In a message dated 4/20/04 5:42:10 PM, [EMAIL PROTECTED] writes:
I really like 2004, but I admit that I haven't had a whole lot of time to
delve into its new features. The biggest problem that exists at this point
is the inability to save EPS files.
I've been waiting to hear from anyone -
Can someone please refresh my memory as to the solution to this problem?
Thanks!
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In a message dated 3/8/04 4:47:38 PM, [EMAIL PROTECTED] writes:
The default Articulation definition for staccato and tenuto includes
inside slurs checked, for accent it does not. There is no outside
slurs option, though that would REALLY be nice. As it is, there is no
way to fix it but to
In a message dated 3/8/04 5:45:24 PM, [EMAIL PROTECTED] writes:
In a message dated 3/8/04 4:47:38 PM, [EMAIL PROTECTED] writes:
As it is, there is no way to fix it but to move accents away from the
notehead manually so that they don't collide.
Not so - TGTools can do it.
Sounds good...
In a message dated 12/30/03 9:46:12 PM, JohnBlane writes:
In a message dated 12/30/03 7:02:40 PM, [EMAIL PROTECTED] writes:
Thanks Aaron, but it leaves me wondering why the basic Finale doesn't do
these things.
And while I am totally in awe of folks like Tobias and Robert Patterson who
My understanding of these options was that they affect the screen
resolution/redraw speed only.
In a message dated 11/29/03 2:38:43 PM, [EMAIL PROTECTED]
writes:
I just tried it and if you click on High Resolution -- Better Printing,
the program puts the number 64 in the blank.
I manually
In a message dated 9/29/03 12:05:54 PM, [EMAIL PROTECTED] writes:
Can I tell Finale 2003a that in this document, or a range of measures, all
5/8 should be grouped 3+2 and all 7/8 should be grouped 3+2+2? If not, that's
a good feature to look forward too.
If I can't set this for a document or
In a message dated 6/27/03 12:18:18 PM, [EMAIL PROTECTED] writes:
Can't believe I can't think of a tune that opens with an ascending
minor sixth -- I'm sure there are any number of Weill songs, but I'll
be damned if I can think of one.
How about Jobim's No More Blues?
C'mon Darcy - I can also cite many pages where there IS consistent size
proportions from page to page - but you've missed the point - I consider your
examples to be the exception and not the rule and besides, I wouldn't make a habit
of emulating Dover scores as examples of fine music
In a message dated 6/11/03 8:16:22 AM, [EMAIL PROTECTED] writes:
I think that the examples that Darcy gives are more the rule than the
exception. Just glancing at some scores of large orchestral works and
operas from eminent publishers such as Schott, Boosey, Universal and
Bärenreiter, I
In a message dated 6/9/03 10:08:47 PM, [EMAIL PROTECTED] writes:
Well, it's very useful in orchestral scores, where your system
reduction can change dramatically from page to page, but you want page
numbers, headers and footers, etc, to remain a consistent size, and you
don't want to check
In a message dated 6/8/03 1:51:09 PM, [EMAIL PROTECTED]
writes:
Robert Patterson's Setting Scrapbook can copy
Metatool for Articulations, Expressions and Tuplets.
And Forza! (the Settings Transfer component) can copy those and a
couple of more to a bunch of files in one go. FinWin2003 is
In a message dated 4/5/03 9:26:35 PM, [EMAIL PROTECTED] writes:
I was wondering if anyone has heard of bugs or quirks regarding
Sibelius (Win) opening Finale (Mac) files.
In other words, if a client only has Sibelius, can Sibelius (Win) be
*trusted 100%* to convert a Finale (Mac) file of a
In a message dated 2/28/03 7:40:52 PM, [EMAIL PROTECTED] writes:
But why is it wrong in the first place?
All the best,
Lawrence
Without appearing to defend Finale's shortcomings, I think it because
of the way the handles are set on the fermata symbol, compared to
where Finale thinks the
In a message dated 2/21/03 3:46:58 AM, [EMAIL PROTECTED] writes:
I'm working on a single instrument part with a lot of time signature
changings. At the end of a staff, the last measure show a cautionary time
signature.
That is wrong : I don't understand why the staff lines of this measure
In a message dated 1/16/03 6:59:05 AM, [EMAIL PROTECTED] writes:
One of my colleagues uses Sibelius (despite my numerous attempts to
convert him). He is having trouble opening my FinWin2003 files in
Sibelius though. Any ideas?
