If my understanding of the TP is correct, any signal fed into the
digital inputs of the TP are not making a around-trip to slimserver,
and the signaL goes straight into the DAC, Therefor, ruling out any
kind of module you might want to put between digital source and
digital output.
I can feel a
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opaqueice;219369 Wrote:
In none of those cases did I get anything like what you're describing.
Ahh, but did you do it blind?
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Patrick Dixon
www.at-tunes.co.uk
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occam;219418 Wrote:
http://www.ewh.ieee.org/r6/san_francisco/pes/pes_pdf/PGE_Presentation_TransformerHum.pdf
The Creek amps were/are well known for their toroid transformers
humming with the presence of an dc on mains lines (easily seen with a
dual trace scope with both ac and dc
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Heimiko;219432 Wrote:
Would it be possible for the TP to up-stream to slim-server from its
digital input, have slimserver process whatever it wants to do (DSP /
equalizing perhaps?) and then down-stream it again to the TP?
Ouch...you'd have to have a SlimServer in the Transporter. It would
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I tried a few years ago to write an application similar to audio
diffmaker. It's open source http://wavm.sf.net There is even an
example of a redigitized signal compared to the source .wav file. The
application is not complete, but it shows that:
- there's noise but it could be from the CD
There are lots of things you can do to improve sound systems andimprove
room acoustics but there is also something that unfortunately you can't
fix. A bad engineered recording is simply a bad recording.
I can't say for sure, of course, that this is your issue but so many
sound engineers are
Murph;219532 Wrote:
There are lots of things you can do to improve sound systems andimprove
room acoustics but there is also something that unfortunately you can't
fix. A bad engineered recording is simply a bad recording.
I can't say for sure, of course, that this is your issue but
It must have been an interesting challenge trying to write that. It
sounds like fun.
Could it be such a gradual drift that explains ermine's results? He
used the same source (an SB1) each time, and still found a non-zero
difference file, but with a partial null partway in. So if the clock
Hi,
I am until now a quite happy new owner of a transporter. My amp is
Marantz PM-11S1 having xlr/symmetric inputs. I heard now that one can
easily spend 270 Euro on balanced cables. I think it a bit odd to spend
as much on two 100cm cables as a SB3 costs.
What do you think and which cables can
http://www.bluejeanscable.com/store/balancedaudio/index.htm
--
opaqueice
opaqueice's Profile: http://forums.slimdevices.com/member.php?userid=4234
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jaysung wrote:
easily spend 270 Euro on balanced cables. I think it a bit odd to spend
as much on two 100cm cables as a SB3 costs.
What do you think and which cables can you recommend and why ?
There is no need to spend megaEuros.
Standard microphone cables work fine.
You should be able to
I don't normally like to promote brands in forums but I noticed you said
you don't live near a lot of audio shops.
Axiom is an online only company known for their excellent speakers, and
truly outstanding customer service. Since Paradigm has already been
referenced I'll mention that their floor
Murph wrote:
Takes the ominous part out of buying something unheard.
Listen to Murph.
Never buy speakers unheard.
Better, listen to them for a week.
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macattack;217484 Wrote:
hope to find something which makes my jaw drop
Just be aware that sometimes speakers which make your jaw drop are
tedious to listen to for hours on end.
Personally, I prefer speakers which sound as natural as possible. They
won't necessarily impress your average
opaqueice;219539 Wrote:
And there's also the ADC clock - maybe that drifts for some reason?
The ADC clock will drift relative to the playout clock, even assuming
the playout is jitterless. Replay clock is presumably determined by the
SB1 or the server PC. However, I have used three
Hi Guys,
so, you seem to agree. The calculator on the above referred web site
says that two cables about 3 foot long will set me back $50 or $60.
Which should be less in Euro. If I buy them here.
That puts things into perspective a bit. ;))
--
jaysung
Best to see if you can borrow a couple of different cables, and see for
your self if you prefer one to another :)
--
Deaf Cat
Deaf Cat's Profile: http://forums.slimdevices.com/member.php?userid=515
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I second opaqueice's Pat's recommendations. I own a Transporter and
had XLR cables made using Belden 1800F cable with Neutrik connectors
incl. gold-plated pins. Couldn't be happier and it didn't cost
anywhere near that typically charged in the audiofool category. In
fact after being offered
HerculePirate;219054 Wrote:
Darren Yeats,
wonders that you have heard the Amaya's, What is your view on the
Amaya's
Do you think its the speaker that is a problem. Cause what i saw
missing was midrange guitar...the distorted guitar just didnt show
which showed on my mediocre setup.
I
GlennT;219568 Wrote:
I don't consider myself an audiophile, but even I believe I didn't spend
enough time auditioning speakers when I made my purchases. I just
couldn't wait any longer, and I'm still very happy with my decision.
The two shops I spent most of my time in were very
Balanced I/O is best for very long cable runs. It is unlikely you'd
hear any difference between a balanced and an unbalanced run if it is
only 1m long.
Save your money. Moving your speakers 6 will have a bigger effect on
the sound than spending money on expensive/balanced cables.
TD
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