Re: [SlimDevices: Audiophiles] 24bit/96kHz to Transporter

2009-12-22 Thread Schindler

Thanks, I have some 24bit/96kHz music, but I can not really hear any
difference between songs where I have both versions. So I wonder if
really 24bit/96kHz arrives at the Transporter.

Flac nativ is set - so it should be ok?.

Is there maybe a log to enable to see if sox is used?

christian


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Re: [SlimDevices: Audiophiles] 24bit/96kHz to Transporter

2009-12-22 Thread Phil Leigh

Schindler;498189 Wrote: 
 Thanks, I have some 24bit/96kHz music, but I can not really hear any
 difference between songs where I have both versions. So I wonder if
 really 24bit/96kHz arrives at the Transporter.
 
 Flac nativ is set - so it should be ok?.
 
 Is there maybe a log to enable to see if sox is used?
 
 christian

Are you running Windows? if so you can open Task Manager and see if
sox.exe is running while a 24/96 track is playing. It should not be...

Do you have any other SB's running at the same time as the Transporter?


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
SB Touch Beta (wired) - TACT 2.2X (Linear PSU) + Good Vibrations S/W -
MF Triplethreat(Audiocom full mods) - Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
Jeans Digital,Kimber Speaker  Chord Interconnect cables
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Re: [SlimDevices: Audiophiles] 24bit/96kHz to Transporter

2009-12-22 Thread Aurumer

You can also try the following: Now Playing, right arrow, other
Information, Bitrate.
Their should be written something much bigger than 1.000 kb/s with
24/96. If it is below 1.000 and you read Converted to it is resampled.


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Re: [SlimDevices: Audiophiles] 24bit/96kHz to Transporter

2009-12-22 Thread dennis55

christian,using 24/96 khz Flac files here i can clearly tell there is a
BIG difference in sound quality from CD Red Book standard files.
what's the rest of your system?.

dennis






Schindler;498189 Wrote: 
 Thanks, I have some 24bit/96kHz music, but I can not really hear any
 difference between songs where I have both versions. So I wonder if
 really 24bit/96kHz arrives at the Transporter.
 
 Flac nativ is set - so it should be ok?.
 
 Is there maybe a log to enable to see if sox is used?
 
 christian


-- 
dennis55

Slim Devices/Logitech Transporter
Bonnec Audiosysteme Timpano
Linn Products Akurate C4200
Totem Acoustics Forest
SqueezeBox Radio 
Duet Controller

Linn LP12/Cirkus/Ekos2/Dynavector DV17D2/Linn Linto/Linn Lingo1

last.fm/dennis55

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Re: [SlimDevices: Audiophiles] 24bit/96kHz to Transporter

2009-12-22 Thread Squeezed_Rotel

Phil Leigh;498193 Wrote: 
 Do you have any other SB's running at the same time as the Transporter?

I've noticed that if I play 24/96 material on Transporter only, it is
not downsampled. If my Transporter and Duet or Boom are playing in sync,
they all appear to me to be downsampled (bitrate wise). I made this
observation when I have clicked on more info during playback of
24/96 material.


-- 
Squeezed_Rotel

John M
SqueezeCenter 7.3.3 running on HP MediaSmart LX195 WHS. Transporter,
Duet  Boom connected through Linksys WRT54gs router. Using an IPod
Touch with Ipeng for a controller.
For Critical Listening =Transporter = Rotel RC1070 preamp = Rotel
RB1080 2 channel amp = Bowers  Wilkins 805 Speakers.

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Re: [SlimDevices: Audiophiles] 24bit/96kHz to Transporter

2009-12-22 Thread Aurumer

Yes, this is right. The bitrate in synced mode depends on the abilities
of the weaked part, e.g. the not Transporter units.
You can only listen to 24/96 if TP plays alone and unsynced.


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Re: [SlimDevices: Audiophiles] 24bit/96kHz to Transporter

2009-12-22 Thread iPhone

Squeezed_Rotel;498263 Wrote: 
 I've noticed that if I play 24/96 material on Transporter only, it is
 not downsampled. If my Transporter and Duet or Boom are playing in sync,
 they all appear to me to be downsampled (bitrate wise). I made this
 observation when I have clicked on more info during playback of
 24/96 material.

Sync'd Players use a single stream, so that means all sync'd player
resolutions are that of the highest format playable on the least enabled
player. So if any player needs SoX to play a 24/96 file, all sync'd
players get the down sampled 24/48 stream whether they can play 24/96
native or not.


