Dear Simon,
thanks for Your answer. Your solution is what I hat in mind!
2018-06-09 20:32 GMT+02:00 Simon Albrecht :
> On 09.06.2018 12:44, Stefan Thomas wrote:
>
>> I would like to create related tempo marks. For example, in bar 1 I would
>> like to have a tempo 4=60, some bar
Dear community,
I would like to create related tempo marks. For example, in bar 1 I would
like to have a tempo 4=60, some bars later tempo 4=90.
The tempi are in the proportion 3/2. I would like to write something like
> TempoA = {\tempo 4 =60}
> TempoB = \TempoA*1.5
>
I want to create a midi-file
rley :
> 2017-08-09 22:26 GMT+02:00 Stefan Thomas :
> > Dear community,
> > I need to typeset a sign, which looks a bit like a that You can see in
> > meaure number 10 (right hand) in the following example:
> > http://petrucci.mus.auth.gr/imglnks/usimg/7/7c/IMSLP924
Dear community,
I need to typeset a sign, which looks a bit like a that You can see in
meaure number 10 (right hand) in the following example:
http://petrucci.mus.auth.gr/imglnks/usimg/7/7c/IMSLP92499-PMLP29490-haydn_fant_op58.pdf
I found something similar here:
http://lists.gnu.org/archive/html/li
ne bug in four or five years.
>
> Andrew
>
>
>
> On 29 January 2017 at 04:16, Stefan Thomas
> wrote:
>
>> Dear community,
>> the following example shows, that I can't move NoteColumns in two voices
>> at the beginning of a measure. It's only
Dear community,
the following example shows, that I can't move NoteColumns in two voices at
the beginning of a measure. It's only possible in one of the voices.
Has someone an idea for a solution?
Thanks,
Stefan
\version "2.18.2"
makespace = { \once \override NoteColumn.force-hshift = 11 }
First
on/notation/woodwind-diagrams
>
> will give you all the information you need. I don't know from looking what
> is meant by "c12" in the linked page, but that should be easy enough to
> figure out.
>
> Cheers,
>
> A
>
> On Sun, Dec 20, 2015 at 5:15 PM, St
Dear community,
I would like to write the fingering for a multiphonic, I found on this site:
https://www.baerenreiter.com/materialien/weiss_netti/saxophon/mp3/mp3_mp/alto/seite10/altomph10.html
It' s the one with the number 92.
Can someone tell me, how to write the fingering for this multiphonic wi
Dear Thomas,
thanks! This did the trick!
2015-08-29 15:49 GMT+02:00 Thomas Morley :
> 2015-08-29 15:43 GMT+02:00 Stefan Thomas :
> > Dear community,
> > I'm trying to get smaller woodwind fingering charts, but without sucess.
> > Here is my code:
> > \vers
Dear community,
I'm trying to get smaller woodwind fingering charts, but without sucess.
Here is my code:
\version "2.18.2"
\relative c'' {
\textLengthOn
c1^\markup { \woodwind-diagram #'saxophone #'((cc . (oneT twoT three
four five six)) (lh . (b)) (rh . (eT))) }
c1^\markup {\tiny \woodwind-
tation/formatting-text#selecting-font-and-font-size
>
> The keywork is \abs-fontsize
>
>
> Knute Snortum
> (via Gmail)
>
> On Thu, Jul 9, 2015 at 12:05 PM, Stefan Thomas <
> kontrapunktste...@gmail.com> wrote:
>
>> Dear community,
>> I would like
Dear community,
I would like to have the absolute fontsize of 24 for piece for some files.
I would like to do this within layout but I have no idea how it could be
done.
Would You be so kind to give me a hint?
Thanks,
Stefan
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Dear community,
I run in a problem, when I transpose the below quoted figured bass from g
to f.
In this special case the natural sign before the "5" in the 2nd chord
should be a flat sign. Is it possible to get a transposable version of this
figured bass?
Here is my example:
\version "2.18.2"
gl
Dear community,
I have 2 very old finale-filee of two of my pieces and I'm searching for
someone, who could convert it to musicxml.
