On Jul 22, 2004, at 6:17 PM, Harold Owen wrote:
We're talking about a rolled chord that involves both hands and both
staves, a common occurrence. Actually what you describe in your first
paragraph works only for one staff, I believe, so it will not work for
the whole chord unless you enter it in
At 5:54 am -0400 7/22/04, Darcy James Argue wrote:
One of the smart, smart cookies at Coda sent this to me yesterday:
The overwrite problem happens if you have a text
block OPEN for editing and auto save kicks in. Any text block that shares
the same "Raw TextID" in all open documents will be change
But Andrew Stiller´s book on instrumentation uses the first one you
mentioned and not the second.
At the time I wrote it, Helmholtz was *the* international standard
for pitch designations. The whole current mess strikes me as a prime
example of what happens when you ignore the maxim "if it ain't
Hi all-
Please give me some suggestions for *western-encoded* fonts that I can use
for organ registrations that *include* fractions like two-thirds, etc. Most
fonts I've seen have only a few fractions available and don't include some
of the ones we see on our stops frequently.
(I don't have a fon
Andrew Stiller wrote:
But Andrew Stiller´s book on instrumentation uses the first one you
mentioned and not the second.
At the time I wrote it, Helmholtz was *the* international standard for
pitch designations. The whole current mess strikes me as a prime example
of what happens when you ignore t
Cecil Rigby wrote:
Hi all-
Please give me some suggestions for *western-encoded* fonts that I can use
for organ registrations that *include* fractions like two-thirds, etc. Most
fonts I've seen have only a few fractions available and don't include some
of the ones we see on our stops frequently.
(I
On Jul 22, 2004, at 9:32 PM, Bruce Petherick wrote:
Hi to y'all.
I was contracted to A.M.D. this in Melbourne a long time ago and I had
copies of the score for rehearsing. Perhaps if you contact Dobbs
Franks in Melbourne - I am _sure_ he had copies.
Good luck
Bruce Petherick
PS: The sight readin
dhbailey wrote:
I think the current mess happened because it's easier in digital terms
to address things as C1 C2 C3 C4 rather than CC C c c' etc. The debut
of midi really muddied the waters, because folks who grew up on midi
designation of C4 as middle C find it hard to translate into the
He
Is there a way to type a beamed set of two
eighth notes in text with the maestro font? I also have Anastasia but,
couldn't seem to find it there.
Any help would surely be
appreciated.
Thanks,
George Ports
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I absolutely agree. Helmholtz may have been the standard, but it's a
stupid standard. C4 = middle C, etc. is much more elegant, logical,
and easy to understand.
It's like the difference between imperial and metric measurements.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 23 Jul 2004, at 10
Christopher Smith wrote:
On Jul 22, 2004, at 9:32 PM, Bruce Petherick wrote:
Hi to y'all.
I was contracted to A.M.D. this in Melbourne a long time ago and I
had copies of the score for rehearsing. Perhaps if you contact Dobbs
Franks in Melbourne - I am _sure_ he had copies.
Good luck
Bruce Pethe
I just got an email detailing MakeMusic!'s plans to discontinue
support for Windows NT4 and MacOS 9.
Development will now be unfettered by operating systems of the past!
--
Brad Beyenhof
[EMAIL PROTECTED]
http://augmentedfourth.blogspot.com
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Fonts for mathematical texts will include fractions
Am 23.07.2004 7:22 Uhr, schrieb: "dhbailey"
<[EMAIL PROTECTED]>
> Cecil Rigby wrote:
>
>> Hi all-
>>
>> Please give me some suggestions for *western-encoded* fonts that I can use
>> for organ registrations that *include* fractions like two-th
At 9:41 PM +0200 7/22/04, Michael Cook wrote:
I'm preparing a production of "Crazy For You" for the theater in
Mannheim. The orchestral parts, published by Tams-Witmark in 1993,
must have been made with Finale: the Petrucci font is unmistakable.
But the publishers do not have a full score, or if
At 10:05 AM 7/23/04 -0700, Brad Beyenhof wrote:
>Development will now be unfettered by operating systems of the past!
Leaving only the users fettered to financial fate of Makemusic and Finale's
registration system! Yippee!
Dennis
...who just doggone it couldn't resist
__
Title: Re: [Finale] Beamed eighth notes
What exactly do you mean? As in typing a text, you want to include two eighth notes? If that is the case then:
• Create the two beamed eighth notes in Finale
• Use the picture tool to extract them
• Save as eps
• Open the file in a vector editing program
I know there are full scores of some shows out there.
I did RAGTIME two years ago and they sent a full score
to use during the run. We did the first regional
production of it anywhere. I guess the show was so new
that the publisher hadn't made the reduction at that
point. Two volumes of over 1000 p
Christopher Smith wrote:
On Jul 22, 2004, at 9:32 PM, Bruce Petherick wrote:
Hi to y'all.
