I can't reccomend homestarrunner.com enough. those guys are brilliant.
They're starting to gain a lot of popularity...I've seen 14 year old girls
wearing homestar shirts. they mentioned some homestar characters in the last
episode of buffy the vampire slayer...i didn't see it, a friend
According to the mp3 tag it was released on Flourescent Forest Records in
1991.
Does somebody have some more info about this record?
And is it really James Stinson rapping on 2 tracks? Or is it (for me the
unknown ) rapper Clarence G.?
All the rapping is by Clarence G. - Good luck finding
good. I may get lots of personal attacks for this but I do think his
stuff is slightly over rated. I think the music is just a bit too nice
for my particular taste. I have far away trains passing and A Strangely
Isolated Place, both are good but not as good as many people make out IMHO.
I
that's the stupid thing about revivals - it's very contrived, like the
recent electro revival of the last several years. Why the fashion and
focus on those years? To be into the music, why do people feel that they
have to dress up in the fashion of the era it was created in?
While revivals
Soul Saver is also available as a 12 on SID-006.. Great track. Anyone
know the song that the main loop is sampled from? It's sped up quite a
isn't that from an al green song? can't recall at the moment..
p
-Original Message-
From: Jussi Lehtonen [mailto:[EMAIL PROTECTED]
Sent:
If you think about it what percentage of techno from Sweden really fit's
under
definition #2?
As for the sound becoming more formulaic maybe you could be more specific
listing artist and labels other than Adam Bayer, Drumcode.
My second and final post on the subject as your reply is
I have heard a lot of Swedish techno/tech-house that is NOT just 2-beat loops
but some quite musical material. I'm surprised the Swedes get hated on so
much.
just a quick note on swedich techno because this topic seems to get folks
talking in circles without really getting anywhere:
I've
just heard some snippets from fix01 and fix02 (secret mixes and fixes
vol1 and 2), an ectomorph related label that has edits and rmxs of old
tracks...totally ace...
anyone have any more details, are these the only releases so far etc?
Yeah I heard those snippets as well. Todd Osbourne had a
I have always wanted to use nuloop but the totally outrageous shipping cost
makes it impossible. I have used groovetech in the past because they have
great deals on shipping but if possible i would always support the
independents.
I find these stores have a good selection but i mostly
Ha! Your powers have failed. I'll chalk it up overwork. :) This is a trailer
for a documentary by Chip E on the origin of Chicago house. Looks nice via
the list of interviewed peoples.
I actually helped Chip on this project a bit while I was in Chicago last
year. He has been doing freelance
tell me when you need a
record's date to find it, eg you know the artist, the label, the
track the ep name but you need the year to actually find
it
lots of times when you're trying to find a specific pressing of a record.
especially when online shops do not list all the info on a given
I used to have it writen down somewhere but i've since lost that piece of
paper..
I can't recall what song/ label/ ep this tune is from, but the lyrics have
this 'from miami.. to brooklyn'
Gosub - Miami to Brooklyn - Isophlux Records
-p
Neil Wallace:
Ive always avoided this book as ive seen kodwo on a few music
documentaries and he always seems to be completely up his own a$$
I attended a guest lecture by Kodwo last year at the Art Institute of
Chicago. The lecture focused specifically on Herbert's Bodily Functions,
the
I think you may be referring to Dandy Jack. Luciano played first- sort of
a Perlon-on-Coke sound if you ask me. It was alright, but every time it
started getting good, he'd find some way to screw it up.
Akufen played second, which was a letdown for me. He was pretty much
playing entire tracks
with the original female vocal. You can fairly easily find the reissue on
West End that is the male and female vocals.
I have this reissue as well as a Male vocal version on the Nuphonic Loft
Compilation- correct me if i'm wrong, but the male vocal version on the
Loft Comp is different
05. william devaughn - be thankfull
on wich album and on wich label has this been released?
I have what I believe to be the original album - Be Thankful for What
You've Got (the title track is the hit obviously) on Roxbury records circa
1974. The single has been re-released many
The vocals are indeed saying it?s house, it?s house!
Well.. Ron Hardy used to play an early chicago record from 1984 with these
vocals..
just a beat , little B-line.. and the vocals twisted and wrapped ...
