Re: 5th anniversary conference? :)

2024-02-23 Thread Mike Blackstock
re "Let’s keep this discussion going... I teach in the Annex (Randolph
College) three times a week — we should grab lunch/tea/pints some day.  "

For sure... I live at Bloor/Albany, just a few minutes walk from Randolph;
I walk past Randolph
all the time but didn't know it was a college. Right next door is the
Centre for Social Innovation,
which I've played at a few times for Amnesty International's annual
get-together there.

I propose  a get-together at the Annex Billiards Club, just above the Bulk
Barn on Bloor... cheap pints, good
billiards tables, nice atmosphere. I live 2 minutes away... I can be there
on a moment's notice, starting next week.

This is exciting!

On Fri, 23 Feb 2024 at 07:48, Kieren MacMillan 
wrote:

> Hi Mike!
>
> > I live in Toronto, in the Annex.  I'd love to help organize something
> here if there's interest. I'm right
> > close to the  University of Toronto campus.
>
> 1. Let’s keep this discussion going, and see if it actually gains traction!
>
> 2. I teach in the Annex (Randolph College) three times a week — we should
> grab lunch/tea/pints some day.  :)
>
> Cheers,
> Kieren.
> __
>
> My work day may look different than your work day. Please do not feel
> obligated to read or respond to this email outside of your normal working
> hours.
>
>

-- 
https://blackstock.media


Re: 5th anniversary conference? :)

2024-02-21 Thread Mike Blackstock
re. possible toronto conference location

I live in Toronto, in the Annex.  I'd love to help organize something here
if there's interest. I'm right
close to the  University of Toronto campus.

-Mike

On Thu, 15 Feb 2024 at 09:19, Kieren MacMillan 
wrote:

> Hey all,
>
> >> I was just waxing nostalgic about that fabulous Salzburg conference in
> 2020, and noted that in Jan 2025 — just under a year from now! — it will
> have been five years since we got together, talked music/notation, and
> raised [more than] a few pints together.
> >> Any chance for a repeat? :)
> >
> > Would be great. Count me as "will try to come if it gets organized".
>
> As I said back then, I’d be more than happy to organize a conference here
> in Toronto… but we decided that too many people would have to travel this
> direction over the Atlantic. It really does seem to be most efficient to
> hold this kind of gathering in Europe somewhere.
>
> Cheers,
> Kieren
> __
>
> My work day may look different than your work day. Please do not feel
> obligated to read or respond to this email outside of your normal working
> hours.
>
>
>

-- 
https://blackstock.media


Re: Anybody else playing with GPT4 and Lilypond?

2023-03-29 Thread Mike Blackstock
re. "Anybody else playing with GPT4 and Lilypond?"

I'm very much interested in exploring its use to generate graded
sight-reading material.
My own instrument is classical guitar and we're not the best
sight-readers[1]... it would be
nice to have daily sight-reading exercises generated for practice, with
midi. I could donate
the use of a QEMU/KVM server instance for working on a project of that sort.

[1] Guitarist John Williams:
"Another thing I’ve noticed in master classes, is that players will come on
and play the most
difficult solo works from memory, and yet if you give them a part to play
in one of the easier
Haydn String Quartets, as I often do, they’re lost in no time, and have a
very poor sense of
ensemble or timing. Guitarists are among the worst sight-readers I’ve come
across.
Julian Bream and I are both dead average sight-readers by orchestral
standards,
but among guitarists, we are [considered] outstanding! "
https://guitarteacher.com.au/interview/john-williams-interview/

On Wed, 29 Mar 2023 at 18:44, Saul Tobin  wrote:

> I've seen some examples of other people succeeding in getting ChatGPT with
> GPT4 to compose simple music in other text based music formats. I've had
> limited success getting it to output Lilypond code. It is able to correctly
> structure the code with a score block, nested contexts, and appropriately
> named variables, and bar checks at the end of each measure. It seems to
> struggle to create rhythms that fit within the time signature beyond
> extremely simple cases. It also seems to struggle a lot to understand what
> octave pitches will be in when using relative mode.
>
> It also seems to have a lot of trouble keeping track of the relationship
> between notes entered in different simultaneous expressions. Just asking it
> to repeat back which notes appear in each voice on each beat, GPT4
> frequently gives stubbornly incorrect answers about the music it generated.
> This makes it very difficult to improve its output by giving feedback.
>
> I'm curious whether anybody else has tried playing with this. I have to
> imagine that GPT4 has the potential to produce higher quality Lilypond
> output, given some of the other impressive things it can do. Perhaps it
> needs to be provided with a large volume of musical repertoire in Lilypond
> format.
>


-- 
https://blackstock.media


Re: [OT] help about some questions

2023-03-16 Thread Mike Blackstock
re. Beethoven Piano Concerto no. 3

It's been typeset with lilypond by Stelio Samelis. I muted the piano part
in the midi, and
converted it to mp3 as well. Double-click sound files to listen:

https://scores.omet.ca/?path=user:/mike/Beethoven_Concerto_No3=Concerto_No3-let.pdf

On Thu, 16 Mar 2023 at 06:10, Dario Marrini  wrote:

> Hi lilypond friends,
> I'd like to create an orchestral midi collection, for playing piano
> concertos with a MIDI accompaniment.
>
> The first difficulty is transcribing orchestral scores, then, I wonder if
> someone could suggest me a pdf2midi or pdf2score app or online service that
> could help; at this moment I'd be interested in Prokofiev Piano Concerto n.
> 1 and Beethoven Piano Concerto n. 3; I tried the online service of
> MuseScore but I got a 'score not compatible' message (I'm using the
> imslp.org score)
>
> Second difficulty will be getting an interactive mode about playing midi
> orchestral score, even without thinking to a 'follow me' mode, listening to
> audio solo part (I think it'd be very difficult to implement), I thought I
> could create and additional track, with just a few notes to play, and then
> finding a way to concatenate other midi events to those special notes, to
> get a synchronous mode with solo part (played by human) and midi orchestral
> part; even in this case (I'm not a such good code programmer) I have no
> idea if it could be possible and how.
>
> I'm a pianist and piano teacher, this kind of solution could improve very
> much the teaching level and the final piano and orchestra exam; indeed, it
> could be a development idea, creating a web site to offer this service
>
> Hoping this idea could be interesting for someone, I wait for your help or
> even thoughts
>
> regards
>
> dario m.
>


-- 
https://blackstock.media


Re: [was: Re: ANN: Frescobaldi 3.2]

2022-08-16 Thread Mike Blackstock
I'd be more than happy to set up a Virtual Machine for you, with root
access,
so you can install different versions of Frescobaldi and have people try it
out,
accessible via a web browser (Apache/Guacamole)

Lemme know if you are interested, and what kind of Linux and or window
manager
you want installed.

Cheers,
M.


On Mon, Aug 15, 2022 at 8:51 PM Jean Louis Thiry 
wrote:

> Hello Jean and thank you for your answer.
>
> I understand that it must be complicated to understand what I want to
> explain, so much I find it difficult to explain things that are beyond my
> understanding. Let's try briefly, knowing that I am to my great regret
> quite ignorant in terms of computer language:
>
> On my machine I use Frescobaldi 3.0 (which works pretty well and suits my
> needs perfectly except “convert.ly" and “musicxml2ly" which don't work
> beyond lilypond 2.20.). Upgrading to 3.1 is impossible (issue: Crash:
> "Could not find QtWebEngineProcess" #1244 on Frescobaldi's site,
> unresolved). The main 3.0 infos are: Python: 3.7.0 - python-ly: 0.9.5 - Qt:
> 5.11.1 - PyQt: 5.11.2 - sip: 4.19.12 - poppler: 0.57.0 - python-poppler-qt:
> 0.24.2.
>
> Now about Fresco 3.2: the procedure given in the “install" file does not
> work and returns messages like
> "/Library/Frameworks/Python.framework/Versions/3.7/Resources/Python.app/Contents/MacOS/Python:
> can't open file 'setup.py': [Errno 2] No such file or directory – heroes:~
> thiryjeanlouis$ python3 setup.py install —user
> /Library/Frameworks/Python.framework/Versions/3.7/Resources/Python.app/Contents/MacOS/Python:
> can't open file 'setup.py': [Errno 2] No such file or directory" etc. etc.
>
> If I type "frescobaldi" in the terminal, I get an app called "Python"
> exactly similar to Frescobaldi, using the same preferences and the same
> sessions but which is not version 3.2 and whose info is: Frescobaldi:
> 2.20.0 (!!) - Python: 3.5.9 - python-ly: 0.9.5 - Qty: 4.8.7 - PyQt: 4.12.1
> - sip: 4.19.20 - poppler: 0.61.1 - python- poppler-qt: 0.24.0. A detail
> however, the application crashes systematically when leaving.
> We can assume that there is a sneaky Python too many somewhere in the
> system, it's possible but where does this Frescobaldi 2.20 come from?
> Hello Jean and thank you for your answer.
> I understand that it must be complicated to understand what I want to
> explain, so much I find it difficult to explain things that are beyond my
> understanding. Let's briefly try:
>
> On my machine I use Frescobaldi 3.0 (which works pretty well except
> convert.ly and musicxml2ly which don't work beyond lilypond 2.20.).
> Upgrading to 3.1 does not work (issue: Crash: "Could not find
> QtWebEngineProcess" #1244 on Frescobaldi's site, unresolved). The main 3.0
> infos are: Python: 3.7.0 - python-ly: 0.9.5 - Qt: 5.11.1 - PyQt: 5.11.2 -
> sip: 4.19.12 - poppler: 0.57.0 - python-poppler-qt: 0.24.2.
>
> Now Fresco 3.2: the procedure given in the "install" file does not work
> and returns messages like:
> "/Library/Frameworks/Python.framework/Versions/3.7/Resources/Python.app/Contents/MacOS/Python:
> can't open file 'setup.py': [Errno 2] No such file or directory
> heroes:~ thiryjeanlouis$ python3 setup.py install --user
> /Library/Frameworks/Python.framework/Versions/3.7/Resources/Python.app/Contents/MacOS/Python:
> can't open file 'setup.py': [Errno 2] No such file or directory" etc. etc.
>
> If I type "frescobaldi" in the terminal, I get an app called "Python"
> exactly similar to Frescobaldi, using the same preferences and the same
> sessions but which is not version 3.2 and whose info is: Frescobaldi:
> 2.20.0 (!!) - Python: 3.5.9 - python-ly: 0.9.5 - Qty: 4.8.7 - PyQt: 4.12.1
> - sip: 4.19.20 - poppler: 0.61.1 - python- poppler-qt: 0.24.0. A detail
> however, the application crashes systematically when leaving.
>
> I found all these pythons in my Mac: Python: 3.7.6, 2.7.16 , 3.7.4, 3.5.9,
> 3.7.1 - Python Launcher: 3.7.6, 3.7.1, 3.7.4.
> We can assume that there is a sneaky Python too many somewhere in the
> system it's possible but where does this Frescobaldi 2.20 come from?
>
>
> All the best,
> JL
>
>
>
>
>
> Jean Louis Thiry
> 06 68 80 64 50
> thir...@ramierou.eu
>
>
> 390A rue du Ramiérou à Montauban
>


-- 
https://blackstock.media


Re: Prototype Frescobaldi in the browser

2022-08-08 Thread Mike Blackstock
re - "Are you planning to run lilypond inside a chroot jail and/or in safe
mode? "

It's running in a linux kernel virtual machine ('KVM'), which isolates it
from the main host.

M.


On Mon, Aug 8, 2022 at 1:05 PM William  wrote:

> Not passing judgement on this project either way, but there are lots of
> online text editor applications, such as markdown editors or google docs.
> Some people like to use them, others don’t. There are also other web
> applications which apply the real-time-updates feature of google docs in a
> visual engraving software. I guess there’s not really any reason to not
> have this as an option for someone who likes it.
>
> I’d like to say something else about this web application that OP should
> keep in mind, in case others haven’t brought this up yet. As all of us
> know, lilypond includes many features that are designed to be helpful for
> users who know what they are doing but could be quite dangerous if
> malicious code is parsed, such as the ability to read other files or run
> system commands. Are you planning to run lilypond inside a chroot jail
> and/or in safe mode? Because safe mode clamps down on a lot of the more
> extended functionality such as scheme extensions and even other things such
> as #(set-global-staff-size).
>
> I guess copying how lilybin et Al handle this will be fine.
>
> Sent from my iPhone
>
> > On Aug 8, 2022, at 01:34, Andrew Bernard 
> wrote:
> >
> > How many people need that? Doesn't everybody have a laptop? Let's hear
> from the OP. I'm curious.
> >
> > Andrew
> >
> >
> >> On 8/08/2022 1:15 pm, Knute Snortum wrote:
> >> Well, I can imagine that it would be useful to be able to move from
> >> computer to computer, when you don't necessarily have Frescobaldi
> >> installed, especially if you can save to the cloud.
> >>
> >>
> >
>
>
>

-- 
https://blackstock.media


Re: Prototype Frescobaldi in the browser [URL correction]

2022-08-08 Thread Mike Blackstock
The plan is to start up a 2nd VM for 'trusted users' like yourself, with
more access,
for real work, with a browser, shell,  etc. and add an FTP upload folder to
the demo VM so
anonymous users can upload files and try it out Fresobaldi that way, in
addition to pasting
code, as it is now.

Will keep ya posted - thanks for the interest :)
M.


On Sun, Aug 7, 2022 at 6:12 PM Knute Snortum  wrote:

> Interesting.  Some thoughts:
>
> a) how do you get code into and out of the web Frescobaldi?  Copy and
> Paste?  If you give people access to a browser, they can use Google
> Drive or another cloud product.
>
> b) Any possibility of getting LilyPond version 2.22.2 and 2.23.11?
>
> --
> Knute Snortum
>
>
> On Sun, Aug 7, 2022 at 2:35 PM Mike Blackstock
>  wrote:
> >
> > oops, apparently the hash tag in the url is important:
> > https://static.blackstock.media/guacamole/#/
> >
> > On Sun, Aug 7, 2022 at 5:27 PM Mike Blackstock <
> blackstock.m...@gmail.com> wrote:
> >>
> >> Demo at https://static.blackstock.media/guacamole
> >>
> >> Login: guest
> >> Password: guest
> >>
> >> Click one of the unused demo sessions.
> >>
> >> -Mike
> >>
> >>
> >> --
> >> https://blackstock.media
> >
> >
> >
> > --
> > https://blackstock.media
>


-- 
https://blackstock.media


Re: Prototype Frescobaldi in the browser [URL correction]

2022-08-08 Thread Mike Blackstock
re. "perhaps better that anything outside of /home/* not even be visible"

Indeed, agree 100% ... but I couldn't find a linux file manager that
disallowed access in that way.
Could you recommend something?

It wasn't a high priority because the site is running inside a KVM
virtual machine that isolates
it from the main host system, and it can be easily restored from a snapshot
image if it gets trashed.
It's restored to the original state once a day as well, just as a matter of
policy, anyway.

But a restricted filemanager would be better, even still. TIA for any
suggestions.

M.



