e
- Original Message -
From: "Stoddard, Kamal" <[EMAIL PROTECTED]>
To: "Matt Kane's Brain" <[EMAIL PROTECTED]>
Cc: "/0" <[EMAIL PROTECTED]>; "Martin Dust" <[EMAIL PROTECTED]>;
"313@Hyperreal.Org 313" <313@hyperrea
Current 93/Nurse With Wound/Coil and Sol Invictus may be worth a look then,
although I recommend to listen before you buy as some of it may be a tad
"way out" there - I'll have a dig through my collection and see if I can add
more names to the list...
Have you tried Fire+Ice/Death In June st
ddard, Kamal
Cc: 313@Hyperreal.Org 313
Subject: Re: (313) how Richie does it --> how do most do it?
>So no one with any kind of anything on the folk/electro thing?
Everybody
>as unfamiliar as me with beth orton's music then I take it? Very well
>then...
Black Dog did a few remixes fo
>I have no problems at all with 4.1.4 but five has been a pain where midi
>has
been concerned. Dropping notes, holding notes and switching patches - and
if
you do a long jam session the whole thing starts to lose sync...
ohh yeah, rewind...i got those same problems. i just figured it was my
c
So no one with any kind of anything on the folk/electro thing? Everybody
as unfamiliar as me with beth orton's music then I take it? Very well
then...
Black Dog did a few remixes for her, Caroline Martin is also worth checking
out, she has a really soft lullaby voice that manages to transfer
>I have no problems at all with 4.1.4 but five has been a pain where midi has
>been concerned. Dropping notes, holding notes and switching patches - and if
>you do a long jam session the whole thing starts to lose sync...
ohh yeah, rewind...i got those same problems. i just figured it was my com
Kks
mwnb
-Original Message-
From: /0 [mailto:[EMAIL PROTECTED]
Sent: Wednesday, April 05, 2006 5:55 PM
To: Stoddard, Kamal; Matt Kane's Brain
Cc: Martin Dust; 313@Hyperreal.Org 313
Subject: Re: (313) how Richie does it --> how do most do it?
I'm sorry if what I said offended
h, I'M not saying ANYTHING'S off topic. I'm saying this cat has
.>habitually called folks out for being techno-but-not-Detroit or
Detroit-but-not-techno or any other type of OT he can think of,
meanwhile lobbing troll comments to one of the most polite people I've
read messages from here (ma
no problems here either...but the midi is pretty simplified so i'm still
using cubase for more delicate midi projects...
what kinda bugs have you runt into martin?
All kinds :) Crashes, missing data, out of sync mostly
ps that richard h kirk track on the dust science myspaz page does it f
I've got a Powercore (plus warious Waldorf and Acess 3rd party plug ins)
There's a few memory problems with the Powercore but it seems that when you
add a Ti it becomes a world of pain, a good friend sold their Ti because of
the grief...
and it too works fine with Live on my system- th
ril 05, 2006 5:02 PM
To: Stoddard, Kamal
Cc: /0; Martin Dust; 313@Hyperreal.Org 313
Subject: Re: (313) how Richie does it --> how do most do it?
you're saying that monolake is offtopic on a techno list, and j dilla
isn't?!
On Apr 5, 2006, at 16:51, Stoddard, Kamal wrote:
> Let&
m: Jason Brunton <[EMAIL PROTECTED]>
>Sent: Apr 5, 2006 5:32 PM
>To: Martin Dust <[EMAIL PROTECTED]>
>Cc: /0 <[EMAIL PROTECTED]>, "313@Hyperreal.Org 313" <313@hyperreal.org>
>Subject: Re: (313) how Richie does it --> how do most do it?
>
>I hav
<[EMAIL PROTECTED]>; "313@Hyperreal.Org 313"
<313@hyperreal.org>
Sent: Wednesday, April 05, 2006 10:32 PM
Subject: Re: (313) how Richie does it --> how do most do it?
