even found a fifth one: native
yep. no doubt. another ben sims label besides hardgroove, theory and
symbolysm.
two releases so far.
the party you are speaking of in chicago will have dj rush 'vs' steve
bicknell on april 1
http://www.dusttraxx.com/events.html
we will see exactly what arrangement is made as far as turntables. i
wouldn't hold my breath. most of the 4-tt sets i've heard have been
sort of disappointing...not
Date: Tue, 21 Mar 2000 15:13:57 -0500
From: Martin Rozee [EMAIL PROTECTED]
Subject: Re: (313) killabite
Stewart Moroney wrote:
Yes Killabite is Ben Sims.
Are you sure its not Robert Jarvis? I came across two guestbook entries
at tronicmusic.com...
Hi all,
Killabite is actually Rob;
He
Bicknell uses a CD player.
Um, I am not a gambling type, but I think DJ Rush will be the clear champ.
Cheers
C
we will see exactly what arrangement is made as far as turntables. i
wouldn't hold my breath. most of the 4-tt sets i've heard have been
sort of disappointing...not much different
I'm looking for tracklistings for the Jazz in the House series, any or all
of 'em.
Is there a Slip 'n Slide website or some other online resource for S'nS
releases?
Thanks.
Respect
JasonB
Here's the track listing for the 3 cd set Jazz in the House 2, which is I think
volumes 4, 5, and 6 of the original series.
Disc 1 (mixed by Phil Asher)
The Colour Funky - Peach Melba
Aphrodisiac - Just Before the Dawn
Jerald Daemyon - Summer Madness
Blak N Spanish - Jazz Powa
Tokyo Offshore
I can spill out the listing for the first 3 volumes, as that's where I
stopped. Not that the other ones aren't good, it's just different
priorities, I guess...
Volume 1:
1. 95 North - Get Your Mind Together
2. Soulboy - Harmonica Track
3. DC Track Team - Bassline
4. Deep Aural Penetration - Into
bill, there was supposed to be a csm 3 featuring
tobler, but i don't think it ever happened. andrew duke
William VanLoo wrote:
Well, I hit Record Time last night and came away with a couple of
gems.
.CSM-2 by Kevin Tobler (CSM): Is this Serotonin sublabel still
running? I haven't been able
After receiving this gem today, i can confidently
say that this is another fine release by those folks
in New Zealand. Michael Upton and Bevan Smith
form the duo, Patio. You may recognize their work
on the (limited) Involve compilation from 1999. They've
both released material on Involve in
Craig Gonzalez [correct spelling] will be stepping up to the decks tonight at
Emerald Nights.
Emerald Nights is a weekly electronic event featuring local and international
talent. We've got some BIG things planned for this summer so keep your eyes
peeled and your ears unwaxed. For information
BR05 - NEON LIGHTS ALL IN MY MIND EP
including the instant classic Funk-U-up
Produced by Matt M1 DiMaria
US /Matt Di Maria is the first canadian artist to be
released on Brique rouge.
He's well known for his label Jinxx records and for
his projects like M1 (the
smash hit EF2000
In a message dated 22/03/00 5:23:46 [EMAIL PROTECTED] writes:
Perlon is it's own label based in Germany (Koln and Berlin). We had them
place for us in September and have them again doing 3 live sets near the
beach in Santa Cruz next Month. Their main artists are Markus Nikolai,
Pantytech
That explains why Ben wasn't to keen on talking about Killabite in the
interview I did with him for Bassic Groove magazine (Holland). He stated he
didn't really want to release the Killabites, but the demand was too big to
ignore. I'll dig up that part of his answers tonight at home and forward
John,
The User series is done by a guy named Richard Harvey as far as I know, and
I only found this out from the 'Decks Fx 909' sleeve.
I know absolutely nothing about him other than his name.
Anyone else?