On Sun, Aug 7, 2022 at 5:58 PM Guy Stalnaker  wrote:

> Mike - one immediate thing to note - the current privileges expose the
> root of the file system. Maybe there are no files outside of /home/* that
> can be opened, but perhaps better that anything outside of /home/* not even
> be visible.
>
> Will explore more later (Zoom with family now).
>
> Regards,
>
> Guy S
> --
>
> “Happiness is the meaning and the purpose of life, the whole aim and end
> of human existence.”
>
> ― Aristotle
>
>
> On Sun, Aug 7, 2022 at 4:35 PM Mike Blackstock 
> wrote:
>
>> oops, apparently the hash tag in the url is important:
>> https://static.blackstock.media/guacamole/#/
>>
>> On Sun, Aug 7, 2022 at 5:27 PM Mike Blackstock 
>> wrote:
>>
>>> Demo at https://static.blackstock.media/guacamole
>>>
>>> Login: guest
>>> Password: guest
>>>
>>> Click one of the unused demo sessions.
>>>
>>> -Mike
>>>
>>>
>>> --
>>> https://blackstock.media
>>>
>>
>>
>> --
>> https://blackstock.media
>>
>

-- 
https://blackstock.media


Re: Prototype Frescobaldi in the browser [URL correction]

2022-08-07 Thread Mike Blackstock
Someone left this [see attached screenshot] , so I saved it... it's in the
'demo' session folder.
M.


On Sun, Aug 7, 2022 at 5:33 PM Mike Blackstock 
wrote:

> oops, apparently the hash tag in the url is important:
> https://static.blackstock.media/guacamole/#/
>
> On Sun, Aug 7, 2022 at 5:27 PM Mike Blackstock 
> wrote:
>
>> Demo at https://static.blackstock.media/guacamole
>>
>> Login: guest
>> Password: guest
>>
>> Click one of the unused demo sessions.
>>
>> -Mike
>>
>>
>> --
>> https://blackstock.media
>>
>
>
> --
> https://blackstock.media
>


-- 
https://blackstock.media


Re: Prototype Frescobaldi in the browser [URL correction]

2022-08-07 Thread Mike Blackstock
oops, apparently the hash tag in the url is important:
https://static.blackstock.media/guacamole/#/

On Sun, Aug 7, 2022 at 5:27 PM Mike Blackstock 
wrote:

> Demo at https://static.blackstock.media/guacamole
>
> Login: guest
> Password: guest
>
> Click one of the unused demo sessions.
>
> -Mike
>
>
> --
> https://blackstock.media
>


-- 
https://blackstock.media


Re: Server question: SSD or HDD ?

2022-08-07 Thread Mike Blackstock
Demo at https://static.blackstock.media/guacamole

On Thu, Jul 29, 2021 at 11:51 AM David Wright 
wrote:

> On Thu 29 Jul 2021 at 15:01:58 (+0100), Phil Holmes wrote:
> > On 29/07/2021 14:55, Mike Blackstock wrote:
> > > I'm getting a new server for online hosting of lilypond stuff.
> > >
> > > I'm not much of a hardware guy... within my hosting budget, I can
> > > have either a 500 GB SDD, or a 1 TB HDD pn the system I'll
> > > be leasing.
> > >
> > > I've never had a system with a solid state drive... would it
> > > be noticeably faster for compiling lilypond scores?
> > >
> > > https://blackstock.media <https://blackstock.media>
> >
> > Lilypond is pretty much CPU limited, so the speed of the drive has
> almost no effect on compiling scores.  It's also single threaded, so the
> best option for speeding it up is an ultra-fast single core CPU - if one
> exists these days.
>
> OTOH the website reference in your signature implies that
> several people could be simultaneously compiling their own
> scores within IDEs, others downloading scores, consulting
> documentation, and so on.
>
> With most machines now offering several CPUs and cores,
> I'd certainly expect the SSD option to be far faster.
> But bear in mind that they do slow down when run near
> full capacity. I've read recommendations that you
> shouldn't exceed about 70% to maintain top speed, so
> I would check your total storage requirements on the site.
>
> Running near full capacity also impacts lifetime, but as
> you're leasing, I guess that's of no concern to you.
>
> Cheers,
> David.
>


-- 
https://blackstock.media


Prototype Frescobaldi in the browser

2022-08-07 Thread Mike Blackstock
Demo at https://static.blackstock.media/guacamole

Login: guest
Password: guest

Click one of the unused demo sessions.

-Mike


-- 
https://blackstock.media


Re: Server question: SSD or HDD ?

2021-07-29 Thread Mike Blackstock
Thanks Phil and David!

I got the 500 gig SSD option; I can always add more later. The entire
Mutopia repository,
which I've cloned, with mp3s of all midi files added, is less than 10 gigs.
500 gigs is a lot!
I'll be sure to keep it under 70% capacity.

System specs are here:
https://order.servermania.com/configure/244?options=1345%7C3998
They're putting it together right now. I opted for Ubuntu 20. It's
dedicated,  just my lilypond projects.

Thx for checking the website page David.

Cheers,
M.

On Thu, Jul 29, 2021 at 11:51 AM David Wright 
wrote:

> On Thu 29 Jul 2021 at 15:01:58 (+0100), Phil Holmes wrote:
> > On 29/07/2021 14:55, Mike Blackstock wrote:
> > > I'm getting a new server for online hosting of lilypond stuff.
> > >
> > > I'm not much of a hardware guy... within my hosting budget, I can
> > > have either a 500 GB SDD, or a 1 TB HDD pn the system I'll
> > > be leasing.
> > >
> > > I've never had a system with a solid state drive... would it
> > > be noticeably faster for compiling lilypond scores?
> > >
> > > https://blackstock.media <https://blackstock.media>
> >
> > Lilypond is pretty much CPU limited, so the speed of the drive has
> almost no effect on compiling scores.  It's also single threaded, so the
> best option for speeding it up is an ultra-fast single core CPU - if one
> exists these days.
>
> OTOH the website reference in your signature implies that
> several people could be simultaneously compiling their own
> scores within IDEs, others downloading scores, consulting
> documentation, and so on.
>
> With most machines now offering several CPUs and cores,
> I'd certainly expect the SSD option to be far faster.
> But bear in mind that they do slow down when run near
> full capacity. I've read recommendations that you
> shouldn't exceed about 70% to maintain top speed, so
> I would check your total storage requirements on the site.
>
> Running near full capacity also impacts lifetime, but as
> you're leasing, I guess that's of no concern to you.
>
> Cheers,
> David.
>


-- 
https://blackstock.media


Server question: SSD or HDD ?

2021-07-29 Thread Mike Blackstock
I'm getting a new server for online hosting of lilypond stuff.

I'm not much of a hardware guy... within my hosting budget, I can
have either a 500 GB SDD, or a 1 TB HDD pn the system I'll
be leasing.

I've never had a system with a solid state drive... would it
be noticeably faster for compiling lilypond scores?




-- 
https://blackstock.media


Re: who is behind omet.ca [I am]

2021-04-11 Thread Mike Blackstock
Hi there. My apologies for not responding earlier...it seems gmail is
'hiding' lilypond-user messages and I haven't been seeing them.

I've been maintaining omet.ca for over 10 years, but I don't promote it,
hence the absence
of an 'impressum' or 'about page'. The 'about page' is on my personal site:
https://blackstock.media

re: "First having to register before knowing anything about what the site
provides looks most suspicious"

I agree... it should have a landing page like the one at blackstock.media -
with an
option to register right in the page.

re: "There is no https://omet.ca to refer to either"

omet.ca is just a redirect to ide.omet.ca... that was a quick fix to deal
with
a technical issue I was having

The platform being used is 'os-js'  (https://www.os-js.org/) and it's the
perfect
platform for developing a 'cloud Frescobaldi', as someone mentioned. Its
developer Anders Evanrud is aware of omet and has been keen to implement
features that I've suggested.

re. "heavy computing.ca" - that's the VPS service I'm using for some of the
things I do. It's located in Toronto Canada, in the so-called 'telco hotel'
on Front St.

The compilation server is located in my own studio... i want to be able to
keep
a close eye on it to see what kinds of load are placed on it when scores are
being compiled.

Cheers,
Mike



On Sun, Apr 11, 2021 at 3:30 AM Stefan Thomas 
wrote:

> Dear community,
> a few days I discovered https://ide.omet.ca/ which seems to be a very
> interesting and useful site.
> But I didn't find there an impressum.
> Who are the people behind this site? Can I trust them?
> Does someone of You know something about them?
> Thanks,
> Stefan
>


-- 
https://blackstock.media


Donation to Lilypond - where?

2016-07-14 Thread Mike Blackstock
What is the procedure for sending a small donation to Lilypond?


Thanks!
- Mike
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Re: A book on how music notation should look

2014-06-03 Thread Mike Blackstock
Terrific - thanks for posting!


On Sun, Jun 1, 2014 at 4:26 PM, Richard Shann rich...@rshann.plus.com
wrote:

 Someone just pointed me to this source of opinion on music notation:

 https://archive.org/details/EssentialDictionaryOfMusicNotation

 I don't think I've seen it mentioned on this list before, so thought
 folk might be interested. I just used it to educate myself on the
 subject of melisma for which I was roundly condemned a while back.

 Richard



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Re: Goldberg Variations for Guitar Ensemble

2014-02-16 Thread Mike Blackstock
Terrific work Steve. I love the idea of dividing it into duos, trios and
quartets.
Can I pass the URL along to others, or is the announcement just meant for
list members?


On Fri, Feb 14, 2014 at 2:52 PM, st...@linuxsuite.org wrote:

 Howdy!

 As per Janek's suggestion, I would like to announce my LilyPond
 project, the transcription and engraving of J. S. Bach's  Goldberg
 Variations  BWV 988 for
 Guitar Ensemble.

 http://www.gooeytar.com/projects/BWV-988/

The basics are mostly finished, and what remains is the fixing up
 of a few lilypond issues,
 fixing ties etc or whatever suggestions for improvement this forum and
 its experience can provide.

   I have an idea of how to approach the issue of ties and will
 elaborate in
 another post.

 -steve







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Re: PDF links to javascript?

2014-01-17 Thread Mike Blackstock
re. As I see it you need to change either the PDF itself or the javascript
code run in the browser to achieve what you want.

I discovered 'pdf.js' - a javascript program that converts pdf to HTML5
on-the-fly. I think if I use that as my pdf viewer in the browser, I can
hack the code to get it to do what I want -
http://mozilla.github.io/pdf.js/

Cheers, and thanks for responding
 -Mike


On Fri, Jan 17, 2014 at 4:02 AM, Peter Bjuhr peterbj...@gmail.com wrote:


 On 01/17/2014 02:00 AM, Mike Blackstock wrote:

 Is there a way to change the textedit://uri  mechanism in PDF
 point-and-lick links to point instead to a javascript function in the
 webbrowser?

 I've been looking around, but I know zilch about PDF documents; the closest

 I got was this, which tells me it's do-able (I think)


 http://stackoverflow.com/questions/5934211/getting-notified-when-the-user-clicks-a-link-in-an-embedded-pdf/5942729#5942729



 Re.  Why do you want to do this?

 My source code editor is a javascript app that runs in the browser - Code
 Mirror. For compilation, the source code is sent to a server over a
 node.js/socket.io websocket; when compilation is complete, server sends
 browser a signal and PDF is opened in iframe. I need 'point-and-click'
 events to call javascript functions.


 As I see it you need to change either the PDF itself or the javascript
 code run in the browser to achieve what you want.

 If we assume the output from LilyPond is what it is, to change the PDF you
 have to change the links manually in Acrobat Pro like described in the
 stackoverflow page you link to. One alternative to this is to use SVG
 instead and manually change the links in the XML code. This can of course
 be very inconvenient if you have many links that needs to be changed.

 If on the other hand you can change the javascript code this can be
 achieved much easier, I think.

 Best
 Peter

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PDF links to javascript?

2014-01-16 Thread Mike Blackstock
Is there a way to change the textedit://uri  mechanism in PDF
point-and-lick links to point instead to a javascript function in the
webbrowser?

textedit:///path/guitar.ly:42:32:39

would instead be something like:
javascript:parent.handlePdfLinks(path/guitar.ly:42:32:39)

and the above would be executed on a click?

I've been looking around, but I know zilch about PDF documents; the closest
I got was this, which tells me it's do-able (I think)

http://stackoverflow.com/questions/5934211/getting-notified-when-the-user-clicks-a-link-in-an-embedded-pdf/5942729#5942729

Cheers,
Mike
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Re: PDF links to javascript?

2014-01-16 Thread Mike Blackstock
Hi Phil!

Re.  Why do you want to do this?

My source code editor is a javascript app that runs in the browser - Code
Mirror. For compilation, the source code is sent to a server over a
node.js/socket.io websocket; when compilation is complete, server sends
browser a signal and PDF is opened in iframe. I need 'point-and-click'
events to call javascript functions.

Thanks for responding and thanks for any help you can offer!


On Thu, Jan 16, 2014 at 4:40 PM, Phil Holmes m...@philholmes.net wrote:

  Why do you want to do this?  Operating system?

 --
 Phil Holmes



 - Original Message -
 *From:* Mike Blackstock blackstock.m...@gmail.com
 *To:* lilypond-user lilypond-user@gnu.org
 *Sent:* Thursday, January 16, 2014 9:34 PM
 *Subject:* PDF links to javascript?

 Is there a way to change the textedit://uri  mechanism in PDF
 point-and-lick links to point instead to a javascript function in the
 webbrowser?

 textedit:///path/guitar.ly:42:32:39

 would instead be something like:
 javascript:parent.handlePdfLinks(path/guitar.ly:42:32:39)

 and the above would be executed on a click?

 I've been looking around, but I know zilch about PDF documents; the closest
 I got was this, which tells me it's do-able (I think)


 http://stackoverflow.com/questions/5934211/getting-notified-when-the-user-clicks-a-link-in-an-embedded-pdf/5942729#5942729

 Cheers,
 Mike

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Re: Survey: Git (G)UIs

2014-01-06 Thread Mike Blackstock
I use a GUI based on Viewgit: http://www.omet.ca
login 'demo10' password 'demo10'  Help - Version control


On Mon, Jan 6, 2014 at 7:53 AM, Urs Liska u...@openlilylib.org wrote:

 Hi all Git users,

 I'd like to make a survey on how you are working with Git.

 Do you use the command line exclusively, or a GUI (which one(s))?
 Or a GUI for certain tasks and the command line for others?

 I'd be particularly interested in reports of successful or failed
 attempts to learn Git by starting with a GUI tool. I have a strong
 opinion that one should use the command line until one has a good
 understanding of the concepts, but I'd be interested in any differing
 experiences.

 Urs


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Re: calling all opera/musical engravers

2013-12-17 Thread Mike Blackstock
Valentin did his full opera, Affaire Etrangere, with Lilypond:
http://wiki.lilynet.net/-Opera-

M.


On Mon, Dec 16, 2013 at 4:59 PM, Kieren MacMillan 
kieren_macmil...@sympatico.ca wrote:

 Hello all!

 I would love to hear from anyone who has engraved a full opera or musical
 (with at least vocal score plus full score) in Lilypond.

 Specifically:
 1. Is lilypond-book the only sane way to do it?
 2. What functions/extensions/tricks did you use to bend Lily to your will?
 3. What pitfalls are to be watched for (and hopefully avoided)?
 4. What limitations cannot [currently] be overcome?

