I have a copy of this, will try to get it up somewhere in mp3 format if
anyone is interested.
Let me know.
lk
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: Thursday, December 19, 2002 12:26 PM
> To: kenneth taylor
> Cc: 313@hyperreal.org
> Subject: Re:
Does anyone out there know of an internet source for downloading DJ mixes by
Darryl Wynn. I saw him
in Manchester, UK about 5 years ago - brilliant; phat
and funky.
Chris.
Ignition 2003 and VIP Preview Tickets Now on Sale! After more than a year in development, Techno Detroit's Gift to the World is nearly ready to open at the Detroit Historical Museum. Techno tells the fascinating story of this internationally known born-in-Detroit music genre, based in electronic t
And while we´re at it...
I know I asked this one once before, but since I got no response at that
time and since it means a lot to me, I can ask just one more time, can´t I?
what´s this particular track:
http://www.morthenkiang.com/samples/derrickatdemf20008.ram
Sorry to waist some more bandwit
> Can anyone out there help me ID the track which
> Derrick May plays 25 minutes into his DEMF 2000
> mix. It's a really funky track with latin vocals. He's
> been playing it for years.
EH?
do you mean the first part...
at 25 minutes he is mixing
"hayden andre - tribal life (org. hardcore tri
- Original Message -
From: "Jayson B." <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Thursday, December 19, 2002 3:32 PM
Subject: Re: (313) ableton live 2 beta 2 out (public)
>
>
> >I agree with fred here, also, I pack nearly 500 sounds into my PAs and
> >although I have an idea of w
I agree with fred here, also, I pack nearly 500 sounds into my PAs and
although I have an idea of which sounds go best together, I try to avoid
arranging my PAs in any order.
ah. i disagree whole heartedly. i feel too many pa's do it this way, and
it begins to feel like "here's this sound
> Because techno music is tightly bound to
> science and futurism, the techniques for performing it are always
> going to seem alien to the vast majority of people . .
alien or extra sexy.
depends on your point of view. :)
-Joe
on 12/19/02 1:26 PM, Cyborg K at [EMAIL PROTECTED] wrote:
> Maybe techno producers who do live PAs should break down and take a couple
> keyboard lessons?
Part of the appeal of techno is it's all about composing and producing
tracks utilizing technology.
Why do techno producers have to be pressur
I agree with fred here, also, I pack nearly 500 sounds into my PAs and
although I have an idea of which sounds go best together, I try to avoid
arranging my PAs in any order.
I do live sampling in some PAs where I will sample and resample to both
bounce audio out with fx or to nearly double the co
Can anyone out there help me ID the track which
Derrick May plays 25 minutes into his DEMF 2000
mix. It's a really funky track with latin vocals. He's
been playing it for years.
Thanx,
Trainspotter
(aka Chris)
Last week on "Invisible Cracker Mom":
KJJ> I never played on stage with a guitar but i always wondered why
KJJ> people say that as soon as a band uses guitars, drums, sax etc. it is
KJJ> considered more live then some guy who is working the hell out of a
KJJ> bunch of electronic equipment? I ne
I never played on stage with a guitar but i always wondered why
people say that as soon as a band uses guitars, drums, sax etc. it is
considered more live then some guy who is working the hell out of a
bunch of electronic equipment? I never understood why repeating a
guitar riff for 4 minutes i
Actually that's a really interesting point... I've actually decided I need
to add a second keyboard player to my solo live PA for that reason, so that
I can be free to either play OR tweak, or he can tweak if I need both hands.
A MIDI foot pedal would help too. If you are quick though it is possi
>>anyone go to farina?
>>how was it?
>>were there people there?
>>t-1000 rocked it, but he always does.
Check
http://www.detroitluv.com/index.php?board=3;action=display;threadid=4211
...for a bunch of reviews. I understand it was packed.
hello boys.
Hey, many thanks for the nice and kind words.
I'm glad you like it
Cheers, Arne (really happy now!)
"Samu Eilola" <[EMAIL PROTECTED]> schrieb:
>
>
> agreed. old schoolish detroit style melancholy.
> great EP.
>
> s.
>
>
>
> > jus wanna say what a pleasure it was
Well, I consider the art of arranging as the art of the Live PA. Whether it
be using traditional samplers and sequencers or a Laptop with Ableton live
on it. I've done it both ways. I don't think the audience really cares as
long as they like what is coming out of the speakers whether or not you
on 12/19/02 8:57 AM, Stephen Kelly at [EMAIL PROTECTED] wrote:
> previously..
>
>>> i can't help but think it all went downhill once he'd gone..
>
>> Well you have to be A Guy Called Gerald fan to make a comment like that.
>> How can you downplay Exel?
>> Especially people who lived through that
Maybe techno producers who do live PAs should break down and take a couple
keyboard lessons?
