Not directly related to the current discussion, but after 11 years or
so, I'm un-subbing too. The signal to noise ratio has got out of hand
lately and to be honest, there hasn't been a Detroit techno record
that's got me excited much in the last couple of years anyway. I've kept
an eye on the list
I used to listen to a lot of Propaganda, but I recall not being very
impressed with ACT when they came out. Must give them another listen.
Is it just Claudia Brucken, or other members of Propaganda too?
Thanks,
Sean.
-Original Message-
From: Cyclone Wehner [mailto:[EMAIL PROTECTED]
Sent:
Well i don't think it is a crime to record as Los Hermanos? It never
says that is Los Hermanos, produced by Gerald Mitchell and Rolando.
You're joking, surely? Its long established that you can't use a name that's
already taken to release records (for both legal and moral reasons).
Would it
The Los Hermanos of Rolando and Mitchell is trademarked as the label
name, this is an artist who calls himselves Los Hermanos.
H, in dance music terms the distinction is a little vague at times, no?
Underground Resistance is a good example...
There is also an IDM artist called Donna Summer :)
That;s a more concious, satirical type thing.
As far as I know, he's been forced to stop using the name now anyway.
and the first person to use the words hard , black and 12
inches in the same sentence will be immediately deported to Austrailia!
ah, so THAT'S how all those Irish descendents ended up down there! :D
he just does it to see what happens on the 313 list..call it a
provocation
I wasn't going to get involved in this, but the Theo worship on this list is
just getting ridiculous. Martin just asked a legitimate question. Is saying
something disagreeable about Theo now provocation? Get real...
To: Sean Creen; 313@hyperreal.org
Subject: Re: (313) Not A joke
real:
theo is provoking the listmembers by putting a sheet between him and his
audience
it was a feeble attempt at humor, but now that i had to explain it it's even
less funny than before
fab
- Original Message
My co-workers don't seem too phased by my techno listening habits - its when
I take off my headphones to talk to people and Whitehouse or Merzbow is
blaring out that I get a few raised eyebrows :))
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 15 June 2004
Yes but sweat electric is also in electro-funk records
It is?! When did that come out?
You weren't all that confused - Jesus Built My Hotrod was around for a good
year or so as a single before the edited version on Psalm 69 came out.
Probably why its a lot better than the rest of the album.
BTW, sorry for the late reply - was away for a while and just catching up on
mail...
Sean.
Out of interest, how did you get hold of them/it?
A member of UR gave me copies.
Laurent Garnier? Talking about him is almost as boring as listening to one
of his sets
;D
Hi,
I was due to go to the Throbbing Gristle weekend in Sussex on the above
dates, but its been cancelled, so it looks like I'll be spending the weekend
in London instead. Anyone know of any interesting happenings?
Cheers,
Sean.
I subscribed in late '94 too -frightening. Been here on and off with various
e-mail addresses ever since
From: Marsel // Nomorewords.net [EMAIL PROTECTED]
Date: 2004/04/22 Thu PM 02:34:13 CDT
To: 313 313@hyperreal.org
Subject: (313) 10 years?
i feel older everyday..
just
anyway, there's a track on this site called all the critics luv u in
Paris!
must be a live version or something..
Yeh, it will be - he did All the Critics Luv U in Dublin when i saw him
there a couple of years ago :-)
I only heard the clip on the Peacefrog site, but I didn't like it at all.
The tinkly sounds on it were really irritating and the strings were a bit
cheesy and obvious. Usually, I'm a big fan of Kenny's records too.
I was tempted to buy one anyway to stick on e-bay, but decided it wasn't
fair to
John Peel played this last week. It was OK - the only real Shake influence I
could hear was on the drum track.
-Original Message-
From: J. T. [mailto:[EMAIL PROTECTED]
Sent: 25 March 2004 16:29
To: 313@hyperreal.org
Subject: (313) fsk - first take then shake
this sounds really
Yep, Piece of Ice (as played on the Claude Yound DJ Kicks mix) was one of
the early Puzzlebox releases...
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 18 March 2004 15:49
To: 313@hyperreal.org
Subject: RE: (313) Da Sampla Re: (313) no sequencers
Shake is
Pretty much every Purposemaker track is based around a looped sample. I
always thought that was kind of the point of those records. I don't hear
much evidence of samples on Axis tracks though...
