Re: Flotools installation issue in Sonoma

[Juan Pablo Culasso Alonso]

Amazing, thanks!
JP
> On Mar 29, 2024, at 9:24 PM, accessibleproto...@gmail.com wrote:
> 
> https://www.dropbox.com/scl/fi/r1vuro6sybgzo6g7pvxwx/FloTools-Installer-for-mac-OS-Sonoma.zip?rlkey=co4ai4pehdye2yi8j7vg9q1qk&dl=0
> Rocco Fiorentino
> www.musicbyrocco.com
> (609)922-3838
> 
>> On Mar 29, 2024, at 10:15 PM, Juan Pablo Culasso Alonso 
>>  wrote:
>> 
>> Hello Rocco. I have no access to that folder Could you share it in other 
>> way? Thanks,
>> Juan
>> 
>> 
>> 
>> Enviado desde mi iPhone
>> 
>>> El 29 mar 2024, a las 20:47, accessibleproto...@gmail.com escribió:
>>> 
>>> Hi Juan,
>>> 
>>> Please use the Flo tools installer  that's in the PT access dropbox for now.
>>> Thanks so much,
>>> Rocco
>>> Rocco Fiorentino
>>> www.musicbyrocco.com
>>> (609)922-3838
>>> 
>>>> On Mar 29, 2024, at 7:13 PM, Juan Pablo Culasso Alonso 
>>>>  wrote:
>>>> 
>>>> Hello everyone, I have computers that can only have Sonoma installed. I'm 
>>>> on version 14.4.1. When installing Flotools, after pressing the first 
>>>> next, I get this error: "The variable osName is not defined. (-2753)" When 
>>>> I click on edit, it asks me to locate this: "Where is Virtual Extended 
>>>> Keyboard.app?" Any ideas?
>>>> Thanks,
>>>> Juan
>>>> 
>>>> --
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>>>> https://groups.google.com/d/msgid/ptaccess/1F096B65-929F-4B59-B9DB-3D7A49DF9A04%40gmail.com.
>>> 
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Re: Flotools installation issue in Sonoma

[Juan Pablo Culasso Alonso]

Hello Rocco. I have no access to that folder Could you share it in other way? 
Thanks,
Juan



Enviado desde mi iPhone

> El 29 mar 2024, a las 20:47, accessibleproto...@gmail.com escribió:
> 
> Hi Juan,
> 
> Please use the Flo tools installer  that's in the PT access dropbox for now.
> Thanks so much,
> Rocco
> Rocco Fiorentino
> www.musicbyrocco.com
> (609)922-3838
> 
>> On Mar 29, 2024, at 7:13 PM, Juan Pablo Culasso Alonso  
>> wrote:
>> 
>> Hello everyone, I have computers that can only have Sonoma installed. I'm 
>> on version 14.4.1. When installing Flotools, after pressing the first next, 
>> I get this error: "The variable osName is not defined. (-2753)" When I click 
>> on edit, it asks me to locate this: "Where is Virtual Extended 
>> Keyboard.app?" Any ideas?
>> Thanks,
>> Juan
>> 
>> --
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> 
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Flotools installation issue in Sonoma

[Juan Pablo Culasso Alonso]

Hello everyone, I have computers that can only have Sonoma installed. I'm on 
version 14.4.1. When installing Flotools, after pressing the first next, I get 
this error: "The variable osName is not defined. (-2753)" When I click on edit, 
it asks me to locate this: "Where is Virtual Extended Keyboard.app?" Any ideas?
Thanks,
Juan

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Re: on the subject of Sonoma compatibility

[Juan Pablo Culasso Alonso]

Hi Slau!

Do you know if the 14.4.1 solves the issue?
Best,
JP

> On Mar 13, 2024, at 10:01 AM, Slau Halatyn  wrote:
> 
> It’s easy to criticize Avid for their Sonoma support timetable. As Production 
> Expert points out in this article 
> ,
>  a bunch of other developers have also had issues with compatibility. For 
> what it’s worth, the recent critical issue with VoiceOver and Sonoma has been 
> addressed and we’ll see a fix in the next release, which will likely be 
> released sooner rather than on the usual schedule.
> 
> Further, I understand that there’s a particular pain that people feel when 
> they’re forced to buy a brand new computer and they can’t roll back the OS 
> and sometimes there’s a gap with support for the very latest OS. It happens. 
> That’s the way the world goes round and one simply has to accept the reality. 
> It sucks when that happens but, the truth is, Macs last years and years and, 
> for the most part, these issues rarely come up. I’ve own many Macs and I’ve 
> never had this issue. That doesn’t mean that tomorrow it won’t happen to me 
> but I am certain that I’d just deal with it. Enough said for now from me.
> 
> Slau
> 
> 
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Re: looks like another bug

[Juan Pablo Culasso Alonso]

Great, thanks!

> On 8 Apr 2023, at 14:11, Martin (Punky) Sopart  wrote:
> 
> Hello John!
> 
> Here is the macro.
> Just save import it and it should work.
> The key combination is Control+Option+Command+Return.
> 
> Best! / Martin
> 
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> 
> On Apr 8, 2023, at 3:57 PM, Juan Pablo Culasso Alonso  
> wrote:
> 
> Hello, Martin,
> 
> Can you share that macro?
> Thanks,
> Juan
>> On 8 Apr 2023, at 04:23, Martin (Punky) Sopart  wrote:
>> 
>> Hello John!
>> 
>> You have to turn off VoiceOver before opening any session which could cause 
>> a session notes, missing AAX plug-in or any other message/dialog like that.
>> Having turned VO off you could answer the session notes and missing AAX 
>> plug-in dialogs by pressing the letter "n".
>> Further you could force the playback engine dialog to pop up during 
>> launching Pro Tools by pressing and holding the letter "n".
>> After quitting those eventual dialogs successful you can launch VO again.
>> Not perfect but it's working for me here.
>> To make things a bit easier I wrote a Keyboard Maestro macro to speak the 
>> current app and window name via keyboard shortcut and the system speech, 
>> without VoiceOver.
>> 
>> Best! / Martin
>> 
>> 
>> On Apr 8, 2023, at 10:24 AM, John Covici  wrote:
>> 
>> OK, thanks.  Any way to start pt, or do I have to wait till they fix
>> the bug?
>> 
>> On Sat, 08 Apr 2023 02:42:45 -0400,
>> Martin (Punky) Sopart wrote:
>>> 
>>> Hello!
>>> 
>>> It's the same bug PT-298075 I already reported.
>>> Due to the Ventura update from version 13.2.1 to version 13.3 the line 
>>> number changed from 2814to 2812.
>>> Same for latest Ventura 13.3.1.
>>> 
>>> Best! / Martin
>>> 
>>> 
>>> On Mar 25, 2023, at 9:59 AM, Martin (Punky) Sopart  
>>> wrote:
>>> 
>>> Hello!
>>> 
>>> Just for your information...
>>> 
>>> The bug PT-298075 still exists in Pro Tools 2023.3.
>>> 
>>> Best! / Martin
>>> 
>>> 
>>> On Mar 17, 2023, at 6:32 PM, Martin (Punky) Sopart  
>>> wrote:
>>> 
>>> Hello all!
>>> 
>>> The issue has been logged in Avid's system as bug PT-298075 and has to be
>>> tested by the engineering team.
>>> 
>>> Latest Pro Tools (PT) version 2022.12 unter Ventura 13.2.1 (Intel).
>>> 
>>> Start the VoiceOver (VO) screenreader - Command+F5.
>>> 
>>> Open any PT session that will bring up a "session notes, some I/O is
>>> missing" or "missing plug-in" message/dialog and the assertion error will
>>> occur.
>>> 
>>> Best! / Martin
>>> 
>>> 
>>> On Apr 8, 2023, at 2:24 AM, cov...@ccs.covici.com wrote:
>>> 
>>> Hi.  Looks like I have another bug -- I cannot start pt under Venture
>>> with the playback engine set to builtin speakers.
>>> 
>>> Here is the error
>>> 
>>> Could not complete your request because Assertion in 
>>> "/Users/autobld/gitlabci/PT/release/2023/r1/ProTools/DFW/Views/UGridView.cpp",
>>>  line 2812.
>>> 
>>> (Use the Copy button to copy this message to the clipboard.).
>>> 
>>> Any suggestions would be appreciated.
>>> 
>>> -- 
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>>> https://groups.google.com/d/msgid/ptaccess/AEA2E5CB-7063-4CDA-980C-3770FDEC41B4%40cakewalker.de.
>> 
>> -- 
>> Your life is like a penny.  You're going to lose it.  The question is:
>> How do
>> you spend it?
>> 
>>  John Covici wb2una
>>  cov...@ccs.covici.com
>> 
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>> "Pro Tools Ac

Re: looks like another bug

[Juan Pablo Culasso Alonso]

Hello, Martin,

Can you share that macro?
Thanks,
Juan
> On 8 Apr 2023, at 04:23, Martin (Punky) Sopart  wrote:
> 
> Hello John!
> 
> You have to turn off VoiceOver before opening any session which could cause a 
> session notes, missing AAX plug-in or any other message/dialog like that.
> Having turned VO off you could answer the session notes and missing AAX 
> plug-in dialogs by pressing the letter "n".
> Further you could force the playback engine dialog to pop up during launching 
> Pro Tools by pressing and holding the letter "n".
> After quitting those eventual dialogs successful you can launch VO again.
> Not perfect but it's working for me here.
> To make things a bit easier I wrote a Keyboard Maestro macro to speak the 
> current app and window name via keyboard shortcut and the system speech, 
> without VoiceOver.
> 
> Best! / Martin
> 
> 
> On Apr 8, 2023, at 10:24 AM, John Covici  wrote:
> 
> OK, thanks.  Any way to start pt, or do I have to wait till they fix
> the bug?
> 
> On Sat, 08 Apr 2023 02:42:45 -0400,
> Martin (Punky) Sopart wrote:
>> 
>> Hello!
>> 
>> It's the same bug PT-298075 I already reported.
>> Due to the Ventura update from version 13.2.1 to version 13.3 the line 
>> number changed from 2814to 2812.
>> Same for latest Ventura 13.3.1.
>> 
>> Best! / Martin
>> 
>> 
>> On Mar 25, 2023, at 9:59 AM, Martin (Punky) Sopart  
>> wrote:
>> 
>> Hello!
>> 
>> Just for your information...
>> 
>> The bug PT-298075 still exists in Pro Tools 2023.3.
>> 
>> Best! / Martin
>> 
>> 
>> On Mar 17, 2023, at 6:32 PM, Martin (Punky) Sopart  
>> wrote:
>> 
>> Hello all!
>> 
>> The issue has been logged in Avid's system as bug PT-298075 and has to be
>> tested by the engineering team.
>> 
>> Latest Pro Tools (PT) version 2022.12 unter Ventura 13.2.1 (Intel).
>> 
>> Start the VoiceOver (VO) screenreader - Command+F5.
>> 
>> Open any PT session that will bring up a "session notes, some I/O is
>> missing" or "missing plug-in" message/dialog and the assertion error will
>> occur.
>> 
>> Best! / Martin
>> 
>> 
>> On Apr 8, 2023, at 2:24 AM, cov...@ccs.covici.com wrote:
>> 
>> Hi.  Looks like I have another bug -- I cannot start pt under Venture
>> with the playback engine set to builtin speakers.
>> 
>> Here is the error
>> 
>> Could not complete your request because Assertion in 
>> "/Users/autobld/gitlabci/PT/release/2023/r1/ProTools/DFW/Views/UGridView.cpp",
>>  line 2812.
>> 
>> (Use the Copy button to copy this message to the clipboard.).
>> 
>> Any suggestions would be appreciated.
>> 
>> -- 
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>> https://groups.google.com/d/msgid/ptaccess/AEA2E5CB-7063-4CDA-980C-3770FDEC41B4%40cakewalker.de.
> 
> -- 
> Your life is like a penny.  You're going to lose it.  The question is:
> How do
> you spend it?
> 
>John Covici wb2una
>cov...@ccs.covici.com
> 
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Re: free comprehensive Pro Tools Guide for Screen Reader Users now available online

[Juan Pablo Culasso Alonso]

Slau, this guide is so beautiful.
Thank you so much.
Question, are you planing to make some apendix highlighting the advance 
automation and edit that protools ultimate has now eve protools studio has?
Thanks,
Juan

> On Jun 9, 2022, at 23:20, Slau Halatyn  wrote:
> 
> The long-awaited  "Pro Tools Guide for screen Reader Users" is finally here! 
> This free online resource, made possible through Berklee College of Music 
> features a comprehensive series of tutorials aimed specifically at blind 
> users of Pro Tools. It includes 250 audio demonstrations (totaling 20 hours) 
> with detailed examples to accompany each topic. All of the session files used 
> throughout this series are available to download for reference and practice.
> 
> Whether you're completely new to Pro Tools or already use it and want to fill 
> in the gaps, start your journey by going to:
> https://ptaccess.github.io 
> 
> As the process of refining Pro Tools accessibility is ongoing, this online 
> guide will continue to be updated regularly to reflect the most recent 
> improvements to the Pro Tools user interface from the perspective of a screen 
> reader user.
> 
> Thanks to Chi Kim for facilitating this project and to Berklee for entrusting 
> me with this massive undertaking. I couldn't have done it without their 
> support. Thanks also to Avid for making resources available during the 
> planning, writing and recording of this project.
> 
> Slau Halatyn
> 
> 
> 
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Re: PS: Adding content in a big session

[Juan Pablo Culasso Alonso]

thank you so much, I will do it and tell you if all is done. Thanks,JP

> On Nov 11, 2021, at 09:58, Martin (Punky) Sopart  wrote:
> 
> Hello Juan Pablo!
> 
> Hope, I got you right...
> 
> In the Edit Window:
> 0. Make shure, that the edit mode "Shuffle" is active (F1).
> 1. Deselect all tracks. Using Flo Tools double press of Shift+Option+L will 
> do it for you.
> 2. Select all desired tracks with one of the common methods.
> 3. Move to the beginning of the session by pressing Entr.
> 4. If the main countr is set to "Minutes/Seconds", make a 5 seconds selection 
> by pressing the NumpadSlash 3 times and type NumpadComma Numpad5 NumpadEnter.
> 5. Chose "Insert Silence" from the Edit Menu and you should be done.
> Don't forget to deselect the tracks.
> 
> Best! / Martin
> -Original Message-
> From: ptaccess@googlegroups.com  On Behalf Of Juan 
> Pablo Culasso Alonso
> Sent: Thursday, November 11, 2021 2:07 PM
> To: ptaccess@googlegroups.com
> Subject: Adding content in a big session
> 
> Heelo, i have a sesssion with 75 tracks. I need add a piece of 5 seconds to 
> one of this, is there a way to nudge all the tracks 5 seconds to maitain the 
> aligment of the all sessions? I am reffering if I can do it in all tracks at 
> the same time instead landing in each one and do it one by one.
> thanks,
> juan
> 
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Adding content in a big session

[Juan Pablo Culasso Alonso]

Heelo, i have a sesssion with 75 tracks. I need add a piece of 5 seconds to one 
of this, is there a way to nudge all the tracks 5 seconds to maitain the 
aligment of the all sessions? I am reffering if I can do it in all tracks at 
the same time instead landing in each one and do it one by one.
thanks,
juan

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Loudnes plugin

[Juan Pablo Culasso Alonso]

Hello all, which loudness solution do you use?
Lm correct from Nugen audio, for example?
Thanks,
Juan

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Re: Go to the first clip in a track?

[Juan Pablo Culasso Alonso]

Thank you!
I did exactly the same thing in other session, however in this one there was a 
different setup. I just could do it. thanks again

JP
> On May 21, 2021, at 12:29, Ignasi Cambra  wrote:
> 
> If you have everything set up correctly you just need to select the track, 
> make sure you have an insertion point, go to the beginning by pressing 
> return, and then press the tab key to go to the first clip, if it’s not at 
> the beginning of the session.
> 
> Sent from my iPhone
> 
>> On 21 May 2021, at 19:05, Juan Pablo Culasso Alonso  
>> wrote:
>> 
>> Hello all, is there a way to go to the first clip of a certain track, if 
>> the track begin at min 30 of the session, how to jump directly there?
>> Thanks,
>> Juan
>> 
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Go to the first clip in a track?

[Juan Pablo Culasso Alonso]

Hello all, is there a way to go to the first clip of a certain track, if the 
track begin at min 30 of the session, how to jump directly there?
Thanks,
Juan

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About macbook pro with touch bar

[Juan Pablo Culasso Alonso]

Hello all, my macbook pro died and I am thinking replacing the machine with a 
new one. Anyone uses the macbook pro with the touch bar? How you manage this. 
Is usable or for faster tasks you plug an external keyboard?
Thanks,
JP

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Re: Pro Tools 2020.9

[Juan Pablo Culasso Alonso]

Disconsider the last one. I restarted the computer an now works fine.
Tks,
JP.

> On Sep 6, 2020, at 22:29, Slau Halatyn  wrote:
> 
> Yep, it'll work fine.
> 
>> On Sep 6, 2020, at 10:50 PM, Martin (Punky) Sopart  
>> wrote:
>> 
>> Hello!
>> 
>> This week I have to set up a new Pro Tools system for a client.
>> Could I use the new version 2020.9 regarding Flo Tools?
>> 
>> Thank you and best! / Martin
>> 
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>> "Pro Tools Accessibility" group.
>> To unsubscribe from this group and stop receiving emails from it, send an 
>> email to ptaccess+unsubscr...@googlegroups.com.
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>> https://groups.google.com/d/msgid/ptaccess/A07B4B6B-225E-4142-BA5A-F79569D55964%40cakewalker.de.
> 
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Re: Pro Tools 2020.9

[Juan Pablo Culasso Alonso]

Slau, in 2020.9 when the inspector is on, even pressing twice a key does not 
make the function. In any case. Twice r for arm, twice i for input, etc
Can you replicate this?


> On Sep 6, 2020, at 22:29, Slau Halatyn  wrote:
> 
> Yep, it'll work fine.
> 
>> On Sep 6, 2020, at 10:50 PM, Martin (Punky) Sopart  
>> wrote:
>> 
>> Hello!
>> 
>> This week I have to set up a new Pro Tools system for a client.
>> Could I use the new version 2020.9 regarding Flo Tools?
>> 
>> Thank you and best! / Martin
>> 
>> -- 
>> You received this message because you are subscribed to the Google Groups 
>> "Pro Tools Accessibility" group.
>> To unsubscribe from this group and stop receiving emails from it, send an 
>> email to ptaccess+unsubscr...@googlegroups.com.
>> To view this discussion on the web visit 
>> https://groups.google.com/d/msgid/ptaccess/A07B4B6B-225E-4142-BA5A-F79569D55964%40cakewalker.de.
> 
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Re: Automation question.

[Juan Pablo Culasso Alonso]

Hello all!

Well, there is a VoiceOver confusion. The price of the tutorial download 
lifetime is not 750 dollars, or even 75. The price is 7.50. I just purchased it 
right now.


> On Nov 23, 2019, at 12:56 PM, Slau Halatyn  wrote:
> 
> You can subscribe to Groove 3 on a yearly basis and cancel any time. I think 
> the yearly price is something like $100 or so. Anyone can subscribe for a 
> given amount of time, even a month, and determine whether it's worth it.
> 
> 
>> On Nov 22, 2019, at 7:45 PM, Juan Pablo Culasso Alonso > <mailto:jpcula...@gmail.com>> wrote:
>> 
>> Same here, i received the same answer and the lifetime download is 750 
>> dollars.
>> 
>> 
>>> On Nov 17, 2019, at 2:46 PM, Martin (Punky) Sopart >> <mailto:m...@cakewalker.de>> wrote:
>>> 
>>> Hello Chuck!
>>> 
>>> I contacted them via e/mail.
>>> 
>>> $75 would be perfect, but the lifetime download is $750.
>>> 
>>> Best! / Martin
>>> 
>>> 
>>> On Nov 17, 2019, at 18:42, CHUCK REICHEL >> <mailto:soundpicturerecord...@gmail.com>> wrote:
>>> 
>>> Hi Martin,
>>> 
>>> Thats very interesting.
>>> I haven't talked to them in a while though.
>>> Did you call them?
>>> I thought I saw on there site that you could still buy the tutorials but 
>>> may be I miss read that.
>>> BTW
>>> That automation secrets is worth more Than #$75.00.
>>> If it saves your "bacon" just once its paid for.
>>> Talk soon
>>> Chuck
>>> 
>>> On Nov 17, 2019, at 11:49 AM, Martin (Punky) Sopart wrote:
>>> 
>>>> Hello Chuch and all!
>>>> 
>>>> I contacted Groove3 and asked for the tutorial.
>>>> They are only selling memberships or lifetime video downloads.
>>>> No mp3.
>>>> The tutorial video "Pro Tools Automation Secrets Pro Tools HD Automation 
>>>> Secrets by Michael Costa” is about 750 $.
>>>> 
>>>> So things have changed I think.
>>>> 
>>>> Best! / Martin
>>>> 
>>>> 
>>>> On Nov 15, 2019, at 19:03, Slau Halatyn >>> <mailto:slauhala...@gmail.com>> wrote:
>>>> 
>>>> Glad to hear you've had some success. Keep in mind that the Write To 
>>>> start, Write to All and Write To End commands are normally meant for when 
>>>> you do not have a selection. There are specific times when you absolutely 
>>>> would use those commands in conjunction with a selection. But, when 
>>>> automating 20 seconds or so, it doesn't necessarily make sense to use 
>>>> those features since it's perfectly reasonable to have the transport play 
>>>> for 20 seconds.
>>>> 
>>>> An instance where you'd use the Write to All is if you're trying to 
>>>> establish the overall level of a track for an entire timeline. You can get 
>>>> into Auto write mode, engage the transport, set the level and, when you're 
>>>> happy with it, press the write to All button. Then you will have the 
>>>> current automation fader level set across your entire timeline. From 
>>>> there, you can make further adjustments.
>>>> 
>>>> Let's say you wanted to then raise the volume at bar 30 and keep it raised 
>>>> until the end of the timeline, you can once again go into Auto write, make 
>>>> the adjustment and use Write to End to keep the fader level a bit higher 
>>>> until the end.
>>>> 
>>>> Let's say you wanted to once again lower the level but only from bar 60 
>>>> until 4 bars before the end of the song. You can make a selection between 
>>>> bar 60 and 4 bars before the end of the song. Now with a longer selection 
>>>> that you don't need to play in its entirety, you can set the new level and 
>>>> then press Write to All. This will write the new level to the selected 
>>>> range.
>>>> 
>>>> Keep in mind that all of the Write to commands are meant to be executed 
>>>> while the transport is engaged.
>>>> 
>>>> Slau
>>>> 
>>>> 
>>>>> On Nov 15, 2019, at 12:31 PM, Juan Pablo Culasso Alonso 
>>>>> mailto:jpcula...@gmail.com>> wrote:
>>>>> 
>>>>> Slau, i had success!
>>>>> I selected a portion of 20 seconds of a clip, aut

Re: Automation question.

[Juan Pablo Culasso Alonso]

Same here, i received the same answer and the lifetime download is 750 dollars.