Carl Craig played some live keys when I saw his live PA, I think it was as
Paperclip People.
and i found everytime he touched the keys i got bored. the thing is,
playing full 'live' or not, when you
I didn't go to either. But the t-1000 thing was barely promoted at all.
Plus after Richie I doubt too many people wanted to go there. And Farnia
was packed from what I hear.
Kevin
- Original Message -
From: "::)" <[EMAIL PROTECTED]>
To: "Dennis Donohue" <[EMAIL PROTECTED]>; <313@hyperrea
Maybe techno producers who do live PAs should break down and take a couple
keyboard lessons?
Carl Craig played some live keys when I saw his live PA, I think it was as
Paperclip People.
/dave
-Original Message-
From: Dennis DeSantis [mailto:[EMAIL PROTECTED]
Sent: Thursday, December 19, 2
- Original Message -
From: "Matthew MacQueen" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Cc: "Tristan Watkins" <[EMAIL PROTECTED]>
Sent: Thursday, December 19, 2002 6:10 PM
Subject: RE: (313) plastikman live
> Hearing a CD of a show is second best to actually being there, sure.
Mills Liv
anyone go to farina?
how was it?
were there people there?
t-1000 rocked it, but he always does.
- Original Message -
From: "Dennis Donohue" <[EMAIL PROTECTED]>
To: "'::)'" <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Thursday, December 19, 2002 1:08 PM
Subject: RE: (313) t-1000 in the
> Most importantly it can educate those of us that were too young to
> enjoy it the first time, and there is nothing wrong with that. If anyone
> here is a trance-hating anti-archivist, I challenge you to exmine what
> choice you're giving kids to find the real deal.
I totally understand your argu
Mark Farina was at Alvins last night as well...
I'm sure there aren't enough wednesday night clubgoers to fill both events.
Dennis
-Original Message-
From: ::) [mailto:[EMAIL PROTECTED]
Sent: Thursday, December 19, 2002 1:07 PM
To: 313@hyperreal.org
Subject: (313) t-1000 in the d last ni
man what the hell happened?
we left at 130 am and there were MAYBE 15 people there?!?
this is a total shame, he was spinning great tracks and I felt bad for him
looking out to see about 10 people, 7 of which were just standing there.
I thought that place would be packed since school is out for m
Clinically Inclined
13 December 2002
9:30pm - 12:30am CST
live stream www.wnur.org during showtime / 89.3 FM in Chicago
9:30 - 11:00pm >> M. MacQueen
Nieux - Psyui (Iridite)
Damon Lamar - Rising Sun (Tetrode)
Blacktroniks - Raindrops [Mike Grant remix] (Moving)
Gus Gus - Ladyshave [Biggi's Mega
> hi folks. anybody know if that "hope" cat has done anything recently
> under the "envoy" or "st. vitus dance" monikers? i was just spinning
> his "coming of age" EP... brilliant tracks.
... wait, is this the same "Hope" who did that "Tree Frog" track, around 1993 ?
"Muzik Magazine & BBC Radio1 Present One Live" cat no: MUZIK BBC 99
contains 'Plastikman - PP001', recorded on the John Peel show 14 July,
1994
pretty sure this was included with a Muzik mag so i have no idea if you
can still get it
On Thursday, December 19, 2002, at 08:56 AM, kenneth taylo
He was working on some new tracks with Ewan Pearson [Maas] and he's been in
the studio a lot with Mark Broom and Dave hill too..
Some really good tracks being done from what I've heard. There was supposed
to be a new Envoy album on soma soon as well.
eamonn / D1 - Dublin
- Original Message --
there's a nice live Plastikman Peel Session and i think a track or two is
available on an older Muzik magazine comp. can't quite recall offhand. it's
out there though
ken
_
MSN 8 with e-mail virus protection service: 2 months
I think that has been established in the first post
-Original Message-
From: Wibo Lammerts [mailto:[EMAIL PROTECTED]
Sent: Thursday, December 19, 2002 4:02 PM
To: '[EMAIL PROTECTED]'; 313@hyperreal.org
Subject: RE: (313) [313] envoy / st. vitus dance.
Hope IS Envoy.
W
-Original Mes
Hope IS Envoy.
W
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: donderdag 19 december 2002 16:04
To: 313@hyperreal.org
Subject: (313) [313] envoy / st. vitus dance.
hi folks. anybody know if that "hope" cat has done anything recently
under the "envoy" or "
with my current financial status in mind, and the fact that there's usually
not much going on in record stores between christmas and the new year; it's
safe to say i won't be buying any new records this year [apart from that
'coloured section' lp i guess], so i can safely post my top 2002!
a
hi folks. anybody know if that "hope" cat has done anything recently under
the "envoy" or "st. vitus dance" monikers? i was just spinning his "coming of
age" EP... brilliant tracks. i'm hungry for more of his work. any thoughts?
peace,
lrh
previously..
i can't help but think it all went downhill once he'd gone..