Nick
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Get Your Private, Free
Greetings All,
I was up in D-town this weekend, and of course had to visit record time for a
while. I just wanted to drop a line to let everyone know that Fred's
telepathic label is very well represented there at the moment. I was rather
suprised to see how much of the early releases they
Prompted by the coming release of the movie Groove, today's New York Times
has a comparatively well-done article on electronic music, with separate
pages explaining the differences between techno, house, drum'n'bass, trance,
and big beat. Admittedly, nobody here's going to learn *too* much --
yep. no doubt. another ben sims label besides hardgroove, theory and
symbolysm.
invisible wrote:
even found a fifth one: native
AFAIK the UK-based Native label (not to be confused with the Italian electro
label) is a sub-label of Pure Plastic.
~Askew
Trance is basically house
music (it's sometimes
referred to as epic or
progressive house), but
with an emphasis on
hypnotic rhythms
i've looked and looked.. apparently richard harvey info does not
exist. at least no one seems to know of any. drexciya of the
tracky-loop world...
At 10:31 AM + 3/22/00, Nick Craddock wrote:
John,
The User series is done by a guy named Richard Harvey as far as I
know, and I only
yeah it would seem that the whole fight is over.BMG dropped the second
rip off..
THE FIGHT IS NEVER OVER..
Hi,
I'm afraid that all I can add to this is that one of the guys in Smallfish
reckoned User was from the Birmingham area (if memory serves correctly).
Nick Craddock wrote;
The User series is done by a guy named Richard Harvey as far as I know, and
I only found this out from the 'Decks Fx
Speaking of Birmingham, does anybody know if Karl 'Regis' 'O Connor has an
e-mail adress? I haven't heard of him for a long time and I would like to
contact him again. Thanks in advance!
John
Hey Alan, maybe you know this; Karl did a rework on one of your releases
didn't he? I believe it was
i remember that i read an article in german groove magazine about sims a few
months ago and there native was mentioned as a sub label of theory. also
sonicgroove tells the same
AFAIK the UK-based Native label (not to be confused with the Italian
electro
label) is a sub-label of Pure Plastic.
i remember having read an article in german groove magazine about sims a few
months ago and there native was mentioned as a sub label of theory. also
sonicgroove tells the same
AFAIK the UK-based Native label (not to be confused with the Italian
electro
label) is a sub-label of Pure Plastic.
If house is the dance music that celebrates humans, techno is the genre
that praises machines -- banging, soulless or relentless are words
that techno DJs might be proud to have associated with their sets.
-nytimes
h
__
Get Your Private,
...seems like a good 'first baby steps' kinda article. my only beef is that
the author decided on Basement Jaxx as the highlight artist for house...IMO
Basement Jaxx's tracks have less soul in their pinkie finger compared to the
likes of KDJ, Terrence Parker or even the early Jon
Any reviews of this the new G-flame and Mr G 12 on moods and grooves?
The recent double pack from the g-men (flight of the phoenix?) definitely gets
2 hands waving in the air from me. And considering the amazing back catalogue
of mg, I'm looking forward to this release.
Last night's
309 Productions proudly presents:
THE TRACKMODE RECORDINGS TOUR
with DJ's
BRETT DANCER - NEW YORK CITY - founder of Trackmode
MIKE CLARK a.k.a AGENT X - DETROIT - Trackmode, Planet E
NORM TALLEY - DETROIT - Trackmode
DANNY - LANSING - 309 Productions
JAYME J - LANSING - AudioArt
This party
In a message dated 3/22/00 11:58:19 AM Eastern Standard Time,
[EMAIL PROTECTED] writes:
Not to mention, with all due respect to Mr.Hawtin, there
are OTHER detroit techno artists besides the said 4 and
him...coughAlanOldham...and others that its about time people learned about.
I think
Have you been able to verify that BMG dropped the second ripoff or
are they just holding onto it until the heat dies down.