Is there someone around, who could do it for me?
Thanks,
Stefan
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https:
x27;'' } \tuplet 3/2 { a'''[
> a'''\rest a'''] } e'''4\rest
>
> }
> third = { \ottava #1 \voiceThree f'''2 \rest \voiceFour fis'''2
> ~ fis'''1 ~ fis''&#
Dear community,
I find it difficult to engrave the following three bars.
How can I avoid collisions between beams and ties?
Here is the snippet:
\version "2.18.2"
first = { cis1 ~ cis1 ~ cis\fermata \bar"|." }
second = {
\voiceTwos2
\voiceThree \tuplet 3/2 { a'''8 a'''
Dear David,
thanks for You answer!
This command does, what I want to do!
2015-01-05 18:14 GMT+01:00 David Nalesnik :
> Hi Stefan,
>
> On Mon, Jan 5, 2015 at 10:48 AM, Stefan Thomas <
> kontrapunktste...@gmail.com> wrote:
>
>> Dear community,
>> I would like
Dear community,
I would like to move the ottava-bracket a bit upwards.
Not at the beginning but at the 2nd bar.
Is there a way to do this?
\version "2.18.2"
Music = \relative d''' {
\ottava #1
d8 e f e d4 c \break
d'8( e b' e, d2)
}
\new Staff \Music
Dear community,
I would like to draw a bracket for a semitone, like You can see it at
http://www.musiklehre.at/Bilder/b0048.gif
How can this be done in lilypond?
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Dear community,
thanks to You, especially to Urs and Ed.
Both, the bash- and the python-script work very well and do their job.
I would like to ask one last question:
Can I execute also a script in my folder ~/bin/ , can I run a script in a
script?
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Dear Urs,
Yes, a python script would be fine.
Is a Python script an option?
>
> You can surely do what you want with a pure shell script, but Python may
> be cleaner to read?
>
> Best
> Urs
>
> Am 13.11.2014 22:06, schrieb Stefan Thomas:
>
Dear Nick,
thanks for Yo
Dear Nick,
thanks for Your reply.
But Your command writes the pdf-files to the folder, where it's executed.
I want the pdf-files in the same folder as the ly-files.
On 14/11/2014 06:39, Stefan Thomas wrote:
>
> Dear community,
>
> I would like to compile (on a Ubuntu-mach
Dear community,
I would like to compile (on a Ubuntu-machine) all ly-files, including
those, which are in subfolders.
How can I do this?
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Dear Jay,
thanks!
The code does exactly what I want!
> Apparently, in the NoteNames context it defaults to Dutch. You can use the
> following code to get what you want I think. b has been redefined to h in
> the definition of newnames and the myNoteNames override to NoteName.stencil
> makes this s
Dear Anders,
thanks for Your help. It looks complicated to me but I will try to figure
it out!
Hi Stefan
>
> S> how can I generate pitches with sharp and flats?
>
> Have a look at the docs for ly:make-pitch, esp. the last argument to the
> function.
>
> S> How can I change the range of inp
Dear community,
I've found this snippet
http://lsr.di.unimi.it/LSR/Snippet?id=274
and I would like to know:
how can I generate pitches with sharp and flats?
How can I change the range of input notes?
Can someone give me a hint?
Thanks,
Stefan
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Dear community,
in the below quoted snippet I get "b" instead of the german "h". How can I
achieve it?
\version "2.18.2"
\language "deutsch"
onthelines = \relative e' { e1 g h d f }
\score {
<<
\new Staff \onthelines
\new NoteNames \onthelines
>>
}
Dear community,
it's the first time I'm using gnu-solfege.
Today I wanted to write a dictation exercise.
I've written a file (I've quoted it below) and I've saved it as
"stefansdiktat" in the folder ~/.solfege/exercises/diktate/ on my ubuntu
machine.
Unfortunately solfege can't find and open the fi
Dear Mike, whyt don't You use the shape command?
