OT: The third half

2010-06-06 Thread David Mann
I ran half-marathon #3 today.  This was part of the SBS Marathon, the signature 
running race of my home city.  The course mostly follows the Avon River, then 
does a loop around part of Hagley Park then it's back to the Town Hall to 
finish.  People doing the full marathon go around for a second lap.

We had 7 degrees (C) and intermittent sprinkles of rain.  I was hoping for it 
to be sloshing down but I'm a bit strange that way.  My time was 1:46:03, 
almost exactly four minutes faster than the one I ran three weeks ago.

I think the improvement was due to two factors: the lack of wind, and leaving 
my Spinal Tap (like a Camelbak) at home to save weight, opting instead to use 
the water stations on the course.  I have to slow down a little to drink out of 
a cup but I thought I'd more than make up for it by not having 3lb of extra 
weight to carry.

I'm overdoing my rehydration a bit but I suffered a few effects of dehydration 
a couple of weeks ago.  I think I know what it's like to be 80 now.  My legs  
back are sore and I have to go every half-hour.

Just one more race to do three weeks from now in Wellington, then I might lay 
off the racing for a while and get back to a more regular training schedule.

Dave


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Re: OT: The third half

2010-06-06 Thread Larry Colen

On Jun 5, 2010, at 11:01 PM, David Mann wrote:
 
 I'm overdoing my rehydration a bit but I suffered a few effects of 
 dehydration a couple of weeks ago.

I hate to break it to you, but three pints of ale doesn't count as rehydration.

Congratulations on the half marathon.  Every time I try running, I hurt myself.

  I think I know what it's like to be 80 now.  My legs  back are sore and I 
 have to go every half-hour.

I can empathize.  I've got my brown belt exam on Monday, and I've been training 
pretty intensively for it the past few months. At the seminar at the dojo this 
morning, my back, legs, and knees all hurt. Plus, we seemed to have skipped 
spring and went from cold rainy weather a week ago to hot summer weather this 
week.


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Sensor native color balance setting?

2010-06-06 Thread Larry Colen
The problem with the histogram is that it shows the exposure of the jpeg, not 
of the raw sensor.  

It seems to me that if you set the camera to the sensor's raw color balance, 
then the jpeg and the raw file histograms would match.

Anybody know what that setting would be?

--
Larry Colen l...@red4est.com sent from i4est





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Re: Early 1900s in Colour

2010-06-06 Thread mike wilson

John Coyle wrote:

Mike appears to be correct in identifying it as a Farman, but there are some
significant differences: there are, for example, three wing strut pairs in
the Kahn photo against four in the Farman Shorthorn: however, since many of
these planes were basically hand-built, I would expect variations to occur
as the designers (and the pilots!) gained more experience of practical
configurations.The machine gun mounting in the nose is probably a late
modification, perhaps made in the field, as there is no such mounting in the
Farman illustration.  From further research into Caudron models, it is
unlikely that it was built by that company, as all their models for which I
can find illustrations had puller airscrews rather than pushers.


John in Brisbane


Try counting individual struts visible below, and on the far side of, 
the fuselage. ;-)






-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of mike
wilson
Sent: Friday, 4 June 2010 5:19 PM
To: Pentax-Discuss Mail List
Subject: Re: Early 1900s in Colour

On 4 June 2010 00:17, John Coyle jco...@iinet.net.au wrote:


Apart from the propeller being at the front, rather than at the rear in


the


pusher configuration, this aircraft is very similar to the Caudron GIII:


see

http://www.century-of-flight.net/Aviation%20history/photo_albums/timeline/Ca


udron%20G.III.htm

the undercarriage is the same double-wheel configuration, as is the
twin-boom tail.  No idea what the round object on the wing strut is,
although there appears to be a connection from it to the engine


compartment:


perhaps an oil reservoir feeding by gravity?  Problematic during


aerobatics,


but I don't think aircraft of this vintage did much of that!



I'm fairly sure now that it's some variation of a Farman Shorthorn.
http://www.aviastar.org/air/france/farman_mf-11.php

You can see that the tail fin is likely to be one half of a pair.  I
suspect it has been front-line modified into a bomber and the
apparatus on the left side of the nose is some form of bomb-aiming
device.  Hence the bombs on the ground in front of it.  The design of
this particular machine does not, to my eye, encourage the throwing of
ordnance.  Too much stuff for it to hit/catch on before it is clear.

I assumed the round thing was a Lewis gun magazine but now I'm not so sure.
http://en.wikipedia.org/wiki/Lewis_Gun


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Re: On topic of lenses and enablement, for a change

2010-06-06 Thread Boris Liberman

On 6/3/2010 3:03 PM, Jack Davis wrote:

Boris, this Pentax lens is an extremely well made tank. I enjoyed one for several years 
and sold in for a bit over $1,000 USD a couple years ago. I felt it somewhat heavy and 
sides all this new D glass was out.
I bought the DA* 50~135, did some semi serious comparisons with the FA 28~70 
f/2.8 and decided to let it go. I'm sure it's pleasing it's current owner 
somewhere.

Jack


Thanks, Jack... Hmmm. I tried to find a mechanically decent sample of FA 
24-90/3.5-4.5 but failed so far. Ideally, I'd like something like 
24-90/4.0, but such a beast does not seem to exist...


Boris

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Re: Detroit PDML Does Frank Tomrrow

2010-06-06 Thread Cotty
On 5/6/10, paul stenquist, discombobulated, unleashed:

Bill Sawyer, Ken Waller, and I are attending the Robert Frank exhibit at
Detroit Institute of the Arts. Meeting at 10 AM at the Farnsworth Ave
entrance. Lurkers welcome. Cassino too:-).

I'm officially envious.

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Cheers,
  Cotty


___/\__
||   (O)  | People, Places, Pastiche
--  http://www.cottysnaps.com
_



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RE: studio light brand suggestions [Scanned][Spam score:8%]

2010-06-06 Thread John Whittingham
Hi Christine,

I'm no expert on studio lighting, prefering to work with natural light, but I 
have to order the lighting for my employers studio. The general consensus here 
in the Uk is to use Bowens, I've bought Bowens Gemini 250R kits, they're pretty 
good value, quite comprehensive and reasonably robust. The bulbs have a limited 
life and are expensive to replace, spares are also expensive:

http://www.bowens.co.uk/content/pages/gemini250r.html

I've just had to order some more lighting and decided to take a chance on the 
following:

http://www.srsmicrosystems.co.uk/4710/Pro-Line-Apollo-300-Creative-Studio-Lighting-Kit.html

Only time will tell if I made a good decision.

Best regards,

John

From: pdml-boun...@pdml.net [pdml-boun...@pdml.net] On Behalf Of Christine  
Aguila [cagu...@earthlink.net]
Sent: 05 June 2010 14:45
To: pdml@pdml.net
Subject: studio light brand suggestions [Scanned][Spam score:8%]

Here's a question for folks shooting in studio conditions:

Any particular *brand recommendations* for *continuous tungsten studio
lights* to be used for portraiture?

Thanks in advance.
Cheers, Christine



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Re: I got to play with a 645D yesterday!

2010-06-06 Thread AlunFoto
2010/6/6 paul stenquist pnstenqu...@comcast.net:
 I expect Pentax might delay US release until the bugs are worked out, but 
 there's no way they'll ignore the market. Doesn't make sense in any way.

IIRC, Ned Bunnell told The Online Photographer that they were still
considering the import. Another thing that wouldn't make sense is to
just slide this camera silently into the sortiment, without making an
event of announcing it.

The Nordic distributor is totally silent. :-(

Jostein

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PESO: Four Spotted Chaser [Scanned]

2010-06-06 Thread John Whittingham
Out looking for some feathered subjects when I came across this:

http://www.pentaxuser.co.uk/photo/four-spotted-chaser-17638/large

K20D + DA*300/4, C  C welcome.

Regards,

John
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Two pictures, same style

2010-06-06 Thread SV Hovland
Yesterday I tried to take a flower picture. Normally I only do that when my 
wife is pointing at one and asks me to take a picture of it, but yesterday I 
tried all on my own.

Later the same day I was downtown and took some pictures of a festival. I asked 
a small boy if I could take some pictures of him and one of them is linked to 
here. Same colors as the flower picture and same style. Personally I like the 
picture of the kid very much, but still not very fond of flower pictures ☺

http://download.heime.org/foto/IMGP.jpg
http://album.heime.org/album/sandnesfotoklubb/imgp6677.jpg


Stig Vidar Hovland

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Re: PESO - Old outbuilding wall

2010-06-06 Thread Tim Øsleby
Everything is big over here ;-)

I googled the norwegian word, and mesh was the suggestion.
The mosquitoes in northern parts of the country are big, but not that big BTW.

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http://maritimtim.blogspot.com/



2010/6/5 eckinator eckina...@gmail.com:
 Very nice Tim. Looking at the wire mesh, you guys seem to have bloody
 huge insects =)
 Thanks for sharing
 Ecke

 2010/6/3 Tim Øsleby maritim...@gmail.com:
 http://maritimtim.blogspot.com/2010/06/uthusvegg.html

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Re: Two pictures, same style

2010-06-06 Thread Tim Øsleby
Both are nice Stig.
I tend to prefer the flower pickture because of the odd composition.
The other one is IMO a bit to centered.

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http://maritimtim.blogspot.com/



2010/6/6 SV Hovland p...@heime.org:
 Yesterday I tried to take a flower picture. Normally I only do that when my 
 wife is pointing at one and asks me to take a picture of it, but yesterday I 
 tried all on my own.

 Later the same day I was downtown and took some pictures of a festival. I 
 asked a small boy if I could take some pictures of him and one of them is 
 linked to here. Same colors as the flower picture and same style. Personally 
 I like the picture of the kid very much, but still not very fond of flower 
 pictures ☺

 http://download.heime.org/foto/IMGP.jpg
 http://album.heime.org/album/sandnesfotoklubb/imgp6677.jpg


 Stig Vidar Hovland

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Re: Sensor native color balance setting?

2010-06-06 Thread David J Brooks
On Sun, Jun 6, 2010 at 2:50 AM, Larry Colen l...@red4est.com wrote:
 The problem with the histogram is that it shows the exposure of the jpeg, not 
 of the raw sensor.

 It seems to me that if you set the camera to the sensor's raw color balance, 
 then the jpeg and the raw file histograms would match.

 Anybody know what that setting would be?

42

D

 --
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Documenting Life in Rural Ontario.
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Re: PESO - YAF

2010-06-06 Thread David J Brooks
Pretty shot. I like the use of the tree branches to frame it

Dave

On Sat, Jun 5, 2010 at 9:07 PM, Bruce Dayton bkday...@daytonphoto.com wrote:
 Yet Another Falls.  Jack has inspired me to go back and look at my
 images of Yosemite.  Biggest problem is that they are negatives from
 my Pentax 67ii and I haven't scanned everything.  Have to go find the
 proofs.  Anyway, here is one.

