Well it's been a couple of months now, but the server at
L'Electrique.com has finally been fixed allowing me to do a show.
Download the archive from my site www.gerald-matrix.com/equinox.html
...if you're so inclined. Just ignore the comments I make about the
sound dropping out for a bit -
That should be:
http://www.gerald-matrix.com/equinox.htm
Gerald wrote:
Well it's been a couple of months now, but the server at
L'Electrique.com has finally been fixed allowing me to do a show.
Download the archive from my site www.gerald-matrix.com/equinox.html
...if you're so inclined.
maybe I misunderstand you, but its OK for mills to go on and on and on about
what is basically 4/4 bangers, while hawtin (who IS innovating and changing
sound through the years) is looked on as getting a bit too wanky?
please correct me (respectfully) if I misunderstand you
- Original
[known as Detroit's Rich Medina]
Is Rich Medina's style really that distinct? The sets I've heard seem like
an interesting blend of soul, house and r+b mixed well together, but
nothing that a ton of local jocks aren't doing in most cities.
-- Original Message --
From: /0 [EMAIL PROTECTED]
maybe I misunderstand you, but its OK for mills to go on and on
and on about
what is basically 4/4 bangers, while hawtin (who IS innovating
and changing
sound through the years) is looked on as getting a
To view the terms under which this email is distributed, please go to
http://disclaimer.leedsmet.ac.uk/email.htm
Anyone catch a listen to the Plaid remix of Scorpio from their compilation.
It sounds tough, sheets of electro bass busting the speaker. The tension
just builds and builds.
I've
Glad you like Paul!!!
Thats a pretty strong compliment there!!
Hey - send me that track...
(and tell me about the warehouse)
: )
On Fri Nov 12 5:13 , '/0' [EMAIL PROTECTED] sent:
maybe I misunderstand you, but its OK for mills to go on and on and on about
what is basically 4/4 bangers, while hawtin (who IS innovating and changing
sound through the years) is looked on as getting a bit too wanky?
please correct me
1) Sorry about that last post, it was supposed to be a private one
OK, on with the post:
One of my favourite mixes of the year came from this site, and it was
Harvey, live in San Diego. Beautiful trippy downtempo s**t. Really blissed
out. Just a cd that always put me in a good mood.
Today
Cheers for that link Alex - my Friday is now a happier one.
Not 313 either but lots of fantastic music here:
http://www.sixmillionsteps.com/
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Friday, November 12, 2004 10:04 AM
To: 313@hyperreal.org
Subject: (313)
Wotcha list...
It's John Peel's funeral today, tip him a nod and play something
loud
Martin
wouldnt you rather just listen to the liquid liquid track instead?
White lines is just a good sing-a-long tune!
Time to get your hands on the Spinal Tap DVD...
Gwendal
-Message d'origine-
De : [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Envoyé : Thursday, November 11, 2004 6:05 PM
À : 313@hyperreal.org
Objet : RE: (313) These Go up to 11
I want to join in, but my stereo volume only goes up
Wotcha list...
Hello Martin
It's John Peel's funeral today, tip him a nod and play something
loud
Can't play anything loud, but I've took my hat off.
A sad day. RIP Mr Peel. You'll be sorely missed. I can't think of anyone
that made a greater contribution to independent music in this
Yeah, love that Sabres track as well, maybe I prefer Inter-Lergen though.. Re,
Orbital, I guess you're talking about the Belfast/Wasted mix that's something
like 10 minutes long ?
Gwendal
-Message d'origine-
De : KiDD*e* [mailto:[EMAIL PROTECTED]
Envoyé : Wednesday, November 10,
Hi Folks.
Sorry to ask this here. I honestly don't know who else to ask. And you're a
very knowledgeable bunch.
So, first off a confession. (I don't feel good about this btw, I know it's
wrong)
I have been using a copy of Ableton Live for the past 6 months. Let me just
defend myself. A friend
ermmm NO - because you can't like save - unless you are planning to
turn up early and beat match and set your settell me if you are
Alex I'd like to watch
On 12 Nov 2004, at 13:56, [EMAIL PROTECTED] wrote:
Hi Folks.