I would try something like:
One = {
2 % (D#m maj7 #15)
%(Em9)
}
Two = {
\hideNotes
% \override Tie.minimum-length = #15
< cisis'' fis''>2 - \shape #'((0 . -0.1) (0 . 1) (0 . 1) (0 . 1.5)) % here
You have to puzzle aout the right values, the
>
>
>
> *From:* lilypond-user-bounces+carsonmark=ca.rr@gnu.org [mailto:
> lilypond-user-bounces+carsonmark=ca.rr@gnu.org] *On Behalf Of *Federico
> Bruni
> *Sent:* Friday, September 19, 2014 11:37 AM
> *To:* Stefan Thomas
> *Cc:* lilypond-user
> *Subject:* Re: ho
Dear community,
how can I force an extra accidental in the upper voice in the below quoted
context?
I would like to do it in the defintion of the variable called accidentals.
\version "2.18.2"
Uppernotes = { \repeat "unfold" 8 { cis'8 } }
accidentals = { s2 s!4 s } % doesn't work
LowerMusic =
Dear David,
thanks!
It helped!
2014-03-21 16:29 GMT+01:00 David Nalesnik :
> Hi Stefan,
>
>
> On Fri, Mar 21, 2014 at 9:56 AM, Stefan Thomas <
> kontrapunktste...@gmail.com> wrote:
>
>> Dear David,
>> thanks for Your help.
>> Could You pleade give
Dear David,
thanks for Your help.
Could You pleade give me a hint, where I should insert the line:
(this-stil (if (null? this-stil) point-stencil this-stil))
2014-03-21 14:11 GMT+01:00 David Nalesnik :
> Hi Stefan,
>
>
> On Fri, Mar 21, 2014 at 6:00 AM, Stefan Thomas <
&
Dear community,
I have a problem with the function
hideCurvesFrom which I use sometimes.
When I compile the following snippet I get the error message:
Drawing systems...bogenvorzeichenkollision.ly:41:27: In procedure
ly:stencil-extent in expression (ly:stencil-extent this-stil 0):
bogenvorzeiche
Yes, David, You are right!
The definition was wrong!
2014-03-18 11:58 GMT+01:00 David Kastrup :
> Stefan Thomas writes:
>
> > Dear David,
> > thanks for Your help.
> > There seems to be a problem with the function itself.
> > Whith the below q
<<
\new Devnull \global
\new Staff \Music
>>
}
2014-03-17 13:10 GMT+01:00 David Kastrup :
> Stefan Thomas writes:
>
> > Dear community,
> > I would like to use a scheme-function, but with a different name:
> > fourquarterRests = #(define-music-function (par
Dear community,
I would like to use a scheme-function, but with a different name:
fourquarterRests = #(define-music-function (parser location ANFANG ENDE )
(number? number? )
#{ \scaleDurations #(cons (+ 1(- ENDE ANFANG)) 1) {R1 } #})
I want to use the function with the name "IVvR" but, for bac
Daer community,
for those who are interested in microtonal music and its notation:
You should have look at
http://www.ekmelic-music.org/en/ekmelily.htm
it supports microtonal music notation in Lilypond.
It also works with Linux (I've tested it) and it runs with Lilypond 2.18.!
Stefan
__
\override #'(font-name . "HE") "o" }
(1/9 . "accidentals.sharp.slashslash.stem" )
)
Stefan Thomas gmail.com> writes:
>
> >* It uses the true type font HE for special microtonal accidentals.I've *
> found this font somewhere in
ints to by default
> tries to use the glyph-name-alist, so you will need to replace that.
> Maybe setting it to #'() will work.
>
> Probably you intend to combine accidentals in a string. If not for that,
> you could write their letter names 'm' 'p' etc.
Dear community,
I've problem with this (shortened) file.
It uses the true type font HE for special microtonal accidentals.I've
found this font somewhere in the web.
Unfortunately the accidentals are too close to the notes.
How can I give them more space?
I tried everything.