I was contracted to A.M.D. this in Melbourne a long time ago and I had
copies of the score for rehearsing. Perhaps if you contact Dobbs
Franks in Melbourne - I am _sure_ he had copies.
Good luck
Bruce Pethe
John Howell wrote:
However, I know of NO Broadway show that has a full score (Partiture
to the librarians involved!) available, or even in existence. I
suspect that there was one and only one, R.R.Bennett's original,
probably in pencil, and only the various copyists have ever seen it.
Certainl
At 10:11 AM -0400 7/23/04, dhbailey wrote:
Andrew Stiller wrote:
But Andrew Stiller´s book on instrumentation uses the first one you
mentioned and not the second.
At the time I wrote it, Helmholtz was *the* international standard
for pitch designations. The whole current mess strikes me as a
prim
James E. Bailey wrote:
What exactly do you mean? As in typing a text, you want to include two
eighth notes? If that is the case then:
• Create the two beamed eighth notes in Finale
• Use the picture tool to extract them
• Save as eps
• Open the file in a vector editing program (it preserves ever
On Fri, 23 Jul 2004 13:15:38 -0400, Dennis Bathory-Kitsz
<[EMAIL PROTECTED]> wrote:
> At 10:05 AM 7/23/04 -0700, Brad Beyenhof wrote:
> >Development will now be unfettered by operating systems of the past!
>
> Leaving only the users fettered to financial fate of Makemusic and Finale's
> registrati
Dennis Bathory-Kitsz wrote:
At 10:05 AM 7/23/04 -0700, Brad Beyenhof wrote:
Development will now be unfettered by operating systems of the past!
Leaving only the users fettered to financial fate of Makemusic and Finale's
registration system! Yippee!
I was going to say "Development will now only be
At 2:03 PM -0400 7/23/04, Bill Thompson wrote:
John Howell wrote:
The proofreading still leaves much to be desired, and of course
NOBODY ever compiles and sends out lists of errata, so every
production has to reinvent the wheel.
This thread has been great reading, though I've not worked on a
mus
Several years back I MDed a production of "The Pajama Game". We had really
old orchestra books that had obviously been sent out many times. During
rehearsals somebody, maybe the trombone player asked about a certain note.
I checked the score and told him what it probably ought to be, based on the
Title: Re: [Finale] Beamed eighth
notes
Is there a
way to type a beamed set of two eighth notes in text with the
maestro font? I also have Anastasia but, couldn't seem to find
it there.
Any help would surely be
appreciated.
Thanks,
George
Ports
Dear George,
You should downløad the new Rhy
And here I am, silly me, doing stuff the hard way.
Am 23.07.2004 11:05 Uhr, schrieb: "dhbailey"
<[EMAIL PROTECTED]>
> James E. Bailey wrote:
>
>> What exactly do you mean? As in typing a text, you want to include two
>> eighth notes? If that is the case then:
>> Create the two beamed eighth
On 23.07.2004 19:05 Uhr, Brad Beyenhof wrote
> I just got an email detailing MakeMusic!'s plans to discontinue
> support for Windows NT4 and MacOS 9.
>
> Development will now be unfettered by operating systems of the past!
Did anyone seriously expect otherwise? Personally I would have prefered i
On Fri, 23 Jul 2004 21:01:25 +0200, Johannes Gebauer
<[EMAIL PROTECTED]> wrote:
> On 23.07.2004 19:05 Uhr, Brad Beyenhof wrote
>
> > I just got an email detailing MakeMusic!'s plans to discontinue
> > support for Windows NT4 and MacOS 9.
> >
> > Development will now be unfettered by operating syst
At 9:01 PM +0200 7/23/04, Johannes Gebauer wrote:
[snip]
But is anyone seriously using 2k4 in OS 9?
I would have used it if it worked.
-Randolph Peters
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I know this has probably been discussed here before, but I need a bit of
help with a piece I'm working on right now. The piano part will
definitely be easier to read if the notes in both hands are beamed
together. Now, I now how to do cross-staff beaming and reverse stemming
to make it all look o
Many thanks to all for a lot of interesting information about this
show. As far as I can tell, the parts for "Crazy" were very carefully
done: the set we received still had the pencil markings from another
production, but there were only a handful of notes that had been
corrected. Maybe more er
Taris L Flashpaw wrote:
I know this has probably been discussed here before, but I need a bit of
help with a piece I'm working on right now. The piano part will
definitely be easier to read if the notes in both hands are beamed
together. Now, I now how to do cross-staff beaming and reverse stemm
1. How do I get the stems to appear in the middle of a second
instead of on the outside?
-- You can fix this with the reverse stem tool. Click on a handle
until you get the result you need!
2. How do I get the articulations (staccatos in my case) to appear
on the noteheads and not around the be
On 23 Jul 2004, at 03:01 PM, Johannes Gebauer wrote:
But is anyone seriously using 2k4 in OS 9?