-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 12 March 2004 10:06
To:
oh and third, I hope it does upset all those that think TG are so pure that
they shouldn't be remixed - this was the whole mission, one that went from
TG to PTV to TOPY
remixed, maybe...but not sanitised
Sorry to labour the point, but there is very little more safe and
pointless than getting a load of big names in to resequence tracks with a
4x4 beat behind them IMO...
-Original Message-
From: Martin [mailto:[EMAIL PROTECTED]
Sent: 05 March 2004 11:29
To: Sean Creen; Robert Taylor
Cc: 313
To avoid being safe and pointless by being safe and pointless? Ah, I see
now... :))
Anyway, I must try to get hold of a copy of the remixes later to check them
out.
-Original Message-
From: Martin [mailto:[EMAIL PROTECTED]
Sent: 05 March 2004 11:33
To: Sean Creen
Cc: 313 mailing list
what were they listening to to come out with ideas like that around that
time? any idea?
Abba :)
SAW2 is genius - in fact I still think its AFX's finest moment.
-Original Message-
From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED]
Sent: 05 March 2004 15:13
To: '[EMAIL PROTECTED]'
Cc: '313'
Subject: RE: (313) first techno record - summary
joe,
Ive been pondering this. Ive got
Plastikman - Sheet One...'93 (unless you want to count Meat Beat Manifesto,
PTV, etc)
-Original Message-
From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED]
Sent: 04 March 2004 3:58
To: 313@hyperreal.org
Subject: (313) first techno record
Just out of interestWhat was the first
Has anyone heard Kenny play recently? He's playing in Dublin after the
Kraftwerk gig in a couple of weeks and I'm wondering if he's worth hanging
around for?
I need to get back up to Belfast to get to work the next morning and I don't
want to miss out on a night's sleep to hear someone play dull
Kraftwerk and Throbbing Gristle :)
-Original Message-
From: Martin [mailto:[EMAIL PROTECTED]
Sent: 27 February 2004 10:49
To: 313
Subject: (313) That Friday Question
Who are you looking forward to seeing this year?
--
Martin Dust
-
Club -
Can I just take this moment to disown Fergie on behalf of Northern Irish
techno fans.
Thanks...
-Original Message-
From: Martin [mailto:[EMAIL PROTECTED]
Sent: 27 February 2004 13:49
To: [EMAIL PROTECTED]; 313@hyperreal.org
Subject: Re: (313) Jeff Mills on Radio 1 tonite 1 hr special
Yeh, well, he does always get his round in...
-Original Message-
From: Martin [mailto:[EMAIL PROTECTED]
Sent: 27 February 2004 13:52
To: Sean Creen; [EMAIL PROTECTED]; 313@hyperreal.org
Subject: Re: (313) Jeff Mills on Radio 1 tonite 1 hr special
I'd heard that you'd been seen down
I was a little disappointed by the Franz Ferdinand album, but maybe I need
to give it a few more listens.
Other non-electronic bands/acts I've been listening to a lot recently:
Black Keys, Fiery Furnaces, The Coral, Devendra Barnhart, British Sea Power.
There have been a surprising number of
ok quiet list.
what you listening to right now?
Merzbow - A Taste of
313-related things I've been enjoying lately include the Sterac comp on
Peacefrog, and (perhaps controversially) the Mills See The Light series...
Sean.
313-related things I've been enjoying lately include the Sterac comp on
Peacefrog,
doh! of course, I meant the Stasis comp. That's what listening to Merzbow
does to you ;)
I've just ordered that - what's it like?
Quality from beginning to end. The unreleased tracks are almost as good as
the classics. You shouldn't be disappointed...
Its also a way of making sure that the track doesn't become just a mixing
tool; i.e. its necessary to let the track play on its own up to a certain
point, before starting to bring in the next one. This ensures that a larger
portion of the track is played and that there are no other sounds
Probably the re-edit he played in the set that was posted on here a while
ago?
There's a Throbbing Gristle remix album coming out shortly, so its probably
going to be on that. Personally, the idea fills me with dread, but there you
go...
-Original Message-
From: Robert Taylor
I ordered See/The/Light from the Axis website and it came to slightly over
20 quid, including postage. Seems pretty reasonable to me. If a shop is
over-charging, don't use it...