 Thanks,
 Kieren.
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Re: transferring Lilynet

2013-11-20 Thread Mike Blackstock
If anybody wants, it can be moved to my server, and I can give someone a
shell account for maintenance. Also Janek, re. lilypond compilation on my
server - if you'd like to have a stab at compiling lilypond where I failed,
I can give you an account with the sources I installed and we discussed -
it might be easier than me sending you log files from the compilation
output.


On Thu, Nov 14, 2013 at 5:01 PM, Janek Warchoł janek.lilyp...@gmail.comwrote:

 Hi Valentin,

 since lilynet.net is dead, it would be good to transfer the archives
 someplace else (i've heard that you do have them?).  We could probably
 add the articles to the lilypond blog, either as archival posts or
 pages.

 I don't know how much time i could spend on this, but i wouldn't want
 to leave LilyPond Report stuff in the current condition.

 best,
 Janek

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Re: Project Completed(-ish): 120 R.H. Studies by Giuliani

2013-09-06 Thread Mike Blackstock
Wow, Terrific. I put them at
http://www.omet.ca/scores/Mike_Blackstock_2/Giuliani_Mauro/120/120-B.html for
reference - I hope that's ok (let me know if not and I'll take them down)


On Fri, Sep 6, 2013 at 2:31 PM, Kale Good k...@kalegood.com wrote:

  Hello all,
 I haven't had a chance to do a serious proof read of this yet; I wanted to
 do it today but some other work came up, so I'm sending it out more than a
 little unfinished. All the notes and fingerings are there (or should be),
 but I haven't tweaked layout at all yet. This is my first big project, so
 feedback is very helpful. I do have some explicit questions:

 1. Is there a way to get the time signature to print on ever line and to
 place it inside of the repeat bracket with my current score structure?
 2. Getting spacing right (bar lines line up for each exercise): my
 unimplemented strategy is to put a voice in it with the proper spacing
 and make it transparent. A few minutes of mucking around making me wonder
 if this will work. Will it, and/or any better ideas?
 3. Can I do a second row of fingerings somehow? I'd like to show editor's
 suggestions alternate fingerings.
 4. Vertical spacing and beam slope  height recommendations? I'm still
 developing my eye for this sort of thing. The first page looks like it
 could be a little tighter, as do a few other spots.


 Thanks for the support.

 Best,
 Kale

 --
  Kale Good: Guitar Instructor
  phillyguitarlessons.com
 k...@kalegood.com
 phone: (215)260-5383

- 4705 Baltimore Ave, Phila, PA 19143 -mailing  lessons
 - 1867 Frankford Ave. Phila, PA 19125 -lessons

 Google+ https://plus.google.com/b/105422331794047992190/
 Facebook http://facebook.com/KaleGoodGuitarStudio
 Read my article The Seven Secrets to Six String 
 Successhttp://www.guitarnoise.com/lesson/seven-secrets-to-six-string-success/
 at GuitarNoise.com http://guitarnoise.com
 Leading the Journey from No-Skills-Guitarist to Talented Musician!

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Re: Score examples

2013-09-02 Thread Mike Blackstock
This trio for flute, violin and guitar is 'out-of-the-box':
http://www.blackstockweb.ca/node/4
I dunno how to do a cres/dim on a single note very well (bar 6, flute -
bad, but better elsewhere).

I play guitar, and don't have much of an eye for non-guitar stuff (long
phrases and slurs placements)
-Mike


On Mon, Sep 2, 2013 at 8:50 AM, Urs Liska u...@openlilylib.org wrote:

 Hi,

 I'm compiling a selection of examples to show LilyPond's output quality.
 I'm aiming at a collection of ca. 5 examples (1-page excerpts) of LilyPond
 scores tweaked to publication quality and a similar number of examples of
 out-of-the-box engraving.
 The latter is intended to show that one can _work_ with default scores
 quite good, that is one can play from them and one can use them to finish
 an edition for example, without having to bother about engraving details
 too early.

 Another goal of this collection is to show a variety of styles. Therefore
 I would be happy if you would send me (privately) examples you would share
 for that purpose.
 If I should get way too many submissions I might think of using them for a
 kind of gallery ,-)

 If it's 'publication quality' it should of course be as beautiful as
 possible.
 If it's out-of-the-box it should of course _be_ untweaked. It may well
 have deficiencies but should show the superior legibility of all LilyPond
 scores.
 I would also call it out-of-the-box if there is a general 'house' style
 sheet applied. Maybe I'll have a third group with such examples.

 TIA
 Urs

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Re: [ANNOUNCE] Scale Matcher website built with LilyPond

2013-08-24 Thread Mike Blackstock
Wow, terrific. Any thoughts on adding a graphic that will grab more
attention in links to the site [ie Facebook, Google+ ...] ?


On Sat, Aug 24, 2013 at 7:51 AM, Adam Spiers
lilypond-u...@adamspiers.orgwrote:

 Hi all,

 Thought you might be interested to hear that I built a new music
 harmony website which uses LilyPond to dynamically generate images of
 chords and scales:

 http://scalematcher.adamspiers.org/

 Look in the FAQ for details of how to see the LilyPond source code ;-)

 Now I have to figure out how to install LilyPond 2.17.x on Debian 6 in
 order to be able to use \markLengthOn :-/

 Regards,
 Adam

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Re: [ANNOUNCE] Scale Matcher website built with LilyPond

2013-08-24 Thread Mike Blackstock
re I'm no artist - that makes two of us.
You could  just use this bigger version of your favicon:
http://blackstockweb.ca/logo.png,, which doesn't have to actually be seen
anywhere on your page; then the line 'link rel=image_src
href=pathtologo/logo.png /' in the head will give the bottom 'scrape'
instead of the top one when the page is linked to:
http://blackstockweb.ca/logo-demo.png

Just a thought. Great app; I'll be using it myself - thanks!
-Mike


On Sat, Aug 24, 2013 at 9:50 PM, Adam Spiers
lilypond-u...@adamspiers.orgwrote:

 Thanks.  You mean like a logo icon?  I'd be delighted to use one, but
 I'm no artist ...

 On 25 August 2013 02:20, Mike Blackstock blackstock.m...@gmail.com
 wrote:
  Wow, terrific. Any thoughts on adding a graphic that will grab more
  attention in links to the site [ie Facebook, Google+ ...] ?
 
 
  On Sat, Aug 24, 2013 at 7:51 AM, Adam Spiers 
 lilypond-u...@adamspiers.org
  wrote:
 
  Hi all,
 
  Thought you might be interested to hear that I built a new music
  harmony website which uses LilyPond to dynamically generate images of
  chords and scales:
 
  http://scalematcher.adamspiers.org/
 
  Look in the FAQ for details of how to see the LilyPond source code ;-)
 
  Now I have to figure out how to install LilyPond 2.17.x on Debian 6 in
  order to be able to use \markLengthOn :-/
 
  Regards,
  Adam
 
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mcat: join midi files

2013-05-05 Thread Mike Blackstock
Here's a nice little utility that joins (concatenates) multiple midi files
into one file:

http://www.cap-lore.com/EnglishSuites/code/Transmog/mcat.html
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Re: Excellent paper on 'Copyfraud'

2013-03-09 Thread Mike Blackstock
re. If I now would want to make an edition of that work...

According to Mazzone Two basic features of copyright law are that (1)
copyright belongs
to the creator of an original work, and (2) copyright protection is
limited in duration. Copyright notices appear today, however, on
virtually everything that is published—whether or not there exists a
legitimate claim to copyright ownership... In order to receive
copyright protection, a work must be the author’s own creation,
displaying some minimal degree of creativity. Mere exertion—'sweat of
the brow—does not a copyright confer. (p. 13)

And, crucially: Despite the fact that copyrights are limited by time
and original authorship, modern publishers routinely affix copyright
notices to reprints of historical works in which copyright has
expired. The publisher making the reprint is not the creator of the
original work; absent a transfer by the creator of the work, the
publisher would not be entitled
to claim copyright in the first place. And since the copyright on the
original work has expired— indeed, that is the very thing that allows
the modern reprint to be made and sold—the work is in the public
domain. (p. 15)

As for editorial additions to a public domain score, the IMSLP page
has good guidelines (for Canada, at any rate):
http://www.imslp.org/wiki/Public_domain

Editorial additions must not be routine, but require a threshold of
originality to qualify for copyright protection:

Insignificant editorial contributions have no copyright in
themselves. Significant ones often do. The editor's contribution to
the work must be of a significant and original nature, meeting a
threshold of originality, to qualify for copyright protection. Some
examples:

- Most Significant: Transcriptions, orchestrations, arrangements,
creative realizations of continuo or figured bass parts.

- Less Significant: Adding original (new) fingerings, articulations,
slurs, dynamic and tempo markings, routine chordal realizations of
figured basses.

- Insignificant: Transposition, error correction, translation of
common expressions and instrument names.

- Insignificant: Adding fingerings, articulations, slurs, dynamic and
tempo markings from other public domain sources.

Hope that helps. Of course, if you are publishing online and your ISP
is clueless about the DMCA - and sadly, many are - then much of the
above discussion is moot :(

On Sat, Mar 9, 2013 at 12:31 PM, Urs Liska li...@ursliska.de wrote:
 Am 08.03.2013 14:18, schrieb Mike Blackstock:

 This paper might be of interest to anyone typesetting public domain
 music from so-called copyrighted scores:
 http://papers.ssrn.com/sol3/papers.cfm?abstract_id=787244

 Abstract:
 Copyfraud is everywhere. False copyright notices appear on modern
 reprints of Shakespeare's plays, Beethoven's piano scores, greeting
 card versions of Monet's Water Lilies, and even the U.S. Constitution.
 Archives claim blanket copyright in everything in their collections.
 Vendors of microfilmed versions of historical newspapers assert
 copyright ownership. These false copyright claims, which are often
 accompanied by threatened litigation for reproducing a work without
 the owner's permission, result in users seeking licenses and paying
 fees to reproduce works that are free for everyone to use. 

 75 pages, PDF - Jason Mazzone, University of Illinois College of Law

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 May I suggest a concrete example for consideration (because it's a tricky
 constellation and I'd appreciate any opinion)?

 Given a musical work that is clearly in the public domain (1820s).
 The autograph score is in private possession (in Switzerland).
 The contents of this autograph have been brought to the public through a
 'private print' (by a renowned scholar) in 1967.
 I don't know how many copies there are from this private print, but some of
 them are available through public libraries (where I had the opportunity to
 take digital photographs).

 If I now would want to make an edition of that work, and explicitely the
 version of that manuscript, would I have to ask the owner of the manuscript,
 or could I argue that the music is in the public domain and the manuscript
 has already been made public?

 Would a claim of the owners of the manuscript to either charge royalties or
 prohibit the project be a valid cause or would you consider that copyfraud?


 Urs

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Re: Mutopia

2013-02-25 Thread Mike Blackstock
I give free web hosting accounts to lilyponders. You can have your own
drupal installation (or whatever), so if you just need a place to host
your files, that's an option.

M.
PS git and viewgit are installed as well
On Sat, Feb 23, 2013 at 11:58 AM, Noeck noeck.marb...@gmx.de wrote:
 Hi,

 I have some pieces (vocal scores of 3 chorals of Bach's Christmas
 Oratorio and in future some more) that I would like to share.

 I got no response from the mutopiaproject. Is there anything new since:
 http://lists.gnu.org/archive/html/lilypond-user/2012-11/msg00300.html

 What should I do? Upload it to imslp and forget about mutopia?
 Did someone start an official mutopia-collection-git-repository?

 Cheers,
 Joram


 PS: I would also volunteer to update some scores on Mutopia. Most of
 them would profit from newer LilyPond versions and sometimes a few
 additional tweaks would change a lot. But as long as this will not end
 up online, there is no point in doing so.

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Re: Holst's Mars?

2013-01-26 Thread Mike Blackstock
Here's a band version that might save you a bit of work:
http://www.omet.ca/scores/Mike_Blackstock_2/ - 'Mars from the Planets'
bottom of page

Originally in musicXML here:
http://musescore.com/user/15251/scores/48167#

On Sat, Jan 26, 2013 at 9:52 PM, Evan Driscoll edrisc...@wisc.edu wrote:
 I was surprised to look on IMSLP not find a download of The Planets score
 that is better than a somewhat mediocre scan. I also checked the Mutopia
 project and did a quick search.

 I'm interested enough in having a nicer version that I plan on typesetting
 it (probably just Mars, unfortunately), but I figured I'd ask on here
 whether anyone has run across a copy at some point or could suggest another
 place to look.

 Evan


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Codemirror editor for Lilypond tweak

2012-12-06 Thread Mike Blackstock
Just for reference:

If the 'Codemirror' online editor is being used for lilypond files, it
needs to have this line added to the sTeX mode file:

plugins[concat] = addPluginPattern(concat, tag, [, [atom]);

after  the  var plugins = new Array(); line

and the same applies for any lilypond keyword (anything that begins with a
\ I mean) that is also a javascript object method ( I can't think of any
besides 'concat' but there may be others). Otherwise, the lilypond file
won't load if it contains '\concat...'

M.
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Re: ly2video - create videos from your LilyPond projects

2012-11-15 Thread Mike Blackstock
this is FANTASTIC!! :)

On Wed, May 23, 2012 at 2:15 PM, FireTight fireti...@gmail.com wrote:


 Hello,
 my name is Jiri FireTight Szabo and I would like to introduce program
 ly2video to you. This program can generate videos from your LilyPond
 projects that contains moving music staff, which is synchronized to music (
 http://www.youtube.com/playlist?list=PL444F0513202699C4feature=view_all
 examples ). If you are interested, you can download it
 http://code.google.com/p/ly2video/downloads/detail?name=ly2video_v1.0.zip
 here . I hope you will enjoy it! :)

 What do you need to use ly2video?
 - Python 2.7
 - GNU LilyPond 2.14.2
 - FFmpeg
 - TiMidity++

 How to use it:
 Just call ly2video.py [options] from command line.

 Options:
 -h, --help: show help message and exit
 -i FILE, --input=FILE: input LilyPond project
 -o FILE, --output=FILE: name of output video (e.g. myNotes.avi, default
 is
 input + .avi)
 -c COLOR, --color=COLOR: name of color of middle bar (default is red)
 -f FPS, --fps=FPS: frame rate of final video (default is 30)
 -r HEIGHT, --resolution=HEIGHT: resolution of final video (options: 360,
 720, 1080, default is 720)
 --title-at-start: adds title screen at the start of video (with name of
 song
 and its author)
 --title-delay=SECONDS: time to display the title screen (default is 3
 seconds)
 --windows-ffmpeg=PATH: (for Windows users) folder with ffpeg.exe (e.g.
 C:\ffmpeg\bin\)
 --windows-timidity=PATH: (for Windows users) folder with timidity.exe (e.g.
 C:\timidity\)

 Known issues:
 - music written with \partial command can cause a lot of bugs
 - commands like \override Stem #'stroke-style = #grace skip notes
 - videos created with title screen can have some bitrate issues

 --
 View this message in context:
 http://old.nabble.com/ly2video---create-videos-from-your-LilyPond-projects-tp33897492p33897492.html
 Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.


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Re: Version Control and Public Repository

2012-11-10 Thread Mike Blackstock
Thanks Francisco. It's fixed.

