from McCollum's article in the Free Press today
(http://www.freep.com/entertainment/music/demf24_20020524.htm):
"Scanning the weekend's lineup of 68 artists, some clear trends
emerge. There's less IDM, or intelligent dance music, the sort of
stuff favored by Craig. There's more straight-up club
bandwidth.
Cheers
Dan Bond [Editor]
[EMAIL PROTECTED]
http://universalsource.co.uk
Ps If any of you guys are up for contributing towards the site please let us
know
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Anyone know when this is supposed to hit?
At 1:26 PM -0700 5/19/02, Minto George wrote:
oh forget this:
update...
John Tejada
"Timebomb VIP"
Something special from John and us folks here at 7th
City is a new remix of "Timebomb". "Timebomb" was
such a great sucess last year we have made limited
At 10:09 AM -0400 5/23/02, Dan Sicko wrote:
I hear you Fred.
I just have trouble with the polarized grouping of "dance" and "IDM"
styles. There were all kinds of other genres and styles represented
in the first two festivals. Ones you could dance to, too.
excuse
I hear you Fred.
I just have trouble with the polarized grouping of "dance" and "IDM"
styles. There were all kinds of other genres and styles represented
in the first two festivals. Ones you could dance to, too.
Lumping everything but house and techno into" IDM" seems a bit
convenient, and
I thought that was Sean "DJ Marty McFly" Deason? :P
At 12:51 PM -0400 5/22/2002, sean deason wrote:
Lester Kenyatta Spence wrote:
(snip snip)
because we can't go back to the future.
peace
lks
to whom it may concern,
from now on the phrase "Back to The Future" should always be foll
from weather.com:
Fri May 24 AM Showers72°F49°F
UV Index: 6 Moderate
Sat May 25 Scattered T-Storms61°F45°F
UV Index: 7 High
Sun May 26 AM Clouds / PM Sun64°F45°F
UV Index: 5 Moderate
Mon May 27 Partly Cloud
ok ... if the location is to be announced, what's this metroplex room thing?
-d
At 2:50 PM -0500 5/20/2002, John Sokolowski wrote:
Go to:
www.submerge.com
and see what pops up!
Cheers,
John
_
Send and receive Hotmail on your
http://www.bprince.com/SierraVistaUnfinished.mp3
Hope nobody minds me posting these little studio snippets . . . I get
a lot of useful feedback from you heads.
what a cool idea! I'd like a copy please. :)
-d
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finally got some newer stuff up there. :)
www.techno-rebels.com
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Darren Mohammed was part of Adrenalin M.O.D., creator of some old
Acid house gems.
-d
At 10:43 AM +0200 5/15/2002, Niko Tzoukmanis wrote:
o.k., seems like most of it has been
released before, more or less...
one question concerning derrick,
who is darren mahomed ? is it
derrick may in disguis
there aren't any 2001 archives on Groovetech.
Only 2000.
-d
DJ Godfather :)
-Original Message-
From: Jason Donnelly [mailto:[EMAIL PROTECTED]
Sent: Friday, May 10, 2002 9:29 AM
To: 313@hyperreal.org
Subject: [313] demf 2001 archives
morning all!
just got access to broadband (high
There's also some live violin strings (Ana)
I thought that was someone else? Ana plays flute on a couple cuts
though, right?
-d
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now now ... it seems obvious to me that they had pictures left from
last year. I'm assuming Derrick asked to have his pictures taken down.
I don't think there's a conspiracy amid the JPEGs. ;)
-d
At 1:42 PM -0400 4/29/2002, [EMAIL PROTECTED] wrote:
5 out of the 6 pics of dj's on the website
Kevin Saunderson's remix of the Wee Papa Girls' "Heat It Up."
