[SlimDevices: Audiophiles] Re: Upgrade Advice

2007-01-27 Thread geraint smith

totoro;174623 Wrote: 
 It's a decent amp. Doesn't seem like the weakest thing in the system to
 me. If you haven't heard a really good, music-oriented (as opposed to
 home-theater-oriented) sub, I think you'll probably be pretty amazed
 when you hear one.
 
 I used to have triangle celius speakers, which don't have much bass. I
 added a cheapish sub, and it was better. A friend of mine got the rel
 to use with his, and the results were spectacular.

For years, I had a pair of Rogers LS3/5a (15 ohm variety) which were
great, but simply did not have a bass (well, actually, when I measured
them, they had a suprising amount, but that's not what it sounded
like). I put them on a pair of first class stands, and positioned them
properly. Bass improved significantly. Obviously, with 733s, the new
stand is not an option. Adding a REL Strata 5: dramatic improvement -
huge difference, the sort that leaves you wishing you'd done it years
ago. This is all sorts of music, from Bach on a harpsichord to Wagner
to Black Sabbath, Queen and Genesis. It can shake the room on the last
four, but it's not just noise. It is wonderful, clear, bass which works
particularly well with the little BBC monitors because they are so, so
accurate in the mid/top rangeThe harpsichord (and human voices, and
string quartets, and everything in between) sound much, much more
natural. If you're in the room with a quartet, you can easily feel the
cello. One can with this combination. One can also hear every nuance
down low. One couldn't before.

Measurement (not particularly precise - compensated Radio Shack
pressure meter plus tone bursts) showed the combined system was flat
down to about 18Hz, well up into the normal LS3/5a's normal range.
Previously, it had been flat down to about 50-60Hz, then tailed off.

You could audition both. I'd just buy the sub anyway if I were you. I'd
go over budget if I needed to, to do it, if I were you. I'm not, of
course, but I don't think you'd regret it, and you could always add a
DAC in a year or two. (I'm sure you will anyway, if the bug has
bitten!)

Geraint.


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[SlimDevices: Audiophiles] Apple to allow music with Fairplay DRM to be streamed?

2007-01-20 Thread geraint smith

www.tech.co.uk (and MacRumors is carrying it) is reporting that Apple is
to announce in the coming week that it is 1. licensing Fairplay DRM to
the company's Made for iPod licence and 2. Allowing streaming of
Fairplay protected music via USB (whatever that means).

Maybe we'll get to play that iTunes music store crud through a
Squeezebox soon (or waste a Transporter on it.)


http://www.tech.co.uk/home-entertainment/hi-fi-and-audio/hi-fi-amps-and-receivers/news/apple-to-open-up-fairplay-drm;jsessionid=D9E83C25DF4C124EF06F8439516E78C2?articleid=394429162

http://www.macrumors.com/pages/2007/01/20070117025248.shtml


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[SlimDevices: Audiophiles] Re: Interesting article on CD loudness

2007-01-19 Thread geraint smith

Mark Lanctot;171659 Wrote: 
 Yes, it used to be that music was produced for listening over a car
 radio, now it's probably produced for how it plays back in 128 kbps AAC
 form in an iPod.

Which is doubly sad - and apologies because this is probably off topic,
but it does bug me - because if one uses an iPod to play back lossless
or uncompressed files at max. bitrate/sample rate (1411kbps/44.1kHz for
uncompressed), through a pair of really good headphones or something
like the Shure e5c and the sound quality is pretty good, considering
it's a pocket package. They are not, inherently, bad machines. They
seem to me much, much more competent than Sony Walkman cassette players
used to be, for instance. These I always found them completely
unlistenable - horrible things, except for the one Professional model
that no-one in their right mind would carry except for professional
purposes. From imperfect memory, they also seem to me to be at least as
good as any of the mini-disc Walkmans I heard. 

I've just had a go, though, at listening to a Shuffle (old style white
one) playing 128kbps, using a pair of little Koss folders - not
wonderful, but better than the supplied earbuds by some way - and it
was truly ghastly. The internals of the Shuffle are - I imagine -
nothing like as competent as those of the top of range video iPod, but
even so - well, what a complete waste to use an iPod to play iTunes
Music Store crud.


