On Fri, May 08, 2015 at 04:44:21PM -0700, Fred Heutte wrote:
3D CONCERT
Isn't every concert 3D?
Source:
http://online.wsj.com/articles/where-detroit-sees-a-derelict-factory-berliners-see-a-techno-dance-club-1413253803
Where Detroit Sees a Derelict Factory, Berliners See a Techno Dance Club
Germans Pitch Motown Ideas on Music Scene; Deserted Plant's 'Special Aura'
By JACK NICAS
Oct. 13,
new :)
http://www.discogs.com/groups/topic/350634#3331449
John Sokolowski wrote:
Juno just got this in today: http://www.juno.co.uk/ppps/products/476075-01.htm
Must say that new Rythim Is Rythim track doesn't sound too shabby at all.
Ilmar Kerm wrote:
I like to use www.juno.co.uk (not junodownload.com, that site looks
awful)
Although they're ostensibly the same, I've found that sometimes the prices on
the same items differ between the two sites. Just did a quick search now and
confirmed, for a particular random EP:
Just to add to the list...
In Argentina the flogger-fashion kids do bailando electro to
electro-disco/electro-house tracks:
http://www.youtube.com/watch?v=ZZ-teDWjtok
http://www.youtube.com/watch?v=MeaI-VYzHcI
http://www.youtube.com/watch?v=KyZDE8ClYes
Apparently they're inspired by the
ohanakin ... wrote:
Anybody know where this lives on the net ? i think its the issue that
broke detroit to the european masses
http://www.backspinpromo.com/DetroitTechnoTheFaceMay1988.pdf
[sorry for dredging up a week-old thread; I don't read my 313 box as often as
I should]
kent williams wrote:
I pulled down Dan Sicko's Techno Rebels and what he writes about
Shari Vari and is that there's some debate as to which record hit the
streets first. You'd think someone would have
There's talk of merging out of existence the Detroit techno article on
Wikipedia. It currently consists of little more than a summary of the first
part of the main Techno article, which I and others had put an enormous amount
of effort into over the years, relying heavily on citations of Techno
I was just (re-)discovering some of the free Neuropolitique MP3s that have
been at more or less languishing in the depths of archive.org
(http://www.archive.org/details/ird042 is my favorite) and thought I'd Google
a bit to see whether Matt Cogger might ever resume making music someday. Lo
and
jonathan morse wrote:
who was the dude at the party with all the old IBM computers that was
supposed to do all the literal computer music ambient stuff in the
second room?
DAC Crowell:
http://magnatune.com/artists/dac_crowell
http://www.myspace.com/daccrowell
As one of the people who was putting on that event/debacle ('Voodoo' in Sept.
1994), I'm really interested in hearing Acquaviva's story.
At the make-up party the following summer ('Fantastic Voyage'), Acquaviva tore
it *up*.
A long time ago, I wrote this about Voodoo:
Security arrived on
f course the issue that raises is exposing everyone's email addresses
to spammers. There's the old name AT service DOT com replacement,
but I'm still chewing on that one.
just remove the mail addresses. simple as that.
(for future archives, take a look at
Grammenos, Peter wrote:
I use these quite a bit :
http://www.dancetracks.com/
http://www.forcedexposure.com/welcome.html
http://www.ear-rational.com/ maybe not so much for 313 stuff but there's
always something of interest in there.
jurren baars wrote:
Michael.Elliot-Knight wrote:
i think i can safely say that of those $2000 exactly $0.00 goes to the
artists.
why?
Because they expressly said so.
http://maccentral.macworld.com/news/2003/09/08/riaa/
Asked if any of the potential settlements would go back to artists,
DJ Entropy wrote:
Duran Duran and Depeche Mode? Who ACTUALLY listens to that crap?
Probably more than half of the artists whose records are in your crates.
O.L. From The Basement wrote:
Yes, as for a Detroit connection remix wise, Kevin Saunderson remixed
Round Round on Quest Records in 1989.
Not just Kevin Saunderson, but Ben Grosse (also of Detroit, I assume;
he mixed Good Life) as well.
There's a nice discography at
Ian wrote:
Detroit = EST.