 Pentax 67ii, 90/2.8, Tripod

 http://www.daytonphoto.com/PAW/0028-05.htm

 --
 Best regards,
 Bruce



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RE: Two pictures, same style

2010-06-06 Thread SV Hovland
Thanks. Yes, it is perhaps too much centered. I was concerned about this myself 
and made it a little bit tilted to compensate for this.

Stig Vidar Hovland




-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Tim 
Øsleby
Sent: Sunday, June 06, 2010 12:29 PM
To: Pentax-Discuss Mail List
Subject: Re: Two pictures, same style

Both are nice Stig.
I tend to prefer the flower pickture because of the odd composition.
The other one is IMO a bit to centered.

--
MaritimTim

http://maritimtim.blogspot.com/



2010/6/6 SV Hovland p...@heime.org:
 Yesterday I tried to take a flower picture. Normally I only do that when my 
 wife is pointing at one and asks me to take a picture of it, but yesterday I 
 tried all on my own.

 Later the same day I was downtown and took some pictures of a festival. I 
 asked a small boy if I could take some pictures of him and one of them is 
 linked to here. Same colors as the flower picture and same style. Personally 
 I like the picture of the kid very much, but still not very fond of flower 
 pictures ☺

 http://download.heime.org/foto/IMGP.jpg
 http://album.heime.org/album/sandnesfotoklubb/imgp6677.jpg


 Stig Vidar Hovland

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Re: I got to play with a 645D yesterday!

2010-06-06 Thread paul stenquist

On Jun 6, 2010, at 4:20 AM, AlunFoto wrote:

 2010/6/6 paul stenquist pnstenqu...@comcast.net:
 I expect Pentax might delay US release until the bugs are worked out, but 
 there's no way they'll ignore the market. Doesn't make sense in any way.
 
 IIRC, Ned Bunnell told The Online Photographer that they were still
 considering the import. Another thing that wouldn't make sense is to
 just slide this camera silently into the sortiment, without making an
 event of announcing it.
 
 The Nordic distributor is totally silent. :-(
 
 Jostein
 
Very odd. It's as though they don't really want to sell the camera. Perhaps 
production capability is minimal. If it's not distributed worldwide, we may 
still see full frame eventually. But that's probably a long ways off, if at all.
Paul
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 http://alunfoto.blogspot.com
 
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Re: I got to play with a 645D yesterday!

2010-06-06 Thread Tim Øsleby
The current Norwegian distributor are generally silent about Pentax.
Their website shows the camera bodies, but absolutely nothing online
about lenses.

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2010/6/6 paul stenquist pnstenqu...@comcast.net:

 On Jun 6, 2010, at 4:20 AM, AlunFoto wrote:

 2010/6/6 paul stenquist pnstenqu...@comcast.net:
 I expect Pentax might delay US release until the bugs are worked out, but 
 there's no way they'll ignore the market. Doesn't make sense in any way.

 IIRC, Ned Bunnell told The Online Photographer that they were still
 considering the import. Another thing that wouldn't make sense is to
 just slide this camera silently into the sortiment, without making an
 event of announcing it.

 The Nordic distributor is totally silent. :-(

 Jostein

 Very odd. It's as though they don't really want to sell the camera. Perhaps 
 production capability is minimal. If it's not distributed worldwide, we may 
 still see full frame eventually. But that's probably a long ways off, if at 
 all.
 Paul
 --
 http://www.alunfoto.no/galleri/
 http://alunfoto.blogspot.com

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Re: PESO: Four Spotted Chaser [Scanned]

2010-06-06 Thread Jack Davis
Very nice catch, John! One of the best such for some time.

Jack

--- On Sun, 6/6/10, John Whittingham jo...@carmel.ac.uk wrote:

 From: John Whittingham jo...@carmel.ac.uk
 Subject: PESO: Four Spotted Chaser [Scanned]
 To: pdml@pdml.net pdml@pdml.net
 Date: Sunday, June 6, 2010, 1:53 AM
 Out looking for some feathered
 subjects when I came across this:
 
 http://www.pentaxuser.co.uk/photo/four-spotted-chaser-17638/large
 
 K20D + DA*300/4, C  C welcome.
 
 Regards,
 
 John
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Re: Two pictures, same style

2010-06-06 Thread Jack Davis
Creative angle on both adds considerable interest. Good detail!

Jack

--- On Sun, 6/6/10, SV Hovland p...@heime.org wrote:

 From: SV Hovland p...@heime.org
 Subject: Two pictures, same style
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Sunday, June 6, 2010, 2:04 AM
 Yesterday I tried to take a flower
 picture. Normally I only do that when my wife is pointing at
 one and asks me to take a picture of it, but yesterday I
 tried all on my own.
 
 Later the same day I was downtown and took some pictures of
 a festival. I asked a small boy if I could take some
 pictures of him and one of them is linked to here. Same
 colors as the flower picture and same style. Personally I
 like the picture of the kid very much, but still not very
 fond of flower pictures ☺
 
 http://download.heime.org/foto/IMGP.jpg

 http://album.heime.org/album/sandnesfotoklubb/imgp6677.jpg

 
 
 Stig Vidar Hovland
 
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Re: Sensor native color balance setting?

2010-06-06 Thread eckinator
2010/6/6 Larry Colen l...@red4est.com:
 The problem with the histogram is that it shows the exposure of the jpeg, not 
 of the raw sensor.

 It seems to me that if you set the camera to the sensor's raw color balance, 
 then the jpeg and the raw file histograms would match.

 Anybody know what that setting would be?

mu

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Re: Sensor native color balance setting?

2010-06-06 Thread Leon Altoff
Larry,

I've always thought that the native colour balance was for daylight.
Everything else is measured in terms of what colour of light is
missing.  It's also the most used colour balance (with flash coming a
close second and it's not that different).

Leon.

On 6 June 2010 16:50, Larry Colen l...@red4est.com wrote:
 The problem with the histogram is that it shows the exposure of the jpeg, not 
 of the raw sensor.

 It seems to me that if you set the camera to the sensor's raw color balance, 
 then the jpeg and the raw file histograms would match.

 Anybody know what that setting would be?

 --
 Larry Colen l...@red4est.com sent from i4est


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Re: Sensor native color balance setting?

2010-06-06 Thread David Parsons
I don't see how color balance would make the JPEG and RAW match.  The
presets in the camera are what modify the JPEG file; sharpness,
saturation, etc.  If you set all the in-camera controls to neutral,
they will be close enough most of the time.

Where you will see a difference is at the far right side of the
histogram where highlights clip.  Because the JPEG only has 256
levels, and RAW has 4096, the JPEG will show clipping far sooner than
RAW will.

If you really wanted an accurate histogram (there's not much point of
matching JPEG to RAW histograms when they have different amounts of
data), you'd need to generate the histogram off the RAW data instead
of using the JPEG preview.

On Sun, Jun 6, 2010 at 2:50 AM, Larry Colen l...@red4est.com wrote:
 The problem with the histogram is that it shows the exposure of the jpeg, not 
 of the raw sensor.

 It seems to me that if you set the camera to the sensor's raw color balance, 
 then the jpeg and the raw file histograms would match.

 Anybody know what that setting would be?

 --
 Larry Colen l...@red4est.com sent from i4est





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Re: PUGs are up

2010-06-06 Thread Ann Sanfedele

Ahah -- the anti mike johnson theme!
got it

ann

Bruce Walker wrote:


Ann Sanfedele wrote:


Brian what is the theme?

even if I cant up load yet I can browse around for something that 
would fit :)


ann



Ann, it's Flora and Fauna. I managed to upload some Flora.

Cheers!

-bmw





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Re: Sensor native color balance setting?

2010-06-06 Thread P. J. Alling

On 6/6/2010 2:50 AM, Larry Colen wrote:

The problem with the histogram is that it shows the exposure of the jpeg, not 
of the raw sensor.

It seems to me that if you set the camera to the sensor's raw color balance, 
then the jpeg and the raw file histograms would match.

Anybody know what that setting would be?

--
Larry Colen l...@red4est.com sent from i4est
   


I think if you dial back all the custom image settings to their minimum 
the histogram will most closely, (but still not perfectly), reflect the 
raw data.  The image on the playback display will be a bit dull at that 
point since those settings are used to produce the embedded jpeg.








   



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{\rtf1\ansi\ansicpg1252\deff0\deflang1033{\fonttbl{\f0\fnil\fcharset0 Courier 
New;}}
\viewkind4\uc1\pard\f0\fs20 I've just upgraded to Thunderbird 3.0 and the 
interface subtly weird.\par
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Re: PUGs are up

2010-06-06 Thread P. J. Alling

Only if it's cat's and pretty flowers.. We need to send him a link...

On 6/6/2010 10:44 AM, Ann Sanfedele wrote:

Ahah -- the anti mike johnson theme!
got it

ann

Bruce Walker wrote:


Ann Sanfedele wrote:


Brian what is the theme?

even if I cant up load yet I can browse around for something that 
would fit :)


ann



Ann, it's Flora and Fauna. I managed to upload some Flora.

Cheers!

-bmw








--
{\rtf1\ansi\ansicpg1252\deff0\deflang1033{\fonttbl{\f0\fnil\fcharset0 Courier 
New;}}
\viewkind4\uc1\pard\f0\fs20 I've just upgraded to Thunderbird 3.0 and the 
interface subtly weird.\par
}


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Re: PUGs are up

2010-06-06 Thread eckinator
How about a Cats eating Flowers theme for 2011?

2010/6/6 P. J. Alling webstertwenty...@gmail.com:
 Only if it's cat's and pretty flowers.. We need to send him a link...

 On 6/6/2010 10:44 AM, Ann Sanfedele wrote:

 Ahah -- the anti mike johnson theme!
 got it

 ann

 Bruce Walker wrote:

 Ann Sanfedele wrote:

 Brian what is the theme?

 even if I cant up load yet I can browse around for something that would
 fit :)

 ann


 Ann, it's Flora and Fauna. I managed to upload some Flora.

 Cheers!

 -bmw






 --
 {\rtf1\ansi\ansicpg1252\deff0\deflang1033{\fonttbl{\f0\fnil\fcharset0
 Courier New;}}
 \viewkind4\uc1\pard\f0\fs20 I've just upgraded to Thunderbird 3.0 and the
 interface subtly weird.\par
 }


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Re: Detroit PDML Does Frank Tomrrow

2010-06-06 Thread Ann Sanfedele
hehe -- when I read the subject line - I thought they were going on a 
Theraulterian photo shoot :-)


ann

Boris Liberman wrote:


On 6/6/2010 4:26 AM, paul stenquist wrote:


Bill Sawyer, Ken Waller, and I are attending the Robert Frank exhibit
at Detroit Institute of the Arts. Meeting at 10 AM at the Farnsworth
Ave entrance. Lurkers welcome. Cassino too:-).

Paul




Wrong Frank. You got me confused. I thought Frank of PDML was joinin' 
you for a friendly meetin'...


Too bad.

