Re: [Finale] Wierd print bug

2005-03-23 Thread dhbailey
Carl Dershem wrote:
OK - this may or may not have happened to some of you before.  If so, 
did you find a way out?

I'm trying to print some parts on an HP9650 on 12x18 paper (2-up).  The 
parts just cut off the last 3 of the page, as though the printer 
suddenly ran out of ink, but nice and clean.  I've run through my 
printer settings and they all look fine, and other apps use the whole page.

Any idea what might cause this in Finale, or where to look for a 
solution?  This is really wierd, as the printer has been great before, 
using Finale and (from what I can tell) the same settings.

Frustrated,
cd
In your printer dialog you need to specify which paper size your printer 
should expect.  It's not enough to set the paper size in page layout, 
you have to do it in the printer setup dialog as well.  And perhaps you 
also have to go into the printer driver itself and tell the printer what 
sort of paper to expect.

--
David H. Bailey
[EMAIL PROTECTED]
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Re: [Finale] editing score and parts

2005-03-23 Thread dhbailey
John Howell wrote:
At 4:04 PM -0500 3/19/05, dhbailey wrote:
There is a way to do what you want, it's just that Finale programmers 
haven't figured out how to do it.  :-(

My bet is the first notation software which does that (Sibelius, 
Finale or the newly developping Notion software from 
http://www.notionmusic.com which may give these two giants a run for 
their money) first will eventually be the last engraving software 
standing.  It will be such a huge time-saver that everybody using 
anything else will jump ship and begin using that program.

Sadly, not at all the case.  Composer's Mosaic did exactly this, 
automatically and instantaneously, from the very beginning.  The key may 
have been that score and parts are all part of the same file.

The downside, of course, is that a mistake entered in EITHER score or 
parts is instantly transferred to the other, so checking the score for 
an error in the parts is a waste of time.

But MotU seem no longer to be supporting Mosaic, despite this ability.  
My son-in-law was smart enough to get it operable for me in OSX Classic, 
so I can (for the moment) still access hundreds of my scores, but soon 
I'll inevitably lose them.  Dennis' fear of losing access to Finale is 
NOT paranoid!

john

Good point -- Composer's Mosaic was before it's time, unfortunately, 
when not nearly as many composers were as computer-savvy as they are 
today and there was still much hand-copying being done.

As for Dennis' fear of losing access to Finale, I agree, it's not 
paranoid.  But copy protection isn't what has done Mosaic in, it's the 
advancing OS which has left the old code in the dust and the developper 
of Mosaic decided to pull the plug on the program.  Nothing will be able 
to save Finale into the future once either Windows or MacOS move onto 
128-bit programming and the then-current versions won't run any 16-bit 
apps anymore.

That could happen to open-source freeware as easily as to 
corporate-developped expensive software.

It's good your son-in-law got Mosaic working for you -- go about saving 
them all as midi files so you can import them into Finale, as well as 
making certain you have printed versions of them all.  You might even 
consider printing them to PDF files so you'll have electronic versions 
rather than paper versions.

As I recall, also, Composer's Mosaic was a Mac program, not a Windows 
program, which cut out a huge potential market, another factor 
contributing to it's downfall.

--
David H. Bailey
[EMAIL PROTECTED]
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Re: [Finale] editing score and parts

2005-03-23 Thread Noel Stoutenburg
David Bailey wrote:
As for Dennis' fear of losing access to Finale, I agree, it's not 
paranoid.  
If Dennis's fear was losing access to data in files created with 
Sibelius, I would agree that it would not be paranoid.  However, at 
least the ~.etf file format of Finale is open, and anyone who wishes can 
create a notation program to read and write those files.  For that 
reason,  I do consider Dennis' concerns about losing access to data a 
bit paranoid.

But copy protection isn't what has done Mosaic in, it's the advancing 
OS which has left the old code in the dust and the developper of 
Mosaic decided to pull the plug on the program.  Nothing will be able 
to save Finale into the future once either Windows or MacOS move onto 
128-bit programming and the then-current versions won't run any 16-bit 
apps anymore.
It's hard to say whether this is a true statement or not.  I suspect if 
Finale's products have been properly designed, while I can imagine some 
things might need re-working for the 128 bit programming environment, I 
suspect that most of Finale is already carefully written so that what 
will be required with a switch of environments will be to recompile the 
source code with a suitable 128 bit compiler, and the new OS will not 
know the difference.  The 16-bit applications which will fail to run in 
a 128 bit environment are going to fall into two general categories: 
those for which the source code is no longer available, and thus which 
cannot be recompiled, on one hand, and on the other, those that make 
illegal direct access calls to the hardware on the other.

That could happen to open-source freeware as easily as to 
corporate-developped expensive software.
I doubt it will happen much to either one.  Also, I would note that as 
long as the lowest level software, by which I refer to that embedded in 
hard drives and other media reading devices is capable of reading the 
media upon which the files are stored, it won't matter what bit the 
applications are in.  If they can read the data, they can process it.  
The only thing which prevents my old fortran program (on IBM punch 
cards) from working in my PC, is the lack of a reader.  I know the 
program works; I retyped it into a DOS fortran compiler years ago, the 
DOS compiler still runs in the MS-DOS prompt of Windows.

If one is using a notation package which produces data files with a 
proprietary file structure format, and they won't tell you what it is, 
and don't have an option for storing in some open source means, be 
afraid.  Even with the authentication system in place, there are 
multiple options for reading Finale files, as long as you've taken the 
time and effort to save them as ~.etf files.  If you haven't, well, its 
about like your deciding to hand copy scores using an ink which faces in 
a short period of time, or copying onto high-acid paper.  Your choice of 
materials is the problem, not the materials themselves.

Makemusic makes the options available; they have not control over 
whether you choose to use them.

ns
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[Finale] Compatability with XP Service Pack 2 (SP2)?

2005-03-23 Thread Paul Copeland



Hello.

I have Windows XP Home Edition.

I have Finale 2005b

Is it safe for me to install XP Service Pack 2 
(SP2)?

Many thanks for your help.

Please forgive me if this question has already been 
answered. I haven't checked the list for some months now.

Paul Copeland

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Re: [Finale] Compatability with XP Service Pack 2 (SP2)?

2005-03-23 Thread dhbailey
Paul Copeland wrote:
Hello.
 
I have Windows XP Home Edition.
 
I have Finale 2005b
 
Is it safe for me to install XP Service Pack 2 (SP2)?
 
Many thanks for your help.
 
Please forgive me if this question has already been answered. I haven't 
checked the list for some months now.
 
I have WinXPpro and installed Service Pack 2 and have had no problems 
running Finale2005b since then.

--
David H. Bailey
[EMAIL PROTECTED]
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Re: [Finale] OT Giant Steps

2005-03-23 Thread Allen Fisher
That animation RULES! It makes my website hall of fame.

Thanks Christopher!

Allen


 Christopher Smith wrote:
 
 For those who are fans of John Coltrane, check out this animation. So
 simple, yet he really seems to hear the piece the way I think a lot of
 jazz musicians might hear it. It's kind of like a Fantasia (the movie)
 treatment for jazz nuts.
 
 http://michalevy.com/gs_download.html

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Re: [Finale] Incorrectly Printing Articulation (?)

2005-03-23 Thread John Howell
At 4:38 AM + 3/23/05, John Bell wrote:
PS On reflection, since you say the inverted A is beside both notes 
it's unlikely to be an articulation -- only one instance would 
appear in that case -- so unless my earlier suggestion of O for open 
string is wrong it must me something else that applies to each of 
the two notes. Such as an unorthodox accidental? It's hard to think 
of something that would need to be applied to each note as opposed 
to the pair of them.

John
A fingering would go over the notes.  The only sign I can imagine 
being placed before the notes is a vertical bracket indicating 
non-divisi.  An accidental would only make sense if the key signature 
needs to be cancelled for those notes.