-d
At 11:29 PM -0400 4/26/02, Lee Herrington wrote:
hey folks.
i've been thinkin' about remixes tonight. can anyone name trax that had a
greater impact "remixed" by D artists than "untouched"?
regards,
lrh
---
At 11:44 AM -0400 4/25/2002, :P wrote:
we should ALL write haikus about bell vs wink
freak is minimal
so is wink's track "superfreak"
'cept not as super
yes I feel much better now. :)
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At 8:37 AM -0400 4/18/2002, Dan Sicko wrote:
isn't this why artists perform under multiple pseudonyms?
or *another* reason why they do, I should say ... outside of record
label contracts. :)
-d
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isn't this why artists perform under multiple pseudonyms?
You could see Afronaught at DEMF and Orin Walters at the Planet E
party for instance ...
-d
At 11:33 PM -0700 4/17/2002, (Truth Be Told) wrote:
I did say person attending the party right? Looking at a friends
contract it says artist
speaking of YMO, is there an instrumental version of their cover of
Archie Bell and the Drell's "Tighten Up"? I fially tracked down a
12" of this but it has the vocal on it, in broken english, it's
hilarious... I just can't play it with a straight face even though I
love the music.
this from
you got HTML turned on? 313 won't accept those posts ... pretty sure
no attachments too.
-d
At 1:43 PM -0400 4/16/2002, sean deason wrote:
sorry. my postings have seemed to vanished today
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What I would like to know though is were the selection comittee
aware that PCM planned to list thier selection without having first
booked or even contacted the artists involved?
I probably didn't make much sense in my last post ...
I think people are getting the "lists" of performers mixed
s were the selection comittee aware that PCM planned to list thier
selection without having first booked or even contacted the artists
involved?
I really don't think that's how it happened. They come up with a
wish list and work from there ... the artists that are listed now are
booked AFAIK
maybe they knew who this "Drexciyan DJ" was and contacted him (her?
it?) directly instead of through James?
I think they know better than to play with fire ... er, water.
-d
At 10:25 PM +0200 4/15/2002, <[EMAIL PROTECTED]> wrote:
I'm sure most of you have pretty much figured it out anyway, but
At 2:59 PM -0200 4/15/2002, henrique casanova wrote:
what reasons would the police have to cancel these partys??
im just curious. we live in very diferent worlds in this list. i'm
never heard about a party being closed by the police here in brazil.
depends on the venue, right?
I only hit Pla
mine is "Golden Solitude" with Bembe Segue on vocals. Amazing stuff.
at first I didn't dig the new 4Hero because of all the vocal tracks.
Now it's hard for me to dig their stuff *without* vocals.
They really do an amazing job on this one.
-d
however, the thing that does it for me is the la
excuse me everyone, but T-1000 is not a mid-tier DJ. He is a high caliber
DJ. I think that everyone here should be happy that this is coming off and
people like PVD and PO and all these other Trance eating mofo's aren't
showing up. This could have turned into total crap.
heh ... you definite
What the Freep didn't quote me on (but *nicked* my idea) was the
"pleasant surprises." :)
I'm going to love hearing Art Payne and the like, I just wish there
were more important Detroit artists and DJs from the (ahem) 1990s
there too. Drexciya, Rob Hood, Claude Young, etc.
Too bad we were
The only thing I might reproach but I have not all the ins and outs,
if, it is true, that CPOP failed trying to book Kraftwek, that means
for me there is room to improve their booking
organizationbut they are not alone in this case, most of
promoters, bookers, today, work the same wa
At 8:52 AM -0400 4/13/02, phedx wrote:
cause pcm said this was
g r o o v e
LOL ... how come there aren't any "groove" artists, according to the
dividers up at Record Time? :P
-d
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Of course, an interesting semantics argument could be made - is this the
"Detroit Electronic Music Festival" as in, a festival of electronic music
held in Detroit? If so, then anything goes - from all over the world,
in any electronic music style.
that's the way I've always read the title ... d
and aardvarck, and dimension 5, and a 4-hour Peel Seamus set, and
At 11:35 PM +0200 4/12/02, marsel wrote:
we want $tinkworx!!!