-M.
On Sat, Nov 10, 2012 at 5:16 AM, Francisco Vila paconet@gmail.comwrote:

 2012/11/10 Mike Blackstock blackstock.m...@gmail.com:
  You can generate your own lilypond scores page at www.omet.ca. Just
 upload
  your sources, compile them, and you'll get a page like this:
 
  http://www.omet.ca/scores/Mike_Blackstock_2/

 I hadn't noticed before: source view in omet.ca does not escape  and
  for chords, see image at
 http://paconet.org/lilypond/problem-omet-ca.png
 --
 Francisco Vila. Badajoz (Spain)
 www.paconet.org , www.csmbadajoz.com

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Re: Version Control and Public Repository

2012-11-09 Thread Mike Blackstock
You can generate your own lilypond scores page at www.omet.ca. Just upload
your sources, compile them, and you'll get a page like this:

http://www.omet.ca/scores/Mike_Blackstock_2/


It also also has musicXML to lilypond conversion online; there's lots of
musicXML scores out there on the web.

Cheers,
Mike

On Fri, Nov 9, 2012 at 10:56 AM, Keehun Nam kee...@gmail.com wrote:

 Dear lovely LilyPond community,

 I am wondering if there's already a public repository to upload LilyPond
 code of full works that are not just useful snippets (which already
 exists). If one doesn't already exist, would it be useful for people if I
 set one up?

 I use Git version control for all my LilyPond files as well as Dropbox's
 versioned backups. Does anyone else do the same? This is the main reason
 why I use LilyPond--plain text source files compared to the proprietary
 formats of Sibelius and Finale. I also use LilyPond to typeset
 already-printed scores for extremely clear-er parts and larger and crisper
 scores (a lot of it under copyright which wouldn't allow me to share them).
 Why do you use LilyPond? Are you all mainly composers? Music typesetters?

 Thank you,
 Keehun

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Re: Lilypond on the cloud

2012-10-29 Thread Mike Blackstock
Hi Francois. Its been moved to http://www.omet.ca; use that address if you
want to use the Facebook login.

It has an editor with syntax highlighting and line numbering (CodeMirror,
using the default Latext stylesheet), it also has convert-ly, and this week
I'm adding midi2ly and musicxml2ly for online conversion.

Cheers,
Mike

On Sat, Oct 27, 2012 at 3:31 PM, Francois Planiol alicuota...@gmail.comwrote:

 Hello,

 I would like to know what is actually up with cloud-lily, with an
 integrated editor on the web-page.

 Purpose is for use with Android.

 Thanks in advance

 Francois

 PS seems that http://cloud.blackstockweb.ca/ has no editor.

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Re: What is the oldest convert-ly available?

2012-10-29 Thread Mike Blackstock
Thanks guys. It's for an online lilypond site so users can convert older
mutopia files. So it's no a real pressing issue for me, just a 'nice to
have' feature if people wanted to could go back and upgrade old mutopia
stuff.

Cheers,
Mike

On Fri, Oct 26, 2012 at 8:07 PM, Thomas Morley 
thomasmorle...@googlemail.com wrote:

 2012/10/27 Thomas Morley thomasmorle...@googlemail.com:
  2012/10/27 Mike Blackstock blackstock.m...@gmail.com:
  There are  a few things on Mutopia I would like to upgrade, one of
 which is
  version 1.7
 
  I visited http://download.linuxaudio.org/lilypond/binaries/ and the
 earliest
  version there is 2.8.8, from 2006. I'm guessing that it will convert
  versions back to somewhere around version 2.0.
 
  Is that about right? Anything before 2.0 is more-or-less
 non-convertible?
 
  Thanks for any confirmations/additional info.
 
  -Mike
 
  Hi Mike,
 
  you could try to install an old version to be found here:
  http://download.linuxaudio.org/lilypond/source/
 
  I recently tried to compile 2.6.x trying to do some research, but I
 failed.
  Perhaps you have more luck.
 
  Regards,
Harm

 Forgot to mention that you could use the to-version-option of any
 convert-ly
 convert-ly -e -t2.14.2
 will convert to 2.14.2

 In general, I found converting-rules in convertrules.py since version
 0.1.9
 But every now and then there will be some stuff convert-ly is not able
 to handle.

 So I would use the _newest_ convert-ly and update very carefully from
 one version to the next with the to-version-option fixing manually all
 issues convert-ly is not smart enough to do.

 But I never tried to update such an old file, I wish Good Luck.

 -Harm

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Announcement: A Lilypond 'cloud' website

2012-07-13 Thread Mike Blackstock
It's kind of 'alpha' and needs to people to try out the functionality.

Not affiliated with the Lilypond project in any way, it's  if for people
who would like to have access to their Lilypond projects remotely.

You can upload your projects and work on them on the website, in a way
analogous to how you might work on them on your desktop system. You can
create new folders and sub-folders, use 'include' files, download the
project back to PC, etc.

It's far from complete - it will evelove over time - but  it is might
nevertheless useful 'as is' for those who need occasional access to their
projects.

If you think the approach has potential, as a kind of 'google docs' for
Lilypond, and can help with occasional testing and feedback,  please reply,
preferably off-list. I'll be starting a mailing-list eventually.

url - http://cloud.blackstockweb.ca

Cheers and thanks,
Mike
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Re: Announcement: A Lilypond 'cloud' website

2012-07-13 Thread Mike Blackstock
I'll remove the reference to Facebook - that's not in use right now.
Creating an account just sets up a separate directory for your files,
that's all.

Files are stored on my own VPS server - A debian system with only one
account holder - me. Server is in Canada.

No charges, ever, it's just a way for me to 'give back' to Lilypond, that's
all.

Cheers,
Mike

On Fri, Jul 13, 2012 at 7:05 AM, Robert Schmaus robert.schm...@web.dewrote:


 Hi Mike,

 Thanks for the announcement!
 Before I try it out, a couple of questions:

 The login is via Facebook account - if I don't have one and create an
 account on your website, will I in fact create a Facebook account?
 Where is the data stored and who has access to it?
 Will the use of this IDE become a pay service eventually (storage cost
 etc)?

 Thank you!
 Robert


 On 13 Jul 2012, at 11:51, Mike Blackstock blackstock.m...@gmail.com
 wrote:

 It's kind of 'alpha' and needs to people to try out the functionality.

 Not affiliated with the Lilypond project in any way, it's  if for people
 who would like to have access to their Lilypond projects remotely.

 You can upload your projects and work on them on the website, in a way
 analogous to how you might work on them on your desktop system. You can
 create new folders and sub-folders, use 'include' files, download the
 project back to PC, etc.

 It's far from complete - it will evelove over time - but  it is might
 nevertheless useful 'as is' for those who need occasional access to their
 projects.

 If you think the approach has potential, as a kind of 'google docs' for
 Lilypond, and can help with occasional testing and feedback,  please reply,
 preferably off-list. I'll be starting a mailing-list eventually.

 url - http://cloud.blackstockweb.ca

 Cheers and thanks,
 Mike


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Re: tunefl and other web services

2012-07-12 Thread Mike Blackstock
lol

On Thu, Jul 12, 2012 at 12:43 AM, Graham Percival
gra...@percival-music.cawrote:

 I don't drink beer.
 - Graham

 :)


 On Thu, Jul 12, 2012 at 12:40:52AM -0400, Mike Blackstock wrote:
 ok,ok, ok - I'll remove the model, you guys win. sigh.
 
 It's not a real Debian ad? What a shame, it should be.
 
 I'm going for a beer - let's agree on that at least ?
 
 ;)
 
 -Mike
 
 
 On Thu, Jul 12, 2012 at 12:13 AM, Graham Percival
 [1]gra...@percival-music.ca wrote:
 
 On Thu, Jul 12, 2012 at 05:57:02AM +0200, David Kastrup wrote:
  Mike Blackstock [2]blackstock.m...@gmail.com writes:
 
   I agree. As I pointed out, the model was meant to personify
 Aquinas'
   definition of 'beauty' and tie that in with the beauty of
 Lilypond.
 We
   disagree on what 'sleaze' is. Not how 'gatekeeper' comes into play
 and
   as for marketing - well, this is free, and I'm defering to the
   judgment of the Debian Linux ad, as I thought I made clear.
 
  The Debian ad goes to a bit more effort than depicting an arbitrary
  snapshot of a woman in a swimsuit.  And I still don't see them
 pulling
  this off convincingly either.
 
   Wait a moment -- *what* Debian ad?  The [3]2.bp.blogspot.com image
   has the url linu...[4]blogspot.com, which redirects me to some
   spam-ish site.  There's no way that's an official Debian
   advertisement.
   Look folks, anybody can slap some text onto an image.  Back in
   2001, I found a set of jpegs of naked girls that somebody had
   photoshopped (or gimped) Linux mascots onto.  Those weren't
   official linux advertisements; it was obviously just some horny
   teenagers who thought it would be cute[1] to slap some Linux
   penguins onto chicks.
   [1] to be fair, at the time I was in my very early 20s, and I
   thought it was funny too.  Also, there was one picture of a girl
   in a waterfall that was particularly hot.  I can't remember any
   specifics of the images, though.
   - Graham
 
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  References
 
 1. mailto:gra...@percival-music.ca
 2. mailto:blackstock.m...@gmail.com
 3. http://2.bp.blogspot.com/
 4. http://blogspot.com/
 5. mailto:lilypond-user@gnu.org
 6. https://lists.gnu.org/mailman/listinfo/lilypond-user

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Re: tunefl and other web services

2012-07-12 Thread Mike Blackstock
At the risk of 'beating a dead horse' that has nothing to do with Lilypond,
but you put some thought into  remarks below and so here's a reply and then
can me move on to any feed-back about the online compiler, file-manager and
so on? Scantily-clad model on page matter is closed, it was ill-conceived,
 pointed out, and she's being removed. After I say bye.
:
At some point of time you need to make up your mind about whether you
are aiming for a depiction of beauty, or a pretty woman.  The problem is
not that you are lacking a model, but an artist.

Interesting - 'aiming for a depiction of beauty or a pretty woman' -
they're mutually exclusive? I was aiming for a depiction of beauty, and
chose a beautiful woman. It could have been a beautiful sunset and why am I
even writing this?

And your rambling about my taste in women makes quite obvious that
your referencing Aquin is not really much more than name-dropping with
regard to executing an artistic vision:

You omitted the reference I made in the very next message - 'all in fun.
etc' The 'rambling ' was 'all in fun'. Not meant for a peer-reviewed
journal, but a brief comment 'all in fun'.

The quote on the page 'beauty: that which pleases merely by being
perceived' is by Thomas Aquinas, hence I called it the 'Aquinas quote'. No
name-dropping, simply attributing the quote to its (supposed) author.

Most pictures of a sunset will do a better job of projecting a concept
of _beauty_, even sunsets not in Toronto with their own agency.

Maybe.  I think a pretty woman is more beautiful than a sunset but it's
subjective. As for 'own agency' - I merely pointed that out in response to
a suggestion that the modelling wasn't professional. It is professional -
Samantha is in high demand. This is a dumb point.

 'Pretty' is almost a counterthesis to Aquinous beauty, and that makes
it quite a challenge to put _this_ artistic vision into being by using a
human female: while there certainly is some unique potential because of
the fundamental appeal to a human recipient, this also offers _far_ too
many possibilities for distracting from the artistic missive to make
this easy

The Aquinas definition of 'beauty' is: that which is pleasing merely by
being perceived. I don't know what it means that 'pretty' is a
'counterthesis' to 'beauty', as defined: without a definition of 'pretty';
how can a defined term be a 'counterthesis' to an undefined one?
At any rate. that  a 'human female' - as you put it - has potential for
being an object of beauty to a 'human recipient' is something we can agree
on. I will leave to others to decode the sub-text in this.

I'm getting bored. Thanks for the comments, and the critique. Critiques are
good, and I'm changing the landing page accordingly - as noted in a
separate message.

Apologies to those who think this is way off-topic. It is.
-Mike



On Thu, Jul 12, 2012 at 1:07 AM, David Kastrup d...@gnu.org wrote:

 Mike Blackstock blackstock.m...@gmail.com writes:

  I seem to be relishing in your bluntness - cute - so let me return the
  favor. The women is a top Toronto model with her own agency; I'll take
  her tastes over yours, thanks. What your taste in women is - and who
  knows what*that* is, I shudder to contemplate it  - doesn't concern
  me; ditto with Debian. Stick to judgments about music engraving.

 At some point of time you need to make up your mind about whether you
 are aiming for a depiction of beauty, or a pretty woman.  The problem is
 not that you are lacking a model, but an artist.

 And your rambling about my taste in women makes quite obvious that
 your referencing Aquin is not really much more than name-dropping with
 regard to executing an artistic vision:

 In his Summa Theologiae St. Thomas gives three distinguishing
 characteristics of beauty: wholeness or integrity, proportion or
 harmony, and claritas which can be translated splendor, radiance,
 light, brilliance. The chief characteristic is claritas, 'radiance'
 ... beautiful things shine. The beautiful illuminates our
 intellectus with the intuition of understanding. The eyes and ears
 of our soul enable our vision to see the transcendent beauty present
 ontologically in all being..

 Most pictures of a sunset will do a better job of projecting a concept
 of _beauty_, even sunsets not in Toronto with their own agency.

 Pretty is almost a counterthesis to Aquinous beauty, and that makes
 it quite a challenge to put _this_ artistic vision into being by using a
 human female: while there certainly is some unique potential because of
 the fundamental appeal to a human recipient, this also offers _far_ too
 many possibilities for distracting from the artistic missive to make
 this easy.

 LilyPond's boilerplate slogan is beautiful typesetting, not pretty
 music.  Did you even bother telling to your model and agency your aim
 and artistic vision of showing the overarching of Aquinous beauty, the
 resonating of God's presence

Re: tunefl and other web services

2012-07-11 Thread Mike Blackstock
I have a Lilypond 'Cloud' web service to announce shortly as well, if
anyone wants to have a look.

It's at http://cloud.blackstockweb.ca - email login 'guest' password 'guest'

It's functional enough for people to be able to upload their Lilypond
projects and be able to work on them and show them remotely.

Cheers - Mike
PS - the girl? a friend - I got the idea after seeing this Debian linux ad:
http://2.bp.blogspot.com/_29YQGGYHw90/TFrnCsmnI_I/AXY/Kc11T499a-g/s1600/debian.jpg


Nothing wrong in using beauty to promote beautiful engraving, I say :)

On Wed, Jul 4, 2012 at 5:29 AM, Jan Nieuwenhuizen jann...@gnu.org wrote:

 Hi

 Do we know about http://tunefl.com ?

 Also, should we be mentioning commercial services like scorio.com
 on our website?

 Jan

 --
 Jan Nieuwenhuizen jann...@gnu.org | GNU LilyPond http://lilypond.org
 Freelance IT http://JoyofSource.com | Avatar®  http://AvatarAcademy.nl

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Re: tunefl and other web services

2012-07-11 Thread Mike Blackstock
Thanks @tiredpixel.

Yes, I've been in situations where it's been good to have projects online,
like a 'Google Docs' kind of thing. It's happened a couple of times that
people have asked me 'What Lilypond?' and I've been able to demo
compilation and so on right there, from a public computer. You can't do
that with the others - Finale, Sibelius, and SCORE (to my knowledge).

Cheers,
Mike

On Wed, Jul 11, 2012 at 5:17 PM, @tiredpixel tiredpi...@gmail.com wrote:

 On 11/07/12 22:09, @tiredpixel wrote:

 On 11/07/12 15:38, Mike Blackstock wrote:

 I have a Lilypond 'Cloud' web service to announce shortly as well, if
 anyone wants to have a look.