John
--
John  Susie Howell
Virginia Tech Department of Music
Blacksburg, Virginia, U.S.A 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:[EMAIL PROTECTED])
http://www.music.vt.edu/faculty/howell/howell.html
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Re: [Finale] Compatability with XP Service Pack 2 (SP2)?

2005-03-23 Thread Brad Beyenhof
On Wed, 23 Mar 2005 23:00:35 +1100, Paul Copeland wrote:
  
 Hello. 
   
 I have Windows XP Home Edition. 
   
 I have Finale 2005b 
   
 Is it safe for me to install XP Service Pack 2 (SP2)? 
   
 Many thanks for your help. 
   
 Please forgive me if this question has already been answered. I haven't
 checked the list for some months now. 

Finale will run just fine on SP2. However, if you have any spyware on
your computer before you start the SP2 install the consequences can be
disastrous. You should run Ad-Aware Personal from
http://www.lavasoftusa.com/ to make sure your machine is clear before
upgrading the OS to SP2.

-- 
Brad Beyenhof
[EMAIL PROTECTED]
my blog: http://augmentedfourth.blogspot.com
Life would be so much easier if only (3/2)^12=(2/1)^7.
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Re: [Finale] Incorrectly Printing Articulation (?)

2005-03-23 Thread John Bell
On 23 Mar 2005, at 14:43, John Howell wrote:
At 4:38 AM + 3/23/05, John Bell wrote:
PS On reflection, since you say the inverted A is beside both notes 
it's unlikely to be an articulation -- only one instance would appear 
in that case -- so unless my earlier suggestion of O for open string 
is wrong it must me something else that applies to each of the two 
notes. Such as an unorthodox accidental? It's hard to think of 
something that would need to be applied to each note as opposed to 
the pair of them.

John
A fingering would go over the notes.  The only sign I can imagine 
being placed before the notes is a vertical bracket indicating 
non-divisi.  An accidental would only make sense if the key signature 
needs to be cancelled for those notes.

John
But there would only be one such bracket, not two.
John
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Re: [Finale] Wierd print bug

2005-03-23 Thread Dalvin Boone
Carl,

I recently had a similar problem printing 2-up on 17 X 11 paper on a Ricoh
printer.  In my case, however, only the second page was stopped short.  My
problem was with printer-memory, and after changing the setting from 1200
dpi to 600dpi, the part printed perfectly.

Dalvin Boone


- Original Message - 
From: Carl Dershem [EMAIL PROTECTED]
To: finale@shsu.edu
Sent: Tuesday, March 22, 2005 9:47 PM
Subject: [Finale] Wierd print bug


 OK - this may or may not have happened to some of you before.  If so,
 did you find a way out?

 I'm trying to print some parts on an HP9650 on 12x18 paper (2-up).  The
 parts just cut off the last 3 of the page, as though the printer
 suddenly ran out of ink, but nice and clean.  I've run through my
 printer settings and they all look fine, and other apps use the whole
page.

 Any idea what might cause this in Finale, or where to look for a
 solution?  This is really wierd, as the printer has been great before,
 using Finale and (from what I can tell) the same settings.

 Frustrated,
 cd

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Re: [Finale] Staff List Question

2005-03-23 Thread Darcy James Argue
Force -- as in, force the expression to appear even on a staff that 
is set *not* to display staff expressions.

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 23 Mar 2005, at 10:18 AM, Neal Gittleman wrote:
Hey...
Here's something I've wondered about for years...
Creating a staff list for staff expressions, if you click next to a 
staff name an X appears.  If you click again in the same place the X 
changes to an  F.  If you click a third time the selection is un-X-ed. 
 What does the F mean

ng
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Re: [Finale] Incorrectly Printing Articulation (?)

2005-03-23 Thread Christopher Smith
On Mar 23, 2005, at 9:43 AM, John Howell wrote:
At 4:38 AM + 3/23/05, John Bell wrote:
PS On reflection, since you say the inverted A is beside both notes 
it's unlikely to be an articulation -- only one instance would appear 
in that case -- so unless my earlier suggestion of O for open string 
is wrong it must me something else that applies to each of the two 
notes. Such as an unorthodox accidental? It's hard to think of 
something that would need to be applied to each note as opposed to 
the pair of them.

John
A fingering would go over the notes.  The only sign I can imagine 
being placed before the notes is a vertical bracket indicating 
non-divisi.  An accidental would only make sense if the key signature 
needs to be cancelled for those notes.


The inverted A shows up on my Mac in the Symbol font and certain math 
fonts, in the character slot 34, normally taken up by a caesura 
(railroad tracks for any jazzers out there! //  ) in a music font, or 
quotes  in a normal text font. In most math fonts it seems to be the + 
over a _, except for the Symbol font. In the Wingdings font it seems to 
be a pair of scissors, which I thought was cute (caesura, means cut? 
Heh, heh!)

It looks to me like you have a different font specified for the caesura 
than is usual, either because it's a file from someone else and you 
don't have the font he used on your computer, so it was substituted by 
another symbol font, or maybe you hit the font button by accident when 
you were creating or editing it, or else gamma radiation scrambled your 
printer's or your computer's confused little brain, and a restart of 
both might clear it up completely. Or you just have to go in and change 
the font for that one articulation. File corruption happens, and it is 
nobody's fault.

Or maybe (I have seen this) someone created the caesura as a text 
expression instead of using the supplied articulation. To know for 
sure, double-click on the thing with the Selection Tool (arrow), and 
the tool that created it will be selected automatically.

Christopher
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Re: [Finale] OT Giant Steps

2005-03-23 Thread Don Hart
Thanks Christopher!

I really enjoyed that!  I'll be passing this along to many friends and
cohorts, and I'm sure my wife will make good use of it as well.  This will
be perfect to play for her K-4 music classes!  I don't think she's had John
Coltrane as her Star of the Week yet, and this combining of music and
animation offers an ideal opportunity.

Don Hart


on 3/22/05 2:24 PM, Christopher Smith at [EMAIL PROTECTED]
wrote:

 For those who are fans of John Coltrane, check out this animation. So
 simple, yet he really seems to hear the piece the way I think a lot of
 jazz musicians might hear it. It's kind of like a Fantasia (the movie)
 treatment for jazz nuts.
 
 http://michalevy.com/gs_download.html
 
 Christopher
 
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[Finale] indep.time sig

2005-03-23 Thread Hans Swinnen
Dear listers,
Though I'm a Fiinale user since vs. 1.0, I'm confronted for years 
already with the following problem.
I like to copy measures with an indep.time sig (say 6/8 in 2/4 or 12/8 
in common time) to another staff. But the destination staff remains 
blank, even when the destination is also prepared with indep. time sig.
Copying with time sig checked in measure options (Mass Edit) also 
refuse the job.
Moreover, when I copy 3 meassures, wherein only the 2d is irregular, 
the 2 regular copy fine but the irregular still stays blank.

Am I missing something?
Finmac  2k5b, OSX 3.8
Thanks for any advise.
Hans

You will excuse me for ev. typo's, due to a light visual handicap.
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Re: [Finale] Compatability with XP Service Pack 2 (SP2)?

2005-03-23 Thread YATESLAWRENCE





In a message dated 23/03/2005 14:57:08 GMT Standard Time, 
[EMAIL PROTECTED] writes:
However, 
  if you have any spyware onyour computer before you start the SP2 install 
  the consequences can bedisastrous.
What sort of "disastrous" consequences could we expect to see?

All the best,

Lawrence

"þaes 
ofereode - þisses swa 
maeg"http://lawrenceyates.co.uk
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Re: [Finale] Compatability with XP Service Pack 2 (SP2)?

2005-03-23 Thread Brad Beyenhof
I'm actually not exactly sure, but that's what Leo Laporte has always
said to callers on his technology radio show. I made sure to clean out
every trace of spyware before upgrading, so I don't know what might
have happened if I hadn't.