Sean.
tom wrote:
but thats a pretty decent sized market to basically
neglect despite its relative proximity to places he has lived.
instead he'll play lost again, or whatever hip techno club there
is in germany again. its kind of annoying, really.
He'll play wherever he's booked to play, which as has
anyone else feel this way or is it just me?
Very much so - I was going to post earlier, but I thought I'd give the
tracks the benefit of the doubt since I'd only heard the RA samples; but
since you ask, I thought the tracks were a huge disappointment. I doubt I'll
be buying them, which is a bit
but anyway, if anyone knows where i might get that 80s mix, I'm listening..
You mean the version with the added scratches,etc? I picked it up a few
years ago on a label called Club Classics - never heard of the label
before or since, so I suspect its a bootleg. Its also got the Theme from
Hi Martin,
are you talking about the version of United that was on the first Sabres
release, or did he do other remixes too?
Cheers,
Sean.
-Original Message-
From: Martin [mailto:[EMAIL PROTECTED]
Sent: 11 December 2003 10:59
To: [EMAIL PROTECTED]; 313
Subject: Re: (313) little carl
Not that big a fan of Chris and Cosey, Liked her painting more than the
music...
Strange, I would say the Hot on the Heels (which you like) was pretty much a
blueprint for the Chris and Cosey sound. They certainly came closest to
pursuing that sound out of all of the post-TG projects.
Remember
I also disagree about Chris, Sleazy played a massive party, and so did
Gen...
Musically, I really don't think this is the case. Sleazy did develop his
musical input over time, but was initailly really just there in a
consulting role and was responsible for visuals, etc. Just how gifted Gen
is
Its Everything in its Right Place from Kid A
-Original Message-
From: Glenn McClements [mailto:[EMAIL PROTECTED]
Sent: 11 December 2003 11:47
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) carl craig quiz
Just listening to it at the moment. It's Radiohead, but can't
The Dublin tickets went on sale this morning too and it looks like its sold out
already - good thing I got up early to get mine \:D/
From: [EMAIL PROTECTED] (Oliver Ruehl)
Date: 2003/11/29 Sat AM 09:33:38 CST
To: 313@hyperreal.org
Subject: Re: (313) Kraftwerk on tour
hi there
In: Journey of the Dragons
Out: Strings of Life
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 07 November 2003 08:18
To: 313@hyperreal.org
Subject: (313) Revise in suggestion for techno music to be used in
wedding march?
HI all,
Anybody on the list could
This seems to be a very common misapprehension and I've never quite worked
out why - I'd challenge you to find any Surgeon tracks that sound like Mills
at all on anything but the most cursory of listens. In fact, when almost
every other european techno producer was churning out PurposeMaker by
Just a re-edit he's done - the joys of Final Scratch :-)
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 29 October 2003 13:11
To: 313@hyperreal.org
Subject: RE: (313) Surgeon Track list for you
Kraftwerk - Its More Fun To Compute (Surgeon Remake)
is this an
He did a remix of Teenage Lightning. The remixes were meant to be included
on a bonus 12 in a box set of Scatology, Horse Rotorvatotor and Love's
Secret Domain, but the box set never appeared. He opened his set at All
Tomorrow's Parties with the remix...
Sean.
-Original Message-
From:
claude young played his first ever (and only?) live set at orbit one new
year
nope, he also played live in Belfast (around '97 if fuzzy memory serves
correctly). I don't know of any others though...
Sean.
I will most certainly be there - booked already :-)
Has anyone heard any more line-up details since the original announcement?
Sunday is looking dangerous already (Pansonic, Merzbow and TG in a row!)
Sean.
-Original Message-
From: Phonopsia [mailto:[EMAIL PROTECTED]
Sent: 09 October 2003
He's credited on the PS2 version alright. The music on Midnight Club was
great (all licensed from Transmat, Counterbalance and Moving Shadow). Pity
the game's cr*p...
Sean.
-Original Message-
From: Roland van Oorschot [mailto:[EMAIL PROTECTED]
Sent: 22 September 2003 16:56
To:
Yeh, Tony did the tracks for the game, then put them out on the EPs...