Sorry to ask this here. I honestly don't know who else to ask. And
Hmmm... if Alex already has all the meta-files (the .asd ones with
the same names as the .wav files), then that's not an issue. I recently
had the demo of Ableton 4 and was using my WAV collection with no problems.
(I bought it after ten minutes - it's a huge leap forward from 3. But
wasn't so
unless of course you have all the .asd files with all the warping set
from your previous 'trial' version
On Fri, 12 Nov 2004 14:00:52 +, Martin Dust [EMAIL PROTECTED] wrote:
ermmm NO - because you can't like save - unless you are planning to
turn up early and beat match and set your
Did this very late last night... the levels are all over the shop, the
mixing disappears into non existance with fading in and out taking over
.. it's recorded too low but hey..i like it..it has a kind of san
francisco meets detroit with abit of acid thrown in for good
measureeverything is
ermmm NO - because you can't like save - unless you are planning to
turn up early and beat match and set your settell me if you are
Alex I'd like to watch
Yeah, but you can use files that are already marked down right?
I always start with a blank screen. Only things that are saved are
you might want to record it all to the timeline so that you have the
raw stuff for tweaking and rendering later maybe...
On Fri, 12 Nov 2004 14:09:45 +, [EMAIL PROTECTED]
[EMAIL PROTECTED] wrote:
ermmm NO - because you can't like save - unless you are planning to
turn up early and beat
In recent years, Radio 1's policy when changing an important show has
been to hire a temporary stooge to stand in. They take the heat for a
month or two and then the saviour is brought in.
DJ Da Bank to fill John Peel slot
http://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/3992703.stm
yup - he's even been seen on stage with the Chicks (and it wasn't too good),
something like 15 months ago.
Gwendal
-Message d'origine-
De : [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Envoyé : Wednesday, November 10, 2004 10:45 PM
À : '313'
Objet : (313) Cristian Vogel vs. Detroit
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 12 November 2004 14:10
So, what would I need to save I guess is my question?
Apart from when I use it to do re-edits or new tracks,
the only times I save things in Ableton is when I want
to set up a blank
At 08:56 AM 11/12/2004, [EMAIL PROTECTED] wrote:
Do you think I'll be OK to use the demo version for a gig?
ableton actually recommends that you carry the demo version on CD with you
to gigs. it's fully functional so if your computer craps out you can use
someone else's and not have to worry
I suck... sorry! :)
Thanks David!
Enjoy
G
-Original Message-
From: David Gillies [mailto:[EMAIL PROTECTED]
Sent: Thursday, November 11, 2004 11:10 PM
To: Gerald
Cc: '313'
Subject: Re: (313) Equinox playlist 10-10-04
That should be:
http://www.gerald-matrix.com/equinox.htm
Gerald
Brilliant. Huge Thanks Folks.
So, just so I have this right. I already have my wavs and asd's, so there
shouldn't be any other problems right?
And, I'd forgotten about this before - but I'm going to have to map all my
midi and keys on the night, and do my settings there and then as I won't be
ableton actually recommends that you carry the demo version on CD with you
to gigs.
Matt, that's EXACTLY what I wanted to hear!
Thanks
Alex
_
- End of message text
This e-mail is sent by
Heh.
I'm just transferring my files across to a hard disk.
There's stuff I have that I forgot was on there.
Just found one BBC Sound Effects - Tardis Taking off, b/w Tardis Landing
heh heh heh heh heh heh.
*evil laugh*
_
the top 3 of today:
1. mmm - donna
2. fix - flash
3. robert hood - rhythm of vision
I just wanna say yeah, for the new Kelley Polar Quartet EP. gorgeous and
sublime string work. funky too. I spent a good 45min coloring with my 5yr
old son while we listened to the rococo EP. highly recommended.
Cheers,
lee r. herrington
u store it
technical support specialist
440-260-2245
-- Original Message --
From: lee herrington [EMAIL PROTECTED]
I just wanna say yeah, for the new Kelley Polar Quartet EP.
gorgeous and
sublime string work. funky too. I spent a good 45min coloring
with my 5yr
old son while we listened to the rococo EP.