-- 
iPhone

*iPhone*   
Media Room:
Transporter, VTL TL-6.5 Signature Pre-Amp, Ayre MX-R Mono's, VeraStarr
6.4SE 6-channel Amp, Vandersteen Speakers: Quatro Mains, VCC-5 Reference
Center, four VSM-1 Signatures, Video: Runco RS 900 CineWide AutoScope
2.35:1   

Living Room:
Duet, ADCOM GTP-870HD, Cinepro 3K6SE III Gold, Vandersteen Model 3A
Signature, Two 2Wq subs, VCC-2, Two VSM-1  

Kitchen: Squeezebox BOOM
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Re: [SlimDevices: Audiophiles] 24bit/96kHz to Transporter

2009-12-22 Thread Schindler

My system is:

Sanders Soundsystems gear...
ESL 10b speaker
ESL amp (ESL pannels)
Magtech amp (bass)
Behringer DCX2496 DAC/Digital Crossover

Here some pictures, speaker placement it slight different now..
http://picasaweb.google.ch/SchindlerKonolfingen/Speaker?feat=directlink

Both CD and 24/96 sound great, but no big difference.

Will do the test with taskmanager in windows to see if sox is running.
Christian


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Re: [SlimDevices: Audiophiles] 24bit/96kHz to Transporter

2009-12-22 Thread Wombat

Schindler;498309 Wrote: 
 My system is:
 Both CD and 24/96 sound great, but no big difference.
 

Don´t let you fool by some posts in some forums, sadly including this
that there is a HUGE difference and out of the sudden your system sounds
double as beautiful cause of 24bit.

If done correctly the 16bit file shouldn´t dound very different. Some
serious listeners find to hear tiny improvemebts here and there but
nothing that jumps upon one.

I think to remember someone checked many really good recordings and at
best he found the best recordings to top out using ~14bits for real. Of
cause sampling rate and other things may come in play but not as much as
the hype of some people may it to be.


-- 
Wombat

Transporter - RG142 - Avantgarde based monoblocks - Sommer SPK240 -
self-made speakers

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Re: [SlimDevices: Audiophiles] 24bit/96kHz to Transporter

2009-12-22 Thread iPhone

Schindler;498309 Wrote: 
 My system is:
 
 Sanders Soundsystems gear...
 ESL 10b speaker
 ESL amp (ESL pannels)
 Magtech amp (bass)
 Behringer DCX2496 DAC/Digital Crossover
 
 Here some pictures, speaker placement it slight different now..
 http://picasaweb.google.ch/SchindlerKonolfingen/Speaker?feat=directlink
 
 Both CD and 24/96 sound great, but no big difference.
 
 Will do the test with taskmanager in windows to see if sox is running.
 Christian

Nice pictures and even nicer system setup. Is the cat climbing tree an
attempt to keep kitty off the ESLs?

24/96 will not make up for a poorly engineered recording. But on a
great engineered recording that was mastered at the highest level
possible then formated to 24/96 there should be slight differences on
the better systems that can take advantage of good engineering and high
rates. Again nothing that is earth shattering or that would cause ones
mouth to drop open in disbelieve to the difference.

One might notice that the bass is slightly different and the top end is
clearer with what one might call some fuzz/noise removed (enlightened
without hiss). Highs seem to be something that I pick right up on on the
higher res stuff. They seem to stand out slightly more, are cleaner,
clearer, and have more persistence (shimmer) to them. YMMV.


-- 
iPhone

*iPhone*   
Media Room:
Transporter, VTL TL-6.5 Signature Pre-Amp, Ayre MX-R Mono's, VeraStarr
6.4SE 6-channel Amp, Vandersteen Speakers: Quatro Mains, VCC-5 Reference
Center, four VSM-1 Signatures, Video: Runco RS 900 CineWide AutoScope
2.35:1   

Living Room:
Duet, ADCOM GTP-870HD, Cinepro 3K6SE III Gold, Vandersteen Model 3A
Signature, Two 2Wq subs, VCC-2, Two VSM-1  

Kitchen: Squeezebox BOOM
Bedroom: Second Boom
Bathroom: Squeezebox Radio
Ford Thunderbird: Duet, Mac Mini
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Re: [SlimDevices: Audiophiles] 24bit/96kHz to Transporter

2009-12-22 Thread Wombat

I don´t want to argue to much about sound, cause i did no intensive
testing to back anything up.

I once played intensively with a 24/96 file when my Transporter was
new. Back then i used Naoki Shibatas SSRC cause it was the only easy to
use free resampler. Today with a resampler like sox around it may be
even less obvious.

But one thing i can confirm what iphone says. The highs really seem to
loose some fine detail when going from a high sampling rate to 44.1kHz.
To me it sounded a tiny bit harder, loosing some micro information but
not really different. My magnetostatic tweeters are pretty revealing
there. On some recordings that may lead to a better sound/imaging. My
bass isn´t that good in my room so there i can´t comment much. 

Where i never was able to hear any difference was on the HDCDs with
peak extension i decoded to 20bit and dithered back to 16. So no
resampling involved. Thats why i am that sceptic about the Beatles
remaster box in 24/44.1 flac sounds any better as the CDs.