File format has changed in 2003 (probably to screw up people who
In a message dated 1/6/03 9:08:08 AM, [EMAIL PROTECTED] writes:
Do you know why it does that ?
I tried importing the EPS graphs on Photoshop or Illustrator and it
worked fine but on a distant computer using X-Press, the EPS graphs
don't show up properly.
Your publisher is missing your
In a message dated 1/4/03 7:41:56 PM, [EMAIL PROTECTED] writes:
The whole business with placing fermatas on rests in a score is quite
time-consuming. Here is the problem.
I want to place a fermata in an empty measure in a score. First I have to
create at rest in the measure, then I insert a
Don -
The arrow signifies that the measure attribute for that measure is set to
Begin New Staff System.
Happy Holidays!
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In a message dated 12/12/02 9:53:59 PM, [EMAIL PROTECTED] writes:
TG Tools Modify Special
ModificationsNth note in chord (from top)2Change notehead
to8 [in Maestro (mac) that is a blank]. This worked perfectly.
For starters, try using the spacebar (asc#32) as your blank
In a message dated 12/7/02 10:28:39 AM, [EMAIL PROTECTED] writes:
What is, in harp notation, the correct notation symbol to use for stopping
the sound from the harp.
The sources I have differ: Some say it looks like a perfect circle with a
cross (where the lines of the cross extend somewhat
In a message dated 11/10/02 12:20:38 AM, [EMAIL PROTECTED] writes:
select it with the Mass Mover and hit 4 (above letter E on
the computer keyboard, not the numeric keypad)
What would be the difference between which 4 is pressed?
BTW - You are the ONLY 2 people I know (yes-I am sure there
In a message dated 10/12/02 3:53:53 PM, [EMAIL PROTECTED] writes:
Ok, this is a new one on me. I'm putting in a bass clarinet part at the
moment (in transposed pitch), and I can't seem to insert a bass clef in one
particular bar. It just seems to refuse to display, no matter what settings
In a message dated 10/12/02 5:13:07 PM, [EMAIL PROTECTED] writes:
if it is in bass clef, it is played a major 2nd lower. Considering the
pitch range
of the instrument, I would have thought the bass clef to be the better choice,
and the one I would prefer.
Don't you mean sounds a major 2nd
In a message dated 10/3/02 6:07:46 PM, [EMAIL PROTECTED] writes:
Yeah, but they're still ahead of Harry Connick Jr., whose idea amounts to
little more than having everyone in the band sit in front of a Mac monitor
displaying a Finale file.
ActualIy I think they're PDF files but I agree with
In a message dated 9/22/02 5:02:44 PM, [EMAIL PROTECTED] writes:
I figure many Finale users may also be ProTools users, so I want to warn
you about what I've discovered. I recently purchased the 5.1.1 upgrade
and was horrified to discover that apparently it can only bounce a mix
to disk in
In a message dated 9/24/02 3:07:47 PM, [EMAIL PROTECTED] writes:
On my new G4, bouncing a 5-min. stereo mix to disk takes 5 minutes in
ProTools
5.1.1. Bouncing that same mix to disk in ProTools 4.3 takes about 30 seconds.
In
both cases, I'm using no inserts and bouncing to an interleaved
In a message dated 9/17/02 4:45:15 PM, [EMAIL PROTECTED] writes:
What the hell am I going to do here?
You can start by calming down. Once you know how this works (or doesn't - for
you) you can plan your approach.
First of all - you can NOT selectively copy different elements BETWEEN
I have this one and love it (and w/a programmed shift key, you get 116 button
functions) - they have usb and ps-2 versions.
http://www.xkeys.com/product/catalogframeset.htm
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In a message dated 6/26/02 2:01:08 PM, [EMAIL PROTECTED] writes:
At 2:16 PM -0400 6/26/02, [EMAIL PROTECTED] wrote:
I have this one and love it (and w/a programmed shift key, you get 116 button
functions) - they have usb and ps-2 versions.
http://www.xkeys.com/product/catalogframeset.htm
Am
In a message dated 5/24/02 8:57:17 PM, [EMAIL PROTECTED] writes:
My hunch: before using page reduction, my guess is that you also used
system reduction first, and when you inserted your measures, they were
inserted without the reduction. When you copied the music without the
lyrics, it
In a message dated 5/6/02 2:54:16 PM, [EMAIL PROTECTED] writes:
I cannot get the music-in-text font MetTimes to appear properly in my
Finale font lists any more. Instead of a single font name, I get
separate listings for each style, and the plain style is not there so
I can't select it.
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