Re: Taxes...

2002-04-16 Thread Brian Campbell (PM)

On 14 Apr 2002 at 11:55, Gabriel Bovino wrote:

 Talk about waiting to the last minute
 
 Done and done!
 
 Too bad I can't deduct my Pentax purchases for 2001.


Oh, the joys of a part-time photography business -
it's also a GREAT tax writeoff...
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Re: sfx

2002-04-16 Thread Sas Gabor

Hi,

On 15 Apr 2002 at 23:10, Lukasz Kacperczyk wrote:
 Everybody's raving about MZ-S's slanted top plate and how convenient it is.
 I was just looking at the pictures at Boz's site and I'm inclined to think
 that the SFX already had that feature. Am I right, or am I wrong? 

You are right, it's slightly slanted. 
Not a big help with that control layout...

 And could
 someone please tell me why Pentax made such an ugly camera?

Every manufacturer did that in those dark ages. 
SFXn is at least a well built, practical one, not simply ugly.


Gabor
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Re: S-M-C Tak 85/1.8

2002-04-16 Thread Sas Gabor

Hi,


Thanks for the quick answers.
Had a second look on it and bought it. 
Seems to be a great one, I like the handling very much.
My S3 is happy too.

BTW, the price was about 100 EUR. 
Something for the Best deal thread?


Gabor
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Re: Your desert-island kit?

2002-04-16 Thread Collin Brendemuehl

Smart-alec! :0

***
Tachihara 4x5 field camera, Nikkor W 210mm f/5.6. 
You didn't say it had to be Pentax. 

William Robb 
***

--

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Dr. Laura

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Re: Customs for Canucks

2002-04-16 Thread David Brooks

How do they hit you up for this money.When the 
package arives at the local post office do they call
up,have you pick it up and charge you then.??

Dave

 Begin Original Message 

From: andre langevin [EMAIL PROTECTED]
Sent: Mon, 15 Apr 2002 18:04:08 -0400
To: [EMAIL PROTECTED]
Subject: Customs for Canucks


I have about a 25%
rate of stuff that gets mailed from the US getting hit by customs, 
and
this was one of them. Poop.

frank

High rate, maybe because you have you packets insured, then have the 
real value written on the green tag.  For items below 50$ I ask it 
uninsured and suggest a low declared value AND for the description: 
USED camera  or USED parts.

But I've seen a 10$ packet hit by the customs (uncommon) and a few 
$100 ones go go through it without being arrested and fined.

Andre
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 End Original Message 




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Re: Your minimal kit (was Re: Your desert-island kit? )

2002-04-16 Thread gfen

On Mon, 15 Apr 2002, Mark Erickson wrote:
 What body and lens would you choose, and why?  By why, I'm really asking
 what kind of shooting is important to you and how you might do it with a
 simple setup.

This is more-or-less what I do, now. ZX-5n, A50mm f1.4.

I'm starting to establish a

 kit to walk around with most of the
time, so
 I can leave the rest of my stuff at home. This will contain the
aforementioned body and lens, as well as the FA28-70mm f4, a reverse ring
for the 50mm, a red, yellow, and polariziing filter, and monopod.

The rest of the kit can stay at home for special occasions.

Yow.. I'm not sure what happened to the spacing up there, but I'm not
about to argue with it, cause fixing it just made it worse. :)

-- 
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UK eBay - someone got a good deal on an AF280T

2002-04-16 Thread Cotty

I was watching this one, but bloody forgot about it! @%£@@£$@!

http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItemitem=1345073046

£37 for a 280T!

Cotty

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Re: Your desert-island kit?

2002-04-16 Thread Daniel J. Matyola

I assume I was on a desert isle alone, a al Tom Hanks.

CBWaters wrote:

 Daniel,
 At first I thought your response made sense.  Then I remembered that most of
 my photos are of my wife and kids...

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Re: Your desert-island kit?

2002-04-16 Thread Aaron Reynolds

On Monday, April 15, 2002, at 09:39  AM, Shel Belinkoff wrote:

 Now, if stranded on a desert island, what people would you photograph?
 Or are you describing the climate of the island, not the lack of
 population?  Climate and population considerations might be a deciding
 factor as to which camera/lens combination would be best suited.

 Perhaps you should reformulate your question to be more precise.  I'd
 not want to take the wrong gear.

ROTFLMAO.

Shel, I love you.

-Aaron
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Re: Fast film recommendations?

2002-04-16 Thread Aaron Reynolds

On Monday, April 15, 2002, at 12:55  PM, Paris, Leonard wrote:

 We must operate in a complete vacuum here. This is probably one of the 
 most
 discussed subjects on the PDML.

We need an FAQ.  ;)

For the record, in colour I recommend Fuji Press 800/Superia 800 for 
available light with a little snap, or Fuji NPZ for available light if 
you want a softer image with less contrast.

In black and white, nothing beats the mighty Ilford Delta 3200, provided 
you have the right developer.  I recommend Ilford DD-X or Microphen, or 
Agfa Studional if you have a Jobo to process it in.  If you're taking it 
to a lab and they're processing it in TMax, I recommend Fuji's Neopan 
1600.

-Aaron
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Re: Your desert-island kit?

2002-04-16 Thread Aaron Reynolds

On Monday, April 15, 2002, at 01:19  PM, Daniel J. Matyola wrote:

 What would there be to photograph?  Why would a want a photo of the 
 same thing I
 am forced to look at, day in, day out?

So that you have something to process and print in your desert island 
darkroom, obviously.

-Aaron
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Re: Your desert-island kit?

2002-04-16 Thread Aaron Reynolds

Pentax 67, 75mm f2.8.  No thought required.  The slightly-wide angle of 
view is my favourite, the lens is the second fastest for the system 
(only half a stop slower than the fastest), it is very sharp and 
produces pleasing images, and the minimum focus is excellent.

-Aaron
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Re: Opinions on standard zooms

2002-04-16 Thread Aaron Reynolds

On Monday, April 15, 2002, at 01:23  PM, Brendan wrote:

 DO NOT GET THAT SIGMA I have the 28-105 f2.8-4 and
 it optically is very poor, a better choice would be
 the cheaper 28-105 F4-5.6 sigma which is much better
 and cheaper.

Heh, Brendan's 28-105 f2.8-4 makes lamp posts look like they're in 
Candyland on a hot summer day.

-Aaron
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Re: Your desert-island kit?

2002-04-16 Thread Daniel J. Matyola

OK, if you want to treat the question seriously, which I didn't, on a desert island,
I'd take a polaroid and lots of film for it, since I'm not going to be able to get the
pictures developed, at least not without taking along a LOT of extra baggage.  Or
maybe even -- dare I so it? -- a digital camera with extra memory and extra batteries.

Norman Baugher wrote:

 Ah  Dan, where's your creativity?? G
 Norm

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Re: Color is So Much Easier

2002-04-16 Thread Aaron Reynolds

On Monday, April 15, 2002, at 10:24  PM, Shel Belinkoff wrote:

 Part of the BW process is establishing the relationship between film
 speed, EI, developer, and printing paper in order to fully realize one's
 vision.  But with color, since there's really no fooling around with
 developers, developer times, and the like, those factors are eliminated
 from the equation, and therefore the level of skill required to get a
 good color negative or transparency is reduced substantially or
 eliminated completely.

You don't need to pick an appropriate paper and film combo in colour?  
That's news to me. ;)

Shel, shoot some Agfa Optima and have it printed at a lab using Kodak 
Edge paper, or a pro lab printing on Kodak Ultra.  Be careful to bring a 
bucket or one of those airplane sickness bags with you.

I think you're either not as picky as you would be with your bw because 
the actual process is hidden from you, or you've lucked out with your 
first lab.  Probably the second one.

Again, to reiterate, the testing to determine optimal processing is 
being done by your lab for you.  The speed and temperature of the 
machine are being carefully regulated.  In the case of labs running 
Jobos, agitation is also regulated.  Also, just because 4 minutes at 38 
degrees C works in one place, that doesn't make it a universal 
constant -- numerous atmospheric conditions necessitate tweaking the 
process.

Example: a lab in another city and myself have the same processor and 
use the same chemistry.  We share tweaks back and fourth.  Both of our 
machines have been recently calibrated by the same service 
professional.  Yet, he finds he has to run C-41 about 30 seconds longer 
than I do to obtain the same results.

Example 2: Friday morning I got a call from a lab that I absolutely 
idolize (seriously, they're the lab I want to be), who also use the same 
processor as me and who were curious about their C-41 results because 
they had never processed C-41 in their Jobo before -- when they compared 
what they considered their 'perfect' results with the manufacturer's 
supplied reference neg, they found their base density was considerably 
thinner, but that their highlights were still good and that the negs 
printed fantastically.  This is a byproduct of C-41 in the Jobo: more 
available contrast and stronger black detail (and I believe less grain 
in the dark blacks, but I haven't done any head-to-head testing to 
compare that one).

Anyhow, after having a tech conversation like that with someone who I've 
respected for ages, and one where I could offer useful information, was 
such a pure geek thrill that I was on a high all Friday (ask Dave 
Brooks, who came to visit -- I was a little hyper), and I barely got any 
work done.

What I'm trying to say is that the process seems easier because the hard 
decisions are isolated from you.  Often, when someone decides that they 
don't like a specific film it is because they don't like the way their 
lab processes it, or prints it, or both.  You have to find the film that 
works best in the process your lab is using and with the paper your lab 
is printing on.  This is also why people can have such a wide range of 
opinions of one film.

I'm considering a change of chemistry suppliers over here.  It is not 
wholly a financially-motivated consideration, but that is some of it.  
It is somewhat of a delivery issue, since we use a less popular 
chemistry in small batches, and recently there have been some delays in 
shipping.  (I was promised our current order of chemistry Friday 
morning, then Monday morning, now this morning.  I will run out by 
tomorrow morning.  Being a lab with no chemistry is not much fun.)  
Anyhow, the problem with a new chemistry is, will I get the same results 
out of the box?  Probably not.  Can I get the same results with plenty 
of testing?  Probably.  Will it be identical?  No.  Will I alienate 
customers if my results change?  Possibly.  Maybe they won't notice.  I 
can tell you for sure which ones will, and I'll be talking to them 
before I make a change like that.  Chances are I'll offer them some test 
rolls and ask their opinion of the results, since their opinion is 
infinitely more valuable than a control strip.