At 12-4-2002 -0400 17:23, you wrote:
what a pathetic mess. my excitement is rapidly falling, the chances
of me going are rapidly dropping.
not that i was too
hmm indeed. maybe they didn't get their contracts signed until the
last minute??
DOH
no drexciya(n DJ) and no cool triple shot of hip-hop? snif
-d
At 3:49 PM -0400 4/12/2002, Rob Theakston wrote:
hmmm
now there's a new schedule.
something just quite aint right.
-
richie and kenny larkin's pictures are in there too ... seems a
little weird doesn't it?
At 8:04 PM +0100 4/12/2002, Michael D Tyrer wrote:
but thats definately his picture on the schedule page at least he
got a look in
- Original Message -
From: "Maarten Baute" <[EMAIL PROTECT
hehe ... if they were going to do robots and DJs, they could have *at
least* asked Alan to do it.
:)
At 12:39 PM -0600 4/12/2002, Holly MacDonald-Korth wrote:
oh, it's horrible. HORRIBLE. rave it up, detroit.
-Original Message-
From: Giles Dickerson [mailto:[EMAIL PROTECTED]
Sent: Fri
At 1:39 PM -0400 4/12/2002, Alexandres Lugo wrote:
Definitely disappointed with the lack of live stuff too...and still no
Kraftwerk or Aphex...oh well, not surprised but disenchanted.
it's my understanding that they tried for both of the above.
-d
well, MGD stands for Miller Genuine Draft, so there's (burp) that
At 1:23 PM -0400 4/12/2002, J. T. wrote:
dan sicko said:
It actually says Drexciya!!!
I know! But it doesn't say "Drexciya (live)"
as mentioned in the interview on technotourist, i assum
sorry if there's a double post ... didn't see my reply come through.
it is my understanding that they tried to get both Aphex and Kraftwerk.
-d
At 1:39 PM -0400 4/12/2002, Alexandres Lugo wrote:
Definitely disappointed with the lack of live stuff too...and still no
Kraftwerk or Aphex...oh w
It actually says Drexciya!!!
I know! But it doesn't say "Drexciya (live)"
[semi-rhetorical question] And why aren't they closing out that stage??
-d
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not to mention Carol Marvin herself leaking Juan Atkins (surprise)
and Kenny Dope Gonzalez in Real Detroit.
-d
At 10:23 AM -0400 4/12/2002, phedx wrote:
Here are the early mornings appetizers everybody.
www.spinners.tv/index2.html
the newsconferencetoday 11:30-1
I will be going earl
And A Number of Names! :)
At 8:36 PM + 4/11/2002, [EMAIL PROTECTED] wrote:
Indeed, you're right. I guess I always thought of it as a Detroit label cause
it featured several Detroit artists like Don Was and Ken Collier.
-J
on 4/11/02 3:57 PM, Dan Sicko at [EMAIL PROTECTED]
At 2:52 AM +0200 4/6/2002, Mad'R wrote:
- Original Message -
From: "Maarten Baute" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Friday, April 05, 2002 9:27 PM
Subject: [313] strings of life
me and my questions...
So, i heard this remix of strings of life this saturday (played b
Quality was out of Canada actually ...
At 7:50 PM + 4/11/2002, [EMAIL PROTECTED] wrote:
I always thought that was actually Kraftwerk themselves under a different
guise. Same track really, just different mixes. Interestingly enough, that 10
Speed version of Tour De France originally came out
It was probably the audacity (or lack of originality) to make a
similar track and even *name* it the same way that infuriated Dan ...
-d
At 5:16 PM -0500 4/10/02, [EMAIL PROTECTED] wrote:
Sorta sounds like Josh took Dan's "Beat Phreak" and "Superphreak" - it has
the
finally the mist has lifted.* ;)
well, it's been fun keeping the secret ...