Brad


On Wed, 23 Mar 2005 13:00:03 EST, [EMAIL PROTECTED] wrote:

 In a message dated 23/03/2005 14:57:08 GMT Standard Time,
 [EMAIL PROTECTED] writes: 
 However, if you have any spyware on
 your computer before you start the SP2 install the consequences can be
 disastrous. 
 What sort of disastrous consequences could we expect to see? 
   
 All the best, 
   
 Lawrence 
   
 þaes ofereode - þisses swa maeg
 
 http://lawrenceyates.co.uk
 
 
 
  
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-- 
Brad Beyenhof
[EMAIL PROTECTED]
my blog: http://augmentedfourth.blogspot.com
Life would be so much easier if only (3/2)^12=(2/1)^7.

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[Finale] Re: OT spyware

2005-03-23 Thread Chuck Israels
So, if this is not too involved a subject, how do you find and get rid of spyware on your computer (Mac, OS 10), and then how do you distinguish between spyware you don't want, and cookies that identify you on sites where you want auto log ins etc.

If this is too involved a subject, a referral to someplace I could learn about this would be appreciated.  I know this is not exactly related, but it has come up here, and I'm curious.

TIA

Chuck


Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com
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Re: [Finale] Re: OT spyware

2005-03-23 Thread Darcy James Argue
Chuck,
Spyware on the Macintosh is not a problem.
Cookies are not the same thing as spyware.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 23 Mar 2005, at 2:07 PM, Chuck Israels wrote:
So, if this is not too involved a subject, how do you find and get rid 
of spyware on your computer (Mac, OS 10), and then how do you 
distinguish between spyware you don't want, and cookies that identify 
you on sites where you want auto log ins etc.

If this is too involved a subject, a referral to someplace I could 
learn about this would be appreciated.  I know this is not exactly 
related, but it has come up here, and I'm curious.

TIA
Chuck
Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com
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Re: [Finale] Re: OT spyware

2005-03-23 Thread Phil Daley
At 3/23/2005 02:07 PM, Chuck Israels wrote:
So, if this is not too involved a subject, how do you find and get rid of 
spyware on your computer (Mac, OS 10), and then how do you distinguish 
between spyware you don't want, and cookies that identify you on sites 
where you want auto log ins etc.
The cookie part must be the same as on Windows.
Open the cookie.  It will have the http site right in it.
Hopefully, you can recognize the good ones from the unknown ones.
I always delete all cookies at least once a day.
Phil Daley   AutoDesk 
http://www.conknet.com/~p_daley

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Re: [Finale] Re: OT spyware

2005-03-23 Thread A-NO-NE Music
Chuck Israels / 05.3.23 / 02:07 PM wrote:

So, if this is not too involved a subject, how do you find and get rid 
of spyware on your computer (Mac, OS 10),

There is no known spyware to Mac, and it will stay that way, I'd think. 
On the other hand, on Windows side you need two things:

Ad-Aware:
http://www.lavasoftusa.com/software/adaware/
and Spybot:
http://www.safer-networking.org/en/home/index.html


-- 

- Hiro

Hiroaki Honshuku, A-NO-NE Music, Boston, MA
http://a-no-ne.com http://anonemusic.com


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Re: [Finale] editing score and parts

2005-03-23 Thread David W. Fenton
On 22 Mar 2005 at 22:39, John Howell wrote:

 At 4:04 PM -0500 3/19/05, dhbailey wrote:
 
 There is a way to do what you want, it's just that Finale 
 programmers haven't figured out how to do it.  :-(
 
 My bet is the first notation software which does that (Sibelius,
 Finale or the newly developping Notion software from
 http://www.notionmusic.com which may give these two giants a run for
 their money) first will eventually be the last engraving software
 standing.  It will be such a huge time-saver that everybody using
 anything else will jump ship and begin using that program.
 
 Sadly, not at all the case.  Composer's Mosaic did exactly this,
 automatically and instantaneously, from the very beginning.  The key
 may have been that score and parts are all part of the same file.
 
 The downside, of course, is that a mistake entered in EITHER score or
 parts is instantly transferred to the other, so checking the score for
 an error in the parts is a waste of time.

I'm scratching my head here over exactly what the problem is with 
this potential circumstance (it's sounds ideal to *me*!), nor how it 
differs significantly from our present situation with Finale. Was it 
not just a few days ago that we all chortled over the musician in 
rehearsal who said it couldn't be a wrong note in the Finale-produced 
part because it was the same note in the Finale-produced score?

And don't all of us attempt to minimize to the greatest degree 
possible any edits to the musical text that have to be done after the 
parts are extracted? Is it not the case that many people make the 
correction in the score, then copy the single system and paste it 
into the previously extracted part? Would this not duplicate in the 
part any errors entered into the score?

Where's the problem here?

To me, it's a completely desirable goal, one to be praised not 
feared.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] Re: OT spyware

2005-03-23 Thread Chuck Israels
Thanks,

I know you guys would know.  Nice to know this is not a Mac problem for those of us on this side of things.

The sun is shining and it's a beautiful Spring day in Bellingham.

I rest easy.

Chuck

On Mar 23, 2005, at 11:16 AM, Darcy James Argue wrote:

Chuck,

Spyware on the Macintosh is not a problem.

Cookies are not the same thing as spyware.

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY


On 23 Mar 2005, at 2:07 PM, Chuck Israels wrote:

So, if this is not too involved a subject, how do you find and get rid of spyware on your computer (Mac, OS 10), and then how do you distinguish between spyware you don't want, and cookies that identify you on sites where you want auto log ins etc.

If this is too involved a subject, a referral to someplace I could learn about this would be appreciated.  I know this is not exactly related, but it has come up here, and I'm curious.

TIA

Chuck


Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com
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Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com
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Re: [Finale] Re: OT spyware

2005-03-23 Thread Phil Daley
At 3/23/2005 02:20 PM, A-NO-NE Music wrote:
Chuck Israels / 05.3.23 / 02:07 PM wrote:

So, if this is not too involved a subject, how do you find and get rid
of spyware on your computer (Mac, OS 10),

There is no known spyware to Mac, and it will stay that way, I'd think.
It will stay that way as long as Mac has a minuscule % of the market space.
Virus writers target dominant systems.
Phil Daley   AutoDesk 
http://www.conknet.com/~p_daley

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[Finale] GPO

2005-03-23 Thread Chuck Israels
I am experiencing a minor GPO issue: I start GPO before opening Finale (2005 Mac - OS X) but Finale says it cannot find the expected GPO Studio 1 through 4 that I have defined as Finale's MIDI out.  In Finale's MIDI setup menu, the GPO studios are italicized, however, there are new, non-italicized listings there, and as soon as they are chosen, everything works as expected.  This only takes a moment to correct, as I start Finale for the first time, but I'm wondering if I've overlooked something or have set something up incorrectly to produce this result.

Ideas?

Thanks,

Chuck


Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com
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Re: [Finale] Re: OT spyware

2005-03-23 Thread A-NO-NE Music
Phil Daley / 05.3.23 / 02:30 PM wrote:

It will stay that way as long as Mac has a minuscule % of the market space.


I am sorry.  It might be my English problem, but I don't understand your
point of this post.

By the way, you should understand the problem on this subject is
VBScript.  It only affects to Mac side on M$Word Macro Virus.  Just to be
clear, you can not write AppleScript and/or shell script virus that runs
without operators knowledge.

To bring this to on-topic, I want AppleScriptable Finale!


-- 

- Hiro

Hiroaki Honshuku, A-NO-NE Music, Boston, MA
http://a-no-ne.com http://anonemusic.com


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Re: [Finale] GPO

2005-03-23 Thread Darcy James Argue
Hi Chuck,
We were just talking about this last week -- you must have missed it.
This is a Finale 2005 bug.  The best thing to turn off Save 
Preferences on Quit (if it's on) and then set the MIDI Output to 
None and manually save your prefs.  This will avoid triggering the 
Device not found dialog when you start Finale.  You will still have 
to configure Finale's MIDI Setup manually each time, but for the 
moment, there's no way around that.