Boris





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PESO - Rooms for Rent

2010-06-06 Thread frank theriault
I've never shown a photo of this place during the day before:

http://knarfinthecity.blogspot.com/2010/06/rooms-for-rent.html

Hope you enjoy.  Comments welcome.

Leica CL/f2.0 40mm Summicron C, TriX.

cheers,
frank

-- 
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: PESO - Barn in Ålfoten

2010-06-06 Thread Tim Øsleby
Thanks Brian.
You are right, it is tilted. I overlooked that.

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2010/6/5 Brian Walters supera1...@fastmail.fm:
 On Sat, 05 Jun 2010 02:23 +0200, Tim Øsleby maritim...@gmail.com
 wrote:
 http://maritimtim.blogspot.com/2010/06/lave-i-alfoten.html



 That's an interesting treatment of a very picturesque subject.  You've
 certainly succeeded in giving it a 'vintage' feel.

 It seems to be tilted to the right slightly - perhaps that's the way it
 was.



 Cheers

 Brian

 ++
 Brian Walters
 Western Sydney Australia
 http://members.westnet.com.au/brianwal/SL/
 --


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                          or over the web


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Re: GESO - Double Daddio extravaganza

2010-06-06 Thread Brendan MacRae




- Original Message 
 From: Derby Chang der...@iinet.net.au
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Sat, June 5, 2010 3:43:17 PM
 Subject: GESO - Double Daddio extravaganza
 
 
My friends Lo and Pete played a hilarity-filled folk-blues-cabaret set last 
 night with Christa Hughes (of Machine Gun Fellatio fame) with her daddio, 
 Dick.

http://members.iinet.net.au/~derbyc/10/10_06/10_06_daddio/index.htm

Highlight 
 of the evening, Dick and Pete playing the encore as The Dick 
 Heads.


She's playing a Sears Silvertone guitar made by Danelectro in the 60's. It was 
one of the worst electric guitars ever made. Would never tune, probably even 
when brand new. The body is made of masonite and had an 18 fret short scale 
neck. They were sold out of the Sear catalog along with a case that had a small 
tube amp built into it and all for $67 and change!

Lots of famous folks play them mostly for their shabby-chic quality. You can 
get some nice tone out of them with the Danelectro Lipstick Pickup but after 
playing a couple of these (and owning one in the late 80's) I can tell you 
they're truly awful.

-Brendan



  

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Re: PESO - Rooms for Rent

2010-06-06 Thread Ann Sanfedele

as you no doubt know, the juxtaposition of sign, people, sign makes this :-)

nice one, Knarf!

ann

(who remembers strolling by that place with you  6 years ago )

frank theriault wrote:


I've never shown a photo of this place during the day before:

http://knarfinthecity.blogspot.com/2010/06/rooms-for-rent.html

Hope you enjoy.  Comments welcome.

Leica CL/f2.0 40mm Summicron C, TriX.

cheers,
frank

 





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Re: PESO - Rooms for Rent

2010-06-06 Thread Jack Davis
Terrific! One for the archives, Frank.

Jack

--- On Sun, 6/6/10, frank theriault knarftheria...@gmail.com wrote:

 From: frank theriault knarftheria...@gmail.com
 Subject: PESO - Rooms for Rent
 To: Pentax-Discuss Mail List PDML@pdml.net
 Date: Sunday, June 6, 2010, 7:55 AM
 I've never shown a photo of this
 place during the day before:
 
 http://knarfinthecity.blogspot.com/2010/06/rooms-for-rent.html
 
 Hope you enjoy.  Comments welcome.
 
 Leica CL/f2.0 40mm Summicron C, TriX.
 
 cheers,
 frank
 
 -- 
 Sharpness is a bourgeois concept.  -Henri
 Cartier-Bresson
 
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Lightroom catalogs chaining (a question really)

2010-06-06 Thread Boris Liberman
Hi!

Suppose I've a LR catalog A. Now, it is very big and I want to take
part of it out and make a separate catalog (suppose it is all my
family album pictures for sake of example). So I make catalog B that
contains a subset of pictures from catalog A. I then go and remove
from A all the pictures that are in B.

Now, is there a way in which I can say to LightRoom something like -
here is the (soft link) location from which you should consult catalog
B and have all this knowledge displayed somehow when I open catalog A?
Effectively I want to divide my pictures to sub-catalogs but I want to
have a single point of entry to this whole structure.

Any thoughts?

-- 
Boris

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Re: I got to play with a 645D yesterday!

2010-06-06 Thread William Robb


--
From: paul stenquist
Subject: Re: I got to play with a 645D yesterday!



Very odd. It's as though they don't really want to sell the camera. 
Perhaps production capability is minimal. If it's not distributed 
 worldwide, we may still see full frame eventually. But that's probably a 
long ways off, if at all.



The world is a pretty small place now. Anyone that wants one will be able to 
get it, whether it's officially sold or not. This is going to be a very 
small market camera.
A guy I vaguely know who lives a couple of hours from here has been quietly 
buying 645 lenses for fairly cheap ever since the P645D was announced. He's 
fairly excited about this camera.


William Robb 



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RE: Sensor native color balance setting?

2010-06-06 Thread J.C. O'Connell
Who cares? With my istDS,I quickly discovered the camera's
LCD is of very high contrast such that if you shoot and adjust
for a good middle exposure on the LCD, the RAW itself will be even better
exposed to make custom JPEGS later from the RAW files adjusted by
the test exposure LCD images.

--
J.C. O'Connell (mailto:hifis...@gate.net)
Join the CD PLAYER  DISC Discussions :
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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
David Parsons
Sent: Sunday, June 06, 2010 10:04 AM
To: Pentax-Discuss Mail List
Subject: Re: Sensor native color balance setting?


I don't see how color balance would make the JPEG and RAW match.  The
presets in the camera are what modify the JPEG file; sharpness, saturation,
etc.  If you set all the in-camera controls to neutral, they will be close
enough most of the time.

Where you will see a difference is at the far right side of the histogram
where highlights clip.  Because the JPEG only has 256 levels, and RAW has
4096, the JPEG will show clipping far sooner than RAW will.

If you really wanted an accurate histogram (there's not much point of
matching JPEG to RAW histograms when they have different amounts of data),
you'd need to generate the histogram off the RAW data instead of using the
JPEG preview.

On Sun, Jun 6, 2010 at 2:50 AM, Larry Colen l...@red4est.com wrote:
 The problem with the histogram is that it shows the exposure of the 
 jpeg, not of the raw sensor.

 It seems to me that if you set the camera to the sensor's raw color 
 balance, then the jpeg and the raw file histograms would match.

 Anybody know what that setting would be?

 --
 Larry Colen l...@red4est.com sent from i4est





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Chris, Colossus and Concrete Kine

2010-06-06 Thread Bob W
I spent the better part of the today with Chris at Bletchley Park, exploring
the code-breaking exhibitions. It's a great day out for anyone interesting
in the history of computing or WWII, and highly recommended, although
Bletchely and the museum of computing are scandalously under-funded, so it
all looks a bit shabby.

You might find this a bit dull if you're not interested in the subject, but
I took several of them to show my mother, who worked in sigint after the war
on this sort of equipment.

http://www.web-options.com/MK/

Unfortunately I forgot to take a picture of Colossus, which was working away
at decrypting Hermann Goering's shopping list or something, but it's a
fascinating machine. Go there if you can. But on a Saturday or a Thursday
when you can actually get into the part of the museum where they have the
type of machines I used to program...

There are some cows too.

Bob


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RE: Chris, Colossus and Concrete Kine

2010-06-06 Thread Bob W
Oh, I forgot to say, Chris also handed over The Book. Thanks to everyone who
signed it for me - I really appreciate it. I have only skimmed it so far and
already I have to buy another thesaurus with more superlatives in...



 
 I spent the better part of the today with Chris at Bletchley Park,
 exploring
 the code-breaking exhibitions. It's a great day out for anyone
 interesting
 in the history of computing or WWII, and highly recommended, although
 Bletchely and the museum of computing are scandalously under-funded, so
 it
 all looks a bit shabby.
 
 You might find this a bit dull if you're not interested in the subject,
 but
 I took several of them to show my mother, who worked in sigint after
 the war
 on this sort of equipment.
 
 http://www.web-options.com/MK/
 
 Unfortunately I forgot to take a picture of Colossus, which was working
 away
 at decrypting Hermann Goering's shopping list or something, but it's a
 fascinating machine. Go there if you can. But on a Saturday or a
 Thursday
 when you can actually get into the part of the museum where they have
 the
 type of machines I used to program...
 
 There are some cows too.
 
 Bob




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Re: Sensor native color balance setting?

2010-06-06 Thread Larry Colen

On Jun 6, 2010, at 10:03 AM, J.C. O'Connell wrote:

 Who cares? With my istDS,I quickly discovered the camera's
 LCD is of very high contrast such that if you shoot and adjust
 for a good middle exposure on the LCD, the RAW itself will be even better
 exposed to make custom JPEGS later from the RAW files adjusted by
 the test exposure LCD images.

A couple of the bars that I've been photographing bands in have very wonky 
color balance. So far out that lightroom can't correct because it only goes to  
a color temp of 2000K.  I'm trying to set the exposure so that I get the very 
most info onto the sensor, without clipping.  If I expose for red, then blue 
and green are totally lost, so I need to push red as hard as I can, so that I 
don't lose blue and green.

 
 --
 J.C. O'Connell (mailto:hifis...@gate.net)
 Join the CD PLAYER  DISC Discussions :
 http://tech.groups.yahoo.com/group/cdplayers/
 http://launch.groups.yahoo.com/group/cdsound/ 
 
 
 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 David Parsons
 Sent: Sunday, June 06, 2010 10:04 AM
 To: Pentax-Discuss Mail List
 Subject: Re: Sensor native color balance setting?
 
 
 I don't see how color balance would make the JPEG and RAW match.  The
 presets in the camera are what modify the JPEG file; sharpness, saturation,
 etc.  If you set all the in-camera controls to neutral, they will be close
 enough most of the time.

I need to know how each channel is being exposed.  If I use the custom color 
balance, the histograms come out a lot more balanced, even if the raw data 
isn't.

 
 Where you will see a difference is at the far right side of the histogram
 where highlights clip.  Because the JPEG only has 256 levels, and RAW has
 4096, the JPEG will show clipping far sooner than RAW will.

because there are 16 values between where the jpeg clips and where the raw 
clips?
Assuming that since the raw space is 16 times the size of the jpeg space, that 
each jpeg value represents 16 raw values.

 
 If you really wanted an accurate histogram (there's not much point of
 matching JPEG to RAW histograms when they have different amounts of data),
 you'd need to generate the histogram off the RAW data instead of using the
 JPEG preview.

That is a feature that I've been wanting ever since I started shooting with a 
DSLR. I use the histogram as my exposure meter, and I want it to reflect what 
I'm actually exposing.  Pentax seems to assume that people only ever use their 
cameras in automatic exposure mode, shooting directly to jpegs.