-- 
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Transporter - RG142 - Avantgarde based monoblocks - Sommer SPK240 -
self-made speakers

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Re: [SlimDevices: Audiophiles] 24bit/96kHz to Transporter

2009-12-21 Thread matka

Schindler;497393 Wrote: 
 Hello, how can I be sure that the Transporter gets 24bit/96kHz Flac
 music? Not something downsampled?
 
 Thanks.
 Christian
You can see the sampling rates in the track additional info. I use a
duet controller and can display directly on the remote.


-- 
matka

George

Transporter-Pathos Logos-Triangle Celius
Fedora Core linux

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Re: [SlimDevices: Audiophiles] 24bit/96kHz to Transporter

2009-12-21 Thread norderney

Try downloading a track recorded in 24bit/96kHz from a site such as
https://www.hdtracks.com/


-- 
norderney

Transporter (Black) - Arcam A85 Amp - BW CDM1NT Speakers - Yamaha
CDRHD1500 Recorder

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Re: [SlimDevices: Audiophiles] 24bit/96kHz to Transporter

2009-12-21 Thread iPhone

Schindler;497393 Wrote: 
 Hello, how can I be sure that the Transporter gets 24bit/96kHz Flac
 music? Not something downsampled?
 
 Thanks.
 Christian

From the WebUI I would believe. I believe one goes to Settings and make
sure that FLAC Native is check. The Transporter doesn't need SoX from
SBS to play 24/96 files so it probably plays them Native unless you have
options set to force something other then expected behavior.  

My Transporter plays them Native at 24/96.


-- 
iPhone

*iPhone*   
Media Room:
Transporter, VTL TL-6.5 Signature Pre-Amp, Ayre MX-R Mono's, VeraStarr
6.4SE 6-channel Amp, Vandersteen Speakers: Quatro Mains, VCC-5 Reference
Center, four VSM-1 Signatures, Video: Runco RS 900 CineWide AutoScope
2.35:1   

Living Room:
Duet, ADCOM GTP-870HD, Cinepro 3K6SE III Gold, Vandersteen Model 3A
Signature, Two 2Wq subs, VCC-2, Two VSM-1  

Kitchen: Squeezebox BOOM
Bedroom: Second Boom
Bathroom: Squeezebox Radio
Ford Thunderbird: Duet, Mac Mini
Ford Expedition: SB Touch, USB drive

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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-10 Thread mags65

Last autumn I downloaded several songs from 2Ls free high-res samplers,
in order to satisfy my curiosity about these formats
(http://www.2l.no/hires/index.html). I was able to stream both 24/48
and 24/96 (specifically the W.A.Mozart: Violin concerto in D major (KV
218) - Allegro Marianne Thorsen / TrondheimSolistene / Øyvind Gimse) to
my Receiver, which then runs into a Benchmark DAC1. Both of these
resolutions were audible through my stereo. After reading this thread
and others on a Norwegian hifi-forum, I revisited these tracks. The
Controller now tells me that there is a Problem: Cannot play song (or
something to that effect; I have Norwegian as my language setting so I
don't know exactly what the original English message is). Now, I am
100% certain that I was able to play 24/96 a few months ago. Why is
this not possible now? What has changed in the intermittent software
upgrades (nothing else at all hs been changed in my setup)?


-- 
mags65

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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-10 Thread Phil Leigh

mags65;382079 Wrote: 
 Last autumn I downloaded several songs from 2Ls free high-res samplers,
 in order to satisfy my curiosity about these formats
 (http://www.2l.no/hires/index.html). I was able to stream both 24/48
 FLAC and 24/96 FLAC (specifically the W.A.Mozart: Violin concerto in D
 major (KV 218) - Allegro Marianne Thorsen / TrondheimSolistene / Øyvind
 Gimse) to my Receiver, which then runs into a Benchmark DAC1. Both of
 these resolutions were audible through my stereo. After reading this
 thread and others on a Norwegian hifi-forum, I revisited these tracks.
 The Controller now tells me that there is a Problem: Cannot play song
 (or something to that effect; I have Norwegian as my language setting so
 I don't know exactly what the original English message is). Now, I am
 100% certain that I was able to play 24/96 FLAC over the Receiver a few
 months ago. Why is this not possible now? What has changed in the
 intermittent software upgrades (nothing else at all hs been changed in
 my setup)?

which version of SqueezeCenter are you using?


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters,
Kimber  Chord cables
Outdoors: Boombox+Creative Sub (If I remember to turn it on...)

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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-10 Thread mags65

I'm fully updated at 7.3.1 - unless there's a new one after that?


-- 
mags65

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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-10 Thread Phil Leigh

mags65;382084 Wrote: 
 I'm fully updated at 7.3.1 - unless there's a new one after that?

oh - yes!

prior to 7.3.2, 96kHz playback was achieved by dropping alternate
samples to get back to 48Khz that the receiver/sb can handle. This is a
very crude and audibly bad way of doing things.