(check this mix by ron hardy.. http://www.deephousepage.com/ron5.ram, it?s
about 3
everyone, go round to Channel four and ask for Robert Taylor and then follow
him home and take what is his and make it yours cos after all There is a
school of thought that once a piece of work is in the public
domain it belongs to everyone.
alright, i know you're joking here, but just
and what is this 'no futures' board? anyplace that has vogel posting is
something i want to rcheck out.
cristian is one of the admins on the forum at http://www.no-future.com
a lot of others on the forum from germany and europe, mostly discussing
the far out stuff from the like of vogel,
Someone recently posted the thing about Tresor closing. Well looks like
there's more to the story as of last week. Quoted below from
no-future.com, and theres more on the Tresor site forum, but its in german
:(
[quote]
tresor probably won't sleep that much in the next couple years...
that have
Just noticed that @ #1 in the Groovetech Top20 is John Tejada Arian
Leviste's 'Its Only Music'.
Possibly because it's released on... Groovetech Records!
I had assumed looking at their regular top20 lists that their label would
lots of mediocre club crap, but I have been pleasantly
I've bought the clear plastic sleeves that fit around the outside of a
cardboard sleeve from Dusty Groove in Chicago - $10 for 100 of them
http://www.dustygroove.com
-p
On Fri, 14 Jun 2002, SOS wrote:
Does anyone have a good lead/price on plastic jacket sleeves...
If you can give a general
brief shameless self promotion:
For those in Chicago,
I'll be dj'ing techno and electro tomorrow night.
Free, low key, one of the few techno nights in housetown.
illmeasures presents OUTLET,
Tuesdays at Big Wig (Ashland and Division),
Tue 6-11-02:
Pete Leidy Resident Sinjin
21+ w/ID, no cover
For me it's Inspiration, the title track of the first Stasis album on
Peacefrog (PF028)...
shivers down my spine every time I hear it.
i'll second this track,
just pulled this out yesterday for the first time in months, but i think
i'm gonna have to keep it out for a while..
-p
I would definitely advise you to aim for the lower numbers rather than
higher. From around vol 6 or so they started to go slightly bad, and the
latter volumes are better defined as early hip-hop than electro, imho! But
volumes 1-4, and the Crucial Electro spinoff, are well worth getting, with
The fact is, he played very little 140bpm boom-boom-boom
Which must have been the hour-or so that I caught. Around 4:30 - 6am.
I was speaking w/ a hawtin fan about his recent tendencies toward
hard repetitive stuff- and they were trying to tell me that he uses the
hard stuff to weed people
closer to a musical
amtrack. but hey, thats my rather uneducated opinion speaking on the
recent parties that I rarely attend, so i should probably shut up and go
back to reminiscing about the good old days or something :)
On Tue, 4 Jun 2002, Peter Leidy wrote:
The fact is, he played very
I remember going there in the middle of winter with those big space heater
cannons... Waiting outside in the rain to get in while Carl Craig was
Yeah- I was there one time in subzero weather, but it was like 80+ degrees
on the dancefloor- I stepped outside to get some air and got an instant
I also had an amazing time at the Cannonball party this weekend...can anyone
tell me who it was who played hot on the heels of love by throbbing
gristle? My night was kind of mashed together and I can't remember which
That would be Carlos Burt Reynolds Souffront :)
Interdimensional Trans.
props to lisa for saying what the other papers cant say due to contractual
obligations or just plain stupidity.
i like this quote from Dan Sordyl because it cuts to the chase of the
matter:
You've got to give Carol Marvin credit for making this happen against all
odds. The first year they
$16.99
weekend records and soap. nicest people ever, great store, great soap...I
can't say enough...
www.weekendrecordsandsoap.com
Actually Jim only has a few copies left and all were on hold as of this
morning, but is supposed to be getting in 10 more copies or so next week-
just
i just saw anthony keadis(sp?) of the chili peppers
wearing a chicks on speed t-shirt at an awards show on
ESPN. let this now begin another round of techno
related sightings in the major media.
it was my understanding that the techno community still labels chicks on
speed as electro-pop.
