RE: [!! SPAM] [lace] Pillow help needed

2008-04-19 Thread Karen
Ruth - can you tell me where you bought the ethafoam from and if they sell
overseas by mail order. I have been unsuccessfully trying to purchase
ethafoam in Malta but few, if any, know about it yet and it doesn't seem to
get here, other than in computer packaging...and those bits are too small to
use to make a pillow. Yes, this is one problem we have on such a small
island  some things take far longer to be introduced here.

Karen in Malta

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Ruth Rocker
Sent: Saturday, April 19, 2008 4:03 AM
To: 'arachne'
Subject: [!! SPAM] [lace] Pillow help needed

Hello, all

I don't usually post anything as I'm such a beginner I have little to
contribute. But I do need your expertise now.

I recently purchased a set of ethafoam blocks to make a block pillow. They
came to me naked :D and I need to know the best way to cover them for use.
Any assistance this community can provide will be greatly appreciated.

Thanks in advance. Feel free to email me off the list if this would be
considered off topic.

Ruth R. in Ohio
[EMAIL PROTECTED]

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Re: [lace] Pillow help needed - block pillow

2008-04-19 Thread Brenda Paternoster
I wouldn't choose a 'pretty' fabric as it will be distracting when 
working, you want a plain woven cotton, preferably navy, dark green or 
any other dark colour which is restful to your eyes.  Black is not 
usually the best option.


It should be cotton and not synthetic as synthetics tend to blunt your 
pins, and knit fabrics are more likely to snag if there is any 
roughness on a pin.


Brenda

On 19 Apr 2008, at 04:21, Ruth Rocker wrote:


Thanks, Alice. I thought this would be about what I would need to do.
Building the container is no problem once I get the blocks covered. My 
DH is

a whiz in his wood shop and will build whatever I specify :D (yes, I'm
lucky).

I have an extensive fabric stash as I'm also a quilter, so finding
lightweight, pretty fabric won't be a problem, either. I guess I 
lucked out,

huh? LOL

Ruth R. in Ohio
[EMAIL PROTECTED]


-Original Message-
From: Alice Howell [mailto:[EMAIL PROTECTED]
Sent: Friday, April 18, 2008 11:11 PM
To: Ruth Rocker; 'arachne'
Subject: Re: [lace] Pillow help needed - block pillow


--- Ruth Rocker [EMAIL PROTECTED] wrote:


Hello, all
I recently purchased a set of ethafoam blocks to
make a block pillow. They
came to me naked :D and I need to know the best way
to cover them for use.


Hi Ruth.  You have two projects -- cover them and have
a container to put them in.

The ethafoam can be a bit rough on the fingers, so we
pad the top and bottom with a square of felt or
tightly woven wool.  Then wrap a piece of strong, thin
fabric around the block. Have the seam on one narrow
side so top and bottom are smooth.

I specify a thin fabric (as opposed to velvet or other
thicker fabrics) because you want the blocks to fit
very snuggly together without gaps.  A thick fabric
could leave a space without foam and create a problem
later when working a pricking.  You may still have to
put a pin or two at an angle if it hits directly on a
space between blocks, but it's not a big problem.

Choose a fabric in a color that you like to look at.
It should be comfortable for your eyes.  Usually a
plain or slightly moddled colored pattern works better
than a print or plaid.  A little color/shade variation
is pleasant to the eyes but it should not have
distinct shapes.  Most people use a solid color.

You have the choice of sewing or pinning the fabric on
each block.  Sewing is neater, pinning is faster.

I must admit to the fast way...pinning.  Use small
short pins.  On a 5 block, I put 5-6 along the 'seam'
when the end fabric meets the beginning.  Then I fold
down the narrow ends on eacg side and put one pin on
each side of fabric to hold it tight and square to the
block. A third pin is needed where the 'seam' folds
over so it won't slip.

Pin only into the sides of the blocks.

When the long edges are folded down, the ends are
neatly mitered.  Tuck under the the edge of the top
fold, and put several pins down the edge of the fold.
To hold the mitered angles tight, I add a pin to each
angled fold, right in the middle next to the fold.
There shouldn't be any fold of fabric flopping around.
 It's all snuggly fastened down.

I have several pillows put together just with pins.
They seem to wear just as well as the sewn blocks.

The other part of the picture is a container for the
blocks.  They need to fit very tightly in the
container.  You don't want any air between the blocks.

You can build a container out of wood or cardboard.
My friend used a cardboard box.  If you have 5
blocks, the container will be 15 inches inside.  One
way is to cut two corner pieces from a large box --
15 on a side and square bottom 15x15.  Insert on
corner piece into the other and you have a sturdy box.
 Fasten the cut corners together temporarily and test
by putting the blocks in it.  Are they snug?  They
should be very tight. If not, trim off a bit from the
cut edges of each box bottom and test again.  When you
have the correct size, tape the corners. and the
bottom edge where a cut side shows.

Cut down the sides of the box to less than the depth
of  your blocks.

The entire box can be covered with colored duct tape
or fabric.  I also suggest putting a one inch hole in
the middle of the bottom to give a finger hole for
pushing up on the center block when you need to move
it.

A suggestion for later... consider getting a spare
block.  In a pinch (or at a conference when you want
to take two classes or start another pattern), you can
bundle your bobbins and lift out the block with your
pricking.  Insert the spare block and
you are ready for another class or pattern.

(A story, for fun:  My friend was going to a
conference and was to take three classes.  She
borrowed my block pillow with two extra blocks, and
started all three of her projects but only had to pack
one pillow.  Now that she has three projects started
on my pillow, I don't know when I'll get it back
again. G  She's on the Arachne list also, so she
knows just whom I'm referring to.  No rush...I don't
need the pillow yet.)