See, I'm doing what you do in bw, Shel: straying from reference to 
obtain what I consider a better negative.  Not everyone will agree with 
my choices, and that's the way it should be.  Part of picking a lab is 
finding a place that you like the results from.

-Aaron
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Re: UK eBay - someone got a good deal on an AF280T

2002-04-16 Thread David Brooks

That is a good price.But were's the 'plastic
bouncy thingy' :)

Dave

 Begin Original Message 

From: Cotty [EMAIL PROTECTED]
Sent: Tue, 16 Apr 2002 13:31:21 +0100
To: Pentax List [EMAIL PROTECTED]
Subject: UK eBay - someone got a good deal on an AF280T


I was watching this one, but bloody forgot about it! @%£@@£$@!

http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItemitem=1345073046

£37 for a 280T!

Cotty

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 End Original Message 




Pentax User
Stouffville Ontario Canada
http://home.ca.inter.net/brooksdj

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C41 BW film (was Re: Color is So Much Easier)

2002-04-16 Thread Mishka

what do you guys think about it? is it better/different than shooting
color and then just turning to BW in photoshop? i never tried it and
really curious how is it different (if at all) from regular BW film
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Re: Cose-up Lenses

2002-04-16 Thread Aaron Reynolds

On Monday, April 15, 2002, at 05:13  PM, frank theriault wrote:

 So, is a Cose-up lens sort of like a marco (I laugh whenever I see 
 marco
 lenses listed on eBay - happens all the time - and I wonder, does it
 mean they used to be owned by an Italian fellow?)?  ;-)

I forward all of those to my friend Marco, with upset letters about how 
other people are selling his lenses.

If I keep at it, he'll find it funny one day.

-Aaron
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Don't worry, Julia...

2002-04-16 Thread Albano_Garcia

Don't worry, Julia. Looking at your photos at photocritique, it's great to
see you 've focused on the important part of photography, it's PHOTOS. Your
photos are very good!
So, don't worry too much about camera's designations and the like, just try
to keep your mind out of consumerism and into photography, like you've been
doing.
I mean, it's fine to know what's good, better or bad, but you don't need 45
bodies, 3 or 4 different 85mm lenses, etc. This list is great, as his
people, but it's too equipment oriented.
Try to keep you pure and targeted in the important thing: your PHOTOS
Regards

Albano


PS: by the way, the LX is the better camera Pentax ever made.



Not to ask a really stupid questionbut what is an LX?  Is there some
chart that has all these makes and the letter designations?  I only know
of MZ-S, PZ-1P, zx5n, zx-m...I've seen a ME Super at the local
camera shop as used..
To be completely honest, I'm not even sure of all the notations for the
lenses.
I feel like an idiot.: )
Julia
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Re: Malcolm's Plums

2002-04-16 Thread Cotty

Excellent shot Malc! You've caught the serene feeling of this setting 
well!

Cheers,

Cotty

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Re: Your desert-island kit?

2002-04-16 Thread CBWaters

Ahhh, Daniel you've missed my point.
You said Why would a want a photo of the same thing I
am forced to look at, day in, day out?
I said  At first I thought your response made sense.  Then I remembered
that most of
  my photos are of my wife and kids...
Meaning I have to look at THEM every day and still take a LOT of pictures...
They've  taken to calling me the cameraman.  As in OH NO!!, it's the
Cameraman again!

Cory

- Original Message -
From: Daniel J. Matyola [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, April 16, 2002 8:42 AM
Subject: Re: Your desert-island kit?


 I assume I was on a desert isle alone, a al Tom Hanks.

 CBWaters wrote:

  Daniel,
  At first I thought your response made sense.  Then I remembered that
most of
  my photos are of my wife and kids...

 --
 Daniel J. Matyola  mailto:[EMAIL PROTECTED]
 Stanley, Powers  Matyola  mailto:[EMAIL PROTECTED]
 Suite203, 1170 US Highway 22 East  http://danmatyola.com
 Bridgewater, NJ 08807  (908)725-3322  fax: (908)707-0399
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Delta 3200; was: Fast film recommendations?

2002-04-16 Thread Flavio Minelli

David Brooks wrote:
 
 Aaron and I like the Ilford Delta 3200 BW film.I
 recently tried Supra 800 and found it nice.
 
 ...

Dave and Aaron, about Delta 3200.
I've tried it a couple of times and I've been scared away form it by the
huge garin size and the excessive contrast. How do labs manage it? Do
they just throw it in with all the rest of BW film and forget about it?
Is there a reccomendation for self processing and does it make a
difference?

Thanks in advance, Flavio
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Ringflashes and other illuminating topics

2002-04-16 Thread Terence Mac Goff

Hi all.

just a quick question. I'm looking to purchase a ring flash for some 
experimentation. I'm looking for TTL, and something that can support TTL on 
both a digital and non-digital shoe (I use an LX or a Z1p depending on what 
exactly I'm doing).

I have had some interesting results with a Metz 60 firing through a 
homemade rig, but its quite cumbersome, and I was wondering if anyone had 
any ideas. Basically, I am looking for:

1: an Analog TTL System (so it will work on Both)
2: front filter holder of 55mm, or preferably up to 62mm.

So far, in Ireland, i can get my hands on a Vivitar 6000 unit
(http://www.vivitar.com/Products/Flashes/flash.html#6000AF) which is AF, so 
I presume its digital, but I havent been able to dig up any information one 
way or the other on this.

Of Course, the other option is something which adapts a metz to a circular 
flash burst, but this is probably not that easy to do?

Basically, any information would be great

Thanks in advance,

T.
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Re: Delta 3200; was: Fast film recommendations?

2002-04-16 Thread Shel Belinkoff

Yes ... Ilford recommends DD-X, and it can produce stunning results. 
Grain at many EIs is no worse than TX.  However, you've got to determine
what speeds work best for you and the subjects you're photographing.

Flavio Minelli wrote:

 I've tried it a couple of times and I've been scared away form it by the
 huge garin size and the excessive contrast. How do labs manage it? Do
 they just throw it in with all the rest of BW film and forget about it?
 Is there a reccomendation for self processing and does it make a
 difference?
 
 Thanks in advance, Flavio
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-- 
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http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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RE: AF 280T

2002-04-16 Thread Cotty

Then you would have a switch to defeat the automatic for switching the
camera to X shutter speed.

Ahh, no - I see what you're getting at. My flash mod doesn't work by 
interrupting the X sync speed on auto, it works by just making sure the 
flash bloody well fires! I use the flash mod only with the camera set to 
X and therefore in manual mode. I only use it in auto mode indoors at 
parties while inebriated, with the flash mod switch disengaged. Then 
auto-everything is the only way to go!

:-)

Cotty

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RE: AF 280T

2002-04-16 Thread Cotty

Hi Bernd

1. use a Pentax hot shoe grip or modify your flash according to Cotty's
instructions.
( But what I don't understand there: he says in his description: 'Of the
hotshoe contacts on the AF280T, the left-hand contact is the ''flash
quench'' contact.' That's OK for me as it is the left contact looking at the
bottom side of the AF 280 connector.

http://www.macads.co.uk/pentax/af280tmodsketch5.html

shows the blue wire in question. The drawing is orientated with the flash 
facing away from the viewer. So that you're looking at the back of the 
flash. Hence the corresponding contact on the camera would be the left 
one, with the camera facing away from you also.

 But at the pics in his site, the blue
wire seems for me to be wrong one to modify ?! Or is the contact part turned
180 degrees in the picture ? If I look at the camera contacts from the back
side, the left contact is the TTL contact and the right one selects the X
speed ! ).

That is correct. What I wanted to do was to be able to was disable the 
TTL quench contact at will, in my case by fitting a simple switch in 
line. Contacts explained:

http://www.geocities.com/sorefeets/lx/lx_flash.htm

In practice, I flip my (Steve Larson inspired) switch, and set the power 
switch usually to MS-L. In bright ambient light at reasonable distance 
for, say a portrait, this allows the flash to fire and neatly fills in 
shadows in the eye sockets / under a baseball cap. The camera will be set 
to X, forcing it to use 1/75th sec shutter time, and I simply bring the 
aperture in manual to match the exposure of 1/75 sec.

I find that outside on an overcast day, I underexpose by up to a stop (I 
shoot negs) otherwise the faces tend to burn a bit on the neg. Generally 
it works well, although I'm restricted to using 1/75th sec and whatever 
aperture that requires in the available range. Generally it's not a 
problem using 200 ISO film. I'm happy with the results. On a bright day 
it puts a great sparkle in the eyes for family snaps, which is really the 
only time I use it. My 'real' portraits are low-key moody affairs, and I 
never use flash for those.

HTH

Cotty

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Re: Don't worry, Julia...

2002-04-16 Thread Fred

 This list is great [snip], but it's too equipment oriented.

Well, it ~is~ the ~Pentax~ Discussion Mailing List...  Right?

Besides, Albano, it seems as if ~you~ (maintainer of the Most Used
Body Survey, the Favorite Body Survey, the Favorite Film
Survey, the Favorite Lens Survey, and the the Bodies Survey -
did I miss any?) are into equipment a bit yourself - g.

Fred
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Re: Your minimal kit (was Re: Your desert-island kit? )

2002-04-16 Thread [EMAIL PROTECTED]

gfen wrote:
 I'm starting to establish a kit to walk around with most of
 the time, so I can leave the rest of my stuff at home. This
 will contain the aforementioned body and lens, as well as the
 FA28-70mm f4, a reverse ring for the 50mm, a red, yellow, and
 polariziing filter, and monopod.

 The rest of the kit can stay at home for special occasions.

(I fixed the spacing for you.)

I don't carry all my gear every day either.  But I don't have a
minimal walking-around kit that stays consistent, so I had a bit
of trouble with the long-term aspects of Mark's mind-experiment.