According to the flyer for a party in Cedar Rapids IA this weekend, where
Woody McBride, the Advent, and THomas Krome are playing
(http://www.mnvibe.com/events/events/show_event.php?handle=vessels) the
new basketball heros has remixes by the Advent/G Flame on it.
Anyone planning on
1 ) I heard Rick Wilhite?s contributions to the three chairs ep?s. I was
just wondering on wich labels I can find some other Wilhite stuff..
He put out one or two 12s on filth- then the three chairs stuff and the
Godson EP. not sure about anything else but he runs Vibes Record Store on
While on the topic of SID,
What is the deal with the one side of SID 6 (not the soul saver side)
the UR track on the NSC double picture disc? i thought they were
identical, but then noticed some small differences. is this just two
different mixes of the same track?
which came first and why the
My question is - did electro really ever die?
and my impression was, and i only remember this
because i was a teen in the '80's, that electro had
come before techno (proper) and laid the foundation
for techno - am i wrong about this?
not so much a death- i think it just got overshadowed by
I havent been following this thread too closely- but- I know one of the
big criticisms of live techno is lack of stage presence. Some would
say stage presence is not required when the only goal is to get people
dancing, but people inevitably have expectations and preconceived notions
of what live
i don't understand why all the new-school electro-pop gets so much criticism
but so much new-school jazz/house/breaks, broken-beat-type stuff passes the
quality test. i know it all comes down to individual tastes, but it just
I thought this was because new-school electro pop is crossing over
outside forces
?
there are a lot of kids who think Orgy wrote the song Blue Monday, and
while some might say - so what, music will speak for itself- this sort of
misrepresentation to new audiences affects the growth potential of musical
genres. this is a bit of an extreme example, and
First of all, this is one of the most thought-provoking threads I've read
in a while (nit-picking over curse words aside)- I'm glad the opinions are
being voiced and I'd like to hear more from those like Laura who have a
lot of direct industry experience with these issues.
firing off cannons.
Am I tired of this debate? You're right, I am. But I'm also tired of
people who whine about shit but have no idea as to how all this works.
This may be a passionate life-giving hobby for some, for people like myself
and Laura Gavoor, this is a passionate, life-giving career. We're
09. Hypnosis - Blade Runner (End title)
Early 80s Italian band which produced synthetic disco for want of a better
term. Don't know a hell of a lot to be honest.
They also used to do covers of stuff like Jean Michael Jarre (Oxygen) and
Vangelis (Pulstar- which is the flip side of the Blade
sorry to the spam-haters,
i'm getting rid of some house records and other goodies that have been
collecting dust: Derrick Carter,Chris Nazuka,JT Donaldson, Blaze, Cajmere,
Aphex Twin, Squarepusher, Joy Division, Residents, and more. Also selling
a Korg ES-1 sampler :)
doubt you'll find any more of these new - i think clone was the only shop
carrying them, they came out over a year ago and were fairly limited. if
it helps any- the label was called Magic Kuts.
On Fri, 8 Feb 2002 [EMAIL PROTECTED] wrote:
Memo from Alex Bond of PricewaterhouseCoopers
I recently heard this brilliant remix on a 2xCD of herbert remixes- but
I'm not sure if this is on vinyl- I dont remember seeing it come out on
Cheap. Definitely something to keep an eye out for though
p
On Wed, 30 Jan 2002, Super Coffee Beans wrote:
did herbert made a remix to this track? and
Hi All,
This is the second batch of records I am selling from my collection.
Please visit: http://www.cozidesign.com/records/
There are some 500 records for sale.
(if you are interested, please contact me at [EMAIL PROTECTED])
This time there is a 10% discount over 55$ on first time orders (up
rebirth is a pretty useful program. with some solid compression, you can
get some pretty pounding rhythms out of it, and if you're imaginative with
your programming, it doesn't need to sound 'classic' anyways. I've used it
before to get some interesting thumb drumming sounds out of it.
