me think, that is what Ghai wanted - compromise on mindblowing song and give an outright commercial hit. how can an album become an outright commercial hit without any mindblowing songs??? sorry dude, for me it is hard to understand your theory. Why are you so inclined on keeping us fans in a separate category apart from masses? Does it satisfy your ego that you are on a higher ivory tower as a fan compared to lowly, meanly, measly masses. It is not so. We are all humans, made equal by our Creator. i must say you got it all wrong here. your last two comments (ego and humans/equal) are irrelevant to my post and don't make sense to me. the difference between fans and masses is that fans are aware of ARR's music and style, and understand when ARR gives something new/different. the second difference is that if fans dislike music in first hearing they give it second chance because they know hidden masterpiece in ARR's music and that it grows. on the other hand masses (by masses i am referring to non-ARR fans) just skip the song/music and may never return to it. The only album of ARR that I outright disliked is Love Bird. difference of tastes/opinions. love birds has milgaye milgaye, a masterpiece, one of my oldest favorites and most listened ARR songs. ARR has capability to make Manmohini 2 hours song, but Ghai wouldn't put a 2 hours manmohini in his film. So why make it 2 hours? it is simple. if ghai wants to put a short 3 minutes song in film, why not compose a full 5-6 minutes song and put only 3 minuites of it in film? is it something not already thousands of times in various films ? Sapney had two mediocre songs also, that prayer and that duet dont know which duet you are referring to. ek bagiya, chanda re, awara bhawre and the prayer (roshan hui raat) all are nothing short of masterpiece to me. From the above list of yours, remove Mani. he he he. i did not mean a particular list. i just randomly mentioned few of his biggest hits but the list was not limited to only that. And Ghai-ARR combo has delivered exactly what masses would love. i doubt. Ghai thinks different from you for his music based film. may be. here i have to agree with you. thanks --- In arrahmanfans@yahoogroups.com, V S Rawat vsrawat@ wrote: On 10/21/2008 10:10 PM India Time, _Jahanzeb Farooq_ wrote: man you have to accept it. Please, let me decide what I am going to accept. You can't dictate like this, buddy. although it is growing on us and we have started liking more compared to the first time, but the fact remains that it is not something liked by the masses. only one song Tu meri dost would be liked by the masses but not the rest. No way. Shano and Mastam are going to be on every youth's tongue, me think. even recent ARR albums had many songs loved by masses (and critics) e.g., Tere bina, Mayya mayya, Barso re (Guru), Pappu, Aditi, Kahin to (JTYJN) etc etc. Agreed. So? Furthermore the fact remains that Yuvvraaj does not have even a single song which can be called just mibdblowing or plain awesome as per the ARR standards etc. Hmm. I thought about it and I find that I have to agree with you. So, I also concede that even though Yuvraj is an album for the masses and it has good softer songs also (manmohini, zindagi), still, I have to agree that there is no mindblowing song AS PER ARR STANDARDS. I think that is the area where the freedom ARR gets makes the
[arr] Re: Rediff Review - Yuvvraaj
here is the full article That A R Rahman is a master composer is no biggie. What is truly commendable is that he has earned an unblemished reputation of someone whose name alone sends promises of astounding melody. And so, at the risk of gushing, I'd say any soundtrack by him is like an event itself, more significant than hugely popular stars and their purported demigod status. This year, he took us on a breathtaking tour of royalty and romance with the majestic *Jodhaa Akbar [Imageshttp://search.rediff.com/imgsrch/default.php?MT=jodhaa%20akbar ] *and followed it with the frolic-filled, foot-tapping trendiness in the youthful beats of *Jaane Tu[Imageshttp://search.rediff.com/imgsrch/default.php?MT=jaane%20tu ]... Ya Jaane Na*. - *Why we should look forward toYuvvraajhttp://specials.rediff.com/movies/2008/oct/20slid1.htm * Next, he helms Subhash Ghai's[Imageshttp://search.rediff.com/imgsrch/default.php?MT=subhash%20ghai ] lavishly-staged, *Yuvvraaj*, inspired in soul and element from European and Indian classical as well as Rahman's exclusive library of imagination. Being a wide-ranging musical, *Yuvvraaj*, starring Salman Khan [Imageshttp://search.rediff.com/imgsrch/default.php?MT=salman%20khan ], Katrina Kaif [Imageshttp://search.rediff.com/imgsrch/default.php?MT=katrina%20kaif ], Zayed Khan [Imageshttp://search.rediff.com/imgsrch/default.php?MT=zayed%20khan ] and Anil Kapoor [Imageshttp://search.rediff.com/imgsrch/default.php?MT=anil%20kapoor ], like Ghai's *Taal[Imageshttp://search.rediff.com/imgsrch/default.php?MT=taal ]*, is every music-aficionado's delight. Here's why: Besides the CD layout, there's not much *Yuvvraaj *shares in common with * Taal*. The latter was deliberately theatrical and consisted folk-tune flavours. This one is marvelously smooth and meadow-fresh, conjuring lilting images of Prague and Austria, where it has been extensively filmed. At the same time, it packs in enough complex emotions of its own. The soundtrack opens with *Main hoon Yuvvraaj*, wherein Salman Khan spews hard-to-miss sarcasm, introducing himself as the proverbial 'bad boy' against the etched-in-every-memory Fifth of Beethoven (performed by The Chennai String Orchestra). He has a point to prove, a notion to dispel. And he does it, with spirit, beauty and Benny Dayal (of *Pappu can't dance saala *fame)'s striking vocals, through Gulzar's [Imageshttp://search.rediff.com/imgsrch/default.php?MT=gulzar ] wistful poetry and Rahman's inventive intricacy of* Tu meri dost hain*. [image: Katrina Kaif]The lingering rhythm of *Tu meri dost *is swapped for the zingy, retro, disco-friendly beats of *Shano Shano*. An animated line-up of singers, right from Sonu Nigam [Imageshttp://search.rediff.com/imgsrch/default.php?MT=sonu%20nigam ], Srinivas to Sunaina, Vivienna Pocha bring the house down in this club-meets-lounge ditty. Its remix by Krishna Chetan, featuring Ember, is a dry and darker rap-inclusive interpretation of the racy original. *Tu muskura* is a lyrical delight sending a wave of goose bumps across the enamoured listener. Gulzar's vivid wizardry pours its heart out through verse like, '*Sharir see yeh muskurahatein teri. Badan main sunti hoon main aahatein teri*.' Needless to say it takes Rahman's exquisite touch to cast these delicate words into the silhouette of his melodies. Sonu Nigam lends his characteristic velvetiness to the peppy hues of *Mastam mastam*, again overflowing with Gulzar's graphic thoughts (*Bheje mein bhochal hain, pairon mein paatal hain*). Effortlessly free-flowing, *Mastam*'s USP lies in its being entertaining and silvery, at once. [image: Anil Kapoor]Misty-eyed poignancy breathes effectively through the melancholic realisation of *Zindagi*. Rendered with excellent restraint and stirring sentiment by Srinivas, against Rahman's deft play of woodwinds and breezy strings, this is easily one of *Yuvvraj*'s best compositions. Piano, cello and other participants of a grand orchestra and powerful chorus create a vision of escalating drama of sibling bonding under Rahman's intense guidance and signature *alaap. Dil ka rishta *is his brand of symphony, generating a state of big-screen showmanship and mellifluous festivities. The vigorously classical notes of Manmohini morey, with a conspicuous stamp of Rahman's whiz-kid personality, are grippingly and flawlessly translated by Vijay Prakash. Ultimately, *Yuvvraaj *is a triumphant score from the maestro. For all its meticulous arrangement and old-world grandeur, it's essentially deep-rooted in timeless melody, which seldom disappoints. On Tue, Oct 21, 2008 at 4:46 PM, Sai Theodore [EMAIL PROTECTED] wrote: http://www.rediff.com/movies/2008/oct/21yuv.htm
[arr] Re: Rediff Review - Yuvvraaj