-Original Message-
From: Matt Hellige [mailto:[EMAIL PROTECTED]
Sent: 22 September 2003 17:04
To: 313@hyperreal.org
Subject: Re: (313) (Uncredited) Aril Brikha tracks used in Gameboy
Advance game
[Sean Creen [EMAIL
wind up mode
Vespertine is a vastly superior album to Tour de France soundtracks on every
level
/wind up mode
-Original Message-
From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
Sent: 08 September 2003 10:16
To: [EMAIL PROTECTED] Org
Subject: RE: (313) Bjork Recommendations...
A few years
I was able to run Ableton an Traktor at once, and since FS now runs in
special version of traktor it should be possible.
So, does FS not require a BeOS partition any more?
I haven't downlaoded the album, but I saw him play last year and the first
half of the show was all extended jazz funk jams - if the album is along the
same lines, it'll be good...
Sean.
-Original Message-
From: spacecrusher [mailto:[EMAIL PROTECTED]
Sent: 07 August 2003 19:27
To:
The loop-based sets that Ben plays aren't really a good indication of his
skills. His knowledge of electronic music is very wide and he is definitely one
of the most technically skilled DJs on the circuit, but I agree that this
doesn't make a whole set of loops very interesting.
You should
Ask Sean Creen about the Rock cover version of The Model we heard
coming out of a grungy bar last Friday in glasgow
Sadly, its true; not that there's anything wrong with rock cover versions of
the Model per se (the Big Black version is excellent, but then i have
Albini-tinted
Am I the only person who is thoroughly disappointed by the new version of
Tour de France? Its sounds like it could have been randomly pulled from one
of the faceless piles of facile tech-house that arrive in record shops every
day.
I don't see any reason for this record to exist at all and I
Yep, and its a perfect bridge between the two - easily my favourite Beatles
album. IMO its much more psychedelic in the real sense than Sgt Pepper,
which is kind of over-blown in places and definitely too clean overall.
Now somebody try to tell me the Beatles are off-topic on ANY music list :-)
It was a limited edition CD available through their website a while back.
They only pressed the number that were preordered, so there won't be any
spare copies floating around. Its pretty good, but I wouldn't go paying
silly prices for it (unless you wanna buy my copy :-))
Sean.
-Original
Jason asked me to forward this to the list as he can't post directly right
now...
Hello troopers!
I've been keeping radio silence over the last month or two following my
recent move back from Amsterdam to Glasgow so sorry for anyone who has been
trying to get in touch- been up to my neck in
Can I suggest that this is taken off-list and everyone goes and reads some Noam
Chomsky?
Sorry, I deleted the original mail, so I couldn't send this privately. Scion
can be booked through Trresor...
Sean.
Sounds like Moodymann - Music People...
-Original Message-
From: dj337is [mailto:[EMAIL PROTECTED]
Sent: 28 May 2003 17:24
To: 'Placid'; [EMAIL PROTECTED]; 313@hyperreal.org
Subject: (313) Track ID: (313) esg @ movement
Just before ESG went on the DJ played a track that had Welcome to
Some of the more modish members of this list might take umbrage at the
suggestion that a Ben Sherman shirt makes you a boil on the arse of dance
music. If there good enough for Soutport they're good enough for
Homelands... ;)
A yes, but there are WAYS of wearing a Ben Sherman ;-)
How
Sorry if this has already been covered, but is anyone hosting a webcast from
the Movement fest this year?
Thanks,
Sean.
Ken wrote...
Well I want it solely because I've totally managed to miss The Art Of
Stalking throughout all the various versions over the years. So no gripes
from me about this being only 50% new ...
The really cool thing about the album is how the old material fits right in
with the new
Its UR -Amazon...
Sean.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Sent: 14 May 2003 13:28
To: 313@hyperreal.org
Subject: Re: (313) DJ Bone Radio1 Mix 2002 - Track id
Hi, i'm listening to this mix right now and am wondering what the second
track is, the one
All gone already :-(
-Original Message-
From: David Hampson [mailto:[EMAIL PROTECTED]
Sent: 14 May 2003 15:32
To: Placid; 313 mailing list
Subject: RE: (313) Subject: Re: (313) Moodymann Ltd edition Peacefrog ep
Spoke to Smallfish - they have 15 copies that have just gone on their
I think vol 1 was a promo mix tape, which is actually an even better mix
than vol 2 imo. Maybe DJ Bone is still on the list and can confirm that it
only came out on this format?