The means that (before 7.3.2) that a 24/96 file should sound worse than
its 24/48 equivalent!

In 7.3.2, a new on-the-fly transcoding method for FLAC was introduced,
using SOX to correctly downsample to 48kHz.

now 24/48 and 24/96 sound identical.

I think that in 7.3.1, they took away the drop alternate sample
method and transcoded 24/96 via lame to 320bps MP3! (this is probably
why your files don't play - you need to install LAME.EXE).

However - don't do this! Go to 7.3.2 instead and avoid turning high
bitrate flacs into MP3!
regards
Phil


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters,
Kimber  Chord cables
Outdoors: Boombox+Creative Sub (If I remember to turn it on...)

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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-10 Thread mags65

Ok! Thanks for clearing this up for me, Phil. I guess I'll stick at the
24/48 then - to the extent that I use these formats. It really bugs me
that as a Norwegian I'm not allowed to buy high-res downloads from the
US - and the likes of 2L and Linn really don't have that much to
satisfy my musical tastes. Oh, well...


-- 
mags65

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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-10 Thread Phil Leigh

mags65;382087 Wrote: 
 Ok! Thanks for clearing this up for me, Phil. I guess I'll stick at the
 24/48 then - to the extent that I use these formats. It really bugs me
 that as a Norwegian I'm not allowed to buy high-res downloads from the
 US - and the likes of 2L and Linn really don't have that much to
 satisfy my musical tastes. Oh, well...

I know about the US issue(being in the UK myself!) - although I am fond
of some of the Linn Jazz stuff.

By the way, I find that 24/48 is identical to 24/96 (on slim AND
non-slim gear).


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters,
Kimber  Chord cables
Outdoors: Boombox+Creative Sub (If I remember to turn it on...)

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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-09 Thread swarduk

...I have to agree.  The old adage your system is only as good as the
weakest link still holds, and as we all have high quality
equipment/cables the need for the source, the original mastering, to be
better is probably more important than most of the other things we spend
our time worrying about (i.e. 16/44.1 v 24/96 etc.).  If the mastering
is poor, then no amount of  of equipment will make it sound
perfect.

I think the 24/48, 24/96 issue is just progress.  I have listened to
a dem on a transporter comparing CD 16/44.1 v 24bit sources of the same
material and it is better... or was it just different...?!  But
progress is progress and that just means that as Internet download
speeds improve and storage get cheaper, then recording studios will
start making 24/96 the defacto, and that will one day mean that
everyone will end up needing to upgrade their equipment (including
everyone with SB2 or SB3!) which will in turn drive the future audio
market.  If this didn't happen we'd all get bored!! ;o)

(but if they make the cost of a 24/96 even 10% more than a 16/44.1 then
I for one won't buy it -- it isn't that much better).

Technically, 24/96 is *different* to 16/44.1 -- that can be proved (one
file is 20Mb and the other one is 80Mb)!!!  Whether you can hear the
difference, and whether it is better, is just down to your ears...
(just hope all that extra HF doesn't upset pets!)


-- 
swarduk

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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-04 Thread Themis

darrenyeats;378893 Wrote: 
 Themis, 24/96? You're on my side of the line now. Welcome to the lower
 rez side. :)
 http://forums.slimdevices.com/showpost.php?p=378850postcount=1
 
 
 Darren
 
 PS: Of course I respect everyone's right to an opinion. Just a bit of
 fun!
In my family, everybody (wifechildren) prefers analog sound to digital
on the same recording. Blind and systematically.

I haven't personally done any serious comparisons between 24/96 and
16/44.1/48, but I know that I prefer the SACD sound to the redbook one.
In fact, I never liked the D/A PCM sound, although D/A converters are
slowly  getting better with time (or perhaps it's me who is getting
slowly used to it).
However, what I meant, is that 24/96 will be soon a de facto download
format. Time will tell what comes next. ;)


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-04 Thread Themis

darrenyeats;379004 Wrote: 
 However, that doesn't mean one format is better than another. One
 confounding factor in comparing analogue to digital is the mastering,
 you would need a good ADC/DAC and/or analogue recording equipment to
 untangle that.
You're probably right. 
I have several recent (digital) recordings that sound perfect. It's
probably not a problem of format, but more a problem of mastering, as
you say (and as some sound engineers point out too).


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-03 Thread darrenyeats

Themis, 24/96? You're on my side of the line now. Welcome to the lower
rez side. :)
http://forums.slimdevices.com/showpost.php?p=378850postcount=1

Alfafa;378850 Wrote: 
 but I would prefer that it supported as there is already
 dvd-audio,sacd(approximately) and bd-audio on the way which uses
 24bit/192Khz/2ch.
 snip
 Or else I think I will just wait until a Transporter 2 is presented
 and hope that it includes this high samplerate
Darren

PS: Of course I respect everyone's right to an opinion. Just a bit of
fun!