> On Nov 17, 2019, at 2:46 PM, Martin (Punky) Sopart  wrote:
> 
> Hello Chuck!
> 
> I contacted them via e/mail.
> 
> $75 would be perfect, but the lifetime download is $750.
> 
> Best! / Martin
> 
> 
> On Nov 17, 2019, at 18:42, CHUCK REICHEL  <mailto:soundpicturerecord...@gmail.com>> wrote:
> 
> Hi Martin,
> 
> Thats very interesting.
> I haven't talked to them in a while though.
> Did you call them?
> I thought I saw on there site that you could still buy the tutorials but may 
> be I miss read that.
> BTW
> That automation secrets is worth more Than #$75.00.
> If it saves your "bacon" just once its paid for.
> Talk soon
> Chuck
> 
> On Nov 17, 2019, at 11:49 AM, Martin (Punky) Sopart wrote:
> 
>> Hello Chuch and all!
>> 
>> I contacted Groove3 and asked for the tutorial.
>> They are only selling memberships or lifetime video downloads.
>> No mp3.
>> The tutorial video "Pro Tools Automation Secrets Pro Tools HD Automation 
>> Secrets by Michael Costa” is about 750 $.
>> 
>> So things have changed I think.
>> 
>> Best! / Martin
>> 
>> 
>> On Nov 15, 2019, at 19:03, Slau Halatyn > <mailto:slauhala...@gmail.com>> wrote:
>> 
>> Glad to hear you've had some success. Keep in mind that the Write To start, 
>> Write to All and Write To End commands are normally meant for when you do 
>> not have a selection. There are specific times when you absolutely would use 
>> those commands in conjunction with a selection. But, when automating 20 
>> seconds or so, it doesn't necessarily make sense to use those features since 
>> it's perfectly reasonable to have the transport play for 20 seconds.
>> 
>> An instance where you'd use the Write to All is if you're trying to 
>> establish the overall level of a track for an entire timeline. You can get 
>> into Auto write mode, engage the transport, set the level and, when you're 
>> happy with it, press the write to All button. Then you will have the current 
>> automation fader level set across your entire timeline. From there, you can 
>> make further adjustments.
>> 
>> Let's say you wanted to then raise the volume at bar 30 and keep it raised 
>> until the end of the timeline, you can once again go into Auto write, make 
>> the adjustment and use Write to End to keep the fader level a bit higher 
>> until the end.
>> 
>> Let's say you wanted to once again lower the level but only from bar 60 
>> until 4 bars before the end of the song. You can make a selection between 
>> bar 60 and 4 bars before the end of the song. Now with a longer selection 
>> that you don't need to play in its entirety, you can set the new level and 
>> then press Write to All. This will write the new level to the selected range.
>> 
>> Keep in mind that all of the Write to commands are meant to be executed 
>> while the transport is engaged.
>> 
>> Slau
>> 
>> 
>>> On Nov 15, 2019, at 12:31 PM, Juan Pablo Culasso Alonso 
>>> mailto:jpcula...@gmail.com>> wrote:
>>> 
>>> Slau, i had success!
>>> I selected a portion of 20 seconds of a clip, automated pan from left to 
>>> center by the first 3 seconds, and in the automation window y pressed the 
>>> button 
>>>  Write Automation to Selection End on Stop
>>> So after the second 20 the sound as I expected, it returns to the left.
>>> So now I need to check if in the Eucon app, there is already an option to 
>>> atach to a key in my  avid transport to this three buttons.
>>> 
>>> Thanks,
>>> JP.
>>>> On Nov 15, 2019, at 1:03 PM, Slau Halatyn >>> <mailto:slauhala...@gmail.com>> wrote:
>>>> 
>>>> Juan,
>>>> There could be any number of reasons your panning isn't sticking to the 
>>>> right side. I'd suggest the following:
>>>> 1. Set your track view to pan.
>>>> 2. Select everything from beginning of the session to the end with Option 
>>>> Shift Return and press Delete.
>>>> 3. Confirm that your audio is still there.
>>>> 4. Put your track into Auto Latch mode and, with your pan at center, 
>>>> engage the transport and pan to the left.
>>>> 
>>>> When you stop the transport, your track should remain panned to the right.
>>>> 
>>>> Another approach you can take is to do this in Auto Write mod

Re: Automation question., • Pro Tools Automation Secrets Pro Tools HD Automation Secrets by Michael Costa

[Juan Pablo Culasso Alonso]

Thanks!!

> On Nov 15, 2019, at 6:27 PM, CHUCK REICHEL  
> wrote:
> 
> Hi John,
> Yeah you could email or;
> Tutorial Videos for Recording, Mixing & Production <https://www.groove3.com/>
> https://www.youtube.com/channel/UCA5DRcDlQAwsXKrLr5vvmhA 
> <https://www.youtube.com/channel/UCA5DRcDlQAwsXKrLr5vvmhA>
> Groove 3 Inc. CALL US:  1-800-460-7509 
> I think I paid $30.00 or so but by now its probably 5 or 10 bucks.
> They have a mp3 version due to my persistence years ago, the PT version is  
> older but still valid! :)
> Oh yeah they know what VoiceOver is! ;)
> Its worth hundreds in the time saved! :)
> YMMV
> Chuck
> 
>>> "God does not play dice with the universe"
>>> "Albert Einstein’
> 
>> 
> 
> On Nov 15, 2019, at 3:18 PM, John Covici wrote:
> 
>> That is an Email address, do I have to write to him to get the
>> tutorial?
>> 
>> On Fri, 15 Nov 2019 13:27:58 -0500,
>> CHUCK REICHEL wrote:
>>> 
>>> [1  ]
>>> [2  ]
>>> Hi Juan,
>>> 
>>> I highly recommend this Pro tools automation tutorial to every one using 
>>> pro tools.
>>> Pro Tools Automation Secrets Pro Tools HD Automation Secrets by Michael 
>>> Costa
>>> You can find out about it here;
>>> supp...@groove3.com <mailto:supp...@groove3.com>
>>> This totally opened up my understanding  years ago for all the automation 
>>> tasks you'll need in pro tools
>>> HTH
>>> Chuck
>>> "God does not play dice with the universe"
>>> "Albert Einstein’
>>> 
>>> On Nov 15, 2019, at 12:31 PM, Juan Pablo Culasso Alonso wrote:
>>> 
>>> Slau, i had success!
>>> I selected a portion of 20 seconds of a clip, automated pan from left to 
>>> center by the first 3 seconds, and in the automation window y pressed the 
>>> button 
>>>  Write Automation to Selection End on Stop
>>> So after the second 20 the sound as I expected, it returns to the left.
>>> So now I need to check if in the Eucon app, there is already an option to 
>>> atach to a key in my  avid transport to this three buttons.
>>> 
>>> Thanks,
>>> JP.
>>> 
>>> On Nov 15, 2019, at 1:03 PM, Slau Halatyn >> <mailto:slauhala...@gmail.com>> wrote:
>>> 
>>> Juan,
>>> There could be any number of reasons your panning isn't sticking to the 
>>> right side. I'd suggest the following:
>>> 1. Set your track view to pan.
>>> 2. Select everything from beginning of the session to the end with Option 
>>> Shift Return and press Delete.
>>> 3. Confirm that your audio is still there.
>>> 4. Put your track into Auto Latch mode and, with your pan at center, engage 
>>> the transport and pan to the left.
>>> 
>>> When you stop the transport, your track should remain panned to the right.
>>> 
>>> Another approach you can take is to do this in Auto Write mode and, once 
>>> you've panned to the right, press the Write to End button in the Automation 
>>> window. You'll get a dialog informing you that automation has been written 
>>> to
>>> the end of the timeline.
>>> 
>>> Further, it appeared that you had Trim mode checked before engaging the 
>>> transport. Don't use Trim mode in this case. Make sure it's unchecked. Trim 
>>> mode is meant to make relative changes to already recorded automation data.
>>> 
>>> Let me know if this process works for you.
>>> 
>>> Slau
>>> 
>>> On Nov 13, 2019, at 11:20 PM, Juan Pablo Culasso Alonso 
>>> mailto:jpcula...@gmail.com>> wrote:
>>> 
>>> Slau, here is an example of panning automation I put in latch mode but the 
>>> parameter is not saved.
>>> 
>>> https://www.dropbox.com/s/jrq345rs4tohn36/System%20Audio%2020191114%200114.mp3?dl=1
>>>  
>>> <https://www.dropbox.com/s/jrq345rs4tohn36/System%20Audio%2020191114%200114.mp3?dl=1>
>>> Is a 59 seconds recording. can you check that? and tell me what is wrong?
>>> 
>>> Thanks,
>>> Juan.
>>> 
>>> On Nov 13, 2019, at 10:01 PM, Slau Halatyn >> <mailto:slauhala...@gmail.com>> wrote:
>>> 
>>> Well, good for you! OK, now when you go to the Automation window, you'll 
>>> see buttons for writing to the start, end or entire length of the session 
>>> from beginning to end. With an Avid control surface, there 

Re: Automation question.

[Juan Pablo Culasso Alonso]

Thanks, Slau. I will practice and tell how I am doing.

Would be nice if you can record something.

thanks,
JP.

> On Nov 15, 2019, at 3:03 PM, Slau Halatyn  wrote:
> 
> Glad to hear you've had some success. Keep in mind that the Write To start, 
> Write to All and Write To End commands are normally meant for when you do not 
> have a selection. There are specific times when you absolutely would use 
> those commands in conjunction with a selection. But, when automating 20 
> seconds or so, it doesn't necessarily make sense to use those features since 
> it's perfectly reasonable to have the transport play for 20 seconds.
> 
> An instance where you'd use the Write to All is if you're trying to establish 
> the overall level of a track for an entire timeline. You can get into Auto 
> write mode, engage the transport, set the level and, when you're happy with 
> it, press the write to All button. Then you will have the current automation 
> fader level set across your entire timeline. From there, you can make further 
> adjustments.
> 
> Let's say you wanted to then raise the volume at bar 30 and keep it raised 
> until the end of the timeline, you can once again go into Auto write, make 
> the adjustment and use Write to End to keep the fader level a bit higher 
> until the end.
> 
> Let's say you wanted to once again lower the level but only from bar 60 until 
> 4 bars before the end of the song. You can make a selection between bar 60 
> and 4 bars before the end of the song. Now with a longer selection that you 
> don't need to play in its entirety, you can set the new level and then press 
> Write to All. This will write the new level to the selected range.
> 
> Keep in mind that all of the Write to commands are meant to be executed while 
> the transport is engaged.
> 
> Slau
> 
> 
>> On Nov 15, 2019, at 12:31 PM, Juan Pablo Culasso Alonso > <mailto:jpcula...@gmail.com>> wrote:
>> 
>> Slau, i had success!
>> I selected a portion of 20 seconds of a clip, automated pan from left to 
>> center by the first 3 seconds, and in the automation window y pressed the 
>> button 
>>  Write Automation to Selection End on Stop
>> So after the second 20 the sound as I expected, it returns to the left.
>> So now I need to check if in the Eucon app, there is already an option to 
>> atach to a key in my  avid transport to this three buttons.
>> 
>> Thanks,
>> JP.
>>> On Nov 15, 2019, at 1:03 PM, Slau Halatyn >> <mailto:slauhala...@gmail.com>> wrote:
>>> 
>>> Juan,
>>> There could be any number of reasons your panning isn't sticking to the 
>>> right side. I'd suggest the following:
>>> 1. Set your track view to pan.
>>> 2. Select everything from beginning of the session to the end with Option 
>>> Shift Return and press Delete.
>>> 3. Confirm that your audio is still there.
>>> 4. Put your track into Auto Latch mode and, with your pan at center, engage 
>>> the transport and pan to the left.
>>> 
>>> When you stop the transport, your track should remain panned to the right.
>>> 
>>> Another approach you can take is to do this in Auto Write mode and, once 
>>> you've panned to the right, press the Write to End button in the Automation 
>>> window. You'll get a dialog informing you that automation has been written 
>>> to the end of the timeline.
>>> 
>>> Further, it appeared that you had Trim mode checked before engaging the 
>>> transport. Don't use Trim mode in this case. Make sure it's unchecked. Trim 
>>> mode is meant to make relative changes to already recorded automation data.
>>> 
>>> Let me know if this process works for you.
>>> 
>>> Slau
>>> 
>>> 
>>>> On Nov 13, 2019, at 11:20 PM, Juan Pablo Culasso Alonso 
>>>> mailto:jpcula...@gmail.com>> wrote:
>>>> 
>>>> Slau, here is an example of panning automation I put in latch mode but the 
>>>> parameter is not saved.
>>>> 
>>>> https://www.dropbox.com/s/jrq345rs4tohn36/System%20Audio%2020191114%200114.mp3?dl=1
>>>>  
>>>> <https://www.dropbox.com/s/jrq345rs4tohn36/System%20Audio%2020191114%200114.mp3?dl=1>
>>>> Is a 59 seconds recording. can you check that? and tell me what is wrong?
>>>> 
>>>> Thanks,
>>>> Juan.
>>>>> On Nov 13, 2019, at 10:01 PM, Slau Halatyn >>>> <mailto:slauhala...@gmail.com>> wrote:
>>>>> 
>>>>

Re: Automation question.

[Juan Pablo Culasso Alonso]

Slau, i had success!
I selected a portion of 20 seconds of a clip, automated pan from left to center 
by the first 3 seconds, and in the automation window y pressed the button 
 Write Automation to Selection End on Stop
So after the second 20 the sound as I expected, it returns to the left.
So now I need to check if in the Eucon app, there is already an option to atach 
to a key in my  avid transport to this three buttons.

Thanks,
JP.
> On Nov 15, 2019, at 1:03 PM, Slau Halatyn  wrote:
> 
> Juan,
> There could be any number of reasons your panning isn't sticking to the right 
> side. I'd suggest the following:
> 1. Set your track view to pan.
> 2. Select everything from beginning of the session to the end with Option 
> Shift Return and press Delete.
> 3. Confirm that your audio is still there.
> 4. Put your track into Auto Latch mode and, with your pan at center, engage 
> the transport and pan to the left.
> 
> When you stop the transport, your track should remain panned to the right.
> 
> Another approach you can take is to do this in Auto Write mode and, once 
> you've panned to the right, press the Write to End button in the Automation 
> window. You'll get a dialog informing you that automation has been written to 
> the end of the timeline.
> 
> Further, it appeared that you had Trim mode checked before engaging the 
> transport. Don't use Trim mode in this case. Make sure it's unchecked. Trim 
> mode is meant to make relative changes to already recorded automation data.
> 
> Let me know if this process works for you.
> 
> Slau
> 
> 
>> On Nov 13, 2019, at 11:20 PM, Juan Pablo Culasso Alonso > <mailto:jpcula...@gmail.com>> wrote:
>> 
>> Slau, here is an example of panning automation I put in latch mode but the 
>> parameter is not saved.
>> 
>> https://www.dropbox.com/s/jrq345rs4tohn36/System%20Audio%2020191114%200114.mp3?dl=1
>>  
>> <https://www.dropbox.com/s/jrq345rs4tohn36/System%20Audio%2020191114%200114.mp3?dl=1>
>> Is a 59 seconds recording. can you check that? and tell me what is wrong?
>> 
>> Thanks,
>> Juan.
>>> On Nov 13, 2019, at 10:01 PM, Slau Halatyn >> <mailto:slauhala...@gmail.com>> wrote:
>>> 
>>> Well, good for you! OK, now when you go to the Automation window, you'll 
>>> see buttons for writing to the start, end or entire length of the session 
>>> from beginning to end. With an Avid control surface, there are dedicated 
>>> buttons for these functions. Anyway, you'll have a much easier time with 
>>> Ultimate.
>>> Slau
>>> 
>>> 
>>> 
>>>> On Nov 13, 2019, at 4:11 PM, Juan Pablo Culasso Alonso 
>>>> mailto:jpcula...@gmail.com>> wrote:
>>>> 
>>>> Thanks, slau, I just installed it.
>>>> 
>>>> 
>>>>> On Nov 13, 2019, at 6:10 PM, Slau Halatyn >>>> <mailto:slauhala...@gmail.com>> wrote:
>>>>> 
>>>>> For controls like panning, where you want the value to remain the same, 
>>>>> use Latch mode. In other words, if you start from one set of values and 
>>>>> change while in Latch mode, the subsequent automation data will stay at 
>>>>> the last recorded value. This theoretically works with faders as well but 
>>>>> some people have had limited success doing it with faders. Pan automation 
>>>>> should work fine.
>>>>> 
>>>>> Now, you say you've upgraded to Ultimate? If you have, then the 
>>>>> automation process will be infinitely easier. Let me know when you have 
>>>>> it installed.
>>>>> Slau
>>>>> 
>>>>> 
>>>>>> On Nov 13, 2019, at 2:44 PM, Juan Pablo Culasso Alonso 
>>>>>> mailto:jpcula...@gmail.com>> wrote:
>>>>>> 
>>>>>> Absolutely amazing, slau.
>>>>>> And for panning? I tried some pan automation and for example, if the 
>>>>>> start point is 70 left 30 right and I go to 30 left and 70 right, after 
>>>>>> press the stop button and play the track, the automation looks fine but 
>>>>>> after the end of the automation the track returns to the begining point. 
>>>>>> How to solve this and the track continues in 30 left 70 right?
>>>>>> I linked the paner
>>>>>> 
>>>>>> Thanks,
>>>>>> Juan.
>>>>>> I upgraded to ultimate
>>>>>>  and I want to use it at 100% in

Re: Automation question.

[Juan Pablo Culasso Alonso]

Thank you so much, slau.

JP.

> On Nov 15, 2019, at 1:21 AM, Slau Halatyn  wrote:
> 
> Of course I understand that you're asking about automation in Pro Tools 
> Ultimate. Your questions are specific in a way but they are quite general at 
> the same time. I'll need to respond in the morning because I'm going to end 
> up typing quite a bit.
> Slau
> 
> 
>> On Nov 14, 2019, at 8:29 PM, Juan Pablo Culasso Alonso > <mailto:jpcula...@gmail.com>> wrote:
>> 
>> Sure, Slau.
>> 
>> I am reffering specifically to automate in protools ultimate.
>> I am in the automation window, and for example, I select 10 seconds
>> How can i automate this 10 seconds∑
>> When I press the button
>> Write Automation to Selection Start, for example, I get the message: No 
>> automation was written.
>> The same happens in Write Automation to Selection
>> If I press the button
>> Write Automation to Selection on Stop
>> It`s becomes selected, i press the play button, move the fader and when i 
>> return to the button
>> Write Automation to Selection
>> I got the same message
>> 
>> 
>> Other question is?
>> Even putting the mode in latch, in volume or pan automation, when press stop 
>> and go back to read, the last parameter when i left the fader is not 
>> remembered in volume or pan.
>> 
>> I reed the protools reference guide, tried to get som youtube tutorials but 
>> i did not advance too much.
>> 
>> Thanks again for your help and patience.
>> JP.
>> 
>>> On Nov 14, 2019, at 10:12 PM, Slau Halatyn >> <mailto:slauhala...@gmail.com>> wrote:
>>> 
>>> Sorry Juan, Automation is complex and you'll need to be very specific with 
>>> your question. I can't write about all aspects of automation. Give me 
>>> details of specific issues.
>>> Slau
>>> 
>>> 
>>>> On Nov 14, 2019, at 6:06 PM, Juan Pablo Culasso Alonso 
>>>> mailto:jpcula...@gmail.com>> wrote:
>>>> 
>>>> Hi, Slau, how give me a tips how automation works in ultimate∑ I am very 
>>>> confused in the automation window.
>>>> Thanks,
>>>> JP.
>>>> 
>>>>> On Nov 13, 2019, at 10:01 PM, Slau Halatyn >>>> <mailto:slauhala...@gmail.com>> wrote:
>>>>> 
>>>>> Well, good for you! OK, now when you go to the Automation window, you'll 
>>>>> see buttons for writing to the start, end or entire length of the session 
>>>>> from beginning to end. With an Avid control surface, there are dedicated 
>>>>> buttons for these functions. Anyway, you'll have a much easier time with 
>>>>> Ultimate.
>>>>> Slau
>>>>> 
>>>>> 
>>>>> 
>>>>>> On Nov 13, 2019, at 4:11 PM, Juan Pablo Culasso Alonso 
>>>>>> mailto:jpcula...@gmail.com>> wrote:
>>>>>> 
>>>>>> Thanks, slau, I just installed it.
>>>>>> 
>>>>>> 
>>>>>>> On Nov 13, 2019, at 6:10 PM, Slau Halatyn >>>>>> <mailto:slauhala...@gmail.com>> wrote:
>>>>>>> 
>>>>>>> For controls like panning, where you want the value to remain the same, 
>>>>>>> use Latch mode. In other words, if you start from one set of values and 
>>>>>>> change while in Latch mode, the subsequent automation data will stay at 
>>>>>>> the last recorded value. This theoretically works with faders as well 
>>>>>>> but some people have had limited success doing it with faders. Pan 
>>>>>>> automation should work fine.
>>>>>>> 
>>>>>>> Now, you say you've upgraded to Ultimate? If you have, then the 
>>>>>>> automation process will be infinitely easier. Let me know when you have 
>>>>>>> it installed.
>>>>>>> Slau
>>>>>>> 
>>>>>>> 
>>>>>>>> On Nov 13, 2019, at 2:44 PM, Juan Pablo Culasso Alonso 
>>>>>>>> mailto:jpcula...@gmail.com>> wrote:
>>>>>>>> 
>>>>>>>> Absolutely amazing, slau.
>>>>>>>> And for panning? I tried some pan automation and for example, if the 
>>>>>>>> start point is 70 left 30 right and I go to 30 left and 70 right, 
>>>>>>>> after p

Re: Automation question.

[Juan Pablo Culasso Alonso]

Slau, here is an example of panning automation I put in latch mode but the 
parameter is not saved.

https://www.dropbox.com/s/jrq345rs4tohn36/System%20Audio%2020191114%200114.mp3?dl=1
 
<https://www.dropbox.com/s/jrq345rs4tohn36/System%20Audio%2020191114%200114.mp3?dl=1>
Is a 59 seconds recording. can you check that? and tell me what is wrong?

Thanks,
Juan.
> On Nov 13, 2019, at 10:01 PM, Slau Halatyn  wrote:
> 
> Well, good for you! OK, now when you go to the Automation window, you'll see 
> buttons for writing to the start, end or entire length of the session from 
> beginning to end. With an Avid control surface, there are dedicated buttons 
> for these functions. Anyway, you'll have a much easier time with Ultimate.
> Slau
> 
> 
> 
>> On Nov 13, 2019, at 4:11 PM, Juan Pablo Culasso Alonso > <mailto:jpcula...@gmail.com>> wrote:
>> 
>> Thanks, slau, I just installed it.
>> 
>> 
>>> On Nov 13, 2019, at 6:10 PM, Slau Halatyn >> <mailto:slauhala...@gmail.com>> wrote:
>>> 
>>> For controls like panning, where you want the value to remain the same, use 
>>> Latch mode. In other words, if you start from one set of values and change 
>>> while in Latch mode, the subsequent automation data will stay at the last 
>>> recorded value. This theoretically works with faders as well but some 
>>> people have had limited success doing it with faders. Pan automation should 
>>> work fine.
>>> 
>>> Now, you say you've upgraded to Ultimate? If you have, then the automation 
>>> process will be infinitely easier. Let me know when you have it installed.
>>> Slau
>>> 
>>> 
>>>> On Nov 13, 2019, at 2:44 PM, Juan Pablo Culasso Alonso 
>>>> mailto:jpcula...@gmail.com>> wrote:
>>>> 
>>>> Absolutely amazing, slau.
>>>> And for panning? I tried some pan automation and for example, if the start 
>>>> point is 70 left 30 right and I go to 30 left and 70 right, after press 
>>>> the stop button and play the track, the automation looks fine but after 
>>>> the end of the automation the track returns to the begining point. How to 
>>>> solve this and the track continues in 30 left 70 right?
>>>> I linked the paner
>>>> 
>>>> Thanks,
>>>> Juan.
>>>> I upgraded to ultimate
>>>>  and I want to use it at 100% in post production capabilities
>>>>> On Nov 13, 2019, at 12:40 PM, Slau Halatyn >>>> <mailto:slauhala...@gmail.com>> wrote:
>>>>> 
>>>>> Replying here on the PTAccess list because that's where public questions 
>>>>> belong. My reply follows below the question.
>>>>> Begin forwarded message:
>>>>>> 
>>>>>> From: Juan Pablo Culasso Alonso >>>>> <mailto:jpcula...@gmail.com>>
>>>>>> Subject: Re: Automation question.
>>>>>> Date: November 12, 2019 at 11:34:55 PM EST
>>>>>> To: Slau Halatyn >>>>> <mailto:s...@besharpstudios.com>>
>>>>>> 
>>>>>> Hi, slau, but if I want to make some different. A track that is already 
>>>>>> playing and there is an other track that I want that begin at minus inf 
>>>>>> and ends at -3 db  and continues at -3db after automation ends?
>>>>>> 
>>>>>> Thanks again,
>>>>>> JP.
>>>>>> 
>>>>> Hi Juan,
>>>>> The thing to remember is that Pro Tools Ultimate can do this simply but 
>>>>> Pro Tools Vanilla has no way of doing this simply. What you need to 
>>>>> remember is, once you've written automation, that's the level that the 
>>>>> parameter will return to whenever you stop recording. So, if you wish to 
>>>>> end up at minus 3 dB, that's where you start right at the top with minus 
>>>>> 3 dB in write mode. Then start again from the top at minus infinity and 
>>>>> raise your level to minus 3 dB  and the track should then remain at minus 
>>>>> 3 dB for the rest of the timeline.
>>>>> 
>>>>> A guaranteed way of getting this result is to let the track play for its 
>>>>> entire duration while in write mode while you make your level adjustments.
>>>>> 
>>>>> Again, this is very straight-forward with PT Ultimate. If you do a lot of 
>>>>> automation all the time and you're using P

Fwd: Automation question.