RE: [lace] Pillow help needed - block pillow

2008-04-19 Thread clayblackwell
Dear Ruth  (and the rest of the list!),

I think it's interesting to hear that you're a quilter.  I am also a quilter, 
and tend to have seasons where I spend more time quilting than lacemaking, 
and visa versa.  

Over the years, I've been struck by the fact that nearly all of the lacemakers 
I know have been very involved with needlearts for years.  I have also done a 
lot of embroidery, smocking, and needlepoint.  For a number of years, I was 
also very involved with miniatures (1 scale), and did some fine-scale 
needlework there.  

The first time I met Tamara Duvall, (about two months after I started making 
lace) I was delighted to learn that she had also done miniature work BL (Before 
Lace).  Now, all of these years later, I know to expect that someone new to 
lace is bringing her own creative past with her!  Other ways that my lacemaking 
friends express their creativity are in weaving, spinning, knitting, crochet 
and tatting, heirloom sewing (which leads them to want to create their own 
laces...)  

I'll be curious to hear what others do in addition to their lacemaking!

Clay
--
Clay Blackwell 
Lynchburg, VA USA 


-- Original message -- 
From: Ruth Rocker [EMAIL PROTECTED] 

 Thanks, Alice. I thought this would be about what I would need to do. 
 Building the container is no problem once I get the blocks covered. My DH is 
 a whiz in his wood shop and will build whatever I specify :D (yes, I'm 
 lucky). 
 
 I have an extensive fabric stash as I'm also a quilter, so finding 
 lightweight, pretty fabric won't be a problem, either. I guess I lucked out, 
 huh? 
 
 Ruth R. in Ohio 
 [EMAIL PROTECTED] 
 
 
 -Original Message- 
 From: Alice Howell [mailto:[EMAIL PROTECTED] 
 Sent: Friday, April 18, 2008 11:11 PM 
 To: Ruth Rocker; 'arachne' 
 Subject: Re: [lace] Pillow help needed - block pillow 
 
 
 --- Ruth Rocker wrote: 
 
  Hello, all 
  I recently purchased a set of ethafoam blocks to 
  make a block pillow. They 
  came to me naked :D and I need to know the best way 
  to cover them for use. 
 
 Hi Ruth. You have two projects -- cover them and have 
 a container to put them in. 
 
 The ethafoam can be a bit rough on the fingers, so we 
 pad the top and bottom with a square of felt or 
 tightly woven wool. Then wrap a piece of strong, thin 
 fabric around the block. Have the seam on one narrow 
 side so top and bottom are smooth. 
 
 I specify a thin fabric (as opposed to velvet or other 
 thicker fabrics) because you want the blocks to fit 
 very snuggly together without gaps. A thick fabric 
 could leave a space without foam and create a problem 
 later when working a pricking. You may still have to 
 put a pin or two at an angle if it hits directly on a 
 space between blocks, but it's not a big problem. 
 
 Choose a fabric in a color that you like to look at. 
 It should be comfortable for your eyes. Usually a 
 plain or slightly moddled colored pattern works better 
 than a print or plaid. A little color/shade variation 
 is pleasant to the eyes but it should not have 
 distinct shapes. Most people use a solid color. 
 
 You have the choice of sewing or pinning the fabric on 
 each block. Sewing is neater, pinning is faster. 
 
 I must admit to the fast way...pinning. Use small 
 short pins. On a 5 block, I put 5-6 along the 'seam' 
 when the end fabric meets the beginning. Then I fold 
 down the narrow ends on eacg side and put one pin on 
 each side of fabric to hold it tight and square to the 
 block. A third pin is needed where the 'seam' folds 
 over so it won't slip. 
 
 Pin only into the sides of the blocks. 
 
 When the long edges are folded down, the ends are 
 neatly mitered. Tuck under the the edge of the top 
 fold, and put several pins down the edge of the fold. 
 To hold the mitered angles tight, I add a pin to each 
 angled fold, right in the middle next to the fold. 
 There shouldn't be any fold of fabric flopping around. 
 It's all snuggly fastened down. 
 
 I have several pillows put together just with pins. 
 They seem to wear just as well as the sewn blocks. 
 
 The other part of the picture is a container for the 
 blocks. They need to fit very tightly in the 
 container. You don't want any air between the blocks. 
 
 You can build a container out of wood or cardboard. 
 My friend used a cardboard box. If you have 5 
 blocks, the container will be 15 inches inside. One 
 way is to cut two corner pieces from a large box -- 
 15 on a side and square bottom 15x15. Insert on 
 corner piece into the other and you have a sturdy box. 
 Fasten the cut corners together temporarily and test 
 by putting the blocks in it. Are they snug? They 
 should be very tight. If not, trim off a bit from the 
 cut edges of each box bottom and test again. When you 
 have the correct size, tape the corners. and the 
 bottom edge where a cut side shows. 
 
 Cut down the sides of the box to less than the depth 
 of your blocks. 
 
 The entire box can be covered 

[lace] To Karen in Malta

2008-04-19 Thread Alice Howell
My email directly to you bounced.  Please contact me
about a source of ethafoam blocks.

Alice in Oregon

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[lace] what did you do before bobbin lace

2008-04-19 Thread bevw
Clay wrote:

 I'll be curious to hear what others do in addition to their lacemaking!

I had a considerable stash of weaving and spinning supplies before bobbin
lace engulfed my time. I still do a bit of both, couldn't part with all the
spinning wheels, so kept one (of 6) and one loom (of 6), one large box of
weaving yarns (of X number...my what a lot of space left for bobbin lace
stuff!), and exotic fibre to spin on a rainy day. I did keep the drop
spindles which don't take up much space. However, as soothing as
handspinning can be, it doesn't have the puzzle-solving appeal of making
lace. And weaving was just too hard on my shoulders. I have made handspun
just for lace, but the commercial threads do a much better job LOL and I'd
rather knit with my handspun. So my secondary past-time is knitting. While I
appreciate embroidery and other stitchery, needlework isn't for me to do,
unless I'm attaching lace to a piece of fabric with a simple running stitch
(for some reason I like doing that).