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-03 Thread opaqueice

JezA;378406 Wrote: 
 I still don't understand your position Pat.
 
 Can you hear a difference between 24/48, 24/96 and 24/192?
 
 Do you believe others, like say the guys at Gimell and Linn Records and
 Phillips and Harmonia Mundi, or their customers, can?

Blind ABX tests have proven that people can hear the difference between
16 bit and higher rez formats.  on a silent section of a track with
the volume cranked (so the difference in 16 bit quantization noise was
audible).

Other than that, no.  

I did a calculation a while ago on this forum which showed that
changing the 24th bit on even a very powerful system corresponds to a
change in SPL that's smaller than the fluctuations due to Brownian
motion of air molecules - far, far below the threshold of human
hearing.


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-02 Thread Themis

The problem is not whether there are differences between 44.1 and 96
sampling rates. From the dacs' perspective theses differences are
obvious and measurable withing the audible frequency range.

The problem is that most people don't care about these differences.


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-02 Thread Phil Leigh

Themis;378213 Wrote: 
 The problem is not whether there are differences between 44.1 and 96
 sampling rates. From the dacs' perspective theses differences are
 obvious and measurable withing the audible frequency range.
 
 The problem is that most people don't care about these differences.

below Nyquist (44.1/2) there will be no difference at either sampling
frequency. So for example, a 10Khz sine wave will be identical at
44.1/16 or 96/16.
The difference is that at 96/16 you could capture a 48Khz sine wave.

I agree that most people don't care about the difference in sampling
frequency.


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-02 Thread Meridion

Phil Leigh;378227 Wrote: 
 below Nyquist (44.1/2) there will be no difference at either sampling
 frequency. So for example, a 10Khz sine wave will be identical at
 44.1/16 or 96/16.
 The difference is that at 96/16 you could capture a 48Khz sine wave.

I am not the expert, but maybe you forgot the anti aliasing filters
needed in the conversion processes? They most probably have an effect
to the perceptable frequency range.


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-02 Thread Phil Leigh

Meridion;378239 Wrote: 
 I am not the expert, but maybe you forgot the anti aliasing filters
 needed in the conversion processes? They most probably have an effect
 to the perceptable frequency range.

I didn't forget them... they are part of my annoying electrical stuff
:o)

They will have an effect, which is why many DACS now internally
upsample to 384kHz to push the effects of the recovery AA filter out of
harms way. Without upsampling in the DAC, the AA filter can certainly
cause adverse 
changes in the audible spectrum.


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-02 Thread JezA

pfarrell;378151 Wrote: 
 Nearly all modern studio equipment can record at 24/96 or 24/192.
 Its trivial to do.
 
 And if it sells better, they win.
 
 More practically, when you record at high/wide specs, and then do
 mixdown, effects, etc. then you have less loss.
 
 http://www.pfarrell.com/

So you're saying that a 24/96 consumer product, for example the
Transporter, is just a sales ploy?


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-02 Thread Pat Farrell
JezA wrote:
 pfarrell;378151 Wrote: 
 Nearly all modern studio equipment can record at 24/96 or 24/192.
 Its trivial to do.

 And if it sells better, they win.

 More practically, when you record at high/wide specs, and then do
 mixdown, effects, etc. then you have less loss.

 http://www.pfarrell.com/
 
 So you're saying that a 24/96 consumer product, for example the
 Transporter, is just a sales ploy?

Troll.

I said nothing of the sort. You invented this claim.

I do not consider the Transporter a consumer product. Its far too
expensive for the mass market.

Until there is a mass market of high/wide software, there is no
practical need for high/wide capable hardware in the mass market.

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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-02 Thread JezA

I still don't understand your position Pat.

Can you hear a difference between 24/48, 24/96 and 24/192?

Do you believe others, like say the guys at Gimell and Linn Records and
Phillips and Harmonia Mundi, or their customers, can?


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-02 Thread Pat Farrell
JezA wrote:
 I still don't understand your position Pat.
 
 Can you hear a difference between 24/48, 24/96 and 24/192?
 
 Do you believe others, like say the guys at Gimell and Linn Records and
 Phillips and Harmonia Mundi, or their customers, can?

My position is that you are a troll. You are inventing claims that I
have not made. Over and over.

plonk


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-02 Thread JezA

pfarrell;378412 Wrote: 
  You are inventing claims that I
 have not made. Over and over.
 
 

When I asked Why do Gimell release 24/48 and 24/96 downloads your
response was, dismissively:

pfarrell;378151 Wrote: 
 Nearly all modern studio equipment can record at 24/96 or 24/192.
 Its trivial to do.
 
 And if it sells better, they win.
 
 

I haven't invented that. Those were your exact words. That sounds to me
like you believe that there is no audible difference betwween 24/48,
24/96 etc, and that the decision to market these format is a sales
decision.