-d
*assuming everyone knows the other half
At 1:15 PM +0200 4/10/2002, John Osselaer wrote:
As the final interview of our electrospecial we have put up the
interview I did with James Stinson of Drexciya in February.
At 5:09 PM -0400 4/8/02, Giles Dickerson wrote:
A little like Plaid? You mean it sucked?
- Giles
dem's fightin' words round these parts :D
Actually though, I prefer the album coming out on Immigrant. It's
called "The Toiling Of Idle Hands." Much more aggressive, but still
just as int
missed that one ... during what segment?
At 10:10 PM -0400 4/7/2002, Phonopsia wrote:
Anyone else catch a snip of John Beltran from "Ten Days of Blue" in Six Feet
Under tonight? I did a sonic double-take. :)
Tristan
---
Upcoming Gigs:
4/14/02 - Filler @ Blue Room, Adams Morgan,
At 1:11 PM -0500 4/6/02, phedx wrote:
the press co nfere nce is the 12th of april
no one related to the media compa ny is leaki ng the list
hah ... no one? in this town? :)
anyway, the nice thing is we're getting afterparty line-ups in advance.
-d
-
the names below are from last year's party, right?
Where was the first post in this thread? -- I don't remember seeing
it come through. I'd like to see the party line-up again.
Thanks.
At 11:35 AM -0500 4/6/02, Matthew L. Thompson wrote:
Ok, I'll stick my neck out and ask... is it safe to a
The way I heard it, the album was initially going to be called "The House
Sound Of Detroit", as back then the music was seen by the UK press as being
pretty much house music from Detroit, but the label wanted to put a certain
slant on it, asking the Belleville Three if there were any other terms
it's got a track called "techno Trax" on it - yet it was made in 1982; I
thought Juan coined the term techno
no, Juan didn't coin the term "techno" per se ... I'm sure it was in
the English language long before Alvin Toffler even used it.
Juan was just the one that perpetuated the name fo
They were almost there with the first one ... they had Photek's "Ni
Ten Ichi Ryu" when the credits were rolling ... why not in the film
itself? :)
-d
At 12:40 PM -0500 3/23/02, Matthew L. Thompson wrote:
I'm planning to see it Sunday evening. That's been one of my key thoughts
about this mo
before.
And don't forget the Cybotron/Cybertron connection :)
-d
At 4:00 PM +0100 3/22/2002, Matthew KANE wrote:
Did the Metroplex label exist BEFORE or AFTER the Transformer with the same
name?
--
let's see what we can see...everybody on line?
[EMAIL PROTECTED] weekdays || [EMAIL PROTE
i picked up an original transmat pressing of nude photo a simple silver
label with blue text, the kool kat picture sleeve release of nude photo, and
the picture sleeve release of bam bam's where's your child. all for fifty
cents a pop...
RE trax: it's always been rumored, in the dirty south at le
I don't think Plastikman has used that font in quite a while ...
check the packaging for "Consumed."
At 1:19 PM +0100 3/19/02, Berislav wrote:
im defenitly tired of looking around, so im asking does anybody have
plastikman`s font "F Uck 'n' Pretty", because mr. Hawtin is coming to play
ove
At 8:29 AM -0500 3/11/2002, Rob Theakston wrote:
http://www.detnews.com/2002/entertainment/0203/08/a01-435700.htm
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heh ... the real
Since the early-mid 90's this has certainly turned around
dramatically affording people like Dan Sicko, Simon Reynold's, Hobey
Eichlin and Mike Rubin and various others the opportunity to cover
or relate interesting stories and get paid.
^^
I hope you
Were it not for Detroit's WLBS...Prince woulda been
dropped--period--end of story. Warner Bros. put >him on as the
opening act for the Rolling Stones tour in 77 or 78 (can't remember)
and he was literally >booed, caned, and thrown trash and bottles at
by irate--white rockers already grasping t
I'm really torn on the Motor question though. Where will Detroit (or any
American city with its analogue of motor) go to hear expensive talent like
Herbert, and how will the local artists get to make the money they deserve
if we boycott the places big enough to garner those fees? We all know the
Speaking to the "Why S&D and not Juan?" issue directly, I'd just like
to offer up the strange infatuation the US media holds for UK pop
culture exports (I know this term is a bit of the large blanket
variety) ...