From the live clips I heard of Chicks on Speed, they should stick with making
records as the sound was a little sketchy... So hopefully the album is good,
regardless of what you heard at that time!
~David
-- Original Message -
Subject: RE: (313) Cristian Vogel vs. Detroit
On a side note, when I pull in tracks that I've already warped in other sets,
the warp markers don't seem to show up, and I still have to rewarp them. Am I
doing something wrong? Usually the way I do it is copy the .wav and .asd file
into the directory I use for the set, and Ableton shows a
you have to click on the little save button hidden in the sample panel
with all the buttons which save the warp markers to the asd
otherwise i believe it only saves the waveform representation
On Fri, 12 Nov 2004 15:42:59 -, [EMAIL PROTECTED]
[EMAIL PROTECTED] wrote:
On a side note, when I
On a side note, when I pull in tracks that I've already warped in other
sets, the warp markers don't seem to show up, and I still have to rewarp
them. Am I doing something wrong? Usually the way I do it is copy the .wav
and .asd file into the directory I use for the set, and Ableton shows a
symbol
On Nov 11, 2004, at 17:13 PM, Bond ... Alex Bond wrote:
does anyone know what this says?
or, does anyone know where I can translate japanese to english?
http://www.cisco-records.co.jp/cgi/title/techno/detail_119786.php
This is the Japanese translation page I use:
On Nov 12, 2004, at 9:33 AM, Thomas D. Cox, Jr. wrote:
-- Original Message --
From: lee herrington [EMAIL PROTECTED]
I just wanna say yeah, for the new Kelley Polar Quartet EP. gorgeous
and
sublime string work. funky too. I spent a good 45min
yes this is awesome.. but i like both sides. I think the b-side
track is simply titled Maurizio? You can hear the influence in the
bassline and beats.. but the string arrangements on top are all Kelley
Polar, gorgeous and unique. All you Basic Channel / M label fans need
to check this
rococo EP
I need this record.
Hey, did anyone get the unclassics cd?
I got it for my birthday.
IT'S ACE. BUY ONE.
I nicked those Humanoid beats for my Ableton too
: )
_
- End of message text
Yeah, totally - a couple of the new tracks (Victor, Zodiac) have already been
on heavy rotation in my walkman for the past week, and I envy those who will
discover tracks like Margharitas or Dance Reaction or Pluton (which were
already on the EPs)...
Gwendal
-Message d'origine-
De :
Gwendal.
You just reminded me of something
Zodiac
Is that that crazy latvian electronic disco thing from early 80's?
I'm sure that was called Zodiac.
Alex
_
- End of message text
This
On Nov 12, 2004, at 10:40 AM, Cobert, Gwendal wrote:
and I envy those who will discover tracks like Margharitas or Dance
Reaction or Pluton (which were already on the EPs)...
speaking of discovering other EPs, Metro Area #5, previously only
available on vinyl.. can now be bought digitally
Wasn't vol 6 also due anytime soon ?
Gwendal
-Message d'origine-
De : Matt MacQueen [mailto:[EMAIL PROTECTED]
Envoyé : Friday, November 12, 2004 5:52 PM
À : Cobert, Gwendal
Cc : 313@hyperreal.org
Objet : Re: (313) environ release.
On Nov 12, 2004, at 10:40 AM, Cobert, Gwendal
At 11:52 AM 11/12/2004, Matt MacQueen wrote:
speaking of discovering other EPs, Metro Area #5, previously only
available on vinyl.. can now be bought digitally at iTunes for all the
non-vinyl peoples of the world. Dunno how to send a link to it, but if
you search iTunes music store for METRO
http://news.bbc.co.uk/2/hi/in_depth/photo_gallery/4006879.stm
amazing number of people
truly wish I could have been there
MEK
The sight of that coffin makes me feel a little sick.