 
 On Sun, Jun 6, 2010 at 2:50 AM, Larry Colen l...@red4est.com wrote:
 The problem with the histogram is that it shows the exposure of the 
 jpeg, not of the raw sensor.
 
 It seems to me that if you set the camera to the sensor's raw color 
 balance, then the jpeg and the raw file histograms would match.
 
 Anybody know what that setting would be?
 
 --
 Larry Colen l...@red4est.com sent from i4est
 
 
 
 
 
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 follow the directions.
 
 
 
 
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Re: studio light brand suggestions [Scanned][Spam score:8%]

2010-06-06 Thread Larry Colen
For continuous light,  I tend to buy clamp lights from the hardware store.  
Relatively inexpensive, easy to replace and almost infinitely versatile in 
their placement.

I have been extremely impressed with the service at Paul C Buff / alienbee. 
When a bulb went out on one of my white lightnings, the replacement bulb was 
something like $10 or $20.  When one of my 20+ year old white lightnings went 
out, and they couldn't repair it, they let me buy a current model for half of 
list price.


On Jun 6, 2010, at 1:13 AM, John Whittingham wrote:

 Hi Christine,
 
 I'm no expert on studio lighting, prefering to work with natural light, but I 
 have to order the lighting for my employers studio. The general consensus 
 here in the Uk is to use Bowens, I've bought Bowens Gemini 250R kits, they're 
 pretty good value, quite comprehensive and reasonably robust. The bulbs have 
 a limited life and are expensive to replace, spares are also expensive:
 
 http://www.bowens.co.uk/content/pages/gemini250r.html
 
 I've just had to order some more lighting and decided to take a chance on the 
 following:
 
 http://www.srsmicrosystems.co.uk/4710/Pro-Line-Apollo-300-Creative-Studio-Lighting-Kit.html
 
 Only time will tell if I made a good decision.
 
 Best regards,
 
 John
 
 From: pdml-boun...@pdml.net [pdml-boun...@pdml.net] On Behalf Of Christine  
 Aguila [cagu...@earthlink.net]
 Sent: 05 June 2010 14:45
 To: pdml@pdml.net
 Subject: studio light brand suggestions [Scanned][Spam score:8%]
 
 Here's a question for folks shooting in studio conditions:
 
 Any particular *brand recommendations* for *continuous tungsten studio
 lights* to be used for portraiture?
 
 Thanks in advance.
 Cheers, Christine
 
 
 
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RE: Lightroom catalogs chaining (a question really)

2010-06-06 Thread Bob W
 Hi!
 
 Suppose I've a LR catalog A. Now, it is very big and I want to take
 part of it out and make a separate catalog (suppose it is all my
 family album pictures for sake of example). So I make catalog B that
 contains a subset of pictures from catalog A. I then go and remove
 from A all the pictures that are in B.
 
 Now, is there a way in which I can say to LightRoom something like -
 here is the (soft link) location from which you should consult catalog
 B and have all this knowledge displayed somehow when I open catalog A?
 Effectively I want to divide my pictures to sub-catalogs but I want to
 have a single point of entry to this whole structure.
 
 Any thoughts?

I don't think you'll be able to have both catalogues open at the same time
in the same instance of LR. 

In my opinion it's not a good idea to use several catalogues. I have just
consolidated several into one because it was getting out of hand trying to
track what was there. I can't see the benefit of having 2 catalogues.

Bob


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Re: Two pictures, same style

2010-06-06 Thread Larry Colen

On Jun 6, 2010, at 2:04 AM, SV Hovland wrote:

 Yesterday I tried to take a flower picture. Normally I only do that when my 
 wife is pointing at one and asks me to take a picture of it, but yesterday I 
 tried all on my own.
 
 Later the same day I was downtown and took some pictures of a festival. I 
 asked a small boy if I could take some pictures of him and one of them is 
 linked to here. Same colors as the flower picture and same style. Personally 
 I like the picture of the kid very much, but still not very fond of flower 
 pictures ☺
 
 http://download.heime.org/foto/IMGP.jpg
 http://album.heime.org/album/sandnesfotoklubb/imgp6677.jpg

They make a great pair of shots, where the two together are stronger than 
either one alone.

Flower shots are a real challenge, not because it's difficult to get something 
nice, but because it's so easy it's very tough to get one that hasn't been done 
to death. 

That being said, I think you did a great job on the flower shot. It's a 
different angle (though IIRC one that Scott Kelby recommends) and the color 
contrast between the flower and the sky is nice, as is the composition.
 
 
 Stig Vidar Hovland
 
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GESO - Bob, Colossus, concrete and wood.

2010-06-06 Thread Chris Mitchell
Bob just beat me to it - but I managed to get a couple of Colossus. So
there.
http://www.mitch.myzen.co.uk/CowsBP/

An excellent day out and a challenge to get some different pictures of the
cows which, by popular demand, we had to do. I went for the low angle
approach to attempt to avoid the cliché.

Chris



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RE: GESO - Bob, Colossus, concrete and wood.

2010-06-06 Thread Bob W
 Bob just beat me to it - but I managed to get a couple of Colossus. So
 there.
 http://www.mitch.myzen.co.uk/CowsBP/
 
 An excellent day out and a challenge to get some different pictures of
 the
 cows which, by popular demand, we had to do. I went for the low angle
 approach to attempt to avoid the cliché.
 
 Chris

Excellent gallery! I especially like the first picture of the cows - it has
a John Ford magnificence.




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Re: GESO - Bob, Colossus, concrete and wood.

2010-06-06 Thread Larry Colen
Nice sets, both of you.  I'd love to go to Bletchley park myself one of these 
days.

It turns out that this is my second exposure to the concrete cows.  The first 
one was in my friend Charlie's book The Atrocity Archives, where they play a 
very minor part, and sure enough, they're the same cows mentioned in The 
concrete jungle.  By the way, I highly recommend not only the Atrocity 
Archives, but his whole Bob Howard/laundryverse series. It's hard to explain, 
but it's sort of like modern computer geek meets Cthulu.

On Jun 6, 2010, at 12:32 PM, Chris Mitchell wrote:

 Bob just beat me to it - but I managed to get a couple of Colossus. So
 there.
 http://www.mitch.myzen.co.uk/CowsBP/
 
 An excellent day out and a challenge to get some different pictures of the
 cows which, by popular demand, we had to do. I went for the low angle
 approach to attempt to avoid the cliché.
 
 Chris
 
 
 
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RE: PESO: Four Spotted Chaser [Scanned] [Spam score:8%]

2010-06-06 Thread John Whittingham
Thanks Jack, much appreciated.

Best regards,

John

From: pdml-boun...@pdml.net [pdml-boun...@pdml.net] On Behalf Of Jack Davis 
[jdavi...@yahoo.com]
Sent: 06 June 2010 12:39
To: Pentax-Discuss Mail List
Subject: Re: PESO: Four Spotted Chaser [Scanned] [Spam score:8%]

Very nice catch, John! One of the best such for some time.

Jack

--- On Sun, 6/6/10, John Whittingham jo...@carmel.ac.uk wrote:

 From: John Whittingham jo...@carmel.ac.uk
 Subject: PESO: Four Spotted Chaser [Scanned]
 To: pdml@pdml.net pdml@pdml.net
 Date: Sunday, June 6, 2010, 1:53 AM
 Out looking for some feathered
 subjects when I came across this:

 http://www.pentaxuser.co.uk/photo/four-spotted-chaser-17638/large

 K20D + DA*300/4, C  C welcome.

 Regards,

 John
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Re: Sensor native color balance setting?

2010-06-06 Thread David Parsons
Don't try for accurate colors in a bar setting.  Just set a custom WB
off a sheet of white paper with the light.  If they have mixed light
sources, you are not going to be able to balance for them all anyway.

If you hitting a limit at 2000K, you are deep into the red end of the
lighting spectrum, and you will probably have problems with the light
looking white without shifting the other colors.  The only time that I
get to anywhere near 2000K is when I'm shooting IR, and the colors
will never look right.

On Sun, Jun 6, 2010 at 3:16 PM, Larry Colen l...@red4est.com wrote:

 On Jun 6, 2010, at 10:03 AM, J.C. O'Connell wrote:

 Who cares? With my istDS,I quickly discovered the camera's
 LCD is of very high contrast such that if you shoot and adjust
 for a good middle exposure on the LCD, the RAW itself will be even better
 exposed to make custom JPEGS later from the RAW files adjusted by
 the test exposure LCD images.

 A couple of the bars that I've been photographing bands in have very wonky 
 color balance. So far out that lightroom can't correct because it only goes 
 to  a color temp of 2000K.  I'm trying to set the exposure so that I get the 
 very most info onto the sensor, without clipping.  If I expose for red, then 
 blue and green are totally lost, so I need to push red as hard as I can, so 
 that I don't lose blue and green.


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 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 David Parsons
 Sent: Sunday, June 06, 2010 10:04 AM
 To: Pentax-Discuss Mail List
 Subject: Re: Sensor native color balance setting?


 I don't see how color balance would make the JPEG and RAW match.  The
 presets in the camera are what modify the JPEG file; sharpness, saturation,
 etc.  If you set all the in-camera controls to neutral, they will be close
 enough most of the time.

 I need to know how each channel is being exposed.  If I use the custom color 
 balance, the histograms come out a lot more balanced, even if the raw data 
 isn't.


 Where you will see a difference is at the far right side of the histogram
 where highlights clip.  Because the JPEG only has 256 levels, and RAW has
 4096, the JPEG will show clipping far sooner than RAW will.

 because there are 16 values between where the jpeg clips and where the raw 
 clips?
 Assuming that since the raw space is 16 times the size of the jpeg space, 
 that each jpeg value represents 16 raw values.


 If you really wanted an accurate histogram (there's not much point of
 matching JPEG to RAW histograms when they have different amounts of data),
 you'd need to generate the histogram off the RAW data instead of using the
 JPEG preview.

 That is a feature that I've been wanting ever since I started shooting with a 
 DSLR. I use the histogram as my exposure meter, and I want it to reflect what 
 I'm actually exposing.  Pentax seems to assume that people only ever use 
 their cameras in automatic exposure mode, shooting directly to jpegs.



 On Sun, Jun 6, 2010 at 2:50 AM, Larry Colen l...@red4est.com wrote:
 The problem with the histogram is that it shows the exposure of the
 jpeg, not of the raw sensor.

 It seems to me that if you set the camera to the sensor's raw color
 balance, then the jpeg and the raw file histograms would match.

 Anybody know what that setting would be?

 --
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Re: Chris, Colossus and Concrete Kine

2010-06-06 Thread Ann Sanfedele

I liked these quite a bit --   it _is_ interesting

Wonder if they ever used the site for any episodes of Foyle's War 
(which I love love love)


Ann

Bob W wrote:


I spent the better part of the today with Chris at Bletchley Park, exploring
the code-breaking exhibitions. It's a great day out for anyone interesting
in the history of computing or WWII, and highly recommended, although
Bletchely and the museum of computing are scandalously under-funded, so it
all looks a bit shabby.