If you want Coda to fix it in Fin2006, please drop them a note.  
(Believe it or not, this bug wasn't even written up until last week!)

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 23 Mar 2005, at 2:49 PM, Chuck Israels wrote:
I am experiencing a minor GPO issue: I start GPO before opening Finale 
(2005 Mac - OS X) but Finale says it cannot find the expected GPO 
Studio 1 through 4 that I have defined as Finale's MIDI out.  In 
Finale's MIDI setup menu, the GPO studios are italicized, however, 
there are new, non-italicized listings there, and as soon as they are 
chosen, everything works as expected.  This only takes a moment to 
correct, as I start Finale for the first time, but I'm wondering if 
I've overlooked something or have set something up incorrectly to 
produce this result.

Ideas?
Thanks,
Chuck
Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com
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Re: [Finale] OT: Music Folders

2005-03-23 Thread John Howell
At 2:35 PM -0500 3/23/05, Darcy James Argue wrote:
Hello,
Anyone have any suggestions for a source of inexpensive (i.e., 
cardboard) music folders (or something that could serve that 
purpose) -- that *doesn't* have some company's logo splashed all 
over it?
You want inexpensive, you pay by providing them with advertising 
space.  No big deal.  Somebody manufactures them, but wouldn't 
necessarily ship a small number to you.  You want free, ask your 
local music store so THEY'LL get the advertising and the tax 
writeoff.  (We do support local businesses, right?  Or are you in 
NYC; yeah, I guess you are.)

John
--
John  Susie Howell
Virginia Tech Department of Music
Blacksburg, Virginia, U.S.A 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:[EMAIL PROTECTED])
http://www.music.vt.edu/faculty/howell/howell.html
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Re: [Finale] Re: OT spyware

2005-03-23 Thread Phil Daley
At 3/23/2005 02:50 PM, A-NO-NE Music wrote:
Phil Daley / 05.3.23 / 02:30 PM wrote:

It will stay that way as long as Mac has a minuscule % of the market space.

I am sorry.  It might be my English problem, but I don't understand your
point of this post.
Virus writers only write viruses so they will be noticed.
Since Apple has such a small marketshare of the computer market, virus 
writers ignore them.

Actually, the first virus I ever had was on a Mac, on System 4(5?) I don't 
remember.

But, because Macs recognized floppy disk insertion and mounted them to 
the desktop, it was possible to infect a Mac by merely inserting a floppy disk.

That has never been true of a windows system.
Phil Daley   AutoDesk 
http://www.conknet.com/~p_daley

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Re: [Finale] OT: Music Folders

2005-03-23 Thread Darcy James Argue
On 23 Mar 2005, at 3:01 PM, John Howell wrote:
You want inexpensive, you pay by providing them with advertising 
space.  No big deal.
It is for me, which is why I bothered posting my question the first 
place.  If I didn't think it was a big deal, I would have just bought 
the Leblanc folders, wouldn't I?

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
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Re: [Finale] OT: Music Folders

2005-03-23 Thread John Howell
At 3:07 PM -0500 3/23/05, Darcy James Argue wrote:
On 23 Mar 2005, at 3:01 PM, John Howell wrote:
You want inexpensive, you pay by providing them with advertising 
space.  No big deal.
It is for me, which is why I bothered posting my question the first 
place.  If I didn't think it was a big deal, I would have just 
bought the Leblanc folders, wouldn't I?

- Darcy
Diff'rent strokes.  I was on the road through the entire decade of 
the '60s and we were perfectly happy to use free music store folders 
and replace them when they wore out.  But perhaps my corollary point 
wasn't clear.  Obviously someone manufactures these folders, and they 
can probably be tracked down and you could order them unprinted, but 
I doubt that a manufacturer would be willing to ship in lots of fewer 
than a thousand, which is kind of overkill for your purposes.  And 
the retailers are ALL going to be using them, even if they lose money 
on them, for advertising purposes.

Of course if you find what you're looking for, by all means let us 
know.  In NYC you just might!

John
--
John  Susie Howell
Virginia Tech Department of Music
Blacksburg, Virginia, U.S.A 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:[EMAIL PROTECTED])
http://www.music.vt.edu/faculty/howell/howell.html
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Re: [Finale] OT: Music Folders

2005-03-23 Thread Christopher Smith
On Mar 23, 2005, at 3:21 PM, John Howell wrote:
 Obviously someone manufactures these folders, and they can probably 
be tracked down and you could order them unprinted, but I doubt that a 
manufacturer would be willing to ship in lots of fewer than a 
thousand, which is kind of overkill for your purposes.  And the 
retailers are ALL going to be using them, even if they lose money on 
them, for advertising purposes.

On the other hand, you could order a thousand in basic charcoal grey or 
black, use sixty (over a few years, say, as they wear out) and sell the 
others at a small mark-up to other bands who don't want logos, but want 
cheap music folders, too!

I know some guys around here who had the same idea with score and 
manuscript paper, until computers came along, damn them!

Christopher
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Re: [Finale] OT: Music Folders

2005-03-23 Thread Phil Daley
At 3/23/2005 03:21 PM, John Howell wrote:
At 3:07 PM -0500 3/23/05, Darcy James Argue wrote:
It is for me, which is why I bothered posting my question the first
place.  If I didn't think it was a big deal, I would have just
bought the Leblanc folders, wouldn't I?

Diff'rent strokes.  I was on the road through the entire decade of
the '60s and we were perfectly happy to use free music store folders
and replace them when they wore out.  But perhaps my corollary point
wasn't clear.  Obviously someone manufactures these folders, and they
can probably be tracked down and you could order them unprinted, but
I doubt that a manufacturer would be willing to ship in lots of fewer
than a thousand, which is kind of overkill for your purposes.  And
the retailers are ALL going to be using them, even if they lose money
on them, for advertising purposes.
I probably shouldn't say anything since I haven't been following the list 
for the past month.

These are the music store supplied free folders we are talking about that 
have the store's name on them?

We never had to replace them when they wore out. They gave us a huge stock 
of new ones every year.

And I don't think they got much mileage out of them.
The store was in Portland, Maine and the school was 100 miles away in 
central NH.

I always told the kids they could write on them and then keep them at the 
end of the year.

Phil Daley   AutoDesk 
http://www.conknet.com/~p_daley

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Re: [Finale] GPO 2006

2005-03-23 Thread Chuck Israels

On Mar 23, 2005, at 11:58 AM, Darcy James Argue wrote:

Hi Chuck,

We were just talking about this last week -- you must have missed it.

Hi Darcy,

Could have happened while I was away playing in Spain (always fun to be in that country).

The scuttlebutt from people at MM is that 2006 is pretty well defined already, and new fixes  things are being considered for 2007.
(I have asked for a Patterson Beam option to be wired in to the document options in order to avoid the necessity of running a plug in on every document, and there seemed to be some sympathy for that idea for 2007.)

I don't know this for sure, but I am inferring from noncommittal hints that one critical issue will be resolved for some of us - the Shift/command/C dialog will separate measure attached smart shapes from measure expressions.  At least I have reason to hope for this.  

Casual conversations with Gary Garritan and Tom Hopkins also indicated that MM is in the process of working on tighter integration with GPO, so there's hope there too.  This particular bug is only a small annoyance anyway.  It doesn't take me more than a few seconds at the start of my work day to fix it.

I will ask MM to look into this anyway, just to add another name to the list of requests.

Thanks,

Chuck
This is a Finale 2005 bug.  The best thing to turn off Save Preferences on Quit (if it's on) and then set the MIDI Output to None and manually save your prefs.  This will avoid triggering the Device not found dialog when you start Finale.  You will still have to configure Finale's MIDI Setup manually each time, but for the moment, there's no way around that.