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[SlimDevices: Audiophiles] Re: Lossless Downloads

2007-01-14 Thread geraint smith

mikeruss;170213 Wrote: 
 I buy all 99% of my music from www.cd-wow.com Cheap as chips!! Plus it
 often works out quicker (delivery and ripping ;-)) than downloading
 large FLAC files. There is also the added benifit of having a hard copy
 of your tunes.
 
 I can't see a reason why I would download, apart from maybe a listen to
 a track or two of an album then I will decide to buy.

Perhaps because there are only one or two tracks on an album to which
you'd want to listen? I'm in exactly that position at the moment,
having about two tracks from each of half a dozen albums that rank
among my top favourites, but also knowing that I really do not want the
rest of the albums. Downloading is lots cheaper in those circumstances.
However,  I'm still never going back to any downloading poor quality
lossy, as in iTunes music store. Most of these single tracks were
originally bought from iTunes, and I've decided that I can put up with
them no longer. Either I download lossless files (preferably AIFF or
ALAC) or else I grit the teeth and return, wailing, to haunt Amazon
again.

Geraint.


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[SlimDevices: Audiophiles] Re: Need to brighten sound of new SB3 -- Transporter or DAC?

2007-01-12 Thread geraint smith

tomjtx;169590 Wrote: 
 I wholeheartedly agree with you, Adam.
 This guy is a (insert description of your choice, mine is unprintable).
 
 To ask for advice and then respond so rudely is behavior I wouldn't
 want to reward.
 
 

Without in any way wishing to defend such behaviour, I would observe,
in the mildest possible way, that he is not entirely alone, and that at
least the desert rat has had the good grace  (and pragmatic wisdom) to
apologise. ;^)


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-11 Thread geraint smith

Robin Bowes;169007 Wrote: 
 geraint smith wrote:
 
  If only FLAC worked with iTunes (or vice versa), or else that there
  were another music ripping/tagging/labelling all-in-one product for
 Mac
  OSX that was as easy, and worked as well as, iTunes. But it doesn't,
 and
  there isn't - or if there is one,  I'd very much like to know about
 it
  (although only if it reads tags attached by iTunes. The thought of
  doing all that again...ugh!). So Aiff it is, then. The only
 practical
  thing against Aiff (apart from the space it takes on your disc,
 which
  is not much against it given how cheap disc space is now) is that
  programmes for PCs don't seem to like it much. There there, very
 sad,
  never mind. But tagging is not an issue with Aiff. You can - and I
 do,
  using iTunes - tag Aiff as easily, comprehensively and well as one
 can
  tag FLAC, and a darned site better than one can tag WAV.
 
 So, would you be interested in a script that converts your AIFF files
 to
 FLAC, including all tags?
 
 Also, if you're tied to formats supported by iTunes then ALAC will
 take
 up less space than AIFF and support the same tags.
 
 R.

Not really, Robin, no. What gave you that idea? I don't think I
suggested that at all! If, however, a programme existed that did
everything that iTunes does, but which handled Flac (and, preferably,
which could rip SACDs and DVD-A in 24 bit, too) in addition, then I
would (be interested, that is). I can quite see the desirability of
open source/non-proprietary software, and thoroughly approve of the
philosphy. But one doesn't (to my knowledge) so I'm not.

ALAC has various disadvantages on the Squeezebox - no ff or rew, needs
to be converted on the fly - that, for me, heavily outweigh the
advantage of compaction. I still have some files in ALAC, and using
them on the SB is a pain on my setup - I'm sure, for instance, that
there are a lot more dropouts when I'm using it - so I'm continuing to
convert them to AIFF.


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-11 Thread geraint smith

lafayette;169093 Wrote: 
 
 I am an attorney, and...logic matters to me.
 

Are you sure you're a lawyer? I've never heard one say that before. The
ones I know say logic can go hang provided that they win.


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-11 Thread geraint smith

tomjtx;169270 Wrote: 
 Yes , I have OS 10.4
 
 Thanks for the info. I'll look at the links,
 
 Tom

A me too, I'm afraid, but I really do want to thank Robin for that
Max link. Now I can have a little play with FLAC and find out for
myself what can and can't be done on the Mac with it. Thank you, Robin!


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread geraint smith

Pat Farrell;168809 Wrote: 
 tomjtx wrote:
  benthos;168790 Wrote: 
  That's where you and I part paths: it's about my property, not
 Apple's,
  or anyone else's.
 