You might find this a bit dull if you're not interested in the subject, but
I took several of them to show my mother, who worked in sigint after the war
on this sort of equipment.

http://www.web-options.com/MK/

Unfortunately I forgot to take a picture of Colossus, which was working away
at decrypting Hermann Goering's shopping list or something, but it's a
fascinating machine. Go there if you can. But on a Saturday or a Thursday
when you can actually get into the part of the museum where they have the
type of machines I used to program...

There are some cows too.

Bob


 





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Re: Chris, Colossus and Concrete Kine

2010-06-06 Thread Cotty
On 6/6/10, Bob W, discombobulated, unleashed:

I spent the better part of the today with Chris at Bletchley Park, exploring
the code-breaking exhibitions. It's a great day out for anyone interesting
in the history of computing or WWII, and highly recommended, although
Bletchely and the museum of computing are scandalously under-funded, so it
all looks a bit shabby.

You might find this a bit dull if you're not interested in the subject, but
I took several of them to show my mother, who worked in sigint after the war
on this sort of equipment.

http://www.web-options.com/MK/

Unfortunately I forgot to take a picture of Colossus, which was working away
at decrypting Hermann Goering's shopping list or something, but it's a
fascinating machine. Go there if you can. But on a Saturday or a Thursday
when you can actually get into the part of the museum where they have the
type of machines I used to program...

There are some cows too.

Sorry I couldn't make it guys. Busy slaving over a very hot Mac all
weekend editing video to go in iPhone Apps! Nice to see the pics - was
the U-boat still in the car park?

--


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Re: GESO - Bob, Colossus, concrete and wood.

2010-06-06 Thread Cotty
On 6/6/10, Chris Mitchell, discombobulated, unleashed:

Bob just beat me to it - but I managed to get a couple of Colossus. So
there.
http://www.mitch.myzen.co.uk/CowsBP/

An excellent day out and a challenge to get some different pictures of the
cows which, by popular demand, we had to do. I went for the low angle
approach to attempt to avoid the cliché.

Look at the size of them udders!!

http://www.mitch.myzen.co.uk/CowsBP/slides/_IGP3393.html

-- 


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Re: OT Card reader question

2010-06-06 Thread Doug Franklin

On 2010-06-05 10:03, eckinator wrote:

a good card reader is a lot faster in my experience


That's why I use a card reader ... several times faster transfer rates.

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RE: Chris, Colossus and Concrete Kine

2010-06-06 Thread Bob W
I don't know about Foyle's War, but they did have some Bombes there which
were used as props for the film Enigma from Robert Harris's novel.

Bob

 
 I liked these quite a bit --   it _is_ interesting
 
 Wonder if they ever used the site for any episodes of Foyle's War
 (which I love love love)
 
 Ann
[...]
 
 http://www.web-options.com/MK/
 




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Re: Sensor native color balance setting?

2010-06-06 Thread Fernando
Hi Larry,

This discussion might be of some use -it's based on the K10D but at
least describes the method to get -what I understand- is an answer to
your question:
http://forums.dpreview.com/forums/readflat.asp?forum=1036thread=22957362page=1

On Sun, Jun 6, 2010 at 2:50 AM, Larry Colen l...@red4est.com wrote:
 The problem with the histogram is that it shows the exposure of the jpeg, not 
 of the raw sensor.

 It seems to me that if you set the camera to the sensor's raw color balance, 
 then the jpeg and the raw file histograms would match.

 Anybody know what that setting would be?

 --
 Larry Colen l...@red4est.com sent from i4est





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RE: Chris, Colossus and Concrete Kine

2010-06-06 Thread Bob W
[...]
 
 Sorry I couldn't make it guys. Busy slaving over a very hot Mac all
 weekend editing video to go in iPhone Apps! Nice to see the pics - was
 the U-boat still in the car park?

we missed you! and Mike - it would be good to get together sometime. Chris
and I discussed the possibility of meeting at the Manchester Museum of
Industry that Mike and I visited earlier in the year, where there is quite a
bit of pre-Mac/Windows computer stuff.

The U-boat seems to have moved across the road and is now nestling next to
one of the huts - probably sneaking up on it.

B


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RE: GESO - Bob, Colossus, concrete and wood.

2010-06-06 Thread Bob W
[...]
 An excellent day out and a challenge to get some different pictures of
 the
 cows which, by popular demand, we had to do. I went for the low angle
 approach to attempt to avoid the cliché.
 
 Look at the size of them udders!!
 
 http://www.mitch.myzen.co.uk/CowsBP/slides/_IGP3393.html

yes - I was looking for anudder point of view... Shot on Tri-X so you'll
have to wait for the results.




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RE: Chris, Colossus and Concrete Kine

2010-06-06 Thread Chris Mitchell
Bob W wrote:
 I spent the better part of the today with Chris at Bletchley Park,
 exploring
 the code-breaking exhibitions. It's a great day out for anyone
 interesting
 in the history of computing or WWII, and highly recommended, although
 Bletchely and the museum of computing are scandalously under-funded, so
 it
 all looks a bit shabby.
 
 You might find this a bit dull if you're not interested in the subject,
 but
 I took several of them to show my mother, who worked in sigint after
 the war
 on this sort of equipment.
 
 http://www.web-options.com/MK/
 
 Unfortunately I forgot to take a picture of Colossus, which was working
 away
 at decrypting Hermann Goering's shopping list or something, but it's a
 fascinating machine. Go there if you can. But on a Saturday or a
 Thursday
 when you can actually get into the part of the museum where they have
 the
 type of machines I used to program...
 
 There are some cows too.
 
 Bob
Good stuff Bob. I can't wait to see the BWs. It was a privilege to have a
go with the M3 - a real classic.

Chris



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Detroit PDML, It Began Nicely

2010-06-06 Thread paul stenquist
Bill Sawyer, Ken Waller, and I had a good time at the Detroit Institute of Art. 
The Robert Frank exhibit consisted of his shots of Detroit, many of which are 
not in his book, The Americans. Some of the images are superb, with plenty of 
storytelling and nice rendering. A few are borderline in regard to the 
rendering and exposures. Not everything that's out of focus and poorly exposed 
is art:-). But overall, the work is interesting and revealing.

That was good. Then we went to lunch at Traffic Jam and Snug, which is one of 
the few places near the museum that's open on Sunday. Good as always. We all 
refrained from sampling their excellent home brews since it was just barely 
noon.

Left for home at about 1PM. Could have taken Woodward all the way as I usually 
due, but we had some serious flooding, and I was afraid some of the underpasses 
might be closed. So I took the Interstate. I was motoring along in the left 
lane at about 80, which is normal for Detroit, when the guy in front of me 
swerved hard to the left. Right there about two car lengths ahead was what 
appeared to be a tire in the land. Since I was driving my Jeep, I figured that 
if I did a slalom move to avoid it, I'd end up on my head with the greasy side 
showing. So I moved over as far as I could without doing a violent move, and I 
hit the tire. Turned out it was a tire and wheel. Blew out both right side 
tires, but managed to get things under control and pulled off to the shoulder 
on the left side of the lane. No way I could make it to the right shoulder 
through heavy traffic. Sat for two hours before I could get a flatbed out 
there. Paid him $175 to haul the Jeep 25 miles to my place and drop it in the 
driveway. Figure I'll still come out ahead by beating the wheels off myself and 
buying two tires at a discount tire store. If he had taken it to a Detroit 
shop, they would have raped me, and each employee would probably have taken a 
turn.

Anyway, I'm home now, enjoying an adult beverage. 

Good PDML Detroit. Bad trip home.

Paul
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PAW21 - Fell in a well

2010-06-06 Thread DagT
Another accidental picture
http://www.thrane.name/page3/page7/files/page7-1000-full.html
K20D, DA*55mm, 1/60, f/2.8, ISO100

The previous PAWs are here:
http://www.thrane.name/page3/page7/page7.html

and four new pictures here:
http://www.thrane.name/page3/page8/page8.html

DagT

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RE: Detroit PDML, It Began Nicely

2010-06-06 Thread Bob W
 [...] Sat for two hours before I
 could get a flatbed out there. Paid him $175 to haul the Jeep 25 miles
 to my place and drop it in the driveway. Figure I'll still come out
 ahead by beating the wheels off myself and buying two tires at a
 discount tire store. If he had taken it to a Detroit shop, they would
 have raped me, and each employee would probably have taken a turn.
 

Nasty, but at least you can still sit down...




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Re: PESO - YAF

2010-06-06 Thread Daniel J. Matyola
Very nice.  The blue sky really sets of the scene, and the composition
is perfect.

Dan

On Sat, Jun 5, 2010 at 9:07 PM, Bruce Dayton bkday...@daytonphoto.com wrote:
 Yet Another Falls.  Jack has inspired me to go back and look at my
 images of Yosemite.  Biggest problem is that they are negatives from
 my Pentax 67ii and I haven't scanned everything.  Have to go find the
 proofs.  Anyway, here is one.

 Pentax 67ii, 90/2.8, Tripod

 http://www.daytonphoto.com/PAW/0028-05.htm

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Re: Chris, Colossus and Concrete Kine

2010-06-06 Thread mike wilson

Bob W wrote:


I spent the better part of the today with Chris at Bletchley Park, exploring
the code-breaking exhibitions. It's a great day out for anyone interesting
in the history of computing or WWII, and highly recommended, although
Bletchely and the museum of computing are scandalously under-funded, so it
all looks a bit shabby.

You might find this a bit dull if you're not interested in the subject, but
I took several of them to show my mother, who worked in sigint after the war
on this sort of equipment.

http://www.web-options.com/MK/

Unfortunately I forgot to take a picture of Colossus, which was working away
at decrypting Hermann Goering's shopping list or something, but it's a
fascinating machine. Go there if you can. But on a Saturday or a Thursday
when you can actually get into the part of the museum where they have the
type of machines I used to program...

There are some cows too.


Never thought I would get to see Alan Turing's helmet.  Not in this 
world, anyway.


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Re: Detroit PDML, It Began Nicely

2010-06-06 Thread Cotty
On 6/6/10, paul stenquist, discombobulated, unleashed:

Good PDML Detroit. Bad trip home.

Quite an adventure, glad to see you're safe and still a virgin :)

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Re: Sensor native color balance setting?

2010-06-06 Thread Larry Colen
Thanks a bunch.

It seems as if the short answer is to try the K5000 setting and that should get 
it pretty close.

If I were better at measurbating,  I could probably optimize a little closer.

On Jun 6, 2010, at 1:44 PM, Fernando wrote:

 Hi Larry,
 
 This discussion might be of some use -it's based on the K10D but at
 least describes the method to get -what I understand- is an answer to
 your question:
 http://forums.dpreview.com/forums/readflat.asp?forum=1036thread=22957362page=1
 
 On Sun, Jun 6, 2010 at 2:50 AM, Larry Colen l...@red4est.com wrote:
 The problem with the histogram is that it shows the exposure of the jpeg, 
 not of the raw sensor.
 