[Juan Pablo Culasso Alonso]

> 
> Hello all,
> 
> Just for know.
> When I make an automation after put the mode in write, I need quickly turn 
> down completely the volume after press the play button and after make the 
> necessary curve.
> If I did not do it, and for example put the volume in 0 db, before press 
> play.. after end the automation, the track continues in volume minus infinite.
> Why? Is there a way that after automation the track continues in the same 
> level after end the automation?
> Slau talk about trim automation that is availabe in ultimate. How it works∑

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Re: Automation question.

[Juan Pablo Culasso Alonso]

Sure, Slau.

I am reffering specifically to automate in protools ultimate.
I am in the automation window, and for example, I select 10 seconds
How can i automate this 10 seconds∑
When I press the button
Write Automation to Selection Start, for example, I get the message: No 
automation was written.
The same happens in Write Automation to Selection
If I press the button
Write Automation to Selection on Stop
It`s becomes selected, i press the play button, move the fader and when i 
return to the button
Write Automation to Selection
I got the same message


Other question is?
Even putting the mode in latch, in volume or pan automation, when press stop 
and go back to read, the last parameter when i left the fader is not remembered 
in volume or pan.

I reed the protools reference guide, tried to get som youtube tutorials but i 
did not advance too much.

Thanks again for your help and patience.
JP.

> On Nov 14, 2019, at 10:12 PM, Slau Halatyn  wrote:
> 
> Sorry Juan, Automation is complex and you'll need to be very specific with 
> your question. I can't write about all aspects of automation. Give me details 
> of specific issues.
> Slau
> 
> 
>> On Nov 14, 2019, at 6:06 PM, Juan Pablo Culasso Alonso > <mailto:jpcula...@gmail.com>> wrote:
>> 
>> Hi, Slau, how give me a tips how automation works in ultimate∑ I am very 
>> confused in the automation window.
>> Thanks,
>> JP.
>> 
>>> On Nov 13, 2019, at 10:01 PM, Slau Halatyn >> <mailto:slauhala...@gmail.com>> wrote:
>>> 
>>> Well, good for you! OK, now when you go to the Automation window, you'll 
>>> see buttons for writing to the start, end or entire length of the session 
>>> from beginning to end. With an Avid control surface, there are dedicated 
>>> buttons for these functions. Anyway, you'll have a much easier time with 
>>> Ultimate.
>>> Slau
>>> 
>>> 
>>> 
>>>> On Nov 13, 2019, at 4:11 PM, Juan Pablo Culasso Alonso 
>>>> mailto:jpcula...@gmail.com>> wrote:
>>>> 
>>>> Thanks, slau, I just installed it.
>>>> 
>>>> 
>>>>> On Nov 13, 2019, at 6:10 PM, Slau Halatyn >>>> <mailto:slauhala...@gmail.com>> wrote:
>>>>> 
>>>>> For controls like panning, where you want the value to remain the same, 
>>>>> use Latch mode. In other words, if you start from one set of values and 
>>>>> change while in Latch mode, the subsequent automation data will stay at 
>>>>> the last recorded value. This theoretically works with faders as well but 
>>>>> some people have had limited success doing it with faders. Pan automation 
>>>>> should work fine.
>>>>> 
>>>>> Now, you say you've upgraded to Ultimate? If you have, then the 
>>>>> automation process will be infinitely easier. Let me know when you have 
>>>>> it installed.
>>>>> Slau
>>>>> 
>>>>> 
>>>>>> On Nov 13, 2019, at 2:44 PM, Juan Pablo Culasso Alonso 
>>>>>> mailto:jpcula...@gmail.com>> wrote:
>>>>>> 
>>>>>> Absolutely amazing, slau.
>>>>>> And for panning? I tried some pan automation and for example, if the 
>>>>>> start point is 70 left 30 right and I go to 30 left and 70 right, after 
>>>>>> press the stop button and play the track, the automation looks fine but 
>>>>>> after the end of the automation the track returns to the begining point. 
>>>>>> How to solve this and the track continues in 30 left 70 right?
>>>>>> I linked the paner
>>>>>> 
>>>>>> Thanks,
>>>>>> Juan.
>>>>>> I upgraded to ultimate
>>>>>>  and I want to use it at 100% in post production capabilities
>>>>>>> On Nov 13, 2019, at 12:40 PM, Slau Halatyn >>>>>> <mailto:slauhala...@gmail.com>> wrote:
>>>>>>> 
>>>>>>> Replying here on the PTAccess list because that's where public 
>>>>>>> questions belong. My reply follows below the question.
>>>>>>> Begin forwarded message:
>>>>>>>> 
>>>>>>>> From: Juan Pablo Culasso Alonso >>>>>>> <mailto:jpcula...@gmail.com>>
>>>>>>>> Subject: Re: Automation question.
>>>>>>>> Date: November 12, 2019 at 11:34:55 PM EST
>>>>>>>>

Re: Automation question.

[Juan Pablo Culasso Alonso]

Hi, Slau, how give me a tips how automation works in ultimate∑ I am very 
confused in the automation window.
Thanks,
JP.

> On Nov 13, 2019, at 10:01 PM, Slau Halatyn  wrote:
> 
> Well, good for you! OK, now when you go to the Automation window, you'll see 
> buttons for writing to the start, end or entire length of the session from 
> beginning to end. With an Avid control surface, there are dedicated buttons 
> for these functions. Anyway, you'll have a much easier time with Ultimate.
> Slau
> 
> 
> 
>> On Nov 13, 2019, at 4:11 PM, Juan Pablo Culasso Alonso > <mailto:jpcula...@gmail.com>> wrote:
>> 
>> Thanks, slau, I just installed it.
>> 
>> 
>>> On Nov 13, 2019, at 6:10 PM, Slau Halatyn >> <mailto:slauhala...@gmail.com>> wrote:
>>> 
>>> For controls like panning, where you want the value to remain the same, use 
>>> Latch mode. In other words, if you start from one set of values and change 
>>> while in Latch mode, the subsequent automation data will stay at the last 
>>> recorded value. This theoretically works with faders as well but some 
>>> people have had limited success doing it with faders. Pan automation should 
>>> work fine.
>>> 
>>> Now, you say you've upgraded to Ultimate? If you have, then the automation 
>>> process will be infinitely easier. Let me know when you have it installed.
>>> Slau
>>> 
>>> 
>>>> On Nov 13, 2019, at 2:44 PM, Juan Pablo Culasso Alonso 
>>>> mailto:jpcula...@gmail.com>> wrote:
>>>> 
>>>> Absolutely amazing, slau.
>>>> And for panning? I tried some pan automation and for example, if the start 
>>>> point is 70 left 30 right and I go to 30 left and 70 right, after press 
>>>> the stop button and play the track, the automation looks fine but after 
>>>> the end of the automation the track returns to the begining point. How to 
>>>> solve this and the track continues in 30 left 70 right?
>>>> I linked the paner
>>>> 
>>>> Thanks,
>>>> Juan.
>>>> I upgraded to ultimate
>>>>  and I want to use it at 100% in post production capabilities
>>>>> On Nov 13, 2019, at 12:40 PM, Slau Halatyn >>>> <mailto:slauhala...@gmail.com>> wrote:
>>>>> 
>>>>> Replying here on the PTAccess list because that's where public questions 
>>>>> belong. My reply follows below the question.
>>>>> Begin forwarded message:
>>>>>> 
>>>>>> From: Juan Pablo Culasso Alonso >>>>> <mailto:jpcula...@gmail.com>>
>>>>>> Subject: Re: Automation question.
>>>>>> Date: November 12, 2019 at 11:34:55 PM EST
>>>>>> To: Slau Halatyn >>>>> <mailto:s...@besharpstudios.com>>
>>>>>> 
>>>>>> Hi, slau, but if I want to make some different. A track that is already 
>>>>>> playing and there is an other track that I want that begin at minus inf 
>>>>>> and ends at -3 db  and continues at -3db after automation ends?
>>>>>> 
>>>>>> Thanks again,
>>>>>> JP.
>>>>>> 
>>>>> Hi Juan,
>>>>> The thing to remember is that Pro Tools Ultimate can do this simply but 
>>>>> Pro Tools Vanilla has no way of doing this simply. What you need to 
>>>>> remember is, once you've written automation, that's the level that the 
>>>>> parameter will return to whenever you stop recording. So, if you wish to 
>>>>> end up at minus 3 dB, that's where you start right at the top with minus 
>>>>> 3 dB in write mode. Then start again from the top at minus infinity and 
>>>>> raise your level to minus 3 dB  and the track should then remain at minus 
>>>>> 3 dB for the rest of the timeline.
>>>>> 
>>>>> A guaranteed way of getting this result is to let the track play for its 
>>>>> entire duration while in write mode while you make your level adjustments.
>>>>> 
>>>>> Again, this is very straight-forward with PT Ultimate. If you do a lot of 
>>>>> automation all the time and you're using Pro Tools on a daily basis, 
>>>>> consider upgrading to Ultimate. It's expensive at first but it pays off 
>>>>> over the long run the more you use it.
>>>>> Slau
>>>>> 
>>>&g

Re: Automation question.

[Juan Pablo Culasso Alonso]

Thanks, slau, I just installed it.


> On Nov 13, 2019, at 6:10 PM, Slau Halatyn  wrote:
> 
> For controls like panning, where you want the value to remain the same, use 
> Latch mode. In other words, if you start from one set of values and change 
> while in Latch mode, the subsequent automation data will stay at the last 
> recorded value. This theoretically works with faders as well but some people 
> have had limited success doing it with faders. Pan automation should work 
> fine.
> 
> Now, you say you've upgraded to Ultimate? If you have, then the automation 
> process will be infinitely easier. Let me know when you have it installed.
> Slau
> 
> 
>> On Nov 13, 2019, at 2:44 PM, Juan Pablo Culasso Alonso > <mailto:jpcula...@gmail.com>> wrote:
>> 
>> Absolutely amazing, slau.
>> And for panning? I tried some pan automation and for example, if the start 
>> point is 70 left 30 right and I go to 30 left and 70 right, after press the 
>> stop button and play the track, the automation looks fine but after the end 
>> of the automation the track returns to the begining point. How to solve this 
>> and the track continues in 30 left 70 right?
>> I linked the paner
>> 
>> Thanks,
>> Juan.
>> I upgraded to ultimate
>>  and I want to use it at 100% in post production capabilities
>>> On Nov 13, 2019, at 12:40 PM, Slau Halatyn >> <mailto:slauhala...@gmail.com>> wrote:
>>> 
>>> Replying here on the PTAccess list because that's where public questions 
>>> belong. My reply follows below the question.
>>> Begin forwarded message:
>>>> 
>>>> From: Juan Pablo Culasso Alonso >>> <mailto:jpcula...@gmail.com>>
>>>> Subject: Re: Automation question.
>>>> Date: November 12, 2019 at 11:34:55 PM EST
>>>> To: Slau Halatyn mailto:s...@besharpstudios.com>>
>>>> 
>>>> Hi, slau, but if I want to make some different. A track that is already 
>>>> playing and there is an other track that I want that begin at minus inf 
>>>> and ends at -3 db  and continues at -3db after automation ends?
>>>> 
>>>> Thanks again,
>>>> JP.
>>>> 
>>> Hi Juan,
>>> The thing to remember is that Pro Tools Ultimate can do this simply but Pro 
>>> Tools Vanilla has no way of doing this simply. What you need to remember 
>>> is, once you've written automation, that's the level that the parameter 
>>> will return to whenever you stop recording. So, if you wish to end up at 
>>> minus 3 dB, that's where you start right at the top with minus 3 dB in 
>>> write mode. Then start again from the top at minus infinity and raise your 
>>> level to minus 3 dB  and the track should then remain at minus 3 dB for the 
>>> rest of the timeline.
>>> 
>>> A guaranteed way of getting this result is to let the track play for its 
>>> entire duration while in write mode while you make your level adjustments.
>>> 
>>> Again, this is very straight-forward with PT Ultimate. If you do a lot of 
>>> automation all the time and you're using Pro Tools on a daily basis, 
>>> consider upgrading to Ultimate. It's expensive at first but it pays off 
>>> over the long run the more you use it.
>>> Slau
>>> 
>>> 
>>>>> On Nov 12, 2019, at 3:23 PM, Slau Halatyn >>>> <mailto:s...@besharpstudios.com>> wrote:
>>>>> 
>>>>> Hi Juan,
>>>>> Pro Tools Ultimate allows for simple execution of what you're trying to 
>>>>> do. Without Ultimate, you have to follow these steps:
>>>>> 1. If you want the remaining part of the track to be at minus infinity, 
>>>>> you need to start there while in write mode. Set your fader all the way 
>>>>> down.
>>>>> 2. In write mode, press play for a little bit and press stop.
>>>>> 3. Go to the exact place where you want the track to be at 0 dB and set 
>>>>> your fader to 0 dB and make sure you're in Write mode again.
>>>>> 4. Start playback and lower the fader until it's all the way down then 
>>>>> press stop.
>>>>> 
>>>>> Your track will now stay down at infinite resistance.
>>>>> Hope that helps,
>>>>> Slau
>>>>> 
>>>>> 
>>>>>> On Nov 12, 2019, at 12:29 PM, Juan Pablo Culasso Alonso 
>>>>>> mailto:jpcula...@gmail.com>> wro

Re: Automation question.

[Juan Pablo Culasso Alonso]

Absolutely amazing, slau.
And for panning? I tried some pan automation and for example, if the start 
point is 70 left 30 right and I go to 30 left and 70 right, after press the 
stop button and play the track, the automation looks fine but after the end of 
the automation the track returns to the begining point. How to solve this and 
the track continues in 30 left 70 right?
I linked the paner

Thanks,
Juan.
I upgraded to ultimate
 and I want to use it at 100% in post production capabilities
> On Nov 13, 2019, at 12:40 PM, Slau Halatyn  wrote:
> 
> Replying here on the PTAccess list because that's where public questions 
> belong. My reply follows below the question.
> Begin forwarded message:
>> 
>> From: Juan Pablo Culasso Alonso > <mailto:jpcula...@gmail.com>>
>> Subject: Re: Automation question.
>> Date: November 12, 2019 at 11:34:55 PM EST
>> To: Slau Halatyn mailto:s...@besharpstudios.com>>
>> 
>> Hi, slau, but if I want to make some different. A track that is already 
>> playing and there is an other track that I want that begin at minus inf and 
>> ends at -3 db  and continues at -3db after automation ends?
>> 
>> Thanks again,
>> JP.
>> 
> Hi Juan,
> The thing to remember is that Pro Tools Ultimate can do this simply but Pro 
> Tools Vanilla has no way of doing this simply. What you need to remember is, 
> once you've written automation, that's the level that the parameter will 
> return to whenever you stop recording. So, if you wish to end up at minus 3 
> dB, that's where you start right at the top with minus 3 dB in write mode. 
> Then start again from the top at minus infinity and raise your level to minus 
> 3 dB  and the track should then remain at minus 3 dB for the rest of the 
> timeline.
> 
> A guaranteed way of getting this result is to let the track play for its 
> entire duration while in write mode while you make your level adjustments.
> 
> Again, this is very straight-forward with PT Ultimate. If you do a lot of 
> automation all the time and you're using Pro Tools on a daily basis, consider 
> upgrading to Ultimate. It's expensive at first but it pays off over the long 
> run the more you use it.
> Slau
> 
> 
>>> On Nov 12, 2019, at 3:23 PM, Slau Halatyn >> <mailto:s...@besharpstudios.com>> wrote:
>>> 
>>> Hi Juan,
>>> Pro Tools Ultimate allows for simple execution of what you're trying to do. 
>>> Without Ultimate, you have to follow these steps:
>>> 1. If you want the remaining part of the track to be at minus infinity, you 
>>> need to start there while in write mode. Set your fader all the way down.
>>> 2. In write mode, press play for a little bit and press stop.
>>> 3. Go to the exact place where you want the track to be at 0 dB and set 
>>> your fader to 0 dB and make sure you're in Write mode again.
>>> 4. Start playback and lower the fader until it's all the way down then 
>>> press stop.
>>> 
>>> Your track will now stay down at infinite resistance.
>>> Hope that helps,
>>> Slau
>>> 
>>> 
>>>> On Nov 12, 2019, at 12:29 PM, Juan Pablo Culasso Alonso 
>>>> mailto:jpcula...@gmail.com>> wrote:
>>>> 
>>>>> 
>>>>> Hello all,
>>>>> 
>>>>> Just for know.
>>>>> When I make an automation after put the mode in write, I need quickly 
>>>>> turn down completely the volume after press the play button and after 
>>>>> make the necessary curve.
>>>>> If I did not do it, and for example put the volume in 0 db, before press 
>>>>> play.. after end the automation, the track continues in volume minus 
>>>>> infinite.
>>>>> Why? Is there a way that after automation the track continues in the same 
>>>>> level after end the automation?
>>>>> Slau talk about trim automation that is availabe in ultimate. How it 
>>>>> works∑
>>>> 
>>>> 
>> 
>> 
>> 
>> 
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>> "Pro Tools Accessibility" group.
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>> email to ptaccess+unsubscr...@googlegroups.com 
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>>  
>> <https://groups.google.com/d/msgid/ptaccess/24689E05-9117-436C-A6A0-60F53EEEF0B9%40gmail.com?utm_medium=email&utm_source=footer>.

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Automation question.

[Juan Pablo Culasso Alonso]

Hello all,

Just for know.
When I make an automation after put the mode in write, I need quickly turn down 
completely the volume after press the play button and after make the necessary 
curve.
If I did not do it, and for example put the volume in 0 db, before press play.. 
after end the automation, the track continues in volume minus infinite.
Why? Is there a way that after automation the track continues in the same level 
after end the automation?
Slau talk about trim automation that is availabe in ultimate. How it works∑

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New aves central

[Juan Pablo Culasso Alonso]

As you provably know, waves announced Its version 11 with a new waves central 
app. As you can imagine, this new waves central is totally inaccessible for 
VoiceOVer users.

JP

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flotools issue?

[Juan Pablo Culasso Alonso]

Hello,

latest protools and km9. The double press commands in all circunstances are not 
working, two times r to arm a track, two times command plus f1 to enter a 
value. Can you replicate this?

Thanks
 

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Re: To all S3-Users

[Juan Pablo Culasso Alonso]

Slau, how can I remap the encoders in a control sufrace? i am using artist mix

thanks,
jp

Enviado desde mi iPhone

> El 29 ago 2019, a las 15:05, Slau Halatyn  escribió:
> 
> Right, each surface can have its own specific mapping. Clearly, the S3 has 
> its own map because the threshold is the fourth knob on a C24. You do have 
> the option to create your own custom map if you'd like. Of course, there's 
> also the Flo Tools Plug-in Monitor feature that'll tell you exactly which 
> parameter is assigned to any knob or fader by simply touching it and, 
> further, reporting the current value and value changes. Of course, since the 
> threshold isn't seen by VoiceOver, that parameter won't be spoken but the 
> others are. HTH,
> Slau
> 
> 
>> On Aug 29, 2019, at 10:19 AM, 'Stefan Albertshauser' via Pro Tools 
>> Accessibility  wrote:
>> 
>> Hi,
>> 
>> Thanks Slau. I had my wife look at the display. The Threshold is the 8th 
>> knop.
>> 
>> Best
>> Stefan
>>> Am 28.08.2019 um 21:12 schrieb Slau Halatyn :
>>> 
>>> On some other surfaces, it's the fourth encoder or fader in flip mode. It 
>>> doesn't come up as a parameter. HTH
>>> 
>>> 
 On Aug 28, 2019, at 2:43 PM, 'Stefan Albertshauser' via Pro Tools 
 Accessibility  wrote:
 
 Hi,
 
 I’m trying to find the Threshold in Pro Limiter with my S3. Does anyone 
 know which knop this parameter is assigned to?
 
 Thanks in advance
 
 Stefan
 
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VOCR issue - Image magic not found

[Juan Pablo Culasso Alonso]

Hello,
Just trying install VOCR but when I open the import macros after run the 
install, a message says that: Image magic not found.
Using OsX 10.14.

Ideas?

Thanks
JP.

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Re: control surfaces

[Juan Pablo Culasso]

avid artist plus avid transport.

Visita mi web
www.jpculasso.net

> El 24 nov 2018, a las 19:24, Jed Barton  escribió:
> 
> i'm very interested in this conversation as well.  What is everyone
> using for control surfaces?
> 
> Cheers,
> Jed
> 
>> On 11/24/18, John André Lium-Netland  wrote:
>> Sorry, of course I meant FaderPort 16…. ;)
>> 
>> 
>> On 24 Nov 2018, at 16:39, John André Lium-Netland 
>> wrote:
>> 
>> You might consider ProFader 16, you’ll be able to control plugins with the
>> faders as well….
>> 
>> On 24 Nov 2018, at 01:26, Steve Sparrow  wrote:
>> 
>> Hi guys. I’m looking at investing in a new control surface. at present I
>> have the Makki MCU pro. which is ok, but it’s getting old, and is not
>> totally supported by protools anyway. I’m wondering about reckemondations
>> for a surface these days. I’m thinking about one of the avid surfaces. maybe
>> the avid artist, or the 16 channel avid. What are your thoughts on this, or
>> should I be looking at something else. I really have gotten used to having
>> 16 faders. So i’ll need to stay with this. But I think the avid artist can
>> be extended.
>> Steve
>> 
>> 
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Re: Joy Bausch is here?

[Juan Pablo Culasso Alonso]

Thanks so much.

I just have one initial question. How insert a plugin and after it, the 
flotools plugin watch reads the information when I change the faders∑ sometimes 
it works, sometimes not. I do not be aware how thing am I wrong.

When inserted the 7 band eq and VoiceOver said the parameter info,, only the 
first fader changes the freq band. The others do not work. I need to press the 
page button to change other value, like mid freq gain, etc. How turn on the 
band, change Shelf, eTC∑

and lastly, how insert annother plugin that is not default in the protools 
preferences, or if I need to use, for example, waves ultra maximizer, I need to 
set it in the protools default eucon plugin?

Thanks in advance.
JP.
> On Mar 23, 2018, at 2:43 AM, 'Joy Bausch' via Pro Tools Accessibility 
>  wrote:
> 
> Hey Jp,
> i am in this list, but there are many people that work with the Artist Mix 
> controller, so just feel free to ask your question.
> Joy
> 
> 
> Von meinem iPhone gesendet
> 
>> Am 23.03.2018 um 00:38 schrieb Juan Pablo Culasso Alonso 
>> :
>> 
>> Hello all,
>> Just for know if Joy Bausch is yet in this list.
>> I have some questions about using an artist mix.
>> 
>> Thanks,
>> JP.
>> 
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Joy Bausch is here?