When I compile the file
Ok, I use it in the following way:
\motiv #'something {c'4 c' d' d' e' d' c'2 }
\new Staff \relative { \something { c d e } }
2014/1/3 David Kastrup
> Stefan Thomas writes:
>
> > Dear community,
> > I have an old piece of code, ini
Dear community,
I have an old piece of code, initially written by Rune Zedeler.
I would like to update it to version 2.18.0, but I don't know what is wrong
with it.
Here is the code:
\version "2.17.97"
motiv =
#(define-music-function (parser location name pattern)
(symbol? ly:music?)
(letrec (
Ok, sorry, I didn't see that rightly in the manual!
Thanks,
Stefan
2014/1/2 David Kastrup
> Stefan Thomas writes:
>
> > 2014/1/1 David Kastrup
> >> Stefan Thomas writes:
> >>
> >> > Dear community,
> >> > is it poss
But if I would like to get an accelerando of 110 %, from 1 to 1.1, how
could this be done?
2014/1/1 David Kastrup
> Stefan Thomas writes:
>
> > Dear community,
> > is it possible to use fractional or decimal numbers in ly:make-moment?
>
> Fractional: yes, decima
Dear community,
is it possible to use fractional or decimal numbers in ly:make-moment?
I tried the following:
\version "2.16.2"
\new Staff {
\clef "bass"
\once \override Beam #'grow-direction = #RIGHT \featherDurations
#(ly:make-moment 1 1 )
\times 8/9 { d,32( b, cis f cis b, d, b, cis) ~ }
2
Dear community,
I would like to enable point and click for okular and gvim on my
ubuntu-machine.
Does someone know, how to do it?
Thanks
Stefan
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Dear Richard,
I've tried to open a lilypond-file with denemo, but it didn't work,
unfortunately.
On Tue, 2013-11-12 at 09:40 +0100, Urs Liska wrote:
> >* Am 12.11.2013 09:06, schrieb Stefan Thomas:*
> >* > Dear community,*
> >* > is there a way to export lily
Dear community,
is there a way to export lilypond to musescore?
I don't want to give up using lilypond, but when I work with students and
pupils, I've experienced that they have a lot of difficulties in using
lilypond and that they prefer with a gui.
All the best
Stefan
Dear community,
I don't get a table of contents with this latex-file, when I compile it
with pdflatex and lilypond-book.
> \documentclass[a4paper,10pt]{article}
> \usepackage[utf8]{inputenc}
> %\newcommand{\betweenLilyPondSystem}[1]{\vspace{36mm}\linebreak} % hier
> irgendeinen vernünftig erschein
Dear Peter, thanks for Your link!
I will have a look at those.
On 09/19/2013 10:13 PM, Stefan Thomas wrote:
> Dear community,
> is there a font available for special signs like up- and downbeat for
> the conductor?
> Do You know where to find one?
> Thanks
> Stefan
This is perh
Dear community,
is there a font available for special signs like up- and downbeat for the
conductor?
Do You know where to find one?
Thanks
Stefan
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Dear Keiren, I think I understand much better what pushToTag does.
What I would like to know:
Who can I get Bar-Rests instead of spacer-rests for the length of intro
verse and bridge?
2013/9/10 Kieren MacMillan
> Hi David,
>
> Thanks! That does the trick.
>
> Below is the snippet as I was envis
Dear Ed,
You would *once* type out the full time signature sequence in a variable.
You could use then the $(mmrest-of-length variable)-construct in as many
voices You need.
What Kieren mentioned is new to me too and I would be curious see, how one
can use these commands in a context You've mention
Dear Ed,
I have often similar problems like You.
My solution is not ideal, but I hope, it helps You a bit:
\version "2.16.2"
globalA = {
\time 4/4 s1
}
globalB = {
\time 3/4 s2.
\time 4/4 s1
\time 5/4 s4*5
}
globalC = {
\time 4/4 s1
}
global = {
\globalA
\globalB
\globalC
}
firstStaf
Dear Karl,
which platform do You use?
WIndows, Mac, Linux?
For which purposes do You want to use midi?