 It seems to me that if you set the camera to the sensor's raw color balance, 
 then the jpeg and the raw file histograms would match.
 
 Anybody know what that setting would be?
 
 --
 Larry Colen l...@red4est.com sent from i4est
 
 
 
 
 
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 http://www.flickr.com/photos/ferand/
 
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Re: Sensor native color balance setting?

2010-06-06 Thread Larry Colen

On Jun 6, 2010, at 1:13 PM, David Parsons wrote:

 Don't try for accurate colors in a bar setting.  Just set a custom WB
 off a sheet of white paper with the light.  If they have mixed light
 sources, you are not going to be able to balance for them all anyway.

Exactly.

 
 If you hitting a limit at 2000K, you are deep into the red end of the
 lighting spectrum, and you will probably have problems with the light
 looking white without shifting the other colors.  The only time that I
 get to anywhere near 2000K is when I'm shooting IR, and the colors
 will never look right.

This is true.  That's one reason I tend to convert to black and white.  But I'd 
still like to have the best image to start with before converting.

That's one thing that I should have mentioned, if I blew out the red channel, 
I'd just use the blue and green for the BW conversion.

 
 On Sun, Jun 6, 2010 at 3:16 PM, Larry Colen l...@red4est.com wrote:
 
 On Jun 6, 2010, at 10:03 AM, J.C. O'Connell wrote:
 
 Who cares? With my istDS,I quickly discovered the camera's
 LCD is of very high contrast such that if you shoot and adjust
 for a good middle exposure on the LCD, the RAW itself will be even better
 exposed to make custom JPEGS later from the RAW files adjusted by
 the test exposure LCD images.
 
 A couple of the bars that I've been photographing bands in have very wonky 
 color balance. So far out that lightroom can't correct because it only goes 
 to  a color temp of 2000K.  I'm trying to set the exposure so that I get the 
 very most info onto the sensor, without clipping.  If I expose for red, then 
 blue and green are totally lost, so I need to push red as hard as I can, so 
 that I don't lose blue and green.
 
 
 --
 J.C. O'Connell (mailto:hifis...@gate.net)
 Join the CD PLAYER  DISC Discussions :
 http://tech.groups.yahoo.com/group/cdplayers/
 http://launch.groups.yahoo.com/group/cdsound/
 
 
 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 David Parsons
 Sent: Sunday, June 06, 2010 10:04 AM
 To: Pentax-Discuss Mail List
 Subject: Re: Sensor native color balance setting?
 
 
 I don't see how color balance would make the JPEG and RAW match.  The
 presets in the camera are what modify the JPEG file; sharpness, saturation,
 etc.  If you set all the in-camera controls to neutral, they will be close
 enough most of the time.
 
 I need to know how each channel is being exposed.  If I use the custom color 
 balance, the histograms come out a lot more balanced, even if the raw data 
 isn't.
 
 
 Where you will see a difference is at the far right side of the histogram
 where highlights clip.  Because the JPEG only has 256 levels, and RAW has
 4096, the JPEG will show clipping far sooner than RAW will.
 
 because there are 16 values between where the jpeg clips and where the raw 
 clips?
 Assuming that since the raw space is 16 times the size of the jpeg space, 
 that each jpeg value represents 16 raw values.
 
 
 If you really wanted an accurate histogram (there's not much point of
 matching JPEG to RAW histograms when they have different amounts of data),
 you'd need to generate the histogram off the RAW data instead of using the
 JPEG preview.
 
 That is a feature that I've been wanting ever since I started shooting with 
 a DSLR. I use the histogram as my exposure meter, and I want it to reflect 
 what I'm actually exposing.  Pentax seems to assume that people only ever 
 use their cameras in automatic exposure mode, shooting directly to jpegs.
 
 
 
 On Sun, Jun 6, 2010 at 2:50 AM, Larry Colen l...@red4est.com wrote:
 The problem with the histogram is that it shows the exposure of the
 jpeg, not of the raw sensor.
 
 It seems to me that if you set the camera to the sensor's raw color
 balance, then the jpeg and the raw file histograms would match.
 
 Anybody know what that setting would be?
 
 --
 Larry Colen l...@red4est.com sent from i4est
 
 
 
 
 
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RE: Detroit PDML, It Began Nicely

2010-06-06 Thread Chris Mitchell
paul Stenquist wrote:
 Anyway, I'm home now, enjoying an adult beverage.
 
 Good PDML Detroit. Bad trip home.
 
 Paul
Good to hear that you got home safely Paul. Sounds pretty traumatic to me.

Chris



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Re: Detroit PDML, It Began Nicely

2010-06-06 Thread Mark Roberts

paul stenquist wrote:


Not everything that's out of focus and poorly exposed is art


Speck!

Sorry to hear about the adventure on the return trip, though.


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First GFM report

2010-06-06 Thread Mark Roberts

...without photos.

I'm back at my friends' cabin about 50 miles from GFM. Just catching my 
breath before the drive home tomorrow.


The weekend was long, beautiful, grueling and rewarding. Nothing beats 
seeing old friends at such a fabulous place for such a great event.


I arrived at the mountain Thursday evening and was able to spend almost 
an hour socializing with Doug Brewer, Don Nelson and a couple of the 
other team members before heading out onto the trail. I had the best 
weather I've ever had for one of my overnight bivouacs in the back 
country. Given the lateness of the hour I only hiked in about a mile and 
a quarter, which is plenty when carrying tent, sleeping bag, food , 
water and camera gear (carbon fiber tripods rule!) and I settled on the 
Attic Window camp site as my spot for the night. Got a few so-so 
evening/sunset shots and then settled down for the night. We had a bit 
of rain during the night but nothing major. Sunrise kept promising great 
things and then backing out at the last moment: As soon as the light and 
clouds in the distance started to get good the mountain itself get 
enveloped in a cloud and I couldn't see anything. This happened over and 
over and I was only able to get a few decent photos before I had to hike 
back to my responsibilities for the weekend.


Friday was mostly preparation for the event, which started in the 
evening at the nature museum on the mountain. Doug and I introduced the 
photo contest and there was one speaker who did a presentation.


On Saturday morning I let a photo walk on the Profile Trail, a vastly 
easier venue than my usual high trail assault on Attic Window Peak. 
Scott Loveless and Matt Maessen joined in, along with a handful of other 
folks from the workshop. I think we got some good shots from the outing 
(I'll let you know how I did soon).


Saturday afternoon I spent polishing my presentation and trying to sell 
my book (http://www.robertstech.com/books.htm#blue). Doug and I got a 
head start on the photo contest judging, making a first pass through the 
submitted photos. Then I went over my plans for my presentation talk. I 
was the second presenter for the evening and the talk seemed to go over 
very well (I sold a lot more books Sunday after people had heard my talk 
and seen my photos).


Sunday morning was the usual blur of activity as Doug and I finished 
judging the photo contest and presented the dishonorable mentions and 
the actual awards. Lots of HDR jokes and bad puns ensued and a jolly 
time was had by all. I sold a lot more books ($35.00, signed by the 
author; $45.00 unsigned...)


It's amazing - the whole weekend requires an extraordinary amount of 
work and seems to just grind by as it's happening, but then it's over 
and you wonder how the time went by so quickly. Already looking forward 
to next year.


Photos to follow in a few days.



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Re: PESO - Old outbuilding wall

2010-06-06 Thread Graydon
On Fri, Jun 04, 2010 at 01:29:51AM +0200, Tim Øsleby scripsit:
 I think the knife is just a leaf caught by the mesh.

Ah well.

 Sorry to let you down Graydon.

Not knowing what to think stemmed from not knowing what I was looking
at.  This is very likely due to a wetware deficiency on my part.

-- Graydon

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Re: First GFM report

2010-06-06 Thread Cotty
On 6/6/10, Mark Roberts, discombobulated, unleashed:

The weekend was long, beautiful, grueling and rewarding. Nothing beats
seeing old friends at such a fabulous place for such a great event.

Stef and I reminisced about last year's trip by looking through some
pics and video on Saturday evening after dinner on the patio. We vowed
to try and make it next year, and by golly She Who Must Be Obeyed even
wants to come along to see what all the fuss is about.

That's a tall order at this stage but hey if you aim too low.

Looking forward to some pics and reports :)

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Re: Detroit PDML, It Began Nicely

2010-06-06 Thread Ann Sanfedele



Bob W wrote:


[...] Sat for two hours before I
could get a flatbed out there. Paid him $175 to haul the Jeep 25 miles
to my place and drop it in the driveway. Figure I'll still come out
ahead by beating the wheels off myself and buying two tires at a
discount tire store. If he had taken it to a Detroit shop, they would
have raped me, and each employee would probably have taken a turn.

   



Nasty, but at least you can still sit down...



Nasty, but did you get any pictures?  


sounds painful indeed...   especially to the wallet

ann


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Re: Detroit PDML, It Began Nicely

2010-06-06 Thread paul stenquist

On Jun 6, 2010, at 7:09 PM, Ann Sanfedele wrote:

 
 
 Bob W wrote:
 
 [...] Sat for two hours before I
 could get a flatbed out there. Paid him $175 to haul the Jeep 25 miles
 to my place and drop it in the driveway. Figure I'll still come out
 ahead by beating the wheels off myself and buying two tires at a
 discount tire store. If he had taken it to a Detroit shop, they would
 have raped me, and each employee would probably have taken a turn.
 
   
 
 Nasty, but at least you can still sit down...
 
 
 Nasty, but did you get any pictures?  
 sounds painful indeed...   especially to the wallet
 
I brought my Leica, in respect to Mr. Frank of course. So I might have pics.  I 
did shoot my car tilting toward the fast land on the shoulder with other cars 
whizzing by. I believe I also have a shot of Ken and Bill in the Diego Rivera 
room. Of course its film, so one never knows. Especially since it's a roll of 
Portra 160 that expired in 2004. But it's been in the freezer, so it's  
probably okay.

Bill brought his new M7 as well. (We did a comparison: to no one's surprise, 
the iiif RD and M7 differ greatly.:-) In any case, Bill snapped a few pics as 
well. Nice camera, BTW. He has a Zeiss 35/2 and a Summicron 50/2. Fun stuff. (I 
brought my Summicron 50/2.5 Collapsible and Summaron 35/3.5. ). So we had half 
a century of 'crons on hand.  All those on hand outdated the lenses by a 
considerable amount.
Paul
 ann
 
 
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Re: First GFM report

2010-06-06 Thread paul stenquist
Sounds like a good time. Looking forward to your pics.
Paul
On Jun 6, 2010, at 6:39 PM, Mark Roberts wrote:

 ...without photos.
 
 I'm back at my friends' cabin about 50 miles from GFM. Just catching my 
 breath before the drive home tomorrow.
 
 The weekend was long, beautiful, grueling and rewarding. Nothing beats seeing 
 old friends at such a fabulous place for such a great event.
 