  I completely agree with you that it's my property once I buy it.
 This
  whole DRM thing should be a major consumer
  concern...but most people seem to be unaware of the
  limitations DRM puts on our purchase.
 
 Sadly, this thread is going off topic. And it gets complicated
 quickly.
 IANAL...
 
 The legal terms on a CD are not what people think.
 You do not own the CD's music. You only own the right to listen to it.
 
 Buying a CD gives you only limited rights to use the music, you can
 not,
 for example, put the wave files up on the internet.
 
 Sony, last year put out a number of CDs with DRM on them, which is
 fairly bad, but much worse was that Sony put them out without labeling
 that the CDs were not really CDs, per the RedBook spec.
 
 Video licensing is even less well understood that music, as bandwidth
 to
 share videos has not been around and commonplace as long as bandwidth
 to
 share music.
 
 It is correct that today, neither Microsoft nor Apple include DRM in
 their mainline products. But Microsoft's Play-for-sure was a DRM.
 And Apple is in bed with Disney, a major creator  of movies. So
 one should be careful extrapolating from today's Apple and Microsoft
 products.
 
 It is impossible to tell, but if the Sony CD DRM had not been badly
 implemented, and had not been labeled a rootkit by folks strongly
 against all DRM, perhaps all CDs sold today would have the same sorts
 of
 protection as Sony tried to sell.
 
 Be careful with broad statements about its my property because the
 law
 is not as clear or settled as people think.
 
 It is possible that Apple and/or Microsoft will add DRM to their
 formats. It is not possible that FLAC will ever add it, as the goal of
 FLAC precludes it. Just as there is nothing to prevent someone from
 making a package that has better compression than FLAC and calls it
 something like AlmostFree lossless audio codec.
 
 
 -- 
 Pat
 http://www.pfarrell.com/music/slimserver/slimsoftware.html

If only FLAC worked with iTunes (or vice versa), or else that there
were another music ripping/tagging/labelling all-in-one product for Mac
OSX that was as easy, and worked as well as, iTunes. But it doesn't, and
there isn't - or if there is one,  I'd very much like to know about it
(although only if it reads tags attached by iTunes. The thought of
doing all that again...ugh!). So Aiff it is, then. The only practical
thing against Aiff (apart from the space it takes on your disc, which
is not much against it given how cheap disc space is now) is that
programmes for PCs don't seem to like it much. There there, very sad,
never mind. But tagging is not an issue with Aiff. You can - and I do,
using iTunes - tag Aiff as easily, comprehensively and well as one can
tag FLAC, and a darned site better than one can tag WAV.


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread geraint smith

Robin Bowes;168860 Wrote: 
 lafayette wrote:
 
 [color=blue]
  One point people seem to be missing is this: Apple has moved forward
  with 802.11n.  All these problems with Squeezebox/Transporter
  drop-outs?  History.
 
 Nope. The microwave/phone/xmas tree will still affect the signal.
 
 R.

Just think, folks, now this new improved flavour brings you drop outs
at five times the speed. Unless, of course, you plug your Squeezebox
into your Airport Express, when you will get none at all (saving the
cordless phone next door, your honour).


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread geraint smith

CardinalFang;168872 Wrote: 
 Apologies for jumping into your discussion, but how does that affect
 audio quality? It's more of a personal issue whether you care or not
 about open source vs proprietary and it doesn't make either technically
 superior to the other. They are both lossless and take up less file
 space. I like choice too, but I'm not a zealot either way. I've never
 used FLAC because the tools take too long to use, if it were as slick
 as iTunes, I might switch, but then I like the to being able to use
 iTunes for playback on a PC as well.
 
 
 
 That is a good reason, but so does Apple Lossless and with disk space
 so cheap, it's probably the tagging aspect that is more relevant. 

Quite - save that tagging not an issue either. Aiff tags as well as
FLAC.

 
 
 Is that another Apple convergence device? It cooks your brain and pokes
 tinsel in your eyes at the same time when you are calling home at
 Christmas? :-)

Aaargh! Don't! Jobs has ears everywhere! It'll be in production in time
for Q4!

Geraint.