[Juan Pablo Culasso Alonso]

Hello all,
Just for know if Joy Bausch is yet in this list.
I have some questions about using an artist mix.

Thanks,
JP.

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Artist mix

[Juan Pablo Culasso Alonso]

Hello list.
Finally an artist mix is in fornt of me. It has more keys than I expected. 
Sometime ago I wrote speciffically how it works inside plugins, automation, 
ETc. So the first question is:
How can I jump to fade flip mode to control the parameters using the faders and 
flotools watching plugin function?

Thanks,
JP.

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Re: Navigating the Apogee Element 46 Control application

[Juan Pablo Culasso]

I use the iOS App.
However, in this app i did not figure out how make routings.


Visita mi web
www.jpculasso.net

> El 6 nov 2017, a las 13:01, Alex Coleman  
> escribió:
> 
> Does anyone have any experience setting up and configuring the Apogee
> Element series of interfaces using the supplied Apogee Control
> software and voiceover?
> I've got the software installed (with sighted assistance), but when I
> go into the app to configure the interface, voiceover does not seem to
> be able to read any of the controls, such as levels and Fantom power,
> etc.
> 
> I am hoping that someone on-list can provide me with some pointers.
> 
> Thanks in advance.
> 
> Alex
> 
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Re: More automation question.

[Juan Pablo Culasso Alonso]

Amazing, Slau.
It worked greatly.
Just for know, how works the trim automation in HD?

JP
> On 3 Sep 2017, at 10:55, Slau Halatyn  wrote:
> 
> I would say the best thing to do is to simply redo the automation in the 
> section you want. Make a selection of the range, turn on pre and post roll 
> and set the automation mode to Write. Make a pass and see if you're happy 
> with it. If not, set it to write mode again and repeat until you're satisfied.
> Hope that helps.
> 
>> On Sep 2, 2017, at 11:59 PM, Juan Pablo Culasso Alonso  
>> wrote:
>> 
>> Hi, Slau.
>> Thanks for your explanation.
>> 
>> Do you know other approach to achieve that? Really jump to a Hd version are 
>> not in the horizon. I tried with some fades but the ressult is too far that 
>> I need.
>> 
>> JP.
>>> On 2 Sep 2017, at 21:08, Slau Halatyn  wrote:
>>> 
>>> JP,
>>> This mode is called Trim mode and I think it's only available in HD. All 
>>> values are proportionally raised or lowered by whatever amount the fader is 
>>> moved in Trim Mode. There might be a way to visually select several volume 
>>> break points but I know of no way to do that without visually editing 
>>> within the timeline.
>>> Slau
>>> 
>>>> On Sep 2, 2017, at 10:36 AM, Juan Pablo Culasso Alonso 
>>>>  wrote:
>>>> 
>>>> Hello all.
>>>> 
>>>> I've been wondering this for quite some time now...I'm not even sure if 
>>>> it's possible. Let's say in the middle of mixing a track, I want to fade 
>>>> some selection down at a certain point, and then fade them back up. I'd 
>>>> normally do this with volume automation. However, let's say a week later I 
>>>> want to change the overall volume of that track, but keep the automation. 
>>>> Is this possible? Whenever I try to change the volume on a track where 
>>>> automation is written, it slides the fader back to its original position. 
>>>> I guess I'm wondering if there's a way to proportionaly keep the 
>>>> automation in relation to the volume changes. Any help would be greatly 
>>>> appreciated. Thanks
>>>> JP
>>>> 
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>>> 
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Re: More automation question.

[Juan Pablo Culasso Alonso]

Hi, Slau.
Thanks for your explanation.

Do you know other approach to achieve that? Really jump to a Hd version are not 
in the horizon. I tried with some fades but the ressult is too far that I need.

JP.
> On 2 Sep 2017, at 21:08, Slau Halatyn  wrote:
> 
> JP,
> This mode is called Trim mode and I think it's only available in HD. All 
> values are proportionally raised or lowered by whatever amount the fader is 
> moved in Trim Mode. There might be a way to visually select several volume 
> break points but I know of no way to do that without visually editing within 
> the timeline.
> Slau
> 
>> On Sep 2, 2017, at 10:36 AM, Juan Pablo Culasso Alonso  
>> wrote:
>> 
>> Hello all.
>> 
>> I've been wondering this for quite some time now...I'm not even sure if it's 
>> possible. Let's say in the middle of mixing a track, I want to fade some 
>> selection down at a certain point, and then fade them back up. I'd normally 
>> do this with volume automation. However, let's say a week later I want to 
>> change the overall volume of that track, but keep the automation. Is this 
>> possible? Whenever I try to change the volume on a track where automation is 
>> written, it slides the fader back to its original position. I guess I'm 
>> wondering if there's a way to proportionaly keep the automation in relation 
>> to the volume changes. Any help would be greatly appreciated. Thanks
>> JP
>> 
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Re: Flotools - upgrading issues.

[Juan Pablo Culasso Alonso]

Just nothing, because the message when I resize the clips list

Clips table is 96 points wide. Click and drag to resize.


Does not come up when I press the sorcut to resize the tracklist.
Just for clarification, the track list is vissible.

Thanks,
JP.
> On 2 Sep 2017, at 15:14, Slau Halatyn  wrote:
> 
> HI JP,
> After you issue the Command+Control+Shift+t macro, exactly what are you doing 
> after that?
> 
> Slau
> 
>> On Sep 2, 2017, at 1:41 PM, Juan Pablo Culasso Alonso  
>> wrote:
>> 
>> Hello Chi.
>> After uninstall flotools, delete all in keyboard maestro and reinstall 
>> flotools again,
>> The only macro that is not working for me now is resizing the track list.
>> Control+shift+command+t
>> 
>> JP
>>> On 2 Sep 2017, at 14:31, Chi Kim  wrote:
>>> 
>>> Juan, how does it not work. Need more information.
>>> 
>>> As far as shortcut conflicts, it seems like you manually changed 
>>> something before.
>>> 
>>> Flo Tools Mouse uses modifiers command+option+shift.
>>> 
>>> All other shortcuts you mentioned use command+control_+shift, it uses 
>>> control instead of option.
>>> 
>>> If it gives you list of commands when you execute a macro, that means 
>>> there's shortcut conflict. Keyboard Maestro doesn't know which one you 
>>> meant to execute because there are more than one commands with the same 
>>> shortcut.
>>> 
>>> However, there shouldn't be shortcut conflict in Flo Tools unless you 
>>> changed something. I just confirmed it.
>>> 
>>> However, if you use VOCR there is some conflicts.
>>> 
>>> 
>>> Chi
>>> 
>>> On 9/1/2017 6:51 PM, Juan Pablo Culasso Alonso wrote:
>>>> Hello,
>>>> I unistalled (again) Flotools, opened keyboard maestro, deleted the 
>>>> residual marcos, reinstalled flotools. Now almost looks fine exceptin the 
>>>> track resizing macro.
>>>> 
>>>> Best,
>>>> Juan.
>>>> 
>>> 
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Re: Flotools - upgrading issues.

[Juan Pablo Culasso Alonso]

Hello Chi.
After uninstall flotools, delete all in keyboard maestro and reinstall flotools 
again,
The only macro that is not working for me now is resizing the track list.
Control+shift+command+t

JP
> On 2 Sep 2017, at 14:31, Chi Kim  wrote:
> 
> Juan, how does it not work. Need more information.
> 
> As far as shortcut conflicts, it seems like you manually changed 
> something before.
> 
> Flo Tools Mouse uses modifiers command+option+shift.
> 
> All other shortcuts you mentioned use command+control_+shift, it uses 
> control instead of option.
> 
> If it gives you list of commands when you execute a macro, that means 
> there's shortcut conflict. Keyboard Maestro doesn't know which one you 
> meant to execute because there are more than one commands with the same 
> shortcut.
> 
> However, there shouldn't be shortcut conflict in Flo Tools unless you 
> changed something. I just confirmed it.
> 
> However, if you use VOCR there is some conflicts.
> 
> 
> Chi
> 
> On 9/1/2017 6:51 PM, Juan Pablo Culasso Alonso wrote:
>> Hello,
>> I unistalled (again) Flotools, opened keyboard maestro, deleted the residual 
>> marcos, reinstalled flotools. Now almost looks fine exceptin the track 
>> resizing macro.
>> 
>> Best,
>> Juan.
>> 
> 
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More automation question.

[Juan Pablo Culasso Alonso]

Hello all.

 I've been wondering this for quite some time now...I'm not even sure if it's 
possible. Let's say in the middle of mixing a track, I want to fade some 
selection down at a certain point, and then fade them back up. I'd normally do 
this with volume automation. However, let's say a week later I want to change 
the overall volume of that track, but keep the automation. Is this possible? 
Whenever I try to change the volume on a track where automation is written, it 
slides the fader back to its original position. I guess I'm wondering if 
there's a way to proportionaly keep the automation in relation to the volume 
changes. Any help would be greatly appreciated. Thanks
JP

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Flotools - upgrading issues.

[Juan Pablo Culasso Alonso]

Hello,
I unistalled (again) Flotools, opened keyboard maestro, deleted the residual 
marcos, reinstalled flotools. Now almost looks fine exceptin the track resizing 
macro.

Best,
Juan.

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Flotools - possible bugs.

[Juan Pablo Culasso Alonso]

Hello all,


I will put on the table different situations, tell me  if are bugs or the bug 
is me ?P

Before starting,
I am running the latest protools 12.8.1

The window is completely maximized.

1.
The sortcut to resize the track list is not working.

2
The sorcut to resize the clip list, when pressed, a keyboard maestro dialog 
apeare asking me to decide which macro I want to call, move mouse to the center 
of window or resize clip list.

3
Dragging clips to a track.
When I do the last sorcut command+option+list+, this message apeare:
Keyboard Maestro Engine Macro Cancelled Move or Click Mouse calculation 
point2.x+point2.width failed. Macro ‘Beta: Drag Clip’ cancelled (while 
executing Move and Click and Drag 

I tried it several times without success.

Finally, there is a conflit with sorcuts when panning change is necessary, 
again, keyboard maestro ask for chosing panning or move the mouse to the left 
or right.

Anyone can duplicate these?

Best,
Juan.

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Re: Volume - Step climb

[Juan Pablo Culasso]

Hello Slau.

May with the flotools sorcut to change de volume is a good thing.
My avid artist mix its on the way.

Best
Jp


Visita mi web
www.jpculasso.net

> El 30 ago 2017, a las 17:21, Slau Halatyn  escribió:
> 
> Hi JP,
> 
> A Control surface is the best way to control volume automation. With 
> VoiceOver alone, it's possible to make half dB changes or, if necessary, a 
> tenth of a decibel increments by interacting with either the first or second 
> volume fader elements within the track in the Mix window. The first volume 
> fader moves in half dB increments and the second in tenths of a dB.
> 
> Hope that helps,
> Slau
> 
>> On Aug 30, 2017, at 11:31 AM, Juan Pablo Culasso Alonso 
>>  wrote:
>> 
>> Hello all.
>> 
>> I imagine that this question is vasic but…
>> what is the method to make a track volume step climb? Begin the clip with 
>> -30 dB. After x seconds, up to -25 but smoothly, like a fade in, after x 
>> seconds again, continuing raising to -20, -15, etc, to make very softs 
>> transisions?
>> 
>> Thanks,
>> JP.
>> 
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Volume - Step climb

[Juan Pablo Culasso Alonso]

Hello all.

I imagine that this question is vasic but…
what is the method to make a track volume step climb? Begin the clip with -30 
dB. After x seconds, up to -25 but smoothly, like a fade in, after x seconds 
again, continuing raising to -20, -15, etc, to make very softs transisions?

Thanks,
JP.

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Re: Accessible loudness meter plug-ins for mastering

[Juan Pablo Culasso Alonso]

Hello.
When I say without difficulties is that the loudness applied is that presset  I 
selected.
If you  can install iZotope RX and test it as a demo.

> On 25 Aug 2017, at 11:16, Nickus de Vos  wrote:
> 
> Hi Juan
> Please elaborate on using them without difficulties. How much info and 
> details can you see, what ports are accessible and what parts not? I'll  go 
> check if they offer a demo Version.
> 
> Nickus
> Sent from my iPhone, please excuse any typos...
> 
> On 25 Aug 2017, at 15:53, Juan Pablo Culasso Alonso  <mailto:jpcula...@gmail.com>> wrote:
> 
>> Hello. In izotope rX, there is the izotope loudness control. There you have 
>> the pressets that matches all the differents type of loudness. I used them 
>> without dificulties.
>>> On 25 Aug 2017, at 10:34, Phil Muir >> <mailto:i...@accessibilitytraining.co.uk>> wrote:
>>> 
>>> Tools Alt T followed by the letter S for statistics.  You can then tab over
>>> and copy the data to notepad and it will most likely look something like
>>> this:
>>> 
>>>Left Channel
>>> Right Channel   
>>> Cursor position (Time)   00:00:00.000
>>> 00:00:00.000
>>> Sample value at cursor (dB)  -92.029
>>> -90.585 
>>> Minimum sample position (Time)   00:00:55.606
>>> 00:01:08.721
>>> Minimum sample value (dB)-1.021
>>> -1.021  
>>> Maximum sample position (Time)   00:00:56.092
>>> 00:00:12.405
>>> Maximum sample value (dB)-1.022
>>> -1.022  
>>> RMS level (dB)   -15.548
>>> -15.556 
>>> Average value (dB)   -Inf.
>>> -Inf.   
>>> Zero crossings (Hz)  1,703.44
>>> 1,585.26
>>> Maximum true peak sample position (Time) 00:02:21.047
>>> 00:02:18.652
>>> Maximum true peak sample value (dB)  -0.989
>>> -0.993  
>>> Maximum filtered true peak sample position (Time)00:00:16.736
>>> 00:00:20.089
>>> Maximum filtered true peak sample value (dB) -0.000
>>> -0.186  
>>> 
>>> Integrated Loudness (LUFS)-12.24
>>> Loudness Range (LU) 3.80
>>> Maximum True Peak Loudness (dBTP)-0.99
>>> Maximum Short-Term Loudness (LUFS)-10.13
>>> Maximum Momentary Loudness (LUFS)-8.48
>>> 
>>> -Original Message-
>>> From: ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com> 
>>> [mailto:ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com>] On 
>>> Behalf
>>> Of Peter Bosher
>>> Sent: 25 August 2017 14:22
>>> To: ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com>
>>> Subject: Re: Accessible loudness meter plug-ins for mastering
>>> 
>>> Hi Phil,
>>> 
>>> 
>>> You wrote:
>>> 
>>> 
>>> Can also easily check LUFS in Sound Forge 11
>>> 
>>> How do you do that please?
>>> 
>>> Best,
>>> 
>>> Peter
>>> 
>>> -- 
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>>> "Pro Tools Accessibility" group.
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>>> <https://groups.google.com/d/optout>.
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>>> <https://groups.google.com/d/optout>.
>> 
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Re: Accessible loudness meter plug-ins for mastering

[Juan Pablo Culasso Alonso]

Hello. In izotope rX, there is the izotope loudness control. There you have the 
pressets that matches all the differents type of loudness. I used them without 
dificulties.
> On 25 Aug 2017, at 10:34, Phil Muir  wrote:
> 
> Tools Alt T followed by the letter S for statistics.  You can then tab over
> and copy the data to notepad and it will most likely look something like
> this:
> 
>   Left Channel
> Right Channel   
> Cursor position (Time)00:00:00.000
> 00:00:00.000
> Sample value at cursor (dB)   -92.029
> -90.585 
> Minimum sample position (Time)00:00:55.606
> 00:01:08.721
> Minimum sample value (dB) -1.021
> -1.021  
> Maximum sample position (Time)00:00:56.092
> 00:00:12.405
> Maximum sample value (dB) -1.022
> -1.022  
> RMS level (dB)-15.548
> -15.556 
> Average value (dB)-Inf.
> -Inf.   
> Zero crossings (Hz)   1,703.44
> 1,585.26
> Maximum true peak sample position (Time)  00:02:21.047
> 00:02:18.652
> Maximum true peak sample value (dB)   -0.989
> -0.993  
> Maximum filtered true peak sample position (Time) 00:00:16.736
> 00:00:20.089
> Maximum filtered true peak sample value (dB)  -0.000
> -0.186  
> 
> Integrated Loudness (LUFS)-12.24
> Loudness Range (LU)3.80
> Maximum True Peak Loudness (dBTP) -0.99
> Maximum Short-Term Loudness (LUFS)-10.13
> Maximum Momentary Loudness (LUFS) -8.48
> 
> -Original Message-
> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf
> Of Peter Bosher
> Sent: 25 August 2017 14:22
> To: ptaccess@googlegroups.com
> Subject: Re: Accessible loudness meter plug-ins for mastering
> 
> Hi Phil,
> 
> 
> You wrote:
> 
> 
>  Can also easily check LUFS in Sound Forge 11
> 
> How do you do that please?
> 
> Best,
> 
> Peter
> 
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> email to ptaccess+unsubscr...@googlegroups.com.
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Re: update and simplification of procedure for resizing Track and Clips List tables with VoiceOver and Flo Tools

[Juan Pablo Culasso Alonso]

jpcula...@gmail.com
> On 2 May 2017, at 10:29, Slau Halatyn  wrote:
> 
> Sure. Which email address do you use for Drop Box?
> 
>> On May 1, 2017, at 10:56 PM, Juan Pablo Culasso  wrote:
>> 
>> Hi, Slau.As I reed in a previous e-mail, is there a dropbox folder were you 
>> put these tutorials?
>> If yes, how can I join this?
>> Thanks
>> Jp
>> 
>> 
>> 
>> 
>> Visita mi web
>> www.jpculasso.net
>> 
>>> El 1 may 2017, a las 12:41, Slau Halatyn  escribió:
>>> 
>>> I've updated the info on resizing the Track List and Clip List tables with 
>>> VoiceOver and Flo Tools. It's a bit simpler although the concept is still 
>>> the same.
>>> Slau
>>> 
>>> How to Resize the Track List and Clip List Tables with VoiceOver and Flo 
>>> Tools
>>> 
>>> Occasionally, it might be necessary to resize either the Track List or Clip 
>>> List. One might receive a session whose lists are either too narrow or too 
>>> wide. For example, when trying to click and drag a clip from the Clip List 
>>> table to the timeline, if the Clip List table is too narrow, as VoiceOver 
>>> navigates the table, the mouse pointer can end up outside of the actual 
>>> table, making it impossible to click and drag. The Track List and Clip List 
>>> tables can be resized (that is, widened or narrowed) by clicking and 
>>> dragging their borders, the right edge for the Track List and the left edge 
>>> for the Clip List. When the cursor is in the correct position laterally, 
>>> the mouse pointer changes shape to visually indicate that the table edge 
>>> will resize if dragged. For VoiceOver users, there’s no way to know when 
>>> the mouse pointer has changed shape. So here are instructions for how to 
>>> resize each table. The procedure is similar for each table but slightly 
>>> different. Before starting:
>>> 1. Make sure VoiceOver is set to report measurements in points rather than 
>>> inches. A point is a relative measurement and will be a different 
>>> measurement depending on your screen size and resolution but, regardless of 
>>> those variables, the relative size and location of UI elements will always 
>>> be the same point value on any Mac.  Go to VoiceOver Utility/Verbosity 
>>> category/Announcements tab and navigate to the "Announce Size and Position 
>>> In" pop-up menu and select "points."
>>> 2. Make sure there are no system dialogs or notifications blocking the Pro 
>>> Tools interface and close all floating Pro Tools windows.
>>> 3. Make sure the Flo Tools Mouse macro group is enabled. Press Command+/ 
>>> (slash) to toggle the group on or off.
>>> 4. Turn off the Flo Tools Inspector.
>>> 
>>> The objective is to route the mouse pointer to either the right edge of the 
>>> Track List table or the left edge of the Clip List table to drag the edge 
>>> to resize the respective tables. To determine the width of either table, 
>>> navigate to a table and press VO+Command+f3. VoiceOver will announce the 
>>> window name along with the session name and then report the width and 
>>> height in points. Pressing VO+Command+f3 again will report a table's 
>>> location across and down from the window's top left corner. Once the width 
>>> or height of the table is determined, the edge will always be a fixed 
>>> amount of horizontal points away.
>>> 
>>> Track List Table instructions:
>>> 1. Navigate to the Track List without interacting.
>>> Press VO+Command+f3. VoiceOver will report the width and height of the 
>>> table in points.
>>> 3. Add 23 points to the horizontal coordinate (the first value). For 
>>> example, if the Track List table is 86 points wide, add 23. The target 
>>> coordinates where we’d need to move the mouse pointer would be 109 points 
>>> right and either 28 points down if we’re in the Mix window or 112 points 
>>> down if we’re in the Edit window.
>>> 4. Use the "Move Mouse to Coordinates Relative to Current Window" macro to 
>>> move the mouse pointer. Press Command+Option+Shift+w and enter the 
>>> coordinates. Type the horizontal value (the value VoiceOver reported for 
>>> the Track List width plus 23), a comma then the vertical value (28 for the 
>>> Mix window or 112 for the Edit window) with no spaces and press Return. You 
>>> can verify the mouse pointer position with the flo Tools "Copy and Speak 
>>&g

Re: update and simplification of procedure for resizing Track and Clips List tables with VoiceOver and Flo Tools

[Juan Pablo Culasso]

Hi, Slau.As I reed in a previous e-mail, is there a dropbox folder were you put 
these tutorials?
If yes, how can I join this?
Thanks
Jp




Visita mi web
www.jpculasso.net

> El 1 may 2017, a las 12:41, Slau Halatyn  escribió:
> 
> I've updated the info on resizing the Track List and Clip List tables with 
> VoiceOver and Flo Tools. It's a bit simpler although the concept is still the 
> same.
> Slau
> 
> How to Resize the Track List and Clip List Tables with VoiceOver and Flo Tools
> 
> Occasionally, it might be necessary to resize either the Track List or Clip 
> List. One might receive a session whose lists are either too narrow or too 
> wide. For example, when trying to click and drag a clip from the Clip List 
> table to the timeline, if the Clip List table is too narrow, as VoiceOver 
> navigates the table, the mouse pointer can end up outside of the actual 
> table, making it impossible to click and drag. The Track List and Clip List 
> tables can be resized (that is, widened or narrowed) by clicking and dragging 
> their borders, the right edge for the Track List and the left edge for the 
> Clip List. When the cursor is in the correct position laterally, the mouse 
> pointer changes shape to visually indicate that the table edge will resize if 
> dragged. For VoiceOver users, there’s no way to know when the mouse pointer 
> has changed shape. So here are instructions for how to resize each table. The 
> procedure is similar for each table but slightly different. Before starting:
> 1. Make sure VoiceOver is set to report measurements in points rather than 
> inches. A point is a relative measurement and will be a different measurement 
> depending on your screen size and resolution but, regardless of those 
> variables, the relative size and location of UI elements will always be the 
> same point value on any Mac.  Go to VoiceOver Utility/Verbosity 
> category/Announcements tab and navigate to the "Announce Size and Position 
> In" pop-up menu and select "points."
> 2. Make sure there are no system dialogs or notifications blocking the Pro 
> Tools interface and close all floating Pro Tools windows.
> 3. Make sure the Flo Tools Mouse macro group is enabled. Press Command+/ 
> (slash) to toggle the group on or off.
> 4. Turn off the Flo Tools Inspector.
> 
> The objective is to route the mouse pointer to either the right edge of the 
> Track List table or the left edge of the Clip List table to drag the edge to 
> resize the respective tables. To determine the width of either table, 
> navigate to a table and press VO+Command+f3. VoiceOver will announce the 
> window name along with the session name and then report the width and height 
> in points. Pressing VO+Command+f3 again will report a table's location across 
> and down from the window's top left corner. Once the width or height of the 
> table is determined, the edge will always be a fixed amount of horizontal 
> points away.
> 
> Track List Table instructions:
> 1. Navigate to the Track List without interacting.
> Press VO+Command+f3. VoiceOver will report the width and height of the table 
> in points.
> 3. Add 23 points to the horizontal coordinate (the first value). For example, 
> if the Track List table is 86 points wide, add 23. The target coordinates 
> where we’d need to move the mouse pointer would be 109 points right and 
> either 28 points down if we’re in the Mix window or 112 points down if we’re 
> in the Edit window.
> 4. Use the "Move Mouse to Coordinates Relative to Current Window" macro to 
> move the mouse pointer. Press Command+Option+Shift+w and enter the 
> coordinates. Type the horizontal value (the value VoiceOver reported for the 
> Track List width plus 23), a comma then the vertical value (28 for the Mix 
> window or 112 for the Edit window) with no spaces and press Return. You can 
> verify the mouse pointer position with the flo Tools "Copy and Speak Mouse 
> Coordinates Relative to Front Window" macro by pressing 
> Command+Option+Shift+c.
> 5. Press VO+Command+Shift+Space Bar to mouse down on the Track List table 
> edge.
> 6. Drag the Mouse pointer either to the left to narrow or to the right to 
> widen the table using the Flo Tools Move Mouse shortcuts, 
> Command+Option+Shift+left or right arrow. Each press of the shortcut will 
> move the mouse pointer by 10 points.
> 7. Press Command+Option+Shift+Space Bar again to mouse up. You can verify the 
> results by navigating back to the table and pressing VO+Command+f3 once and 
> VoiceOver will report the new width and height of the table.
> 
> Clip List Table instructions:
> 1. Navigate to the Clip List table without interacting.
> 2. Double-tap VO+Command+f3. VoiceOver will report the horizontal and 
> vertical coordinates of the table relative to the top left corner of the 
> window.
> 3. Subtract 1 point from the horizontal coordinate (the first value). For 
> example, if the Clip List table is located 1331 points right, subtract 1. The 
> target coordi

Re: Flotools plugin views.