And
on ebay- yum,
http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?MfcISAPICommand=ViewListedItemsuserid=pbl3include=0since=-1sort=3rows=25
(or search by user: pbl3)
some of the stuff i put up:
Common Factor, Theo Parrish, Rick Wade, Eddie Fowlkes, Neon Phusion,
Cajmere, Jay Denham, David Morley, Air
Since these threads are wandering from techno towards Indie Rock, Was
wondering what you all think of the Vincent Gallo album just released on
Warp. For those not familiar, he's primarily known as an Indie Film actor,
he also directed/produced the movie Buffalo66. Kinda strange to see an
album out
Hi all,
I'm selling my dj set (i was going to go to ebay, but thought I would
offer it up here first...)If you are interested, please contact me at
[EMAIL PROTECTED]
The package includes:
1. 2 SL-1200M3D's (they are in beautiful condition since i always played
out on my roommates 1200's ie.
all you record sellers have inspired me to do some needed collection
maintenance:
http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?MfcISAPICommand=ViewListedItemsamp;userid=pbl3amp;include=0amp;since=-1amp;sort=3amp;rows=25
beltran, analog:live, firstfloor1, rick wade, carl craig, tp, sean deason,
sorry bout the bunk url ( the xtra spam),
corrected link should be:
http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?MfcISAPICommand=ViewListedItemsuserid=pbl3include=0since=-1sort=3rows=25
p
all you record sellers have inspired me to do some needed collection
maintenance:
This is the 12 that came out on the (now-defunct?) UK label Filth - I've
got it on now, great stuff...
Speaking of filth, does anyone know whos behind the mo funk material on
the label. Also any links to discogs? or recommended filth records to look
for, I've got the theo parrish as well as a
carlos souffront rocked the house too with some classic and far-out
techno mixed to perfection :)
ectomorph was doing more new experimental stuff instead of playing the hit
tunes- but it was definitely interesting and fun.
p
On Fri, 11 May 2001, Mark Khemma wrote:
well, well, well. still
Don't know who's the re-maker/re-mixer, but it's based on Munich Machine's
Get On The Funk Train (Moroder track).
didnt get a chance to listen to the sample - but theres a Hakan Lidbo 12
on Loaded called new standards where the a-side track is based on get
on the funk train
p
sqrrt
this caught my eye from the recent talk of SFX/ClearChannel
http://www.salon.com/ent/feature/2001/04/30/clear_channel/index.html
-peter
In the same vein: having missed the Balihu releases when they first came
out, I picked up pretty much the entire back catalogue when they were
repressed about a month ago (?) and haven't stopped listening to them
Aghh! where was i when this happened? does anybody know a good vendor in
the
i think the blue note label did a lot for the crazy response this album
received. its been on the billboard jazz top ten for some 24 weeks, was
number one for a while
p
On Tue, 27 Mar 2001, b.phenix wrote:
st germain newest album is being sold in starbuck stores.
obscure they are not.
hey all,
i finally uploaded a couple more mixes that i recorded a while back. still
in real audio, mp3 may come soon. one is strictly 313 related, the other
is more house stuff.
directory at
http://www.umich.edu/~pbleidy/music
detroit mix at
http://www.umich.edu/~pbleidy/music/detroit.ram
house
heres the designs that never happened. i think the guy that was organizing
it didnt have the spare time to make it happen. anyhow, have a look and
maybe someone else will be inspired to tally votes and make shirt happen:
http://www.objektsynth.com/313/
-p
On Tue, 6 Mar 2001, Greg Malcolm wrote:
i picked up a bootleg copy of derrick mays wildtime remixes at gramamphone
the other day. the label has no info beyond this, and i was wondering if
someone could enlighten me on what and when these remixes are from. Sorry
if this has already come up- i've deleted a lot of 313 mail lately
ps-
mostly OT,
but it should be a pretty obvious one for an old-schooler
http://www.boombox.net:8080/ramgen/xpd/scratchadelia/swift.rm
From Rob Swift real video on Boombox.net- the very first track, before Rob
is on the tables- This was sampled heavily by one of the tracks on the
Cassius LP.
ps-
Personally dont know for sure,
But I've been to quite a few shows at Motor that were not advertised on
their website.
Most recently- got to check out Phoenicia and Richie Devine of the
Schematic crew in Florida. It was a really cool live show- basically a
bunch of Mac Powerbooks making twisted
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