And I'm curious to know if many others are allergic to needle and thread,
like myself :S
-- 
Bev (near Sooke, BC on beautiful Vancouver Island, west coast of Canada)

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Re: [!! SPAM] [lace] Pillow help needed - and ethafoam

2008-04-19 Thread bevw
Hello Karen and eveyone

Ethafoam is a closed-cell foam used by 'industry' such as for flotation, or
insulation, and sometimes as packing - if there is a plastics fabricator
where you are, they should know about it and probably have some (I notice at
the one in my area, they just call this stuff  'Dow' - ethafoam itself is a
Dow chemical product). Perhaps at a building supply place there is something
else like it that you could use. You only want an endcut, they might sell
cheaply.  If your computer packing is really ethafoam, and not styrofoam,
all you need is a 5 x 5 piece for each block. It doesn't even have to be
deep; the block can be built of a layer of styrofoam packing, and a layer of
ethafoam on top.

Styrofoam is made of compressed beads of plastic that eventually crumble if
pinned into repeatedly. The closed-cell foams 'heal' when a pin is pushed in
and taken out. I suppose eventually it will break down, too, from long use.
In that case I would just replace the particular block.

SMP lace in the UK sell block pillows and extra blocks. For info, the
website is www.smplace.co.uk

Hope this helps.

On Sat, Apr 19, 2008 at 3:11 AM, Karen [EMAIL PROTECTED] wrote:

 Ruth - can you tell me where you bought the ethafoam from and if they sell
 overseas by mail order. I have been unsuccessfully trying to purchase
 ethafoam in Malta but few, if any, know about it yet and it doesn't seem
 to



-- 
Bev (near Sooke, BC on beautiful Vancouver Island, west coast of Canada)

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[lace] silk thread - Malta

2008-04-19 Thread lucieduf
What is the source of the silk thread used for Maltese lace? That
wonderful luminous cream silk ... and has anyone tried to repair a piece
of Maltese lace?

Lucie DuFresne
Ottawa Canada

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[lace] Re: what did you do before bobbin lace

2008-04-19 Thread lucieduf
Part of my love of lacemaking is that it is a form of weaving that can be
done in a small appartment. I still have some small looms, including a
folding one patented in Scarborough, Ontario Canada in the 1920's. That
one is too odd and wonderful to part with. Its also my first ...

I've knitted and crocheted (we have more than enough afghans) but beadwork
and costume making were my passions during my dance career (another life,
long long ago). Turning a piece of heavy canvas into a sparkling beaded
brocade for stage is really wonderful and satisfying. But it is also
expensive, time consuming, and no longer a reasonable source of income. I
still bead, but it too is difficult to do with 4 young cats in the
house... later when they are older and, I hope, blase ...

Sewing, especially hand sewing historical costumes, is what I am now doing
the most. And the lace I am now making is for those costumes: New France
(17thc) and ByTown Days (1850-1870). The historical research is as much
fun as the constuction.

I'm fascinated by embroidery but don't seem to ever do any. I just look
and the pretty pictures and dream.

When I was 16, I had this fantasy of owning one of the small abandoned
railway stations in the Ottawa Valley and converting it into my weaver's
studio with living loft. That too was a long time ago, but I still dream
about it.

Lucie DuFresne
Ottawa, Canada

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Re: [lace] silk thread - Malta

2008-04-19 Thread Jeriames
In a message dated 4/19/2008 3:40:23 P.M. Eastern Daylight Time,  
[EMAIL PROTECTED] writes:

What is  the source of the silk thread used for Maltese lace? That
wonderful  luminous cream silk ... and has anyone tried to repair a piece
of Maltese  lace?



---
May I join Lucie in asking for this thread information for repairing  Maltese 
lace?  
 
With two of us asking, perhaps any replies will be to the list and  others 
will find it to be information they need, as well.  If not,  well print and put 
in a book you have about Maltese lace.  The day will  come when you will be 
glad to have the information.
 
There are lurkers on [EMAIL PROTECTED] (mailto:[EMAIL PROTECTED])   who know a 
lot.  
Please share, to make the list of more value to all.
 
Jeri  Ames
Lace and Embroidery Resource Center



**Need a new ride? Check out the largest site for U.S. used car 
listings at AOL Autos.  
(http://autos.aol.com/used?NCID=aolcmp0030002851)

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Re: [lace] Pillow help needed - block pillow

2008-04-19 Thread Amanda Babcock Furrow
On Sat, Apr 19, 2008 at 12:42:54PM +, [EMAIL PROTECTED] wrote:

 Over the years, I've been struck by the fact that nearly all of the 
 lacemakers I know have been very involved with needlearts for years.  
 I have also done a lot of embroidery, smocking, and needlepoint.  For 
 a number of years, I was also very involved with miniatures (1 scale), 
 and did some fine-scale needlework there.  
 
 I'll be curious to hear what others do in addition to their lacemaking!

Before I met bobbin lace, I was very into Irish Crochet, using the two
Dover republications of the Priscilla books about it that were available 
at the time (early 90's, I think).  Prior to that, it was tatting - that
was when I was in high school!

Amanda near Philadelphia, Pennsylvania, US

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Re: [lace] what did you do before bobbin lace

2008-04-19 Thread Carol

Hi Bev et al,

It is hard to remember what happened before BL ...