Sean.
-Original Message-
From: Stuart Thompson [mailto:[EMAIL PROTECTED]
Sent: 08 May 2003 15:44
To:
Word has it that this is the first in a series of releases on Axis from Claude.
AFAIK, the next will be a mini-album. More info when I have it...
Sean.
From: [EMAIL PROTECTED] (Arne Weinberg)
Date: 2003/05/08 Thu PM 01:48:00 CDT
To: 313 Mailing List 313@hyperreal.org
Subject: (313) Claude
If memory serves me correctly a major label did offer to sign jaguar with
the possibility of remixes but UR and DJ Rolando declined.
Maybe because they already planned a re-release with major remixers, in full
colour sleeve, with major distribution, etc?
Yeh, they're consistently reliable. I've ordered plenty of times and never had
a problem. Maybe give them a call?
Sean.
From: Grammenos, Peter [EMAIL PROTECTED]
Date: 2003/05/05 Mon PM 12:48:20 CDT
To: '313@hyperreal.org' 313@hyperreal.org
Subject: (313) Rushhour [ OT ]
I got an
I agree. Marsel is sussed enough to know you shouldn't be e-mailing CC numbers.
They asked my to phone or fax mine a while back and have just kept it on file
since...
Sounds a bit dodgy.
From: [-[-]-[]-[|]-] [EMAIL PROTECTED]
Date: 2003/05/05 Mon PM 01:15:06 CDT
To: Sean Creen [EMAIL
Jaguar had a chance to blow up in the late 90's but DJ Rolando chose to stay
underground.
This simply isn't true. Jaguar was milked for all it was worth. It got a hell
of a lot of publicity out of the whole Sony thing, had a promo video made, and
Rolando got serious juice in terms of gigs
As far as I remember, that term was first used by Simon Reynolds to describe
the Berlin sound, but then everything seems to revolve around drugs as far
as that excuse for a journalist is concerned...
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 29 April 2003
or just a bunch of 2 bar loops in the Beyer, Downwards, Surgeon style.
Not to kick off another off-topic thread, but there is a whole world of
difference between dull, Beyer-style loop techno and the music produced by
Surgeon, Regis, etc. Its pretty insulting to lump them together...
Sean.
Its definitely the Heckman remix of Join In The Chant that he's been playing...
Sean.
From: Max Duley / ARCart [EMAIL PROTECTED]
Date: 2003/04/22 Tue PM 02:30:39 CDT
To: 313 313@hyperreal.org
Subject: RE: (313) Surgeon questions
regarding the Nitzer Ebb track he played, it could be one
There are two other electro comps that were recommended a while back,
'Mixed Up In The Hague' by I.F
On a related note, the was talk quite a while back of a 2nd volume of Mixed
Up In The Hague; anyone know what happened to that?
Sean.
Off the top of my head, sometimes John Acquaviva and Claude, when the mood
takes them...
-Original Message-
From: Grammenos, Peter [mailto:[EMAIL PROTECTED]
Sent: 14 April 2003 16:29
To: 'Matthew MacQueen'; Jongsma, K.J.; 313@hyperreal.org
Subject: RE: (313) Shake in Holland
The only
In Dublin a few years back he played a set of pretty standard tchno/house in
the main room, then played a really eclectic set in the smaller room...
-Original Message-
From: Grammenos, Peter [mailto:[EMAIL PROTECTED]
Sent: 14 April 2003 17:03
To: 'Klaas Jan Jongsma'; ::)
Cc: Sean Creen
I'd agree with most of this...
Really enjoyed Shake's set, although the turntable problems interrupted the
flow at bit. He still managed to pull off a few sweet double copy tricks
though!
I found it hard to take Stingray seriously - some records just aren't made
to be played at 45rpm!
Public Enemy
I am looking forward to welcoming Shake this Friday now. Apparently he was
very good, dropping stuff from Soundhack to Radiohead.
Actually, I don't think he played any Soundhack, but he did play doubles of
a track with a break which Soundhack sampled. Anyone got any idea what this
was?