EST (GMT-0500) or EDT (GMT-0400), depending on the time of year.
EDT right now. http://webexhibits.org/daylightsaving/
Brent Kirkwood wrote:
After all this talk of Prince...
Can anyone make an album recommendation for a newcomer to Price's work?
Interesting just how many Prince fans there are on the list. The connection
between Prince and Detroit techno is squarely in the what they were listening
to when they
Jonny McIntosh wrote:
I
could care less (or in the uk, I *couldn't* care less)
Yeah, is this a cultural thing? Why do so many Americans say the opposite of
what they mean on this?
It's sarcasm.
http://music.hyperreal.org/london/
rob buse wrote:
http://www.movementfestival.com/
I'm confused. The Flash thing on http://www.demf.com/ says the 2003 DEMF is
being produced by Derrick, Kevin and Carl. I thought they were behind
Movement, and that Pop Culture Media was retaining the DEMF name for something
that would not be in
Max Duley / ARCart wrote:
I've uploaded some .mp3 clips which I'm trying to ID, thus hopefully
allowing me to start searching for records that I've been wanting for up to
12 years.
very nice tracks.. takes me back.
can't id any but one though: clip #42 is egg by holger hiller
Mike
--
Jongsma, K.J. wrote:
Anyone here who still has a working link to the website of Irdial? I had one
but it looks like it is no longer there...
http://www.irdial.com/
Mike
--
Denver, Colorado, USA
http://hyperreal.org/~mike/
Trevor Wilkes wrote:
Yeah it's Geoff White and Stewart Walker and if you want more of that
ele-mental stuff go to Todd's www.scalestudio.com/sounds/mp3/ collection of
sounds. Almost all of Todd's stuff and another Geoff White set as well as
some of Charles Noel's, who by the way has just
Maarten Baute wrote:
there seems to be an error on discogs[.com]
Understatement of the year.
discogs.com is a nice informal reference for its breadth, but its data model
leaves much to be desired, and its content is riddled with the same kinds of
inaccuracies as other databases where users
Back in the Spring of 1994, some friends and I had a little house party in
Ohio. At http://hyperreal.org/~mike/id/ there are a couple of excerpts from
the tapes we made (items #3 and 4 on the list, currently). Sound quality is
horrible, which is why I'd like to just go buy the records.
ryan burns wrote:
ive got a freind that wants to sign up for 313. i cant find the linf off
the main hyperreal.org page. can anyone give me some help like a dirrect
link to sign up. thanks.
mailto:[EMAIL PROTECTED]
(send a blank msg, reply to the confirmation req you get back)
The info
sean deason wrote:
From: techno [EMAIL PROTECTED]
It reminds me of the Art Of Noise and Yellow in the 1980's, more about
technology and experimentation than good music, the use of sampling was
supposed to sound hip and sophisticated at the time but now sounds
extremely dated.
It wasn't
Matthew MacQueen wrote:
and didn't SPecific Hate also appear on the FX 12
Yes.
It's also online, as spesiphic hate:
http://artists.mp3s.com/artists/51/a_guy_called_gerald.html
Sakari Karipuro wrote:
nope i'm sure it isn't that one; the mix was definitely sort of
cut'n'paste (on reel-to-reel) job between original mix and the omen
mix, mostly with pieces of the track without 303, and it was just a
little bit faster than the omen mix (probably because of
Cobert, Gwendal wrote:
Generation Ecstasy: Into the World of Techno and Rave
Culture; by Simon Reynolds.
Could it be some other version of Energy Flash
Yes, for the North American market, he gave the book a different title and
(so I hear) edited it somewhat. No free CD came with it,
Ron wrote:
can anybody compile a list of book somebody
has to have
http://www.disquiet.com/page-spotter.html
This bibliography, compiled by Marc Weidenbaum, tries to focus on ambient
music, but mentions quite a few titles you'd probably be interested in
seeking.
- Mike
Kent williams wrote:
On Fri, 8 Nov 2002, Grammenos, Peter wrote:
It's actually Todd Sines, Titonton Duvante, and Charles Noel (Archetype)
that are linked. They started a band way back when (Charles DJ'd for them)
and then split off and did their own thing a little while later.
