[Hornlist] RE:Replacing an 8D leadpipe
Hi chris, There are number of manufacturers who make some very good leadpipes lawson is good but yet , very expencive . dennis houghton( houghtonhorns would sell you a high quality leadpipe at the price of about 450$. there are also Ron pink (schicago ) patterson , chuck ward and meny great other craftsmen. Alon Reuven ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] RE: fingering
Hi all , When I think about technique , I think about it as a career extender : one should do whatever makes his playing easier . So when it comes to fingering , I think that the real challenge is to temper the differences - in sound and in intonation . The guide should be the ear only - if 1,2 fingering sounds sharp on under stuff D it does not mean , necessarily , that you should abort this possibility . This fingering is a power full tool when used in the beginning of Strauss con.no. 2 , for instance . but of course , some work has to be done , and awareness has to be developed until it would seem natural to you . Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Check out my Facebook profile
Hi Horn, I set up a Facebook profile where I can post my pictures, videos and events and I want to add you as a friend so you can see it. First, you need to join Facebook! Once you join, you can also create your own profile. Thanks, Alon To sign up for Facebook, follow the link below: http://www.facebook.com/p.php?i=535166697k=5YC636R43ZWM5FB1PE52UPr This e-mail may contain promotional materials. If you do not wish to receive future commercial mailings from Facebook, please click on the link below. Facebook's offices are located at 156 University Ave., Palo Alto, CA 94301. http://www.facebook.com/o.php?k=404e92u=1460171744 ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] jiracek natural horns
Hi all, Does anyone know , or has an opinion about jiracek natural horns ? Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re:there is music and music
Who is the horn player? nice playing indeed. Alon Reuven ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] L.Kogan
I am deeply touched by the fact that although Lev has passed away last summer , his unique voice has not disapeared and his spirit privails . Lev was close to my father , and I was lucky to know him personally and to playperform many of his pieces . a good source would be Dr. Noreen Green , from L.A. - a jewish music specialist . take care , Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Auf dem strom
Happy new year everybody !! Does anyone know of a good recording of Auf dem strom in Eb? Alon Reuven ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Ligetti
Hi all , can anyone tell me how the %^*$!! can I turn pages in the Ligetti trio ?the guy forgot that we use two hands ! Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Braces
Hello all, A student of mine is about to put braces on her teeth . Does any one have any Idea about expected difficulties and solutions ? Alon Reuven ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] RE: Opinions on methods
I am more familiar with the singer book . I believe that the things in the core are a few , and this book gives the out most respect to this core : sound , articulation , beginning of notes , range etc. A very good choice for players in every level . Take care , Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Hearing yourself on the Radio for the first time
congratulations , Mathew! There is nothing like it . first three months are like basic training but it is , yet ,the moment which your life took a higher course and purpose . Take care , and good luck to you , your wife and Satya. Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] RE: Mozart Sinfonia no.29 in A
Hans is allmost there - I do think that one may use a high F horn , but not single , but double .I mean , Bb/Hi F.and because you may use it right on the F# on the top of the staff , you would have no hard time with the fingerings . As for the sound - just follow your ear , and your body would guide you properly . Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Triples
Hi all, For the past 30 years I was a double horn player . Now I play a triple . in order to choose it I have tryed Yamaha , paxman , Alex , schmid and kuhn . I found out that the Yamaha is a very well made horn , but it does not have a very good low register . I , personally do not like the Yamaha sound - it does not seem to br flexible enough for me . The Alexander which I have tryed seem to be good but yet it did not have a responce I liked . At least the one which I have tryed had too much resisstence . The Paxman is a very good instrument but yet , it is extremly heavy , and would fit , in my opinion , only for orchestral use . It felt like operating a machine . I have visited both in the kuhn and schmid workshops . (I would sper you enthusiastic descriptions , But just visiting such a workshop is an experience ) schmid horns are wonderfully made . I have tryed an E flat triple along side with two high f triples . The E flat triple was very good. I was pretty sure that I would pick it up . But then , when I have tryed the kuhn , with its great low register , and all three sides of the horn are balanced - I decided to pay the price of 2900 kg .- not much for a triple horn , but more than the Schmid , which wheigh pretty much like double horn . I think that kuhn , as of today , is a very dynamic firm , and in the last show in Switzerland , Ricco kuhn has presented a Quatro horn - a horn which can be switched between high F and High Eb . The question is what would one like to do with his q her new triple .all around horn , just like a double ? symphonic ?Are you a very good low horn player , and need some more security in the high register ? take care , Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Is it necessary a descant when you have a
To me , the sound in julius cezar was fine and fitted well the style . We play broque music quite often , and untill recently I used to play on a double descant in all of the cantatas or any other hair lifting stuff . I think that with the right preperation you can get very nice tone out of allmost every thing if you follow your Image and ear , instead of following the tubing . the problem starts when one trys not to take any risks , or on the other and , when one is becoming a tubing freak . By the way ,Hans , can you please remind me this Aria's name ? Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] The secret(?)