If you want Coda to fix it in Fin2006, please drop them a note.  (Believe it or not, this bug wasn't even written up until last week!)

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY


On 23 Mar 2005, at 2:49 PM, Chuck Israels wrote:

I am experiencing a minor GPO issue: I start GPO before opening Finale (2005 Mac - OS X) but Finale says it cannot find the expected GPO Studio 1 through 4 that I have defined as Finale's MIDI out.  In Finale's MIDI setup menu, the GPO studios are italicized, however, there are new, non-italicized listings there, and as soon as they are chosen, everything works as expected.  This only takes a moment to correct, as I start Finale for the first time, but I'm wondering if I've overlooked something or have set something up incorrectly to produce this result.

Ideas?

Thanks,

Chuck


Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com
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230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com
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Re: [Finale] editing score and parts

2005-03-23 Thread Noel Stoutenburg
To my question:
If one uses ~.etf as the primary storage format for Finale data files,
one will not lose access to the data in the files. . ..
 

David Fenton wrote
How successful is the import of ETF files in these other programs? 
How usable are the programs themselves? Do they lack capabilities 
that Finale has?
 

and I would note that at present I know of two programs that read 
(though none that write) ~.etf files:  Sibelius, and Lilypond, with 
lilypond doing so through a filter that converts the ~.etf file to a 
~.ly one.  But the format of the data file is just an arrangement of the 
data.  Since the file structure is public, there is no reason that one 
could not create a new program to convert the files; this is not 
possible with Sibelius, since the file strucutre is kept proprietary.

The problem I have with these ETF-conversion discussions is that no 
3rd parties and no conversion is necessary if MakeMusic would simply 
do something very, very simple and inexpensive, i.e., set up a key 
escrow.

It's such a small thing that I can't understand why there could be 
any resistance to such a simple and inexpensive operation. I'd think 
it would also be quite a selling point in comparison to the 
competition.
 

Ive been to the MakeMusic offices, personally, a couple of years ago.  
I saw a number of people in the offices, but I did not see anyone eating 
drinking. And I do not make any assumption from the fact that neither 
Allen Fisher, nor the other people I have had the occasion to contact 
over the years have not discussed eating or drinking in forming an 
opinion that they do not.  By the same token, I can think of good 
reasons why there might in fact be a key escrow, and why MakeMusic would 
choose not to even publish the fact, much less use it as a selling point.

ns
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Re: [Finale] editing score and parts

2005-03-23 Thread David W. Fenton
On 23 Mar 2005 at 6:13, dhbailey wrote:

 As for Dennis' fear of losing access to Finale, I agree, it's not
 paranoid.  But copy protection isn't what has done Mosaic in, it's the
 advancing OS which has left the old code in the dust and the
 developper of Mosaic decided to pull the plug on the program.  Nothing
 will be able to save Finale into the future once either Windows or
 MacOS move onto 128-bit programming and the then-current versions
 won't run any 16-bit apps anymore.
 
 That could happen to open-source freeware as easily as to 
 corporate-developped expensive software.

Well, yes, it *could* happen, but it could only do so if these 
conditions were made:

1. there was no compiler available that could compile the old code 
base to run on the new platforms, AND

2. there was no way to recode certain features of the old code base 
into a version compatible on the OS.

Neither of these things has much likelihood in the time frames we're 
are discussing here. Yes, it's quite likely if you wait 100 years 
behind the last release of the open source code base and the effort 
to compile for current computer programs. It's not very likely if it 
all takes place within the natural evolution of the software 
ecosystem.

As you all my remember, I program Microsoft Access database 
applications. I started doing that with version 2.0 back in 1995-96 
when the current version of Windows was just beginning the migration 
from Win3.x (16-bit) to Win95. The NT-based version of Windows was 
not very widely used, so I didn't worry about it. 

My 16-bit Access applications  ran just fine on Win3.x. They ran even 
better on Win95. They even ran just fine and dandy with a small 
amount of permission tweaking on NT 3.51.

When Access95 came out, Microsoft had replaced Access Basic with 
Visual Basic for Applications, and VBA was implemented in all the 
programs in the Microsoft Office Suite. The changes were minor. 
Here's an example of a common command and its replacement:

  DoCmd OpenForm frmMyForm

was replaced by:

  DoCmd.OpenForm frmMyForm

Access95 was designed to do those kinds of conversions for you 
automatically. Indeed, it converted almost everything. Just about the 
only things that didn't convert were any dependencies on Windows [16-
bit] API calls (i.e., outside of Access). 

I had a couple of existing applications that extensively used 16-bit 
add-in controls for tabbed dialogs and multiselect listboxes. 
Access95 implemented both of those natively. Fortunately, one of 
these applications was being phased out (actually, the companies it 
was being used by, penny stock trading firms, were just going out of 
business with the rise of online trading), and the other was used by 
only a single individual.

I never converted either of those apps.

But they both still run on every version of Windows that has ever 
existed since the time they were written. That means Win3.x, Win95, 
Win98, WinME, NT 3.51, NT 4, Win2K and WinXP (I don't know if it 
would run on Win2K3 Server, since it has stricter security and might 
prohibit the installation of 16-bit OCX's; but that's not a 
workstation OS, though it can be used to host Windows Terminal 
Server; my bet is that the OCX's could actually be installed and 
would work).

Now, at some point, should MS drop support for 16-bit OCX's (or on a 
larger scale, for any 16-bit applications), then I'd have to convert. 
I'd have to keep an older version of Access, since current versions 
can't convert Access 2 files, and I'd have to remove the OCX's and 
replace them with the native 32-bit controls.

But it's not a big deal. The only reason I never did it for the one 
remaining user was that it's just easier to install the OCX's on her 
new PCs than it is to take the time to rip it all out and start over.

However, actual conversion is something I can do very, very easily as 
long as I have the versions of the software that can convert the 
older files. For right now, this means Access97 (the last to convert 
from Access 2), as all current versions of Access can convert from 
Access97.

For open-source code, the situation is similar, though at once much 
simpler and far more complex. One would need a compiler that can deal 
with the old code, but also would need to convert outside 
dependencies (like the 16-bit API calls in my old Access apps) on 
obsolete technologies. It is the fact of having the source code that 
makes it possible to do the conversion in circumstances where it 
would otherwise be impossible (absent emulators of the obsolete 
platforms).

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] OT: Music Folders

2005-03-23 Thread Noel Stoutenburg
Darcy James Argue wrote:
Hello,
Anyone have any suggestions for a source of inexpensive (i.e.,  
cardboard) music folders (or something that could serve that purpose)  
-- that *doesn't* have some company's logo splashed all over it?
Probably not.  The folders are probably printed before they are cut, 
folded and pasted.  Your cheapest bet is probably to get folders with 
some company or other's logo stamped on them, and a supply of adhesive 
shelf paper in some pattern you consider suitable, and cover the 
offending logos. 

Another solution would be to get a supply of poster board (I've not done 
a poster in so long that I don't know the customary sizes any more), and 
a sharp hobby knife and rule, and cut and fold your own.

ns
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Re: [Finale] Compatability with XP Service Pack 2 (SP2)?

2005-03-23 Thread David W. Fenton
On 23 Mar 2005 at 10:26, Brad Beyenhof wrote:

 I'm actually not exactly sure, but that's what Leo Laporte has always
 said to callers on his technology radio show. I made sure to clean out
 every trace of spyware before upgrading, so I don't know what might
 have happened if I hadn't.

Why would anyone *not* want to clean out spyware, whether they are 
installing an OS service pack or not?

I still cannot fathom why anyone with any technical knowledge at all 
would still be using Internet Explorer for anything at all -- it's a 
terrible program in terms of security, compatibility with standards 
and usability. It has been vastly surpassed by every other browser 
available, none of which have even 10% of the dangerous exploits as 
it.