 I arrived at the mountain Thursday evening and was able to spend almost an 
 hour socializing with Doug Brewer, Don Nelson and a couple of the other team 
 members before heading out onto the trail. I had the best weather I've ever 
 had for one of my overnight bivouacs in the back country. Given the lateness 
 of the hour I only hiked in about a mile and a quarter, which is plenty when 
 carrying tent, sleeping bag, food , water and camera gear (carbon fiber 
 tripods rule!) and I settled on the Attic Window camp site as my spot for the 
 night. Got a few so-so evening/sunset shots and then settled down for the 
 night. We had a bit of rain during the night but nothing major. Sunrise kept 
 promising great things and then backing out at the last moment: As soon as 
 the light and clouds in the distance started to get good the mountain itself 
 get enveloped in a cloud and I couldn't see anything. This happened over and 
 over and I was only able to get a few decent photos before I had to hike back 
 to my responsibilities for the weekend.
 
 Friday was mostly preparation for the event, which started in the evening at 
 the nature museum on the mountain. Doug and I introduced the photo contest 
 and there was one speaker who did a presentation.
 
 On Saturday morning I let a photo walk on the Profile Trail, a vastly easier 
 venue than my usual high trail assault on Attic Window Peak. Scott Loveless 
 and Matt Maessen joined in, along with a handful of other folks from the 
 workshop. I think we got some good shots from the outing (I'll let you know 
 how I did soon).
 
 Saturday afternoon I spent polishing my presentation and trying to sell my 
 book (http://www.robertstech.com/books.htm#blue). Doug and I got a head start 
 on the photo contest judging, making a first pass through the submitted 
 photos. Then I went over my plans for my presentation talk. I was the second 
 presenter for the evening and the talk seemed to go over very well (I sold a 
 lot more books Sunday after people had heard my talk and seen my photos).
 
 Sunday morning was the usual blur of activity as Doug and I finished judging 
 the photo contest and presented the dishonorable mentions and the actual 
 awards. Lots of HDR jokes and bad puns ensued and a jolly time was had by 
 all. I sold a lot more books ($35.00, signed by the author; $45.00 
 unsigned...)
 
 It's amazing - the whole weekend requires an extraordinary amount of work and 
 seems to just grind by as it's happening, but then it's over and you wonder 
 how the time went by so quickly. Already looking forward to next year.
 
 Photos to follow in a few days.
 
 
 
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RE: Detroit PDML, It Began Nicely

2010-06-06 Thread Bill Sawyer
Ouch, Paul!!

I'm glad it wasn't worse, and that it was daylight. Junk in the roadway -
also normal for Detroit. 

Fun day otherwise, thanks for bringing the Leica. They should be reopening
the standing photography exhibit in the fall, no idea yet what they have
planned. Maybe we can do it again, this time in your new Bradley Fighting
Vehicle...

Bill Sawyer

-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of paul
stenquist
Sent: Sunday, June 06, 2010 5:04 PM
To: Pentax-Discuss Mail List
Subject: Detroit PDML, It Began Nicely

Bill Sawyer, Ken Waller, and I had a good time at the Detroit Institute of
Art. The Robert Frank exhibit consisted of his shots of Detroit, many of
which are not in his book, The Americans. Some of the images are superb,
with plenty of storytelling and nice rendering. A few are borderline in
regard to the rendering and exposures. Not everything that's out of focus
and poorly exposed is art:-). But overall, the work is interesting and
revealing.

That was good. Then we went to lunch at Traffic Jam and Snug, which is one
of the few places near the museum that's open on Sunday. Good as always. We
all refrained from sampling their excellent home brews since it was just
barely noon.

Left for home at about 1PM. Could have taken Woodward all the way as I
usually due, but we had some serious flooding, and I was afraid some of the
underpasses might be closed. So I took the Interstate. I was motoring along
in the left lane at about 80, which is normal for Detroit, when the guy in
front of me swerved hard to the left. Right there about two car lengths
ahead was what appeared to be a tire in the land. Since I was driving my
Jeep, I figured that if I did a slalom move to avoid it, I'd end up on my
head with the greasy side showing. So I moved over as far as I could without
doing a violent move, and I hit the tire. Turned out it was a tire and
wheel. Blew out both right side tires, but managed to get things under
control and pulled off to the shoulder on the left side of the lane. No way
I could make it to the right shoulder through heavy traffic. Sat for two
hours before I could get a flatbed out there. Paid him $175 to haul the Jeep
25 miles to my place and drop it in the driveway. Figure I'll still come out
ahead by beating the wheels off myself and buying two tires at a discount
tire store. If he had taken it to a Detroit shop, they would have raped me,
and each employee would probably have taken a turn.

Anyway, I'm home now, enjoying an adult beverage. 

Good PDML Detroit. Bad trip home.

Paul
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Re: First GFM report

2010-06-06 Thread David J Brooks
On Sun, Jun 6, 2010 at 6:59 PM, Cotty cotty...@mac.com wrote:
 On 6/6/10, Mark Roberts, discombobulated, unleashed:

The weekend was long, beautiful, grueling and rewarding. Nothing beats
seeing old friends at such a fabulous place for such a great event.

, and by golly She Who Must Be Obeyed even
 wants to come along to see what all the fuss is about.

Humm. Liz has expressed some interest for 2011 as well. You gals been talkin'

:-)

Dave

 That's a tall order at this stage but hey if you aim too low.

 Looking forward to some pics and reports :)

 --


 Cheers,
  Cotty


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 ||   (O)  |     People, Places, Pastiche
 --      http://www.cottysnaps.com
 _



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Re: Chris, Colossus and Concrete Kine

2010-06-06 Thread John Francis
On Sun, Jun 06, 2010 at 09:37:20PM +0100, Bob W wrote:
 I don't know about Foyle's War, but they did have some Bombes there which
 were used as props for the film Enigma from Robert Harris's novel.
 
 Bob

So was the U-boat mockup.  (Paid for by Mick Jagger, IIRC).

I need to hunt down my photographs from thar 2001 visit ...


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Re: First GFM report

2010-06-06 Thread Bob Sullivan
Lynn came with me again this year.
She enjoyed the presentations and visiting with old friends.
It was only a few weeks since Doug, Ted, and Mark were in Chicago.
She took pictures and we submitted 3 to the contest, but no winners.
It's easy to get in the spirit of the weekend.
The people are always nice and the weather was beautiful.
Regards,  Bob S.

On Sun, Jun 6, 2010 at 7:09 PM, David J Brooks pentko...@gmail.com wrote:
 On Sun, Jun 6, 2010 at 6:59 PM, Cotty cotty...@mac.com wrote:
 On 6/6/10, Mark Roberts, discombobulated, unleashed:

The weekend was long, beautiful, grueling and rewarding. Nothing beats
seeing old friends at such a fabulous place for such a great event.

 , and by golly She Who Must Be Obeyed even
 wants to come along to see what all the fuss is about.

 Humm. Liz has expressed some interest for 2011 as well. You gals been talkin'

 :-)

 Dave

 That's a tall order at this stage but hey if you aim too low.

 Looking forward to some pics and reports :)

 --


 Cheers,
  Cotty


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 ||   (O)  |     People, Places, Pastiche
 --      http://www.cottysnaps.com
 _



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Re: Detroit PDML, It Began Nicely

2010-06-06 Thread Ann Sanfedele



paul stenquist wrote:


On Jun 6, 2010, at 7:09 PM, Ann Sanfedele wrote:

 


Bob W wrote:

   


[...] Sat for two hours before I
could get a flatbed out there. Paid him $175 to haul the Jeep 25 miles
to my place and drop it in the driveway. Figure I'll still come out
ahead by beating the wheels off myself and buying two tires at a
discount tire store. If he had taken it to a Detroit shop, they would
have raped me, and each employee would probably have taken a turn.

 
   


Nasty, but at least you can still sit down...

 

Nasty, but did you get any pictures?  
sounds painful indeed...   especially to the wallet


   


I brought my Leica, in respect to Mr. Frank of course. So I might have pics.  I 
did shoot my car tilting toward the fast land on the shoulder with other cars 
whizzing by. I believe I also have a shot of Ken and Bill in the Diego Rivera 
room. Of course its film, so one never knows. Especially since it's a roll of 
Portra 160 that expired in 2004. But it's been in the freezer, so it's  
probably okay.

Bill brought his new M7 as well. (We did a comparison: to no one's surprise, 
the iiif RD and M7 differ greatly.:-) In any case, Bill snapped a few pics as 
well. Nice camera, BTW. He has a Zeiss 35/2 and a Summicron 50/2. Fun stuff. (I 
brought my Summicron 50/2.5 Collapsible and Summaron 35/3.5. ). So we had half 
a century of 'crons on hand.  All those on hand outdated the lenses by a 
considerable amount.
Paul
 

I knew you'd get a pic!  I always used taking shots to be a sort of way 
of dealing with a problem  - though I also found when I got the
film developed that those taken in a crisis were often rather soft  in 
focus :-)


Ann



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Re: Detroit PDML, It Began Nicely

2010-06-06 Thread paul stenquist

On Jun 6, 2010, at 8:53 PM, Ann Sanfedele wrote:

 
 
 paul stenquist wrote:
 
 On Jun 6, 2010, at 7:09 PM, Ann Sanfedele wrote:
 
 
 Bob W wrote:
 
   
 [...] Sat for two hours before I
 could get a flatbed out there. Paid him $175 to haul the Jeep 25 miles
 to my place and drop it in the driveway. Figure I'll still come out
 ahead by beating the wheels off myself and buying two tires at a
 discount tire store. If he had taken it to a Detroit shop, they would
 have raped me, and each employee would probably have taken a turn.
 

 Nasty, but at least you can still sit down...
 
 
 Nasty, but did you get any pictures?  sounds painful indeed...   especially 
 to the wallet
 
   
 I brought my Leica, in respect to Mr. Frank of course. So I might have pics. 
  I did shoot my car tilting toward the fast land on the shoulder with other 
 cars whizzing by. I believe I also have a shot of Ken and Bill in the Diego 
 Rivera room. Of course its film, so one never knows. Especially since it's a 
 roll of Portra 160 that expired in 2004. But it's been in the freezer, so 
 it's  probably okay.
 
 Bill brought his new M7 as well. (We did a comparison: to no one's surprise, 
 the iiif RD and M7 differ greatly.:-) In any case, Bill snapped a few pics 
 as well. Nice camera, BTW. He has a Zeiss 35/2 and a Summicron 50/2. Fun 
 stuff. (I brought my Summicron 50/2.5 Collapsible and Summaron 35/3.5. ). So 
 we had half a century of 'crons on hand.  All those on hand outdated the 
 lenses by a considerable amount.
 Paul
 
 I knew you'd get a pic!  I always used taking shots to be a sort of way of 
 dealing with a problem  - though I also found when I got the
 film developed that those taken in a crisis were often rather soft  in 
 focus :-)
 
Well, I was quite calm, just massively annoyed:-). And I focused on the 
headlight rim with the rangefinder, so it should be in focus. I will probably 
never finish the roll, so I should just dump it off at Costco.
Paul

 Ann
 
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Re: OT Card reader question

2010-06-06 Thread Joseph McAllister
They probably do not offer it anymore (the prices are a lot less too)  
but the first 8 gig SDHC Sandisk cards I bought at Costco over two  
years ago came with a single card reader (USB 2.0 is usually the clue)  
in each package. Only 1/2 inch wider and 3/4 in ch longer than the  
card itself. Leave one plugged into the hub on the iMac, the other  
goes with my MacBook wherever it goes.