On Linux I can recommand rosegarden (it is very easy to edit midi-files
with it), for Windows there are a lot of apps available.
I guess reaper is not bad.
> David Kastrup:
> > k...@aspodata.se
Dear community,
I've started muse, together with qjackctl and qsynth.
When I start muse I get the error message
"The frequency of the taktebeber" (is it metronome, midi clock?)
" is 250 hz. It should be at least 500 Hz"
Where can I change it?
And:
It seems that Muse doesn't produce an alsa client,
Dear community,
how can I quantize to a passage to exact eight-note triplets, or maybee
even sixteenth sixtuplets?
--
Symantec Endpoint Protection 12 positioned as A LEADER in The Forrester
Wave(TM): Endpoint Security, Q1
But it should be possible!
As far as I remember, it has been possible in one of the earlier versions.
2013/2/24 Holger Marzen
> On Sun, 24 Feb 2013, Stefan Thomas wrote:
>
> > Dear community,
> > I'm using rosegarden, version 12.04.
> > I have the following questio
Dear community,
I'm using rosegarden, version 12.04.
I have the following question:
Is it possible, during a recording, to let the metronome 2 bars count,
before the recording starts?
I've been searching for this option, but I didn't find it!
Dear community,
is there a way to connect several notes with ties with just one command?
I hate writing things like that:
\relative {
c4. d8 ~ d4. ~ |
d2~ d8 e4. }
I would like to do it like this:
\relative {
c2. \maketies { d8 d4. d2 d8 } e4. }
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Dear community,
I've expected a straight glissando from c to g in the below quoted example.
Unfortunately, there is no glissando!
How can I achieve what I want?
And: isn't there an easier way to get a glissando over a longer passage,
something like a textspanner?
%% SNIPPET
goongliss = { \once \ove
Dear community,
I would like to define the accidentalstyle for a piece with four mouvements
in the layoutblock.
Is it possible to do that in version 2.16.2?
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Dear David,
I also use version 2.16.2
But Your example doesn't work for me.
I get the error message
partiturtest.ly:17:34: Fehler: syntax error, unexpected '} \score {
\TheScore \first \second}
> I don't have 2.16 installed, but with current versions
> \version "2.16.2"
> TheScore = #(define
Dear community,
is it possible to have the score command in a music function?
I need it for a piece with different movements.
I've tried it with the following code which doesn't work:
\version "2.16.2"
TheScore = #(define-music-function (parser location x y) (ly:music?
ly:music?)
#{
\score {
Dear community,
I have a problem with the script extraxtMusic, which I have downloaded at
http://gillesth.free.fr/Lilypond/extractMusic/extractMusic.ly
I think, it has to do with the fact, that the file consists of more files.
I get the error message
> mmR = {
> R1*100 \tag #'mmWarning
Dear community,
I wanted to chage the default barline.
Unfortunately, this has no effect:
\relative {\set Timing.defaultBarType = "dashed" c4 d e f g1 }
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Dear Joram,
thanks for Your explanation!
It is for a global variable.
Instead of writing
global = { \time 4/4 s1*4 \time 3/2 s2.*3 }
I can do
global = { \fourquarterbarskip #4 \threequarterbarskip #3 }
If You have a lot of bar changes, I think, it means fewer key-strokes.
Off course I should find
Dear community,
I wanted to create a function for a certain number of barrests.
I've tried it with
\version "2.16.2"
\layout { \context { \Score skipBars = ##t } }
fourquarterBarrest = #(define-music-function (parser location x) (number?)
> #{ % in der folgenden Zeile Lilypondcode eingeben
>
Dear Wim,
what do You mean by "use the md5"?
Is it a directory, a command?
I have no idea!
Sorry, I'm not an tex-expert, altough I work frequently with latex.
Could you use the md5? In one of the temporary files it is already
stored, so it is calculated (file xxx.tmp.md5 contains the md5 hash of
x
Dear Henning,
I've tried to add the path to the filter-command with
> filtercommand={/home/stefan/lilypond/usr/bin/lilypond
> -dbackend=eps -dinclude-eps-fonts -dno-gs-load-fonts
> -o"lilytemp/\externalfilterbasefile" "\externalfilterinputfile"}]
>
but it doesn't work!