Hi all , I am trying to explain myself Engelbert schmid's success in building an ultra light horn . Is it really a secret - something which only Engelbert schmid knows , or is it simply a choice - a technique which others might prefer not to use ? I have to say that I visited Mr.schmid's workshop in last April - it is really a dream place . I have tryed out some of the horns and I felt that I , personally , did not manage to creare a massive sound out of the horns when I tryed them . does it have to do with their weight ? Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: What makes Conns desirable?
I have been playing the same old N series Conn for the past 17 years . I think that Conns are really inconsistent , and one instrument is very different from the other . But I do have some Idea why a good Conn would make a good choice . The Conn , as far as I could realise and as opposed to what some others may think , does not have a strong character . I , personally heard Conns sounding dark or bright and it seems like an instrument which one may impose him\herself on . you can play the loudest forte on a conn without braking that sound . I have played my Conn as a soloist , chamber player and within an orchestra . this instrument can fit allmost every situation , probably not bach cantatas , and Hydn 48\52 , but playing britten serenade was quite fun . the Conn's bell ring is compatible with alexander , lawson , and many other good makers , and the choices which you can make in order to buy a bell are inormous .thats what makes conn desirable , you horn shoper . Alon Reuven ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Looking for other Pizka horns
What does silver plating or gold plating do to your horn ? Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] files
Hi all, I would like to know if there is any program which would be able to find a specific subject in the issues I kept in a file . some of the information is valuable , but due to the largr number of volumes and issues , it is almost impossible to find a specific subject . thanks , Alon Reuven ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Parabol no.five
Hi all I am trying to find a piece named Parabol number 5 by william persichetti. Does anyone knows where can I get the sheet music? Thanks, Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] garland
Hi all , I would like to ask - what does a garland do physically and how does it amply on the way a horn player feels the instrument ? thanks, Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: A favor to ask you all
Hi Wendell, I feal very happy about that I was given the chance to encourage someone with my story . It took me quite a long time to get convinced that with my former I would find myself , within a short period in the end of the road as a horn player.At that point i was 28 , warried , married and jobless. Atthe time i made the dcision my ambsure was far up the uppere lip.Ihave started my change, and soon enough I had to work in the most owfull jobs ever-like being a kitchen worker in a resturant and such.Shortly after I have accomplished the changeI was accepted to a principal horn position in a chaqmber orchestra and some six years after words I found myself as a first horn in the Israel Camerata - playing quite often as a soloist and a recitalist , and very active almost inevery field of musical life in Israel - from classical to rock music . i do remember moments of despair but I know how to cherish them now - it takes a lot of pressure to turn coal into a diamond. yours, Alon Reuven ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] RE:valve question
Hi Matthew, congratulations!! the person who helped me a lot in getting some knowledge was Dennis houghton .You can , probably , find his sight if you look under houghtonhorns. the Idea you have in your head may be wonderfull . learn , go for it . Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] RE:Telemann Concerto
As far as I know ,Telemann wrote , in addition to this concerto , a concerto for three horns , and a nice suite for two horns. Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Britten serenade
I think that a student , after all , is a trainee. It seems to me that people have gone too far in the comparison they make ( if you can play britten with a piano , why not transcribing a string quartet to a brass quintet .. ) after all , a student recital is rarely a proffessional event . It suppose to monitor the student's performance and musical abilities . concidering the emotional , musical and technical value this piece has , I do not believe that it should be rulled out by teachers as a study and performance material . Actually , when would ever play a student a full cocerto , exept for these venues ? only a few are playing a cocerto with an orchestra . Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Blasting high , coming out of the closet..