On Jun 5, 2010, at 04:40 , David J Brooks wrote:


I have a three year old Lexar multi card reader, it takes the standard
SD, CFII etc. We now have a Staples store in town and they have memory
cards on sale this weekend. The SDHC cards to be precis.
How can i tell if my reader will accept the SDHC cards, I have seen
some posts here about some older readers not liking the SDHC cards.
Do i just but one and try it, and then buy a new reader if it does not
like the card.

Dave


Joseph McAllister
Lots of gear, not much time

http://gallery.me.com/jomac
http://web.me.com/jomac/show.me/Blog/Blog.html


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Re: Detroit PDML, It Began Nicely

2010-06-06 Thread Ken Waller

Ouch Paul ! Sorry to hear about your incident.
Glad you came out OK except for the dent to your wallet!


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: paul stenquist pnstenqu...@comcast.net

Subject: Detroit PDML, It Began Nicely


Bill Sawyer, Ken Waller, and I had a good time at the Detroit Institute of 
Art. The Robert Frank exhibit consisted of his shots of Detroit, many of 
which are not in his book, The Americans. Some of the images are superb, 
with plenty of storytelling and nice rendering. A few are borderline in 
regard to the rendering and exposures. Not everything that's out of focus 
and poorly exposed is art:-). But overall, the work is interesting and 
revealing.


That was good. Then we went to lunch at Traffic Jam and Snug, which is one 
of the few places near the museum that's open on Sunday. Good as always. 
We all refrained from sampling their excellent home brews since it was 
just barely noon.


Left for home at about 1PM. Could have taken Woodward all the way as I 
usually due, but we had some serious flooding, and I was afraid some of 
the underpasses might be closed. So I took the Interstate. I was motoring 
along in the left lane at about 80, which is normal for Detroit, when the 
guy in front of me swerved hard to the left. Right there about two car 
lengths ahead was what appeared to be a tire in the land. Since I was 
driving my Jeep, I figured that if I did a slalom move to avoid it, I'd 
end up on my head with the greasy side showing. So I moved over as far as 
I could without doing a violent move, and I hit the tire. Turned out it 
was a tire and wheel. Blew out both right side tires, but managed to get 
things under control and pulled off to the shoulder on the left side of 
the lane. No way I could make it to the right shoulder through heavy 
traffic. Sat for two hours before I could get a flatbed out there. Paid 
him $175 to haul the Jeep 25 miles to my place and drop it in the 
driveway. Figure I'll still come out ahead by beating the wheels off 
myself and buying two tires at a discount tire store. If he had taken it 
to a Detroit shop, they would have raped me, and each employee would 
probably have taken a turn.


Anyway, I'm home now, enjoying an adult beverage.

Good PDML Detroit. Bad trip home.

Paul



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Re: Detroit PDML, It Began Nicely

2010-06-06 Thread Ken Waller
I had my Optio S to uphold the Pentax name in such august company - it never 
made it out of my wasitpack.


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: paul stenquist pnstenqu...@comcast.net

Subject: Re: Detroit PDML, It Began Nicely




On Jun 6, 2010, at 7:09 PM, Ann Sanfedele wrote:




Bob W wrote:


[...] Sat for two hours before I
could get a flatbed out there. Paid him $175 to haul the Jeep 25 miles
to my place and drop it in the driveway. Figure I'll still come out
ahead by beating the wheels off myself and buying two tires at a
discount tire store. If he had taken it to a Detroit shop, they would
have raped me, and each employee would probably have taken a turn.




Nasty, but at least you can still sit down...



Nasty, but did you get any pictures?
sounds painful indeed...   especially to the wallet

I brought my Leica, in respect to Mr. Frank of course. So I might have 
pics.  I did shoot my car tilting toward the fast land on the shoulder 
with other cars whizzing by. I believe I also have a shot of Ken and Bill 
in the Diego Rivera room. Of course its film, so one never knows. 
Especially since it's a roll of Portra 160 that expired in 2004. But it's 
been in the freezer, so it's  probably okay.


Bill brought his new M7 as well. (We did a comparison: to no one's 
surprise, the iiif RD and M7 differ greatly.:-) In any case, Bill snapped 
a few pics as well. Nice camera, BTW. He has a Zeiss 35/2 and a Summicron 
50/2. Fun stuff. (I brought my Summicron 50/2.5 Collapsible and Summaron 
35/3.5. ). So we had half a century of 'crons on hand.  All those on hand 
outdated the lenses by a considerable amount.

Paul

ann



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Re: Detroit PDML, It Began Nicely

2010-06-06 Thread Ken Waller
And to think I had joked about Paul's jeep having the Detroit option (a 
missing externally mounted spare tire). Who woulda thunk it?


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Bill Sawyer wsaw...@twmi.rr.com


Subject: RE: Detroit PDML, It Began Nicely



Ouch, Paul!!

I'm glad it wasn't worse, and that it was daylight. Junk in the roadway -
also normal for Detroit.

Fun day otherwise, thanks for bringing the Leica. They should be reopening
the standing photography exhibit in the fall, no idea yet what they have
planned. Maybe we can do it again, this time in your new Bradley Fighting
Vehicle...

Bill Sawyer

-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of 
paul

stenquist
Sent: Sunday, June 06, 2010 5:04 PM
To: Pentax-Discuss Mail List
Subject: Detroit PDML, It Began Nicely

Bill Sawyer, Ken Waller, and I had a good time at the Detroit Institute of
Art. The Robert Frank exhibit consisted of his shots of Detroit, many of
which are not in his book, The Americans. Some of the images are superb,
with plenty of storytelling and nice rendering. A few are borderline in
regard to the rendering and exposures. Not everything that's out of focus
and poorly exposed is art:-). But overall, the work is interesting and
revealing.

That was good. Then we went to lunch at Traffic Jam and Snug, which is one
of the few places near the museum that's open on Sunday. Good as always. 
We

all refrained from sampling their excellent home brews since it was just
barely noon.

Left for home at about 1PM. Could have taken Woodward all the way as I
usually due, but we had some serious flooding, and I was afraid some of 
the
underpasses might be closed. So I took the Interstate. I was motoring 
along

in the left lane at about 80, which is normal for Detroit, when the guy in
front of me swerved hard to the left. Right there about two car lengths
ahead was what appeared to be a tire in the land. Since I was driving my
Jeep, I figured that if I did a slalom move to avoid it, I'd end up on my
head with the greasy side showing. So I moved over as far as I could 
without

doing a violent move, and I hit the tire. Turned out it was a tire and
wheel. Blew out both right side tires, but managed to get things under
control and pulled off to the shoulder on the left side of the lane. No 
way

I could make it to the right shoulder through heavy traffic. Sat for two
hours before I could get a flatbed out there. Paid him $175 to haul the 
Jeep
25 miles to my place and drop it in the driveway. Figure I'll still come 
out

ahead by beating the wheels off myself and buying two tires at a discount
tire store. If he had taken it to a Detroit shop, they would have raped 
me,

and each employee would probably have taken a turn.

Anyway, I'm home now, enjoying an adult beverage.

Good PDML Detroit. Bad trip home.

Paul



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Re: First GFM report

2010-06-06 Thread Theodore Beilby
Just an update from me. Pulled into Memphis at about 10:45 pm central tonight 
after leaving the campground at 12:30 pm eastern. Glad I had a better drive 
than Paul did. Mark left out  one thing about our hike Saturday morning, the 
rocks were very slippery up the creek and I went down holding my camera and 
tripod above my head. Luckily, the only thing that went into the creek was my 
hat. Was great seeing Scott, Matt, the  Sullivans, Niko, and Don as well as 
Doug and Mark. It was very much quieter than last year at PDML Central, 
Christine, you were missed. Oh well, I need a shower and some sleep.  Later, Ted


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Re: Lightroom catalogs chaining (a question really)

2010-06-06 Thread Rob Studdert
On 07/06/2010, Bob W p...@web-options.com wrote:

 In my opinion it's not a good idea to use several catalogues. I have just
 consolidated several into one because it was getting out of hand trying to
 track what was there. I can't see the benefit of having 2 catalogues.

I don't run LR yet (though I have it, thanks Larry) but I do run two
data bases in my current library app, mainly to provide complete
separation between my image files and anyone else's.

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Tel: +61-418-166-870 UTC +10 Hours
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Re: Detroit PDML, It Began Nicely

2010-06-06 Thread Rob Studdert
On 07/06/2010, paul stenquist pnstenqu...@comcast.net wrote:

 Good PDML Detroit. Bad trip home.

Nice report on the PDML meet (I've never had a bad one), very glad to
hear that you came out of the tire incident personally unscathed, it
could obviously have been quite nasty hadn't you kept your cool.

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Re: equipment issues this week

2010-06-06 Thread Rob Studdert
On 04/06/2010, Larry Colen l...@red4est.com wrote:
 I don't think I mentioned that on Monday I went to a dance in the city.  when 
 I got back to the car, a little after 2, I saw that my trunk was open.

Not good Larry, there's been too much of this caper lately ;-(

 Last night, when I got home from photographing some friends play at JJ's, I 
 noticed that the LCD on top of my K20 had taken a hit:
 http://www.flickr.com/photos/ellarsee/sets/72157624073414869/

 Maybe, if and when, I upgrade I'll send it in. But as long as it works, and 
 it has the plastic scratch protector on it to keep water out, it's not worth 
 the money, or being without my camera for a month.  I have no idea how it 
 happened. I didn't drop the camera or bash it with anything.

I know that finances are tight but you might find that the part is
quite inexpensive, I would assume it's just a matter of removing the
one plus the sticky residue and replacing with the mew one (which
probably has an adhesive backing)? A crack like that would drive me to
distraction.

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Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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PESO -- Off with Ye and your devils contraption!

2010-06-06 Thread P. J. Alling
Another shot from the Renaissance Festival.  Some of the natives 
objected to my magic picture box.


http://dl.dropbox.com/u/1604247/PESO/PESO%20--%20%20acurse.html

Equipment:  Pentax K20D w/smc Pentax FA 28~200 f3.8~5.6

As usual comments are welcome but may be totally ignored.

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{\rtf1\ansi\ansicpg1252\deff0\deflang1033{\fonttbl{\f0\fnil\fcharset0 Courier 
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\viewkind4\uc1\pard\f0\fs20 I've just upgraded to Thunderbird 3.0 and the 
interface subtly weird.\par
}


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