Why anyone would put up with pop-ups (or use a browser that requires 
add-on software to prevent pop-ups) I can't imagine, especially with 
all the publicity the alternative browsers have been getting.

I have *no* spyware on my PC because I don't use software that is 
vulnerable to it or that install it itself. Why is it that everyone 
is not wanting the same thing?

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] Compatability with XP Service Pack 2 (SP2)?

2005-03-23 Thread David W. Fenton
On 23 Mar 2005 at 13:38, Phil Daley wrote:

 My daughter brought me two computers to upgrade.
 
 Hers was fine, although I had never seen so many spyware/adware on
 one system before, over 500.

What does this number mean?

Is this the number that programs like AdAware give for the count of 
registry keys, files, etc., that it finds? If so, then it's a 
ridiculously stupid number, as it includes things like Doubleclick 
cookies, including the opt-out cookie (which is on my PC).

Every spyware-infested computer I've ever cleaned up has had 5-15 
different spyware programs installed. There may very well be 100s of 
different bits and pieces in different places, but the actual full 
spyware programs is substantially smaller than that.

I'm not meaning to minimize the problem -- it's a ridiculous problem, 
one that's caused and enabled by bad business practices throughout 
the industry (a situation created by MS's bad software designs). But 
the methods of estimating the extent of an individual PC's 
infestation seem grossly blown out of proportion.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] Re: OT spyware

2005-03-23 Thread David W. Fenton
On 23 Mar 2005 at 14:16, Darcy James Argue wrote:

 Spyware on the Macintosh is not a problem.

But they *could* be, as much of the spyware on Windows machine is 
installed along with programs that one desires to install (like Kazaa 
or WinAmp).

 Cookies are not the same thing as spyware.

But the spyware removal programs consider them to be so, and list 
them with their other finds. This is one of the objections I have 
to the way spyware detection is done.

Of course, on another level, many cookies *are* used for spying on 
your browsing habits, as 3rd-party cookies can be used to track your 
browsing and create a profile of you. That's why you should refuse 
cookies from companies like RealMedia, Doubleclick and the like.

Indeed, I refuse all 3rd-party cookies, and never allow *any* cookies 
to be saved beyond the current session.

If I had a Mac, I'd do the same thing.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] Re: OT spyware

2005-03-23 Thread David W. Fenton
On 23 Mar 2005 at 11:27, Chuck Israels wrote:

 I know you guys would know.  Nice to know this is not a Mac problem
 for those of us on this side of things.

There are two classes of Windows spyware:

1. the things that are installed without your knowledge because of 
vulnerabilities in Internet Explorer (usually involving some form of 
deception or obfuscation), AND

2. spyware that is installed as part of the installation of programs 
that the user has chosen to install. These usually provide the 
advertising infrastructure that supports free software, and almost 
all of the programs that carry this kind of payload are used for 
downloading music. Kazaa and WinAmp are two that I know of that 
install garbage.

So, while type 1 is impossible on the Mac, type 2 is quite possible, 
and may already be installed.

I don't think Mac users should be so self-satisified about the issue 
as the discussion here has suggested.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] OT: Music Folders

2005-03-23 Thread Darcy James Argue
Hey gang,
I should have added in the original post that I *definitely* don't want 
a solution that requires me personally to do any work whatsoever.  So 
stuff like cutting and folding poster board to make a bunch of 
individual folders is right out.  It's not that I don't appreciate the 
ingenuity behind those suggestions, it's just that I personally have 
absolutely no interest in doing any of that stuff.

I just want to order a set of 20 logo-free folders and be done with it, 
and I was rather hoping there would be some kind of price point between 
$0.75/folder (for the be-logo'd versions) and $7.99/folder.

Surely, *somebody* out there sells oversize two-pocket cardstock 
portfolios in plain black (or manilla, or whatever)?

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 23 Mar 2005, at 4:01 PM, Noel Stoutenburg wrote:
Darcy James Argue wrote:
Hello,
Anyone have any suggestions for a source of inexpensive (i.e.,  
cardboard) music folders (or something that could serve that purpose) 
 -- that *doesn't* have some company's logo splashed all over it?
Probably not.  The folders are probably printed before they are cut, 
folded and pasted.  Your cheapest bet is probably to get folders with 
some company or other's logo stamped on them, and a supply of adhesive 
shelf paper in some pattern you consider suitable, and cover the 
offending logos.
Another solution would be to get a supply of poster board (I've not 
done a poster in so long that I don't know the customary sizes any 
more), and a sharp hobby knife and rule, and cut and fold your own.

ns
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Re: [Finale] Re: OT spyware

2005-03-23 Thread David W. Fenton
On 23 Mar 2005 at 14:50, A-NO-NE Music wrote:

 Phil Daley / 05.3.23 / 02:30 PM wrote:
 
 It will stay that way as long as Mac has a minuscule % of the market
 space.
 
 I am sorry.  It might be my English problem, but I don't understand
 your point of this post.
 
 By the way, you should understand the problem on this subject is
 VBScript. . . .

No, it isn't.

 . . . It only affects to Mac side on M$Word Macro Virus.  Just to
 be clear, you can not write AppleScript and/or shell script virus that
 runs without operators knowledge.

Phil, as usual, has managed to muddy the waters by screwing up the 
definitions under discussion. Spyware and viruses are two completely 
separate issues. 

Spyware vectors are completely different from virus vectors, and 
almost always involve uninformed consent to get themselves installed. 
A common one is the IE Javascript dialog that says Spyware detected! 
Do you want to remove it? YES/NO and if you click YES it *installs* 
new spyware.

Browsers like FireFox are immune to this because the pop-up dialog 
can't run (by default FireFox blocks OnOpen javascripts), and even if 
it did run, the spyware that is installed is almost always ActiveX-
based, and ActiveX doesn't run in FireFox (thankfully).

But these kinds of exploits *could* be designed to run on Mac 
browsers because of the fact that many of them install only because 
the user gives consent to install them (almost always without knowing 
or understanding that they've consented).

 To bring this to on-topic, I want AppleScriptable Finale!

If AppleScript can write to the file system, it will end up just as 
vulnerable as VBScript, and could become a vector for virus 
infections, should someone choose to write them.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] Re: OT spyware

2005-03-23 Thread Darcy James Argue
On 23 Mar 2005, at 4:23 PM, David W. Fenton wrote:
On 23 Mar 2005 at 14:16, Darcy James Argue wrote:
Spyware on the Macintosh is not a problem.
But they *could* be
Sure, it *could* be, David, but right now it isn't.  For example, 
RealPlayer for Windows installs spyware as part of its installation. 
RealPlayer for Mac doesn't.

Obviously, that situation could change at any time, but for the moment 
there's nothing for Chuck to worry about as there are no confirmed 
cases of spyware or other malware for Macintosh.

Cookies are a different situation entirely, but there are already lots 
of good tools for dealing with that.  Safari can be set to 
automatically refuse all third-party cookies -- in fact, I think that's 
the default setting.

- Darcy
-
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Re: [Finale] editing score and parts

2005-03-23 Thread David W. Fenton
On 23 Mar 2005 at 14:51, Noel Stoutenburg wrote:

 To my question:
 If one uses ~.etf as the primary storage format for Finale data
 files, one will not lose access to the data in the files. . ..

 David Fenton wrote
 How successful is the import of ETF files in these other programs?
 How usable are the programs themselves? Do they lack capabilities
 that Finale has?

 and I would note that at present I know of two programs that read
 (though none that write) ~.etf files:  Sibelius, and Lilypond, with
 lilypond doing so through a filter that converts the ~.etf file to a
 ~.ly one.  But the format of the data file is just an arrangement of
 the data.  Since the file structure is public, there is no reason that
 one could not create a new program to convert the files; this is not
 possible with Sibelius, since the file strucutre is kept proprietary.

I'm not asking what is possible. I'm asking WHAT IS IN EXISTENCE 
right now.