Some days my walking-around kit is nothing more than the Super
Program or KX and the A35-105/3.5.  C'est tout.  But if I'm 
heading out at night, I might put the 85/2 or 50/1.4 on there
instead.  If I'm going to be indoors and have a greater than
usual expectation of wanting to shoot there, I'll pop a flash
on top -- often an AF280T, but sometimes (because it's more
compact) an Olympus T-20.  If the ME already has film in it of
a speed appropriate to the time of day, that might be what goes
with me.  If I'm heading into an environment where I expect
smallish things to catch my eye from a distance (some parts of
the city, for example, or any place where there are lots of
sightseers in interesting clothes), the 70-210/4 goes on
whichever camera I carry.  Once in a while I'll take a
screwmount body and lens when I go out -- either to finish off a
roll that's still loaded, or just because it's been too long
since I used 'em and I feel like doing so.

So what's my minimal kit?

Give me the 35-105/3.5 for daylight one day, and the next night
it'll be all wrong 'cause I'm out late enough that f/3.5 is too
slow.

My _walking_around_ kit, which is as minimal as I get, changes
depending on the environment I'm walking into and what I expect
to shoot.  And that's only a just in case camera -- just in
case a photo pops up in front of me that needs to be taken.

Take me to an event where I specifically expect to do some
shooting, and a) I'll want a few more tools and b) I'll bring
way more than that environment's minimal kit just 'cause it's
easier to simply grab the whole camera bag on the way out the
door.  (Not always.  Sometimes I throw two or three bodies, a
few primes, a couple of zooms, and a flash into a canvas
shoulder bag instead of dragging the whole K-mount big bag of
stuff along.  In full daylight, I can do quite a bit with:
24/2.8, 35-105/3.5, 50/2, 85/2, 135/2.5, 70-210/4, and either
100-300/4 or 400/6.3 preset.  Some overlap there for when I want
the same length on two different bodies at the same time with
different film.  But even that is admittedly not an attempt at a
_minimal_ kit, merely an attempt to travel lighter than
usual.  I'm still hedging my bets, keeping my options open,
etc.)

Send me away from home for more than a day, into multiple
shooting environments, and I definitely want a more varied set
of tools near at hand.

Send me away for a week (e.g. The Pennsic War every August), and
I'll take the full K-mount kit, the full screwmount kit, the
mostly-working screwmount backup cameras, two and a half times
as much film as I actually expect to shoot (enough to make
non-photographers' jaws drop), both real tripods and both
tabletop tripods, and the Konica and it's couple of lenses just
in case.  I used to also take along a disposable panoramic
camera, but now I just make a panoramic mask inside one of the
S1a bodies with gaffer's tape.  And now that I've got the
Nishika, that'll be coming as well.

Of course, I don't hike in and it's not _really_ camping.  I
drive, and although I live in a tent for a week (and have to
park the car a couple miles away after I finish unloading), I'm
really in the middle of a city.  A city of tents, but a city of
10,000 people, with all the variety of subjects and conditions
that implies (but without a camera store on site, so if anything
breaks I need to have a backup with me).  Put me out in the
woods with one or two friends, and I won't bring anywhere near
that much gear.


I can't put together *a* minimal kit, because I do too many
types of shooting, of too many kinds of subjects, in too many
different environments and conditions.  I'm greedy; I want to do
it all.  I'll shoot what I can with the tools I have or can
afford, but ifwhen I get my hands on yet another tool, I'm quite
likely to say, Oh great, now I can do such-and-such that I've
been wanting to do for a while!  Just wait until the day
(probably a long time in the future) when I get my hands on a
large-format camera with full motion!

The best I can do for a question like Mark's is to say what my
minimal kit (the kit large enough to get the job done but small
enough to make me feel nervous about it) for each of several
different situations.



-- Glenn
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Re: Your minimal kit (was Re: Your desert-island kit? )

2002-04-16 Thread [EMAIL PROTECTED]

To cover all situations, the body would have to offer TTL flash. That makes my 
choice between a working Super Program and a broken Ricoh XR-P. Neither has 
mirror lockup, but the Ricoh has less vibration, an aperture window, a 
vertical release button, an exposure lock button that holds the exposure till 
you take the shot, and a display that doesn't need refreshing every 30 seconds 
or so. For this photographer, that tips my decision toward fixing the Ricoh. 

For the lens, I'll go with my Pentax 50/1.4 PKA over my Rikenon P 50/2, for 
these reasons: 

1. The colors are more pleasing to my family. 

2. The Ricoh, for some reason, is extra loud in program mode and doesn't offer 
shutter priority, so I wouldn't need the Rikenon's P setting. 

My alternate choice, actually, would be the Pentax SMC 35/2K, because  

1. I love the results, even at f/2.8. 

2. It's more versatile indoors, for the kind of pictures I take. 

3. For many years 35mm was my only focal length (Minox 35s, Olympus XA) and 
I'm pretty good at making the most of it. 

[EMAIL PROTECTED] 

 



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Re: C41 BW film (was Re: Color is So Much Easier)

2002-04-16 Thread gfen

On Tue, 16 Apr 2002, Mishka wrote:
 what do you guys think about it? is it better/different than shooting
 color and then just turning to BW in photoshop? i never tried it and
 really curious how is it different (if at all) from regular BW film

I used it for a shortwhile, and was pleased with the negatives, but never
the prints.

I don't think there's a minilab on the planet that can print it correctly,
but the negs look and scan like the real thing. It was also nice to get
back a full set of 4x6s when I picked the film up, as well.

I've used Kodak T400CN, Ilford Xp2, and some other Kodak that you can find
in Walmart. I tended to prefer what I got back on T400CN the most.

-- 
http://www.infotainment.org
 The destructive character is cheerful.  - Walter Benjamin
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Re: Color is So Much Easier

2002-04-16 Thread Christian Skofteland

I agree wholeheartedly with Paul.  Getting exposure right for non-middletoned 
subjects is a skill that must be learned and practiced when using slide film. 
 Most slide film is very unforgiving and 1 stop off the correct exposure is 
very noticeable.  And as Pul mentioned, what you get back cannot be changed 
through the printing porocess (there isn't one) as with print film.

On the other hand I've found that getting a decent negative with BW is very 
easy when using Tri-X.  I love the stuff.  Hey, if I can develop it anybody 
can..

Christian

On Monday 15 April 2002 18:16, Paul Stenquist wrote:
 Shel Belinkoff wrote:
  Please don't take this as condescending ... is there any real skill
  involved in getting a decent negative or slide from color film?
  --

 Hi Shel,
 Quite obviously, color transparencies require more precise exposure than
 any other film type, since they are the finished product. Unlike
 negative film, either BW or color, there is no intermediate step where
 corrections can be made. And transparency films generally don't have the
 latitude of a multi-purpose BW filmm like Tri-X. You can't change paper
 grades or enlarger exposure when working with transparency film. What's
 on the film is what you get. There's a lot of real skill involved.
 Paul
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Re: Recommendations

2002-04-16 Thread [EMAIL PROTECTED]

 The tax refund is arriving soon.  I am guaranteed to get $500.

Whatever gear you buy, I suggest that you use the $500 to acquire the most expensive 
body or lens you will be wanting. It's not easy to scrape up that kind of money, or to 
justify it to the wife when it comes out of your paycheck, so why spend it on two or 
three items that you can easily enough acquire one at a time?

Therefore, if there is an LX in your future--or a lens that costs mor than $400 (e.g., 
a 77/1.8, 85/1.4, 200/2.5, 300/4.5, or 400/5.6), get it.

But don't wait more than three years to get a sturdy tripod and head, or cable 
release, as I did!

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RE: Delta 3200; was: Fast film recommendations?

2002-04-16 Thread Alan Abbott

Flavio,
I have used Delta 3200 many times and I have always had Ilford 
do the processing (discount envelopes).
I have not had large grain (in fact the opposite) and I have been very
pleased with the contrast.
But then if Ilford don't get it right, then there's not much chance for us
is there!
Alan

 
 Dave and Aaron, about Delta 3200.
 I've tried it a couple of times and I've been scared away 
 form it by the
 huge garin size and the excessive contrast. How do labs manage it? Do
 they just throw it in with all the rest of BW film and 
 forget about it?
 Is there a reccomendation for self processing and does it make a
 difference?
 
 Thanks in advance, Flavio
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Re: Your minimal kit (was Re: Your desert-island kit? )

2002-04-16 Thread gfen

On Tue, 16 Apr 2002, [EMAIL PROTECTED] wrote:
 So what's my minimal kit?

Well, to strip it down further, I'm happy with just the ZX-5n and A50f1.4.
90% of my 35mm shots come from that combination.

I'm just adding some smaller pieces, as I already said, to the kit to take
advantage of other situations that might pop up. However, as a recovering
equipment junky, I find it much more pleasing to take the bare minimum and
force myself to work with it. I also find that, to me, it makes my photos
better, as well.

My friend goes to Pennsic every year. Sometimes he tries to convince me to
go along.

-- 
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Re: Your minimal kit (was Re: Your desert-island kit? )

2002-04-16 Thread Bill Owens

 I don't carry all my gear every day either.  But I don't have a
 minimal walking-around kit that stays consistent, so I had a bit
 of trouble with the long-term aspects of Mark's mind-experiment.

My usual walking around kit is the MZ-S with the old 28-105 powerzoom
attached.  I have been known to use a 75-300 instead, and have started
sticking the 16mm fisheye in a pocket just in case.

Bill  KG4LOV
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Re: Ringflashes and other illuminating topics

2002-04-16 Thread Christian Skofteland

How about the Pentax AF140C?  It can fire off 4 tubes in groups of two 
(right, left or both) so that you can avoid flat lighting (unless you want 
flat lighting which it will do when both sets are fired).  It is analog TTL 
so it's compatible with the LX (I'm not sure if it'll work with the PZ1p but 
I think it should).  It comes with 49,52,and 58mm rings and you can get a 
58-62 step down (vignetting may be a problem).

It would be my choice for a ringlight because of it's versatility.

Christian

On Tuesday 16 April 2002 09:12, Terence Mac Goff wrote:
 Hi all.

 just a quick question. I'm looking to purchase a ring flash for some
 experimentation. I'm looking for TTL, and something that can support TTL on
 both a digital and non-digital shoe (I use an LX or a Z1p depending on what
 exactly I'm doing).

 I have had some interesting results with a Metz 60 firing through a
 homemade rig, but its quite cumbersome, and I was wondering if anyone had
 any ideas. Basically, I am looking for:

 1: an Analog TTL System (so it will work on Both)
 2: front filter holder of 55mm, or preferably up to 62mm.