I am regular reader of rediff and I cant remember any album getting 4/5.. So whether a few out here like it or not critics have liked it :) --- In arrahmanfans@yahoogroups.com, Sai Theodore [EMAIL PROTECTED] wrote: here is the full article That A R Rahman is a master composer is no biggie. What is truly commendable is that he has earned an unblemished reputation of someone whose name alone sends promises of astounding melody. And so, at the risk of gushing, I'd say any soundtrack by him is like an event itself, more significant than hugely popular stars and their purported demigod status. This year, he took us on a breathtaking tour of royalty and romance with the majestic *Jodhaa Akbar [Imageshttp://search.rediff.com/imgsrch/default.php?MT=jodhaa% 20akbar ] *and followed it with the frolic-filled, foot-tapping trendiness in the youthful beats of *Jaane Tu[Imageshttp://search.rediff.com/imgsrch/default.php?MT=jaane% 20tu ]... Ya Jaane Na*. - *Why we should look forward toYuvvraajhttp://specials.rediff.com/movies/2008/oct/20slid1.htm * Next, he helms Subhash Ghai's[Imageshttp://search.rediff.com/imgsrch/default.php? MT=subhash%20ghai ] lavishly-staged, *Yuvvraaj*, inspired in soul and element from European and Indian classical as well as Rahman's exclusive library of imagination. Being a wide-ranging musical, *Yuvvraaj*, starring Salman Khan [Imageshttp://search.rediff.com/imgsrch/default.php?MT=salman% 20khan ], Katrina Kaif [Imageshttp://search.rediff.com/imgsrch/default.php?MT=katrina% 20kaif ], Zayed Khan [Imageshttp://search.rediff.com/imgsrch/default.php? MT=zayed%20khan ] and Anil Kapoor [Imageshttp://search.rediff.com/imgsrch/default.php?MT=anil% 20kapoor ], like Ghai's *Taal [Imageshttp://search.rediff.com/imgsrch/default.php?MT=taal ]*, is every music-aficionado's delight. Here's why: Besides the CD layout, there's not much *Yuvvraaj *shares in common with * Taal*. The latter was deliberately theatrical and consisted folk- tune flavours. This one is marvelously smooth and meadow-fresh, conjuring lilting images of Prague and Austria, where it has been extensively filmed. At the same time, it packs in enough complex emotions of its own. The soundtrack opens with *Main hoon Yuvvraaj*, wherein Salman Khan spews hard-to-miss sarcasm, introducing himself as the proverbial 'bad boy' against the etched-in-every-memory Fifth of Beethoven (performed by The Chennai String Orchestra). He has a point to prove, a notion to dispel. And he does it, with spirit, beauty and Benny Dayal (of *Pappu can't dance saala *fame)'s striking vocals, through Gulzar's [Imageshttp://search.rediff.com/imgsrch/default.php?MT=gulzar ] wistful poetry and Rahman's inventive intricacy of* Tu meri dost hain*. [image: Katrina Kaif]The lingering rhythm of *Tu meri dost *is swapped for the zingy, retro, disco-friendly beats of *Shano Shano*. An animated line-up of singers, right from Sonu Nigam [Imageshttp://search.rediff.com/imgsrch/default.php?MT=sonu% 20nigam ], Srinivas to Sunaina, Vivienna Pocha bring the house down in this club-meets-lounge ditty. Its remix by Krishna Chetan, featuring Ember, is a dry and darker rap-inclusive interpretation of the racy original. *Tu muskura* is a lyrical delight sending a wave of goose bumps across the enamoured listener. Gulzar's vivid wizardry pours its heart out through verse like, '*Sharir see yeh muskurahatein teri. Badan main sunti hoon main aahatein teri*.' Needless to say it takes Rahman's exquisite touch to cast these delicate words into the silhouette of his melodies. Sonu Nigam lends his characteristic velvetiness to the peppy hues of *Mastam mastam*, again overflowing with Gulzar's graphic thoughts (*Bheje mein bhochal hain, pairon mein paatal hain*). Effortlessly free-flowing, *Mastam*'s USP lies in its being entertaining and silvery, at once. [image: Anil Kapoor]Misty-eyed poignancy breathes effectively through the melancholic realisation of *Zindagi*. Rendered with excellent restraint and stirring sentiment by Srinivas, against Rahman's deft play of woodwinds and breezy strings, this is easily one of *Yuvvraj*'s best compositions. Piano, cello and other participants of a grand orchestra and powerful chorus create a vision of escalating drama of sibling bonding under Rahman's intense guidance and signature *alaap. Dil ka rishta *is his brand of symphony, generating a state of big-screen showmanship and mellifluous festivities. The vigorously classical notes of Manmohini morey, with a conspicuous stamp of Rahman's whiz-kid personality, are grippingly and flawlessly translated by Vijay Prakash. Ultimately, *Yuvvraaj *is a triumphant score from the maestro. For all its meticulous arrangement and old-world grandeur, it's essentially deep-rooted in timeless melody, which seldom disappoints. On Tue, Oct 21, 2008 at 4:46 PM, Sai
[arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments
Did anyone read the comments that followed the review? I can't believe the ignorance, stupidity, and narrow mindedness of some people out there --- In arrahmanfans@yahoogroups.com, Sai Theodore [EMAIL PROTECTED] wrote: http://www.rediff.com/movies/2008/oct/21yuv.htm
[arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments
man you have to accept it. although it is growing on us and we have started liking more compared to the first time, but the fact remains that it is not something liked by the masses. only one song Tu meri dost would be liked by the masses but not the rest. even recent ARR albums had many songs loved by masses (and critics) e.g., Tere bina, Mayya mayya, Barso re (Guru), Pappu, Aditi, Kahin to (JTYJN) etc etc. Furthermore the fact remains that Yuvvraaj does not have even a single song which can be called just mibdblowing or plain awesome as per the ARR standards etc. comparing to Taal it still remains a HUGE disappointment, if not for us (ARR fans) certainly it is for masses. the weakest songs of Dil se, Taal or Bombay are still better than strongest song/s of Yuvvraaj. lets analyze it. Mastam mastam is good, it grows, melody is Rahmanish, Sonu is perfect, but again it is not something instantly loved by masses. Zindagi is again good but nothing exceptional. it heavily relies on vocals, too little music, no traditional ARR interludes etc. Man mohini is very good but alas too short, which is completely un- understandable, why did not ARR put a few more minutes to it??? strange. Dil ka risha is very good again, orchestra is great. it would be loved more than Zindagi, Mastam, Man mohini by masses. however it is a very situational song, not something you will find people humming or playing on streets etc. Shano shano is one of the weakest songs of ARR ever, people will not find anything special in it. it is not very different than dozens of Pritam and others' songs releasing every day. even Pappu (JTYJN) was far far far far far far better. so at the end the only song remains is Tu muskura which will be liked by the masses but again there is nothing very special in it. it is likable but not something blockbuster etc. it is in the league of recent Tu bin bataye (RDB) and Milo wahan wahan (Ada) though the two were far far better. just think of some of ARR's biggest hits and ask yourself honestly can we compare any of Yuvvraaj's songs with Satrangi, Dil se, Chaiyyan chaiyyan (Dil se) Taal se taal, ishq bina, ramta jogi (Taal), Kehna hi kya, Hamma hamma, Tu hi re (Bombay) and those from Rangeela, Saathiya, Lagaan, Roja, Sapnay etc etc or even recent lesser hits rang de basanti (RDB), khwaja mere khwaja, azeem-o-shaan (JA) etc and those from Guru etc. and you will get the answer. hence i am certainly not surprised by the reactions of masses. ARR here really disappointed, because of Ghai-ARR combo people were expecting something as fantastic as Taal, but there is no comparison between Taal and Yuvvraaj. at least if you ask me if i give 10/10 to Taal i will give only 4/10 to Yuvvraaj. ARR should have experimented in some other low profile album but certainly not in Yuvvraaj. also a film solely based on music certainly required some instantly classic music, like Taal. --- In arrahmanfans@yahoogroups.com, Chord [EMAIL PROTECTED] wrote: Did anyone read the comments that followed the review? I can't believe the ignorance, stupidity, and narrow mindedness of some people out there --- In arrahmanfans@yahoogroups.com, Sai Theodore saitheodore@ wrote: http://www.rediff.com/movies/2008/oct/21yuv.htm
Re: [arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments
Jahanzeb, I really understand your feelings ! Even everyone has expected more than 100% above than this end product I know you are a die hard fan of Rahman, but still what must we expect ? Rahman cant put a Chhaiyya Chaiyya or Ghagan Ghagan in Yuvraaj. Songs are strongly based on Script and related to Western musical raagas [ Though I dont know much about it ] *Heard melodies are sweet, but those unheard are sweeter. *Can you just hum a tone Rahman has to compose in coming years ? Please dont take this an offensive mail. I am just curious... I just try to do so, but somehow or other, it will resemble to any other songs of Rahman or the other. No body is perfect. Rahman is also a human being. Errors can occur. But in rare case Rahman went wrong. So just relax, hear good music... If you really didnt like this, wait for another Rahman release or switch to any other Bollywood albums :) Movie Fashion has some really good music rendered by Salim Sulaiman. Anyhow, I strictly think that when it comes to picturization of all these longs, you would love more :) Have a great day ahead Dude :) On Tue, Oct 21, 2008 at 10:10 PM, Jahanzeb Farooq [EMAIL PROTECTED]wrote: man you have to accept it. although it is growing on us and we have started liking more compared to the first time, but the fact remains that it is not something liked by the masses. only one song Tu meri dost would be liked by the masses but not the rest. even recent ARR albums had many songs loved by masses (and critics) e.g., Tere bina, Mayya mayya, Barso re (Guru), Pappu, Aditi, Kahin to (JTYJN) etc etc. Furthermore the fact remains that Yuvvraaj does not have even a single song which can be called just mibdblowing or plain awesome as per the ARR standards etc. comparing to Taal it still remains a HUGE disappointment, if not for us (ARR fans) certainly it is for masses. the weakest songs of Dil se, Taal or Bombay are still better than strongest song/s of Yuvvraaj. lets analyze it. Mastam mastam is good, it grows, melody is Rahmanish, Sonu is perfect, but again it is not something instantly loved by masses. Zindagi is again good but nothing exceptional. it heavily relies on vocals, too little music, no traditional ARR interludes etc. Man mohini is very good but alas too short, which is completely un- understandable, why did not ARR put a few more minutes to it??? strange. Dil ka risha is very good again, orchestra is great. it would be loved more than Zindagi, Mastam, Man mohini by masses. however it is a very situational song, not something you will find people humming or playing on streets etc. Shano shano is one of the weakest songs of ARR ever, people will not find anything special in it. it is not very different than dozens of Pritam and others' songs releasing every day. even Pappu (JTYJN) was far far far far far far better. so at the end the only song remains is Tu muskura which will be liked by the masses but again there is nothing very special in it. it is likable but not something blockbuster etc. it is in the league of recent Tu bin bataye (RDB) and Milo wahan wahan (Ada) though the two were far far better. just think of some of ARR's biggest hits and ask yourself honestly can we compare any of Yuvvraaj's songs with Satrangi, Dil se, Chaiyyan chaiyyan (Dil se) Taal se taal, ishq bina, ramta jogi (Taal), Kehna hi kya, Hamma hamma, Tu hi re (Bombay) and those from Rangeela, Saathiya, Lagaan, Roja, Sapnay etc etc or even recent lesser hits rang de basanti (RDB), khwaja mere khwaja, azeem-o-shaan (JA) etc and those from Guru etc. and you will get the answer. hence i am certainly not surprised by the reactions of masses. ARR here really disappointed, because of Ghai-ARR combo people were expecting something as fantastic as Taal, but there is no comparison between Taal and Yuvvraaj. at least if you ask me if i give 10/10 to Taal i will give only 4/10 to Yuvvraaj. ARR should have experimented in some other low profile album but certainly not in Yuvvraaj. also a film solely based on music certainly required some instantly classic music, like Taal. --- In arrahmanfans@yahoogroups.com arrahmanfans%40yahoogroups.com, Chord [EMAIL PROTECTED] wrote: Did anyone read the comments that followed the review? I can't believe the ignorance, stupidity, and narrow mindedness of some people out there --- In arrahmanfans@yahoogroups.com arrahmanfans%40yahoogroups.com, Sai Theodore saitheodore@ wrote: http://www.rediff.com/movies/2008/oct/21yuv.htm -- Farzad Khaleel Webmaster http://rahmaniac.co.nr
[arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments
I disagree with most of your post and whether the masses accept this or not has not yet been determined. I'm glad it's getting good reviews overall. I also think it's unfair to compare albums from different times and films. --- In arrahmanfans@yahoogroups.com, Jahanzeb Farooq [EMAIL PROTECTED] wrote: man you have to accept it. although it is growing on us and we have started liking more compared to the first time, but the fact remains that it is not something liked by the masses. only one song Tu meri dost would be liked by the masses but not the rest. even recent ARR albums had many songs loved by masses (and critics) e.g., Tere bina, Mayya mayya, Barso re (Guru), Pappu, Aditi, Kahin to (JTYJN) etc etc. Furthermore the fact remains that Yuvvraaj does not have even a single song which can be called just mibdblowing or plain awesome as per the ARR standards etc. comparing to Taal it still remains a HUGE disappointment, if not for us (ARR fans) certainly it is for masses. the weakest songs of Dil se, Taal or Bombay are still better than strongest song/s of Yuvvraaj. lets analyze it. Mastam mastam is good, it grows, melody is Rahmanish, Sonu is perfect, but again it is not something instantly loved by masses. Zindagi is again good but nothing exceptional. it heavily relies on vocals, too little music, no traditional ARR interludes etc. Man mohini is very good but alas too short, which is completely un- understandable, why did not ARR put a few more minutes to it??? strange. Dil ka risha is very good again, orchestra is great. it would be loved more than Zindagi, Mastam, Man mohini by masses. however it is a very situational song, not something you will find people humming or playing on streets etc. Shano shano is one of the weakest songs of ARR ever, people will not find anything special in it. it is not very different than dozens of Pritam and others' songs releasing every day. even Pappu (JTYJN) was far far far far far far better. so at the end the only song remains is Tu muskura which will be liked by the masses but again there is nothing very special in it. it is likable but not something blockbuster etc. it is in the league of recent Tu bin bataye (RDB) and Milo wahan wahan (Ada) though the two were far far better. just think of some of ARR's biggest hits and ask yourself honestly can we compare any of Yuvvraaj's songs with Satrangi, Dil se, Chaiyyan chaiyyan (Dil se) Taal se taal, ishq bina, ramta jogi (Taal), Kehna hi kya, Hamma hamma, Tu hi re (Bombay) and those from Rangeela, Saathiya, Lagaan, Roja, Sapnay etc etc or even recent lesser hits rang de basanti (RDB), khwaja mere khwaja, azeem-o-shaan (JA) etc and those from Guru etc. and you will get the answer. hence i am certainly not surprised by the reactions of masses. ARR here really disappointed, because of Ghai-ARR combo people were expecting something as fantastic as Taal, but there is no comparison between Taal and Yuvvraaj. at least if you ask me if i give 10/10 to Taal i will give only 4/10 to Yuvvraaj. ARR should have experimented in some other low profile album but certainly not in Yuvvraaj. also a film solely based on music certainly required some instantly classic music, like Taal. --- In arrahmanfans@yahoogroups.com, Chord purevibz@ wrote: Did anyone read the comments that followed the review? I can't believe the ignorance, stupidity, and narrow mindedness of some people out there --- In arrahmanfans@yahoogroups.com, Sai Theodore saitheodore@ wrote: http://www.rediff.com/movies/2008/oct/21yuv.htm
[arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments
Jahanzeb, The true fact is you are disapponinted with the music but its only you..but there is something called difference of opininion!!! a lot of people both here and orkut ARRahman communitiy..liked the music. well you can always compare with Taal, Dilse, Rangeela. but really you should spend some time reading the reviews came out when those were out. I'm sure there will be another Janhanzeb trying to make people understand how Arr disapointed yet again. but outof nowhere it becomes a classic after a year for some of those. I have nothing against your taste...but Here is the most imp point you migt havs missed!! 