I have to say, it works pretty damn well for me- using two MOTU
Midi Express XT's with 8 outs each and I'm well happy
Jason
Well in Joe's defence I'd say a hefty proportion of the stuff on the
list isn't directly about Detroit these days- Robert Henke's music is
certainly a hell of a lot closer (in my mind) to the "spirit" of
adventurous electronic music that Detroit helped to foster/inspire-
there's a shed load
PROTECTED]>
Cc: "/0" <[EMAIL PROTECTED]>; "313@Hyperreal.Org 313"
<313@hyperreal.org>
Sent: Wednesday, April 05, 2006 10:32 PM
Subject: Re: (313) how Richie does it --> how do most do it?
I have to say, it works pretty damn well for me- using two MOTU Midi
Express XT's with 8 outs each and I'm well happy
Jason
I have to say, it works pretty damn well for me- using two MOTU Midi
Express XT's with 8 outs each and I'm well happy
Jason
On 5 Apr 2006, at 19:00, Martin Dust wrote:
You have such a way with words, the wrong way - and when I start
getting paid as a bug tester for something they charge $5
cepts come from msp patchers
- Original Message - From: "Simon Hindle"
<[EMAIL PROTECTED]>
To: <313@hyperreal.org>; <[EMAIL PROTECTED]>
Sent: Tuesday, April 04, 2006 8:48 PM
Subject: RE: (313) how Richie does it --> how do most do it?
you're saying that monolake is offtopic on a techno list, and j dilla
isn't?!
On Apr 5, 2006, at 16:51, Stoddard, Kamal wrote:
Let's see
monolake? Max/msp? Doesn't sound Detroit to me...Dumba$$...
--
matt kane's brain
http://hydrogenproject.com
aim -> mkbatwerk || mkbwriu
[EMAIL PROTECTED]
@o/
Keep posting troll shxt and you just may outlive your use to the world.
And I thought to was a hater :). Plus, aren't you the one always
whining about how if it's not on topic it shouldn't be here? Let's see
monolake? Max/msp? Doesn't sound Detroit to me...Dumba$$...
On another note. And
go back to sleep martin, you've outlived your use to me.
- Original Message -
From: "Martin Dust" <[EMAIL PROTECTED]>
To: "/0" <[EMAIL PROTECTED]>
Cc: "313@Hyperreal.Org 313" <313@hyperreal.org>
Sent: Wednesday, April 05, 2006 2:0
That looks pretty cool Dave, all that kit in a sweat hot nightclub tho,
don't think I could :)
- Original Message -
From: "Dave Stenton" <[EMAIL PROTECTED]>
there's a pic of Sendex's set-up here:
http://i45.photobucket.com/albums/f52/tony_little/TTB007.jpg
there's a pic of Sendex's set-up here:
http://i45.photobucket.com/albums/f52/tony_little/TTB007.jpg
-Original Message-
From: Tristan Watkins [mailto:[EMAIL PROTECTED]
Sent: 05 April 2006 01:10
To: 313@hyperreal.org
Subject: RE: (313) how Richie does it --> how do most do i
You have such a way with words, the wrong way - and when I start getting
paid as a bug tester for something they charge $500 for I'll give you or
ableton a bell, until then I'll wait until they've finished the next 12
builds before they get midi to work properly, if that's alright with you?
[
he's played in detroit as monolake, using this software to communicate/collab
with deadbeat I think.
robin <[EMAIL PROTECTED]> wrote:
>
> that's for a different project though isn't it?
>
> i do however stand (partially) corrected.
>
> :)
>
> robin...
>
> /0 wrote:
> > you're righ
as interested as I am in parsing the english language with you, (ie I didnt
mention monolake, I mentioned robert, who solely comprises monolake at this
point) I think i'll go home and play with audio instead.
:D
Neil Wiernik <[EMAIL PROTECTED]> wrote:
>
> thats a different project atl
thats a different project atlantic waves is his project with deadbeat its
not monolake solo...
I know he still uses max/msp for his robert henkie and atlantic waves
stuff but not for the monolake project when hes playing live any how...
Ive hosted robert a number of times in toronto and the fir
[EMAIL PROTECTED]
use it, it exists for a reason
Martin Dust <[EMAIL PROTECTED]> wrote:
> No wonder there's so many bugs in 5 :)
>
> m
>
> On 5 Apr 2006, at 12:36, /0 wrote:
>
> > actually, I think robert is using max/msp.
> >
> > live is based off an msp patch, which has been available
that's for a different project though isn't it?
i do however stand (partially) corrected.