 So far, in Ireland, i can get my hands on a Vivitar 6000 unit
 (http://www.vivitar.com/Products/Flashes/flash.html#6000AF) which is AF, so
 I presume its digital, but I havent been able to dig up any information one
 way or the other on this.

 Of Course, the other option is something which adapts a metz to a circular
 flash burst, but this is probably not that easy to do?

 Basically, any information would be great

 Thanks in advance,

 T.
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Shooting memories (was: Re: Your desert-island kit?)

2002-04-16 Thread [EMAIL PROTECTED]

Cory wrote: They've  taken to calling me the cameraman.  As in OH NO!!, it's the 
Cameraman again! 

Ah, but your grandchildren and their children will be eternally grateful for the 
memories you've captured. I get this everytime I want to shoot my wife and girls 
baking together, playing piano together, or doing each other's hair while watching TV. 
Endure the criticisms now; you're leaving a priceless legacy.

I recently picked up my daughter from middle school, dropping off her friend Janet. 
Janet raced to the mailbox and opened a thin envelope that bore the news that she had 
not been accepted into a special academic program. As she read the letter, I snapped a 
couple photos from behind the wheel of my car. When the prints arrived, I asked my 
daughter to give them to Janet.

Why would she want them? she asked, incredulous.

This, too, is life, I replied. I have photos of me discovering my first gray hair, 
signing my divorce, undergoing dental work and foot surgery, and crying over the loss 
of a girlfriend.

[EMAIL PROTECTED]


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Asahi patent for hybrid digital/film SLR

2002-04-16 Thread Mark Erickson

All, 

Today (April 16, 2002) Asahi Kogaku Kogyo Kabushiki Kaisha was awarded 
patent 6,374,060 for a Hybrid camera selectively using photographic film 
and image sensor. 

The patent depicts a 35mm SLR with an interchangeable film or digital back.  
Judging by the drawings, it looks fairly mature (maybe close to an actual 
implementation). 

Wouldn't that be cool?  Hope they actually produce it!!! 

 --Mark 

p.s., Here's a link which may or may not work: 

http://patft.uspto.gov/netacgi/nph-Parser?Sect1=PTO1Sect2=HITOFFd=PALLp=1 
u=/netahtml/srchnum.htmr=1f=Gl=50s1='6374060'.WKU.OS=PN/6374060RS=PN/ 
6374060
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Re: Shooting memories (was: Re: Your desert-island kit?)

2002-04-16 Thread CBWaters

Funny how a person (my mother) can, in the same moment, complain about
having her picture taken and also complain about never receiving any prints
of the wonderful (not my word here) pictures I take...

Cory

- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, April 16, 2002 10:05 AM
Subject: Shooting memories (was: Re: Your desert-island kit?)


 Cory wrote: They've  taken to calling me the cameraman.  As in OH NO!!,
it's the Cameraman again!

 Ah, but your grandchildren and their children will be eternally grateful
for the memories you've captured. I get this everytime I want to shoot my
wife and girls baking together, playing piano together, or doing each
other's hair while watching TV. Endure the criticisms now; you're leaving a
priceless legacy.

 I recently picked up my daughter from middle school, dropping off her
friend Janet. Janet raced to the mailbox and opened a thin envelope that
bore the news that she had not been accepted into a special academic
program. As she read the letter, I snapped a couple photos from behind the
wheel of my car. When the prints arrived, I asked my daughter to give them
to Janet.

 Why would she want them? she asked, incredulous.

 This, too, is life, I replied. I have photos of me discovering my first
gray hair, signing my divorce, undergoing dental work and foot surgery, and
crying over the loss of a girlfriend.

 [EMAIL PROTECTED]

 
 mail2web - Check your email from the web at
 http://mail2web.com/ .
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Re: Your minimal kit (was Re: Your desert-island kit? )

2002-04-16 Thread [EMAIL PROTECTED]

Paul Stregevsky commented;
 Glenn wrote: I can't put together *a* minimal kit, because I do too many 
 types of shooting, of too many kinds of subjects, in too many 
 different environments and conditions.

 Didn't Henri Cartier-Bresson make do with a Leica and a 50? (Not that I 
 could.)

Aha!  A good point, and one in light of which I'll need to
re-examine what I've said so far!  After all, who am I to claim
to know more about the art than the likes of Henri
Cartier-Bresson?  (And no, in case tone of voice doesn't come
through, that is most decidedly _not_ sarcasm.)  But...

I'll be the first to admit that I'm not as familiar with
Cartier-Bresson's work as I should be, but I know that he's most
famous for his candid street photography.  How much else did he
shoot that just doesn't get talked about as much?  Landscapes?
Macro?  Wildlife?  Concerts?  Sporting Events?  Aircraft?  (This
is not a rhetorical question -- like I said, I'm less familiar
with his work than I ought to be.)  My _impression_ was that at
least part of the reason he was able to uses such a minimal kit
so effectively was that he was specializing in a particular type
of shooting.

Note that two of my walking-around combinations are a body with a
50mm, and a body with a 35-105 zoom.  And that I did describe
the 50mm as a compromise length -- _almost_ wide enough for
some things and better than being stuck with a long lens when
you want a wide; _almost_ long enough for other things and
better than being stuck with a wide when you want a short
telephoto; and although I don't think I actually said it
earlier, yes, 50mm is the _perfect_ length for still other
subjects (that is, its usefulness is not limited to those times
when you have to make one lens do the work of four).  So yeah, I
do acknowledge that one body with a 50mm lens lets you make an
awful lot of pictures.

I just don't find that a sufficient tool for everything that I,
in my artistic greed[*] (and having a different -- though
overlapping -- set of interests than Henri Cartier-Bresson),
want to shoot.

Though I'm going to have to find a book of Cartier-Bresson's
work in the library and think about that a bit.

-- Glenn

[*] I want to shoot it all ... I want to be _good_ at it all ... 
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Asahi patent for image stabilization....

2002-04-16 Thread Mark Erickson

All, 

Here's another cool patent that was awarded today.   It's US Patent Number 
6,374,048 for Device for correcting a tremble of a focused image.  The 
drawings for this one are also very detailed, indicating that they actually 
built it 

 --Mark 

http://patft.uspto.gov/netacgi/nph-Parser?Sect1=PTO1Sect2=HITOFFd=PALLp=1 
u=/netahtml/srchnum.htmr=1f=Gl=50s1='6,374,048'.WKU.OS=PN/6,374,048RS 
=PN/6,374,048 
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Re: Re: Customs for Canucks

2002-04-16 Thread David Brooks

Thanks Bill.I quess i'll find out in  a week or
so how this will work for mail to Ontario.Just cannot
decide to deliver to office(wife will not find out)
or home(easier to access the ost office here)

Dave

 Begin Original Message 

From: William Robb [EMAIL PROTECTED]
Sent: Tue, 16 Apr 2002 09:08:56 -0600
To: [EMAIL PROTECTED]
Subject: Re: Customs for Canucks


- Original Message -
 From: David Brooks
Subject: Re: Customs for Canucks


 How do they hit you up for this money.When the
 package arives at the local post office do they call
 up,have you pick it up and charge you then.??

Or, they deliver it to your door and hit you up for money.
Nice deal here. I have recieved a few used camera shipments from
the USA over the past few months. All clearly marked on the box
as used. One item in particular was obviously run hard and
pastured wet.
On every box, I had to pay GST (no surprise there), and PST
(there is no PST on used stuff in Saskatchewan, other than
vehicles).
So, now I have to come up with documentation proving the
equipment was bought used, fill out a bunch of forms, and send
it all off to the revenue leaches, hoping that they might decide
to reimburse the PST.

William Robb
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 End Original Message 




Pentax User
Stouffville Ontario Canada
http://home.ca.inter.net/brooksdj

Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail 
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Re: Don't worry, Julia...

2002-04-16 Thread Albano_Garcia

Fred wrote:
Well, it ~is~ the ~Pentax~ Discussion Mailing List...  Right?
/// Off course, It's about Pentax equipment, but also about what you do
with this pieces of metal, plastic and glass, it is, to take photographs


Besides, Albano, it seems as if ~you~ (maintainer of the Most Used
Body Survey, the Favorite Body Survey, the Favorite Film
Survey, the Favorite Lens Survey, and the the Bodies Survey -
did I miss any?) are into equipment a bit yourself - g.
/// Yes, off course. I'm curious about what people like or not, etc,
and I think it's very valuable data wich is based on their experience. I
mean, you wonder how good is the 24mm FA? Take a look and see it's the
favorite lens of the list. I think it says a lot.
And I'm not in equipment in my personal life. I've 2 bodies (probably just
one in the near future) and 5 not overlapping primes.
I do this lists because I find it entertaining and valuable, and help make
my labor's day more sufferable, as is the case with the pdml. I read it in
my free moments at work, as I do the surveys. I like to read about
equipment but it also turns boring and VERY repeating with time. I've
contemplated leaving a lot of times, but for now I stay. It's my main photo
activity right now, as I'm shooting 1 roll of film per month, sometimes
less.
Sorry for the ranting.
AND IN REGARDS TO JULIA:
What I wanted to mean with my message was she is doing very good right now
with basic equipment but good technique, and I guess starting to worry
about gear will take apart the freshness of her photography. Of course I
can be wrong, it's just what I think.
JULIA: KEEP IT SIMPLE

Regards

Albano
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Re: AF200T ?

2002-04-16 Thread CBWaters

Thanks,
Any idea what the T and W on the little green and red strips mean?
I'm thinking Tele  Wide but.
Cory
- Original Message -
From: mike wilson [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, April 16, 2002 11:47 AM
Subject: Re: AF200T ?


 Hi,

 CBWaters wrote:
 
  I just got an AF200T
 
  First off, what's the deal with the red  green settings?

 Two different auto scales.  I forget what f numbers you have
 to use with them.

   The little beep, that's to tell you when the flash is fully recharged,
  right?

 No, it's to tell you that the scene received enough light, in
 auto and TTL.

  I forgot I had my 5n set on multi-frame and took about three shots with
the
  flash set to TTL and it fired all three times (beeping all the time),
did it
  give me all the juice I needed or was it just trying to be nice?