But - I used to do fine embroidery, Hardanger and blackwork, as well as 
crochet and tatting, but although I still take embroidery or crochet on 
shorter holidays, as they are  a lot more portable, I still take lace 
pillow(s) on the long summer holidays.If friends and relations have 
babies, I also crochet pram sets, cot sets, and matinee jackets.   I don't 
knit, as it doesn't seem to grow quickly enough (this from one who loves 
Bucks point!) but crochet grows amazingly quickly, so I still find that 
really enjoyable.


But the bobbin lace is now my first love - it seems easy to become a 
fully-paid-up, addicted lacemaker, and long may it continue.


Carol - in Suffolk UK

- Original Message - 
From: bevw [EMAIL PROTECTED]

To: Lace@arachne.com lace@arachne.com
Sent: Saturday, April 19, 2008 7:55 PM
Subject: [lace] what did you do before bobbin lace



Clay wrote:


I'll be curious to hear what others do in addition to their lacemaking!




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RE: [lace] Pillow help needed - block pillow

2008-04-19 Thread Aurelia Loveman

Dear Clay, and all--

I might be sent out of Arachne altogether for owning up to this, but 
what I did before I became a lacemaker was -- nothing to do with 
textiles. I was a practicing psychologist and psychoanalyst, and in 
my spare time which I had very little of, I was a writer (numberless 
short stories, and a novel [publ by Wm. Morrow, reprinted in  England 
bu H. Hamilton, and into paperback by Avon]. I did, though, sometimes 
make my own clothes.


What I really did a lot of was: hanker. I dreamed of some day 
learning how to make lace. I had tried, at about age ten or twelve, 
to follow the description in the Children's Encyclopedia, in which 
they described how lace was made: threads wound around a design 
outlined by pins. Of course that didn't work!


When I came to live in Baltimore (age 50) I made friends with a 
famous weaver (Sylvia Pocock, now long gone) who confessed that she 
too had been wanting for years to make lace. We looked and inquired 
and left no stone unturned, and lo! we came upon an ancient lady, 
Elizabeth Kackenmeister (also a famous weaver) who knew how to make 
lace, and gave us one lesson a month when she came into this area for 
meetings of the organization Twenty Weavers.


Ah, but once into it! I wrote to Doreen Wright; went to England to 
get lessons from her (the experience of a lifetime quite apart from 
the lacemaking!); got sent to Pam Nottingham, who taught me Bucks and 
changed my life; found Elsie Luxton and Cynthia Voysey... and all of 
that brought me into my real world, which is where I am now and have 
been since this story began.


It may be of interest to know that my son, a practicing cardiologist, 
ambled by my pillow one day; picked up a handful of bobbins as he 
passed by; borrowed a copy of Stott's lacemaking for beginners; and 
lo! again. A very presentable bookmark appeared.


Fun!

Aurelia
Catonsville, Maryland



I'll be curious to hear what others do in addition to their lacemaking!

Clay
--
Clay Blackwell
Lynchburg, VA USA



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RE: [lace] what did you do before bobbin lace

2008-04-19 Thread Noelene Lafferty
For years I was a tatter
with shuttle, thread and hook.
I made quite lovely pieces
All copied from a book.
But then one day I came across
A bobbin lacy braid.
I tried the skill and caught the bug
And was thrilled with what I made.

So now I practice both the crafts,
And each one has its place.
The bobbin lace on pillow large
Sits in my special place
Where I can sit and lace away
In quiet and solitude
And concentrate on what I do
All in a peaceful mood.

But tatting's always with me
I'd never venture out
Without my bag of tatting
Of that I have no doubt.
It's there whenever waiting
Would mean some time to spare.
It's there to pick up any time
And add to lace that's there.

And yet from both these types of lace
The end result's the same -
Some piece of work so beautiful
No matter what the name.
--

Written a couple of years ago now, but it explains what I did BL

Noelene in Cooma
[EMAIL PROTECTED]

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RE: [lace] what did you do before bobbin lace

2008-04-19 Thread Beth Mccasland
 Clay wrote:

 I'll be curious to hear what others do in addition to their lacemaking!

Did more quilting and embroidery.  Still do both.  Guess the only thing I
dropped was crocheting lace.  Still have the wide edging for a table
cloth only half finished.

Beth McCasland
in the suburbs of New Orleans, Louisiana
where it's a beautiful sunny spring da

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RE: [lace] what did you do before bobbin lace

2008-04-19 Thread Sue
What did I do before bobbin lacemaking - a lot more housework, the dust
only gets to a certain height or so I have been told.

Sue M Harvey
Norfolk UK

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RE: [lace] silk thread - Malta

2008-04-19 Thread Karen
Well...first things first. The 'silk thread' we use for Maltese lace is not
silk at all nowadays. It is a twisted syntethic fibre probably rayon because
the cones we purchase it on don't give any information.
In the past, lace was made with silk thread and I wouldn't know the source.
Actually it would probably be interesting to find out.
I don't have much pure silk in my stash and the little I have all came from
overseas, either by mail order or when I came across it on my holidays
abroad. This morning I received some YLI silk 100 from The Silk Route which
I will be using to make a miniature bedspread for a friend.

Thanks for the information on ethafoam. The thing is that purchasing from
the USA turns out to be very expensive for me because of postage costs.
Someone else sent a UK source that I can look into. If I don't manage, then
I will order from the USA and have it posted to my in-laws in Tennessee,
which should cost considerably less, and they will bring it down to me when
they next visit.

Karen in Malta


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
[EMAIL PROTECTED]
Sent: Saturday, April 19, 2008 10:26 PM
To: lace@arachne.com; [EMAIL PROTECTED]
Subject: Re: [lace] silk thread - Malta

In a message dated 4/19/2008 3:40:23 P.M. Eastern Daylight Time,  
[EMAIL PROTECTED] writes:

What is  the source of the silk thread used for Maltese lace? That
wonderful  luminous cream silk ... and has anyone tried to repair a piece
of Maltese  lace?