Any ideas?
2013/1
Dear Henning,
off course: lilypond is installed.
It is installed in ~/lilypond/
How can I "tell" texec where to find it?
2013/1/20 Henning Hraban Ramm
> Am 2013-01-20 um 22:49 schrieb Stefan Thomas:
>
> > t-filter: command : lilypond -dbackend=eps -dinclude-eps-fon
#x27;ve tried it with the following code:
\setupoutput[pdftex]
\setupbodyfont[plr,11pt]
\mainlanguage[de]
\language[de]
\usemodule[lilyfilter]
\starttext
\title{Title}
This is some text
\startlilypond
\relative{c4 d e f g1 }
\stoplilypond
\stoptext
2013/1/20 Henning Hraban Ramm
>
> Am 2013-01-20
Dear community,
when I want to use lilypond within context (the latex alternative system),
do I have to install the lilypond-module separately?
Can give someone a short example of code of a document with lilypond code?
Does context cooperate with the latest stable version of lilypond?
/2013 1:17 PM, Stefan Thomas wrote:
>
> Dear Julien,
> unfortunately the blank line (do Yoy mean "\\"?) doesn't help!
>
I mean a blank, empty line.
%---snippet---
> \begin{flushright}
> Name, Vorname:
> \end{flushright}
>
> \textbf{First exercise:}
>
&g
Dear Julien,
unfortunately the blank line (do Yoy mean "\\"?) doesn't help!
On 18/01/2013 4:56 PM, Stefan Thomas wrote:
> > Dear community,
> > when I compile the following file with latex and lilypondbook, it looks
> > quite strange.
> > There's is a b
Dear community,
when I compile the following file with latex and lilypondbook, it looks
quite strange.
There's is a break after every bar of the lilypond example.
I think it has to do with the input-command.
Here is the code of the latex-file:
> \documentclass[a4paper,12pt]{article}
> \usepackage[
Dear community,
my newest piece for piano, synthesizer and percussion will be premiered
this saturday in the Tonhalle in Düsseldorf, Germany
Is it possible to make an anouncement at the lilypond-website?
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Dear John,
I've also used Sibelius for a long time and now I'm using Lilypond.
Off course, You're right, lilypond seems, at the beginning, more
complicated than Sibelius and for some people it is hard, that You don't
have a graphical interface.
I think, it depends on what You want.
I, for example,
Dear community,
thanks for Your code.
I can't remember my mistake, but I see, that it works fine now!
> I tested:
>
> \new Staff {
> \afterGrace
> \pitchedTrill
> fis''2
> \startTrillSpan gis''
> { e''16[ fis''] }
> g''2
> \stopTrillSpan
> }
>
> with 2.14.2, 2.1
Dear community,
I'm using version 2.16.0
Subject: Re: aftergrace with pitchedtrill
Message-ID: <1352647402382-136192.p...@n5.nabble.com>
Content-Type: text/plain; charset=UTF-8
Stefan Thomas-5 wrote
> Dear community,
> I have the same problem like Trevor Ba?a, years ago
Dear community,
I have the same problem like Trevor Bača, years ago.
See at http://lists.gnu.org/archive/html/lilypond-user/2006-11/msg00265.html
Is there a solution available?
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Dear community,
I miss the the script metronome-drum.scm, which is zuseful for rumor.
Does someone know, where to find it or maybee does someone have a copy?
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Dear Thomas,
thanks, I think, this will be a good solution for me!
2012/10/30 Thomas Morley
> 2012/10/29 Stefan Thomas :
> [...]
> > The problem is:
> > I would like to have a score with drumstaff and a "normal" staff. And
> only
> > in the normal Staff s
I have the same issue as Gareth - modem (Ericsson H5321gw) is detected,
network (Swisscom) shows up in the list including signal strength. The
network name has no mouse-over effect and nothing happens when clicked.