 Definitely the first, probably both.  It _is_ a Pentax.

  Do I have to set the ASA switch on the flash for TTL mode or is it just
a
  reference?

 Reference.  There is nothing under there; same with the 280T.
 Same with auto.  The camera/lens control the light, through
 electronics in TTL and the aperture in auto.

  Lots of new quirks to learn with this flash.

 It's a cute little beast.  Works on the hotshoe grip as well,
 for off camera TTL flash.  Be kind to it.

 m
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Re: Asahi patent for hybrid digital/film SLR

2002-04-16 Thread T Rittenhouse

I was not able to get that URL to work, but going to:

http://164.195.100.11/netahtml/srchnum.htm

and searching  for 6374060 worked.

Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto



- Original Message -
From: Mark Erickson [EMAIL PROTECTED]
To: pentax-discuss [EMAIL PROTECTED]
Sent: Tuesday, April 16, 2002 11:40 AM
Subject: Asahi patent for hybrid digital/film SLR


 All,

 Today (April 16, 2002) Asahi Kogaku Kogyo Kabushiki Kaisha was awarded
 patent 6,374,060 for a Hybrid camera selectively using photographic film
 and image sensor.

 The patent depicts a 35mm SLR with an interchangeable film or digital
back.
 Judging by the drawings, it looks fairly mature (maybe close to an actual
 implementation).

 Wouldn't that be cool?  Hope they actually produce it!!!

  --Mark

 p.s., Here's a link which may or may not work:


http://patft.uspto.gov/netacgi/nph-Parser?Sect1=PTO1Sect2=HITOFFd=PALLp=1

u=/netahtml/srchnum.htmr=1f=Gl=50s1='6374060'.WKU.OS=PN/6374060RS=PN/
 6374060
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Re: Medium Format - To Pentax or not to Pentax.

2002-04-16 Thread Bolo

William Robb writes:

 I don't know who you were quoting Mike, but the person being
 quoted is wrong (my opinion only). 6x6 is a different format
 from 6x4.5, with different shooting requirements.
 If you shoot 6x6, and make rectangular prints, you have chosen
 the wrong format to shoot with.
 I know a couple of people with Hasselblads who have taken the
 time to learn how to use the square format to it's best
 advantage, and they make beautiful large, square prints.

I think you are right on target here.  I've observed that from my own
experiences.  I used to have a 6x6 MF camera before I started using
35mm gear.  I happened to stumble across my MF negatives last fall.

When I look at them I see photography that is quite different from
the photos which I make in the rectangular 35mm format.   There is
framing and composition in the square format which I _just wouldn't
try_ in 35mm.  I would do something else instead.   That something
else is often incompatible with a resulting square crop, or would not
contain the right elements to make into a good square photo later.

I just don't know how to say it well, but the framing and composition
comes out _different_ in the square format.  Not better, different.
Sometimes I think the square composition is better than any composition
I would have done with a rectangular 35mm camera.   Other times a 35mm
wide composition may have been better ... however cropping with MF isn't
as bad as 35mm cropping.

Going through my 6x6 negatives was one reason that I started to push
hard for MF gear again, instead of just thinking about it in abstract
terms and holding off purchasing it.   As I've mentiond earlier, I
was looking to get a 6x6 body.   I noticed the Pentax 6x7 due to the
mystical brotherhood, and discovered the affordability of the components.
6x7 is not _that_ different from 6x6, unlike the much wider 35mm.  If
I really want to shoot square format with the 6x7 I don't really loose
all that much; I could always insert some framing material between
the finder and the body to aid square framing.   The only downside
is that you still get 10 shots per roll. :)

Bolo -- Josef T. Burger
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RE: Shooting memories (was: Re: Your desert-island kit?)

2002-04-16 Thread Paris, Leonard

I always carry a camera, too. I, however, have discovered that photo ops
never occur in my vicinity when I have a camera.  I look at carrying a
camera as disaster prevention, as a result.

Len
---

-Original Message-
From: Malcolm Smith [mailto:[EMAIL PROTECTED]]
Sent: Tuesday, April 16, 2002 10:31 AM
To: [EMAIL PROTECTED]
Subject: RE: Shooting memories (was: Re: Your desert-island kit?)


Paul,

This should be on the introduction page of any book aimed at a new
photographer.

I am learning to take a camera with me at all times, I have been amazed at
the opportunities I would otherwise have missed.

Great thoughts.

Malcolm

 Ah, but your grandchildren and their children will be eternally
 grateful for the memories you've captured. I get this everytime I
 want to shoot my wife and girls baking together, playing piano
 together, or doing each other's hair while watching TV. Endure
 the criticisms now; you're leaving a priceless legacy.

 I recently picked up my daughter from middle school, dropping off
 her friend Janet. Janet raced to the mailbox and opened a thin
 envelope that bore the news that she had not been accepted into a
 special academic program. As she read the letter, I snapped a
 couple photos from behind the wheel of my car. When the prints
 arrived, I asked my daughter to give them to Janet.

 Why would she want them? she asked, incredulous.

 This, too, is life, I replied. I have photos of me discovering
 my first gray hair, signing my divorce, undergoing dental work
 and foot surgery, and crying over the loss of a girlfriend.

 [EMAIL PROTECTED]
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Pentax LX Millennium Edition

2002-04-16 Thread Francis_Alviar

Is this available for purchase?

I wonder how much it costs.


http://www.mir.com.my/rb/photography/hardwares/classics/pentaxlx/pentaxy2k/htmls/2.htm

http://www.mir.com.my/rb/photography/hardwares/classics/pentaxlx/pentaxy2k/htmls/index.htm
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Re: Asahi patent for hybrid digital/film SLR

2002-04-16 Thread Brendan

Sounds interesting, and now that the patent has been
awarded I hope they follow through with it. Most
important is that this camera would also allow the
sensor to be upgraded as well as the use of film.

  All,
 
  Today (April 16, 2002) Asahi Kogaku Kogyo
 Kabushiki Kaisha was awarded
  patent 6,374,060 for a Hybrid camera selectively
 using photographic film
  and image sensor.
 
  The patent depicts a 35mm SLR with an
 interchangeable film or digital
 back.
  Judging by the drawings, it looks fairly mature
 (maybe close to an actual
  implementation).
 
  Wouldn't that be cool?  Hope they actually produce
 it!!!
 
   --Mark
 
  p.s., Here's a link which may or may not work:
 
 

http://patft.uspto.gov/netacgi/nph-Parser?Sect1=PTO1Sect2=HITOFFd=PALLp=1u=/netahtml/srchnum.htmr=1f=Gl=50s1='6374060'.WKU.OS=PN/6374060RS=PN/
  6374060
  -
  

__ 
Find, Connect Date! http://personals.yahoo.ca
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RE: Asahi patent for hybrid digital/film SLR

2002-04-16 Thread Mick Maguire

Don't in any way be lured into thinking that a patent application or award
thereof signifies an intent to manufacture or even an intent to do research.
All it means, and in most cases is likely to mean, is that the company
thinks this is a good idea, so files the patent.

Regards,
/\/\ick...
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Re: Malcolm's Plums

2002-04-16 Thread Camdir

In a message dated 16/04/02 17:13:52 GMT Daylight Time, 
[EMAIL PROTECTED] writes:

 Shocked :-0
 
 I dread to think what you were eating LOL!
 
 Malcolm
 
  
  I was quaking when I saw the title - hey, I am eating my lunch 
  now..
  
  But fortunately it was simply my imagination working overtime.
   
Saake onigiri, and some cold karaage.
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Photographica May 12th London

2002-04-16 Thread Camdir

As suggested by Dave Mann - Photographica on May 12th is the best camera show 
in the UK. Make a beeline for it. 

Kind regards from sunny Brighton

Peter
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KM for spares

2002-04-16 Thread Camdir

Tidy camera - shutter not firing - first GBP10/ US$14.80 (plus delivery) 
takes it.

Kind regards

Peter
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Charge Pack M USA

2002-04-16 Thread Camdir

One of my customers now has a spare Charge Pack M (USA), owing to the fact 
that he purchased our Power Pack M - the b%^stard. 

GBP25 or US$37.80 (plus delivery).

Kind regards

Peter
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Re: Color is So Much Easier

2002-04-16 Thread Aaron Reynolds

On Tuesday, April 16, 2002, at 10:23  AM, T Rittenhouse wrote:

 I do believe that is one of the reason digital is becoming so popular
 with pros who would rather use 120 film.

I was talking to a couple of guys who do a lot of assisting in Toronto, 
and they said that they could only think of one photographer in the city 
whose portfolio was NOT printed digitally...and his portfolio was silver 
gelatin stuff.

-Aaron
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Re: Asahi patent for hybrid digital/film SLR

2002-04-16 Thread Ryan K. Brooks

Sounds perfect to me, but didn't they also patent that TLR-esque thing that
we've never seen as well?

R

- Original Message -
From: Mick Maguire [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, April 16, 2002 11:29 AM
Subject: RE: Asahi patent for hybrid digital/film SLR


 Don't in any way be lured into thinking that a patent application or award
 thereof signifies an intent to manufacture or even an intent to do
research.
 All it means, and in most cases is likely to mean, is that the company
 thinks this is a good idea, so files the patent.

 Regards,
 /\/\ick...
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RE: C41 BW film (was Re: Color is So Much Easier)

2002-04-16 Thread [EMAIL PROTECTED]

Surprisingly good stuff and it is different than turning the color into BW in 
Photoshop.  

BW in photoshop is merely grayscale but having the BW Color Process Film offers, at 
least to me, more subtlety when it comes to the image.

My fave currently (while expensive) is the Kodak Portra 400 BW.  

For those of you in the Toronto area; Japan Camera in the Eaton Centre does a GREAT 
job of this film and the prints I recently received offer almost no color cast at all 
and appear VERY close to BW.  This is the best job I've seen so far of Color Process 
BW developing/printing

Cheers,
Dave

Original Message:
-
From: Mishka [EMAIL PROTECTED]
Date: Tue, 16 Apr 2002 12:52:36 +
To: [EMAIL PROTECTED]
Subject: C41 BW film (was Re: Color is So Much Easier)


what do you guys think about it? is it better/different than shooting
color and then just turning to BW in photoshop? i never tried it and
really curious how is it different (if at all) from regular BW film
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mail2web - Check your email from the web at
http://mail2web.com/ .
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Re: Shooting memories (was: Re: Your desert-island kit?)