Hans , I know that playing concetrated and controled sound is the thing to do in Bach and Haydn - thats what I said at the first place ... The thing is that I want to perform the Concertstuck sometime . I did perform as a soloist for quite a few times , but this piece is really something . I do work the movements from the end backwords , but I ca'nt play it forte or fortissimo . Near this piece , the Adagio allegro seem to be a piece of cake . Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] one for the list :extra high , extra strong
Hi all, I wonder : when I play in extra high register ( playing D or E is not that rare in my orchestra) I usualy use a very concetrated sound ,which does the job for Bach , Haydn and any other chamber stuff . When I try to blast in this range the note would not hold for more then a second - the strong and fast air stream would simply split the small aperture needed. What do you you do when you want to blast in notes above high C? Alon Reuven ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Tomb?ck's Auf dem Strom
Hi all , had the pleasure to play Auf dem strom both in original key and in Eb.The funny thing was that the tenor's preference was the original key and the soprano preferred it in Eb . It sounded to me much calmer in Eb , and not only because of the horn part . I do not think that I should Analise weather it was or wasn't at the right key , but if he managed to maintain interest through this very long lid. Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] RE: New Horn Recommendations
Jim , The way you have described the kind of work you do , a good 8D is fine . I , pesonaly , find a single Bb too specific , and the most of compensating horns have major intonation problems and I , personally , do not find them egile . I believe that you should invest money in another instrument onle if you need to cover a whole new area - like very high parts . Otherways , as long as you concider your instrument to be a good one , just play along and adjust yourself to the space and piece. If there is a specific problem with your instrument , bring it up - there should be a solution . Alon Reuven ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] RE:fixed bell sound
Due to the number of first class professionals using cut bell , I think it would not be accurate to say that a horn with a cut bell does not have a true horn sound . I think that there is a big number of variables , and therefore we should not focus on such subtle changes . It reminds me of my own question , quite a while ago , about lacquered instruments vs. unalcqered ones . I can't remember who was the one who told me if the audience can't tell, if the conductor can't tell , and if your colleagues can't tell , what difference does it make ? I think that that guy's advice applys here , too. Alon Reuven ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] copper
I wonder :if a bell is being plated in silver they say it sound will be more brilliant . Would it become darker if it would be plated with copper ? What makes gold brass sound darker than yellow brass , and why is it heavyer on one's lips ? take care, Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Unwarranted attack onf Prof. Pizka
Hi all, I personally think that we should get back to the old path :after all , It is a horn list... Regularly I tend to argue fiercely about political issues. Unlike Chinese food or Japanese music , for some people , it is , literally , a matter of life and death . But I really get the feeling sometimes , that I need a refuge. The list is a sacred domain in the sense that it is not and should not be dedicated to anything else but the art of horn playing . Alon Reuven , Israel ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] RE :buying a Conn8D from the years 1990- 2000
I would like to make a comment on Steven Mumford's thesis the Elkhart horns are all warn out : do not forget that after valve rebuild the horn's reaction is fine . some repair men even make whole new valves - what can be bad about it ? I have an Nseries Conn 8D and I , personally , find it a great instrument . Only now , after 20 years , I have transfered to a triple horn . Alon Reuven ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re : A new mouthpipe
There are several talented builders who produce great mouth pipes, some of them were mentioned in your post . I , personally , have an Atkinson mouth pipe and it seem to do the job . but the advice I can give you is not to confuse yourself with too meny choices . pick three or four mouth pipes , and play the hell out of them for a few days . Ignore very subtle differences - the number of variables is big enough to ignore them . Look for sound , intonation , ease and range . use a recorder while testing . Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Fwd: Finke Triples
-- Forwarded message -- From: [EMAIL PROTECTED] [EMAIL PROTECTED] Date: Jun 25, 2006 2:44 PM Subject: Finke Triples To: [EMAIL PROTECTED] Alon, my name is Lou Denaro, I play a Finke Americus triple in high F and Eflat. I have owned several triple horns over the years The differences between the F and the E flat side that our colleagues on the list pointed out are all legitimate (I've owned all the horns they're describing except for the Schmid). Do you know that Finke has already dealt with the issue that you are describing in your post? Namely, if I want to switch my horn between High Eflat and High F I insert a different crook into the descant side; the High Eflat crook is just much longer and is bent back on itself so it can be plugged in easily. It is simply a proportional change that affects the tone quality, otherwise there are no weird issues that occur when doing this. Please see the Finke website for details and feel free to contribute this fact to the list (I am presently unable to because of some protocol affecting my ID) Best regards, LD ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re:interchangeable triple horns
