Darcy,
I have also had this happen recently, but in 2003 under OS9.
I had 2 files open and had left the computer for a couple of hours,
returned, hit cmd-Q to quit and hit return on the save dialogue assuming
it would be correctly attributed. Next day I discovered one file had
over-written the
Anyone else had problems with spaces disappearing between words in text
with Finmac 2004?
The culprit font is the Golden Age text and title fonts, althought the
actual music font is fine. Any file I open containing this font has all
the text squashed together as if there are no spaces between w
Well, I now have Sibelius v.3.1.1 and have finally got to use it
directly alongside Finale in professional work for a few weeks. This
includes having both application windows open and working directly from
one app. to the other on related pieces of music e.g. a full score (in
Sib.) and the redu
vious measures unless it has
to scroll them left. This occurs in scroll mode as well as page mode.
Is there any way to explain such a godawful performance or speed it up?
I'm ready to give up and buy Sibelius - - -
Ha, ha! Out of the frying pan and into the fire
Jona
Crystal,
It sounds to me as if the keyboard maybe stuck and is giving out a midi
message, if as you mention:
3. Instead of receiving notes from the piano, it is just entering notes
from the computer keyboard whenever I try to choose the note value to accept
from the piano.
Try 'all notes off
hink the change tuplet dialogue is a very powerful tool, it takes a minute *tops* to initiate (or type in) and can bring a huge score around to your personal settings, a good deal if you consider the alternative.
Jonathan Smith
___
Finale mailing list
O.K. for David, Mark & Joel (+ any lurkers) here goes.
Remember this his a list from a little way back (actually, I did post it
on the list) and so some things might have been improved since then, but
then Sibelius would never admit there were faults or problems in the
first place. You'd get a
of Finale 2004
from Coda's web site, the final page contains a list of comparisons
against competing notation software apps.
Jonathan Smith
___
Finale mailing list
[EMAIL PROTECTED]
http://lists.shsu.edu/mailman/listinfo/finale
situations where the spacing doesn't seem to want to
work any longer. It usually ignores accidentals. I've tried all sorts to
get around it but had no success as yet. I'd be interested to know if
anyone has?
Jonathan Smith
___
Finale mail
Finale comes with tutorials on the CD, video tips are also included. Try working through all of these before embarking on any extra courses, you'll save time and money.
There is no 'easy path', Finale is a complex application and although you can be up and running with most simple projects in a f
A technique I use is to highlight the measure with the Mass Mover in scroll view, it is then easy(ier) to locate as you switch to page view.
In finale it appears that the most L.H. measures on screen while in scroll view relate to the measures that will come up when you go to page view. Therefore
Does anyone know of a technique in Finale to convert a string of, say,
eighth notes to dotted eighth, sixteenth; or perhaps a string of
sixteenths to dotted sixteenth, thirty-second? Can Finale do it itself?
Is there a plugin available?
Haven't found one yet, but you can ease the labour sli
ce performed or is it simpler to buy the
DIY kit and are they a satisfied customer?
How can I get rid of that now annoying reminder message?
Thanks in advance,
Jonathan Smith
___
Finale mailing list
[EMAIL PROTECTED]
http://lists.shsu.edu/mailman/listinfo/finale
you pencil markings then without having
the confusion of the printed ones being scrubbed out, or not as maybe
the case.
Jonathan Smith
___
Finale mailing list
[EMAIL PROTECTED]
http://mail.shsu.edu/mailman/listinfo/finale
input notes. This doesn’t
seem to happen with new files but with older reworkings. It never
happened in previous releases and it beats me as to the cause. I can
still change layers through the menus but it just seems to me like this
is a minor bug that could do with being written up.
Jonathan
left unchecked as you won't
want the text to deform. Apply a metatool and you're done.
Jonathan Smith
___
Finale mailing list
[EMAIL PROTECTED]
http://mail.shsu.edu/mailman/listinfo/finale
ed
to be deadly accurate with where you click in the new material. Hope
this helps and good luck, Jonathan Smith Can anybody help me with this?
The "piano reduction" referred to is actually a piano-vocal reduction
from a chorus-and-orchestra score made with Sibelius. In the original
ed to invest a fair amount of time and
money in that decision. If there is anything that I can do to outline
the qualities or problems between them both then I shall.
Regards,
Jonathan Smith
___
Finale mailing list
[EMAIL PROTECTED]
http://mail.shsu.edu/mailman/listinfo/finale
bring in little more information than a standard
MIDI file import would do.
67. Winged repeats are possible on the starting repeat bars but not the
ending repeat bars!
Sibelius did write some great symphonies, but sadly not with Sibelius ;-)
Jonathan Smith
___
Finale mailing list
[EMAIL PROTECTED]
http://mail.shsu.edu/mailman/listinfo/finale
My apologies for uploading the entire #470 digest to the #471. It
seemed as though when I opened my email app. mac 'Mail' it bought up
the #470 digest and when I clicked to close it, it just when ahead and
sent it.
Might be a bug in Mail as it is a fairly new app. to the mac and there
have bee
On Thursday, Apr 3, 2003, at 20:00 Europe/Paris,
[EMAIL PROTECTED] wrote:
Send Finale mailing list submissions to
[EMAIL PROTECTED]
To subscribe or unsubscribe via the World Wide Web, visit
http://mail.shsu.edu/mailman/listinfo/finale
or, via email, send a message with subject or
ectly well with Sib. 2.
I'm still trying to figure out why?
Press on Coda, it's just round the corner now!!
Jonathan Smith
___
Finale mailing list
[EMAIL PROTECTED]
http://mail.shsu.edu/mailman/listinfo/finale
ith consistent layouts across many scores and parts and that really
saves hours of editing later on.
Hope you find this helpful.
Jonathan Smith
___
Finale mailing list
[EMAIL PROTECTED]
http://mail.shsu.edu/mailman/listinfo/finale
files open with little narrow
windows it soon becomes a feature!
Regards,
Jonathan Smith
1) Sometimes opening a new file brings up a wide, narrow score
window. In other words, I get a wide rectangular window, a couple of
inches high, showing only a few staves of music. I have to pull it
down to f
,
Jonathan Smith
___
Finale mailing list
[EMAIL PROTECTED]
http://mail.shsu.edu/mailman/listinfo/finale
anges made to the file.
At least that means you can get on with edits as you know the Lyric concerned. You'll
have to fiddle with layers part, but at least there are only 4 to play with!
Hope this helps,
Jonathan Smith
I have come to a comparable conclusion. He does things inconsistentl
a single empty stave from any default file add
the extra measures, the tempo marks, changes etc and get a fast and
accurate calculation.
Hope that helps,
Jonathan Smith
>Bob Florence wrote:
>Hi all:
>
>What is the formula for timing music without a stopwatch?
>Something abo
pen in all of my files, not just random cases.
It is still well worth the effort though! Hope that helps.
Jonathan Smith
___
Finale mailing list
[EMAIL PROTECTED]
http://mail.shsu.edu/mailman/listinfo/finale
tes.
Kind regards,
Jonathan Smith
___
Finale mailing list
[EMAIL PROTECTED]
http://mail.shsu.edu/mailman/listinfo/finale
This is something we use all the time, especially for parts that need to
be taped 'concertina' fashion. So by printing onto A3 we cut the taping
by half.
Assuming your pages are already formatted at A4 size in Finale (page
format for score), either:
Go to page setup and select A3 Landscape an
30 matches
Mail list logo