The "Auto broadband" option does have the normal mouseover highlighting,
but also no
I have the same issue as Gareth - modem (Ericsson H5321gw) is detected,
network (Swisscom) shows up in the list including signal strength. The
network name has no mouse-over effect and nothing happens when clicked.
The "Auto broadband" option does have the normal mouseover highlighting,
but also no
I have the same issue as Gareth - modem (Ericsson H5321gw) is detected,
network (Swisscom) shows up in the list including signal strength. The
network name has no mouse-over effect and nothing happens when clicked.
The "Auto broadband" option does have the normal mouseover highlighting,
but also no
\override StaffSymbol #'line-count = #6
% \widerTimeSignature #3 % this doesn't work!
} { \drumnotes }
>>
}
2012/10/28 Thomas Morley
> 2012/10/28 Stefan Thomas :
> > Dear Thomas,
> > thanks for Your code!
> > I think the code is not the best for my special aim.
>
the "with" block, if possible.
The timesignatures itself are defined in a global variable.
2012/10/28 Thomas Morley
> 2012/10/28 Stefan Thomas :
> > Dear community,
> > I would like to know how to enlarge the vertical distance between
> enumerator
> > and deno
Dear community,
I would like to know how to enlarge the vertical distance between
enumerator and denominator of a time signature.
I hope, this will be possible.
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> Any objections from other transaction-validating implementations?
Sounds good to me. I think it's important to give people a chance to fix
their software, but Pieter's proposal does that.
On 10/21/2012 7:05 PM, Gavin Andresen wrote:
> Any objections from other transaction-validating implementat
Are You sure that is an "Urtext" and not a kind of later arrangement of
this piece?
2012/10/17 Mark Stephen Mrotek
> The Harvard Concise is not in my possession. I do have a copy of Haydn's
> Keyboard Concerto No. 11 in D. The acciaccatura (small eight notes with
> diagonal stroke "tied" to the
Dear all,
thanks for Your help and for Your explanations!
2012/10/16 Phil Holmes
> - Original Message - From: "David Rogers" <
> davidandrewrog...@gmail.com>
> To: "Owain Sutton" ; "Stefan Thomas" <
> kontrapunktste...@gmail.com>;
sed immediately.**
> **
>
> ** **
>
> Mark
>
> ** **
>
> *From:* Stefan Thomas [mailto:kontrapunktste...@gmail.com]
> *Sent:* Monday, October 15, 2012 1:38 PM
> *To:* lilypond-user@gnu.org; Mark Stephen Mrotek
> *Subject:* Re: how to call these notes?
>
>
little bit before the principal note.
>
> ** **
>
> Mark Stephen Mrotek
>
> ** **
>
> *From:* lilypond-user-bounces+carsonmark=ca.rr@gnu.org [mailto:
> lilypond-user-bounces+carsonmark=ca.rr@gnu.org] *On Behalf Of *Stefan
> Thomas
> *Sent:*
Dear community,
I would like to know, how You can call in english those small, stroked out
notes, which have to be played as fast as possible.
I think, grace notes is not exactly the proper name.
I have a small example provided, which uses different note-types. The idea
is to notate different kinds
Dear community,
is it possible, to assign different lilypond-instruments to different
midi-channels?
I assume this done automatically, if one creates a percussion staff, but
what happens with others?
I've openend the midi-file, produced with the below quoted snippet, with
rosegarden and the two sta
Ok, that could be a solution! But I need glissandos with intervals smaller
than a semitone.
2012/9/30 Thomas Morley
> 2012/9/30 Stefan Thomas :
> > Dear community,
> > is it possible to playback a glissando with midi?
> >
> > __
Dear community,
is it possible to playback a glissando with midi?
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Dear David,
I tried it, as You've suggested, with \slashed-char ##\D, but it doesn't
work.
I think I will try to use postscript-code in my library for function
symbols.
Are there other people interested in a library with functional symbols?
Is this something, that could be of interest for the 2.18.
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