I think often times a "movement" seems that much more legitimate to
the US (and
sounds like the first 12" on Shockwave. It's not "Depressurization,"
which is my fave, but which one?
-d
At 2:41 PM + 2/28/2002, rob webb wrote:
Dan:
naw, that's a Drexciya cut.
curses, out-spotted, heh. :) which track is it - i don't recognise
has anyone else viewed the Flash preview they've got on there -
http://www.submerge.com/sneakpreveiw/promo.html? what are the odds
that the first piece of music, before "Shake It Baby" comes in, is
the new UR? hmmm... sounds like Hi-Tech Funk to me. :)
naw, that's a Drexciya cut.
:)
--
All together
they don't make a good "soundtrack".
What is a good soundtrack? Soundtracks are almost exclusively a
bunch of licensed tracks coming together for a chance meeting in film
and then on CD.
"Scores" on the other hand specifically accentuate the narrative.
If you're judging "Orie
This is a late reply to the thread about new CDs ...
Just wanted to mention there are reviews of the new Aardvarck album
on Delsin and Tim Koch on deFocus up on www.techno-rebels.com
-d
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Anyway, I showed up just when Brian Zentz came on, and he played a set that
was banging, funky, and dynamic. Brian has flawless rock the house fist
pumping DJ instincts and taste as well. He played (I think) a lot of his
own tracks from CD that were great...
* Speaking of Brian Zentz, can someon
Anyway, I showed up just when Brian Zentz came on, and he played a set that
was banging, funky, and dynamic. Brian has flawless rock the house fist
pumping DJ instincts and taste as well. He played (I think) a lot of his
own tracks from CD that were great...
* Speaking of Brian Zentz, can someon
he is in lansing tonight at the temple.
From: janos <[EMAIL PROTECTED]>
To: 313@hyperreal.org
Subject: Re: [313] suburban knight
Date: Sat, 23 Feb 2002 15:36:22 +0100
Some pictures of a happy Suburban Knight
http://www.techstylism.com/cult.html
janos
At 01:37 PM 2/23/2002 +0100, John Oss
hehe. you'll see it everywhere if you try
In my daughter's book "Officer Buckle & Gloria," it says "Officer
Buckle told his safety tips to 313 schools."
-d
At 10:44 PM +0100 2/22/02, W Lammerts wrote:
At my office I am printer on this brand new HP 8550 printer, the internal
code name f
Mojo and Detroit ? - did this cross with techno back in the dayz ? - and how
did what? hip-hop? Mojo got into it for a bit, but it didn't dominate
his show ... Don't think he ever played Boogie Down Productions
though, if that's what you're asking. :)
who´s ready 4 dissing hip hop ? and what
The one who shells out the cash get no props because its
automatically 'always about the money.'
my point being:
The "money" end of The World Party was not a success. And the
artistic direction was handled by someone else.
Can one infer anything from this? Maybe.
Ancient history? Probabl
> Swayzak - Groovetechnology CD#2 (!K7)
> Recloose - Cardiology (!K7)
tosh is showing off ... cardiology isn't out just yet. :)
-d
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Ok, let me put a quash on all this talk about "how World Party was a flop".
no ... I at least meant flop in every American, commercial sense of the word.
The music was definitely not there yet ... this was the city that
couldn't keep the narrow confines of the Music Institute open. And a
year
Heh.