 It's at http://cloud.blackstockweb.ca - email login 'guest' password
 'guest'

 It's functional enough for people to be able to upload their Lilypond
 projects and be able to work on them and show them remotely.

 Cheers - Mike
 PS - the girl? a friend - I got the idea after seeing this Debian linux
 ad:
 http://2.bp.blogspot.com/_**29YQGGYHw90/TFrnCsmnI_I/**
 AXY/Kc11T499a-g/s1600/**debian.jpghttp://2.bp.blogspot.com/_29YQGGYHw90/TFrnCsmnI_I/AXY/Kc11T499a-g/s1600/debian.jpg

 Nothing wrong in using beauty to promote beautiful engraving, I say :)


 Dear Mike,

 Your service looks interesting; I'll certainly keep an eye out for it.
 Thank you for taking the time to create it. :)

 Peace,


 My apologies; I mistakenly posted to the wrong list.


 --
 @tiredpixel
 twitter.com/tiredpixel | github.com/tiredpixel
 tunefl.com ♩ | hashtwinion.com ± | signantia.com ⚑



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Re: tunefl and other web services

2012-07-11 Thread Mike Blackstock
Left-hand clefs - just temporary expedience, I grabbed them from somewhere.
Will eliminate them or replace with Lilypond clefs.

Brandenberg - again, expedience. Grabbed from mutopia. Will replace
examples with the ones from the manual.

Cheers, and thanks!
M

On Wed, Jul 11, 2012 at 1:40 PM, Janek Warchoł janek.lilyp...@gmail.comwrote:

 On Wed, Jul 11, 2012 at 5:26 PM, David Kastrup d...@gnu.org wrote:
  The sample page for the Brandenburg concerto is good for about a dozen
  issue reports in the category Ugly concerning triplet number
  placements.  For a project selling itself as focused on beautiful
  engraving, we sure have a long way to go still.

 I was going to point it, too :)
 I'm pretty sure that this output is caused by wrong voicing.  I bet
 that the user used \stemDown instead of \voiceTwo.
 This mistake is so common that i'm really worried :(

 One more thing: Mike, why do you use clef image from some non-Lily
 music font (looks like one of Finale fonts to me)?  New Feta treble
 clef would be more relevant (available since version 2.15.9; it was
 mentioned in LilyPond Report #25
 (
 http://news.lilynet.net/?The-LilyPond-Report-25#an_interview_with_janek_warchol
 )
 and you can see a nice old/new comparison here:
 http://news.lilynet.net/IMG/gif/clef_comparison.gif).

 other than that, it's great to see services like yours appearing!

 thanks,
 Janek

 PS concerning the girl, she's pretty indeed, but some of the /priests/
 using Lily might have a problem with that :)

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Re: tunefl and other web services

2012-07-11 Thread Mike Blackstock
Samantha sings too.

Seriously though, the idea was to have the model be a personification of
Aquinas' definition, and tie in 'beauty' of that sort with the beauty of
Lilypond. I think it works, but I removed her on subsequent pages, which
was overdoing it.

M.


On Wed, Jul 11, 2012 at 2:24 PM, David Kastrup d...@gnu.org wrote:

 She is about as relevant to music typesetting as a spotted flycatcher.
 Probably less so, since the latter is at least unmistakenly a songbird.

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Re: tunefl and other web services

2012-07-11 Thread Mike Blackstock
I disagree that the name suggests an affiliation, but no matter, I'm in the
process of dropping  'Lilypond' from the name. 'Music Engraving IDE' works.

M.

On Wed, Jul 11, 2012 at 4:20 PM, Graham Percival
gra...@percival-music.cawrote:

 On Wed, Jul 11, 2012 at 12:03:45PM -0700, David Rogers wrote:
  I'm not a priest. However, I still don't like the picture.

 I agree.  It reminds me of sleazy 1990s CD-roms selling shareware
 sofware.

  I don't think that's the best possible impression Lilypond can
  give.

 Fortunately, that website has nothing to do with the LilyPond
 project.  Unfortunately, the name (Lilypond cloud music engraving
 IDE) suggests that it *is* affiliated with us.

 - Graham

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Re: tunefl and other web services

2012-07-11 Thread Mike Blackstock
I agree. As I pointed out, the model was meant to personify Aquinas'
definition of 'beauty' and tie that in with the beauty of Lilypond. We
disagree on what 'sleaze' is. Not how 'gatekeeper' comes into play and as
for marketing - well, this is free, and I'm defering to the judgment of the
Debian Linux ad, as I thought I made clear. [marketing is a bit of a
misnomer; this is free, for anyone who can use it - that's all]

M.

On Wed, Jul 11, 2012 at 4:45 PM, Josiah Boothby josi...@gmail.com wrote:

 Good thing Lilypond is good enough on its own grounds that I can
 suggest it to people without sending them to gatekeepers who use sleaze
 to market it :)

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Re: tunefl and other web services

2012-07-11 Thread Mike Blackstock
Thank you all for your comments I'm gonna:

1) replace left-hand clefs with Lilypond clefs ( or just remove them );
2) remove examples and find better one (or just remove examples period)
3) Remove Lilypond from the name.

Cheers, and thanks again,
Mike

On Wed, Jul 11, 2012 at 10:38 AM, Mike Blackstock blackstock.m...@gmail.com
 wrote:

 I have a Lilypond 'Cloud' web service to announce shortly as well, if
 anyone wants to have a look.

 It's at http://cloud.blackstockweb.ca - email login 'guest' password
 'guest'

 It's functional enough for people to be able to upload their Lilypond
 projects and be able to work on them and show them remotely.

 Cheers - Mike
 PS - the girl? a friend - I got the idea after seeing this Debian linux ad:

 http://2.bp.blogspot.com/_29YQGGYHw90/TFrnCsmnI_I/AXY/Kc11T499a-g/s1600/debian.jpg


 Nothing wrong in using beauty to promote beautiful engraving, I say :)


 On Wed, Jul 4, 2012 at 5:29 AM, Jan Nieuwenhuizen jann...@gnu.org wrote:

 Hi

 Do we know about http://tunefl.com ?

 Also, should we be mentioning commercial services like scorio.com
 on our website?

 Jan

 --
 Jan Nieuwenhuizen jann...@gnu.org | GNU LilyPond http://lilypond.org
 Freelance IT http://JoyofSource.com | Avatar®  http://AvatarAcademy.nl

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Re: tunefl and other web services

2012-07-11 Thread Mike Blackstock
I seem to be relishing in your bluntness - cute - so let me return the
favor. The women is a top Toronto model with her own agency; I'll take her
tastes over yours, thanks. What your taste in women is - and who knows
what*that* is, I shudder to contemplate it  - doesn't concern me; ditto
with Debian. Stick to judgments about music engraving.

M.

On Wed, Jul 11, 2012 at 11:52 PM, David Kastrup d...@gnu.org wrote:

 Mike Blackstock blackstock.m...@gmail.com writes:

  Samantha sings too.
 
 
  Seriously though, the idea was to have the model be a personification
  of Aquinas' definition, and tie in 'beauty' of that sort with the
  beauty of Lilypond. I think it works,

 Nope.  To pull this off even remotely, you need something suitable to
 pass off as an image of a unblemished goddess, and those don't run
 around in bikinis and wear this kind of blacked-eye makeup.

 You won't even start to get close without a photographer, and by that I
 don't mean a person with a camera.

 --
 David Kastrup


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Re: tunefl and other web services

2012-07-11 Thread Mike Blackstock
all in fun ;) No offence intended, none taken. ;)

M.

On Thu, Jul 12, 2012 at 12:04 AM, Mike Blackstock blackstock.m...@gmail.com
 wrote:

 I seem to be relishing in your bluntness - cute - so let me return the
 favor. The women is a top Toronto model with her own agency; I'll take her
 tastes over yours, thanks. What your taste in women is - and who knows
 what*that* is, I shudder to contemplate it  - doesn't concern me; ditto
 with Debian. Stick to judgments about music engraving.

 M.

 On Wed, Jul 11, 2012 at 11:52 PM, David Kastrup d...@gnu.org wrote:

 Mike Blackstock blackstock.m...@gmail.com writes:

  Samantha sings too.
 
 
  Seriously though, the idea was to have the model be a personification
  of Aquinas' definition, and tie in 'beauty' of that sort with the
  beauty of Lilypond. I think it works,

 Nope.  To pull this off even remotely, you need something suitable to
 pass off as an image of a unblemished goddess, and those don't run
 around in bikinis and wear this kind of blacked-eye makeup.

 You won't even start to get close without a photographer, and by that I
 don't mean a person with a camera.

 --
 David Kastrup


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Re: tunefl and other web services

2012-07-11 Thread Mike Blackstock
ok,ok, ok - I'll remove the model, you guys win. sigh.
It's not a real Debian ad? What a shame, it should be.
I'm going for a beer - let's agree on that at least ?
;)

-Mike




On Thu, Jul 12, 2012 at 12:13 AM, Graham Percival
gra...@percival-music.cawrote:

 On Thu, Jul 12, 2012 at 05:57:02AM +0200, David Kastrup wrote:
  Mike Blackstock blackstock.m...@gmail.com writes:
 
   I agree. As I pointed out, the model was meant to personify Aquinas'
   definition of 'beauty' and tie that in with the beauty of Lilypond. We
   disagree on what 'sleaze' is. Not how 'gatekeeper' comes into play and
   as for marketing - well, this is free, and I'm defering to the
   judgment of the Debian Linux ad, as I thought I made clear.
 
  The Debian ad goes to a bit more effort than depicting an arbitrary
  snapshot of a woman in a swimsuit.  And I still don't see them pulling
  this off convincingly either.

 Wait a moment -- *what* Debian ad?  The 2.bp.blogspot.com image
 has the url linu...blogspot.com, which redirects me to some
 spam-ish site.  There's no way that's an official Debian
 advertisement.

 Look folks, anybody can slap some text onto an image.  Back in
 2001, I found a set of jpegs of naked girls that somebody had
 photoshopped (or gimped) Linux mascots onto.  Those weren't
 official linux advertisements; it was obviously just some horny
 teenagers who thought it would be cute[1] to slap some Linux
 penguins onto chicks.

 [1] to be fair, at the time I was in my very early 20s, and I
 thought it was funny too.  Also, there was one picture of a girl
 in a waterfall that was particularly hot.  I can't remember any
 specifics of the images, though.

 - Graham

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Re: No LilyPond Report today

2012-04-02 Thread Mike Blackstock
Inspired by David K's joke, I announced to all my facebook friends that I'm
engaged :)

On Sun, Apr 1, 2012 at 5:33 PM, Valentin Villenave
valen...@villenave.netwrote:

 Hello folks,
 you may have noticed that there **isn't** a new LilyPond Report out today.

 Nope. None at all. Sorry.

 And if anything, you will certainly **not** find it here:

 http://news.lilynet.net/?The-LilyPond-Report-25

 But I didn't tell you that.

 Cheers,
 Valentin.

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Dvorak Symphony and Keith OHara

2011-10-22 Thread Mike Blackstock
Works escape me. Astonishing Keith. Might I ask ask how long it took and how
the score was entered?

-Mike
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Re: MAC help

2011-04-22 Thread Mike Blackstock
Great. Your next assignment is translating the manual to Russian :) Just
kidding... I'm looking forward to typesetting together.

M.

On Fri, Apr 22, 2011 at 7:14 AM, Anna Anufriyva anna.canbe...@gmail.comwrote:

 Hi, guys!

  I used  the pre-compiled binary 5 days ago and everything stopped on the
 step Compile

 After updating OS software pre-compiled binary works :-)

 Thanks
 Anna

 On Mon, Apr 18, 2011 at 12:25 PM, Mike Blackstock 
 blackstock.m...@gmail.com wrote:

 Thx guys. Anna, could you try the pre-compiled binary at
 http://www.lilypond.org/macos-x.html? Sorry for not making it clear that
 you don't have to compile from scratch - pre-compiled binaries exist for all
 major platforms. If you want to kill me, I deserve it.

 M.


 On Sun, Apr 17, 2011 at 10:46 AM, James Lowe james.l...@datacore.comwrote:

 Hello,
 
 From: 
 lilypond-user-bounces+james.lowe=datacore@gnu.org[lilypond-user-bounces+james.lowe=
 datacore@gnu.org] on behalf of Tim McNamara [tim...@bitstream.net]
 Sent: 17 April 2011 14:57
 To: Mike Blackstock
 Cc: lilypond-user lilypond-user
 Subject: Re: MAC help

 On Apr 17, 2011, at 7:12 AM, Mike Blackstock wrote:

  I'm helping a friend install on Mac OS X 10.6.6 but I know nothing
 about the Mac. I found this in the archive:
 http://lists.gnu.org/archive/html/lilypond-user/2011-03/msg00246.html
 
  Is that the right approach for her?

 No.  That's not the right approach for almost any user, there is just no
 reason to compile Lilypond from scratch.  Download the precompiled binary
 and put it in the Applications folder.

 http://www.lilypond.org/macos-x.html

 Note that the 10.6.7 OS update from Apple may break Lilypond.  There have
 been several reports of problems after updating to 10.6.7 but I have no idea
 if the cause or a for-sure ix has been identified.

 ---

 Just to clarify that last statement, 10.6.7 didn't 'break' Lilypond
 inasmuch as it caused some fonts to not display properly - the symptom was
 apparently the score would 'sometimes' (at least I never had it at all) not
 show note heads and only show stems, which one could argue breaks LP in
 displaying PDFs, however...all those people that had this as far as I can
 tell on the thread, either ran Onyx (which you can download for free - if
 you don't know what it is use Google but I do recommend it generally for Mac
 as a useful tool -  and ran all the 'clean out/maintenance' scripts - which
 includes things like rebuilding the font cache and the like, then reboot and
 all was fine after that.

 I am not aware that this problem - which was reported on another website
 to do with OTF type fonts (I think) so was a general than specific to LP -
 was ever 'resolved' in terms of what the underlying problem is or even the
 case of those users that had the issue with LP still had the issue after
 this clean out.

 However, I myself had no such problems so don't want to put you or your
 friend off from using LP on a Mac. Indeed I've literally just finished a set
 of 10 parts for our Local Wind Band with no issues at all.

 regards

 James



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MAC help

2011-04-17 Thread Mike Blackstock
I'm helping a friend install on Mac OS X 10.6.6 but I know nothing about the
Mac. I found this in the archive:
http://lists.gnu.org/archive/html/lilypond-user/2011-03/msg00246.html

Is that the right approach for her?

Thank you in advance for any Mac tips,
Mike
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Re: MAC help

2011-04-17 Thread Mike Blackstock
Thx guys. Anna, could you try the pre-compiled binary at
http://www.lilypond.org/macos-x.html? Sorry for not making it clear that you
don't have to compile from scratch - pre-compiled binaries exist for all
major platforms. If you want to kill me, I deserve it.

M.