What is possible may never ever come to pass, yet you seem to be 
putting your money on the mere possibility.

 The problem I have with these ETF-conversion discussions is that no
 3rd parties and no conversion is necessary if MakeMusic would simply
 do something very, very simple and inexpensive, i.e., set up a key
 escrow.
 
 It's such a small thing that I can't understand why there could be
 any resistance to such a simple and inexpensive operation. I'd think
 it would also be quite a selling point in comparison to the
 competition.

 Ive been to the MakeMusic offices, personally, a couple of years ago.
  I saw a number of people in the offices, but I did not see anyone
 eating drinking. And I do not make any assumption from the fact that
 neither Allen Fisher, nor the other people I have had the occasion to
 contact over the years have not discussed eating or drinking in
 forming an opinion that they do not.  By the same token, I can think
 of good reasons why there might in fact be a key escrow, and why
 MakeMusic would choose not to even publish the fact, much less use it
 as a selling point.

Given that it's hurting sales among their must loyal user base, they 
would be idiots to choose not to publicize it if it already existed.

On another note, I'm not sure why you've chosen to revive this 
subject yet again. I don't see that you're adding anything new to the 
discussion at all, just repeating points you've attempted to make in 
the past. 

You're free to do that, but I don't see the point of doing so.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] GPO

2005-03-23 Thread Dean M. Estabrook
I thought GPO was not available for Mac users.
DEan
On Mar 23, 2005, at 11:49 AM, Chuck Israels wrote:
I am experiencing a minor GPO issue: I start GPO before opening Finale 
(2005 Mac - OS X) but Finale says it cannot find the expected GPO 
Studio 1 through 4 that I have defined as Finale's MIDI out.  In 
Finale's MIDI setup menu, the GPO studios are italicized, however, 
there are new, non-italicized listings there, and as soon as they are 
chosen, everything works as expected.  This only takes a moment to 
correct, as I start Finale for the first time, but I'm wondering if 
I've overlooked something or have set something up incorrectly to 
produce this result.

Ideas?
Thanks,
Chuck
Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com
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There are some people, I suspect, who would feel obscurely  cheated 
if, when they finally arrived in heaven,  they found everybody else 
there as well.  Heaven would not be heaven unless those who reached it 
could peer over the celestial parapets and watch other unfortunates 
roasting below.

Karen Armstrong
Dean M. Estabrook
Retired Church Musician
Composer, Arranger
Adjudicator
Amateur Golfer

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Re: [Finale] OT: Music Folders

2005-03-23 Thread dhbailey
www.jwpepper.com has what you're looking for.
Darcy James Argue wrote:
Hello,
Anyone have any suggestions for a source of inexpensive (i.e.,  
cardboard) music folders (or something that could serve that purpose)  
-- that *doesn't* have some company's logo splashed all over it?

An example of what I *don't* want:
  http://www.musiciansfriend.com/srs7/g=home/search/detail/base_pid/ 
920100/

I was trying to find something suitable at Staples.com.  They carry  
lots of inexpensive two-pocket cardboard portfolios, but none of them  
are designed for documents larger than 8.5x11.

Any ideas?  Nice as they are, I don't really feel like springing for  
the ProTec ones:

http://www.musiciansfriend.com/srs7/g=home/search/detail/base_pid/ 920201/
- Darcy
-
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--
David H. Bailey
[EMAIL PROTECTED]
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Re: [Finale] OT: Music Folders

2005-03-23 Thread laloba2
Hi Darcy,
Try these guyshttp://www.vallemusic.com/  They have a heavy 
cardboard folder with pockets approx. 11 X 14 in size for around 
$7.00 each...they have 12 in stock and can order more if you need 
them.  Ask for Jim.  This is one of the places I get my music 
supplies and they have always been great.

Best,
-Karen
Hey gang,
I should have added in the original post that I *definitely* don't 
want a solution that requires me personally to do any work 
whatsoever.  So stuff like cutting and folding poster board to make 
a bunch of individual folders is right out.  It's not that I don't 
appreciate the ingenuity behind those suggestions, it's just that I 
personally have absolutely no interest in doing any of that stuff.

I just want to order a set of 20 logo-free folders and be done with 
it, and I was rather hoping there would be some kind of price point 
between $0.75/folder (for the be-logo'd versions) and $7.99/folder.

Surely, *somebody* out there sells oversize two-pocket cardstock 
portfolios in plain black (or manilla, or whatever)?

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 23 Mar 2005, at 4:01 PM, Noel Stoutenburg wrote:
Darcy James Argue wrote:
Hello,
Anyone have any suggestions for a source of inexpensive (i.e., 
cardboard) music folders (or something that could serve that 
purpose)  -- that *doesn't* have some company's logo splashed all 
over it?
Probably not.  The folders are probably printed before they are 
cut, folded and pasted.  Your cheapest bet is probably to get 
folders with some company or other's logo stamped on them, and a 
supply of adhesive shelf paper in some pattern you consider 
suitable, and cover the offending logos.
Another solution would be to get a supply of poster board (I've not 
done a poster in so long that I don't know the customary sizes any 
more), and a sharp hobby knife and rule, and cut and fold your own.

ns
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[Finale] More on copy protection - Finale 2004 licenses

2005-03-23 Thread Matthew Hindson Fastmail Account
At the risk of seeming unnecessarily incendiary (I'm not! Promise!), I 
wonder if anyone else has come across this issue before.

I recently upgraded to Finale 2005, and also got a new G5.  I used the 
automatic transfer feature of the G5 to swap all of my files and 
applications from the eMac to the new machine.  The transfer of license 
of Finale 2004 didn't work using this system, so when I went to open it 
up on the new machine, it said it was unregistered etc.

So then I ring the friendly, supportive distributor to try to get a 
replacement code for Finale 2004.  However because I'm in the system as 
having upgraded to Finale 2005, apparently it's impossible to give me a 
new key for Finale 2004.  So now my copy of Finale 2004 is unusable.

Those of us being able to access legacy versions of the application may 
be in for a shock sometime down the road when we change computers.

Matthew
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Re: [Finale] Incorrectly Printing Articulation (?)

2005-03-23 Thread Owain Sutton

John Howell wrote:
At 4:38 AM + 3/23/05, John Bell wrote:
PS On reflection, since you say the inverted A is beside both notes 
it's unlikely to be an articulation -- only one instance would appear 
in that case -- so unless my earlier suggestion of O for open string 
is wrong it must me something else that applies to each of the two 
notes. Such as an unorthodox accidental? It's hard to think of 
something that would need to be applied to each note as opposed to the 
pair of them.

John

A fingering would go over the notes.  The only sign I can imagine being 
placed before the notes is a vertical bracket indicating non-divisi.  An 
accidental would only make sense if the key signature needs to be 
cancelled for those notes.

John

Fingerings placed before the notes, particularly on chords, aren't 
entirely unknown (although certainly to be discouraged!)
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Re: [Finale] OT: Music Folders

2005-03-23 Thread Darcy James Argue
On 23 Mar 2005, at 4:50 PM, dhbailey wrote:
www.jwpepper.com has what you're looking for.
Yes, they do.
THANK YOU, David!
Cheers,
- Darcy
-
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Brooklyn, NY

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Re: [Finale] More on copy protection - Finale 2004 licenses

2005-03-23 Thread Darcy James Argue
On 23 Mar 2005, at 4:06 PM, Matthew Hindson Fastmail Account wrote:
However because I'm in the system as having upgraded to Finale 2005, 
apparently it's impossible to give me a new key for Finale 2004.
That's not true.  I don't know who told you that, but that's absolutely 
not true.

When I installed Fin2004 and 2005 on my new Mac, I was able to register 
2005 using the wizard, but I had to call Coda to register 2004 (because 
I had already done two installations of Fin2004).

It was no problem for them to void my old registrations.  Then I just 
used the registration wizard for Fin2004 and everything was fine.