Hi stuart , If I may , I would like to ask : Given that one would not switch from Hi Eb to Hi F while playing - why would both tubings would be on the horn at the same time? Maybe there is a way to approacg the whole design as a modular design - an interchangable mouthpipe , tubing, etc . which would be conected in some junction . there is a very interesting story about the veneklassen horn in www.hornplayernet .com . I do not think that all the ideas there are great - the location of a switch valve near the beginning of the leadpipe does not seem to be great . but the Idea of modules... maybe?... Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] triple horns
Hi, I believe that the answer depends on major two factors:one is tone quality and the other is the ease of playing on the other sides of the horn , the Bb and F.As far as tone quality goes , I like the high Eb better.I think that the tone color is pretty similar to Bb. As for ease of production - it depends on the way you would like to use the instrument - some play the Eb horn from middle space C. some are determined to pool the Eb trigger only after top space G . it also depends what are you going to play with this instrument . only orchestral ? chamber music? solo ? At the near past , triple horn could have been seen only in as orchestra , preferably a big one . times have changed - E . schmid , R . kuehn are only two of several horn manufacturers who try to upgrade the triple horn to an all purpose horn . I will not be amazed if , in the near future , an interchangeable Hi F - Hi Eb triple horn will appear.As a matter a fact , at least two manufacturers are working on this Idea now . Alon Reuven ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] RE:Ears still ringing
Hi all, this kind of stuff is really disturbing , but there is nothing much that western medisson can do about it . there is one clinic , in Israel , ran by a doctor Shemesh ', who is world famos -but there is no guarenty . the best , I suppose , would be to use custom made ear plugs , and to avoid strong noises or loud playing for a while... Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Just a few questions..
Hi all, So many questions , and it's only morning here in Israel.. 1) I've got a descant horn , and since I do not use it all the time , some residue has been collecting in the slides and it is impossible for me to push them in.How do I clean this residue? 2) Is it really essential to do works like lapping by hand ?several customize rs and manufacturers are always mentioning it , but the very act does not seem to have to many variations that would prevent a machine from doing it . 3 ) In the production of Bell sections-why can't it be done by a robot rather then being hand hammered ? It would definitely be more precise. How come horn parts are still being processed by hand, by several famous firms? 4 ) How come several horn manufacturers would use outsourcing ( buying the valve section from minelschmit and the bell section somewhere else ) and some don't ? it seems like some of the machinery needed for production is a tremendous expense. is there a professional reason? it's time for my serials. Alon Reuven ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] RE:a quick question about cleaning ..
Hi all, In my opinion , considering the fact that the threads are not especially narrow and the problem of staining your shirt - it seems to me that oiling the screw bell bit is unnecessary . yours, Alon Reuven ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] RE: protecting one's horn
1) when not played , put your horn in its case. 2) do not place your horn anywhere it might hinder others work , like passages , or on any surface which might be used for stage work . 3) If there is someone who specifically endangers your instrument ( clumsy , reckless ) , ask this person the to imagine what would he fill like if he \ she would be sued for the damage caused . ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] tubing
Hi All, I wander - how does one calculate the length of tubing needed for any kind of horn ? what are the guiding principals to look for when you inspect horn ingeneering? thanks Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re:Bell throats
Hi all , I thank each and every one of you , for his \her contribution to my knowledge base of the instrument . however, the difference between bell flares and throats is very clear to me . All I'm saying is that the direction of interchangeable throats seems to be an interesting challenge for horn custom makers , as it has more influence on the playing character. yours ' Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] bell throats
Hi all , I am loyal to my Conn8D for almost twenty years now . once in a while I do try a new horn , but only recently I got to test play two versions of the same instrument ( Ricco Kuhn 293 model ) with diferent bell throats . I must say that as far as sound , focus , and resistance, the diference was imence ! I wonder - did'nt anybody think of the Idea of interchangable throats ? imagine what a difference it would make in the performance profile! is there anybody who performes this operation ? Alon Reuven ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Buying a new instrument
Hi all , I have been playing my double horn for about twenty years now , and I intend to buy a new triple horn. A) what is your ABC when you check up a new horn ? B) Are there any shops in Germany where a wide range of instruments, from several firms , can be found? thanks , Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] The Finke high f valve
Hi all I have been wondering for quite a while about the Finke mouth pipe valve idea . At a first glance it seems like a revolutionary idea :the high f horn does not interfere with the double horn structure , and the chances are ,that the reaction of the instrument would resemble the kind of reaction double horns produce , plus the advantage of an high f module. Now - I found out that the idea of a mouth pipe valve has been patented by Veneklassen , back in the early 70 's (I read about it in hornplayer.net ). Is the Idea of a mouthpipe valve so bad ? If not - how come other makers did not try it? thanks, Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Bearings