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[SlimDevices: Audiophiles] Re: sound stage width

2006-12-31 Thread geraint smith

lafayette;166146 Wrote: 
 ..in my experience, and from what i have learned, the rule and not
 the exception is that good stereo imaging pretty much happens between
 the speakers.  The stuff you beyond that is artifice (as above) or
 reflection.

But (to augment SnarlyDwarf's and Pat Farell's responses still
further), it is all artifice - every bit of it, the whole shebang, from
musician to speakers. What is music, if not artifice? And that's before
you go anywhere near the Black Stereophonic Arts. This is no more
artifice than any of the other tricks practised in the attempt to
create perfection in an imperfect world, to restore Nature to what it
was as somebody wrote 400 years ago. If we all wanted to eschew
artifice, we'd be sitting in fields and listening to blackbirds, not in
padded cells to loud amplified noises. (Although one might be drawn
while there to reflect that even that isn't such certain advice as
would have been thought a few years ago, given all we've found out in
the last few years about the individuality and practiced skills
inherent in birdsong).

Anyway, enough of the metaphysical ramblings. A Happy and prosperous
New Year to all!


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[SlimDevices: Audiophiles] Re: 320kbps -- too much?

2006-12-15 Thread geraint smith

highdudgeon;162526 Wrote: 
 I know, it is awful.
 
 Thankfully, I keep my collection in nice boxes, alphabetized by genre. 
 I've be rescanning some stuff and it hit me that I can actually zero in
 on some thing faster with my eyes and fingers than with a remote
 control.  Go figure.
 
 At some point I would like to back up my entire CD collection, in Apple
 Lossless or AIFF, to DVDs.  Every last CD (not FLAC because I am an
 Macintosh user).

Yes, as another one, I'd gathered. My discs are in ring binders, (less
space) and in chronological order either by date of birth of composer
or by date of release of first album, depending on genre, which makes
life more interesting. Now, was Tallis born before Byrd or after? And
where's Praetorius gone? Bother. I was sure he was round here
somewhere. It's a sort of DIY musicology course every time I fumble
for a disc. After all, for Machaut next to Meatloaf, Wizzard mixed up
with Warlock, and the Beach Boys jostling with Beethoven, there's
always the remote - and yes, I agree about the remote. It is painfully
slow.

Have you solved your drop out problem?


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[SlimDevices: Audiophiles] Re: 320kbps -- too much?

2006-12-14 Thread geraint smith

highdudgeon;162262 Wrote: 
 As far as I know, it does.snip..
 What should be the ideal conversion for aac?

As far as I know, too, it does, and as a fellow Mac-head, I use iTunes
and have problems with dropouts only when 't' folk next door are using
their cordless phone or their microwave, so that doesn't sound likely
to me. But I do get them (I think, although it's a while since I had
one) with ALAC, and certainly with AAC.  I suspect it is because my
eMac, burdened as it is with other tasks and hamstrung by limited
memory and processing power (rather like its owner) can't cope smoothly
with the transcoding. Might that be the problem?

I'd be interested to know why you choose to rip to AAC, with all its
Slimserver disadvantages (no fast forward/rewind and transcoding being
the ones that spring to mind) rather than to a format that just works
without needing transcoding, which in our case would be AIFF. In other
words, I wouldn't start from here, if I were you..but as I'm not,
I'd like to understand your reasoning. It may well be better than
mine.

Geraint.


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[SlimDevices: Audiophiles] Re: 320kbps -- too much?

2006-12-14 Thread geraint smith

highdudgeon;162445 Wrote: 
 Got it.
 
 Back to FLAC: I have 2 external drives, one 320gb and one 500gb.
 Needless to say, I can fit a lot of music on there (and home huge
 photoshop files).
 
 Still, I've tried and tried, but I can't hear any difference between
 FLAC and Apple Lossless. So, why not save the space?  That's my view of
 things, anyway.

But Apple Lossless is not AAC. AAC is a lossy codec. Apple Lossless is
ALAC, which takes up the same space (roughly) as FLAC, (as Snarlydwarf
says, I've just noticed) but, like AAC, needs to be transcoded to play
on a Squeezebox - and that's the main reason I don't use it much
myself. But never AAC. Once the bits are gone, they're gone. FLAC would
be the obvious answer (lossless, doesn't need transcoding, plays nicely
with Slimserver) - but not with iTunes and a Mac, (or an iPod, for that
matter) which, of the lossless, compressed formats, play only with
ALAC.