1.ARR is the highly paid music director...paid big bugs!!! 2.Big deal producers still trying to get ARR as their film music director. They wait more time than even a ARR-Fan waiting for ARR's release. Do you think the producers like ARRs divine feelings??..or they like his recording theater,or place where he lives or they liked him because he composed Roja, Dil se, Rangeela(hahaa). na na na..this aint joke!! they go to him because of the MASS, CURRENT MARKET not the 1996 popularity..and these cant be given only by Fans but a lot lot more people need to like the music. but here is the catch with ARR - The MASS you are talking about is the FANS. If ARR fans like it then it already reached the mass. be assured about it.If you dont like it guess what? I pity you. You are one of those small..tiny winy group who doesnt likes this.. sorry!! no Offense...you asked for it bro.!! dont glue your eyes and ears to your music system with Yuvvraaj playing..just relax yourslef.focus on your normal day to day life and have this song played in yoru car,living room when you have dinner..rom nowhere it hits you like a storm...!! --- In arrahmanfans@yahoogroups.com, Jahanzeb Farooq [EMAIL PROTECTED] wrote: man you have to accept it. although it is growing on us and we have started liking more compared to the first time, but the fact remains that it is not something liked by the masses. only one song Tu meri dost would be liked by the masses but not the rest. even recent ARR albums had many songs loved by masses (and critics) e.g., Tere bina, Mayya mayya, Barso re (Guru), Pappu, Aditi, Kahin to (JTYJN) etc etc. Furthermore the fact remains that Yuvvraaj does not have even a single song which can be called just mibdblowing or plain awesome as per the ARR standards etc. comparing to Taal it still remains a HUGE disappointment, if not for us (ARR fans) certainly it is for masses. the weakest songs of Dil se, Taal or Bombay are still better than strongest song/s of Yuvvraaj. lets analyze it. Mastam mastam is good, it grows, melody is Rahmanish, Sonu is perfect, but again it is not something instantly loved by masses. Zindagi is again good but nothing exceptional. it heavily relies on vocals, too little music, no traditional ARR interludes etc. Man mohini is very good but alas too short, which is completely un- understandable, why did not ARR put a few more minutes to it??? strange. Dil ka risha is very good again, orchestra is great. it would be loved more than Zindagi, Mastam, Man mohini by masses. however it is a very situational song, not something you will find people humming or playing on streets etc. Shano shano is one of the weakest songs of ARR ever, people will not find anything special in it. it is not very different than dozens of Pritam and others' songs releasing every day. even Pappu (JTYJN) was far far far far far far better. so at the end the only song remains is Tu muskura which will be liked by the masses but again there is nothing very special in it. it is likable but not something blockbuster etc. it is in the league of recent Tu bin bataye (RDB) and Milo wahan wahan (Ada) though the two were far far better. just think of some of ARR's biggest hits and ask yourself honestly can we compare any of Yuvvraaj's songs with Satrangi, Dil se, Chaiyyan chaiyyan (Dil se) Taal se taal, ishq bina, ramta jogi (Taal), Kehna hi kya, Hamma hamma, Tu hi re (Bombay) and those from Rangeela, Saathiya, Lagaan, Roja, Sapnay etc etc or even recent lesser hits rang de basanti (RDB), khwaja mere khwaja, azeem-o-shaan (JA) etc and those from Guru etc. and you will get the answer. hence i am certainly not surprised by the reactions of masses. ARR here really disappointed, because of Ghai-ARR combo people were expecting something as fantastic as Taal, but there is no comparison between Taal and Yuvvraaj. at least if you ask me if i give 10/10 to Taal i will give only 4/10 to Yuvvraaj. ARR should have experimented in some other low profile album but certainly not in Yuvvraaj. also a film solely based on music certainly required some instantly classic music, like Taal. --- In arrahmanfans@yahoogroups.com, Chord purevibz@ wrote: Did anyone read the comments that
Re: [arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments
On 10/21/2008 10:10 PM India Time, _Jahanzeb Farooq_ wrote: man you have to accept it. Please, let me decide what I am going to accept. You can't dictate like this, buddy. although it is growing on us and we have started liking more compared to the first time, but the fact remains that it is not something liked by the masses. only one song Tu meri dost would be liked by the masses but not the rest. No way. Shano and Mastam are going to be on every youth's tongue, me think. even recent ARR albums had many songs loved by masses (and critics) e.g., Tere bina, Mayya mayya, Barso re (Guru), Pappu, Aditi, Kahin to (JTYJN) etc etc. Agreed. So? Furthermore the fact remains that Yuvvraaj does not have even a single song which can be called just mibdblowing or plain awesome as per the ARR standards etc. Hmm. I thought about it and I find that I have to agree with you. So, I also concede that even though Yuvraj is an album for the masses and it has good softer songs also (manmohini, zindagi), still, I have to agree that there is no mindblowing song AS PER ARR STANDARDS. I think that is the area where the freedom ARR gets makes the whole difference. Mani gives ARR complete freedom, so ARR's every Mani album has one or more mindblowing songs. Deepa mehta gives ARR complete freedom, so ARR's every Deepa album has one or more mindblowing songs. But, even though Ghai's inputs have done wonders in Taal and Yuvraj, those have restricted ARR from giving a mindblowing song in Yuvraj. But, I would not complain. ARR is operating in a commercial world, and Yuvraj is having all the potential of becoming the biggest commercial hit of ARR's career. That would help him. And it would help us fans also when we get ridiculed by ARR's detractors who never fail to highlight when Pritam or Himesh's songs top the chart. And, me think, that is what Ghai wanted - compromise on mindblowing song and give an outright commercial hit. And ARR/Ghai have succeeded like anything in this album. comparing to Taal it still remains a HUGE disappointment, if not for us (ARR fans) certainly it is for masses. Why are you so inclined on keeping us fans in a separate category apart from masses? Does it satisfy your ego that you are on a higher ivory tower as a fan compared to lowly, meanly, measly masses. It is not so. We are all humans, made equal by our Creator. This album is going to bring millions of new fans to ARR's fold. Masses will become ARR fans after listening to this album. You think that is going to dilute the superiority of ARR fans. I differ. the weakest songs of Dil se, Taal or Bombay are still better than strongest song/s of Yuvvraaj. That is going to personal taste now. I have written that I personally found Ishq bina a tad too sweet, sacharine sweet, for my liking. I didn't like any remix, and western in Taal. My find in that was Ni main samajh gayi, Nahin Samne, jangal mein koyal bole, taal se taal mila, etc. I am not able to compare Taal with Yuvraj. They are different genre of songs. And, for Dil Se and Bombay, or even Guru, or Yuva: well, Mani is Mani, yaar. Add, 1947 Earh, Water: Well, Deepa Mehta is Deepa Mehta. Ghai is different. The only album of ARR that I outright disliked is Love Bird. lets analyze it. Mastam mastam is good, it grows, melody is Rahmanish, Sonu is perfect, but again it is not something instantly loved by masses. here, you lost me. Mastam is the so cathy, yet soothing. It is going to be loved by masses. Zindagi is again good but nothing exceptional. it heavily relies on vocals, too little music, no traditional ARR interludes etc. So? It is a different song. It has its own style, its own ingredients. That is how ARR gave this song, and it is great in its existing form. If ARR has changed a single thing in it, that would have become a different song. too little music? Seems you have forgotten Khamosh Raat of Takshak that would hold the ARR's all time record for minimal music, me think. Man mohini is very good but alas too short, which is completely un- understandable, why did not ARR put a few more minutes to it??? Now, I would say your think line is irrational. ARR has capability to make Manmohini 2 hours song, but Ghai wouldn't put a 2 hours manmohini in his film. So why make it 2 hours? Ghai has taken a liking for pure classical for some time, for a change, for some reason. Kishna had Kaahe Ujadi Mori neend (ID), and he wanted a short piece having pure classical. That is what he got. strange. Dil ka risha is very good again, orchestra is great. it would be loved more than Zindagi, Mastam, Man mohini by masses. however it is a very situational song, not something you will find people humming or playing on streets etc. Exactly, and you should have left Mastam out of this logic. Mastam is what people can humm out all day. Shano shano is one of the weakest songs of ARR ever, people will not
Re: [arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments
All the while I was thinking we are also part of the masses. csrao -Original Message- From: Jahanzeb Farooq [EMAIL PROTECTED] To: arrahmanfans@yahoogroups.com Sent: Tue, 21 Oct 2008 10:10 pm Subject: [arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments man you have to accept it. although it is growing on us and we have started liking more compared to the first time, but the fact remains that it is not something liked by the masses. only one song Tu meri dost would be liked by the masses but not the rest. even recent ARR albums had many songs loved by masses (and critics) e.g., Tere bina, Mayya mayya, Barso re (Guru), Pappu, Aditi, Kahin to (JTYJN) etc etc. Furthermore the fact remains that Yuvvraaj does not have even a single song which can be called just mibdblowing or plain awesome as per the ARR standards etc. comparing to Taal it still remains a HUGE disappointment, if not for us (ARR fans) certainly it is for masses. the weakest songs of Dil se, Taal or Bombay are still better than strongest song/s of Yuvvraaj. lets analyze it. Mastam mastam is good, it grows, melody is Rahmanish, Sonu is perfect, but again it is not something instantly loved by masses. Zindagi is again good but nothing exceptional. it heavily relies on vocals, too little music, no traditional ARR interludes etc. Man mohini is very good but alas too short, which is completely un- understandable, why did not ARR put a few more minutes to it??? strange. Dil ka risha is very good again, orchestra is great. it would be loved more than Zindagi, Mastam, Man mohini by masses. however it is a very situational song, not something you will find people humming or playing on streets etc. Shano shano is one of the weakest songs of ARR ever, people will not find anything special in it. it is not very different than dozens of Pritam and others' songs releasing every day. even Pappu (JTYJN) was far far far far far far better. so at the end the only song remains is Tu muskura which will be liked by the masses but again there is nothing very special in it. it is likable but not something blockbuster etc. it is in the league of recent Tu bin bataye (RDB) and Milo wahan wahan (Ada) though the two were far far better. just think of some of ARR's biggest hits and ask yourself honestly can we compare any of Yuvvraaj's songs with Satrangi, Dil se, Chaiyyan chaiyyan (Dil se) Taal se taal, ishq bina, ramta jogi (Taal), Kehna hi kya, Hamma hamma, Tu hi re (Bombay) and those from Rangeela, Saathiya, Lagaan, Roja, Sapnay etc etc or even recent lesser hits rang de basanti (RDB), khwaja mere khwaja, azeem-o-shaan (JA) etc and those from Guru etc. and you will get the answer. hence i am certainly not surprised by the reactions of masses. ARR here really disappointed, because of Ghai-ARR combo people were expecting something as fantastic as Taal, but there is no comparison between Taal and Yuvvraaj. at least if you ask me if i give 10/10 to Taal i will give only 4/10 to Yuvvraaj. ARR should have experimented in some other low profile album but certainly not in Yuvvraaj. also a film solely based on music certainly required some instantly classic music, like Taal. --- In arrahmanfans@yahoogroups.com, Chord [EMAIL PROTECTED] wrote: Did anyone read the comments that followed the review? I can't believe the ignorance, stupidity, and narrow mindedness of some people out there --- In arrahmanfans@yahoogroups.com, Sai Theodore saitheodore@ wrote: http://www.rediff.com/movies/2008/oct/21yuv.htm Are you searching for a reason, to be kind? b Explore, Experience, Enjoy A.R.Rahman - The Man, The Music, The Magic. Only at arrahmanfans.com - The definitive A.R.Rahman e-community. Homepage: http://www.arrahmanfans.com Admin: [EMAIL PROTECTED] To Subscribe: [EMAIL PROTECTED] To Unsubscribe: [EMAIL PROTECTED] Groups Links You are invited to Get a Free AOL Email ID. - http://webmail.aol.in
Re: [arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments
I havent written a lot in this group but that doesnt mean i dont like Rahman. To me, he is the BEST THING EVER that happened to Indian Music. The first time i heard Yuvvraaj music, i felt that was a load of crap. But hey, thats what i felt when i heard Kaadhalan first. Same with Dil Se, or Taal. I cant remember one of Rahman's that i liked the first time. But Dil Se and Taal went on to become my all time favourites. He makes this wierd kind of music that grows on you then makes you go crazy over it. Thats one of the things that makes him a music director different from others. He doesnt bring out stereo type music lik Pritham does or stupid Himesh Reshamayya does. (God, im comparing Ferraris to Maruthi 800s. Pritam and Himesh should be proud that at least i said their name in the same breath as Rahman's). A good critique finds the strong points of a piece that he is critiquing. The main point my brother Jehanzeb missed out here is that, the music is different from what bollywood is churning out day in day out. It takes time for someone to get used to that music. That never means the music is bad. Your ears are atuned to mainstream Himesh, Pritam or whatever. They may give you short time ecstasy But Rahman brings that mystique to a song which makes you want to listen to it again when you havent actually liked it the first time. Then you listen it a second time and think Thats not bad after all. The third time you go I kinda like it. Then after a few time you go, Wow! thats wonderful. I have gone through that phase with every one of his compositions. So my point is even if Yuvvraaj ends up being Rahmans weakest ever, it is better than the rest out there... (Its my opinion and solely my opinion).. Alfa From: arunsoft2k [EMAIL PROTECTED] To: arrahmanfans@yahoogroups.com Sent: Wednesday, October 22, 2008 7:43:02 AM Subject: [arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments Jahanzeb, The true fact is you are disapponinted with the music but its only you..but there is something called difference of opininion!!! a lot of people both here and orkut ARRahman communitiy.. liked the music. well you can always compare with Taal, Dilse, Rangeela. but really you should spend some time reading the reviews came out when those were out. I'm sure there will be another Janhanzeb trying to make people understand how Arr disapointed yet again. but outof nowhere it becomes a classic after a year for some of those. I have nothing against your taste...but Here is the most imp point you migt havs missed!! 1.ARR is the highly paid music director...paid big bugs!!! 2.Big deal producers still trying to get ARR as their film music director. They wait more time than even a ARR-Fan waiting for ARR's release. Do you think the producers like ARRs divine feelings??.. or they like his recording theater,or place where he lives or they liked him because he composed Roja, Dil se, Rangeela(hahaa) . na na na..this aint joke!! they go to him because of the MASS, CURRENT MARKET not the 1996 popularity. .and these cant be given only by Fans but a lot lot more people need to like the music. but here is the catch with ARR - The MASS you are talking about is the FANS. If ARR fans like it then it already reached the mass. be assured about it.If you dont like it guess what? I pity you. You are one of those small..tiny winy group who doesnt likes this.. sorry!! no Offense...you asked for it bro.!! dont glue your eyes and ears to your music system with Yuvvraaj playing..just relax yourslef.focus on your normal day to day life and have this song played in yoru car,living room when you have dinner..rom nowhere it hits you like a storm...!! --- In arrahmanfans@ yahoogroups. com, Jahanzeb Farooq jahanzebtippu@ ... wrote: man you have to accept it. although it is growing on us and we have started liking more compared to the first time, but the fact remains that it is not something liked by the masses. only one song Tu meri dost would be liked by the masses but not the rest. even recent ARR albums had many songs loved by masses (and critics) e.g., Tere bina, Mayya mayya, Barso re (Guru), Pappu, Aditi, Kahin to (JTYJN) etc etc. Furthermore the fact remains that Yuvvraaj does not have even a single song which can be called just mibdblowing or plain awesome as per the ARR standards etc. comparing to Taal it still remains a HUGE disappointment, if not for us (ARR fans) certainly it is for masses. the weakest songs of Dil se, Taal or Bombay are still better than strongest song/s of Yuvvraaj. lets analyze it. Mastam mastam is good, it grows, melody is Rahmanish, Sonu is perfect, but again it is not something instantly loved by masses. Zindagi is again good but nothing exceptional. it heavily relies on vocals, too little music, no traditional ARR interludes etc. Man mohini is very good but alas
[arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments
Farzad thanks for understanding my feelings. --- In arrahmanfans@yahoogroups.com, Farzad khaleel [EMAIL PROTECTED] wrote: Jahanzeb, I really understand your feelings ! Even everyone has expected more than 100% above than this end product I know you are a die hard fan of Rahman, but still what must we expect ? Rahman cant put a Chhaiyya Chaiyya or Ghagan Ghagan in Yuvraaj. Songs are strongly based on Script and related to Western musical raagas [ Though I dont know much about it ] *Heard melodies are sweet, but those unheard are sweeter. *Can you just hum a tone Rahman has to compose in coming years ? Please dont take this an offensive mail. I am just curious... I just try to do so, but somehow or other, it will resemble to any other songs of Rahman or the other. No body is perfect. Rahman is also a human being. Errors can occur. But in rare case Rahman went wrong. So just relax, hear good music... If you really didnt like this, wait for another Rahman release or switch to any other Bollywood albums :) Movie Fashion has some really good music rendered by Salim Sulaiman. Anyhow, I strictly think that when it comes to picturization of all these longs, you would love more :) Have a great day ahead Dude :) On Tue, Oct 21, 2008 at 10:10 PM, Jahanzeb Farooq [EMAIL PROTECTED]wrote: man you have to accept it. although it is growing on us and we have started liking more compared to the first time, but the fact remains that it is not something liked by the masses. only one song Tu meri dost would be liked by the masses but not the rest. even recent ARR albums had many songs loved by masses (and critics) e.g., Tere bina, Mayya mayya, Barso re (Guru), Pappu, Aditi, Kahin to (JTYJN) etc etc. Furthermore the fact remains that Yuvvraaj does not have even a single song which can be called just mibdblowing or plain awesome as per the ARR standards etc. comparing to Taal it still remains a HUGE disappointment, if not for us (ARR fans) certainly it is for masses. the weakest songs of Dil se, Taal or Bombay are still better than strongest song/s of Yuvvraaj. lets analyze it. Mastam mastam is good, it grows, melody is Rahmanish, Sonu is perfect, but again it is not something instantly loved by masses. Zindagi is again good but nothing exceptional. it heavily relies on vocals, too little music, no traditional ARR interludes etc. Man mohini is very good but alas too short, which is completely un- understandable, why did not ARR put a few more minutes to it??? strange. Dil ka risha is very good again, orchestra is great. it would be loved more than Zindagi, Mastam, Man mohini by masses. however it is a very situational song, not something you will find people humming or playing on streets etc. Shano shano is one of the weakest songs of ARR ever, people will not find anything special in it. it is not very different than dozens of Pritam and others' songs releasing every day. even Pappu (JTYJN) was far far far far far far better. so at the end the only song remains is Tu muskura which will be liked by the masses but again there is nothing very special in it. it is likable but not something blockbuster etc. it is in the league of recent Tu bin bataye (RDB) and Milo wahan wahan (Ada) though the two were far far better. just think of some of ARR's biggest hits and ask yourself honestly can we compare any of Yuvvraaj's songs with Satrangi, Dil se, Chaiyyan chaiyyan (Dil se) Taal se taal, ishq bina, ramta jogi (Taal), Kehna hi kya, Hamma hamma, Tu hi re (Bombay) and those from Rangeela, Saathiya, Lagaan, Roja, Sapnay etc etc or even recent lesser hits rang de basanti (RDB), khwaja mere khwaja, azeem-o-shaan (JA) etc and those from Guru etc. and you will get the answer. hence i am certainly not surprised by the reactions of masses. ARR here really disappointed, because of Ghai-ARR combo people were expecting something as fantastic as Taal, but there is no comparison between Taal and Yuvvraaj. at least if you ask me if i give 10/10 to Taal i will give only 4/10 to Yuvvraaj. ARR should have experimented in some other low profile album but certainly not in Yuvvraaj. also a film solely based on music certainly required some instantly classic music, like Taal. --- In arrahmanfans@yahoogroups.com arrahmanfans%40yahoogroups.com, Chord purevibz@ wrote: Did anyone read the comments that followed the review? I can't believe the ignorance, stupidity, and narrow mindedness of some people out there --- In arrahmanfans@yahoogroups.com arrahmanfans%40yahoogroups.com, Sai Theodore saitheodore@ wrote: http://www.rediff.com/movies/2008/oct/21yuv.htm -- Farzad Khaleel Webmaster http://rahmaniac.co.nr
[arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments
The true fact is you are disapponinted with the music but its only you. it is not only me. a proof is comments on the blog we are currently discussing. they go to him because of the MASS, CURRENT MARKET not the 1996 popularity..and these cant be given only by Fans but a lot lot more people need to like the music. of course i and everyone here knows this. the point here what we are discussing is that with yuvvraaj ARR could not deliver an album which is as highly liked by the masses as taal, dil se etc. here is the catch with ARR - The MASS you are talking about is the FANS. If ARR fans like it then it already reached the mass. be assured about it. i don't agree. the masses are not fans. there are lots of his albums which were not liked by masses but of course were liked by his fans. If you dont like it guess what? I pity you. You are one of those small..tiny winy group who doesnt likes this.. sorry!! no Offense i never said i am not liking it, i am only saying it is not one of ARR's bests. and disappoints as album of a Ghai-ARR combo especially after masterpiece Taal. --- In arrahmanfans@yahoogroups.com, arunsoft2k [EMAIL PROTECTED] wrote: Jahanzeb, The true fact is you are disapponinted with the music but its only you..but there is something called difference of opininion!!! a lot of people both here and orkut ARRahman communitiy..liked the music. well you can always compare with Taal, Dilse, Rangeela. but really you should spend some time reading the reviews came out when those were out. I'm sure there will be another Janhanzeb trying to make people understand how Arr disapointed yet again. but outof nowhere it becomes a classic after a year for some of those. I have nothing against your taste...but Here is the most imp point you migt havs missed!! 1.ARR is the highly paid music director...paid big bugs!!! 2.Big deal producers still trying to get ARR as their film music director. They wait more time than even a ARR-Fan waiting for ARR's release. Do you think the producers like ARRs divine feelings??..or they like his recording theater,or place where he lives or they liked him because he composed Roja, Dil se, Rangeela(hahaa). na na na..this aint joke!! they go to him because of the MASS, CURRENT MARKET not the 1996 popularity..and these cant be given only by Fans but a lot lot more people need to like the music. but here is the catch with ARR - The MASS you are talking about is the FANS. If ARR fans like it then it already reached the mass. be assured about it.If you dont like it guess what? I pity you. You are one of those small..tiny winy group who doesnt likes this.. sorry!! no Offense...you asked for it bro.!! dont glue your eyes and ears to your music system with Yuvvraaj playing..just relax yourslef.focus on your normal day to day life and have this song played in yoru car,living room when you have dinner..rom nowhere it hits you like a storm...!! --- In arrahmanfans@yahoogroups.com, Jahanzeb Farooq jahanzebtippu@ wrote: man you have to accept it. although it is growing on us and we have started liking more compared to the first time, but the fact remains that it is not something liked by the masses. only one song Tu meri dost would be liked by the masses but not the rest. even recent ARR albums had many songs loved by masses (and critics) e.g., Tere bina, Mayya mayya, Barso re (Guru), Pappu, Aditi, Kahin to (JTYJN) etc etc. Furthermore the fact remains that Yuvvraaj does not have even a single song which can be called just mibdblowing or plain awesome as per the ARR standards etc. comparing to Taal it still remains a HUGE disappointment, if not for us (ARR fans) certainly it is for masses. the weakest songs of Dil se, Taal or Bombay are still better than strongest song/s of Yuvvraaj. lets analyze it. Mastam mastam is good, it grows, melody is Rahmanish, Sonu is perfect, but again it is not something instantly loved by masses. Zindagi is again good but nothing exceptional. it heavily relies on vocals, too little music, no traditional ARR interludes etc. Man mohini is very good but alas too short, which is completely un- understandable, why did not ARR put a few more minutes to it??? strange. Dil ka risha is very good again, orchestra is great. it would be loved more than Zindagi, Mastam, Man mohini by masses. however it is a very situational song, not something you will find people humming or playing on streets etc. Shano shano is one of the weakest songs of ARR ever, people will not find anything special in it. it is not very different than dozens of Pritam and others' songs releasing every day. even Pappu (JTYJN) was far far far far far far better. so at the end the only song remains is Tu muskura which will be liked by the masses but again there is nothing
[arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments
If this is not a Taal, then it's your expectations and others' expectations to blame. ARR came up with music that has to go with the script and is bound by the director's wishes and he gave it his best. No other MD could have come up with a better soundtrack for this particular movie subject than ARR and that's a fact. Taal was a different movie demanding a different type of music. People like you who expect each and every ARR release to a be repeat of Taal and Dil Se are going to be perpetually disappointed. ARR has moved on. --- In arrahmanfans@yahoogroups.com, Jahanzeb Farooq [EMAIL PROTECTED] wrote: The true fact is you are disapponinted with the music but its only you. it is not only me. a proof is comments on the blog we are currently discussing. they go to him because of the MASS, CURRENT MARKET not the 1996 popularity..and these cant be given only by Fans but a lot lot more people need to like the music. of course i and everyone here knows this. the point here what we are discussing is that with yuvvraaj ARR could not deliver an album which is as highly liked by the masses as taal, dil se etc. here is the catch with ARR - The MASS you are talking about is the FANS. If ARR fans like it then it already reached the mass. be assured about it. i don't agree. the masses are not fans. there are lots of his albums which were not liked by masses but of course were liked by his fans. If you dont like it guess what? I pity you. You are one of those small..tiny winy group who doesnt likes this.. sorry!! no Offense i never said i am not liking it, i am only saying it is not one of ARR's bests. and disappoints as album of a Ghai-ARR combo especially after masterpiece Taal. --- In arrahmanfans@yahoogroups.com, arunsoft2k arunsoft2k@ wrote: Jahanzeb, The true fact is you are disapponinted with the music but its only you..but there is something called difference of opininion!!! a lot of people both here and orkut ARRahman communitiy..liked the music. well you can always compare with Taal, Dilse, Rangeela. but really you should spend some time reading the reviews came out when those were out. I'm sure there will be another Janhanzeb trying to make people understand how Arr disapointed yet again. but outof nowhere it becomes a classic after a year for some of those. I have nothing against your taste...but Here is the most imp point you migt havs missed!! 1.ARR is the highly paid music director...paid big bugs!!! 2.Big deal producers still trying to get ARR as their film music director. They wait more time than even a ARR-Fan waiting for ARR's release. Do you think the producers like ARRs divine feelings??..or they like his recording theater,or place where he lives or they liked him because he composed Roja, Dil se, Rangeela(hahaa). na na na..this aint joke!! they go to him because of the MASS, CURRENT MARKET not the 1996 popularity..and these cant be given only by Fans but a lot lot more people need to like the music. but here is the catch with ARR - The MASS you are talking about is the FANS. If ARR fans like it then it already reached the mass. be assured about it.If you dont like it guess what? I pity you. You are one of those small..tiny winy group who doesnt likes this.. sorry!! no Offense...you asked for it bro.!! dont glue your eyes and ears to your music system with Yuvvraaj playing..just relax yourslef.focus on your normal day to day life and have this song played in yoru car,living room when you have dinner..rom nowhere it hits you like a storm...!! --- In arrahmanfans@yahoogroups.com, Jahanzeb Farooq jahanzebtippu@ wrote: man you have to accept it. although it is growing on us and we have started liking more compared to the first time, but the fact remains that it is not something liked by the masses. only one song Tu meri dost would be liked by the masses but not the rest. even recent ARR albums had many songs loved by masses (and critics) e.g., Tere bina, Mayya mayya, Barso re (Guru), Pappu, Aditi, Kahin to (JTYJN) etc etc. Furthermore the fact remains that Yuvvraaj does not have even a single song which can be called just mibdblowing or plain awesome as per the ARR standards etc. comparing to Taal it still remains a HUGE disappointment, if not for us (ARR fans) certainly it is for masses. the weakest songs of Dil se, Taal or Bombay are still better than strongest song/s of Yuvvraaj. lets analyze it. Mastam mastam is good, it grows, melody is Rahmanish, Sonu is perfect, but again it is not something instantly loved by masses. Zindagi is again good but nothing exceptional. it heavily relies on vocals, too little music, no traditional ARR interludes etc. Man mohini is very good but alas too short, which is
[arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments
Chord, Rediff forums are not to be taken seriuosly..They make a north - south fight out of everythng..just for fun..no matter wat the news is..for fun they wud say 'HR is the best' and create a north south debate out of it.. So dont tkae it seriuosly.. People write such comments to get noticed as well.. Regards, S.V.Nagaraj --- In arrahmanfans@yahoogroups.com, Chord [EMAIL PROTECTED] wrote: Did anyone read the comments that followed the review? I can't believe the ignorance, stupidity, and narrow mindedness of some people out there --- In arrahmanfans@yahoogroups.com, Sai Theodore saitheodore@ wrote: http://www.rediff.com/movies/2008/oct/21yuv.htm
Re: [arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments
Fools rely on threads/blogs to comment Rahman's music as dissapointing Arijit 2008/10/21 Jahanzeb Farooq [EMAIL PROTECTED] The true fact is you are disapponinted with the music but its only you. it is not only me. a proof is comments on the blog we are currently discussing. they go to him because of the MASS, CURRENT MARKET not the 1996 popularity..and these cant be given only by Fans but a lot lot more people need to like the music. of course i and everyone here knows this. the point here what we are discussing is that with yuvvraaj ARR could not deliver an album which is as highly liked by the masses as taal, dil se etc. here is the catch with ARR - The MASS you are talking about is the FANS. If ARR fans like it then it already reached the mass. be assured about it. i don't agree. the masses are not fans. there are lots of his albums which were not liked by masses but of course were liked by his fans. If you dont like it guess what? I pity you. You are one of those small..tiny winy group who doesnt likes this.. sorry!! no Offense i never said i am not liking it, i am only saying it is not one of ARR's bests. and disappoints as album of a Ghai-ARR combo especially after masterpiece Taal. --- In arrahmanfans@yahoogroups.com arrahmanfans%40yahoogroups.com, arunsoft2k [EMAIL PROTECTED] wrote: Jahanzeb, The true fact is you are disapponinted with the music but its only you..but there is something called difference of opininion!!! a lot of people both here and orkut ARRahman communitiy..liked the music. well you can always compare with Taal, Dilse, Rangeela. but really you should spend some time reading the reviews came out when those were out. I'm sure there will be another Janhanzeb trying to make people understand how Arr disapointed yet again. but outof nowhere it becomes a classic after a year for some of those. I have nothing against your taste...but Here is the most imp point you migt havs missed!! 