Dear all , My horn's bearings are extremely noisy . Any suggestions ? Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] horn, voice ,piano
hello all Does anybody know a piece(preferably in french or English) for Horn, soprano and piano or horn -soprano duo? Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Yamaha YHR 881
Dear listers I have a discant Yamaha YHR 881 which is pretty good - it gave good results in in many challenging pieces , but I cannot get a dissent forte on this instrument . it has a middle small throat , and it seems to be the reason . Now I wonder - is there anybody who knows : a) if there is anybody out there who would trade a middle large bell+tail section for a middle small one ? b) In general- if I would assemble a yellow brass bell section on a gold brass body - should it create any problem? thanks Alon Reuven , Israel ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Water key
Dear all I have been thinking of installing a water key in my mouth pipe and my 3rd finger slide . The thing is - each and every horn maker describes endlessly how every tube is carefully designed in a way it won't make any turbulence . On the other hand ,water keys do appear in horn design .How come a hole in the tube wont Cose any turbulence , and is it safe to place a water key on the 3rd finger slide? ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] horn cleaning
Hello listers , Please anybody tell me what would be the best way to clean a horn(gold brass )without damging it ? thankes in advance Alon Reuven , Israel ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] horn cleaning
sorry , I should have been clearer... I would like to know how to clean the interior of an unlquered , gold brass horn - there are loads of corrosion in there ! thanks indeed for your previous response. Alon Reuven , Israel ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] anticipating the beat
Dear nick Yes , it is a common practice to anticipate the beat , especially in a resonant space , like a big hall or a church . I am playing in a chamber orchestra , and when I am freelancing in a symphony orchestra I tend to attach my beat to the movement of the batton ( that is , of course , if I am leading the section ).there are quite a few recordings out there where the horn section is late . you are in a good company .. Alon Reuven Israel ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] laquered vs.unlaquered
I wonder if taking laquer off the instrument realy contributes to its sound . can anyone (horn builders and repair techs especialy , but realy -anyone ) tell me? Alon Reuven , Israel ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] one more Beethoven4 advice
step 1) remove the 1st finger Fside slide during the break before the high entrance 2)* buzz* the high Bb on the Fside one beat before the entrance . 3) without stopping the buzz ' press the thumb trigger . your entrance is going to be just perfect . Alon Reuven , Israel ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] laquer
While reading some of the list members articles , some questiones came up . I would be most greatfull if some one would shere his knowledge with me regarding these questions : a) what kind of laquer is being applyed on brass instruments - is it just a plane metal laquer or is it some kind of a secret? b) If I wuold polish my horn (one of my horns is unlaquered ) with brasso - would it , actually take some metal of the instrument , cosing it damage? c) I have noticed that the Monet trumpet , as well as some saxophones , has a matt golden coating . does any body know what coating is it ? has anyone tryed to apply it on a french horn ? d) can any one tell me how and where can i learn to fix and costumise horns ? thankes , Alon Reuven ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] soldering
Dear friends, My horn came back from a repairman who has assembled it badly (the whole valve section was too high ) and than reassembled it again(this time the valve section is too low , and it seems like the instrument is stretched) .My question is:if I would take my horn to someone (better , I hope )wouldn't the heat created by the soldering action damage the metal? can an instrument be assembled and than reassembled ? thanks indeed , Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Horn repair chat
Horn repair chat is indeed an important tool for meni horn players with narrow knowledge base (as I am) . as long as the participants in this forum are ( amongst others ) professionals in this field it can really contribute a lot . ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Buzz
I have a begining student who can't buzz- his buzz is inconsistent and powerless .What should I do ? Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] UK attack
I personally think that from the moment this forum is losing it's character as a professional forum , terror ,in a way , has achieved it's goal . I am not saying we should ignore the terror attack . I am writing these words two hours after two young women got killed and dozens got injured in a suicide attack near one of the cities neighboring Tel -Aviv .it ain't easy . But we got to remain strong , and the best answer to terror is to keep on with our lives , channel the tears and the pain where they belong and keep our professional lives intact . Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Dark sound
Is there any one who can tell me how can I darken my sound? thankes Alon ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] My instrument is full of water
I tend to have lots of water while I play - usualy I get along quite well , but when it comes to pieces like the Brahms trio or Beethoven sonata , I have a hard time emptying it .I will be glad to read any advice . ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