[Juan Pablo Culasso Alonso]

And just for clarification, the Control+left and right arrow are used in mision 
control.

Thanks.

> On 4 Jan 2017, at 20:11, Slau Halatyn  wrote:
> 
> Yep, thanks and nice catch, Brian ;) Kevin just had this exact issue and 
> posted on the Roger group about it. I'm thinking we might have to point out 
> the exact conflicts in the Flo Tools Read Me file. Cheers,
> Slau
> 
>> On Jan 4, 2017, at 4:42 PM, Brian Casey  
>> wrote:
>> 
>> Go to system preferences keyboard shortcuts and make sure control left/right 
>> arrows aren't being used for spotlight. 
>> 
>> Hope that helps
>> 
>> Sent from my smart-ish phone!
>> 
>>> On 4/01/2017, at 9:13 pm, Juan Pablo Culasso Alonso  
>>> wrote:
>>> 
>>> I again Slau.
>>> When I arrowing up or down with CTRL, I can navigate the column. However, 
>>> when arrowing to the right VO don`t say anything. This happen in default 
>>> and view 1 in the EQ7
>>> I didn`t try the other template.
>>> 
>>> Thanks,
>>> JP.
>>>> On 4 Jan 2017, at 18:03, Slau Halatyn  wrote:
>>>> 
>>>> OK, cool.
>>>> Slau
>>>> 
>>>>> On Jan 4, 2017, at 3:58 PM, Juan Pablo Culasso Alonso 
>>>>>  wrote:
>>>>> 
>>>>> Solved. I was checking the sistem library, I unhidden the user library 
>>>>> and found it.
>>>>> Thanks.
>>>>> 
>>>>>> On 4 Jan 2017, at 17:54, Slau Halatyn  wrote:
>>>>>> 
>>>>>> Which library are you checking, the user library or the system library?
>>>>>> 
>>>>>>> On Jan 4, 2017, at 3:42 PM, Juan Pablo Culasso Alonso 
>>>>>>>  wrote:
>>>>>>> 
>>>>>>> Hello all,
>>>>>>> 
>>>>>>> I just updated to version 2.01. But the folder with the plugin views is 
>>>>>>> not at the app-suport subfolder.
>>>>>>> 
>>>>>>> Ideas?
>>>>>>> 
>>>>>>> Best,
>>>>>>> 
>>>>>>> 
>>>>>>> Juan.
>>>>>>> 
>>>>>>> -- 
>>>>>>> You received this message because you are subscribed to the Google 
>>>>>>> Groups "Pro Tools Accessibility" group.
>>>>>>> To unsubscribe from this group and stop receiving emails from it, send 
>>>>>>> an email to ptaccess+unsubscr...@googlegroups.com.
>>>>>>> For more options, visit https://groups.google.com/d/optout.
>>>>>> 
>>>>>> -- 
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>>>>>> Groups "Pro Tools Accessibility" group.
>>>>>> To unsubscribe from this group and stop receiving emails from it, send 
>>>>>> an email to ptaccess+unsubscr...@googlegroups.com.
>>>>>> For more options, visit https://groups.google.com/d/optout.
>>>>> 
>>>>> -- 
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>>>>> email to ptaccess+unsubscr...@googlegroups.com.
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>>>> 
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>>> 
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Re: Flotools plugin views.

[Juan Pablo Culasso Alonso]

Thanks. Worked..

> On 4 Jan 2017, at 18:42, Brian Casey  wrote:
> 
> Go to system preferences keyboard shortcuts and make sure control left/right 
> arrows aren't being used for spotlight. 
> 
> Hope that helps
> 
> Sent from my smart-ish phone!
> 
>> On 4/01/2017, at 9:13 pm, Juan Pablo Culasso Alonso  
>> wrote:
>> 
>> I again Slau.
>> When I arrowing up or down with CTRL, I can navigate the column. However, 
>> when arrowing to the right VO don`t say anything. This happen in default and 
>> view 1 in the EQ7
>> I didn`t try the other template.
>> 
>> Thanks,
>> JP.
>>> On 4 Jan 2017, at 18:03, Slau Halatyn  wrote:
>>> 
>>> OK, cool.
>>> Slau
>>> 
>>>> On Jan 4, 2017, at 3:58 PM, Juan Pablo Culasso Alonso 
>>>>  wrote:
>>>> 
>>>> Solved. I was checking the sistem library, I unhidden the user library and 
>>>> found it.
>>>> Thanks.
>>>> 
>>>>> On 4 Jan 2017, at 17:54, Slau Halatyn  wrote:
>>>>> 
>>>>> Which library are you checking, the user library or the system library?
>>>>> 
>>>>>> On Jan 4, 2017, at 3:42 PM, Juan Pablo Culasso Alonso 
>>>>>>  wrote:
>>>>>> 
>>>>>> Hello all,
>>>>>> 
>>>>>> I just updated to version 2.01. But the folder with the plugin views is 
>>>>>> not at the app-suport subfolder.
>>>>>> 
>>>>>> Ideas?
>>>>>> 
>>>>>> Best,
>>>>>> 
>>>>>> 
>>>>>> Juan.
>>>>>> 
>>>>>> -- 
>>>>>> You received this message because you are subscribed to the Google 
>>>>>> Groups "Pro Tools Accessibility" group.
>>>>>> To unsubscribe from this group and stop receiving emails from it, send 
>>>>>> an email to ptaccess+unsubscr...@googlegroups.com.
>>>>>> For more options, visit https://groups.google.com/d/optout.
>>>>> 
>>>>> -- 
>>>>> You received this message because you are subscribed to the Google Groups 
>>>>> "Pro Tools Accessibility" group.
>>>>> To unsubscribe from this group and stop receiving emails from it, send an 
>>>>> email to ptaccess+unsubscr...@googlegroups.com.
>>>>> For more options, visit https://groups.google.com/d/optout.
>>>> 
>>>> -- 
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>>>> email to ptaccess+unsubscr...@googlegroups.com.
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>>> 
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>> 
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> 
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Re: Flotools plugin views.

[Juan Pablo Culasso Alonso]

I again Slau.
When I arrowing up or down with CTRL, I can navigate the column. However, when 
arrowing to the right VO don`t say anything. This happen in default and view 1 
in the EQ7
I didn`t try the other template.

Thanks,
JP.
> On 4 Jan 2017, at 18:03, Slau Halatyn  wrote:
> 
> OK, cool.
> Slau
> 
>> On Jan 4, 2017, at 3:58 PM, Juan Pablo Culasso Alonso  
>> wrote:
>> 
>> Solved. I was checking the sistem library, I unhidden the user library and 
>> found it.
>> Thanks.
>> 
>>> On 4 Jan 2017, at 17:54, Slau Halatyn  wrote:
>>> 
>>> Which library are you checking, the user library or the system library?
>>> 
>>>> On Jan 4, 2017, at 3:42 PM, Juan Pablo Culasso Alonso 
>>>>  wrote:
>>>> 
>>>> Hello all,
>>>> 
>>>> I just updated to version 2.01. But the folder with the plugin views is 
>>>> not at the app-suport subfolder.
>>>> 
>>>> Ideas?
>>>> 
>>>> Best,
>>>> 
>>>> 
>>>> Juan.
>>>> 
>>>> -- 
>>>> You received this message because you are subscribed to the Google Groups 
>>>> "Pro Tools Accessibility" group.
>>>> To unsubscribe from this group and stop receiving emails from it, send an 
>>>> email to ptaccess+unsubscr...@googlegroups.com.
>>>> For more options, visit https://groups.google.com/d/optout.
>>> 
>>> -- 
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>>> "Pro Tools Accessibility" group.
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>>> email to ptaccess+unsubscr...@googlegroups.com.
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>> 
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>> email to ptaccess+unsubscr...@googlegroups.com.
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> 
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Re: Flotools plugin views.

[Juan Pablo Culasso Alonso]

Solved. I was checking the sistem library, I unhidden the user library and 
found it.
Thanks.

> On 4 Jan 2017, at 17:54, Slau Halatyn  wrote:
> 
> Which library are you checking, the user library or the system library?
> 
>> On Jan 4, 2017, at 3:42 PM, Juan Pablo Culasso Alonso  
>> wrote:
>> 
>> Hello all,
>> 
>> I just updated to version 2.01. But the folder with the plugin views is not 
>> at the app-suport subfolder.
>> 
>> Ideas?
>> 
>> Best,
>> 
>> 
>> Juan.
>> 
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Flotools plugin views.

[Juan Pablo Culasso Alonso]

Hello all,

I just updated to version 2.01. But the folder with the plugin views is not at 
the app-suport subfolder.

Ideas?

Best,


Juan.

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Re: Waves plugins usability

[Juan Pablo Culasso Alonso]

This kind of answer will make me order this artist mix. A S3 is too much for 
the complexity of project that I do.

Thank you again,
JP.
> On Oct 21, 2016, at 13:20, 'Joy Bausch' via Pro Tools Accessibility 
>  wrote:
> 
> Hi Juan,
> the nice thing about this approach is that you'll learn the lay-out of 
> parameters rather quickly. Yes, you only have 8 encoders, or faders, if you 
> switch to Flip Mode, but usually the lay-out is so nicely organized, that you 
> easily keep track.
> For instance, the Waves Q10 Equalizer, has two frequency bands per page, so 5 
> pages for 10 bands.
> Each band always has gain, Frequency, and Q. The buttons on Artist Mix also 
> have functions, in this case band on/off, and Filter Type.
> If you spend time with a plugin, as you should anyways, you'll learn what 
> fader and button is mapped to in no time, and the more often you use the 
> plugin, the faster you'll be at going straight to a certain parameter.
> 
> Joy
> 
> 
> 
> Von meinem iPhone gesendet
> 
>> Am 21.10.2016 um 17:15 schrieb Juan Pablo Culasso Alonso 
>> :
>> 
>> Hello, joy, as an artist mix user, can you tell me if the encoders are 
>> enough to use plugins with lots of parameters oor how many times do you need 
>> to use the button to change the page?
>> I really am planning to take antist mix so all the info that you can provide 
>> will be very much apreciated.
>> Best,
>> Juan. 
>>> On Oct 21, 2016, at 12:12, 'Joy Bausch' via Pro Tools Accessibility 
>>>  wrote:
>>> 
>>> Hi,
>>> I use them in both Logic and ProTools, mostly with an Avid Artist Mix DAW 
>>> Controller. In PT that's the best solution, imho, while in Logic it is 
>>> quite possible to change values with VO.
>>> In PT it works as well, but too slowly and not in a real-time, musical, way.
>>> 
>>> hth
>>> Joy
>>> 
>>> 
>>> 
>>> Von meinem iPhone gesendet
>>> 
>>>> Am 21.10.2016 um 15:59 schrieb HYP :
>>>> 
>>>> Hello does any one use the waves plugin and can change  the value fields   
>>>> When I   Load a WaVe plug-in I am not able to change the value field using 
>>>> regular VoiceOver keystrokes   but my gf was able to  manipulate it Using 
>>>> mouse, Does anyone have the same problem  and if so what are your 
>>>> workaround for this 
>>>> 
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>>> 
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>> 
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Re: Waves plugins usability

[Juan Pablo Culasso Alonso]

Hello, joy, as an artist mix user, can you tell me if the encoders are enough 
to use plugins with lots of parameters oor how many times do you need to use 
the button to change the page?
I really am planning to take antist mix so all the info that you can provide 
will be very much apreciated.
Best,
Juan. 
> On Oct 21, 2016, at 12:12, 'Joy Bausch' via Pro Tools Accessibility 
>  wrote:
> 
> Hi,
> I use them in both Logic and ProTools, mostly with an Avid Artist Mix DAW 
> Controller. In PT that's the best solution, imho, while in Logic it is quite 
> possible to change values with VO.
> In PT it works as well, but too slowly and not in a real-time, musical, way.
> 
> hth
> Joy
> 
> 
> 
> Von meinem iPhone gesendet
> 
>> Am 21.10.2016 um 15:59 schrieb HYP :
>> 
>> Hello does any one use the waves plugin and can change  the value fields   
>> When I   Load a WaVe plug-in I am not able to change the value field using 
>> regular VoiceOver keystrokes   but my gf was able to  manipulate it Using 
>> mouse, Does anyone have the same problem  and if so what are your workaround 
>> for this 
>> 
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Waves central

[Juan Pablo Culasso Alonso]

All,

someone wrote to waves about the complete unusability of their platform to 
download and activate the plugins?
I did that but they never answered me.

Best,
JP.

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Re: IMPORTANT: announcing Flo Tools

[Juan Pablo Culasso Alonso]

Really amazing, it`s a new bunch of possibilities opening with this sets of 
scripts.

Best,
JP.
> On Oct 15, 2016, at 09:53, Rui Vilarinho  wrote:
> 
> Wow... for sure ... really  appreciated!!!
> Thank you very much to the group,
>> Rui Vilarinho 
>> - Original Message - 
>> From: Slau Halatyn 
>> To: ptaccess@googlegroups.com 
>> Sent: Friday, October 14, 2016 11:32 PM
>> Subject: IMPORTANT: announcing Flo Tools
>> 
>> Here’s an important new development for our community. A new free product 
>> specifically designed for blind users of Pro Tools has been released today 
>> and it’s called Flo Tools. Point your browsers at
>> http://flotools.github.io 
>> and get these free scripts for Pro Tools and, yes, we said, “scripts for Pro 
>> Tools.” You’ll need Keyboard Maestro to trigger them. These are scripts that 
>> perform and automate certain tasks and provide feedback through VoiceOver. 
>> Everything you need to know can be found at the web site. There’s a detailed 
>> Read Me file plus an “Intro to Flo Tools” mp3. This open source project will 
>> transform the way blind users use Pro Tools. Since it’s open source, other 
>> programmers can get involved and who knows what this might eventually lead 
>> to but, right now, it’s the most exciting development in Pro Tools 
>> accessibility this community has seen in years. Flo Tools is brought to you 
>> by Chi Kim, Rocco Fiorentino and Slau Halatyn.
>> 
>> The Flo Tools Team
>> 
>> 
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Re: VoiceOver Accessible soundcard for ProTolls and Logic

[Juan Pablo Culasso]

I use the roland quadcapture and the panel is very accessible.
One of the controls that is a nice thing, is the gain setting of each preamp.
So you can select exactely the input volume of the soundcard, moving de knov 
and reading that parameter in the control panel.
Hope this helps.
jp

Visita mi web
www.jpculasso.net

> El 8 oct 2016, a las 17:10, Slau Halatyn  escribió:
> 
> Hi Samuel,
> 
> No, I haven’t had any experience with any Roland interfaces. As with many 
> interfaces, they can generally work fine with a “set it and forget it” kind 
> of situation but, if you need to change parameters in some cases, it’s not 
> accessible. If Roland has a software control panel, chances are it’s not 
> accessible. I’d be quite surprised if it was. There is some potential if an 
> interface has an iOS version of their control panel but I can’t think of any 
> that do.
> Slau
> 
>> On Oct 8, 2016, at 4:14 AM, Samuel Wilkins  wrote:
>> 
>> Hello Slau, 
>> I have heard that the Roland Studio Capture will work with ProTools, and if 
>> you have 2, you could do 32 channels.  Have you tried that one?  
>> 
>>> On 07/10/2016 19:30, Slau Halatyn wrote:
>>> Hi Jack,
>>> I can’t answer that yet but, suffice it to say, we’re in the process of 
>>> procuring both of those interfaces to make an assessment on the 
>>> accessibility. The software for the MTRX appears, at the outset, to look 
>>> promising but I’ll have to have an interface in order to see whether all of 
>>> the controls are visible. I have no idea about the Element software yet but 
>>> will report here as soon as I know anything.
>>> Best,
>>> Slau
>>> 
 On Oct 7, 2016, at 1:50 PM, Jack Ronnayut  wrote:
 
 Hi Slau and all!
 I am looking for a new interface as well. What might be  more
 Accessible between Apogee Element that you mentioned and Avid MTRX? I also 
 plan to record drums in my studio.
 Thank you so much. Any answer would be appreciated.
 Jack 
  
 Ronnayut Ingsa (Jack)
 The Director of TAB Music Academy (TABMA)
 THAILAND ASSOCIATION OF THE BLIND(TAB)
 85/1-3 SOI BUN YU,DINDANG Rd. SAMSENNAI, PHAYATHAI
 BANGKOK 10400 THAILAND
 MOBILE: +66618414446
 TEL: +66 2246 3835
 FAX: +66 2245 9846
 EMAIL: ronnaj...@gmail.com
 SKYPE NAME: jackjack_gt
 LINE ID: ronnajack 
 website : tab.or.th
  
 From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On 
 Behalf Of Slau Halatyn
 Sent: Wednesday, September 28, 2016 8:54 PM
 To: ptaccess@googlegroups.com
 Subject: Re: VoiceOver Accessible soundcard for ProTolls and Logic
  
 Hi Jørgen,
 Depending upon what kind of I/O scenario you’re looking for, Apogee just 
 released three new interfaces yesterday that are more affordable than 
 their previous offerings. They are the Element series interfaces and are 
 all Thunderbolt compatible. Thus far, all Apogee interfaces have used an 
 application called Maestro to access the interface settings. The software 
 is almost entirely accessible and it’s also possible to set a number of 
 parameters from the units themselves. Unless these new interfaces have 
 somehow deviated from Apogee’s path all these years, they should be quite 
 useable. As always, the only true test is getting one and trying it. Hope 
 that helps a bit,
 Slau
  
> On Sep 28, 2016, at 7:07 AM, Jørgen Skov Nielsen  
> wrote:
>  
>  
>> hi list
>> 
>> I will buy a new sound interface but whitch should i buy? 
>> I have usb 3.0 and thunderbolt. Is there a soundcard, were the 
>> controlpanel is accessible with voiceover? Should   the soundcard's from 
>> Uad or Focusrite be a solution? 
>> I have found a sound interface from Uad with a quard core processor, the 
>> soundinterface is the Uad Apollo 8p Thunderbolt 2 Audio Interface 
>> 
>> Should that be a solution? 
>> Best regards
>> Jørgen 
> 
>  
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Re: Which Mac model makes ProTools happy?

[Juan Pablo Culasso Alonso]

Hi have an iMac 27 inch late 2013 with 32 gb of ram and the fusion drive on it.
And a macbook pro early 2015 with 16 gb of ram and a SSD
Both of them with the processor maxed.

> On Aug 8, 2016, at 15:33, Phil Muir  wrote:
> 
> Very happy with my mid 2012 15 inch macbook pro. It runs pro tools great but 
> I put in an ssd drive and 16 gv of ram.
> 
> On 8 August 2016 17:18:15 CEST, Rocco Fiorentino 
>  wrote:
> Hi all,
> 
> I’m thinking about selling/replacing laptops, and had a few thoughts. I have 
> both a 2012 and 2014 MacBook Pro. The 2012 machine seems to run ProTools 
> better then the 2014 computer, but they both still have significant issues 
> with playback, recording, lag, etc. So, do I sell both laptops and get a 
> desktop? Then I can’t travel anywhere if I need to record. Or, do I get a 
> desktop and MacBook Air for traveling? I already store my sessions on an 
> external drive, but is this not enough cpu/processor power? Or maybe a Mac 
> mini? Or just an iMac desktop and another MacBook Pro?
> I’m curious what has worked for you, and what you find produces the best 
> environment for ProTools to operate successfully. For anyone running the 
> public or developer betas of Sierra, you’ll notice that PT runs amazingly 
> well on it, even though it’s not supported officially yet. However, Karabiner 
> is broken in 10.12 Sierra, making protools unusable for me on a laptop
> without an external keyboard for a numbpad. The developer is aware, but 
> apparently he has to rewrite the entire UI…
> 
> Thanks in advance for all of your help and suggestions.
> 
> Rocco
> 
> -- 
> Regards,
> Accessibility Training
> Telephone: UK +44-1747-228-459
> Mobile: UK +44-7968-136-246
> E-mail:
> i...@accessibilitytraining.co.uk
> URL:
> http://www.accessibilitytraining.co.uk 
> 
> 
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Re: Q: does PT V12.5.2 work with Roland Quad-capture audio interface?

[Juan Pablo Culasso Alonso]

I Use Quad-capture with pt 12.5.2 without issues.
Best,
JP.
> On Aug 3, 2016, at 17:47, TheOreoMonster  wrote:
> 
> So long as you have the core audio drivers for it installed i see no
> reason why it wouldn't work with PT.
> 
> On 8/3/16, 'Patrick Schuppe' via Pro Tools Accessibility
>  wrote:
>> Hello everyone,
>> Does PT 12.5.2 work with my Roland quad-capture that I have used with
>> Windows?
>> I am asking because I setup my test-system tomorrow. My control s49 and
>> ultimate is allready here. Hope it will work. I will just use it to hear
>> the synth sounds over it. Thats all I will use it for and may be connecting
>> 
>> a Micro for singing.
>> Thanks in atvance:-)
>> Patrick
>> 
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Re: audio tutorial on dragging clips to the timeline in Pro Tools with VoiceOver

[Juan Pablo Culasso Alonso]

Thank you so much, Slau!.
I really apreciated the demonstration, looks completely well now I did my own 
tests with the expected results.
Best,
JP.
> On Jul 27, 2016, at 15:03, Slau Halatyn  wrote:
> 
> Folks,
> 
> This subject has come up so many times over the years and, while it was 
> easier many years ago and then it wasn’t so easy, it’s now easier than ever. 
> I’ve put together an audio tutorial on how to do it. Keep in mind that each 
> example I give takes moments but, having to explain it and go through it step 
> by step makes the process seem fifty times longer than the process actually 
> is. Dragging clips to the timeline in Pro Tools, especially if you use 
> Keyboard Maestro, is super easy and, in fact, you don’t even need Keyboard 
> Maestro necessarily. Most important, however, in this tutorial, I show how to 
> drop multiple clips into the timeline into one single track with clips 
> dropping into sequential order onto the one track. For those who are 
> interested, please file this mp3 away (because I tend to lose track of these 
> things) and, next time somebody asks, please throw this their way. Here’s a 
> link to it:
> https://dl.dropboxusercontent.com/u/3016244/Dragging%20Clips%20to%20the%20Timeline%20with%20VoiceOver.m4a
> 
> Cheers,
> Slau
> 
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Re: Jog/sutle between tracks.