There
The following arrived through the hyperreal.org feedback form.
I figure there might be some people on this list who would be
interested in contributing to such a project.
Reply to Valériane directly. Thanks.
- Forwarded message from Valeriane -
Date: 18 Sep 2002 08:55:43 -
From:
Brendan Nelson wrote:
I guess that in fusing vocal soul with techno in Inner City
He wasn't fusing anything; that *was* techno.
One of the relatively few facets of it at the time, anyway.
IMHO, of course.
- Mike
:P wrote:
I just got one from:
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No message from the 313 list to a subscriber will ever have a Return-Path with
that format. It will start with 313-return- followed by the message number
and permutation of the subscriber's email address.
Any message header can be
scotto wrote:
and the link of the susposid interview
http://hyperreal.com:70/0/music/artist/plastikman/interview.nov94
http://music.hyperreal.org/library/publicity/plastikman/interview.nov94
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Odeluga, Ken wrote:
Auntie Aubrey's Excursions Beyond The Call Of Duty (July
1996) (cat: DVNT12CD) - apparently an Orb remix project
which lists - Time Unlimited - Men From Wadodem (Orb Remix) as on disc 2,
track 7.
Not the original but might be worth checking ...
WARNING! All but a few
Ian wrote:
On 6/5/02 9:00 AM, Toby Frith [EMAIL PROTECTED] wrote:
Still, what's to say that techno has to have soul or funk - why can't we
have some industrial sounding stuff?
We can, but then it wouldn't be called techno.
Yeah, it would be called IDM :) Seriously, AFX, Autechre, and
:P wrote:
american funk.
not much funk goes on in africa. funk is as african as a bag of white
castle (for you detroiters)
I suggest reading up on Fela Kuti:
http://www.jaybabcock.com/bootsyside.html
http://www.popmatters.com/music/reviews/k/kutifela-best.html
Eric Scuccimarra wrote:
Regarding the bass line issue - what about Ice Ice Baby and Under
Pressure?
Before I made the post, I went looking to see if I could find the (Bootsy?
Clinton?) quote I paraphrased. I couldn't find it, but I did see somewhere an
allusion to changes in the law that
James David Beard wrote:
So what's the story with Maiden Voyage?
It is an uncredited remake of Tangerine Dream's Love On A Real Train (Risky
Business).
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Mark S Flintoft wrote:
Anyone have any experience dealing with these folks??
Just so there's a public reply..
I've ordered online from forcedexposure.com many times. Their service is
prompt, their selection phenomenal, everything is well-packaged and arrives in
excellent condition. My only
rob webb wrote:
i don't have the record to hand, but i think it's a Morales (Defmix, with
keys by Eric Kupper?) mix of Just Another Chance.
On this record is a mix of Direct me that works pretty good with that
Marty
Hardy mix on edition 1
the a-side of the edition 2 12 is the Joey
laura gavoor wrote:
The only somewhat easy markets to make a little money with at that time were
Germany, Belgium and the Netherlands. DJs that I worked with were getting
about $1,000-1,200.00 usd -- MAX
[...]
Jeff was living (mostly) in Berlin at the time and circumvented a lot of
[EMAIL PROTECTED] wrote:
every kind of music played by a black musician includes a black message
my favorite is we are going to create something they can't steal because
they can't play it monk during the evolution of bop
This list doesn´t even come to the point to reflect it in the
Mark S Flintoft wrote:
Todd is not only a really nice guy his live PAs are very interesting and his
DJ sets eclectic...
Dunno about Charles though.
For the record, Todd Sines, Charles Noel, and Titonton Duvante were roommates
many years ago while in college. They are all very nice, very
So I began to wonder what the criteria are to put an asrtist/DJ/group in a
book like this one? Does he/she have to be famous? Sold at least 20.000
copies of a single/album? Major impact on the development of the dance scene
in general?
It is entirely up to the editor, who is influenced by the
Brian 'balistic' Prince wrote:
Funk is bop guns and atomic dogs,
Well, that was George Clinton's take on it. You don't hear that kind of
stuff coming from hardly anyone else in funk, save maybe Afrika Bambaataa.
'Funky' really seems to be the most overloaded word in electronic music. I was
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