1.ARR is the highly paid music director...paid big bugs!!! 2.Big deal producers still trying to get ARR as their film music director. They wait more time than even a ARR-Fan waiting for ARR's release. Do you think the producers like ARRs divine feelings??..or they like his recording theater,or place where he lives or they liked him because he composed Roja, Dil se, Rangeela(hahaa). na na na..this aint joke!! they go to him because of the MASS, CURRENT MARKET not the 1996 popularity..and these cant be given only by Fans but a lot lot more people need to like the music. but here is the catch with ARR - The MASS you are talking about is the FANS. If ARR fans like it then it already reached the mass. be assured about it.If you dont like it guess what? I pity you. You are one of those small..tiny winy group who doesnt likes this.. sorry!! no Offense...you asked for it bro.!! dont glue your eyes and ears to your music system with Yuvvraaj playing..just relax yourslef.focus on your normal day to day life and have this song played in yoru car,living room when you have dinner..rom nowhere it hits you like a storm...!! --- In arrahmanfans@yahoogroups.com arrahmanfans%40yahoogroups.com, Jahanzeb Farooq jahanzebtippu@ wrote: man you have to accept it. although it is growing on us and we have started liking more compared to the first time, but the fact remains that it is not something liked by the masses. only one song Tu meri dost would be liked by the masses but not the rest. even recent ARR albums had many songs loved by masses (and critics) e.g., Tere bina, Mayya mayya, Barso re (Guru), Pappu, Aditi, Kahin to (JTYJN) etc etc. Furthermore the fact remains that Yuvvraaj does not have even a single song which can be called just mibdblowing or plain awesome as per the ARR standards etc. comparing to Taal it still remains a HUGE disappointment, if not for us (ARR fans) certainly it is for masses. the weakest songs of Dil se, Taal or Bombay are still better than strongest song/s of Yuvvraaj. lets analyze it. Mastam mastam is good, it grows, melody is Rahmanish, Sonu is perfect, but again it is not something instantly loved by masses. Zindagi is again good but nothing exceptional. it heavily relies on vocals, too little music, no traditional ARR interludes etc. Man mohini is very good but alas too short, which is completely un- understandable, why did not ARR put a few more minutes to it??? strange. Dil ka risha is very good again, orchestra is great. it would be loved more than Zindagi, Mastam, Man mohini by masses. however it is a very situational song, not something you will find people humming or playing on streets etc. Shano shano is one of the weakest songs of ARR ever, people will not find anything special in it. it is not very different than dozens of Pritam and
Re: [arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments
Yuvvraaj - in 1 word - MINDBLOWING. Peace. On Tue, Oct 21, 2008 at 10:31 AM, Chord [EMAIL PROTECTED] wrote: Did anyone read the comments that followed the review? I can't believe the ignorance, stupidity, and narrow mindedness of some people out there --- In arrahmanfans@yahoogroups.com arrahmanfans%40yahoogroups.com, Sai Theodore [EMAIL PROTECTED] wrote: http://www.rediff.com/movies/2008/oct/21yuv.htm -- Cheers, Pradeepan. All you need to do is, decide what to do with the time that is given to you !
Re: [arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments
well said... i wud be happy if the discussion board in rediff for music reviews are totally ripped off... On Tue, Oct 21, 2008 at 8:36 PM, Arijit Debnath [EMAIL PROTECTED] wrote: Fools rely on threads/blogs to comment Rahman's music as dissapointing Arijit 2008/10/21 Jahanzeb Farooq [EMAIL PROTECTED] The true fact is you are disapponinted with the music but its only you. it is not only me. a proof is comments on the blog we are currently discussing. they go to him because of the MASS, CURRENT MARKET not the 1996 popularity..and these cant be given only by Fans but a lot lot more people need to like the music. of course i and everyone here knows this. the point here what we are discussing is that with yuvvraaj ARR could not deliver an album which is as highly liked by the masses as taal, dil se etc. here is the catch with ARR - The MASS you are talking about is the FANS. If ARR fans like it then it already reached the mass. be assured about it. i don't agree. the masses are not fans. there are lots of his albums which were not liked by masses but of course were liked by his fans. If you dont like it guess what? I pity you. You are one of those small..tiny winy group who doesnt likes this.. sorry!! no Offense i never said i am not liking it, i am only saying it is not one of ARR's bests. and disappoints as album of a Ghai-ARR combo especially after masterpiece Taal. --- In arrahmanfans@yahoogroups.com arrahmanfans%40yahoogroups.com, arunsoft2k [EMAIL PROTECTED] wrote: Jahanzeb, The true fact is you are disapponinted with the music but its only you..but there is something called difference of opininion!!! a lot of people both here and orkut ARRahman communitiy..liked the music. well you can always compare with Taal, Dilse, Rangeela. but really you should spend some time reading the reviews came out when those were out. I'm sure there will be another Janhanzeb trying to make people understand how Arr disapointed yet again. but outof nowhere it becomes a classic after a year for some of those. I have nothing against your taste...but Here is the most imp point you migt havs missed!! 1.ARR is the highly paid music director...paid big bugs!!! 2.Big deal producers still trying to get ARR as their film music director. They wait more time than even a ARR-Fan waiting for ARR's release. Do you think the producers like ARRs divine feelings??..or they like his recording theater,or place where he lives or they liked him because he composed Roja, Dil se, Rangeela(hahaa). na na na..this aint joke!! they go to him because of the MASS, CURRENT MARKET not the 1996 popularity..and these cant be given only by Fans but a lot lot more people need to like the music. but here is the catch with ARR - The MASS you are talking about is the FANS. If ARR fans like it then it already reached the mass. be assured about it.If you dont like it guess what? I pity you. You are one of those small..tiny winy group who doesnt likes this.. sorry!! no Offense...you asked for it bro.!! dont glue your eyes and ears to your music system with Yuvvraaj playing..just relax yourslef.focus on your normal day to day life and have this song played in yoru car,living room when you have dinner..rom nowhere it hits you like a storm...!! --- In arrahmanfans@yahoogroups.com arrahmanfans%40yahoogroups.com, Jahanzeb Farooq jahanzebtippu@ wrote: man you have to accept it. although it is growing on us and we have started liking more compared to the first time, but the fact remains that it is not something liked by the masses. only one song Tu meri dost would be liked by the masses but not the rest. even recent ARR albums had many songs loved by masses (and critics) e.g., Tere bina, Mayya mayya, Barso re (Guru), Pappu, Aditi, Kahin to (JTYJN) etc etc. Furthermore the fact remains that Yuvvraaj does not have even a single song which can be called just mibdblowing or plain awesome as per the ARR standards etc. comparing to Taal it still remains a HUGE disappointment, if not for us (ARR fans) certainly it is for masses. the weakest songs of Dil se, Taal or Bombay are still better than strongest song/s of Yuvvraaj. lets analyze it. Mastam mastam is good, it grows, melody is Rahmanish, Sonu is perfect, but again it is not something instantly loved by masses. Zindagi is again good but nothing exceptional. it heavily relies on vocals, too little music, no traditional ARR interludes etc. Man mohini is very good but alas too short, which is completely un- understandable, why did not ARR put a few more minutes to it??? strange. Dil ka risha is very good again, orchestra is great. it would be loved more than Zindagi, Mastam, Man mohini by masses. however it is a very situational song, not something you will find people humming
Re: [arr] Re: Rediff Review - Yuvvraaj - followed by idiotic comments
I generally read Rediff comments just like watching Vijaykanth/T.Rajendar clips on Youtube.To hell with what some group of people think, Yuvvraaj is mindblowing, I repeat. On Tue, Oct 21, 2008 at 10:30 PM, Nagaraj [EMAIL PROTECTED] wrote: Chord, Rediff forums are not to be taken seriuosly..They make a north - south fight out of everythng..just for fun..no matter wat the news is..for fun they wud say 'HR is the best' and create a north south debate out of it.. So dont tkae it seriuosly.. People write such comments to get noticed as well.. Regards, S.V.Nagaraj --- In arrahmanfans@yahoogroups.com arrahmanfans%40yahoogroups.com, Chord [EMAIL PROTECTED] wrote: Did anyone read the comments that followed the review? I can't believe the ignorance, stupidity, and narrow mindedness of some people out there --- In arrahmanfans@yahoogroups.com arrahmanfans%40yahoogroups.com, Sai Theodore saitheodore@ wrote: http://www.rediff.com/movies/2008/oct/21yuv.htm -- Cheers, Pradeepan. All you need to do is, decide what to do with the time that is given to you !