So now my copy of Finale 2004 is unusable.
Not at all.  Somebody at Coda screwed up.  Call back and they will fix 
it.

- Darcy
-
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Re: [Finale] More on copy protection - Finale 2004 licenses

2005-03-23 Thread Darcy James Argue
Hey Matthew,
Hold on a minute:
So then I ring the friendly, supportive distributor
Why did you contact the distributor?  What do they have to do with 
anything?

To the best of my knowlege, Coda handles all activation codes directly. 
 Your distributor shouldn't have anything to do with it, right?

- Darcy
-
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Re: [Finale] More on copy protection - Finale 2004 licenses

2005-03-23 Thread dhbailey
Darcy James Argue wrote:
Hey Matthew,
Hold on a minute:
So then I ring the friendly, supportive distributor

Why did you contact the distributor?  What do they have to do with 
anything?

To the best of my knowlege, Coda handles all activation codes directly. 
 Your distributor shouldn't have anything to do with it, right?

Matthew is in Australia -- perhaps all activation codes have to go 
through the local distributor.

--
David H. Bailey
[EMAIL PROTECTED]
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Re: [Finale] More on copy protection - Finale 2004 licenses

2005-03-23 Thread A-NO-NE Music
dhbailey / 05.3.23 / 05:34 PM wrote:

Matthew is in Australia -- perhaps all activation codes have to go 
through the local distributor.


Coda has been responding to auth issues via email to me rather quickly,
and I have been very impressed.  I move many computers around, y'know :-)


-- 

- Hiro

Hiroaki Honshuku, A-NO-NE Music, Boston, MA
http://a-no-ne.com http://anonemusic.com


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Re: [Finale] More on copy protection - Finale 2004 licenses

2005-03-23 Thread David W. Fenton
On 24 Mar 2005 at 8:06, Matthew Hindson Fastmail Account wrote:

 At the risk of seeming unnecessarily incendiary (I'm not! Promise!), I
 wonder if anyone else has come across this issue before.
 
 I recently upgraded to Finale 2005, and also got a new G5.  I used the
 automatic transfer feature of the G5 to swap all of my files and
 applications from the eMac to the new machine.  The transfer of
 license of Finale 2004 didn't work using this system, so when I went
 to open it up on the new machine, it said it was unregistered etc.
 
 So then I ring the friendly, supportive distributor to try to get a
 replacement code for Finale 2004.  However because I'm in the system
 as having upgraded to Finale 2005, apparently it's impossible to give
 me a new key for Finale 2004.  So now my copy of Finale 2004 is
 unusable.
 
 Those of us being able to access legacy versions of the application
 may be in for a shock sometime down the road when we change computers.

I haven't read the upgrade EULA, but that's the way it works for 
upgrades to Microsoft products -- the upgrade voids your license for 
the old version.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] More on copy protection - Finale 2004 licenses

2005-03-23 Thread Darcy James Argue
On 23 Mar 2005, at 5:52 PM, David W. Fenton wrote:
I haven't read the upgrade EULA, but that's the way it works for
upgrades to Microsoft products -- the upgrade voids your license for
the old version.
That's not how it works for Finale -- never has been.
(And there would a full-scale user revolt if they ever tried.)
- Darcy
-
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Re: [Finale] More on copy protection - Finale 2004 licenses

2005-03-23 Thread Noel Stoutenburg
Matthew Hindson wrote:
So then I ring the friendly, supportive distributor to try to get a 
replacement code for Finale 2004.  However because I'm in the system 
as having upgraded to Finale 2005, apparently it's impossible to give 
me a new key for Finale 2004.  So now my copy of Finale 2004 is unusable. 
MakeMusic uses some type of on-line system for verification, and people 
outside the company have less access than those inside.  When I 
installed 2k5, I did so in the middle of the night, and was able to 
authenticate with a phone call, which was answered by an outside agency, 
whose operator provided me the code.  When, due to a hard disk 
malfunction, I had to reinstall, I had to do it during the day, when 
MakeMusic people themselves were available, because while they had the 
authoritiy to re-authorize beyond two, the outside people did not.  I 
suspect the distributor has the same situation, and if you persist with 
the distributor, that they could get the re-authentication for your, or, 
alternatively, if you contact MakeMusic directly, they can give it to 
you themselves.

ns
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RE: [Finale] Compatability with XP Service Pack 2 (SP2)?

2005-03-23 Thread Lee Actor
 [...]

 Why anyone would put up with pop-ups (or use a browser that requires
 add-on software to prevent pop-ups) I can't imagine, especially with
 all the publicity the alternative browsers have been getting.


Since XP SP2, IE6 has been completely resistant to pop-ups.  In this
respect, it is noticeably superior to Firefox, the browser I use most often.

Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com



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Re: [Finale] Compatability with XP Service Pack 2 (SP2)?

2005-03-23 Thread Richard Yates

 Finale will run just fine on SP2. However, if you have any spyware on
 your computer before you start the SP2 install the consequences can be
 disastrous. You should run Ad-Aware Personal from
 http://www.lavasoftusa.com/ to make sure your machine is clear before
 upgrading the OS to SP2.

It can be completely disastrous if the computer is not prepared properly.
Check the newsgroup microsoft.public.update for hundreds of horror stories.

Prepare the computer according to the instructions at:

http://www3.telus.net/dandemar/spackins.htm

I have not dared to take this step yet!

Richard Yates


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Re: [Finale] Compatability with XP Service Pack 2 (SP2)?

2005-03-23 Thread David W. Fenton
On 23 Mar 2005 at 18:03, Richard Yates wrote:

  Finale will run just fine on SP2. However, if you have any spyware
  on your computer before you start the SP2 install the consequences
  can be disastrous. You should run Ad-Aware Personal from
  http://www.lavasoftusa.com/ to make sure your machine is clear
  before upgrading the OS to SP2.
 
 It can be completely disastrous if the computer is not prepared
 properly. Check the newsgroup microsoft.public.update for hundreds of
 horror stories.
 
 Prepare the computer according to the instructions at:
 
 http://www3.telus.net/dandemar/spackins.htm
 
 I have not dared to take this step yet!

The instructions there may be very disorganized and quite poorly 
formatted, but they look like good advice to me.

For those who've asked in private email about cleaning up spyware, 
the two industry leaders are AdAware (from LavaSoft) and SpyBot 
SearchAndDestroy. You can Google for them.

However, a recent study found that these programs still leave some 
things undetected.

If you really want to clean up your computer, this is what you should 
do:

1. back up all your data.

2. download all the service packs and patches for your operating 
system so you can install them on a fresh copy of Windows *before* 
you reconnect to the Internet. You'll probably want to save copies of 
all the updates and latest virus definitions for your anti-virus 
program, too.

3. reformat your hard drive.

4. re-install Windows.

5. apply all the service packs and patches.

6. install your anti-virus software, patch it and install the most up-
to-date virus definitions (all of which you saved in step 2).

7. connect your computer to your firewall or NAT router (don't 
connect direct to your cable modem or dialup Internet connection).

8. run Windows update to update everything else that you haven't 
downloaded.

9. re-install all your programs, except those that are known spyware 
vectors. See http://cexx.org/adware.htm for information on this and 
check the list of Advertising Spyware (the most common category that 
is stealthily installed along with other, useful software).

10. download and install Opera or FireFox. Vow never to use Internet 
Explorer again.

11. Abandon Outlook Express or Outlook as your email client and get a 
real email client, like Pegasus Mail, Eudora or Thunderbird (part of 
the Mozilla suite, a sibling of FireFox).

The only way to avoid spyware is to not use any programs that are 
susceptible to them and to never install software that you haven't 
checked for know spyware (Googling on spyware and the name of the 
software should do the job).

I have no spyware because I'm not susceptible as I don't use 
vulnerable programs or install any programs that include spyware. 
This doesn't cramp my computing at all.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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