On Sun, Apr 17, 2011 at 10:46 AM, James Lowe james.l...@datacore.comwrote:

 Hello,
 
 From: 
 lilypond-user-bounces+james.lowe=datacore@gnu.org[lilypond-user-bounces+james.lowe=
 datacore@gnu.org] on behalf of Tim McNamara [tim...@bitstream.net]
 Sent: 17 April 2011 14:57
 To: Mike Blackstock
 Cc: lilypond-user lilypond-user
 Subject: Re: MAC help

 On Apr 17, 2011, at 7:12 AM, Mike Blackstock wrote:

  I'm helping a friend install on Mac OS X 10.6.6 but I know nothing about
 the Mac. I found this in the archive:
 http://lists.gnu.org/archive/html/lilypond-user/2011-03/msg00246.html
 
  Is that the right approach for her?

 No.  That's not the right approach for almost any user, there is just no
 reason to compile Lilypond from scratch.  Download the precompiled binary
 and put it in the Applications folder.

 http://www.lilypond.org/macos-x.html

 Note that the 10.6.7 OS update from Apple may break Lilypond.  There have
 been several reports of problems after updating to 10.6.7 but I have no idea
 if the cause or a for-sure ix has been identified.

 ---

 Just to clarify that last statement, 10.6.7 didn't 'break' Lilypond
 inasmuch as it caused some fonts to not display properly - the symptom was
 apparently the score would 'sometimes' (at least I never had it at all) not
 show note heads and only show stems, which one could argue breaks LP in
 displaying PDFs, however...all those people that had this as far as I can
 tell on the thread, either ran Onyx (which you can download for free - if
 you don't know what it is use Google but I do recommend it generally for Mac
 as a useful tool -  and ran all the 'clean out/maintenance' scripts - which
 includes things like rebuilding the font cache and the like, then reboot and
 all was fine after that.

 I am not aware that this problem - which was reported on another website to
 do with OTF type fonts (I think) so was a general than specific to LP - was
 ever 'resolved' in terms of what the underlying problem is or even the case
 of those users that had the issue with LP still had the issue after this
 clean out.

 However, I myself had no such problems so don't want to put you or your
 friend off from using LP on a Mac. Indeed I've literally just finished a set
 of 10 parts for our Local Wind Band with no issues at all.

 regards

 James


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Re: [OT] Vivi, the Virtual Violinist, plays LilyPond music

2011-03-06 Thread Mike Blackstock
This is F*G great! Especially the Bach BWV 1006 - I could have sworn it
really was a kid playing. http://percival-music.ca/audio/bwv-1006_1.wav.mp3

On Thu, Mar 3, 2011 at 11:53 AM, Graham Percival
gra...@percival-music.cawrote:

 Hi all,

 My PhD research has swept me into the direction of automatic music
 performance.  In particular, generating realistic-sounding audio
 from sheet music.  In particular, going from a .ly file with a
 single staff of violin music to a wav file that sounds like it was
 performed by a violinist with 1-2 years of experience.

 For example, this:

 \relative c' {
  \set Staff.instrumentName = violin-1
  \key d \major
  \time 4 = 72

  a4\f d fis8-. a-. r4
  d16( cis b a) g4 \breathe e8\p( g) fis4
 }

 becomes this:
  http://percival-music.ca/audio/example-input.wav.mp3
 with no manual tweaking, human input, or recorded audio samples.

 Many more examples, audio, video, and theory, on my website:
  http://percival-music.ca/vivi.html

 Cheers,
 - Graham

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Re: 99 bottles of beer on the wall

2011-02-26 Thread Mike Blackstock
I posted all 17 .png pages to my facebook wall :)

On Sat, Feb 19, 2011 at 3:24 PM, Graham Percival gra...@percival-music.ca
wrote:

 Wow.  Brilliant work here:
 http://99-bottles-of-beer.net/language-lilypond-1351.html

 (I was doing a google search for lilypond music function,
 because I couldn't remember the exact syntax, and this popped up)

 Cheers,
 - Graham

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Re: Solfege Resources -- 404 bach chorales in Lilypond format with Movable Do solfege.

2011-01-03 Thread Mike Blackstock
Interesting.

I spent an hour or so doing various searches looking for court decisions and
came up blank; I'm wondering if we're making a mountain out of a
mole-hill? Can somebody find an instance of a music publisher suing
somebody over such things? Like I say I couldn't find any with my average
search skills; it would certainly be illuminating to see how the courts have
ruled however. I'm wondering if fingerings and/or phrasing slurs are even
copyrightable: is a suggestion on how to solve a technical problem
copyrightable? If so, couldn't one copyright a golf swing? It starts to look
ridiculous - which may explain the lack of easily-located court cases.

Just thinking out loud.
M.

On Sun, Jan 2, 2011 at 5:42 PM, Michael Ellis michael.f.el...@gmail.comwrote:

 A few excerpts from the Wikipedia article on derivative works.
  Highlighting and italics added by me.

 17 U.S.C.http://en.wikipedia.org/wiki/Title_17_of_the_United_States_Code
  § 103(b) http://www.law.cornell.edu/uscode/17/103%28b%29.html provides:

 The copyright in a compilation or derivative work extends only to the
 material contributed by the author of such work, as distinguished from the
 preexisting material employed in the work, and does not imply any
 exclusive right in the preexisting material. The copyright in such work is
 independent of, and does not affect or enlarge the scope, duration,
 ownership, or subsistence of, any copyright protection in the preexisting
 material.


 US Copyright Office Circular 14: Derivative 
 Workshttps://docs.google.com/viewer?url=http%3A%2F%2Fwww.copyright.gov%2Fcircs%2Fcirc14.pdf
  notes
 that:

 A typical example of a derivative work received for registration in the
 Copyright Office is one that is primarily a new work but incorporates some
 previously published material. This previously published material makes the
 work a derivative work under the copyright law. To be copyrightable, a
 derivative work must be different enough from the original to be regarded as
 a new work or must contain a substantial amount of new material. *Making
 minor changes or additions of little substance to a preexisting work will
 not qualify the work as a new version for copyright purposes. The new
 material must be original and copyrightable in itself. Titles, short
 phrases, and format, for example, are not copyrightable.*


  When does derivative-work copyright exist?

 For copyright protection to attach to a later, allegedly derivative work,
 it must display some originality of its own. It cannot be a rote, uncreative
 variation on the earlier, underlying work. The latter work must contain
 sufficient new expression, over and above that embodied in the earlier work
 for the latter work to satisfy copyright law’s requirement of 
 originalityhttp://en.wikipedia.org/wiki/Originality
 .

 Although serious emphasis on originality, at least so designated, began
 with the Supreme Court’s 1991 decision in *Feist v. 
 Ruralhttp://en.wikipedia.org/wiki/Feist_v._Rural
 *, some pre-*Feist* lower court decisions addressed this requirement in
 relation to derivative works. In *Durham Industries, Inc. v. Tomy Corp.*[1
 ] http://en.wikipedia.org/wiki/Derivative_work#cite_note-0 and earlier
 in *L. Batlin  Son, Inc. v. 
 Snyder*,.[2]http://en.wikipedia.org/wiki/Derivative_work#cite_note-1the
 Second Circuit held that a derivative work must be original relative to the
 underlying work on which it is based. Otherwise, it cannot enjoy copyright
 protection and copying it will not be copyright infringement.

 In the *Batlin* case, one maker of Uncle Sam toy banks sued another for
 copying its coin-operated bank, which was based on toy banks sold in the
 United States[3]http://en.wikipedia.org/wiki/Derivative_work#cite_note-2 
 since
 at least the 1880s. (These toys have Uncle Sam's extended arm and
 outstretched hand adapted to receive a coin; when the user presses a lever,
 Uncle Sam appears to put the coin into a carpet bag.) The plaintiff's bank
 was so similar to the 19th Century toys, differing from them only in the
 changes needed to permit a plastic molding to be made, that it lacked any
 original expression. Therefore, even though the defendant's bank was very
 similar to the 
 plaintiff's,[4]http://en.wikipedia.org/wiki/Derivative_work#cite_note-3 the
 plaintiff's was not entitled to any copyright protection. To extend
 copyrightability to minuscule variations would simply put a weapon for
 harassment in the hands of mischievous copiers intent on appropriating and
 monopolizing public domain work.

 --


 Obviously, laws vary from country to country, but to me this suggests that
 it would be very hard to assert a copyright claim to any set of of rhythms
 and pitches that are already available in the public domain.  I think that's
 why I was having trouble with the concept that a copy of a chorale with a
 mistake is a copyrighted work.

 Cheers,
 Mike



 On Sun, Jan 2, 2011 at 8:09 PM, 

Re: Solfege Resources -- 404 bach chorales in Lilypond format with Movable Do solfege.

2011-01-03 Thread Mike Blackstock
Just to clarify: anything is copyrightable of course - there's no laws that
I'm aware of that
prevent people from asserting a copyright; question is, can it/has it a
chance of standing up?

M.

On Mon, Jan 3, 2011 at 2:09 AM, Mike Blackstock
blackstock.m...@gmail.comwrote:

 Interesting.

 I spent an hour or so doing various searches looking for court decisions
 and came up blank; I'm wondering if we're making a mountain out of a
 mole-hill? Can somebody find an instance of a music publisher suing
 somebody over such things? Like I say I couldn't find any with my average
 search skills; it would certainly be illuminating to see how the courts have
 ruled however. I'm wondering if fingerings and/or phrasing slurs are even
 copyrightable: is a suggestion on how to solve a technical problem
 copyrightable? If so, couldn't one copyright a golf swing? It starts to look
 ridiculous - which may explain the lack of easily-located court cases.

 Just thinking out loud.
 M.

 On Sun, Jan 2, 2011 at 5:42 PM, Michael Ellis 
 michael.f.el...@gmail.comwrote:

 A few excerpts from the Wikipedia article on derivative works.
  Highlighting and italics added by me.

 17 U.S.C.http://en.wikipedia.org/wiki/Title_17_of_the_United_States_Code
  § 103(b) http://www.law.cornell.edu/uscode/17/103%28b%29.html
  provides:

 The copyright in a compilation or derivative work extends only to the
 material contributed by the author of such work, as distinguished from the
 preexisting material employed in the work, and does not imply any
 exclusive right in the preexisting material. The copyright in such work is
 independent of, and does not affect or enlarge the scope, duration,
 ownership, or subsistence of, any copyright protection in the preexisting
 material.


 US Copyright Office Circular 14: Derivative 
 Workshttps://docs.google.com/viewer?url=http%3A%2F%2Fwww.copyright.gov%2Fcircs%2Fcirc14.pdf
  notes
 that:

 A typical example of a derivative work received for registration in the
 Copyright Office is one that is primarily a new work but incorporates some
 previously published material. This previously published material makes the
 work a derivative work under the copyright law. To be copyrightable, a
 derivative work must be different enough from the original to be regarded as
 a new work or must contain a substantial amount of new material. *Making
 minor changes or additions of little substance to a preexisting work will
 not qualify the work as a new version for copyright purposes. The new
 material must be original and copyrightable in itself. Titles, short
 phrases, and format, for example, are not copyrightable.*


  When does derivative-work copyright exist?

 For copyright protection to attach to a later, allegedly derivative work,
 it must display some originality of its own. It cannot be a rote, uncreative
 variation on the earlier, underlying work. The latter work must contain
 sufficient new expression, over and above that embodied in the earlier work
 for the latter work to satisfy copyright law’s requirement of 
 originalityhttp://en.wikipedia.org/wiki/Originality
 .

 Although serious emphasis on originality, at least so designated, began
 with the Supreme Court’s 1991 decision in *Feist v. 
 Ruralhttp://en.wikipedia.org/wiki/Feist_v._Rural
 *, some pre-*Feist* lower court decisions addressed this requirement in
 relation to derivative works. In *Durham Industries, Inc. v. Tomy Corp.*[
 1] http://en.wikipedia.org/wiki/Derivative_work#cite_note-0 and earlier
 in *L. Batlin  Son, Inc. v. 
 Snyder*,.[2]http://en.wikipedia.org/wiki/Derivative_work#cite_note-1the
 Second Circuit held that a derivative work must be original relative to the
 underlying work on which it is based. Otherwise, it cannot enjoy copyright
 protection and copying it will not be copyright infringement.

 In the *Batlin* case, one maker of Uncle Sam toy banks sued another for
 copying its coin-operated bank, which was based on toy banks sold in the
 United States[3]http://en.wikipedia.org/wiki/Derivative_work#cite_note-2 
 since
 at least the 1880s. (These toys have Uncle Sam's extended arm and
 outstretched hand adapted to receive a coin; when the user presses a lever,
 Uncle Sam appears to put the coin into a carpet bag.) The plaintiff's bank
 was so similar to the 19th Century toys, differing from them only in the
 changes needed to permit a plastic molding to be made, that it lacked any
 original expression. Therefore, even though the defendant's bank was very
 similar to the 
 plaintiff's,[4]http://en.wikipedia.org/wiki/Derivative_work#cite_note-3 the
 plaintiff's was not entitled to any copyright protection. To extend
 copyrightability to minuscule variations would simply put a weapon for
 harassment in the hands of mischievous copiers intent on appropriating and
 monopolizing public domain work.

 --


 Obviously, laws vary from country to country, but to me this suggests that
 it would be very hard

Happy New Year

2010-12-31 Thread Mike Blackstock
I hope it's  not too off-topic to wish everyone the best success in their
Lilypond projects. 2011,  give us your best ;)
M.
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Re: musescore

2010-12-10 Thread Mike Blackstock
I have around 2800 FB friends, nearly all of them musicians, and I plan to
do some Lilypond advocacy - hence my friend request. I'll need some 'backup'
debaters/advisors etc. and  so if anybody would like to send me a friend
request, well the more the merrier. I think we can get quite a few converts
if we plan it right. Some kind of facebook lilypond app would help - I'm
thinking of a stripped down version of omet.ca (For those interested, it's
easy to just put a pre--existing webpage/webapp into a facebook iframe -
it's that simple). Just a thought.

M.

On Thu, Dec 9, 2010 at 2:49 AM, Jan Nieuwenhuizen jann...@gnu.org wrote:

 This is smart pr


 http://www.facebook.com/l.php?u=http%3A%2F%2Fmusescore.org%2Fen%2Fabout%2Ftestimonialsh=cd3b2

 also note they have 1500 fans on #fb today!

 Greetings, Jan

 --
 Jan Nieuwenhuizen jann...@gnu.org | GNU LilyPond http://lilypond.org
 Freelance IT http://JoyofSource.com | Avatar®  http://AvatarAcademy.nl


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Re: ANDLINUX: Easy virtualization option

2010-12-09 Thread Mike Blackstock
I hadn`t noticed that - thx for pointing it out. I`ll keep an eye out for
64-bit version.

On Tue, Dec 7, 2010 at 6:52 PM, Marc Mouries m...@mouries.net wrote:

 thanks for passing the info. that's interesting. Too bad is supports only
 32 bits OS.

 On Dec 6, 2010, at 8:54 PM, Mike Blackstock wrote:

 I've attached a screenshot of Ubuntu and Windows 7 running concurrently on
 a  1 gig netbook (yeah, believe it or not). andlinux has a somewhat
 different approach to virtualization, described here:
 http://www.techwandering.com/2008/02/20/andlinux
 -an-easy-way-to-run-linux-applications-right-on-your-windows-desktop/  In
 a nutshell, the linux kernel is recompiled as a native windows app, and it's
 much faster than either virtualbox or vmware.

 500 meg download is at andlinux.org - if anybody wants to try it and has
 questions, ask away. It works unbelievably well - I've used vmware, and I
 wouldn;t dream of switching back.