2002-04-16 Thread [EMAIL PROTECTED]

tom  v asked:  
Just out of curiosity, who shot them? 

All were shot between 1986 and 1991 with my Minox 35 ML or GT, using 800, 1000, or 
1600-speed color print film.

When I discovered my first gray hair, I was in the men's room at work. I handed my 
Minox 35 to the first man to walk in.

The signing of my divorce was shot by my lawyer's assistant (in the law office, not at 
court). My kids have a copy.

The dental work was shot by the receptionist.

The foot surgery was shot by one of the nurses. Afterwards, I told her, Thanks, 
Stephanie; you give good foot. :)

To shoot myself crying over the loss of my girlfriend, I set the Minox 35 on a nearby 
surface and used the self-timer.

[EMAIL PROTECTED]


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Re: Opinions on standard zooms

2002-04-16 Thread Flavio Minelli

John Leonard wrote:
 ... 
 I'm wondering whether that Sigma zoom is a bit too budget.

Probably, yes.

 I'm tempted to
 replace it with a 28-105 internal-focussing (I just HATE that filter ring
 turning). Have considered Pentax, Sigma, Tokina and Tamron.

I've been satisfied enough with the Tokina but its coating and flare
resistance just suck. Pentax has been already covered. The Tamron and
Sigma 28-105/4-5.6 are pretty good and inexpensive.

 Like the idea of
 faster lens, so Sigma 28-105 F2.8-4 very attractive, but Sigma again? Need
 to keep below 200 UK pounds (ideally).

Forget it. It's a really bad lens.

 
 I've noticed that IF lenses seem to whirr more on focussing. Could the
 increased load on the camera auto-focus drive be a problem? 

IMO, no.

I'm sure Pentax
 would say using anything but a Pentax lens might wreck the camera, but what
 is the truth?
 ...

It doesn't matter in the slightest, as long as the lens fit properly.
There has been some discussion about some Vivitar MF lenses getting
stuck on AF Pentax Bodies but in my experience it didn't crop up. In
modern AF cameras and lenses there may be some grade of incompatibility
WRT electronic innards (i.e. misreading of aperture values and the like.
Some Sigmas seem to have that, sometimes).

Bottom line: if you want speed and quality go for an affordable set of
second hand primes. Relatively fast and good quality zooms are pretty
heavy and expensive.

For a comparative chart I laid down some time ago you can check:
http://space.tin.it/arte/flamin/28-105.html I can't check it right now
but it should still be there.

Ciao, Flavio
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RE: Shooting memories (was: Re: Your desert-island kit?)

2002-04-16 Thread [EMAIL PROTECTED]

I've written a one-page personal essay about my passion for candidly capturing life's 
everyday moments, and how it's not always to everyone's liking. I'll be glad to send 
the .PDF file to anyone who's interested. Ask for The Bigger Picture. It was going 
to appear in 2000, with some of the photos I've mentioned, on a website about 
photography, but the site folded. I can't recall its name; it was based out of the 
same city as Dale Labs in Florida.

Malcolm Smith wrote:
Paul, 
This should be on the introduction page of any book aimed at a new 
photographer. I am learning to take a camera with me at all times, I have been amazed 
at the opportunities I would otherwise have missed. 

[EMAIL PROTECTED]


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Re: Shooting memories (was: Re: Your desert-island kit?)

2002-04-16 Thread [EMAIL PROTECTED]

Years ago, one of the staffers for Modern or Popular Photography described how people 
rolled their eyes and groaned when she'd shoot away at a party...then be delighted 
when they received the prints. 

Here in the USA, most of us have seen the touching Kodak TV commercials about a shy, 
strange (Goth) teenage girl who uses her one-time camera to snap candids of 
schoolmates, then assembles the results in a montage, to the delight of all.

Cory wrote:
Funny how a person (my mother) can, in the same moment, complain about 
having her picture taken and also complain about never receiving any prints 
of the wonderful (not my word here) pictures I take... 

[EMAIL PROTECTED]


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RE: Your desert-island kit?

2002-04-16 Thread Rupprecht, James R

If I only get one lens, the probability exists that I would want to do some
cropping and/or enlarging to some of the images for compositional purposes
once I got off the island. If I knew about this in advance, I might be
tempted to invest in a 4x5 camera with a lens around 160mm for this purpose.
If I have to pick something I have owned, I'd still want the biggest piece
of chrome I could possible have, so I would choose a 6x7 with a 90mm LS or
perhaps the 75mm. I might try to sneak a short  extension tube into the mix,
too.

-jim
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RE: Your minimal kit (was Re: Your desert-island kit? )

2002-04-16 Thread Rupprecht, James R

LX and an 85/1.4



-Original Message-
From: Mark Erickson [mailto:[EMAIL PROTECTED]]
Sent: Monday, April 15, 2002 3:46 PM
To: pentax-discuss
Subject: Your minimal kit (was Re: Your desert-island kit? )


OK, all you overly-literal type-A folks.  I was using desert-island as a 
figure of speech, and not posing a castaway scenario.  Let me clarify: 

Go wherever you want, do whatever you want to do, etc., but pare your kit 
down to one body and fixed-focal-length lens.  You can have all the 
batteries, film, and processing you want.  I'm looking for a keep it 
simple setup, so try to minimize loading up on accessories. 

What body and lens would you choose, and why?  By why, I'm really asking 
what kind of shooting is important to you and how you might do it with a 
simple setup. 

 --Mark
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Re: UK eBay - someone got a good deal on an AF280T

2002-04-16 Thread Cotty

Under the sink with bleach in. (You put my bleach in WHAT?)



That is a good price.But were's the 'plastic
bouncy thingy' :)

Dave

-  Begin Original Message 

From: Cotty [EMAIL PROTECTED]
Sent: Tue, 16 Apr 2002 13:31:21 +0100
To: Pentax List [EMAIL PROTECTED]
Subject: UK eBay - someone got a good deal on an AF280T


I was watching this one, but bloody forgot about it! @%£@@£$@!

http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItemitem=1345073046

£37 for a 280T!

Cotty


___
Personal email traffic to [EMAIL PROTECTED]
MacAds traffic to [EMAIL PROTECTED]
Check out the UK Macintosh ads 
http://www.macads.co.uk
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Re: Customs for Canucks

2002-04-16 Thread andre langevin

Dave, you pay at the door if you're there or they leave you a card 
with the amount and you pick up the packet at the post office.  The 
best way to have something sent from USA is definitely USPS as 
canadian customs charge (when they do) only $5 in brokerage fees. 
(UPS takes charge of the brokerage fees and it looks like they like 
it because it might get very expensive...)

A few years ago, 50% of the packets would be grabbed by customs, now 
about 20%, probably because mines now often come with a very low 
declared value.  It looks like custom workers in Saskatchewan have 
less traffic than in Quebec, William.  I understand that here they 
actually have only the manpower to check a fraction of the entering 
packets.

In any circumstances, the lower the declared value, the lower the 
amount of taxes you pay when you pay some.  Big businesses and some 
privates don't want to declare a lower value.  Most do it though.  As 
far as I'm concerned, insurance (and full declared value) is useless 
if you trust the seller ; I mean the packet will be sent and it won't 
be lost by USPS or canadian post.  (I know it happened to this guy 
five years ago, and a cousin told me once...).  You take this (very 
very small) chance or you pay more!  If you loose something one day, 
you will probably have saved more over the years than this single 
loss.

Cheers,

Andre

How do they hit you up for this money.When the
package arives at the local post office do they call
up,have you pick it up and charge you then.??

Dave

 Begin Original Message 

From: andre langevin [EMAIL PROTECTED]
Sent: Mon, 15 Apr 2002 18:04:08 -0400
To: [EMAIL PROTECTED]
Subject: Customs for Canucks


I have about a 25%
rate of stuff that gets mailed from the US getting hit by customs,
and
this was one of them. Poop.

frank

High rate, maybe because you have you packets insured, then have the
real value written on the green tag.  For items below 50$ I ask it
uninsured and suggest a low declared value AND for the description:
USED camera  or USED parts.

But I've seen a 10$ packet hit by the customs (uncommon) and a few
$100 ones go go through it without being arrested and fined.

Andre


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RE: Shooting memories (was: Re: Your desert-island kit?)

2002-04-16 Thread Malcolm Smith

Len,

I started carrying a camera in the car a while back, since I watched a
programme in which our traffic police suggested it. A lot of people have
minor accidents which when written on the claim forms later turn out to be
works of fiction. There is also a growing trend of some villains who
purposefully drive into you on their own, and later claim forms state he had
3 or 4 passengers, all of which had whiplash injuries which were the
innocent parties fault.

A better reason for me is capturing events on the way to school Dad what's
that type questions, which you can later discuss at leisure. I have to
admit that the best camera I could use for all of this would be digital,
just for speed of results, but the pleasure of using the LX/MX would never
make digital number one.

Malcolm


 I always carry a camera, too. I, however, have discovered that photo ops
 never occur in my vicinity when I have a camera.  I look at carrying a
 camera as disaster prevention, as a result.

 Len
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RE: AF200T ?

2002-04-16 Thread Peifer, William [OCDUS]

Cory Waters wrote:
 Any idea what the T and W on the little green and red strips mean?
 I'm thinking Tele  Wide but.

Hi Cory,

That's exactly what the T and W mean -- telephoto (probably 135-ish) and
wide angle (probably 28- to 35-ish).

Bill Peifer
Rochester, NY
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Re[2]: Malcolm's Plums

2002-04-16 Thread Bob Walkden

Hi Mike,

it's just occurred to me that you could try the newspaper library at
Colindale. They're part of the British Library, so you might be able
to search using their website, or at least ask someone for help.

---

 Bob  

mailto:[EMAIL PROTECTED]

Tuesday, April 16, 2002, 1:07:56 PM, you wrote:

 [EMAIL PROTECTED] wrote:
 
 I was quaking when I saw the title - hey, I am eating my lunch
 now..
 
 But fortunately it was simply my imagination working overtime.

 Wait till you see the newspaper headline I'm trying to
 authenticate...