So, I still don't understand your position. Do you believe that the
reason Gimell release 24/96 material is just that it sells better? Or
that it also sounds better?


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-02 Thread darrenyeats

JezA;378406 Wrote: 
 I still don't understand your position Pat.
 
 Can you hear a difference between 24/48, 24/96 and 24/192?
 
 Do you believe others, like say the guys at Gimell and Linn Records and
 Phillips and Harmonia Mundi, or their customers, can?
It's easy to spout forth about the fact they are audibly different, and
exactly how they sound different. Many people do so. Talk is cheap. But
I haven't heard of anyone doing the harder trick of backing up big
words with a demonstration, and that is where the argument rests from
my POV.
Darren


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-02 Thread Pat Farrell
JezA wrote:
 pfarrell;378151 Wrote: 
 Nearly all modern studio equipment can record at 24/96 or 24/192.
 Its trivial to do.

 And if it sells better, they win.
 
 I haven't invented that. Those were your exact words. That sounds to me
 like you believe that there is no audible difference betwween 24/48,
 24/96 etc, and that the decision to market these format is a sales
 decision.

I said nothing about whether or not it sounds better.
I said its easy to do, and it might sell better.

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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-02 Thread Pat Farrell
darrenyeats wrote:
 It's easy to spout forth about the fact they are audibly different, and
 exactly how they sound different. Many people do so. Talk is cheap. But
 I haven't heard of anyone doing the harder trick of backing up big
 words with a demonstration, and that is where the argument rests from
 my POV.

With the minor extension that different is not the same as better

At least TAS defines what better means to them, more like the real
sound of acoustic instruments in real space.

My goal is not better measurements or bigger (or smaller) numbers. My
goal is to have it sound like Emmy Lou Harris is singing in my living room.


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-02 Thread Themis

You have to agree that the industry doesn't care whether it's better
or different.
And also, that most of people thinking it's better don't care about
bringing any evidence to anybody: apart from the musicians' or sound
engineers' point of view (who are way too busy doing their own
-interesting- job rather than trying to convince all these skeptics
around), all the others' point of view is gracefully ignored.

But, wanted or not, 24/96 will be a fact soon, for everybody, ignoring
completely of all these who know it is not better. 
Hehe. Business is business. ;)


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-02 Thread darrenyeats

Themis;378489 Wrote: 
 
 But, wanted or not, 24/96 will be a fact soon, for everybody, ignoring
 completely of all these who know it is not better. 
 Hehe. Business is business. ;)
If that ended these silly arguments that would be one plus point.
Unfortunately 24/192 looms, and after that...
Darren


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-02 Thread Themis

darrenyeats;378502 Wrote: 
 If that ended these silly arguments that would be one plus point.
 Unfortunately 24/192 looms, and after that...
 Darren
Don't worry: we're all very inventive when it comes to arguing to how
what is better for each of us should be better for everybody... we'll
find something else. XD


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-01 Thread Phil Leigh

mswlogo;377886 Wrote: 
 Feeding the transporter directly into Meridian's Active 24/96 DSP-6000's
 speakers I beg to differ.

Interesting... could you describe the difference? Also, do you think
you could tell the difference between raw 24/96 and the same stream
correctly downsampled to 24/48 in a controlled DBT? This is a genuine
question. I know I couldn't!
Regards
Phil


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-01 Thread JezA

Phil Leigh;377941 Wrote: 
 do you think you could tell the difference between raw 24/96 and the
 same stream correctly downsampled to 24/48 in a controlled DBT? .. I
 know I couldn't!
 Regards
 Phil

Since there is twice the amount of information in a 24/96 stream than
in a 24/48 stream I'm somewhat surprised that you can't hear any
difference. Might there not be something wrong with your system that it
cannot resolve such a huge difference between streams?!


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-01 Thread darrenyeats

JezA;377946 Wrote: 
 Since there is twice the amount of information in a 24/96 stream than in
 a 24/48 stream I'm somewhat surprised that you can't hear any
 difference.
I don't follow your reasoning there.
Darren


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-01 Thread Phil Leigh

JezA;377946 Wrote: 
 Since there is twice the amount of information in a 24/96 stream than in
 a 24/48 stream I'm somewhat surprised that you can't hear any
 difference. Might there not be something wrong with your system that it
 cannot resolve such a huge difference between streams?!

You need to read up on Nyquist theorum and Information Theory and then
think about that question again. Twice the number of bits might not be
twice the amount of information :o)

My whole point is that in informational terms the difference is really
quite small...


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-01 Thread opaqueice

Phil Leigh;377971 Wrote: 
 You need to read up on Nyquist theorum and Information Theory and then
 think about that question again. Twice the number of bits might not be
 twice the amount of information :o)
 
 My whole point is that in informational terms the difference is really
 quite small...