---
May I join Lucie in asking for this thread information for repairing
Maltese 
lace?  
 
With two of us asking, perhaps any replies will be to the list and  others 
will find it to be information they need, as well.  If not,  well print and
put 
in a book you have about Maltese lace.  The day will  come when you will be 
glad to have the information.
 
There are lurkers on [EMAIL PROTECTED] (mailto:[EMAIL PROTECTED])   who know a 
lot.

Please share, to make the list of more value to all.
 
Jeri  Ames
Lace and Embroidery Resource Center



**Need a new ride? Check out the largest site for U.S. used car 
listings at AOL Autos.  
(http://autos.aol.com/used?NCID=aolcmp0030002851)

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RE: [lace] silk thread - Malta

2008-04-19 Thread Karen
Sorry...I missed the repair Maltese lace bit!

I have in hand an 80 (or thereabouts) year old silk centrepiece which I have
tried to fix. To do the bit I did I bought some YLI twisted silk and used
that because it was the closest match. (This centrepiece was a present to my
maternal grandmother, who died young so I never knew her, on her engagement
to my grandfather).

Before doing any more to it I would like to seek a more professional
opinion, especially as it also needs cleaning. I do know whom I can ask, but
will have to wait until I meet her again.

Karen

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
[EMAIL PROTECTED]
Sent: Saturday, April 19, 2008 10:26 PM
To: lace@arachne.com; [EMAIL PROTECTED]
Subject: Re: [lace] silk thread - Malta

In a message dated 4/19/2008 3:40:23 P.M. Eastern Daylight Time,  
[EMAIL PROTECTED] writes:

What is  the source of the silk thread used for Maltese lace? That
wonderful  luminous cream silk ... and has anyone tried to repair a piece
of Maltese  lace?



---
May I join Lucie in asking for this thread information for repairing
Maltese 
lace?  
 
With two of us asking, perhaps any replies will be to the list and  others 
will find it to be information they need, as well.  If not,  well print and
put 
in a book you have about Maltese lace.  The day will  come when you will be 
glad to have the information.
 
There are lurkers on [EMAIL PROTECTED] (mailto:[EMAIL PROTECTED])   who know a 
lot.

Please share, to make the list of more value to all.
 
Jeri  Ames
Lace and Embroidery Resource Center



**Need a new ride? Check out the largest site for U.S. used car 
listings at AOL Autos.  
(http://autos.aol.com/used?NCID=aolcmp0030002851)

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[lace] Le Pompe 1559

2008-04-19 Thread Sue
I was just about to put some books on ebay including Le Pompe 1559 when
I noticed another offer of the same title they were asking a starting
bid of £49.99 the reason stated was it was 1983 first edition with ISBN
0 903585 16 2 - mine is identical but I was always under the impression
that the last number (i.e. 2) meant the edition, so can anyone tell me
if I am correct in my assumption that someone is on the make? or have I
got a book more valuable than I thought.

Sue M Harvey
Norfolk UK

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Re: [lace] Le Pompe 1559

2008-04-19 Thread Brenda Paternoster

Hi Sue

No, the last digit is the 'check digit'.  All explained at:
http://www.bbc.co.uk/dna/h2g2/pda/A398982

I have the same edition of the book and I would say that £49.99 is a 
rather inflated price for a 25 year old paperback!


Brenda

On 16 Apr 2008, at 10:15, Sue wrote:


I was just about to put some books on ebay including Le Pompe 1559 when
I noticed another offer of the same title they were asking a starting
bid of £49.99 the reason stated was it was 1983 first edition with ISBN
0 903585 16 2 - mine is identical but I was always under the impression
that the last number (i.e. 2) meant the edition, so can anyone tell me
if I am correct in my assumption that someone is on the make? or have I
got a book more valuable than I thought.

Sue M Harvey
Norfolk UK

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Brenda in Allhallows, Kent
http://paternoster.orpheusweb.co.uk/index.html

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[lace] Replica Christening Gown

2008-04-19 Thread lace1
Hi,

I just noticed the following while scanning an article about the Queen's 
grandson being christened.

James wore a replica of the satin and lace royal christening gown, which was 
made in 1841 and had been used for every royal christening until this one.
The new robe was commissioned by the Queen to preserve the original.

Does anyone know if the replica has machine or handmade lace on it?  Any 
details?

Thanks in advance,

Helen (in sunny-for-a-few-minutes-but-chilly Vancouver, BC on the west coast of 
mainland Canada).

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RE: [lace] Pillow help needed - block pillow

2008-04-19 Thread Janice Blair
Ruth wrote:
Thanks, Alice. I thought this would be about what I would need to do. 

Building the container is no problem once I get the blocks covered. My


 DH is a whiz in his wood shop and will build whatever I specify :D (yes, I'm
lucky).

Depending on whether you want to tote this pillow around to guild meetings or
demonstrating, you might want to consider a light weight base for your blocks.
Wood bases can make the thing very heavy.

When I made my 24 inch square block pillow I used 1/4 inch foam core board
from the craft shop for the base.  I glued my outer side blocks, which were two 
long
pieces of builders foam, onto the foam core after they were covered, leaving 
enough
room for the ethafoam blocks down the center.  I glued and nailed some thin wood
trim around the edges, covering the foam core and the bottom of the outer 
blocks.  
This made a ridged edge at the top and bottom of the pillow which holds the 
center 
blocks and stops them moving.  Using builders foam for the outer blocks allowed
me to make more blocks for the center so I could have more projects on the go at
one time.

When I got my one and only pillow from Snowgoose, I used the cardboard box 
the pillow came in for the base, cutting it to shape.  I covered the bottom 
with suede
fabric before I glued the pillow to the cardboard, then put some colorful trim 
around
the edge to tart it up.  Nice and light to carry.
Janice



Janice Blair
Crystal Lake, 50 miles northwest of Chicago, Illinois, USA
www.jblace.com
http://www.lacemakersofillinois.org/
www.landoflincolnlacemakers.com  Check for class spaces, many are full.