 Do you know any on-line archives of WWI newspapers?

 mike
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Re: Asahi patent for hybrid digital/film SLR

2002-04-16 Thread Cotty

COOL!

http://patft.uspto.gov/netacgi/nph-Parser?Sect1=PTO1Sect2=HITOFFd=PALLp=
1 
u=/netahtml/srchnum.htmr=1f=Gl=50s1='6374060'.WKU.OS=PN/6374060RS=PN
/ 
6374060

Link works fine for me...

Cotty

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Re: Asahi patent for hybrid digital/film SLR

2002-04-16 Thread Cotty

This is a line from the Patent grant:

The CCD 41 of an image sensor has a photodetector 41C consisting of a 
plurality of photodiodes. An area of the photodetector 41C, shown by 
diagonal hatching, is a light-receiving area, on which the object image 
is formed. A size of the light-receiving area coincides with one frame of 
the photographic film F, namely, the exposure area of the photographic 
film F. Therefore, the object image obtained by the CCD 41 is identical 
to the object image recorded on the photographic film F. 

Excuse me, but doesn't that sound like a 24X36mm CCD???

Cotty

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Where to buy Pentax in Vancouver

2002-04-16 Thread Chris Murray

Hi All - 

I'm Looking for a second body, I want to be able to use some of the A
series lenses, right now I can only really use the newer FA (to my limited
knoledge) with my mz-50. 

I can't decide which body to buy, I am leaning towards the mz-s, I got to
hold one recently and I almost bought it on the spot. But the place where
I was looking at it wanted $1700.00 Cad. for just the body.

But which body to buy is not really my question, I like to touch things
before I buy them, but I have not found a retailer in the Vancouver area
that has a good selection of pentax equipment. I'd like to look at the
MZ-7, MZ-6, and the MZ-5n before I make a choice, but none of the dealers
that I have visited seem to have all of them in stock.

Can somebody from the vancouver area recommend a dealer in the lower
mainland that has a good selection and decent prices.

at $1700 Cad the MZ-S is cheaper to buy online and pay
duty+taxes+shipping.

- Chris

--
Chris Murray   /\   
[EMAIL PROTECTED] \ / ASCII RIBBON CAMPAIGN
http://apeman.org/  XAGAINST HTML MAIL 
Cell: 604.861.8307 / \/
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Re: Re: Customs for Canucks

2002-04-16 Thread David Brooks

Thanks Andre.

Dave
 Begin Original Message 

From: andre langevin [EMAIL PROTECTED]
Sent: Tue, 16 Apr 2002 13:40:38 -0400
To: [EMAIL PROTECTED]
Subject: Re: Customs for Canucks


Dave, you pay at the door 


Pentax User
Stouffville Ontario Canada
http://home.ca.inter.net/brooksdj

Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail 
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Re[2]: Your minimal kit (was Re: Your desert-island kit? )

2002-04-16 Thread Bob Walkden

Hi,

because the M3 has framelines for 50mm, 90mm and 135mm lenses, so
using a 35mm lens is inconvenient with an M3. The M4-2 (and all others
from the M2 onwards until just recently) have framelines for at least
a 35mm, 50mm, 90mm lens.

---

 Bob  

mailto:[EMAIL PROTECTED]

Tuesday, April 16, 2002, 1:34:15 AM, you wrote:

 Bob,
 why one lens = M3, and two lenses = M4-2?
 ukasz
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Re: Asahi patent for hybrid digital/film SLR

2002-04-16 Thread WKato

Sounds like a combination pressure plate/CCD sensor to me.
Warren

From: Cotty [EMAIL PROTECTED]
Subject: Re: Asahi patent for hybrid digital/film SLR

This is a line from the Patent grant:
The CCD 41 of an image sensor has a photodetector 41C consisting of a plurality of 
photodiodes. An area of the photodetector 41C, shown by diagonal hatching, is a 
light-receiving area, on which the object image is formed. A size of the 
light-receiving area coincides with one frame of the photographic film F, namely, the 
exposure area of the photographic film F. Therefore, the object image obtained by the 
CCD 41 is identical to the object image recorded on the photographic film F. Excuse 
me, but doesn't that sound like a 24X36mm CCD???
Cotty
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Vs: Color is So Much Easier

2002-04-16 Thread Raimo Korhonen

Meaning normal blackwhite. Exotic!
All the best!
Raimo
Personal photography homepage at http://www.uusikaupunki.fi/~raikorho

-Alkuperäinen viesti-
Lähettäjä: Aaron Reynolds [EMAIL PROTECTED]
Vastaanottaja: [EMAIL PROTECTED] [EMAIL PROTECTED]
Päivä: 16. huhtikuuta 2002 18:52
Aihe: Re: Color is So Much Easier


On Tuesday, April 16, 2002, at 10:23  AM, T Rittenhouse wrote:

snip ...and his portfolio was silver gelatin stuff.

-Aaron
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Re: Your desert-island kit?

2002-04-16 Thread T Rittenhouse

Where you going to get film for that on a deserted island? I think that if I
was going to get marooned on a desert island, and could have any one thing I
wanted with me, I would take a satellite telephone.

Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto



- Original Message -
From: Rupprecht, James R [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, April 16, 2002 1:18 PM
Subject: RE: Your desert-island kit?


 If I only get one lens, the probability exists that I would want to do
some
 cropping and/or enlarging to some of the images for compositional purposes
 once I got off the island. If I knew about this in advance, I might be
 tempted to invest in a 4x5 camera with a lens around 160mm for this
purpose.
 If I have to pick something I have owned, I'd still want the biggest piece
 of chrome I could possible have, so I would choose a 6x7 with a 90mm LS or
 perhaps the 75mm. I might try to sneak a short  extension tube into the
mix,
 too.

 -jim
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Re: Photographica May 12th London

2002-04-16 Thread Cotty

Whereabouts will the Photgraphica show be on May 12th, Peter? Will you 
have a stall?

Cotty

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Re: Pentax Super Program

2002-04-16 Thread Doug Brewer

Not really. I can do better. I have two of them.

Doug


At 01:15 PM 4/16/02 -0700, you wrote:
Is US $182.50 a good price for a Super Program?
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=1346759280

James
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Re: Honeywell Pentax H1

2002-04-16 Thread [EMAIL PROTECTED]

Francis Alviar asked:
 How good are Honeywell Pentax H1's?

Dunno the H1, but if it's anything like the H1a and the H3, they're
sweet.  Note that they predate through-the-lens metering though.

-- Glenn
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Re: Pentax Super Program

2002-04-16 Thread Fred

 Is US $182.50 a good price for a Super Program?  
 http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=1346759280

It's not a particularly good price, unless the SP is in really good
shape.

Fred
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Re: KM for spares

2002-04-16 Thread Tim Engel

Peter,

Does the meter work properly?   I have a mechanically good KM with a bad
meter.   Perhaps they should meet.

Regards,
Tim Engel



- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, April 16, 2002 11:47 AM
Subject: KM for spares


 Tidy camera - shutter not firing - first GBP10/ US$14.80 (plus delivery)
 takes it.

 Kind regards
 Peter
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Re: Pentax Super Program

2002-04-16 Thread Brendan

Doug is one of those supposed to be mine, remember?
hehe

--- Doug Brewer [EMAIL PROTECTED] wrote:
 Not really. I can do better. I have two of them.
 
 Doug
 

__ 
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Re: Equipment or picture / was Re: Don't worry, Julia...

2002-04-16 Thread Fred

 I second you, Albano. I like the PDML in general but I look most
 of the time  - for discussion on lenses simply because I think
 they are more important for a good picture than the body

I also look to the PDML for equipment info, and especially for lens
info, for the exact same reason, Bernd.

(As for my reply to Albano's post, I was just kidding him a bit -
g - I couldn't resist.)

Fred
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Re: Don't worry, Julia...

2002-04-16 Thread Fred

 Well, it ~is~ the ~Pentax~ Discussion Mailing List...  Right?
 /// Off course, It's about Pentax equipment, but also about
 what you do with this pieces of metal, plastic and glass, it is,
 to take photographs

I understand, Albano.  However, I think that, if the PDML ~had~ to
be about ~just~ equipment ~or~ photographs (which ~fortunately~ it
doesn't have to be one or the other), that it should be about
equipment.  After all, there are other forums for general
photography information and sharing, but this is the main ~Pentax~
forum.

 Besides, Albano, it seems as if ~you~ (maintainer of the Most
 Used Body Survey, the Favorite Body Survey, the Favorite Film
 Survey, the Favorite Lens Survey, and the the Bodies Survey -
 did I miss any?) are into equipment a bit yourself - g.
 /// Yes, off course. I'm curious about what people like or
 not, etc, and I think it's very valuable data wich is based on
 their experience. [snip]

I was just kidding you a bit, Albano.  big smiley face  And I do
certainly appreciate your efforts in maintaining the surveys, as
well as your other inputs to the PDML.

 Sorry for the ranting.

No need to apologize at all, Sir.  I did not consider it ranting -
g

Fred
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Re: Favorite Body Survey Results UPDATE 28

2002-04-16 Thread Aaron Reynolds

On Tuesday, April 16, 2002, at 03:51  PM, Bill Owens wrote:

 If you're talking about the new one being the 645, then I'm the guilty
 party.

Nah, there's a new 6x7 in there!  But welcome in to the Brotherhood, 
even if you're shooting with the compromise-weenie version of the 67.  ;)

-Aaron

p.s. I'd own a 645 on top of my other gear, too, if I had the money.  
Shhh, don't tell anyone.
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Re: Customs for Canucks

2002-04-16 Thread frank theriault

Just a couple of thoughts to add.  First, if you're not home and they
leave a card, they're ~supposed~ to write on the card whether you've got
to pay, and how much.  They don't always do that however, at least around
here.  I've gotten to the P.O. the next day, with a card that indicates
no charges, and found that I've had to pay.  Be prepared...

Second, you're right about UPS, Andre (I don't know about the other Big
Courier Companies).  We've had extensive discussions here in the past, so
I don't want to start anything here, but UPS tried to charge me a $45
brokerage fee (incl. customs and duty and all that) for a bike jersey
that I paid $10US for on eBay.  Needless to say, I refused it (damned
crooks).  The moral, Dave, is always demand that stuff be shipped US
Postal.  Always.

regards,
frank

andre langevin wrote:

 Dave, you pay at the door if you're there or they leave you a card
 with the amount and you pick up the packet at the post office.  The
 best way to have something sent from USA is definitely USPS as
 canadian customs charge (when they do) only $5 in brokerage fees.
 (UPS takes charge of the brokerage fees and it looks like they like
 it because it might get very expensive...)...