[Juan Pablo Culasso Alonso]

That’s correct Slau.
each  clip are in separate tracks.
I selected one of this, Cuted and pasted it after the other one in the timeline.
I use an artist transport so There is a nice sorcut to select one track at a 
time.
How can import multiple audio clips to one track?
Thank you,
JP.
> On Jul 21, 2016, at 12:38, Slau Halatyn  wrote:
> 
> Hi JP,
> 
> When you say you’ve imported audio files to tracks, do you mean that, after 
> importing to new tracks, you then cut and pasted them into one audio track? 
> If you’re shuttling through a track that has a clip in it, you’ll be able to 
> hear it but, if the second clip resides in another track, you won’t hear it 
> in shuttle mode or scrub mode. Rewind and Fast Forward works differently and 
> all tracks are heard in bits and pieces while moving in rewind or fast 
> forward. I would double-check to make sure that the second clip is actually 
> on the very same audio track as the first clip. If you need them to be on 
> separate tracks, you’ll need to select the second track to be able to monitor 
> the clip in shuttle mode. You can use Control-semicolon and Control-p to 
> select the next lower track or upper track respectively. Hope that helps,
> Slau
> 
>> On Jul 20, 2016, at 8:51 PM, Juan Pablo Culasso Alonso  
>> wrote:
>> 
>> All;
>> 
>> I imported files to tracks. When I cut one of this and paste it after the 
>> other, putting a second of silence and return to the begin of the session. I 
>> navigate with the jog or sutle and when the first track ends, I can continue 
>> navigating but without playback. I know that I am moving because the main 
>> counter changes. If I press play, the sound come up. if I use the num pad to 
>> FF or RW, I have sound. but when I tried use the jog or sutle, nothing. If I 
>> return to the begin of the session, I have again sound response until the 
>> end of the first track.
>> ideas?
>> Thanks,
>> JP.
>> 
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Jog/sutle between tracks.

[Juan Pablo Culasso Alonso]

All;

I imported files to tracks. When I cut one of this and paste it after the 
other, putting a second of silence and return to the begin of the session. I 
navigate with the jog or sutle and when the first track ends, I can continue 
navigating but without playback. I know that I am moving because the main 
counter changes. If I press play, the sound come up. if I use the num pad to FF 
or RW, I have sound. but when I tried use the jog or sutle, nothing. If I 
return to the begin of the session, I have again sound response until the end 
of the first track.
ideas?
Thanks,
JP.

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Re: Editing problem, please please help!

[Juan Pablo Culasso Alonso]

I believe that you need change the edition mode to Spot. Use F3 to do it.
Best,
JP.
> On Jul 18, 2016, at 17:07, Jesse Kragiel  wrote:
> 
> When I edit a track, say a vocal, instead of just keeping everything in time, 
> time is deleted from the vocal. For instance, if I'm trimming the noise from 
> the beginning of the vocal, and select from the start of the song to the 
> start of the vocal and press delete, instead of just deleting all the data I 
> don't want, it actually is moving the vocal back to the beginning of the 
> song, making it out of sync with the music. It only does this in certain 
> files, and others work just fine. What could be the problem, and how do I fix 
> it? Thanks in advance for any help you can give.
> Jesse
> 
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sound mixer question.

[Juan Pablo Culasso Alonso]

Hi all.
May be someone of you can give me an idea what is the best choice.
I need a device that hasa 3.5mm input and output, with at least four RCA input 
and output with at least 2 xlr input and ouput.
There are hundreds of diferents sound mixers and I am really lost.
All your help be very much apreciated.
thanks.
Juan.

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Re: iZotope Ozone 7

[Juan Pablo Culasso Alonso]

Hi, Slau.
Yes, I’m use rx for the last three years and the installer is 100% accessible.
I just wanted install ozone 7 advanced because now it offers a standalone 
version and I found that problem at the very first step.

Best,
JP.
> On May 15, 2016, at 10:58, Slau Halatyn  wrote:
> 
> That's interesting to hear. Is the Ozone installer any different from the RX 
> installer? The RX installer is completely accessible. It would be a curious 
> thing if the installer were different but I guess more than one person has 
> experienced this.
> Slau
> 
> On May 15, 2016, at 3:02 AM, Phil Muir  <mailto:i...@accessibilitytraining.co.uk>> wrote:
> 
>> The installer is inaccessible on the Mac and also inaccessible unless you 
>> are using a screen reader on Windows such as Jaws.
>> 
>> On 14 May 2016 23:20:02 BST, Juan Pablo Culasso Alonso > <mailto:jpcula...@gmail.com>> wrote:
>> All,
>> 
>> someone tried install izotope ozone 7? 
>> the installer seems not accessible. 
>> Thanks.
>> JP.
>> 
>> -- 
>> Regards,
>> Accessibility Training
>> Telephone: UK +44-1747-228-459
>> Mobile: UK +44-7968-136-246
>> E-mail:
>> i...@accessibilitytraining.co.uk <mailto:i...@accessibilitytraining.co.uk>
>> URL:
>> http://www.accessibilitytraining.co.uk 
>> <http://www.accessibilitytraining.co.uk/>
>> 
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iZotope Ozone 7

[Juan Pablo Culasso Alonso]

All,

someone tried install izotope ozone 7? 
the installer seems not accessible. 
Thanks.
JP.

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Re: Isotope RX4?

[Juan Pablo Culasso Alonso]

Well, you can manage the time Freq edition.

> On Aug 27, 2015, at 23:54, Steve Martin  wrote:
> 
> 100% accessible? Are you able to work with the spectrogram and etc?
>> On Aug 27, 2015, at 5:34 PM, Juan Pablo Culasso Alonso > <mailto:jpcula...@gmail.com>> wrote:
>> 
>> RX4 has his stand alone app 100% accessible. I use the advanced version but 
>> for demonising purposes the standard will make the job.
>> 
>> 
>>> On Aug 27, 2015, at 18:29, Christopher-Mark Gilland >> <mailto:clgillan...@gmail.com>> wrote:
>>> 
>>> Guys,
>>>  
>>> I have a cassette tape that I'm trying to remove a major! and I do mean 
>>> major! hiss from.  It's me as a child, and it has some of the worst quality 
>>> tape recording audio I've ever heard.  No doubt, my parents must a recorded 
>>> this on a real el cheapo tape recorder.  It's horriffic!  E Q isn't gonna 
>>> get rid a this.
>>>  
>>> Anyway, has anyone used either the Isotope RX4 Standard or Advanced, 
>>> preferably Standard plugins with PT?  If so, are they even somewhat 
>>> accessible?  I'm thinking I'll probably use the D-Noise module.
>>>  
>>> If not that accessible, if I just wanna see, though probably not advisable, 
>>> if it just naturally with no tweaking would make it a little better, do you 
>>> think just popping it on an insert and being done with it would possibly 
>>> even get rid of the slightest bit, even if not enough to be desirable?
>>>  
>>> If it's not accessible, does anyone have custom made presets that'll help 
>>> me?  If not, what other plugs would be accessible that may help with this.  
>>> It's not really a hum type of hiss.  It's more the type background air 
>>> noise kind a hiss you heard when recording on real cheap consumer grade 
>>> little portable pocket tape recorders with the built in mikes.  Like 
>>> something you'd buy at Radio Shaq or Circuit Shitty.
>>>  
>>> Chris.
>>> 
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Re: Isotope RX4?

[Juan Pablo Culasso Alonso]

RX4 has his stand alone app 100% accessible. I use the advanced version but for 
demonising purposes the standard will make the job.


> On Aug 27, 2015, at 18:29, Christopher-Mark Gilland  
> wrote:
> 
> Guys,
>  
> I have a cassette tape that I'm trying to remove a major! and I do mean 
> major! hiss from.  It's me as a child, and it has some of the worst quality 
> tape recording audio I've ever heard.  No doubt, my parents must a recorded 
> this on a real el cheapo tape recorder.  It's horriffic!  E Q isn't gonna get 
> rid a this.
>  
> Anyway, has anyone used either the Isotope RX4 Standard or Advanced, 
> preferably Standard plugins with PT?  If so, are they even somewhat 
> accessible?  I'm thinking I'll probably use the D-Noise module.
>  
> If not that accessible, if I just wanna see, though probably not advisable, 
> if it just naturally with no tweaking would make it a little better, do you 
> think just popping it on an insert and being done with it would possibly even 
> get rid of the slightest bit, even if not enough to be desirable?
>  
> If it's not accessible, does anyone have custom made presets that'll help me? 
>  If not, what other plugs would be accessible that may help with this.  It's 
> not really a hum type of hiss.  It's more the type background air noise kind 
> a hiss you heard when recording on real cheap consumer grade little portable 
> pocket tape recorders with the built in mikes.  Like something you'd buy at 
> Radio Shaq or Circuit Shitty.
>  
> Chris.
> 
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Re: feedback needed for Pro Tools 12

[Juan Pablo Culasso]

Sure, Slau.

1.
I import 30 files, and I decide put all of this in the clips list.

2.

I just created a stereo track.

3.

I want to chose one file for the left chanel of this track and one other for 
the right chanel of this track.

Best, JP.
> On Mar 16, 2015, at 14:19, Slau Halatyn  wrote:
> 
> Hi Juan,
> 
> Can you explain in further detail what it is that you cannot do? I need to 
> understand what you mean so I can either answer how it should behave or what 
> functionality is missing.
> 
> Thanks,
> 
> Slau
> 
> On Mar 16, 2015, at 1:01 PM, Krister Ekstrom  
> wrote:
> 
>> Hi,
>> I have worked so little with PT so i can’t say what is or is not possible to 
>> fix in this session you’re going to have so before i phrase my question let 
>> me ask this: Is the menus where you select presets a protools or a plugin 
>> developer issue? If it lies on pro tools then i wish that the preset menu of 
>> the plugin became accessible so that i myself could call up and convert 
>> favorit presets to PT format in order to better work with them.
>> /Krister
>> 
>>> 16 mar 2015 kl. 15:41 skrev Slau Halatyn :
>>> 
>>> In a couple of weeks, I'm going to have a unique opportunity to sit down 
>>> with a programmer to work on some accessibility issues in Pro Tools. Under 
>>> the circumstances of my trip, Avid has allowed for this meeting to be 
>>> scheduled barring any last minute crisis with the release of Pro Tools 12. 
>>> This will be largely driven by bug submissions already within the beta 
>>> system but I wanted to get a sense of what the user base is focused on day 
>>> to day. My goal is to address quality-of-life issues that affect the use of 
>>> Pro Tools with VoiceOver. For example, the way the inserts and, in 
>>> particular, sends are displayed is simply awful. This needs to be 
>>> overhauled. There are a number of such issues that can hopefully be taken 
>>> care of in one marathon session of tweaks.
>>> 
>>> I have a clear idea of what I personally think should be addressed but I 
>>> thought I'd take the temperature of the community. What I'm asking of the 
>>> list is for people to enumerate 3 to 5 things that most affect their 
>>> productivity and would like to see improved. Now, I don't mean for people 
>>> to suggest a different method for importing files to an existing track. 
>>> That's a bigger fish to fry and the subject of a longer term solution. 
>>> These are, as I said, quality-of-life issues that can be addressed quickly. 
>>> Also, don't bring up issues in version 10. We're talking existing issues in 
>>> version 11. Give me your top 3 or top 5 items and we'll see which seem to 
>>> reveal themselves as the biggest concerns. The sooner you get those to me, 
>>> the sooner I can prepare.
>>> 
>>> Thanks,
>>> 
>>> Slau
>>> 
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Re: feedback needed for Pro Tools 12

[Juan Pablo Culasso]

Probably you said it in your first e-mail, Slau, if it is, please accept my 
apologies.

But the clip list is in my opinion a problem. I would like, for example, in a 
stereo track, passing a clip to the left chanel, for example. I don’t know if 
you consider this a feature or a thing that can become accessible.
best,
JP.
> On Mar 16, 2015, at 13:17, Slau Halatyn  wrote:
> 
> Let me be clear, folks. I'm not asking for suggestions for new features. Pro 
> Tools works the way it does and we're not going to change that for VoiceOver 
> users. I'm looking for input on inaccessible items, windows, buttons, tables, 
> lists, etc. Please keep this in mind. Thanks!
> 
> Slau
> 
> On Mar 16, 2015, at 11:57 AM, Martin Sopart  wrote:
> 
>> Hi Slau!
>> 
>> A single key Stroke to unarm all armed tracks. No toggle just unarm to be on 
>> the save side.
>> The same for solo.
>> 
>> A track reordering without drag'n'drop.
>> 
>> Do you work with Mavericks or Yosemite?
>> 
>> Best! / Martin
>> 
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Re: noise reduction plugins

[Juan Pablo Culasso]

the best restoration plugins collection is isotope rx4.
> On Mar 8, 2015, at 00:12, Steve Sparrow  wrote:
> 
> Hi. any thoughts on a good noise reduction plugin. I also require click and 
> crackle remover to take care of vynal restoration.
> I have thought about buying sound forge from the app store to do this task if 
> it is accessible. But i know there are also much better plugs out there also.
> thanks in advance.
> Steve
> 
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Re: Pro Tools 11 on Mac Pro instalation procedures

[Juan Pablo Culasso]

Tudo bem, Rui?

Você tem que se cadastrar no site da Avid. Imagino que quando você comprou o 
protools, veio junto um activation card, forma semelhante a de um cartão de 
crédito. Você deve após criar sua conta Avid, ativar seu protools inserindo o 
número de série desse cartão. Ao mesmo tempo, você já deve ter que criado uma 
conta no site da iole. Pois quando você ativar o Pt na David, ele vai perguntar 
a sua conta iole.
Infelizmente, transferir a licença do servidor Ilok até a chave física, até o 
momento, não é um processo acessível.
Qualquer coisa, me escreva em pvt. Sou usuário protools, mas não gravo, apenas 
pos produção.
Cumprimentos.

> On Feb 16, 2015, at 12:47, Rui Vilarinho  wrote:
> 
> So, I believe  finally I have all I need to install Pro Tools on my Mac Pro .
> I have a Thunderboult terabite  external   disc; just arrived .
> I have 11Rack, USB  interface .
> I have BCF2000 controler .
> I have iLok gismo .
> But, concerning Pro Tools; , must I go to AVID website and register and load 
> it right?
> At this stage, what should I expect? a Pt11 download with straight 
> automatically instalation ?
> Or, a huge file will be downloaded to my Mac and only after I will gonna 
> execute the installer ?
> Should I also  expect  at the instalation stage, to define the  Thunderboult 
> external disc   directory for audio samples and so on ?
> Yet, at what stage I will gonna need to insert the  license  on  iLok ?
> 
> For the record, It's still Mavericks !
> Should I update it ?
> 
> Well, as you  can see I have doubts concerning next imperative steps to 
> instal Pt11  and starting making magic !
> Thanks in advance,
> Rui Vilarinho 
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Re: RX 4

[Juan Pablo Culasso]

Slau:
to open the presses list in rx4, I do the following.
stops the voice over cursor above the presses button.
after, i put the mouse pointer in the same position of the VO cursor, using the 
key command control, option command F5. Finally, I have a Magic mouse and press 
command plus the mouse button. the popup opens and I can read the options 
without difficulties.

Best,
JP.

> On Feb 4, 2015, at 15:58, Slau Halatyn  wrote:
> 
> RX4 stand-alone isn't a blank screen for me. It might be a license window 
> perhaps. While the stand-alone is accessible to a degree, there's a quirk 
> with the presets wherein VoiceOver will not read the pop-up list as you 
> navigate through it but, say, if you were to arrow down once and hit return, 
> you can read the selection, pop it open and arrow down again, hit return and 
> read the selection. It's tedious and first letter navigation doesn't work. 
> Still, the presets are quite good as a starting point.
> 
> Slau
> 
> On Feb 4, 2015, at 12:39 PM, TheOreoMonster  wrote:
> 
>> Anyone else out there running RX 4. Installed the latest version  and
>> while the plug ins show up fine, the Standalone app gives a blank
>> screen to VO when  launch.  Just curious if its me.
>> 
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Re: Question about bouncing sessions

[Juan Pablo]

Kevin, regarding switch, is the soft developed by nhc software?
If yes, please let me know that this one is great. I purchased express 
burner from their and work extremely well with vo too.


-Original Message- 
From: Kevin Reeves

Sent: Sunday, October 12, 2014 3:39 PM
To: ptaccess@googlegroups.com
Subject: Re: Question about bouncing sessions

As I said in my message, unless he's a paying client, I'd tell him to deal.

Since he's a paying client, then obviously not. Grabb one of the apps I 
mentioned, and you'll be good to go.



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Artist transport finally solved.

[Juan Pablo]

Guys,
Is unbelievable, this surface has a beautiful power. Now, I almost don’t need 
touch the keyboard to perform tasks. Using the jog, has in my fingerprints the 
buttons to put marks, move the selection across the track No more worries 
with less or more nudge, fantastic!
I recomend the investment, uSD375.
Best,
Juan.

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Re: how to drag files from the regions List with Keyboard Maestro

[Juan Pablo]

great, Slau. I'm going purchase km to do it.
Best, Juan.
-Original Message- 
From: Slau Halatyn

Sent: Monday, September 29, 2014 9:18 PM
To: ptaccess@googlegroups.com
Subject: how to drag files from the regions List with Keyboard Maestro

Folks,

I've just spent a few minutes experimenting with Keyboard Maestro and I've 
been able to successfully and, more importantly, consistently drag files to 
the timeline. To those using KM, create a macro that moves the mouse to 0,0 
relative to the center of the front window. In other words, the mouse will 
be moved right to the middle of the active window.


1. Make sure you're only showing the track to which you wish to drag a file.
2. Make sure the track is selected and press Control-up arrow to maximize 
the track height.

3. Go to the Regions List and find the file you wish to drag.
4. Route the mouse pointer to the file.
5. Issue a mouse down command with Control-Option-Command-Shift-Space Bar.
6. Trigger the macro to drag to the center of the Edit window. You can 
define a hot key or choose from the Menu Extras. KM gives you a bunch of 
options.

7. Press Control-Option-Command-Shift-Space Bar for mouse up.

At some point, I'll try to figure out a way to do a modifier drag. VoiceOver 
doesn't currently support modified drags so KM might be the short term 
answer. Command-dragging and Control-dragging files to the timeline offers 
specific functionality to have regions jump to insertion points among other 
things.


Slau

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Re: discovery about nudge value

[Juan Pablo]

Dear slau, thanks again for your extremely patience and polite.
I'm reffering about dragging files from the clip list.

Best,
Juan.
-Original Message- 
From: Slau Halatyn

Sent: Saturday, September 27, 2014 9:09 PM
To: ptaccess@googlegroups.com
Subject: Re: discovery about nudge value

Hi Juan,

I'm sorry, I'm a bit confused about your current question. I'm not sure 
exactly what you're trying to either ask or say. Dragging files from the 
Clip list (or Region list, as it is sometimes called) is certainly possible 
with VoiceOver but it's a multi-step process that is not at all efficient 
and, frankly, sometimes it just inexplicably doesn't seem to work. That type 
of drag and drop is somewhat different from dragging and dropping within the 
timeline.


It's the action of dragging and dropping within the timeline that is 
essentially impossible for a blind user much in the same way throwing darts 
is not accessible. That doesn't mean a blind user couldn't conceivably throw 
a dart but what would be the point? If a blind person is told that the 
bullseye is exactly 5 and a half feet from the floor and exactly 8 and three 
quarter feet from the left wall and if the blind dart thrower could punch in 
a number to have the dart automatically be put at those coordinates, what's 
the point of throwing it? We have a few methods to edit and position regions 
with sample accuracy through keyboard shortcuts.


A sighted user can zoom out of a timeline, see the region they've just 
highlighted, look down the timeline and see a space where the copied or 
dragged region should go. They can see the timeline and, in general terms 
see the approximate time where the region needs to go. They still have to 
position it more precisely once it's in the general vicinity. They have to 
zoom in, reposition the region, possibly use the grid or just audition the 
region in context to see if it's in the right place. Yes, there is an 
advantage to be able to see an overview of the timeline but that's something 
that a blind user will never have the ability to do. It's simply the nature 
of being blind, not being able to see what would take a thousand words to 
describe.


Now, here's an example of a real advantage is for a sighted user: If you 
needed to select non-contiguous files from several tracks and move them all 
at the same time. For example if you had a region on track 1 from 3 seconds 
to 10 seconds, a region on track 2 from 4 seconds to 9 seconds and a region 
on track 3 from zero seconds to twenty seconds, a sighted user could use the 
grabber tool and select those three regions which appear on three tracks at 
different times by Shift-clicking with the grabber tool and, in one motion, 
drag them to a different part of the timeline or nudge them or whatever. 
Again this is something that a blind user simply cannot do. Let me say this, 
however, I've been using a digital audio workstation since 1994 and I've 
never had to perform the aforementioned action, ever, not even once. That 
doesn't mean that it might not come up some time in the future. I doubt it 
will but, if it does, I'll take more time and do each track separately.


I hope that clarifies a few things.

Best regards,

Slau

On Sep 27, 2014, at 2:24 PM, Juan Pablo  wrote:

Slau, sorry for my lack of knoledge. But what's the way to drag and drop 
from the clip list? When I talked about drag and drop, I'm reffering to 
your second part of your message.

Best, Juan.

-Original Message- From: Slau Halatyn
Sent: Saturday, September 27, 2014 3:19 PM
To: ptaccess@googlegroups.com
Subject: Re: discovery about nudge value

Hi Juan,

I'm sorry but I don't agree with you. Drag and drop is just something a 
blind person cannot do. How would you propose this would work? Cut, copy 
and paste is perfectly fine in addition to nudging and spotting. What 
can't you do in the timeline with drag and drop that you can't do with the 
commands I mentioned? Now, if you're talking about dragging from the Clips 
list into a timeline, then yes, there needs to be a more elegant solution 
th an what we currently have. I can see that possibly being implemented in 
the future but that's a matter of introducing a new way, or at least an 
alternative way, of performing specific actions. This would take more 
resources and more supporting arguments.


Slau

On Sep 27, 2014, at 1:24 PM, Juan Pablo  wrote:

Hi, Slau. Is fact: protools is advancing to a fully accessible soft. but 
in my opinion, with the time line not accessible, We're lossing at least 
50% of this powerful tool. Yes, there are lots of sortcuts that made this 
tings in a diferent way. but has the hability to drag and dropp, would be 
a big jump. I hope in pt12 we've good news on this.

best, Juan.
-Original Message- From: Slau Halatyn
Sent: Friday, Se

Re: discovery about nudge value

[Juan Pablo]

English is not my native language, Chuck. Thanks anyway for your 
unmeasurable contribution.

best,
Juan.

-Original Message- 
From: CHUCK REICHEL

Sent: Saturday, September 27, 2014 4:04 PM
To: ptaccess@googlegroups.com
Subject: Re: discovery about nudge value

How about spell check?
YMMV

On Sep 27, 2014, at 2:24 PM, Juan Pablo wrote:

Slau, sorry for my lack of knoledge. But what's the way to drag and drop 
from the clip list? When I talked about drag and drop, I'm reffering to 
your second part of your message.

Best, Juan.

-Original Message- From: Slau Halatyn
Sent: Saturday, September 27, 2014 3:19 PM
To: ptaccess@googlegroups.com
Subject: Re: discovery about nudge value

Hi Juan,

I'm sorry but I don't agree with you. Drag and drop is just something a 
blind person cannot do. How would you propose this would work? Cut, copy 
and paste is perfectly fine in addition to nudging and spotting. What 
can't you do in the timeline with drag and drop that you can't do with the 
commands I mentioned? Now, if you're talking about dragging from the Clips 
list into a timeline, then yes, there needs to be a more elegant solution 
th an what we currently have. I can see that possibly being implemented in 
the future but that's a matter of introducing a new way, or at least an 
alternative way, of performing specific actions. This would take more 
resources and more supporting arguments.