The main reason is not information per se - it's that people can't hear
sounds with frequencies much above 16kHz, making 96 kHz (with a 48kHz
Nyquist cutoff) total overkill.


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-01 Thread Stratmangler

radish;377873 Wrote: 
 As of 7.3 the server will transcode files which have too high a bitrate
 down to whatever the player can handle. As of 7.3.1 (IIRC) it will do
 it without switching to mp3 :)

Must be another bug with 7.3.1 , 'cos it won't transcode a 24/88.2 flac
file down to 24/48 in my setup (SB3). The track in question was
downloaded from the Linn site. Thankfully all of my other files are
either 16/44.1 or 24/48 flacs.

Chris


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-01 Thread Stratmangler

Vereina;378077 Wrote: 
 If I understand correctly, it is the 7.3.2 beta that does automatic
 transcoding of FLAC down to a sampling rate that the SB3 (or SBR)
 supports.  So, I presume that 88.2 kHz would go to 44.1 (although I
 believe that the 24 bit word length will be maintained).
 
 I have just purchased one of the 24 / 88.2 recordings from Linn myself
 and, according to my CD player (which I am using as a DAC with my SBR),
 it is receiving 44.1.

Just tried 7.3.2 and it does transcode. As to actual bitrates involved
is anyones guess - I have no indication as to the bitrate being used.

I have a choice of 2 versions to pick from: one version I resampled to
24/48, the other has been left in its' default 24/88.2 . I can hear no
difference between the two in playback.

Chris


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-01 Thread JezA

opaqueice;378059 Wrote: 
 The main reason is not information per se - it's that people can't hear
 sounds with frequencies much above 16kHz, making 96 kHz (with a 48kHz
 Nyquist cutoff) total overkill.

So why do people bother recording at 24bit/192khz? And why do people
like Gimell sell versions of their music at 24/48 and 24/96? Overkill?
Waste of money? Or have they got equipment and ears that can resolve
the difference?


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-01 Thread Pat Farrell
JezA wrote:
 So why do people bother recording at 24bit/192khz? And why do people
 like Gimell sell versions of their music at 24/48 and 24/96? Overkill?
 Waste of money? Or have they got equipment and ears that can resolve
 the difference?

Nearly all modern studio equipment can record at 24/96 or 24/192.
Its trivial to do.

And if it sells better, they win.

More practically, when you record at high/wide specs, and then do
mixdown, effects, etc. then you have less loss.

JezA still strikes me as a troll

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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-01 Thread bhaagensen

JezA;378149 Wrote: 
 So why do people bother recording at 24bit/192khz?

There are many good reasons for recording at very high frequencies and
resolution. For end users many of those reasons do not apply.


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-01 Thread mswlogo

Phil Leigh;377971 Wrote: 
 You need to read up on Nyquist theorum and Information Theory and then
 think about that question again. Twice the number of bits might not be
 twice the amount of information :o)
 
 My whole point is that in informational terms the difference is really
 quite small...

It completely depends on what is using the digitized data.

Let's say I have a simple sine wave of amplitude 1.

And sample it at 0, Pi, and 2PI. Then I'll get 0, 0, 0.

Now let's increase the sampling rate to 5 samples.

0, pi/2, pi, 3pi/2, 2pi. Then I'll get 0, 1, 0, 1, 0.

That is a HUGE difference from basically doubling the sampling rate.

Now it is believed that humans can't hear above 20khz so there is no
need to go above 40khz. But there is no proof going above 44.1khz is
not sensed by humans. This may translate to less fatigue for example by
going higher. Not something you can easily pinpoint in A/B testing.

I also believe it allows DAC to run better, bass management and other
bits of processing to not dip into the 44.1khz realm.

Music is analog and it does take an infinite sampling rate to prefectly
reproduce it (to capture 100% of the information).

To the human ear doubling 44.1 to 88.2 may or may not be doubling what
the human brain/ears can process and it's impossible to put a figure on
it's value to listening pleasure.

Is going from 22khz to 44khz twice as good to your listening pleasure.
I'd say for most of us it's more than twice as good. But we only
doubled teh sampling rate. It's not that simple.

So there is definitely more information sampling above 44.1 it's
arguable if the human brain/ear can use it in a meaningful way.


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-01 Thread Pat Farrell
mswlogo wrote:
 Phil Leigh;377971 Wrote: 
 You need to read up on Nyquist theorum and Information Theory and then
 think about that question again.

 It completely depends on what is using the digitized data.
 Let's say I have a simple sine wave of amplitude 1.

No, your example is generated to be wrong.
You really need to read up on Nyquist and information theory.

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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2009-01-01 Thread Phil Leigh

mswlogo;378171 Wrote: 
 It completely depends on what is using the digitized data.
 
 Let's say I have a simple sine wave of amplitude 1.
 