Cheers,
Yeh, shame - I would've liked to hear LFO, but that's no contest. Gonna have
to miss most of Parmegiani to hear Shake too, but at the end of the day its
nice to have tough decisions like this :-)
-Original Message-
From: Cobert, Gwendal [mailto:[EMAIL PROTECTED]
Sent: 21 March 2003 12:37
He's playing at All Tomorrow's Parites at the beginning of April, so I
expect he's around UK/Europe for the next few weeks...
Sean.
-Original Message-
From: Ryan Snowden [mailto:[EMAIL PROTECTED]
Sent: 07 March 2003 13:26
To: 313@hyperreal.org
Subject: RE: (313) Carl Craig
I heard the tracks about 18 months ago (probably the same versions as you
Fabrice) and was very impressed. They were a little rough around the edges
in places, but were definitely trademark Sub Knight quality...
-Original Message-
From: fabrice Lig [mailto:[EMAIL PROTECTED]
Sent: 06 March
The problem with going to other record shops in Amsterdam, is that it leaves
you with less time and money for Rush Hour - its an incredible shop! Give
yourself plenty of time to poke around in there...
-Original Message-
From: Paul [mailto:[EMAIL PROTECTED]
Sent: 04 March 2003 09:33
To:
Well, the mix into It Is What It Is is really pretty bad, but i thought the
rest of the mixing was fine for the type of material he played. Not super
tight, but I can forgive him for that - he got through a lot of
musically-interesting tracks in a pretty short time.
The idea that a third table
He's excellent - one of the very few consistently interesting harder techno
DJs (and producers) around these days.
He doesn't really do any tricks any more (he used to play a lot of doubles,
etc), but the mixing is always tight and the sets build nicely, always with
a few surprises for those who
Anyone know the release dates for the new Axis 9 and Every Dog... records?
Cheers,
Sean.
Man From Tomorrow, The Extremist, The Hacker, Manlike, DNA, Reverting, The
Bells, At First Sight (on various Axis EPs mostly)
Actually, most of these are on Tresor or Purposemaker!
Waveform Transmission vol 1. (Tresor) [esp. the mad piano track - can't
remember title]
Changes of Life
X-102:
He thought the Stooges sounded thin compared to Smashing Pumpkins!! :o
Its strange, I suppose someone who's only used to listening to music on a
digital format must be listening in a totally different way, but to me it
seems that he was mixing up precision with depth...
-Original Message-
To annoy people? Or is this some kind of avant-garde
dada experiment to challenge our expectations? ;-)
Entertainment Through Pain! :-))
Maybe this explains some of those terrible trance records Psychic TV ended
up releasing
Sean.
Why not produce a few tracks more and make an album that is entirely based
on new material?
Maybe he didn't feel like it. His rate and quality of output over the years
suggests that he makes tracks as he feels them, rather than just to fill
space on releases...
Sean.
Yeh, its essential stuff - all the Metroplex classics you'd expect from
Future/No UFOs through to Update, all nicely mixed (no Juan-wrecks!).
Its a fine testament to one of the great labels and producers...
-Original Message-
From: robin pinning [mailto:[EMAIL PROTECTED]
Sent: 23 January
I think it came out around '95, but it wasn't free with the magazine. It was
part of the Mixmag Live series, which was mostly awful but they did also put
out mixes by Garnier and Hawtin (still Hawtin's best released mix CD IMO).
Sean.
-Original Message-
From: Matthew MacQueen
Jason Brunton asked me to forward this to the list...
-- Forwarded Message
From: [EMAIL PROTECTED] [EMAIL PROTECTED]
Date: Sun, 15 Dec 2002 20:49:00 +
To: 313@hyperreal.org
Subject: Re: (313) end of the night
End of my night:
Orlando Voorn- Future City
R-Tyme- R-Theme
UR- CodeBreaker
I heard the Ben Sims mix a while back - it was really good; kind of in his
trademark style, but retaining the depth of the original. I don't think the
release ever surfaced though; not sure why...
Sean.
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 12
Its about time for a top ten of 2002. These are in no particular order and
with the proviso that I'm waiting for a package from Submerge which may
nudge one or two out when I get it!
Shifted Phases - The Cosmic Memoirs of the Late Great Rupert J. Rosinthrop
(Tresor)
Transllusion - L.I.F.E.
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