Having ripped 600 plus CDs so far (and still counting), with at least
as many LPs to digitise yet, I take your point about space, of course,
but you could get 1100 or so of your 1500 CDs on your existing HDs
(although that's leaving aside your non-Music files) even in Aiff.
Another 500Gb (even another Tb, these days) is a lot, lot less than a
Transporter, for instance, and you'd live in lossless, full CD quality,
untranscoding, drop-out-free heaven, while still being able to use
iTunes on your Mac.

Well, you would if you manage to sort out those neighbours of yours!
Don't you have an axe?


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[SlimDevices: Audiophiles] Re: 320kbps -- too much?

2006-12-14 Thread geraint smith

highdudgeon;162496 Wrote: 
 The majority of my collection is in Apple Lossless, not AAC -- I've just
 been doing that lately, for the heck of it.  Honestly, I can't tell any
 difference.

Argh! You're throwing away bits for the heck of it? On the
audiophile list?? Quick, nurse, the screens!!

Slightly more seriously, at that bitrate (320kbps) I'd be fairly
surprised if you could hear much difference, if any. But just think of
all that lovely innocent information you're consigning to eternal
oblivion.sniffI'm sorrysniff.it's just too sad...


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[SlimDevices: Audiophiles] Re: WMA lossless vs EAC

2006-12-06 Thread geraint smith

radish;159959 Wrote: 
 It has the capability to carry DRM in the file format, doesn't mean it's
 always used (e.g. it's not if you rip the file yourself).

There seems to be some confusion, or at least, the potential for it
here, between AAC (Advanced Audio Codec, as used in its protected form
in iTunes) and ALAC (Apple Lossless Audio Codec). ALAC does not
utilize any digital rights management scheme (but see below) and is
lossless. AAC (which is not lossless) utilises Fairplay DRM if
purchased from iTunes, (when it is known as AAC Protected), but is not
so protected if one rips it oneself.

This from Wikipedia:

Apple Lossless data is stored within an MP4 container with the
filename extension .m4a. While Apple Lossless has the same file
extension as AAC, it is not a variant of AAC, but uses linear
prediction similar to other lossless codecs such as FLAC and Shorten.
iPods with a dock connector (not the Shuffle) and recent firmware can
play Apple Lossless-encoded files. It does not utilize any digital
rights management (DRM) scheme, but by the nature of the container, it
is thought that DRM can be applied to ALAC much the same way it can
with other files in QuickTime containers.

Geraint.


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[SlimDevices: Audiophiles] Re: WMA lossless vs EAC

2006-12-06 Thread geraint smith

radish;160118 Wrote: 
 The last line there is what I was talking about: 
 
 by the nature of the container, it is thought that DRM can be applied
 to ALAC much the same way it can with other files in QuickTime
 containers
 
 it's the container that does the DRM, and the container for ALAC is the
 same as AAC, thus DRM is possible even if it's not used right now. If
 iTunes ever starts selling lossless tracks, you can bet they'll be
 DRM'd up the wazzoo.

A big if but if it ever does - yes, agreed, an odds on cert, I'd
have thought. But so far, I've never come across an ALAC track with any
active DRM, and the Wikipedist says ALAC's only thought to have the
capability, which implies a lack of examples there, too. It seems
therefore that as things currently stand, DRM is never rather than
not always used on ALAC.  As we know all too well, though, AAC tracks
most commonly do have active DRM - but not always, eg if you rip the
file yourself.


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[SlimDevices: Audiophiles] Re: Room correction products

2006-12-06 Thread geraint smith

tomjtx;160112 Wrote: 
 IMO, and I have read some other's that would agree, the order of
 importance is:
 
 1) Tri-corners. ideally,you need 6
 2) wall corners.6
 3) corner where the wall meets the ceiling.need 5
 
 If you don't mind doing things incrementally go with adapt triangles
 1st.
 If  you want to do it at once go with the response,it will sound great
 and should get you a lot of improvement. The Adapt product does LOOK a
 LOT better, and sound better. If visuals are important you may want to
 go with the Adapt line.
 