 And sample it at 0, Pi, and 2PI. Then I'll get 0, 0, 0.
 
 Now let's increase the sampling rate to 5 samples.
 
 0, pi/2, pi, 3pi/2, 2pi. Then I'll get 0, 1, 0, 1, 0.
 
 That is a HUGE difference from basically doubling the sampling rate.
 
 Now it is believed that humans can't hear above 20khz so there is no
 need to go above 40khz. But there is no proof going above 44.1khz is
 not sensed by humans. This may translate to less fatigue for example by
 going higher. Not something you can easily pinpoint in A/B testing.
 
 I also believe it allows DAC to run better, bass management, digital
 cross overs, volume calibration and other bits of processing (all of
 which my system applies) to not dip into the 44.1khz realm.
 
 Music is analog and it does take an infinite sampling rate to prefectly
 reproduce it (to capture 100% of the information).
 
 To the human ear doubling 44.1 to 88.2 may or may not be doubling what
 the human brain/ears can process and it's impossible to put a figure on
 it's value to listening pleasure.
 
 Is going from 22khz to 44khz twice as good to your listening pleasure.
 I'd say for most of us it's more than twice as good. But we only
 doubled the sampling rate. It's not that simple.
 
 So there is definitely more information sampling above 44.1 it's
 arguable if the human brain/ear can use it in a meaningful (enjoyable)
 way.

Erm... actually no. We could have a debate about whether or not music
(sound pressure waves) is quintessentially an analogue or digital
phenomena - as indeed we could about how human hearing works and how
that more closely resembles a digital sampling mechanism than anything
analogue...

Indeed, one could argue there is no such concept as analogue - it's
just a way of rationalising in our human brains the complex realities
and implications of quantum physics that comprise the universe.


But to the main topic: Information Theory explains that above a certain
sampling frequency there is no more useful information to extract. So,
no... in this example, doubling the sampling frequency alone does not
create twice the information by capturing additional sample that are
otherwise missing in-between values. It might seem intuitively that
it must...but it doesn't. From a pure Information Theory perspective,
the only benefit of a higher sampling rate is the upward movement of
the Nyquist frequency, which in turn allows higher frequencies to be
captured accurately. 

This is the theory. It explains why CD's work, why MP3 works and a
whole bunch of other important stuff. The problem we are left with is
what happens when we try and render the digital information back into
(what we call) the analogue realm via a DAC... at which point a bunch
of annoying real-world electrical stuff gets in the way! 


I'm not saying that 16/44.1 is perfect by the way - 24/44.1 or 24/48 or
higher is clearly audibly better to most people in most systems that can
handle it properly (ie in the DACs). However, having spent hours
fiddling around with this I've come to the personal conclusion that
lots of people assume that the reason why SACD/DVD-A generally sounded
good was the increased sampling frequency...and I think it was the
increased bit-depth.  Of course, not many people have listened to 16/92
vs 24/92...

Again this is consistent with Information Theory - the sampling
accuracy or precision is set by the bit-depth, so the higher the
bit-depth the lower the intrinsic error in each sample value, therefore
the less hard our brains have to work to listen to / make sense of the
sound.



.


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You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2008-12-31 Thread Phil Leigh

ronaldg;377518 Wrote: 
 Can you stream 24b/96kHz flac to the Duet and use an external DAC to
 play the file in full res?
An alternative answer: you can stream 24/96 as 24/48 to the Duet+DAC
and it will sound identical to the native 24/96 stream into the DAC...


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters,
Kimber  Chord cables
Outdoors: Boombox+Creative Sub (If I remember to turn it on...)

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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2008-12-31 Thread ronaldg

Phil Leigh;377617 Wrote: 
 An alternative answer: you can stream 24/96 as 24/48 to the Duet+DAC and
 it will sound identical to the native 24/96 stream into the DAC...

How would one stream a 24/96 as 24/48? Is there a setting within SC?

Thanks for the info.

Ron


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2008-12-31 Thread radish

As of 7.3 the server will transcode files which have too high a bitrate
down to whatever the player can handle. As of 7.3.1 (IIRC) it will do
it without switching to mp3 :)


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2008-12-31 Thread mswlogo

Phil Leigh;377617 Wrote: 
 An alternative answer: you can stream 24/96 as 24/48 to the Duet+DAC and
 it will sound identical to the native 24/96 stream into the DAC...

Feeding the transporter directly into Meridian's Active 24/96
DSP-6000's speakers I beg to differ.


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2008-12-31 Thread jmourik

This topic comes up quite a bit, I've noticed. And we see higher
resolution music coming out a bit more too, from stores like Linn
Music. 

Any idea when there will be a Duet2 that can at least pass through up
to 196Khz?


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Re: [SlimDevices: Audiophiles] 24bit/96kHz

2008-12-30 Thread radish

No, you need a Transporter for 24/96. The SBR will do up to 24/48.


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