Well, I was kind of joking about DJ worship, but what I was really
hinting at is that techno, house, electronic music, what have you ...
are in an entirely different context at an event like DEMF. It's not
a club, not an outdoor "rave," ... it's a concert festival. How many
local promo
but I thought that this particular event (DEMF) is supposed to be a
reflection of what is at the core of dance music in Detroit
I don't think that's exactly the intent ... "dance" isn't in the title. :)
-d
-
To unsubscribe,
I'll even say further that Pop Culture themselves has experience in
organizing (or have been involved in) huge events and festivals in
the past (i.e. as far as I know, the 'World Party'
Let's not forget what a huge flop the World Party was ...
I haven't been to a jazz festival since Branford M
The panel is purely to decide the artistic content from what I
understand. Not to book or plan.
DJ/producers are perfect for that.
The rest is left to Pop Culture Media, just as before ... for better or worse.
-d
At 10:13 AM -0500 2/18/2002, Altitude wrote:
Heres my $0.02.
If you read th
I knew people'd jump all over whoever ended up on the board.
They haven't even been officially announced and they're being
DEnounced already?
Cut 'em a little slack, eh?
-d
At 8:47 AM -0500 2/18/2002, Rob Theakston wrote:
*insert speech about opportunists here*
http://www.freep.com/ente
no .. that's not Martin, but some other unreleased cut (I think).
"Martin" literally has the voice of "Martin Luther King, Jr."
throughout.
-d
> http://www.deephousepage.com/derrickmaymusicinstitute1988a.ram
11 mins in -
simple piano hook - early chicago something?
Isn´t this "Rhythim
in fact...it was ALWAYS at 1315. got numbers wrong.
Right ... I guess I always counted the parties at 1515 in with the
"M.I." aesthetic. I don't remember how long the crowd hung around
that block of Broadway before the whole thing fizzled out.
-d
-
probably a good time to repost the FAQ location (or at least the
pertinent question):
http://music.hyperreal.org/lists/313/08.html
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1. Downtown Detroit...on broadway. 1515 broadway.
First it was at 1315 Broadway
-d
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Ah, no that's not it ... "Martin" is basically the entire "I Have a
Dream Speech" set to a sparser, calmer Mayday style.
Don't know what the track on the RealAudio file is ... "Relic of all
Relics?" :)
-d
At 7:26 PM +0100 2/15/02, marsel wrote:
is it after this track that R=R 'Martin' come
maybe I haven't gotten there yet ... where is "House Music Anthem" in
the stream?
At 7:26 PM +0100 2/15/2002, marsel wrote:
is it after this track that R=R 'Martin' comes in?
At 15-2-2002 -0800 03:24, you wrote:
I love how the copy of "House Music Anthem" he played in 1988 is
just as scratchy
wow ... don't know how I missed this link before. Now someone just
has to unearth the unreleased Rhythim Is Rhythim track "Martin" he
used to play at the M.I., or find one of Alan's shows where he played
it. ;)
-d
At 4:18 PM +0100 2/14/2002, Mario Atienza wrote:
In AudioGalaxy from long time
I don't think anyone on the list knows anything ... anybody tried emailing
[EMAIL PROTECTED]
?
-d
At 6:35 PM -0500 2/12/2002, Chana Goodman wrote:
WE WANT TO KNOW, WE WANT TO KNOW!!! [fists pounding]
_
Chat with friends online,
You'll want to track down their album "Secret Handshakes" ... great stuff!
Kushti are "Skratch Daddy Addy" and "Blast" according to the liner
notes. Plaid does do production and have some writing credits, but
I'm certain at least that "Skratch Daddy Addy" is a seperate entity,
having seen (an
At 12:08 PM -0600 2/2/02, ryan burns wrote:
on the new theo parrish mix cd theres a theo remix of jill scott.
does anyone know if this is going to be released. any info???
What's on the cover/title of this CD? ... I'd like to check it out myself.
thanks!
-d
-
which mix was this anyhow? 156? 160?
Thanks,
Dan
At 1:03 PM -0500 12/31/2001, Lester Kenyatta Spence wrote:
On Mon, 31 Dec 2001 [EMAIL PROTECTED] wrote:
Hi,
Can anyone identify what is going at the 51.40 mark of theo parrish's
mixoftheweek.com mix?