 -Mike andLinux.jpg___
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ANDLINUX: Easy virtualization option

2010-12-06 Thread Mike Blackstock
I've attached a screenshot of Ubuntu and Windows 7 running concurrently on
a  1 gig netbook (yeah, believe it or not). andlinux has a somewhat
different approach to virtualization, described here:
http://www.techwandering.com/2008/02/20/andlinux
-an-easy-way-to-run-linux-applications-right-on-your-windows-desktop/  In a
nutshell, the linux kernel is recompiled as a native windows app, and it's
much faster than either virtualbox or vmware.

500 meg download is at andlinux.org - if anybody wants to try it and has
questions, ask away. It works unbelievably well - I've used vmware, and I
wouldn;t dream of switching back.
-Mike
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Re: GPL vs. LGPL

2010-11-26 Thread Mike Blackstock
Why not have a look at www.omet.ca and then send me a note? Sounds like omet
has the beginnings or 'proof-of-concept' of what you are trying to do - the
dojo toolkit has tons of stuff that can be used for this type of app.
-M

On Thu, Nov 25, 2010 at 6:23 PM, Feifan Zhou inspir...@gmail.com wrote:

 What was the reason for releasing Lilypond under the GPL rather than the
 LGPL?
 In keeping with Lilypond's philosopy of providing beautiful sheet music
 to everyone, I would believe that the LGPL would have been a better choice.

 But I'm not here to argue my point; it would be me against the community
 and would not be a very pleasant debate. Rather, I have a little problem.

 I'm trying to build what will really be the first true sheet music app
 for the iPad. As a pianist, I hate having to sort through huge binders,
 websites, and thick anthologies to find my music,
 and the iPad's large screen would allow me to house
 a veritable digital library of music.
 I would also like to allow for the creation and/or editing of sheet music.

 To provide a quality rendering experience,
 I would like to be able to include a music rendering engine
 that can render beautiful anti-aliased sheet music on screen whenever
 possible,
 in addition to displaying PDF scans as found on websites such as IMSLP.

 My problem is that I have fallen in love with Lilypond. Its simplicity
 and the beauty of its output is quite stunning,
 and I believe it would look amazing on the iPad and make sheet music
 more readily available. I have plans for a public, open sheet music library
 that users can contribute to.
 However, the GPLv3 does not allow me to use Lilypond
 in a commercial application.

 So, I'm asking for advice. Considering the license over Lilypond,
 which I have no intention of breaking, what should I do about my conundrum?
 Are there alternatives that produce output of the same
 quality that I should consider?

 Thank you in advance!


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Re: wiki or blog with lilypond

2010-11-06 Thread Mike Blackstock
Wkisophia: http://wikisophia.org/wiki/Main_Page

Just enter lilypond code between music/music tags and it'll be rendered
and embedded in a wiki page.

-Mike

On Sat, Nov 6, 2010 at 10:41 AM, Marc Mouries m...@mouries.net wrote:

 Dear Lilyponders,

 As i go about learning violin with my kids, I create practice music sheet
 and scores of classical and folk songs.
 Now I would like to set up a wiki or blog to document what we learn as we
 go.
 Would you know a blog or wiki that supports lilypond syntax?

 thanks,

 Marc
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Re: Online Lilypond

2010-10-30 Thread Mike Blackstock
This one appears to be idle but as they say appearances can be deceiving.
Work has shifted a bit towards setting up a collaboratve development
environment so others can take part in development, with two of us laying a
foundation - we'll be putting the code in svn on the vex.net server and
using Eclipse IDE for development. If anyone has experience in the dojo
toolkit or anything else to conrtibute there's a mailing list at
http://mailman.vex.net/mailman/listinfo/omet - one thing I think we started
discuiing is a network of lilypond servers, with rendering going to the
least busy server. Stuff like that.

Incidentally, there's a nice chat utility installed now - it 'floats'
anywhere on the screen so it can be moved out of the way of notes, minimized
to taskbar etc - good for discussing real-time changes to the site

On Sat, Oct 30, 2010 at 12:10 PM, Valentin Villenave valen...@villenave.net
 wrote:

 On Sat, Oct 30, 2010 at 8:49 PM, flup2 phili...@philmassart.net wrote:
  You should take a look at http://weblily.net/web/guest
 
  I guess it will be updated to 2.14 when it's out.

 There's also http://www.omet.ca/ (and a few others).

 Yours Pondly,
 V. Villenave.

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Re: My kingdom for a lilypond server

2010-10-04 Thread Mike Blackstock
Ha ha - a real 'groaner' if intentional pun.

 dedicated server (our current one only had 512Mo RAM, if memory serves

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Re: [OT] tempo detection experiment (using lilypond!)

2010-08-17 Thread Mike Blackstock
Hey, it's excellent I think. I say 'I think' cause I'm on a library
computer and it's hard to judge the 'travel' of the keys and when they
hit the bed so to speak and there's no sound.. Is there suppose to be
a metronome sound?

Nevertheless, I was getting around 98% so there's room from improvement.
(In me - not the program). I see I start slightly ahead of the beat,
then catch up, then slightly behind.

On Sat, Aug 14, 2010 at 1:55 PM, Graham Percival
gra...@percival-music.ca wrote:
 Hey guys,

 As many of you know, I've been working on educational games to
 help music students practice rhythms and intonation.  Well, I'm
 finally ready to begin tests of aspects of these programs; the
 first test is to detect the tempo of a student-performed rhythm.

 I've written an online flash game for rhythms.  The game presents
 you with a rhythm and metronome, and you're supposed to tap the
 rhythm on your keyboard.

        http://percival-music.ca/tempo/

 Of course, since this game is supposed to be useful for students,
 you could try tapping the wrong rhythm – ignore the metronome, add
 an extra note, hold a few notes for twice as long as you should...
 make whatever mistakes you think a student might make!  Or, if
 you're not a professional musician, you could just try to perform
 the rhythms correctly, and let the mistakes happen naturally.  :)

 Information about your gameplay will be automatically sent to me
 and used to improve the tempo detection.  No names or personal
 information is recorded; I have no idea who is playing the game.
 Details of the information gathered is available on the website.

 Cheers,
 - Graham

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Re: random music

2010-07-22 Thread Mike Blackstock
Wow, thx. Is it online?

On Wed, Jul 21, 2010 at 12:02 AM, Graham Percival
gra...@percival-music.ca wrote:

 You might be interested in the second chapter of my Masters
 thesis, which is about using Strasheela to create

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Re: random music

2010-07-20 Thread Mike Blackstock
Me too I've long been interested in this; I'd like to be able to
generate endless sight-reading exercises/material for guitarists,
perhaps in the form of duos with the computer playing one of the parts
just to keep things interesting. I've downloaded but haven't yet
looked at Strasheela
(http://strasheela.sourceforge.net/strasheela/doc/index.html),
thinking it might be something useful for such a project. Plus I think
Graham has expertise in it.

-Mike

On Tue, Jul 20, 2010 at 2:02 PM, Martin Tarenskeen
m.tarensk...@zonnet.nl wrote:


 On Tue, 20 Jul 2010, Mike Solomon wrote:

 For what it's worth...

 I do a lot of exactly this: aleatoric composition in Lilypond.

 ()

 I use Python for all of my aleatory and have Python spit out
 lilypond-parseable code.  There is no good reason for this aside from the
 fact that, for me, thinking creatively in Python is easier and faster than
 thinking creatively in Scheme.

 That's what I was thinking. Doing such things in Python is probably easier.
 But the thought of a lilypond input file that produces random output files
 all by itself just intrigues me.

 --

 Martin

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Re: install on shared host without root access?

2010-07-02 Thread Mike Blackstock
No, you don't need root access - sounds like he's trying to sell you a
Virtual Server account or whatever it's called..

If I recall correctly, the path to the lilypond executable is set
somewhere in wikitex.php so look for for it in there.

Better yet, get an account with vex.net - they have lilypond
installed, the owner's a lilypond user, and they offer probably the
best shell access stuff you can get anywhere. I'm using them for a
lilypond related project and you won't get bogus advice.

Cheers,
Mike

On Thu, Jul 1, 2010 at 10:14 PM, Vijith Assar vijithas...@yahoo.com wrote:
 I'm trying to install LilyPond on my cheap shared server account so I
 can use the MediaWiki extension. I've changed the LilyPond location
 called by MediaWiki by using the $wgLilypond variable as described in
 the extension's documentation such that LilyPond now resides in my
 home directory. This should be fine according to what I've read, but
 the host is still telling me I need a more expensive plan which allows
 root access in order to get it working.

 I get the following error when I try to render LilyPond notation in
 MediaWiki (though with any number of different absolute or relative
 URLs, since I've tried all the possible permutations):

 LilyPond error:
 sh: /lilypond/lilypond: No such file or directory

 What am I doing wrong? Is my host correct in stating that root access
 is required?


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Re: new website 24-hour test

2010-06-29 Thread Mike Blackstock
I'm using Internet Explorer 7 and instead of the buttons being aligned
along the top, they're 'stacked' on a green strip along the left side,
with the strip partially obscuring the main content area

I'm on a library computer and can't seem to get a screenshot - sorry.

-Mike

On Tue, Jun 29, 2010 at 9:56 AM, Graham Percival
gra...@percival-music.ca wrote:
 We’re testing our new website! For the next 24 hours, the new website
 will be the default website; after that, we will switch back to the
 old website while we examine feedback and make improvements to the new
 website.

 Please send feedback to lilypond-user; you can find more information
 on our page about Contact.

 Note: There are a few known problems with translations. If you are a
 non-English speaker, you may prefer to view the old lilypond website
 at: http://lilypond.org/web/

 Cheers,
 - Graham

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Re: new website 24-hour test

2010-06-29 Thread Mike Blackstock
It's fantastic with firefox. Everything's easy to find,  it's well
structured., nice color scheme - kudos. IE 7 problem could be just
this one library computer - maybe previous user screwed something up.
Will try again later from different computer - today's a library
visiting day for me anyways.

M.

On Tue, Jun 29, 2010 at 10:45 AM, Mike Blackstock
blackstock.m...@gmail.com wrote:
 I'm using Internet Explorer 7 and instead of the buttons being aligned
 along the top, they're 'stacked' on a green strip along the left side,
 with the strip partially obscuring the main content area

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Re: OMET: Online Music Editing Tools feedback?

2010-06-21 Thread Mike Blackstock
Thanks  Frank. I've only recently learned that things don't work
properly in Safari, and if I'm not mistaken, Konqueror uses the same
rendering engine as Safari, yes? At any rate that would be good if
it's true cause i'd be able to iron out difficulties with Konqueror,
which runs on Linux, and then hopefully that'll help take care of
Safari - which I can't get to run on Linux.

Thnaks a lot i'll get back to you.
-Mike

On Sun, Jun 20, 2010 at 12:37 PM, Frank Steinmetzger war...@gmx.de wrote:

 My answer is a little late, but valid:
 Konqueror 4 has problems with those vertical tabs at the sides, and the menus
 aren’t as nicely drawn as they (c|s)hould:
 http://img409.imageshack.us/i/konq.png/

 For some strange reason, with other user accounts than my own, it doesn’t even
 get past the blue loating picture.
 --
 Gruß | Greetings | Qapla'
 I guess irony can be pretty ironic sometimes.

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Re: 8th triplets in 3/4 beaming?

2010-06-13 Thread Mike Blackstock
Thanks Carl and Eluze

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Re: Presentation: quot;Publisher-grade LilyPondquot; in Ottawa

2010-06-12 Thread Mike Blackstock
I look forward to the article with great anticipation; it'll be
interesting to see how you justify the conclusions in the last few
slides.

Other than that, there isn't much one can say - no argument is put
forward, just a series of statements.

Good luck
-Mike

On Fri, Jun 11, 2010 at 4:00 PM, Boris Shingarov b...@shingarov.com wrote:
 And for those who cannot make it or are too lazy
 to travel to Canada, will your presentation or
 paper be available online?

 The slides are now online at
 http://www.shingarov.com/lily


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8th triplets in 3/4 beaming?

2010-06-12 Thread Mike Blackstock
This:
\relative c' {
\time 2/4
\times 2/3 {c8 c c }
\times 2/3 {c c c }
}

gives me this, as expected: http://www.vex.net/~mikeb/ex2-4.png
(beam connecting 3 triplets then a new beam)

but this, in 3/4 with 3 triplets:
\relative c' {
\time 3/4
\times 2/3 {c8 c c }
\times 2/3 {c c c }
\times 2/3 {c c c }
}

gives me this, with beams all  connected: http://www.vex.net/~mikeb/ex3-4.png

Every time signature but 3/4 gives me the expected result - beam
connecting 3 triplets, then a new beam.
Am I missing something obvious?

Lilypond 2.13.11 on Ubuntu 9.04

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Re: gospel sheet music

2010-06-03 Thread Mike Blackstock
Choral Public Domain Library - www.cpdl.org
I got over 500 matches for the keyword 'gospel'.

-Mike

On Thu, Jun 3, 2010 at 1:48 PM, Stefan Thomas
kontrapunktste...@googlemail.com wrote:
 Dear community,
 I have to admit, it's not really a lilypond-thing, but:
 Do You know a good website with sheet music of gospela and spirituals?
 I've seen that there 2 examples on the mutopia site.

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Re: OMET: Online Music Editing Tools feedback?

2010-05-11 Thread Mike Blackstock
On Mon, May 10, 2010 at 4:28 AM, Marc Hohl m...@hohlart.de wrote:


 It looks quite interesting and promising - but I am probably not
 the right guy for a profound opinion, because I would not use a
 web interface for coding lilypond (at least at the moment).


Yeah it's mostly just to get people started.

Ok, thx.

-M.

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Re: OMET: Online Music Editing Tools feedback?

2010-04-30 Thread Mike Blackstock

 Thanks a lot. I think it works across all browsers, though someone
 reported problems with FF 3.6.3 on some version of Vista, and IE 6 has
 the png bug that I gave up on. Also Google Chrome doesn't properly
 handle the turning off of the cursor it seems, at least on my system.


And I just noticed an image is missing when you enter a bar line.


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Re: Website Church music drawn up with LilyPond

2010-04-23 Thread Mike Blackstock
On Wed, Apr 21, 2010 at 3:58 PM, dadadharma @dslextreme.com

 Wouldn't it be fun to have a wikiproject, putting Florentine music from
 Machiavelli's time into LilyPond -- the Machiavellian music project?

Indeed it would; it's a catchy name that's for sure. Why don't you
start the project? You can use my wiki at
http://www.vex.net/~mikeb/wiki to get things going and you can export
everything if/when you want to leave.

I can set up your own logo and there's an extension that will let me
set up your  own sidebar (I think - it's at
http://www.mediawiki.org/wiki/Extension:DynamicSidebar)

Start uploading - I have some code for extended functionality that I
need an excuse to get around to installing it. The api for extended
functionality can be viewed at http://www.vex.net/~mikeb/wiki/api.php

Cheers,
-Mike


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Re: Website Church music drawn up with LilyPond

2010-04-23 Thread Mike Blackstock
oops.

Start uploading - I have some code for extended functionality that I
need an excuse to get around to installing it. The api for extended
functionality can be viewed at http://www.vex.net/~mikeb/wiki/api.php


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Re: Website Church music drawn up with LilyPond

2010-04-23 Thread Mike Blackstock
Sorry, gmail is acting up.