Until I see a posting from Cornelius indicating the BMG have
provided UR with the publishing rights to the new version, I would
say that this fight is not over. Plus , I
In a message dated 3/22/00 12:53:23 PM, [EMAIL PROTECTED] writes:
BUT this brings up
the fine topic of why Mr. Hawtin is mentioned as the pioneer. Not to take
away from Mr. Hawtin, but is it perhaps because he's white?
Or it could have something to do with the fact that he has a publicist who
BUT this brings up the fine topic of
why Mr. Hawtin is mentioned as the pioneer.
you know, wouldn't Carl Craig or Mad
Mike be a more appropriate choice?
Spot-on. Carl Craig would be the natural choice from all angles: as a
musical pioneer, as someone with underground cred, as someone
I have to totatly agree here, many people start in scene almosts clueless
to what has happend before, and jumping on the bandwagon of a famous Dj
playing at the time, people don't realize that the history goes way back,
and Detroit has been shaped from the begining by people with soul...I have
here's a post by the author of the nyt times article (it was found on a nyc
music related list)
-Original Message-
From: Bill Werde [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 22, 2000 12:55 PM
To: [EMAIL PROTECTED]
Subject: a little favor to ask
hello,
it's bill, who you
But does Carl want to be called a techno artist? I had the impression he
didn't want to be.
C
Spot-on. Carl Craig would be the natural choice from all angles: as a
musical pioneer, as someone with underground cred, as someone who hasn't
deserted the dancefloor, and most importantly (for NY
I gotta take a chance to defend Richie Hawtin here.
First, maybe he was not as much of an originator or innovator as some other
maybe less mentioned detroiters, but he brought the sound to a new audience.
He was, for many, a doorway into the world of eletronic dance music. How many
ppl do you
I would suggest everyone read Techno Rebels for interesting commentary on
Richie Hawtin's place in the evolution of Detroit techno. In fact, the
author could have taken that as a starting point.
Tristan
==
PHONOPSIA[EMAIL PROTECTED]
On Wed, 22 Mar 2000, Joseph Ross Lynn IV wrote:
I gotta take a chance to defend Richie Hawtin here.
First, maybe he was not as much of an originator or innovator as some other
maybe less mentioned detroiters, but he brought the sound to a new audience.
He was, for many, a doorway into the
In a message dated 3/22/00 11:58:52 AM, [EMAIL PROTECTED] writes:
If house is the dance music that celebrates humans, techno is the genre
that praises machines -- banging, soulless or relentless are words
that techno DJs might be proud to have associated with their sets.
-nytimes
h
Okay, everyone got a chance to express annoyance with Dave Clarke and his
electro no-show on his electro boogie tour. I happened to have not learned
from my first mistake w/K7 sponsoring DJ's to promote their wares, and went
and saw Andrea Parker too. Her track selection was okay if you love
lks wrote
A caveat. I haven't listened to Hawtinknow who he is, but wouldn't
know his music at all if I heard it.
I can understand why you would want to defend him. From what I've heard
of him, he isn't bad. However, it's important that you don't go too far
with this. You argue
wrong
The reason I'm not sure
that I buy this is because techno had already made the leap to Europe
before Hawtin blew upand when it made its way back in the form of rave
music, it seems to me that Hawtin got caught up IN that scene
__
Date: Tue, 21 Mar 2000 15:13:57 -0500
From: Martin Rozee [EMAIL PROTECTED]
Subject: Re: (313) killabite
Stewart Moroney wrote:
Yes Killabite is Ben Sims.
Are you sure its not Robert Jarvis? I came across two guestbook entries
at tronicmusic.com...
- ---
Name:
'loop' ,'f.u.'--mental(as was the saying at the time) tracks that did major
dancefloor damage back in the day. nuff said.
In a message dated 3/22/00 11:09:10 AM, [EMAIL PROTECTED] writes:
Hey Alan, maybe you know this; Karl did a rework on one of your releases
didn't he? I believe it was a 10 inch, but I can't remember the title. If
I'm not mistaken there was a remix by the Advent as well on that one. Just
to
can someone tell how some of j.burgers older tracks compaire to some of his
newer tracks on popular
also does anyone have a contact for SALZ
ryan
__
Get Your Private, Free Email at http://www.hotmail.com
It's almost annoying to see so many posts on a lame ass NY Times article.