:)
robin...
/0 wrote:
you're right, this probably isnt max/msp:
http://www.monolake.de/atlantic.html
robert has both posted his own performance patches, and helped me with mine
(subpatcher for midi l
you're right, this probably isnt max/msp:
http://www.monolake.de/atlantic.html
robert has both posted his own performance patches, and helped me with mine
(subpatcher for midi learn capabilities) in the past 12 months
from this, I base my previous statements.
robin <[EMAIL PROTECTED]> wr
, which has been available for years and years.
a lot of lives concepts come from msp patchers
- Original Message - From: "Simon Hindle"
<[EMAIL PROTECTED]>
To: <313@hyperreal.org>; <[EMAIL PROTECTED]>
Sent: Tuesday, April 04, 2006 8:48 PM
Subject: RE: (313) how Ri
Don't be silly he won't be using max/msp these days.
robin...
/0 wrote:
actually, I think robert is using max/msp.
live is based off an msp patch, which has been available for years and
years.
a lot of lives concepts come from msp patchers
No wonder there's so many bugs in 5 :)
m
On 5 Apr 2006, at 12:36, /0 wrote:
actually, I think robert is using max/msp.
live is based off an msp patch, which has been available for years and
years.
a lot of lives concepts come from msp patchers
t;[EMAIL PROTECTED]>
Sent: Tuesday, April 04, 2006 8:48 PM
Subject: RE: (313) how Richie does it --> how do most do it?
I saw Stewart Walker a couple of months ago and he was basically using
ableton and one of those doepfer pocket faderboxes running into a DJM600,
nothing else.
Seeing
> -Original Message-
> From: Simon Hindle [mailto:[EMAIL PROTECTED]
> Sent: 05 April 2006 01:48
> To: 313@hyperreal.org; [EMAIL PROTECTED]
> Subject: SPAM-LOW: RE: (313) how Richie does it --> how do most do it?
>
> For 'proper' live, though, I think
I saw Stewart Walker a couple of months ago and he was basically using ableton
and one of those doepfer pocket faderboxes running into a DJM600, nothing else.
Seeing Monolake live using ableton was quite impressive - after all he
basically designed the software for himself to use. He played a se
There are a few different types of live PAing. You've got an Ableton live
arrangement/dub, or something like Stewart Walker where he uses an MPC + his
other kit where he will have most of the patterns sequenced in advance, but
he'll play some of them live on the MPC pads, and then trigger the seque
On 4/4/06, Alex Lugo <[EMAIL PROTECTED]> wrote:
> Watching Jeremy Ellis working the MPC is the epitome
> of using that piece of gear live, IMHO. I haven't seen
> it done better.
ill agree with that! the opening bit of his set at movement 03 when he
was rocking the mpc solo was absolutely incredibl
Watching Jeremy Ellis working the MPC is the epitome
of using that piece of gear live, IMHO. I haven't seen
it done better.
Peace,
Alex
--- "Thomas D. Cox, Jr." <[EMAIL PROTECTED]>
wrote:
> On 4/4/06, /0 <[EMAIL PROTECTED]> wrote:
> > everythign is pre-written, but part-sequenced
> live.
> >
> >
if you'r;e using x0x gear in write mode, you're missing the boat.
its all about tap input
- Original Message -
From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Tuesday, April 04, 2006 4:53 PM
Subject: Re: (313) how Rich
On 4/4/06, /0 <[EMAIL PROTECTED]> wrote:
> everythign is pre-written, but part-sequenced live.
>
> basically they are using fx and muting/unmuting tracks
which essentially is live arranging for the most part. although you
can use some roland drum machines (808, 909 definitely, not sure about
the 6
everythign is pre-written, but part-sequenced live.
basically they are using fx and muting/unmuting tracks
- Original Message -
From: "Jamil Ali" <[EMAIL PROTECTED]>
To: "313 Detroit" <313@hyperreal.org>
Sent: Tuesday, April 04, 2006 3:03 PM
Subje
I'm actually very curious to know what people mean when they say they
play "live".
What exactly are they playing live? They only have two hands
For drums, they can play some kind of pattern, but if they're playing
even close to a whole beat, they'd have no hands left.
Do they mostly just
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