Anyway, I wanted to say the documentation for mediawiki's api is at
http://www.vex.net/~mikeb/wiki/api.php - that any wiki can be accessed
with the api.php suffix is not generally known.

Hopefully this message works.

-Mike


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Re: Community of professional LilyPond engravers?

2010-02-04 Thread Mike Blackstock
Count me in as someone who's interested.

-Mike

On Thu, Feb 4, 2010 at 7:59 PM, Michael J. O'Donnell
michael_odonn...@acm.org wrote:
 I am pondering offering engraving services with LilyPond. I wonder if
 there are people ready and willing to share information on the
 possibility to make modest money this way.


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Pop versions of classical music

2009-08-08 Thread Mike Blackstock
Just an idea on typesetting popular music that people would recognize but
that have copyright issues: quite a number of these songs are, as suggested
in another thread, older non-copyrighted songs with new lyrics added and
typesetting the originals is one way around the problem.

Here's a few that come to mind:

'Love me tender' is 'Aura Lee'
'Happy Birthday' is 'Good morning to you'
'Fly me to the moon' is the Bach Toccata (first part anyway)

and so on, there's many others if someone would like to contribute some.
There's a website somewhere of pop versions of classical music that have
made the
British charts - can't think of it offhand.

-Mike
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Re: lilypond via web interface: security considerations

2009-05-22 Thread Mike Blackstock
Actually we're in agreement; as you put it, a %100 secure system is beyond
the means of
most people.

So I'll 'rephrase what I wrote earlier : Although theoretically possible,
real world considerations
are such that a %100 secure publicly- accessible webserver that is within
the financial means of most
website owners is not possible and nothing will stop a committed hacker who
wants access to
your system. Sorry for the confusion.

Now that you mention it, though, what I meant was that context is
everything. Wikipedia can ill-afford to
deploy Lilypond for good reasons it has given, but those reasons needn't
apply to people like me and
others who have expressed an interest in deploying lilypond on a webserver
on an experimental basis.
I think somebody with modest-to-good linux skills can deploy a system that
is reasonably secure and
by that I mean it can escape detection by the bot scripts that scour the net
for trivially hackable systems.
As long as it's not on a public server - and by that I mean one that
contains other websites and info -
I think it's doable. I know I tried it on a small basis; I had some pople
try to hack it and they said stuff
like 'I don't know how much time you want me to  spend on this but the
standard kiddie stuff can't get through.
I ran it in a jail, removed anything that might be useful to someone who
even gained root access, I had
Tripwire installed to monitor all files, I had the replacement libc
libraries installed (the ones that monitor
for attempted bufferoverflow exploits) and so on.

So I think someone who wants to experiment with it shouldn't be dissuaded by
the reasons given by
the people from Wikipedia. We should deploy it experimentally, ensure nobody
can use the systems to
disrupt other systems and - here's the key part - learn from it.

My beer's getting warm - Cheers,
Mike







On Fri, May 22, 2009 at 8:43 AM, Graham Percival
gra...@percival-music.cawrote:

 On Thu, May 21, 2009 at 02:47:54PM -0400, Mike Blackstock wrote:
  Of course, 'security' is relative - nothing will stop a commited
  hacker who's targeted your system, so I'm a bit mystified by
  some of the other responses here.

 That's not true -- The only reason that computer security is a
 joke is that people *treat* it like a joke.  It's entirely
 possible to create a system that will foil a committed hacker.

 Now, does this involve a lot of work?  Certainly.  And consumers
 willing to pay to have this work done?  Definitely not!  But that
 doesn't mean that computer programs are some magical black box
 that anybody can break.  Barring random bit-flipping from solar
 rays, computers are deterministic objects.


 By a lot of work, suppose that all programmers (and academics)
 stopped implementing new features and new programs in 1994, and
 spent the past 15 years just improving security.  How many holes
 do you think would be left in the result?

 Cheers,
 - Graham

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Re: lilypond via web interface: security considerations

2009-05-21 Thread Mike Blackstock
No problem; if you do implement a chroot jail, the Sessink kit will make it
relatively painless.

Of course, 'security' is relative - nothing will stop a commited hacker
who's targeted your system, so I'm a bit
mystified by some of the other responses here. The original question was how
to prevent people from executing
arbitrary commands that may remove important system files. The answer is
install the jail and limit what's
in your bin directories. That'll stop the 'kiddie' hackers, which is
probably what you want to do.

Cheers,
Mike












On Wed, May 20, 2009 at 5:37 AM, Alex lilypond-u...@ohmslaw.org.uk wrote:

 Mike Blackstock wrote:



 Hi Mike,
 thanks for your helpful input. I'm familiar with chroot jails but haven't
 implemented one before. Not seen jailkit before - thanks for that.

 I've had a look through the devel and user archives at security mentions. I
 found out about the safe option but need to dig further, and do some reading
 etc.

 Given my experience at coding around lilypond (i.e. none), I'm not the
 ideal person to be looking at effecting safe mode, at least, not solo. If
 anyone with more experience is willing to guide a little, I'm willing to
 have a look at it (I mean, in the context of actually trying to make changes
 acceptable to code base proper).

 Anyway, will have a look in the archives again...

 thanks!
 lex









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Re: lilypond via web interface: security considerations

2009-05-19 Thread Mike Blackstock
Install Lilypond in its own chroot jail using Olivier Sessink's
jailkit available
at http://olivier.sessink.nl/jailkit/ A 'chroot jail' means putting Lilypond on
its own filesystem so that nefarious activity - such as deleting
arbitrary files -
will be limited to the Lilypond file system. Furthermore, you just limit
the number of utilities you put in the /bin directories; if you don't
have the 'rm'
command in there, then it can't be run, obviously.

This, and other measures, will give you a fairly secure system, if it's your
own server system and you have control over it. If it's a public system, I doubt
they'll let you do any of this, unless it's one of the VPS ('virtual
personal server')
systems out there. These will run you around $50 a month, and you get your
own root-accessible system that you can pretty much do what you want with.
The guy I'm gonna use for this tells me I can do pretty much anything, short
of recompiling the kernel ;)

Hope this helps - I did it myself last year so fire away if you have
any questions
after searching the archives.


Cheers,
Mike



 When you say that you know how to solve these issues - can you elaborate
 please? Do you mean in terms of the changes required to lilypond to
 enable a locked down mode, or something else?
 lex




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Re: Help for paper about LilyPond and WYSIWYM sofware

2009-04-22 Thread Mike Blackstock
Hi there.  The client/server feedback delay is only really noticeable when
the application sends the lilypond source to the server for rendering. Even
there, since it's all done transparently in the background, it isn't that
frustrating, since the user can keep working on other stuff - note entry and
the like and there's no delay there cause that's all done with Javascript on
the client.

But yeah I agree with you that 'Rich Internet Applications'  have been slow
to catch on. Google has caught on (in fact I may use their toolkit for a
familiar-lloking interface down the road) and others but web developers for
the most part haven't.

For sure, I'll keep you posted. When's your presentation?

Cheers,
Mike


On Wed, Apr 22, 2009 at 4:17 AM, MonAmiPierrot pierofaust...@hotmail.comwrote:





 Looks like very interesting. It's quite a bit of time I think web-based
 editors are the (only) future, but it seems that still in 2009 not many
 people catched this. The greatest problem with web word processors is not
 the features (these can be implemented easily), is the feedback delay on
 many web operations. For a Lilypond user, this problem may not be
 annoying... so it seems to me a good idea.
 But I'm philosophying. Can you keep us updated please?
 thanks
 Piero

 -
 Piero Faustini, PhD student
 Dipartimento di Scienze Storiche
 Sezione musicologia
 Università di Ferrara

 Main Software used:

 - LyX 1.6.1 on WinXP sp3; EndNote  JabRef
 - MikTex
 - LaTeX class: Koma book
 - Lilypond 2.12 for example excerpts
 - BibLaTeX for bibliographies


 --
 View this message in context:
 http://www.nabble.com/Help-for-paper-about-LilyPond-and-WYSIWYM-sofware-tp22663629p23171813.html
 Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.



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Re: Why do Lilyond Engravers have inhibitions to store their score in Mutopia?

2009-04-17 Thread Mike Blackstock
A couple of us had started a Wiki site for Lilypond called 'WikiLily' and we
collaborated on some Schubert songs. We found the MediaWiki versioning
system adequate for that. Alas, my company folded on short notice and the
site went with it.

However, I'm working on the site at home and hope to re-launch the site in
the near future. I've been studing the MediaWiki code and API and I have an
extension that allows tar archives of Lilypond projects to be uploaded; the
extension then converts the directory structure of the tar file into wiki
subpages. Same for zip files.

Anyway, I've been spending my 'sabbatical' (as I call it) working on this
kind of stuff and I hope to relaunch  by summer's end.

Cheers,
Mike



On Thu, Apr 16, 2009 at 8:56 AM, r...@uber.name wrote:

 But getting back to your questions: Mutopia is nice, but I should hope
 that, someday, when compiling a score takes a fraction of a second and
 copyright law is overhauled, people will use Wikimedia Commons to store and
 edit all of man's written music. I can't wait until the day they bring the
 lilypond plugin for MediaWiki over to Wikipedia!


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Re: Help for paper about LilyPond and WYSIWYM sofware

2009-03-24 Thread Mike Blackstock
On Mon, Mar 23, 2009 at 12:20 PM, MonAmiPierrot
pierofaust...@hotmail.comwrote:



 Did anyone write something about LilyPond and the WYSIWYM “philosophy”?


Bits and pieces are out there.

I think the best of both worlds is possible - the Lililypond  .ly text file
approach and a WYSIWYG kindof GUI built on top of that, and I'm  on a kind
of sabbatical working on a WYSIWYG Web interface for Lilypond, with a lot of
AJAX and JSON as the mechanism for storage of the gui parts. I make my
living (or used to up till recently) as a sysadmin and have had to deploy
every new technology that's come along; usually learning just enough to get
it up-and-running for the client and staying one or two steps ahead - then,
on to something else. I wanted to take the time and look into this stuff in
detail, which is what I've been doing and the possibilities are really
exciting I think.

Anyway, Lilypond's the way to go. Will have some kindof demo ready at some
point in the next few months. Trying to get financing so I can do it
fuull-time - we all know THAT story ;)

Cheers,
Mike
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WikiLily

2009-02-25 Thread Mike Blackstock
No, it's not dead. We closed our office in a hurry - my employer 'flew the
coup' as they say. I expect to have WikiLily back up and running before
summer. Been studying the mediawiki hooks stuff and all that and working on
a javascript gui for beginners - they can deposit notes right on the staff
and stuff like that. Plus the lilypond rendering is done in the background
with ajax calls to the server. 'xajax' is pretty nifty.

Cheers,
Mike
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lilypond 2.12

2009-02-25 Thread Mike Blackstock
kudos on the new release - it's awesome.

Mike
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notehead offsets in single-staff polyphony

2008-09-24 Thread Mike Blackstock

Guitar music has a lot of this stuff:

\relative c' {
 
   {g'16 d' b d}
   \\
   {g,4}
 
}

where the G in the top part lines up with the G in the bottom and they 
share the same notehead;  exactly as expected and wanted.


However in this:

\relative c' {
\time 3/8
 
   {g'8 b d}
   \\
   {g,4.}
 
}

the dotted-quarter in the bottom is offset to the right, 
counter-intuitively (to me at least)


In the past I've worked around it with this:

\relative c' {
\time 3/8
 
   {g'8 b d}
   \\
\override NoteHead #'X-offset = #-1.6  
\override Stem #'X-offset = #-1.6

   {g,4.}
 
}

but then i have to keep switching back with \revert NoteHead #'X-offset 
\revert Stem #'X-offset plus I'm just eyeballing and guessing at a good 
offset value .


This can't be the right approach. Is there something in the manual I've 
missed?  And how come the different behavior in the 2 examples?


Thanks. - PS the quickest way to visualize the above is at  
http://draft.wikilily.org/wiki/index.php/User:Mike_Blackstock#Sandbox

-Mike



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Re: notehead offsets in single-staff polyphony

2008-09-24 Thread Mike Blackstock
Ah, I see... so it's the dotted note that makes the difference in the 2 
examples. Makes sense. I guess i didn't think of looking under 
'Collision Resolution'. Thanks!


Incidentally Kieren are you related to Keith and/or Edward?  Keith was 
the Chairman of the music dept. at Ottawa U when I was there.



Kieren MacMillan wrote:


Hi Mike,


Is there something in the manual I've missed?



merge-differently-dotted
merge-differently-headed

HTH!
Kieren.





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Re: notehead offsets in single-staff polyphony

2008-09-24 Thread Mike Blackstock

Mike Blackstock wrote:



Incidentally Kieren are you related to Keith and/or Edward?  Keith was 
the Chairman of the music dept. at Ottawa U when I was there.



Well if you are my apologies - it's 'Ernest' not 'Edward' of course.

M.




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Re: LSR up

2008-09-12 Thread Mike Blackstock
Thanks for pointing out the potential tomcat problem -  I run tomcat as 
well and hadn't thought of a possible root compromise. (I'm  least 
surprised about the never-ending security vigilance - just keeping on 
top of security is at least one full-time job, which nobody ever wants 
to pay for until something goes wrong and then they wander 'how come we 
didn't foresee this?' - sheesh!) :-P  I just run tripwire regularly and 
that gives me some peace of mind.


Anyway, I'm gonna use Nutch/Lucene to index all the lilypond 
documentation AND mail archives so people can search everything from one 
location;   Nutch runs under tomcat so I'll look into the root issue.


Cheers,
Mike
PS Incidentally, great job on the lilypond jail mode  - it was pretty 
straightforward getting it running once I installed Olivier Sessink's 
jailkit. (Well, as staightforward as these things can be!)




In the meantime I solved some security problem related to the fact  
that now tomcat doesn't run as root. You could be surprised to know  
that most of the time I spend on LSR is to make it work under the 
ever- changing Linux security policies :(.







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Wikilily: \includes

2008-09-05 Thread Mike Blackstock
you can now (well, experimentally) use \includes on wikilily.org. An 
example is at 
http://draft.wikilily.org/wiki/index.php/Winterreise/Gefrorne_Tranen - 
click on the 'edit' tab to see/edit the ly source.


You'll see there :
\include vocals.ly
\include pianoRH.ly
\include pianoLH.ly

The parser sees '\include' and then looks at the page name (in this 
case, Gefrorne_Tranen) and uses that as a prefix to find a page called 
Gefrorne_Tranen/vocals.ly; the page contents are then written to the 
file vocals.ly in the  lilypond jail tree and lilypond just compiles 
as per normal.


So if you start a page called BlowMe with an include called 
NotInYourLife.ly, just make sure you have a page called 
BlowMe/NotInYourLife.ly

on the wiki.

Seems to work, as a proof of concept at least. It doesn't recursively 
descend the files as of yet - if NotInYourLife.ly has itself some 
'\includes' it won't work - but that's a relatively trivial matter to 
address.


I grabbed an unfinished, abandoned Mozart symphony project from mutopia 
and will post that up  for anybody  who would like to help finish it. 
I'll post it today or Monday - my boss just poured another glass of 
Lagavulin in preparation for his garden party so i may not get much work 
done today.


Cheers,
Mike



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