We all have noticed how utterly retarted the Rave scene has become (or
always was in my opinion). But Techno (and all ther sub-genres because I
refuse to use that god forsaken Electronica word) in general is now an
Saturday March 25th
TrooSkool
Spencer Kinsey aka GEMINI distance, planete, relief, peacefrog
chicago/sanFran
@ 219 2nd Ave btwn 13th and 14th, east village, nYC
peace...
viKas
FOUNDATION
ps. new traxx real audio set is working now along with a set from FOUNDATION
resident kimyon...more to come as
On Wed, 22 Mar 2000, mitch buchannon wrote:
wrong
The reason I'm not sure
that I buy this is because techno had already made the leap to Europe
before Hawtin blew upand when it made its way back in the form of rave
music, it seems to me that Hawtin got caught up IN that scene
Wait a
would that have been Journey through the hardcore? where, during moby's set
the lasers spelled out RAVE and i believe i recall him chanting come on rave
over his hideous music
peace,
holly
Lester Kenyatta Spence [EMAIL PROTECTED] on 03/22/2000 02:43:04 PM
yeah...journey to the hardcore.
when me and my wife got there, the wizard was spinning. we hadn't heard
him in a while.so we wanted to chill in the techno room first. but
the vibe was s different and really alien to us that we quickly
jetted into the house room. where we grooved
alright,
now, does anyone know who's behind the 2 invasion records?
mike
Well, quite frankly, (at least in the US) the music doesnt
get paid attention to unless it is made accessible to
a wider audience/reading that to be whites
just look at the evolution of rhythm and blues and
hip hop for example (and the money-making aspects
of those too)
Jim J.
-
To: [EMAIL PROTECTED]
From: [EMAIL PROTECTED]
Date: Wed, 22 Mar 2000 12:37:52
Subject: RE: (313) soulless?
From: .. - [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: (313) soulless?
Date: Wed, 22 Mar 2000 16:57:36 GMT
If house is the dance music that celebrates humans, techno is the genre
Um, I am not a gambling type, but I think DJ Rush will be the clear champ.
I second this 'Um' check out my review of bicknell's perth performance at
http://dissonance.space.net.au/ nothing too exciting.
Dissonance
__
Get Your Private, Free
Not sure if I can agree with you on that one. Any type of music can get
attention by simply appealing to a specific demographic group. See:
Teenage girls, Asian-Americans, Latinos, hillbillies, ad infinitum. Perhaps
some media would lead one to believe that the only MEANINGFUL demographic
I don't see what all the bother here is about. After all, the article
classifies the Chemical Brothers as big beat, so isn't that progress?
Frankly, the article is maybe a little above average for city newspaper
coverage of electronic music.
As for the ever-lasting Richie Hawtin: boon or bete
Not sure if I can agree with you on that one. Any type of music can get
attention by simply appealing to a specific demographic group. See:
Teenage girls, Asian-Americans, Latinos, hillbillies, ad infinitum. Perhaps
some media would lead one to believe that the only MEANINGFUL demographic
didn't mills call himself wizard around '88, '89 ? did you mean him or is
there someone else with this name?
yeah...journey to the hardcore.
when me and my wife got there, the wizard was spinning. we hadn't heard
him in a while.so we wanted to chill in the techno room first. but
the vibe
On Wed, 22 Mar 2000, invisible wrote:
didn't mills call himself wizard around '88, '89 ? did you mean him or is
there someone else with this name?
yep. there can be only one.
lks
Disco D - Ghettronics
60 minutes of pure uncut Detroit ghetto funk
listen online at rtsp://www.gtirecordings.com/discodmix1.rm
to order, send email to [EMAIL PROTECTED]
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