 Eg. One of my friends said the response corners look like diapers :-)

Does anyone here know a UK supplier for this stuff, please? Looks
interesting!


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[SlimDevices: Audiophiles] Re: WMA lossless vs EAC

2006-12-06 Thread geraint smith

tomjtx;160134 Wrote: 
 So maybe it's a non issue. I don't think Apple can put DRM on my ALAC
 files retroactively and ALAC will have DRM IF it's sold through
 ITunes.
 Since I would never buy from ITunes or any DRM site I should be safe in
 using ALAC to rip my CD's..right?


Yes, I'd say so, and yes, it certainly looks like a non-issue to me.
Even if Apple could, by some fiendish means, (like the one Radish
suggests - Nightmare!) retrospectively slap DRM on stuff that's already
been ripped to ALAC, they'd be mad to try it. How could they possibly
know what had been legally, and what illegally, coded into it? Think of
the lawsuits!

ALAC works with SlimServer, iPods and Macs, (don't know about PCs
because I hardly use one for music, and when I do I use FLAC); iTunes
app. makes tagging it a piece of cake; it saves 50 per cent of the
space you'd use on an uncompressed format like WAV or AIFF;  and if
Apple does ever decide to drop it, because it is lossless it should be
possible to convert it into any codec that might replace it - and 
iTunes already converts it easily into AIFF, keeping its tags, at the
touch of a mouse.

All that said, I personally prefer AIFF, despite the penalty in disc
space. I get the impression (although this may be wrong - I haven't
analysed or checked it) that I've had more problems with ALAC on a
Squeezebox than with Aiff, possibly because SlimServer has to transcode
it on the fly. Aiff certainly works natively on Slimserver just as well
as FLAC, (and much better than WAV because of the latter's
untaggability). However, it also has all of ALAC's advantages over FLAC
if one happens to be a Mac and/or iPod user, and it burns a high quality
CD (although, thinking about it, I've never tried this with Flac. Does
Flac play in an ordinary domestic/car CD player?) It seems silly not to
have the extra versatility, even though Aiff eats iPod storage like
there's no tomorrow. Which is why I use both, I suppose!


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[SlimDevices: Audiophiles] Re: WMA lossless vs EAC

2006-12-06 Thread geraint smith

Mitch Harding;160159 Wrote: 
 Whenever you burn to a music CD, AFAIK the music is converted into PCM
 format before burning.  So the source format doesn't matter much
 (except, of
 course, if you are using lossy -- then your resulting CD will only be
 as
 good as the original file).
 
 For example, I use WinAmp sometimes to burn CDs from playlists that I
 create.  These playlists frequently have both mp3s and FLAC files in
 them.
 First WinAmp converts them all to PCM, and then it burns the CD.  So I
 don't
 think any file format has an advantage in terms of CD burnability.
 
 If you're talking data CDs, though, that's different.  I imagine very
 few CD
 players that can play music from data CDs can handle FLAC -- but I've
 never
 owned one, so I don't really know if this is true.
 
 
  [/color]


De! A lacuna in the brain! Thanks Mitch. Of course, there's no
reason Flac would not convert to PCM. Stupid of me. Is it my
imagination, or are senior moments coming earlier this year?


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[SlimDevices: Audiophiles] Re: WMA lossless vs EAC

2006-12-06 Thread geraint smith

tomsi42;160177 Wrote: 
 I woudn't bet on it. The Microsoft Zune let's you send a music fil to
 another user. The copy gets DRM'ed and can only be listened to three
 times (in three days). No matter what the original file comes from!
 Legal or not... And Apple is more DRM-happy than MS.
 
 Tom

That last point is highly debatable - especially in the light of the
very example you give! And in any case that's not retrospective. Users
know (or will have had the opportunity to find out) before they do it
that that is what will happen. The same would not be true of
retrospectively applying DRM to existing ALAC files. There are good
reasons not to (the main one being lawyers) and none that I can see
that would outweigh them on the other side. I would bet against that,
and I think my money would be pretty safe. I'd bet against the iTunes
store selling DRM'ed ALAC as well. I think they're more likely to raise
the bitrate on protected AAC, perhaps charging a premium for the better
quality, if they do anything - although given the phenomenal success of
crappy bitrates and lossy formats, why would they bother?