Well you have to be A Guy Called Gerald fan to make a comment like that.
How can you downplay Exel?
Especially people who lived through that era.
i am a guy called gerald fan - hands up.. but i'm also old enough to h
If a live recording sounds good why not release it?
Music is only sound waves that is processed into an electronic signal in
your brain which triggers an emotional response.
I often find that a mediocre techno artist sounds better live because they
give their master recordings in the studio a polis
::) wrote on Wed, 18 Dec 2002 about following:
> 3.) new stretch routines and the ability to turn stretching off (greatly
> increasing sound quality)
whoah, thats great. i hope they can make the timestretch better, because
it's sounds even worse than what was in Sound Forge 3, MANY years ago.
t
Even stranger when the new Dark Energy is what Rolando finishes his second mix CD with ;-)
(wish they had been able to keep the Scarface sample of the vinyl though)
Cheers
BT
>
>aint it strange when two threads collide...
>
>that would be midnight sunshine, which (and not just 'cause Rolando
aint it strange when two threads collide...
that would be midnight sunshine, which (and not just 'cause Rolando did it)
is one of my favourite tracks to end a set with. The new Dark Energy is
pretty awesome and all.
-s
i always loved the double pack james had on UR with witch doctor and the
agreed. old schoolish detroit style melancholy.
great EP.
s.
> jus wanna say what a pleasure it was listening to this twelve. quality stuff
> arne. relaxing ambient techno.niceness. highly recommended.
>
> out
>
>
>
> Get 25
jus wanna say what a pleasure it was listening to this twelve. quality stuff
arne. relaxing ambient techno.niceness. highly recommended.
out
Get 25MB of email storage with Lycos Mail Plus!
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Kent williams wrote:
I still don't know how to make a live electronic set truly dynamic. My
solution is to improvise it all live with live loop sampling.
You have to embrace and work with the fact that there's only so "live" a
live PA is going to get. The reason for this comes down to the
Doesn't this make us lovers of all things 313, kind of 'neo-mods?'
Just a thought ;o)
k
>-Original Message-
>From: Rob Theakston [mailto:[EMAIL PROTECTED]
>Sent: Wednesday, December 18, 2002 5:59 PM
>To: [EMAIL PROTECTED]; 313@hyperreal.org
>Subject: RE: (313) Motown/Northern Soul/Detroit
Well, I think Stewart's animus against laptops is that most laptop performances
involves people staring at computer screens -- i.e. zero charisma, and in
some cases, people doing absolutely nothing truly live. I've seen my share
of people doing 'live' sets with the equivalent of Winamp.
Stewart's
that's from the sickness/panikattack cd single and yes they were taken
from Spastik
On Wednesday, December 18, 2002, at 06:57 PM, JMG wrote:
I picked up an MP3 of "Slak and Kriket" live somewhere, I'm not sure
if it
was from the set at Spastik or not... mostly what I remember from the
set at
i saw this book in a bookshop on the weekend.
http://www.amazon.com/exec/obidos/ASIN/3908247519/ref%3Dnosim/idjn-20/102-28
53008-4711313
it was quite pricey - about $90AU - but it is very nice - quality paper &
printing. anyway it seems quite interesting, most of the DJs profiled are
pretty good
- Original Message -
From: "Matthew MacQueen" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Cc: <[EMAIL PROTECTED]>; "::)" <[EMAIL PROTECTED]>
Sent: Wednesday, December 18, 2002 11:58 PM
Subject: RE: (313) plastikman live
> I can respect the artist who takes that position. You can't re-crea
so ive never been impressed with richie as a deejay, even with the
909 efx final scratch kitchen sink and your grandma thrown in.
however, i still love his production as plastikman. is he ever
gonna do like plastikman sets again? id definitely love to see that.
tom
_
I picked up an MP3 of "Slak and Kriket" live somewhere, I'm not sure if it
was from the set at Spastik or not... mostly what I remember from the set at
Spastik was choking on Mace.
Let's hope the hermetic seals hold though, if the tapes of the first Lodge
Party were leaked it could destroy society
Pardon my opinion,
I don't find Marc's latest creation to be very 313 in the slightest way
especially after so many people proclaimed his classic attempts to be
regulatory submissions of Mr. Pennington's rather ingenious* nocturnal diary.
The desired effect is created and lavished upon with
S P A M time... :>
This Thursday, 18 December 2002:
A Taste of Honey at
PANACEA
Congress & Shelby, Downtown Detroit
with residents Mike Clark, Mike Geiger,
and special guest [yours truly]
Todd Sines // Planet E, Peacefrog, Seventh City, Residual
I'll be playing a selection of new material in the
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