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Re: [lace] Pillow help needed - block pillow

2008-04-19 Thread bevw
Yes, wood can be heavy. But you can find lightweight wood.

I have two block pillows. One is 3 x 3 blocks. My DH and I made the base for
it from half-inch plywood and the base trim that goes around a room (what is
that called, wainscotting? baseboard trim?). The wood trim is rather pretty,
but yes the thing is REALLY heavy; I'm going to make a better, lighter base
for it eventually.

Block pillow #2 is 8-sided; comprised of 5 squares and 4 triangles. I love
it - the corners don't gouge me when I'm turning the pillow. The base is
quarter-inch plywood with cedar lathe for the sides. It is really sturdy,
very light especially for its size, and holds the blocks snugly. I can carry
it on its side (i.e. vertically) and the blocks don't fall out.

A tip for the DIY pillow maker, make the base after you have made the pillow
blocks for a better fit.

On Sat, Apr 19, 2008 at 4:03 PM, Janice Blair [EMAIL PROTECTED] wrote:


 Wood bases can make the thing very heavy.


-- 
Bev (near Sooke, BC on beautiful Vancouver Island, west coast of Canada)

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RE: [lace] Pillow help needed - block pillow

2008-04-19 Thread clayblackwell
Well, Miss Aurelia, you may not have lifted a hand to textiles before BL, but 
you have certainly made up for lost time!!  Your fans (featured on covers of 
IOLI!!) are stunning, and it is clear to me that you are not only a competent 
lacemaker, you're also a gifted artist!!

Clay

--
Clay Blackwell 
Lynchburg, VA USA 


-- Original message -- 
From: Aurelia Loveman [EMAIL PROTECTED] 

 Dear Clay, and all-- 
 
 I might be sent out of Arachne altogether for owning up to this, but 
 what I did before I became a lacemaker was -- nothing to do with 
 textiles. I was a practicing psychologist and psychoanalyst, and in 
 my spare time which I had very little of, I was a writer (numberless 
 short stories, and a novel [publ by Wm. Morrow, reprinted in England 
 bu H. Hamilton, and into paperback by Avon]. I did, though, sometimes 
 make my own clothes. 
 
 What I really did a lot of was: hanker. I dreamed of some day 
 learning how to make lace. I had tried, at about age ten or twelve, 
 to follow the description in the Children's Encyclopedia, in which 
 they described how lace was made: threads wound around a design 
 outlined by pins. Of course that didn't work! 
 
 When I came to live in Baltimore (age 50) I made friends with a 
 famous weaver (Sylvia Pocock, now long gone) who confessed that she 
 too had been wanting for years to make lace. We looked and inquired 
 and left no stone unturned, and lo! we came upon an ancient lady, 
 Elizabeth Kackenmeister (also a famous weaver) who knew how to make 
 lace, and gave us one lesson a month when she came into this area for 
 meetings of the organization Twenty Weavers. 
 
 Ah, but once into it! I wrote to Doreen Wright; went to England to 
 get lessons from her (the experience of a lifetime quite apart from 
 the lacemaking!); got sent to Pam Nottingham, who taught me Bucks and 
 changed my life; found Elsie Luxton and Cynthia Voysey... and all of 
 that brought me into my real world, which is where I am now and have 
 been since this story began. 
 
 It may be of interest to know that my son, a practicing cardiologist, 
 ambled by my pillow one day; picked up a handful of bobbins as he 
 passed by; borrowed a copy of Stott's lacemaking for beginners; and 
 lo! again. A very presentable bookmark appeared. 
 
 Fun! 
 
 Aurelia 
 Catonsville, Maryland 
 
 
 I'll be curious to hear what others do in addition to their lacemaking! 
  
 Clay 
 -- 
 Clay Blackwell 
 Lynchburg, VA USA 
  

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Re: [lace] silk thread - Malta

2008-04-19 Thread clayblackwell
I don't claim any expertise in Maltese lace, or silk threads either.

But recently, I used Au Ver a Soie to make a small piece, and it was delightful 
to work with.  My hunch is that this silk is not glossy enough for Maltese.  
The weight of the thread is probably right, and  the color is the wonderful 
natural (unprocessed) silk color.  

So, for anyone knowledgeable about the silk once used for Maltese, could you 
please tell us how Au Ver a Soie  measures up for this?

Thanks!

Clay 

--
Clay Blackwell 
Lynchburg, VA USA 


-- Original message -- 
From: [EMAIL PROTECTED] 

 What is the source of the silk thread used for Maltese lace? That 
 wonderful luminous cream silk ... and has anyone tried to repair a piece 
 of Maltese lace? 
 
 Lucie DuFresne 
 Ottawa Canada 
 
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Re: [lace] silk thread - Malta

2008-04-19 Thread bevw
I do not know where the thread came from for the Maltese lace... but mulling
it over - I have a piece of Beds Maltese, and a silk machine-lace tablecloth
from England, maybe from the 1920's - the handmade lace is of much finer
thread, but both are shiny, slippery, and that particular 'custard' colour.
Perhaps the silk for both came from the same source. Silk thread was
produced in England,  could have come from France (similar to Aur Ver a
Soie?)? - or the Orient?

Apart from that, another resource to mend the Maltese lace would be a
same-vintage silk textile that could be unravelled of a length of the
thread.

On Sat, Apr 19, 2008 at 4:41 PM, [EMAIL PROTECTED] wrote:

 I don't claim any expertise in Maltese lace, or silk threads either.

 But recently, I used Au Ver a Soie to make a small piece, and it was
 delightful to work with.  My hunch is that this silk is not glossy enough
 for Maltese.  The weight of the thread is probably right, and  the color is
 the wonderful natural (unprocessed) silk color.