Slau

On Sep 27, 2014, at 1:24 PM, Juan Pablo  wrote:

Hi, Slau. Is fact: protools is advancing to a fully accessible soft. but 
in my opinion, with the time line not accessible, We're lossing at least 
50% of this powerful tool. Yes, there are lots of sortcuts that made this 
tings in a diferent way. but has the hability to drag and dropp, would be 
a big jump. I hope in pt12 we've good news on this.

best, Juan.
-Original Message- From: Slau Halatyn
Sent: Friday, September 26, 2014 1:27 PM
To: ptaccess@googlegroups.com
Subject: discovery about nudge value

Folks,

One of the features for which I've been campaigning on the accessibility 
with on the Pro Tools front has been the nudge value field. In earlier 
versions of Pro Tools, it was not specifically accessible but one could 
at least press the button, type a value, press Return and at least the 
custom field was entered and one could go about their business with the 
new nudge value. Now, if you don't know why a custom nudge value is 
important, never mind for now and trust me when I say that it'll save 
your ass at some point, guaranteed.


well, in Pro Tools 11, the interface changed a bit and now at least we 
could see the Nudge Controls button which popped up the format selection 
and default values. Thing is, now we couldn't enter the custom value. I 
submitted a bug report and nothing seemed to change because other items 
like the MIDI Event List took precedence, understandably.


Well, only yesterday, I stumbled upon what I can only call a discovery, 
for lack of a better word because it was truly hidden. Unfortunately, a 
bit of a misnomer was incorporated when one of the programmers worked on 
the nudge and grid controls. In the edit window, there is a Grid/Nudge 
cluster. That naming convention was inherited from the initial work of PT 
accessibility in version 8. When interacting, you find 3 items labeled 
"Show Grid Lines" (which is either selected or not), "Grid Controls 
button" and "Nudge Controls button" Clicking on the first button toggles 
its state of either showing or not showing grid lines in the timeline. 
Clicking either of the two remaining buttons pops up a list of formats 
and default values as mentioned earlier.


Yesterday, as I was making a macro to double-click on the nudge value 
field to at least be able to once again enter custom nudge values, I 
needed to quickly navigate to the Nudge Control button and so I brought 
up the Item Chooser list and typed n u d g e. Surprisingly, the list 
contained several items rather than just the one I was expecting. It 
contained a text field labeled "Nudge" and a numeric field labeled "Nudge 
value." I had never seen this before and was stunned. To my astonishment, 
having selected the nudge value field, I purposely stopped interacting 
with the control to see where it was nested. To my surprise, it was 
nested in the "Nudge Controls button." Well, of course, a VoiceOver user 
would never think to interact with a button because that's not the 
function of a button. In fact, upon retrying with another session, simply 
navigating to the Nudge Controls button and interacting with it simply 
interacts with the title of the button itself rather than its alleged 
contents. Bringing up the Item Chooser, however, indeed exposes the 
hidden controls. Further, once accessed, interacting and exiting 
interaction with the button seems to traverse the 

Re: discovery about nudge value

[Juan Pablo]

Slau, sorry for my lack of knoledge. But what's the way to drag and drop 
from the clip list? When I talked about drag and drop, I'm reffering to your 
second part of your message.

Best, Juan.

-Original Message- 
From: Slau Halatyn

Sent: Saturday, September 27, 2014 3:19 PM
To: ptaccess@googlegroups.com
Subject: Re: discovery about nudge value

Hi Juan,

I'm sorry but I don't agree with you. Drag and drop is just something a 
blind person cannot do. How would you propose this would work? Cut, copy and 
paste is perfectly fine in addition to nudging and spotting. What can't you 
do in the timeline with drag and drop that you can't do with the commands I 
mentioned? Now, if you're talking about dragging from the Clips list into a 
timeline, then yes, there needs to be a more elegant solution th an what we 
currently have. I can see that possibly being implemented in the future but 
that's a matter of introducing a new way, or at least an alternative way, of 
performing specific actions. This would take more resources and more 
supporting arguments.


Slau

On Sep 27, 2014, at 1:24 PM, Juan Pablo  wrote:

Hi, Slau. Is fact: protools is advancing to a fully accessible soft. but 
in my opinion, with the time line not accessible, We're lossing at least 
50% of this powerful tool. Yes, there are lots of sortcuts that made this 
tings in a diferent way. but has the hability to drag and dropp, would be 
a big jump. I hope in pt12 we've good news on this.

best, Juan.
-Original Message- From: Slau Halatyn
Sent: Friday, September 26, 2014 1:27 PM
To: ptaccess@googlegroups.com
Subject: discovery about nudge value

Folks,

One of the features for which I've been campaigning on the accessibility 
with on the Pro Tools front has been the nudge value field. In earlier 
versions of Pro Tools, it was not specifically accessible but one could at 
least press the button, type a value, press Return and at least the custom 
field was entered and one could go about their business with the new nudge 
value. Now, if you don't know why a custom nudge value is important, never 
mind for now and trust me when I say that it'll save your ass at some 
point, guaranteed.


well, in Pro Tools 11, the interface changed a bit and now at least we 
could see the Nudge Controls button which popped up the format selection 
and default values. Thing is, now we couldn't enter the custom value. I 
submitted a bug report and nothing seemed to change because other items 
like the MIDI Event List took precedence, understandably.


Well, only yesterday, I stumbled upon what I can only call a discovery, 
for lack of a better word because it was truly hidden. Unfortunately, a 
bit of a misnomer was incorporated when one of the programmers worked on 
the nudge and grid controls. In the edit window, there is a Grid/Nudge 
cluster. That naming convention was inherited from the initial work of PT 
accessibility in version 8. When interacting, you find 3 items labeled 
"Show Grid Lines" (which is either selected or not), "Grid Controls 
button" and "Nudge Controls button" Clicking on the first button toggles 
its state of either showing or not showing grid lines in the timeline. 
Clicking either of the two remaining buttons pops up a list of formats and 
default values as mentioned earlier.


Yesterday, as I was making a macro to double-click on the nudge value 
field to at least be able to once again enter custom nudge values, I 
needed to quickly navigate to the Nudge Control button and so I brought up 
the Item Chooser list and typed n u d g e. Surprisingly, the list 
contained several items rather than just the one I was expecting. It 
contained a text field labeled "Nudge" and a numeric field labeled "Nudge 
value." I had never seen this before and was stunned. To my astonishment, 
having selected the nudge value field, I purposely stopped interacting 
with the control to see where it was nested. To my surprise, it was nested 
in the "Nudge Controls button." Well, of course, a VoiceOver user would 
never think to interact with a button because that's not the function of a 
button. In fact, upon retrying with another session, simply navigating to 
the Nudge Controls button and interacting with it simply interacts with 
the title of the button itself rather than its alleged contents. Bringing 
up the Item Chooser, however, indeed exposes the hidden controls. Further, 
once accessed, interacting and exiting interaction with the button seems 
to traverse the levels repeatedly.


Bottom line is, if you need to type a custom nudge value, and I promise 
you, you will at some point, use the Item Chooser to get to the Nudge 
Value numeric field, click once and type the custom value, hit Return and 
be on your way.


This is an issue of nomenclature mostly but also the non-standard manner 
in which a contr

Re: discovery about nudge value

[Juan Pablo]

Hi, Slau. Is fact: protools is advancing to a fully accessible soft. but in 
my opinion, with the time line not accessible, We're lossing at least 50% of 
this powerful tool. Yes, there are lots of sortcuts that made this tings in 
a diferent way. but has the hability to drag and dropp, would be a big jump. 
I hope in pt12 we've good news on this.

best, Juan.
-Original Message- 
From: Slau Halatyn

Sent: Friday, September 26, 2014 1:27 PM
To: ptaccess@googlegroups.com
Subject: discovery about nudge value

Folks,

One of the features for which I've been campaigning on the accessibility 
with on the Pro Tools front has been the nudge value field. In earlier 
versions of Pro Tools, it was not specifically accessible but one could at 
least press the button, type a value, press Return and at least the custom 
field was entered and one could go about their business with the new nudge 
value. Now, if you don't know why a custom nudge value is important, never 
mind for now and trust me when I say that it'll save your ass at some point, 
guaranteed.


well, in Pro Tools 11, the interface changed a bit and now at least we could 
see the Nudge Controls button which popped up the format selection and 
default values. Thing is, now we couldn't enter the custom value. I 
submitted a bug report and nothing seemed to change because other items like 
the MIDI Event List took precedence, understandably.


Well, only yesterday, I stumbled upon what I can only call a discovery, for 
lack of a better word because it was truly hidden. Unfortunately, a bit of a 
misnomer was incorporated when one of the programmers worked on the nudge 
and grid controls. In the edit window, there is a Grid/Nudge cluster. That 
naming convention was inherited from the initial work of PT accessibility in 
version 8. When interacting, you find 3 items labeled "Show Grid Lines" 
(which is either selected or not), "Grid Controls button" and "Nudge 
Controls button" Clicking on the first button toggles its state of either 
showing or not showing grid lines in the timeline. Clicking either of the 
two remaining buttons pops up a list of formats and default values as 
mentioned earlier.


Yesterday, as I was making a macro to double-click on the nudge value field 
to at least be able to once again enter custom nudge values, I needed to 
quickly navigate to the Nudge Control button and so I brought up the Item 
Chooser list and typed n u d g e. Surprisingly, the list contained several 
items rather than just the one I was expecting. It contained a text field 
labeled "Nudge" and a numeric field labeled "Nudge value." I had never seen 
this before and was stunned. To my astonishment, having selected the nudge 
value field, I purposely stopped interacting with the control to see where 
it was nested. To my surprise, it was nested in the "Nudge Controls button." 
Well, of course, a VoiceOver user would never think to interact with a 
button because that's not the function of a button. In fact, upon retrying 
with another session, simply navigating to the Nudge Controls button and 
interacting with it simply interacts with the title of the button itself 
rather than its alleged contents. Bringing up the Item Chooser, however, 
indeed exposes the hidden controls. Further, once accessed, interacting and 
exiting interaction with the button seems to traverse the levels repeatedly.


Bottom line is, if you need to type a custom nudge value, and I promise you, 
you will at some point, use the Item Chooser to get to the Nudge Value 
numeric field, click once and type the custom value, hit Return and be on 
your way.


This is an issue of nomenclature mostly but also the non-standard manner in 
which a control was defined. It's really not a button but a group of 
controls or a cluster, if you will. So, it's confusing until you know what 
it truly is. I'm explaining this so that, when others ask, more people on 
the list know about this quirk. That said, I'm relieved that the issue of 
access to the nudge value was addressed, albeit in a non-standard way, 
because it's truly one of the quality-of-life issues that kept me from 
moving to Pro Tools 11 full time. For me, this was a big one. There are a 
few others that are being addressed in beta that will be resolved soon, I'm 
sure.


Anyway, just sharing the info.

Slau

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Re: good remote control surfaces

[Juan Pablo]

The eucon control App that manage the avid artist series seems almost 
unusable with voice over. Is impossible make assigments, for example.

If any owner of that surfaces share their experiences would be great.

best,
Juan.
-Original Message- 
From: Slau Halatyn

Sent: Monday, September 15, 2014 5:40 PM
To: ptaccess@googlegroups.com
Subject: Re: good remote control surfaces

It's worth taking a look at the Avid Artist series surfaces. Jason on the 
list has one and says it's quite accessible.


Slau

On Sep 15, 2014, at 4:23 PM, Jed Barton  wrote:


Hey guys,

I am looking to put my pt system together and need a remote control 
surface that is accessible.  Someone recommended the avid c24, but i 
almost choked when i saw the price tag, doh!
Any ideas on where to go with this.  I need something that'll work for 
doing radio production.


Cheers,
Jed

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Re: Recommendations on Protools System

[Juan Pablo]

Regarding artist transport, anyone can give me tips how can I manage into the 
eucontrol app?

thanks,
Juan.

From: Poppa Bear 
Sent: Thursday, July 03, 2014 7:06 PM
To: ptaccess@googlegroups.com 
Subject: RE: Recommendations on Protools System

I would say yes, but for the most part, a desktop will be more expandable in 
the long run, but I think that you could cover a good amount of ground with a 
MBP. There are quite a few people in the industry that take the MBP approach 
with no qualms. Here is one thing to consider, some people who get a laptop set 
up first are always wondering if they should have went the desktop root, so 
keep that in mind. Hopefully some others will chime in.  

 

From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of 
Alex Coleman
Sent: Thursday, July 03, 2014 11:49 AM
To: ptaccess@googlegroups.com
Subject: Recommendations on Protools System

 

I have been comtemplating a move to PT11 from Sonar and am getting serious 
about putting together a system that will meet my needs and allow for some room 
for future growth.

 

I would like a portable system that can handle several virtual instruments, as 
well as several audio tracks without having to worry about running out of 
CPU/RAM in the middle of tracking/mixing, etc.

 

Will a Quad-core MBP with 16 GB of RAM and a Thunderbolt interface like the 
IO8X8X8 be sufficient, or do I need to scrap the idea of a portable set-up and 
go with a more powerful 6-core Mac Pro (desktop model) with 32-64 GB of RAM?

 

I am thinking I'll use my 3 Grace 101 preamps into the 8X8X8 for vocal 
tracking, and build all of my music tracks using VI technology, along with the 
Avid Artist Mix and Artist Transport for session control, thereby eliminating 
my need for a dedicated mixing console.

 

Will this set-up work and serve me well into the future, or do I need to take 
another approach?

 

Thank you for any pointers that can be passed along.

Alex

 

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Re: Recommend your favorite waves plugins.

[Juan Pablo]

i love the s360. If you do mixes in 5.1, is a nice option!

-Original Message- 
From: Monkey Pusher

Sent: Thursday, June 26, 2014 5:58 PM
To: ptaccess@googlegroups.com
Subject: Recommend your favorite waves plugins.

So waves have dropped a coupon code on me, and they also appear to be
having a pretty massive sale for the next day or so. So where should i
spend my money? Any recommendations or  favorites and why?

Thanks

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Re: pt tutorials

[Juan Pablo]

Yes, Editting, plugins, fade in/out, etc etc.
I made my work in the filed, nature recordings. So I have all the files readi 
to be put in protools and begin the job. So I am very confused about the start 
up process, put the track, make selections, copy, paste, mix, etC.
One of the things, for example, when I’m in the import dialoghe, I can preview 
the files. However, when I add to the track that I previously created, I press 
play button but the file is’nt play. I know that sound a extremely neuvie thing 
but I just have my iMac for the last 3 days.
But with your course if I  can accelerate the learning process   would be 
fenomenal.

best,
Juan.

From: Christopher-Mark Gilland 
Sent: Wednesday, May 21, 2014 11:56 PM
To: ptaccess@googlegroups.com 
Subject: Re: pt tutorials

I definitely think you would probably get something out of this, yes. I guess 
my number 1 question would be, when you say post production, are you speaking 
more of editting, or what specifically would you be needing to do?

Chris.

  - Original Message - 
  From: Juan Pablo 
  To: ptaccess@googlegroups.com 
  Sent: Wednesday, May 21, 2014 10:39 PM
  Subject: Re: pt tutorials

  is a control surface to do transport and a lot other functions.
  Anyway, I’ll be using pt mainly for post production, not for recording 
anything. Your classes are great for post production as well?
  If yes, I’' would like board the boat to take the course with you!

  Best,
  Juan.
  From: Christopher-Mark Gilland 
  Sent: Wednesday, May 21, 2014 11:08 PM
  To: ptaccess@googlegroups.com 
  Subject: Re: pt tutorials

  I'm not even totally sure what the Artist Transport is, so in short, probably 
not.  LOL!

  Chris.

- Original Message - 
From: Juan Pablo 
To: ptaccess@googlegroups.com 
Sent: Wednesday, May 21, 2014 9:52 PM
Subject: Re: pt tutorials

Chris, I have an artist transport as well. Are you planning cover the use 
of the avid artist transport?
Best,
juan.

From: Christopher-Mark Gilland 
Sent: Wednesday, May 21, 2014 10:00 PM
To: ptaccess@googlegroups.com 
Subject: Re: pt tutorials

I'll admit the ones I did on Applevis only go up to lesson 7.  I never 
finnished them due to personal reason.  I'd rather not go into the specifics.  
I'll just say it didn't work out for reasons beyond my control.

This said, I am! now offerring a webinar which we are doing once every 
week.  The classes last for 1 hour.  There is no requirement to attend live.  
In fact, a lot of the students don't.  You will get access to a password 
protected web site area where you may download mp3 archives of the past 
lessons.  This Friday, we will be on lesson 4.  I said that this was going to 
be an 8 week long series, but at the rate things are moving, it probably will 
wind up being more than that.

Anyway, it's not too late to register.  Again, yeah, you'd be coming in 
somewhat late, but remember, you'd have access to all 3 of the previous lessons 
in mp3 format as well, so really technically, you'd not lose anything, and you 
could listen at your own pace.

The main reason I stopped doing things on Applevis was because of bandwidth 
issues along with some other more  minor things as well.  Mainly lifestyle 
changes with at the time prevented me from continuing.  I have no intention 
however of prematurely stopping these lessons that I'm doing now.

The cost to register is $100.  Again, you'll have access to a password 
protected web site area where you can download the sessions that we are working 
on in class to follow along with, you can download all of the mp3 archives of 
the lessons, you will be able with your computer and microphone to participate 
live during the webinars and get your questions answered, you'll be added 
optionally if you wish, to a members only student discussion e-mail list where 
students can share and bounce ideas off one another.  You'll also get access to 
textual documentation notes from each lesson.

Here is just a small example of things that have been, or will be covered.  
Again, this list may be a bit scatter braned.  It's not an official contents, 
but it'll at least give you an idea how thorough I plan to go with this.

What is ProTools
Why it, over Sonar or other DAWS
What even is! a DAW in the first place
Optimising your system for ProTools
Hardware and compatibility
Why use a full sized keyboard
The quick start dialog
Setting session parameters such as sample rate, etc.
Exploring the mix window
The track list table
Selecting and unselecting tracks
Muting, arming, and soloing tracks
What are groups
Difference in mix and edit groups
Sorting, hiding, showing, and deactivating tracks
Scrolling tracks into view
Track termanology: audio, midi, AUX input, Instrument etc.
The new track dialog
 

Re: pt tutorials

[Juan Pablo]

is a control surface to do transport and a lot other functions.
Anyway, I’ll be using pt mainly for post production, not for recording 
anything. Your classes are great for post production as well?
If yes, I’' would like board the boat to take the course with you!

Best,
Juan.
From: Christopher-Mark Gilland 
Sent: Wednesday, May 21, 2014 11:08 PM
To: ptaccess@googlegroups.com 
Subject: Re: pt tutorials

I'm not even totally sure what the Artist Transport is, so in short, probably 
not.  LOL!

Chris.

  - Original Message - 
  From: Juan Pablo 
  To: ptaccess@googlegroups.com 
  Sent: Wednesday, May 21, 2014 9:52 PM
  Subject: Re: pt tutorials

  Chris, I have an artist transport as well. Are you planning cover the use of 
the avid artist transport?
  Best,
  juan.

  From: Christopher-Mark Gilland 
  Sent: Wednesday, May 21, 2014 10:00 PM
  To: ptaccess@googlegroups.com 
  Subject: Re: pt tutorials

  I'll admit the ones I did on Applevis only go up to lesson 7.  I never 
finnished them due to personal reason.  I'd rather not go into the specifics.  
I'll just say it didn't work out for reasons beyond my control.

  This said, I am! now offerring a webinar which we are doing once every week.  
The classes last for 1 hour.  There is no requirement to attend live.  In fact, 
a lot of the students don't.  You will get access to a password protected web 
site area where you may download mp3 archives of the past lessons.  This 
Friday, we will be on lesson 4.  I said that this was going to be an 8 week 
long series, but at the rate things are moving, it probably will wind up being 
more than that.

  Anyway, it's not too late to register.  Again, yeah, you'd be coming in 
somewhat late, but remember, you'd have access to all 3 of the previous lessons 
in mp3 format as well, so really technically, you'd not lose anything, and you 
could listen at your own pace.

  The main reason I stopped doing things on Applevis was because of bandwidth 
issues along with some other more  minor things as well.  Mainly lifestyle 
changes with at the time prevented me from continuing.  I have no intention 
however of prematurely stopping these lessons that I'm doing now.

  The cost to register is $100.  Again, you'll have access to a password 
protected web site area where you can download the sessions that we are working 
on in class to follow along with, you can download all of the mp3 archives of 
the lessons, you will be able with your computer and microphone to participate 
live during the webinars and get your questions answered, you'll be added 
optionally if you wish, to a members only student discussion e-mail list where 
students can share and bounce ideas off one another.  You'll also get access to 
textual documentation notes from each lesson.

  Here is just a small example of things that have been, or will be covered.  
Again, this list may be a bit scatter braned.  It's not an official contents, 
but it'll at least give you an idea how thorough I plan to go with this.

  What is ProTools
  Why it, over Sonar or other DAWS
  What even is! a DAW in the first place
  Optimising your system for ProTools
  Hardware and compatibility
  Why use a full sized keyboard
  The quick start dialog
  Setting session parameters such as sample rate, etc.
  Exploring the mix window
  The track list table
  Selecting and unselecting tracks
  Muting, arming, and soloing tracks
  What are groups
  Difference in mix and edit groups
  Sorting, hiding, showing, and deactivating tracks
  Scrolling tracks into view
  Track termanology: audio, midi, AUX input, Instrument etc.
  The new track dialog
  Inserting more than one track at a time
  Rewinding and fast forwarding
  Loop playback
  Jumping to a position
  Selecting a range of audio
  Placemarkers
  Setting nudge value
  Nudging
  Selecting Audio
  Regions
  Fading
  Writing automation
  Working with inserts
  Working with sends
  Reading the meter
  Resetting the meter
  The Edit window
  Counter cluster
  Absolute grid vs. shuffle
  The selecter tool

  Setting time signature
  Setting tempo opperations
  Click tracks
  The metronome
  Countdown
  Working with midi and instrument tracks
  Quantizing
  Good mixing practices
  Things not to do, that have potential of ruinning an absolutely gorgeous! 
recording

  Comping
  Working with playlists
  Selecting between hours minutes seconds frames, vs. bars beats ticks

  That about covers it!

  If you're interested in regizterring, please let me know off list, and I'll 
be happy to give you the address to send your payment via PayPal, and we'll get 
you set up in the system.

  My address is:

  clgillan...@gmail.com

  Thanks.

  Chris.

- Original Message - 
From: TheOreoMonster 
To: ptaccess@googlegroups.com 
Sent: Wednesday, May 21, 2014 6:22 PM
Subject: Re: pt tutorials

Hello, 

Can’t

Re: pt tutorials

[Juan Pablo]

Chris, I have an artist transport as well. Are you planning cover the use of 
the avid artist transport?
Best,
juan.

From: Christopher-Mark Gilland 
Sent: Wednesday, May 21, 2014 10:00 PM
To: ptaccess@googlegroups.com 
Subject: Re: pt tutorials

I'll admit the ones I did on Applevis only go up to lesson 7.  I never 
finnished them due to personal reason.  I'd rather not go into the specifics.  
I'll just say it didn't work out for reasons beyond my control.

This said, I am! now offerring a webinar which we are doing once every week.  
The classes last for 1 hour.  There is no requirement to attend live.  In fact, 
a lot of the students don't.  You will get access to a password protected web 
site area where you may download mp3 archives of the past lessons.  This 
Friday, we will be on lesson 4.  I said that this was going to be an 8 week 
long series, but at the rate things are moving, it probably will wind up being 
more than that.

Anyway, it's not too late to register.  Again, yeah, you'd be coming in 
somewhat late, but remember, you'd have access to all 3 of the previous lessons 
in mp3 format as well, so really technically, you'd not lose anything, and you 
could listen at your own pace.