RIP Mr Peel
_
- End of message text
This e-mail is sent by the above named in
their individual, non-business capacity and
is not on
On Nov 12, 2004, at 10:51 AM, Cobert, Gwendal wrote:
Wasn't vol 6 also due anytime soon ?
nope i don't think it's even in the works (as of now).. But DO be on
the lookout for a new Jersey Devil Social Club 12-inch dropping very
soon... a remake (with vocals! plus a dub version b-side) of
Eek!
Jack White is looking a bit like Jacko there
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Sent: Friday, November 12, 2004 5:13 PM
To: 313@hyperreal.org
Subject: (313) John Peel's funeral
http://news.bbc.co.uk/2/hi/in_depth/photo_gallery/4006879.stm
The coffin's arrival - and departure to the sound of Teenage Kicks by The
Undertones
Perfect
Gwendal
-Message d'origine-
De : [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Envoyé : Friday, November 12, 2004 6:15 PM
À : 313@hyperreal.org
Objet : Re: (313) John Peel's funeral
The
Lots of good mixes (good playlists, if not always good mixing ;) ) here:
http://www.beatsinspace.net/
Apparently run by some guy in NYC named Tim Sweeney - he opened for
U.N.K.L.E. recently and (along with Tim Goldsworthy of the DFA)
assembled DFA Compilation #2.
Something for everyone on
ok- we get it, you don't like hawtin.
can the rest of us have a conversation now?
sheesh
On Fri, 12 Nov 2004, Thomas D. Cox, Jr. wrote:
-- Original Message --
From: /0 [EMAIL PROTECTED]
maybe I misunderstand you, but its OK for mills to go on and
awesome! just the audio background i needed for a
rainy day filled with getting projects done.
thanks greg!
--- Greg Earle [EMAIL PROTECTED] wrote:
Lots of good mixes (good playlists, if not always
good mixing ;) ) here:
http://www.beatsinspace.net/
Apparently run by some guy in NYC
it's interesting to me because i wrote essentailly the same article for
urb this past summer. and i'll admit, a blinding weekend in berlin with
hawtin and company is a heady experience that'll get you thinking about
what it all means.
of course- i don't have the capacity for such verbos
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 12 November 2004 18:43
To: Tristan Watkins
Cc: ''SeanDeason C''; ''fwdthought''; 313@hyperreal.org; '/0'
Subject: Re: (313) Metro Times: Detroit
it's interesting to me because i wrote essentailly the same
I heard Carl Craig is going to release a new record on Planet E. Someone I know
received a white label, but I didn't had the change to listen to it yet. Maybe
you?
I just went back and re-read the quote. interestingly, only half the
later half is a direct quote, the previous paragraph being the writer's
explanation of the concept, therefore highly suspect...
but- i think the premise here is that of primalism (a word used by the
writer later on in the
Austin Osman Spare called this a state of neither neither - a state of
mind where the internal chatter is silenced and a strange kind of auto-pilot
takes over. This can often happen if you drive the same route to work
everyday - you arrive not even aware of how complete the journey was, let
-- Original Message --
From: [EMAIL PROTECTED]
ok- we get it, you don't like hawtin.
can the rest of us have a conversation now?
sheesh
i dont see why the other guy making blatantly irritating
generalizations about jeff mills is okay but if i say the
-- Original Message --
From: Simon Vrebos [EMAIL PROTECTED]
I heard Carl Craig is going to release a new record on Planet E.
Someone I know received a white label, but I didn't had the change
to listen to it yet. Maybe you?
i have the 12 on white. its a
-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: 12 November 2004 20:06
To: 313@hyperreal.org
Subject: Re: (313) Magick Times: Detroit
Austin Osman Spare called this a state of neither neither -
a state of mind where the internal chatter is silenced and a
Some stuff I'm really diggin' at the moment:
That Juan Atkins 'Fast Forward', as previously mentioned.
Claro Intellecto remix of Vector Lovers on Soma. Long, slow drawn-out
techno.
The two B-side cuts on the new Vince Watson on Headspace are sick. The first
is deep, slightly tracky techno,
I kinda feel like the article was really a brief overview of what the writer
got from the interview with richie. I'd really love to see the whole interview
in a proper QA stylee. Let rich tell it himself. Otherwise you never really
know. I feel where all the points are coming from though.
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