 So, for anyone knowledgeable about the silk once used for Maltese, could
 you please tell us how Au Ver a Soie  measures up for this?



-- 
Bev (near Sooke, BC on beautiful Vancouver Island, west coast of Canada)

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RE: [!! SPAM] [lace] Pillow help needed

2008-04-19 Thread robinlace
Ruth - can you tell me where you bought the ethafoam from and if they sell
overseas by mail order. I have been unsuccessfully trying to purchase
ethafoam in Malta but few, if any, know about it yet and it doesn't seem to


There's a mail-order lace supplier in the US called Snowgoose.  They have a 
website, but I don't know the URL--I'm sure you can google it.  They sell the 
Everything Pillow, which is a kit.  It comes with an Ethafoam circle (the 
outer rim nicely rounded) with a rectangle cut out of the center, cardboard to 
glue to the bottom of the circle, foam-core pieces to line the center hole (so 
it's very smooth), and Ethafoam blocks--I think it's 3 squares plus 4 narrow 
rectangles, and a cylinder.  The hole in the center takes two squares, or one 
square and two rectangles, or 4 rectangles, or the cylinder plus whichever 
square/rectangle combination will fill the hole.  The cylinder makes it useable 
as a roller pillow and the squares/rectangles for a block pillow.  You have to 
cover it yourself, and glue the foamcore and cardboard in place, but it's 
really cheap by US pillow standards--around USD-30 (may have gone up since I 
got mine).  I'm very happy with mine, and I know a lot of othe
 r happy customers, too.

I covered my blocks by a combination of methods.  I wrapped the fabric around 
and sewed the long part shut.  I put that seam at a corner/edge, not in the 
middle of any face of the block.  Then I folded the flaps on the ends and 
pinned those.  I glued the fabric around the outside of the cylinder, but used 
ribbon and pins around the base (over the fabric) and around the box.

Robin P.
Los Angeles, California, USA

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[lace] Easy Lace and vista

2008-04-19 Thread bevw
Hello everyone

The recent postings about Lace 2000 and vista, prompted me to check out the
Easy Lace site vs. vista, which I now have (vista, that is). I am a staunch
supporter of the E-L program,  no connections, just a satisfied customer
etc. etc., and yes from the home page there is some useful information.

Then, I saw under new software, a demo version for Easy Knit - so will be
playing with that to decide if it is a worthwhile investment. At this time
it doesn't seem to be set up for coded instructions as for lace knitting,
more for sweaters and intarsia-type pictures.

-- 
Bev (where winter/spring is here, near Sooke, BC on beautiful Vancouver
Island, west coast of Canada)

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Re: [lace] Re: what did you do before bobbin lace

2008-04-19 Thread Patty Dowden
Having always (and still) been a stringaholic, I have and still do: 
needle lace, tatting, crochet, macrame, embroidery and anything else 
that comes along.  I am seriously considering needle lace in wire.  I 
think it would work.  Tatting does!


I recall my older brother at about age 8, tying some toothpicks 
together with sewing thread and then proceeding to weave a very 
respectable simple piece of fabric.  My mother gave me a scrap of 
machine lace that I worried over for a long time, trying to figure 
out HOW they got the threads to move that way.  So, 1 - I noticed 
that it wasn't just over, under, over, under; 2 - I knew that over, 
under, over, under was plain cloth and never would have produced this 
wonder in my hand.  Eventually, I acquired the DMC Encyclopedia of 
Needlework and actually learned how to make bobbin lace from 
it.  (That must be worth a prize in itself!)  This being in my 
macrame phase, and lacking any proper lacemaking tools, I butterflied 
my threads (silver cord), and used my T-pins and produced ribbons for 
wrapping Christmas presents.  Before Straw Into Gold closed 
(wonderful thread place in Berkeley, CA), my husband and I wandered 
through it for most of an afternoon.  He couldn't understand why I 
didn't want a spinning wheel and a loom (always the techie and 
fascinated by machinery!).  My answer was Life is too short!.


Patty

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Re: [lace] Replica Christening Gown

2008-04-19 Thread bevw
There is a photo of the tot in his gown, and with his mum and dad here:
http://news.bbc.co.uk/2/hi/uk_news/7354474.stm

The lace - hard to tell what it is :(

and in a older article about his big sis' christening, this mention:

For the occasion, Louise wore the 163 year old honiton lace and white satin
christening gown which was made for Queen Victoria's eldest daughter,
Victoria, and is traditionally worn by all members of the royal family.

So, if a replica,  there could be handmade lace on it, but it would be new
handmade lace, I would think. Perhaps a query directed to the Honiton Museum
in Devon?

On Sat, Apr 19, 2008 at 4:02 PM, [EMAIL PROTECTED] wrote:


 James wore a replica of the satin and lace royal christening gown, which
 was made in 1841 and had been used for every royal christening until this
 one.
 The new robe was commissioned by the Queen to preserve the original.

 Does anyone know if the replica has machine or handmade lace on it?  Any
 details?


-- 
Bev (near Sooke, BC on beautiful Vancouver Island, west coast of Canada)

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[lace] Re: silk thread - Malta

2008-04-19 Thread Tamara P Duvall

On Apr 19, 2008, at 15:39, [EMAIL PROTECTED] wrote:


What is the source of the silk thread used for Maltese lace? That
wonderful luminous cream silk ...


No clue about the silk used for Maltese lace, except the fact that the 
more modern Maltese uses synthetic thread, probably rayon (which can be 
quite lustrous), as Karen from Malta has said.


But. I'd like to share my latest discovery...