Its got a spooky string lin
yeah what happened to Matt, I'd like to know as well...
dK
-Original Message-
From: Benn Glazier [mailto:[EMAIL PROTECTED]
Sent: Monday, February 04, 2002 10:19 PM
To: 313@hyperreal.org
Subject: RE: [313] What's in a name?
At 12:21 04/02/2002 -0600, [EMAIL PROTECTED] wrote:
>Anyone als
out sooner.
dK
-Original Message-
From: Minto George [mailto:[EMAIL PROTECTED]
Sent: Monday, February 04, 2002 9:22 AM
To: 313@hyperreal.org
Subject: [313] Heinrich and dopplereffekt
My friend Dan Kurzius did a little write up on these
guy(s) in his Hardsync zine. I'll see if I can dig it
up.
Shoot ... Gerald's been on the cover (or back cover?) of
Dopplereffekt 7"s ... that much isn't a mystery anyway! :)
-d
At 2:52 PM +0100 2/4/2002, bart wolff wrote:
Well...scan the picture and put it on the list...the mysterie of at
least one of the drexciya members is known AND this whole
mu
There's 5 on Clear alone ... only one of those on CD I think.
Another one is a limited edition 7" ...
At 6:16 PM -0800 2/2/02, FC3 Richards wrote:
How many Dr Rokit releases are there??? I believe I have number 5, but am
not sure, and how hard are the others to get ahold of?
jeff
---
he was the walrus.
At 2:43 PM + 2/1/2002, rob webb wrote:
Marsel:
i also played in the beatles
were you the drummer?
rob
_
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp.
-
there's plenty ... several uses of Cybotron's "Techno City" come to
mind, and probably the
biggest source would be the old Nexus 21 (aka Altern8) album.
Detroit tracks sampled a bit too liberally ... but it's fun listening.
-d
At 9:17 PM -0500 1/31/02, Lee Herrington wrote:
hey folks. a c
maybe we should do a webpage for this shit? it's kinda interesting
to know who everyone is, tho the volume of emails (which i'm
contributing to) is likely to get out of hand.
George/Dan/[EMAIL PROTECTED] - can we tack something onto the side of
the mythical list faq?
by "my
At 4:13 PM -0500 1/31/02, J. T. wrote:
uhh...is this 313 lovelines...im 25, all man, on 313 longer than
you, got more records than you..
i love you guys and im not complaining but this is kinda ridiculous.
how many people are on this list...are only the extra-important
people supposed to post t
okay ... Ian's thrown down the gauntlet (data glove?):
33 years old.
Copywriter for ad agency devoted to one of the "Big 3."
Born in Detroit. Live in the Metro Area.
Write about techno. Visit my vinyl collection in the basement when
schedule permits.
313 subscriber for 7 years.
---
Yikes, if we can't talk about 4Hero on 313, things must be grim.
-d
At 6:34 AM -0800 1/31/2002, T.J.Johnson wrote:
Oh ok! Sorry I didn't know they wer DnB...
On Thu, 31 January 2002, [EMAIL PROTECTED] wrote:
> Where was there even a hint of Drum n Bass mentioned in the post?
>
The Dimension 5 album is nice. If you imagine clean Aril Brikha
production values with a kind of stripped down B12, you're nearly
there.
I've listened once already and that was pretty much my take on first
blush. Problem is, I'd much rather listen to Aril Brikha with Aril
Brikha production. ;
At 11:55 AM -0700 1/29/2002, Holly MacDonald-Korth wrote:
WTF is "office-party music"?
A (ahem) "clever" Salon writer coinage.
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'Funky' really seems to be the most overloaded word in electronic music. I was
cringing when I read the start of this thread. Techno is 'funky'? Well it sure
isn't funky the way The Meters, James Brown, Prince or Red Hot Chili Peppers
are funky. Most techno doesn't even have a funk-derived bass l
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