--
The optimist thinks this is the best of all possible worlds. The
pessimist fears it is true. -J. Robert
Oppenheimer
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Re: Your desert-island kit?

2002-04-16 Thread frank theriault

Hey, Aaron,

On your Dream Island, Pamela Anderson wouldn't also happen to be
stranded, would she?  (Apologies to the lovely Vanessa)  vbg

Aaron Reynolds wrote:



 BH has a location on the desert island in my dreams.


--
The optimist thinks this is the best of all possible worlds. The
pessimist fears it is true. -J. Robert
Oppenheimer
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Re: Don't worry, Julia...

2002-04-16 Thread frank theriault

What?  This isn't the Queen Mum and Post-colonialism list?  vbg

Fred wrote:

 I understand, Albano.  However, I think that, if the PDML ~had~ to
 be about ~just~ equipment ~or~ photographs (which ~fortunately~ it
 doesn't have to be one or the other), that it should be about
 equipment.  After all, there are other forums for general
 photography information and sharing, but this is the main ~Pentax~
 forum.


--
The optimist thinks this is the best of all possible worlds. The
pessimist fears it is true. -J. Robert
Oppenheimer
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RE: Asahi patent for hybrid digital/film SLR

2002-04-16 Thread Mick Maguire

Unfortunately that isn't my experience. I worked in a design group at Texas
Instruments in the late 80's and all our patent work was written up in this
level of detail whether we had any intention of using it or not. Generally
the patent would be based on real RD work which would involve real designs
etc, it's just that there was no intent to take it further at that time.

At that time TI made more money per year on patent royalties and
infringement law suits that it made on the all of it's semiconductor sales
put together. Intellectual property was a *huge* part of TI's business, and
this is much the same for other companies.

In this case Pentax may well be staking claim to this idea in the hope
somebody else will license it from them... then again they may well be going
to production too, we wont know until it's out there.

Regards,
/\/\ick...
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RE: Asahi patent for hybrid digital/film SLR

2002-04-16 Thread Mick Maguire

I should add that I'd love this to be right Mark, just that I am skeptical,
however advanced the drawings look... wouldnt it be nice to have an MZ-S
that did both digital and film? That is assuming it was a manageable size
anyway.

Regards,
/\/\ick...
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Re: Favorite Body Survey Results UPDATE 28

2002-04-16 Thread Bill Owens

Hey Aaron, we retardees, whoops, I mean retirees need to watch the pennies
and the 645 was available on ebay for a good price.

Bill  KG4LOV
[EMAIL PROTECTED]


- Original Message -
From: Aaron Reynolds [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, April 16, 2002 4:56 PM
Subject: Re: Favorite Body Survey Results UPDATE 28


 On Tuesday, April 16, 2002, at 03:51  PM, Bill Owens wrote:

  If you're talking about the new one being the 645, then I'm the guilty
  party.

 Nah, there's a new 6x7 in there!  But welcome in to the Brotherhood,
 even if you're shooting with the compromise-weenie version of the 67.  ;)

 -Aaron

 p.s. I'd own a 645 on top of my other gear, too, if I had the money.
 Shhh, don't tell anyone.
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Re: Favorite Body Survey Results UPDATE 28

2002-04-16 Thread Bill Owens

 p.s. I'd own a 645 on top of my other gear, too, if I had the money.  
 Shhh, don't tell anyone.

I promise to tell no one except Vanessa. :-)

Bill  KG4LOV
[EMAIL PROTECTED]
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RE: Pentax Super Program

2002-04-16 Thread TM

James-
I just bought another Super Program for $102.50 on ebay and
I consider that to be only a fair deal, I'll have to reserve
judgment for when I actually get the camera.

Taka
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Re: Pentax Super Program

2002-04-16 Thread [EMAIL PROTECTED]

I've bought three at $180 to $200 each. But each was from a store, where stood behind 
the camera for 90 days and (for two of them) let me buy a four-year no fault 
extended warranty for $10 a year. For this camera, it's a buyer's market, so don't be 
in a hurry to buy unless you see credible evidence that it's in great shape.

James Adams wrote:
Is US $182.50 a good price for a Super Program?   
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=1346759280 

[EMAIL PROTECTED]


mail2web - Check your email from the web at
http://mail2web.com/ .
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Re: Medium Format - To Pentax or not to Pentax.

2002-04-16 Thread Jens Bladt

Hello all
I am the one who was qouted regarding the 6x6 format.
A lot of photographers see the 6x7 format as the ideal format. I tend to
agree. I know that a lot of photographers use 6x6 (Hasselbald etc.). But how
many photoggraphs are actually 6x6/square ind the end? (All the people I
know, that use Hassies make rectangular pictures!)
My bet is, that less than 10 pct? 5%?, 3%? end up square!
Pentax, Mamiya and many other produce 6x7 cameras! Why
Because most pictures end up rectangular anyway!! That's why!
This doesn't mean that some brilliant photograps are square. And you CAN
actually make square photographs from a 6x7 neg. without loosing much
quality. It's more difficult/expensive the other way around, isn't it?
Regards
Jens Bladt, Denmark

-Oprindelig meddelelse-
Fra: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]På vegne af William Robb
Sendt: 16. april 2002 01:08
Til: [EMAIL PROTECTED]
Emne: Re: 6x7 manual


- Original Message -
From: William Kane
Subject: 6x7 manual


 Hey gang,

Does anyone know if the 6x7 manual is the same as the 67
manual?
 Pentax has the 67 manual on their website (US), but not the
6x7 . . .

They are essentially the same camera.

William Robb
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Re: Medium Format - To Pentax or not to Pentax.

2002-04-16 Thread Jens Bladt

Hello all
Correction:I of course meant:
This doesn't mean that some brilliant photograps are not square.

Regards
Jens Bladt, Denmark

-Oprindelig meddelelse-
Fra: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]På vegne af William Robb
Sendt: 16. april 2002 01:08
Til: [EMAIL PROTECTED]
Emne: Re: 6x7 manual


- Original Message -
From: William Kane
Subject: 6x7 manual


 Hey gang,

Does anyone know if the 6x7 manual is the same as the 67
manual?
 Pentax has the 67 manual on their website (US), but not the
6x7 . . .

They are essentially the same camera.

William Robb
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Re: Pentax LX Millennium Edition

2002-04-16 Thread T Rittenhouse

It's about the same price as a new Leica M6 then?

Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto



- Original Message -
From: Jose R. Rodriguez [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, April 16, 2002 2:38 PM
Subject: Re: Pentax LX Millennium Edition


 Francis,

 Peter from Camera Direct does sell a Pentax LX 2000 Limited Set for
£2,999.00 ~ $4,317.00 USD.

 http://www.camera-direct.com./other.asp

 I would love to own one but I would be afraid to use it; would not want to
scuff/scratch it...

 Regards,

 --
 Jose R. Rodriguez


 
  From: [EMAIL PROTECTED]
  Date: 2002/04/16 Tue AM 11:21:58 CDT
  To: [EMAIL PROTECTED]
  Subject: Pentax LX Millennium Edition
 
  Is this available for purchase?
 
  I wonder how much it costs.
 
 
 
http://www.mir.com.my/rb/photography/hardwares/classics/pentaxlx/pentaxy2k/h
tmls/2.htm
 
 
http://www.mir.com.my/rb/photography/hardwares/classics/pentaxlx/pentaxy2k/h
tmls/index.htm
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Re: Asahi patent for hybrid digital/film SLR

2002-04-16 Thread T Rittenhouse

Being Pentax, they will probably license the design out to one of their
competitors.

Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto



- Original Message -
From: Mark Erickson [EMAIL PROTECTED]
To: pentax-discuss [EMAIL PROTECTED]
Sent: Tuesday, April 16, 2002 4:12 PM
Subject: RE: Asahi patent for hybrid digital/film SLR


 Actually, I think you can make guesses based on the look of the drawings
in
 a patent.  If, for example, the drawings are very generic, it is like that
 the invention was never built (in prototype form or otherwise).

 If, on the other hand very specific drawings and exploded views are
included
 in the patent, they were probably lifted directly from an engineer's CAD
 station.  This indicates that they spent at least some $$$ on a study, and
 maybe even fabricated something.

 So my theory is, More mature drawings indicate greater chance of actual
 product release.

 Of course, it's all just guesswork; how else do you think rumors get
 started?

  --Mark



  -Mick wrote-
 Don't in any way be lured into thinking that a patent application or award
 thereof signifies an intent to manufacture or even an intent to do
research.
 All it means, and in most cases is likely to mean, is that the company
 thinks this is a good idea, so files the patent.

 Regards,
 /\/\ick...
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MZ-S DOF Preview Usage ?

2002-04-16 Thread Andy F

I already own an MZ-S, but would like to know how other owners use their
depth of field preview.

I used to point my camera at the nearest object that I wanted to be in
focus, half pressed the shutter release to focus, and then re-composed. Then
I would check the DOF, but to do this I had to release the shutter release.
So when I re-pressed the shutter release the camera re-focused (to my
annoyance).

I've recently switched technique and disabled auto-focus on the shutter
release. So now I use the auto focus button on the camera back, which means
I can fiddle with the DOF preview and all the other buttons and the focus
remains fixed.

I was wondering if anybody has found a different or better technique of
using the DOF preview ?

It strikes me that if the DOF preview lever was placed in a more suitable
place, then I would be able to hold the shutter release down with one finger
whilst operating the DOF preview with another.

Andy F
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Re: Medium Format - To Pentax or not to Pentax.

2002-04-16 Thread Bill Owens

 Jens Bladt, Denmark

I think I had a great time in Copenhagen back in 1967.  I was there for
about 48 hours courtesy of the USAF.  First night there I drank Tuborg like
I would Budweiser here.  That's why I THINK I had a great time.  Memories
are kind of fuzzy. :-)

Bill  KG4LOV
[EMAIL PROTECTED]
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