The main reason I stopped doing things on Applevis was because of bandwidth 
issues along with some other more  minor things as well.  Mainly lifestyle 
changes with at the time prevented me from continuing.  I have no intention 
however of prematurely stopping these lessons that I'm doing now.

The cost to register is $100.  Again, you'll have access to a password 
protected web site area where you can download the sessions that we are working 
on in class to follow along with, you can download all of the mp3 archives of 
the lessons, you will be able with your computer and microphone to participate 
live during the webinars and get your questions answered, you'll be added 
optionally if you wish, to a members only student discussion e-mail list where 
students can share and bounce ideas off one another.  You'll also get access to 
textual documentation notes from each lesson.

Here is just a small example of things that have been, or will be covered.  
Again, this list may be a bit scatter braned.  It's not an official contents, 
but it'll at least give you an idea how thorough I plan to go with this.

What is ProTools
Why it, over Sonar or other DAWS
What even is! a DAW in the first place
Optimising your system for ProTools
Hardware and compatibility
Why use a full sized keyboard
The quick start dialog
Setting session parameters such as sample rate, etc.
Exploring the mix window
The track list table
Selecting and unselecting tracks
Muting, arming, and soloing tracks
What are groups
Difference in mix and edit groups
Sorting, hiding, showing, and deactivating tracks
Scrolling tracks into view
Track termanology: audio, midi, AUX input, Instrument etc.
The new track dialog
Inserting more than one track at a time
Rewinding and fast forwarding
Loop playback
Jumping to a position
Selecting a range of audio
Placemarkers
Setting nudge value
Nudging
Selecting Audio
Regions
Fading
Writing automation
Working with inserts
Working with sends
Reading the meter
Resetting the meter
The Edit window
Counter cluster
Absolute grid vs. shuffle
The selecter tool

Setting time signature
Setting tempo opperations
Click tracks
The metronome
Countdown
Working with midi and instrument tracks
Quantizing
Good mixing practices
Things not to do, that have potential of ruinning an absolutely gorgeous! 
recording

Comping
Working with playlists
Selecting between hours minutes seconds frames, vs. bars beats ticks

That about covers it!

If you're interested in regizterring, please let me know off list, and I'll be 
happy to give you the address to send your payment via PayPal, and we'll get 
you set up in the system.

My address is:

clgillan...@gmail.com

Thanks.

Chris.

  - Original Message - 
  From: TheOreoMonster 
  To: ptaccess@googlegroups.com 
  Sent: Wednesday, May 21, 2014 6:22 PM
  Subject: Re: pt tutorials

  Hello, 

  Can’t find my copy of kevin’s at the moment. However if you visit 
http://www.applevis.com and search for Pro Tools you should find the ones Chris 
did.

  On May 21, 2014, at 10:34 AM, Juan Pablo  wrote:


HI guys,
finally i’ve my imac with pt 11 installed. Can any of you redirect me to 
the kevin gibs tutorials? Pt looks like a monster, a lot of options and 
controls and I cannot doing the basics, create a track with two chanels and 
assing and audio file in each, or, put some clips and drop in tracks. So, if 
you can tell me when can I locate the tutorials I’ll be much apreciated.

best,
Juan.

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pt tutorials

[Juan Pablo]

HI guys,
finally i’ve my imac with pt 11 installed. Can any of you redirect me to the 
kevin gibs tutorials? Pt looks like a monster, a lot of options and controls 
and I cannot doing the basics, create a track with two chanels and assing and 
audio file in each, or, put some clips and drop in tracks. So, if you can tell 
me when can I locate the tutorials I’ll be much apreciated.

best,
Juan.

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Re: izotope rx3 in latest OSX

[Juan Pablo]

so, I’ll be reinstalling it again.
Thanks again, slau.
Best,
Juan.

From: Slau Halatyn 
Sent: Wednesday, February 26, 2014 2:25 PM
To: ptaccess@googlegroups.com 
Subject: Re: izotope rx3 in latest OSX

Stand-alone application is pretty accessible. I think it's generally more 
useable in Pro Tools because audio selection is simple and all parameters are 
visible. 

On Feb 26, 2014, at 12:04 PM, Juan Pablo  wrote:


  I installed the Stand-alone app.

  From: Slau Halatyn 
  Sent: Wednesday, February 26, 2014 2:01 PM
  To: ptaccess@googlegroups.com 
  Subject: Re: izotope rx3 in latest OSX

  You authorized it through either iLok License Manager or via device and 
launched it as stand-alone or as a plug-in? 

  On Feb 26, 2014, at 11:59 AM, Juan Pablo  wrote:


I asked that because I installed this latest version of rx in a macbook air 
mid 2013 and voice over said every time ‘There is no window’
Thanks again,
Juan.

From: Slau Halatyn 
Sent: Wednesday, February 26, 2014 1:51 PM
To: ptaccess@googlegroups.com 
Subject: Re: izotope rx3 in latest OSX

That cannot be confirmed because it is, in fact, accessible, for the most 
part. Presets are not yet accessible but parameters can be manipulated. 

On Feb 26, 2014, at 11:33 AM, Juan Pablo  wrote:


  Hi all,

  Can you confirm that the new rx3 became completely inaccessible/unusable?
  Best,
  Juan.

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Re: izotope rx3 in latest OSX

[Juan Pablo]

I installed the Stand-alone app.

From: Slau Halatyn 
Sent: Wednesday, February 26, 2014 2:01 PM
To: ptaccess@googlegroups.com 
Subject: Re: izotope rx3 in latest OSX

You authorized it through either iLok License Manager or via device and 
launched it as stand-alone or as a plug-in? 

On Feb 26, 2014, at 11:59 AM, Juan Pablo  wrote:


  I asked that because I installed this latest version of rx in a macbook air 
mid 2013 and voice over said every time ‘There is no window’
  Thanks again,
  Juan.

  From: Slau Halatyn 
  Sent: Wednesday, February 26, 2014 1:51 PM
  To: ptaccess@googlegroups.com 
  Subject: Re: izotope rx3 in latest OSX

  That cannot be confirmed because it is, in fact, accessible, for the most 
part. Presets are not yet accessible but parameters can be manipulated. 

  On Feb 26, 2014, at 11:33 AM, Juan Pablo  wrote:


Hi all,

Can you confirm that the new rx3 became completely inaccessible/unusable?
Best,
Juan.

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Re: izotope rx3 in latest OSX

[Juan Pablo]

I asked that because I installed this latest version of rx in a macbook air mid 
2013 and voice over said every time ‘There is no window’
Thanks again,
Juan.

From: Slau Halatyn 
Sent: Wednesday, February 26, 2014 1:51 PM
To: ptaccess@googlegroups.com 
Subject: Re: izotope rx3 in latest OSX

That cannot be confirmed because it is, in fact, accessible, for the most part. 
Presets are not yet accessible but parameters can be manipulated. 

On Feb 26, 2014, at 11:33 AM, Juan Pablo  wrote:


  Hi all,

  Can you confirm that the new rx3 became completely inaccessible/unusable?
  Best,
  Juan.

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izotope rx3 in latest OSX

[Juan Pablo]

Hi all,

Can you confirm that the new rx3 became completely inaccessible/unusable?
Best,
Juan.

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Re: Findings with ProTools: Ab, suh, lootly, incredible news!

[Juan Pablo]

The aax plugins are now accessible, chris?
Tks.
-Original Message- 
From: Christopher-Mark Gilland

Sent: Wednesday, October 23, 2013 2:40 AM
To: ptaccess@googlegroups.com
Subject: Findings with ProTools: Ab, suh, lootly, incredible news!

Well guys?  I couldn't really say anything before today being that Mavericks
wasn't out, and so, I was strictly on NDA, however, now that it's available
to all you guys, NDA no longer withstands.  This said, I am ex, tremely!
happy to announce that at least with ProTools 10.X, all accessibility seems
to have been restored just like it was in Snow Leopard, and in Lion!  All
counters read 100% flawlessly, all my edit clusters seems to work correctly,
all my edit boxes read the values as they should, and all my popup buttons
even seem to work as they should.  I can't speak for PT 11, as I've not yet
updated, but I can definitely tell you that version 10 is working perfectly
over here.  I have no idea! what the hell happened in Mountain Lion that
made things break so badly, but I assure you that in 10.9 Mavericks, though
keep in mind, PT is probably not yet officially supported there per sé, I
assure you that it does indeed work!  Oh man! this is a happy day for me and
my clients!

I'm jumping for joy!

Chris.

Visit my Audioboo page for freely available music which I have recorded.

http://www.audioboo.fm/chrisgilland

For updates to my Audioboo page, you also are more than welcome to follow me
on Twitter.

http://www.twitter.com/clgillandmusic

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Re: Counter displays in PT 10?

[Juan Pablo]

Fantastic.
Only your first line e-mail was necessary.
Thanks!

-Original Message- 
From: Mark Gilland

Sent: Monday, August 12, 2013 7:07 PM
To: ptaccess@googlegroups.com
Subject: Re: Counter displays in PT 10?

ok, fine, it doesn't work.  Happy?

Shit, alive, people?  And no, I did not break the NDA.  You need to have a
look at the NDA specifications, and mayber show me where it states I can't
tell people I'm a dev or that I'm running Mavericks.  I don't recall ever
seeing that.  I can't tell you anything ab out it, no, but I can at least
say yes.  Finally, the issue of question wasn't is anyone running an NDA
version of PT.  He asked if anyone had tried with Maverick, and it truth,
yes, I have, and taht is why I said yes, it has been tested.  I would think
saying issues are being worked on would go without saying and that's why I
didn't mention it.  The sky's blue.  Must I be that literal?  Sorry to sound
so much like a jack ass, but honestly, I answered a question, WTF!

Chris.

- Original Message - 
From: "Monkey Pusher" 

To: 
Sent: Monday, August 12, 2013 4:54 PM
Subject: Re: Counter displays in PT 10?



IF memory serves corretc the issue exist in ML with PT 9 as well. A
lion Partition should work fine. Personally i have a studio machine i
kept on lion and have a laptop i run ML and etc on and test stuff
with.

Regarding NDA, First off you already  broke the NDA by discussing taht
you were running Mavericks.  and seeing as how you aren't disclosing
anything related to features or  OSX centric operations, and you
aren't running a NDA Beta of Pro Tools, you may as well just tell us
your  findings. A simple the same issue persist or it works now is
sufficient.

On 8/12/13, Juan Pablo  wrote:
And if you're under a NDA, why did you write this e-mail? Completely 
without


sense.

-Original Message-
From: Mark Gilland
Sent: Monday, August 12, 2013 5:22 PM
To: ptaccess@googlegroups.com
Subject: Re: Counter displays in PT 10?

I've tried 10 with Mavericks, yes, but being that Mavericks isn't
officially
released, I'm on NDA thus can't disclose my findings.  Sorry.

Chris.

- Original Message -
From: "Gary Readfern-Gray" 
To: 
Sent: Monday, August 12, 2013 3:58 PM
Subject: Re: Counter displays in PT 10?



OK, that will be it I'm on mountain lion. I didn't know there were
issues with pt and Mountain lion. So I guess I'll have to create a
lion partition then. Is that what you've done or have you just not
upgraded to Lion. Anyone tried any version of tools with Mavericks
yet?

On 8/12/13, Mark Gilland  wrote:

Again, as we've said, are you on Mountain Lion?  If so, that's why
they're
not reading.  There are issues with pt 10 and ml.  Honestly, I wonder 
if

those issues exhibit with pt9 and Mountain Lion.

We shall know very very shortly as I'm about to be playing later today
with

an ml system running pt 9.

Chris.
- Original Message -
From: "Gary Readfern-Gray" 
To: 
Sent: Monday, August 12, 2013 1:30 PM
Subject: Counter displays in PT 10?



Hey, is it me or do the counter displays not read in PT10? Is there
any way of knowing what bar I'm currently on?

So, if they are broken, what's the best way of creating a double
bridge sequence in my song?

So I get into shuffle mode and if I know where the bridge starts and
ends, numeric slash is my friend to create those selections to copy
each track right? But if I don't have those numbers? or is there just
a better way of doing this in tools?

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Re: Counter displays in PT 10?

[Juan Pablo]

next time, do not answer an e-mail with anything inconsistent, only that.

-Original Message- 
From: Mark Gilland

Sent: Monday, August 12, 2013 7:03 PM
To: ptaccess@googlegroups.com
Subject: Re: Counter displays in PT 10?

Because he asked if anyone's used it, I was just assuring him, yes, I had
but that I couldn't disclose the speicfics.  I, along with other devs though
are working closely both with Apple and with Avid to improve things.

Sheesh, don't get your pants in a wod.  I simply was answerring that in fact
yes, I had tried.  Forgive me for being honest.  Next time, I'll lie
instead.

Chris.

- Original Message - 
From: "Juan Pablo" 

To: 
Sent: Monday, August 12, 2013 4:23 PM
Subject: Re: Counter displays in PT 10?


And if you're under a NDA, why did you write this e-mail? Completely 
without sense.


-Original Message- 
From: Mark Gilland

Sent: Monday, August 12, 2013 5:22 PM
To: ptaccess@googlegroups.com
Subject: Re: Counter displays in PT 10?

I've tried 10 with Mavericks, yes, but being that Mavericks isn't 
officially

released, I'm on NDA thus can't disclose my findings.  Sorry.

Chris.

- Original Message - 
From: "Gary Readfern-Gray" 

To: 
Sent: Monday, August 12, 2013 3:58 PM
Subject: Re: Counter displays in PT 10?



OK, that will be it I'm on mountain lion. I didn't know there were
issues with pt and Mountain lion. So I guess I'll have to create a
lion partition then. Is that what you've done or have you just not
upgraded to Lion. Anyone tried any version of tools with Mavericks
yet?

On 8/12/13, Mark Gilland  wrote:
Again, as we've said, are you on Mountain Lion?  If so, that's why 
they're

not reading.  There are issues with pt 10 and ml.  Honestly, I wonder if
those issues exhibit with pt9 and Mountain Lion.

We shall know very very shortly as I'm about to be playing later today 
with


an ml system running pt 9.

Chris.
- Original Message -
From: "Gary Readfern-Gray" 
To: 
Sent: Monday, August 12, 2013 1:30 PM
Subject: Counter displays in PT 10?



Hey, is it me or do the counter displays not read in PT10? Is there
any way of knowing what bar I'm currently on?

So, if they are broken, what's the best way of creating a double
bridge sequence in my song?

So I get into shuffle mode and if I know where the bridge starts and
ends, numeric slash is my friend to create those selections to copy
each track right? But if I don't have those numbers? or is there just
a better way of doing this in tools?

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Re: Counter displays in PT 10?

[Juan Pablo]

And if you're under a NDA, why did you write this e-mail? Completely without 
sense.


-Original Message- 
From: Mark Gilland

Sent: Monday, August 12, 2013 5:22 PM
To: ptaccess@googlegroups.com
Subject: Re: Counter displays in PT 10?

I've tried 10 with Mavericks, yes, but being that Mavericks isn't officially
released, I'm on NDA thus can't disclose my findings.  Sorry.

Chris.

- Original Message - 
From: "Gary Readfern-Gray" 

To: 
Sent: Monday, August 12, 2013 3:58 PM
Subject: Re: Counter displays in PT 10?



OK, that will be it I'm on mountain lion. I didn't know there were
issues with pt and Mountain lion. So I guess I'll have to create a
lion partition then. Is that what you've done or have you just not
upgraded to Lion. Anyone tried any version of tools with Mavericks
yet?

On 8/12/13, Mark Gilland  wrote:
Again, as we've said, are you on Mountain Lion?  If so, that's why 
they're

not reading.  There are issues with pt 10 and ml.  Honestly, I wonder if
those issues exhibit with pt9 and Mountain Lion.

We shall know very very shortly as I'm about to be playing later today 
with


an ml system running pt 9.

Chris.
- Original Message -
From: "Gary Readfern-Gray" 
To: 
Sent: Monday, August 12, 2013 1:30 PM
Subject: Counter displays in PT 10?



Hey, is it me or do the counter displays not read in PT10? Is there
any way of knowing what bar I'm currently on?

So, if they are broken, what's the best way of creating a double
bridge sequence in my song?

So I get into shuffle mode and if I know where the bridge starts and
ends, numeric slash is my friend to create those selections to copy
each track right? But if I don't have those numbers? or is there just
a better way of doing this in tools?

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Re: protools11

[Juan Pablo]

Agree with you. I wish Slau’s efforts become ina reality of more accessibility 
in pt11.

From: Chris Gilland 
Sent: Sunday, April 07, 2013 10:24 PM
To: ptaccess@googlegroups.com 
Subject: Re: protools11

Wow, not bad!  I wonder as I said if the accessibility issues have been 
improved that all of us have been experiencing in OSX 10.8.

Chris.

  - Original Message - 
  From: Juan Pablo 
  To: ptaccess@googlegroups.com 
  Sent: Sunday, April 07, 2013 9:10 PM
  Subject: Re: protools11

  from version 10 US$299

  From: Chris Gilland 
  Sent: Sunday, April 07, 2013 9:47 PM
  To: ptaccess@googlegroups.com 
  Subject: Re: protools11

  This is incredible!  I just wonder if any of the accessibility issues have 
been addressed, and furthermore, I wonder how much it will cost for me to 
upgrade from version 10.

  Chris.

- Original Message - 
From: Juan Pablo 
To: ptaccess@googlegroups.com 
Sent: Sunday, April 07, 2013 8:33 PM
Subject: protools11

Introducing Pro Tools 11: The new standard for audio production.

Available May 28th. Preorder Now!

Pro Tools 11: Built for Speed and Performance
With a new 64-Bit architecture enabling more processing power and system 
performance, offline bounce, professional metering, mixing enhancements and 
integrated HD video editing and playback, the most powerful audio workstation 
just got more powerful.

Concise positioning statements:
While some competing audio production applications try to position 
themselves as professional, Avid continues to demonstrate its commitment with 
the launch of Pro Tools 11, listening to customer feedback to create software 
solutions that enable customers in the professional music and audio production 
market.

Unlike competing music and audio workstations that have a limited 
workflows, scope, hardware integration and scalability, Pro Tools is an 
end-to-end (complete) solution capable of taking you from conception to 
completion of the most demanding music and post audio productions add Pro tools 
9,10 positioning statement for customers upgrading.

64-Bit Re-Architecture and engine improvements
Uses more processors than previous versions and results in more host 
plug-ins and better system performance/stability.

Allows for use of expanded RAM system configurations. Bigger sessions with 
thousands of clips/files and better system performance and stability as well as 
bigger VI sampler sizes.

Allows for the system to dynamically adjust latency on a track-by-track 
basis.

Offers “dynamic processing” allocation. On a track by track basis, the 
improved engine can borrow processing back from plug-ins that are not currently 
being used in the sections where there is no audio.

Offline Bounce To Disk
Based on the ‘density and complexity’ of the session, allows bouncing a mix 
up to 150 times faster than real-time.

Unified Media Engine
UME is derived from the engine core of Avid Media Composer.

Playback and basic editing of HD Video on the timeline. Formats include 
Avid DNx compressions, QuickTime Formats, other AMA formats like P2 and XDCAM.

Satellite Link and Video Satellite LE Now Included
A former paid option, Satellite Link allows users to link multiple Pro 
Tools HD systems together.

Workspace Browser Improvements
With the 64 bit re-architecture, the workspace browser offers greatly 
optimized indexing, searching,relinking and field recorder performance.

Metering and Mixing Enhancements
Based on professional customer feedback – Pro Tools 11 offers 12 different 
metering types in both scales and ballistics. (Peak, Digital PPM, VU, BBC, 
Nordic, RMS, K-12, K-14, K20, A-Linear, EBU & DIN).

Co-Install of Pro Tools 10 & Pro Tools 11
Allows for users to install both versions on the same drive/partition. No 
rebooting the CPU and changing start-up drives to try Pro Tools 11. 

   

Features
•Full 64-bit Release
•Avid Audio Engine
•Offline Bounce
•Low Latency Buffer mode
•New integrated Avid Video Engine
•Redesigned Workspace
•Extended Metering (Pro Tools HD 11 only)
•UI Improvements/Retina Support
•Mixing Workflow Enhancements
•Automation While Recording
•Satellite Link/Video Satellite LE included (Pro Tools HD 11 only)
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Re: protools11

[Juan Pablo]

from version 10 US$299

From: Chris Gilland 
Sent: Sunday, April 07, 2013 9:47 PM
To: ptaccess@googlegroups.com 
Subject: Re: protools11

This is incredible!  I just wonder if any of the accessibility issues have been 
addressed, and furthermore, I wonder how much it will cost for me to upgrade 
from version 10.

Chris.

  - Original Message - 
  From: Juan Pablo 
  To: ptaccess@googlegroups.com 
  Sent: Sunday, April 07, 2013 8:33 PM
  Subject: protools11

  Introducing Pro Tools 11: The new standard for audio production.

  Available May 28th. Preorder Now!

  Pro Tools 11: Built for Speed and Performance
  With a new 64-Bit architecture enabling more processing power and system 
performance, offline bounce, professional metering, mixing enhancements and 
integrated HD video editing and playback, the most powerful audio workstation 
just got more powerful.

  Concise positioning statements:
  While some competing audio production applications try to position themselves 
as professional, Avid continues to demonstrate its commitment with the launch 
of Pro Tools 11, listening to customer feedback to create software solutions 
that enable customers in the professional music and audio production market.

  Unlike competing music and audio workstations that have a limited workflows, 
scope, hardware integration and scalability, Pro Tools is an end-to-end 
(complete) solution capable of taking you from conception to completion of the 
most demanding music and post audio productions add Pro tools 9,10 positioning 
statement for customers upgrading.

  64-Bit Re-Architecture and engine improvements
  Uses more processors than previous versions and results in more host plug-ins 
and better system performance/stability.

  Allows for use of expanded RAM system configurations. Bigger sessions with 
thousands of clips/files and better system performance and stability as well as 
bigger VI sampler sizes.

  Allows for the system to dynamically adjust latency on a track-by-track basis.

  Offers “dynamic processing” allocation. On a track by track basis, the 
improved engine can borrow processing back from plug-ins that are not currently 
being used in the sections where there is no audio.

  Offline Bounce To Disk
  Based on the ‘density and complexity’ of the session, allows bouncing a mix 
up to 150 times faster than real-time.

  Unified Media Engine
  UME is derived from the engine core of Avid Media Composer.

  Playback and basic editing of HD Video on the timeline. Formats include Avid 
DNx compressions, QuickTime Formats, other AMA formats like P2 and XDCAM.

  Satellite Link and Video Satellite LE Now Included
  A former paid option, Satellite Link allows users to link multiple Pro Tools 
HD systems together.

  Workspace Browser Improvements
  With the 64 bit re-architecture, the workspace browser offers greatly 
optimized indexing, searching,relinking and field recorder performance.

  Metering and Mixing Enhancements
  Based on professional customer feedback – Pro Tools 11 offers 12 different 
metering types in both scales and ballistics. (Peak, Digital PPM, VU, BBC, 
Nordic, RMS, K-12, K-14, K20, A-Linear, EBU & DIN).

  Co-Install of Pro Tools 10 & Pro Tools 11
  Allows for users to install both versions on the same drive/partition. No 
rebooting the CPU and changing start-up drives to try Pro Tools 11. 

 

  Features
  •Full 64-bit Release
  •Avid Audio Engine
  •Offline Bounce
  •Low Latency Buffer mode
  •New integrated Avid Video Engine
  •Redesigned Workspace
  •Extended Metering (Pro Tools HD 11 only)
  •UI Improvements/Retina Support
  •Mixing Workflow Enhancements
  •Automation While Recording
  •Satellite Link/Video Satellite LE included (Pro Tools HD 11 only)
  -- 
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"Pro Tools Accessibility" group.
  To unsubscribe from this group and stop receiving emails from it, send an 
email to ptaccess+unsubscr...@googlegroups.com.
  For more options, visit https://groups.google.com/groups/opt_out.
   
   

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Tools Accessibility" group.
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