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[SlimDevices: Audiophiles] Re: TP changes with break in

2006-11-28 Thread geraint smith

cliveb;157992 Wrote: 
 I seem to recall that some years back it was noted that many
 professional (classical) musicians in fact owned pretty low-end stereo
 systems, and seemed perfectly happy with them. The hypothesis was that
 these people's training meant that they could mentally fill in the
 missing bits.
 
 
 We often hear this argument about live music, but I'm beginning to
 doubt it, at least as far as rock music is concerned (which is my
 poison of choice). Simple fact of the matter is that the actual sound
 in a typical rock concert is dreadful. I mean really, really awful. I
 certainly don't want to replicate that in my living room. Even at my
 favourite venue (The Stables at Milton Keynes, which is *much* better
 than most), the sound is still not really that good. (Of course, live
 classical or acoustic jazz may very well be a different matter. It's
 been years since I attended either).
 
 I feel the purpose of an audio system is to create an enjoyable musical
 experience at home. The chances of having a similar experience to what
 you get at a live concert seems vanishingly small to me. That doesn't
 mean that it can't be just as emotionally rewarding - just in a
 different way.

Do you really think so? Personally, I want my set up to reproduce the
exact acoustic of a Deep Purple concert I went to in 1972 in Trentham
Gardens, Staffordshire. I've used a PC based digital correction system
to apply reverb as similar as possible to an outdoor ambience and to
knock off anything over about 10kHz, and have additionally programmed
it to produce random bursts of simulated wild howlround. Then I've
added a couple of 18 inch drivers salvaged from a Stazi interrogation
centre, and a REL Strata V, then wrapped the whole speaker array in a
layer of acoustically treated sponge and the sub woofers in an
additional blanket, (adding 22.73dB of gain to compensate, of course).
That's in addition to the £300 a metre cryogenically treated cables and
£1000 upgraded power cables, of course, and the bass traps and other
acoustic treatment, there just to help the digital stuff. Well, wow, is
all I can say. I mean, I could be 400 yards from the stage. Brilliant.

Mind you, the Dowland sounds bloody awful.

What? Did I say something wrong?


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[SlimDevices: Audiophiles] Re: There must be a better way for this forum to operate.

2006-11-27 Thread geraint smith

I like the idea, as long as I can make jokes. :-)

Back to the drawing board, then..although they did always say that
the 12 step could work miracles...

(I know, I know! Cheap shot. Just couldn't resist!)


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[SlimDevices: Audiophiles] Re: Room Correction Hope for Mac?

2006-11-27 Thread geraint smith

LejfK;157737 Wrote: 
 Vote three

Make that four.


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[SlimDevices: Audiophiles] Re: Looking for advice

2006-11-16 Thread geraint smith

Mark Lanctot;154969 Wrote: 
 You could also use passive attenuators and go from the SB3 direct to the
 amp.
 
 Strangely, the reports of the white noise of death appear to have
 ceased.

Funny you should mention this. I had an occurrence a couple of days ago
while attempting to play a programme recorded from BBC R3 via DTTV using
EyeTV on a Mac, and converted to Apple Lossless (at least, I think it
was the Apple Lossless version. I had converted one to AIFF as well as
an experiment). It was playing from my iTunes library. I haven't tried
to repeat it yet (and don't particularly want to!) to investigate
further, but it was a nasty surprise. This is using SS 6.5 on an SB2,
by the way. It's just struck me as I write that I'm not sure whether I
told iTunes to switch it from 48kHz to 44.1kHz during the conversion
(and haven't had time to check whether this matters).


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[SlimDevices: Audiophiles] Re: Looking for advice

2006-11-16 Thread geraint smith

Mark Lanctot;155255 Wrote: 
 The WNoD appears to have changed - this isn't what was reported before. 
 Earlier it was caused by some spontaneous failure Slim Devices was never
 able to reproduce.  People would just come home and their Squeezebox
 would be putting out white noise at 100% power and doing so possibly
 for hours.
 
 Now it seems connected to file conversion issues.
 
 I'm not saying if it's better or worse as both occurrances would suck,
 but I'm just noting that it's changed.

Ouch! I'd misunderstood the original WNOD issue, then. I know which I'd
think worse. Mine may have hurt, but it was on one track only, and
stopped immediately I hit pause. More a white noise of catnap, by
comparison.


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