Part of the fun -- and frustration -- of deciphering the dinosaur laces 
(ie the earliest ones) is trying to find a thread which is just so to 
do it with. We know -- from Frieda Sorber's little article (White 
threads to the past) in Nina Andries' book Onder de loep -- that the 
linen used in those early laces was not plied or twisted; they used a 
single ply, which compressed easily in heavily-tensioned plaits, but 
relaxed and filled the spaces in the cloth-stitched areas. Such dream 
tread is no longer available to us, at least in the finer grades (I'm 
told that single-ply weaving linen works well, but it's not very fine). 
That's one of the reasons why modern reproductions never look quite 
right.


So. For the past couple of months, I've been working on *coloured* 
early laces. That is, laces which use both metal (or, in my case, 
metallic) and multi-coloured silk threads. Finding the right silk 
thread  --  one which matched my preferred metallic (Moravia 40/2) in 
thickness as well as in other characteristics -- posed a problem, until 
I remembered the Cluny class I took at the IOLI Convention in Montreal. 
There, we used Au Ver a Soie Soie Ovale to make the petals (leaf 
tallies) with; its shine contrasted beautifully with the matte of the 
soie d'Alger we used for stems.


I thought I'd give that thread a try in a different -- older -- 
environment. Soie Ovale is a single ply, very shiny, thread, meant for 
embroidery. It's composed of what seems like hundreds of 
spiderweb-thin, barely visible, individual threads -- pretty much 
like a thread unwound directly from a cocoon, which will also split 
into many components, once the sericin is removed (it is, also, as 
difficult to handle; it snags on every skin imperfection you didn't 
even know you had g). There are many -- though not nearly as many as 
in Soie d'Alger -- colours available.


And it works! Beautifully :) It tends to twist on itself, compacting, 
when you plait with it. But it untwists/relaxes (some; not as much as 
I'd like) for the cloth stitched areas. Although I've never seen the 
piece I'm reproducing now (from Le Pompe, book I) made up, it looks, 
in spirit, very much like the coloured laces of the period that I 
*have* seen (in photos or in real life), so I'll be using it again. 
Possibly, even for all-white laces :)


If your Maltese is made with about the same size thread, Soie Ovale 
might be something to consider for repair work. Their white is optic 
and unsuitable but creme might do and brut ought to be perfect.


--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: Le Pompe 1559

2008-04-19 Thread Tamara P Duvall

On Apr 16, 2008, at 5:15, Sue (Harvey) wrote:


I was just about to put some books on ebay including Le Pompe 1559 when
I noticed another offer of the same title they were asking a starting
bid of £49.99 the reason stated was it was 1983 first edition with ISBN
0 903585 16 2 - mine is identical but I was always under the impression
that the last number (i.e. 2) meant the edition, so can anyone tell me
if I am correct in my assumption that someone is on the make? or have I
got a book more valuable than I thought.


Ruth Bean -- the publisher of the book -- is (or used to be) on this 
list and will correct me if I'm wrong, but it has always been my 
understanding that there had ever been only one edition (and a single 
imprint) of this one. My copy has the same date and ISBN as yours and 
cost U$ 19.95+ shipping, 18yrs ago. Which already included the vendor's 
shipping and profit, since I bought it in US. By today's exchange 
rates, $19.95 translates to £9.99... How are the mighty fallen! g.

--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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Fw: Re: [lace] Le Pompe 1559

2008-04-19 Thread [EMAIL PROTECTED]
-- Forwarded Message --
Sue,

Library geek to the rescue! Or at least with a little help. I looked the
edition up on the U.S. Library of Congress' website and here's the relevant
page:
http://catalog.loc.gov/cgi-bin/Pwebrecon.cgi?v3=1ti=1,1SEQ=20080419234515S
earch%5FArg=0903585162Search%5FCode=STNOCNT=25PID=12136SID=1

I hope that helps you out.

Robin


_
Smart Vacation. Stay Longer, Pay Less! Click Here.

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http://thirdpartyoffers.juno.com/TGL2121/fc/Ioyw6i3mIJIfeVYAIfd4VEPv4vYva5cfW
LJo9lTfMMUfMpo7TAleQJ/

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[lace] Before BL

2008-04-19 Thread Tamara P Duvall

On Apr 19, 2008, at 8:42, [EMAIL PROTECTED] wrote:

The first time I met Tamara Duvall, (about two months after I started 
making lace) I was delighted to learn that she had also done miniature 
work BL (Before Lace).


Actually...  I had gone through a lot of textile-related handcrafts - 
in normal size and scale -- before I met Clay; teaching English as a 
foreign language -- the job I was trained to do -- was not an option in 
our little town :)


I used to make all of my own clothes as well as most of my son's and 
some of my stepdaughter's and husband's. *That* was probably genetic 
inheritance from my maternal side; my Mother's father was a tailor by 
profession and she had been apprenticed to a dressmaker as a child, 
before ending up in a textile factory as a teenager.


But I also knitted (learnt from my Mother), crocheted (learnt at a 
party, where everyone -- but my hostess and I -- was playing bridge), 
had a brief love affair with needlepoint and counted cross-stitch, had 
stab at embroidery (and was really bad at it), at quilting and at 
rug-knotting (various methods). By the time Clay and I met, I didn't 
even mention all of those other dead-end roads I had taken in distant 
past :) I had scaled down the lot -- to 1:12 (miniature) size, because 
I was bored. And I dropped even that, when I discovered BOBBIN LACE 
(oooh!)...



I'll be curious to hear what others do in addition to their lacemaking!


How y'all find the time *to* do anything else is beyond me; somehow, 
there never seems to be enough time to do everything I want to do, even 
when I concentrate on just this one little corner of the Textile 
Kingdom... Of course, I suppose I could stop reading the newspapers and 
my lefty blogs and make time that way, but since I have an obsessive 
personality anyway, focusing on just one thing (lace) might not be very 
healthy for me :)

--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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