Yeah, Jef Chippewa is. But I don't think he has a choice.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
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On 23 Jul 2004, at 02:00 PM, Ryan Beard wrote:
I know there are full scores of some shows out there.
I did RAGTIME two years ago and they sent a full score
to use during the run. We did the first regional
production of it anywhere. I guess the show was so new
that the publisher hadn't made the redu
On 23 Jul 2004, at 02:08 PM, John Howell wrote:
If that really were a standard it would make some sense, but didn't
one manufacturer--probably Yamaha--use a similar system with middle C
as C3 or C5? Enough different, in any case, to make the word
"standard" inapplicable.
Years ago, yes. But no
Title: Re: [Finale] Cross-staff beaming, reverse stems,
articula
Taris writes:
I know this has probably been discussed
here before, but I need a bit of help with a piece I'm working on
right now. The piano part will definitely be easier to read if the
notes in both hands are beamed together. No
On 23.07.2004 21:18 Uhr, Randolph Peters wrote
>> But is anyone seriously using 2k4 in OS 9?
>
> I would have used it if it worked.
Exactly!
Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
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I am looking for someone who can give me some tips on using Audiodesk or
Digital Performer to edit Classical Music (ie music recorded in takes). I am
new to this program and am trying to get a good start. I don't need the
basics of digital editing, I have done that before, but I have never used DP
The parts were exquisitely hand copied as
> well. Good show.
> Anyone know who worked on it? It previewed in late
> 1997 in Toronto then premiered in NYC in 1998. Darcy,
> any ideas?
I believe it was Holly Carroll.
John Blane
Blane Music Preparation
1649 Huntington Ln.
Highland Park, IL 60035
84
I've played "My Fair Lady" twice - once in high school, with the old MS
parts, and once, about ten years ago, with the Kentucky Opera Association
(as a regular opera production in the fall-spring season, for some odd
reason), with the typeset parts, which were, as you say, FULL of mistakes.
The Ke
At 5:50 PM -0400 7/23/04, Raymond Horton wrote:
I've played "My Fair Lady" twice - once in high school, with the old MS
parts, and once, about ten years ago, with the Kentucky Opera Association
(as a regular opera production in the fall-spring season, for some odd
reason), with the typeset parts, w
On Jul 23, 2004, at 1:59 PM, dhbailey wrote:
Christopher Smith wrote:
They sent you the full score, with separate staves for the
instruments? Wow, that blows my mind! I knew they had the full score
in Toronto, but Tams-Witmark were absolute dicks to us. I wonder how
one rates the royal treatmen
On Jul 23, 2004, at 2:00 PM, Ryan Beard wrote:
I know there are full scores of some shows out there.
I did RAGTIME two years ago and they sent a full score
to use during the run. We did the first regional
production of it anywhere. I guess the show was so new
that the publisher hadn't made the redu
I hear the pain out there this spring I played trb. in the pit for
Pajama Game, and the part was so bad I took it home and rewrote the
entire thing in Finale. It took a long time, but at least I could play
the show.
Dean M. Estabrook
technology is a fickle mistresscan't live with her..
At 23:50 23/07/2004, there was written:
I prefer the MS parts, if that's
all the care they take with the new ones.
It's a real shame, since they could be corrected so easily on
somebody's
computer. Nobody cares.
Raymond Horton,
Bass Trombonist
Louisville Orchestra
This happens all over. Correcti
On 23 Jul 2004 at 21:55, Michael Cook wrote:
> >2. How do I get the articulations (staccatos in my case) to appear on
> >the noteheads and not around the beam between the staves?
>
> -- Just drag the staccatos to where you need them. If you really have
> a lot of staccatos on reverse stem notes,
On Wed, 21 Jul 2004 21:23:20 +0200, Johannes Gebauer
<[EMAIL PROTECTED]> wrote:
I still have one application which I cannot replace
by an OS X equivalent, Emagic Waveburner. There simply isn't one at this
point.
Good news for you!
>From http://www.soundtech.co.uk/emagic/waveburn.htm :
NOTE: Wav
On 23 Jul 2004 at 18:10, John Howell wrote:
> At 5:50 PM -0400 7/23/04, Raymond Horton wrote:
> >I've played "My Fair Lady" twice - once in high school, with the old
> >MS parts, and once, about ten years ago, with the Kentucky Opera
> >Association (as a regular opera production in the fall-spring
> I just got an email detailing MakeMusic!'s plans to discontinue
> support for Windows NT4 and MacOS 9.
Does this mean that they will begin supporting Windows XP?
RY
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Hi all,
A bit off topic but, I trust the knowledge here.
A client has askd me to do Delibes' Flower Duet from Lakme for her wedding.
Now I have a classical fakebook that lists Delibes Pas de Fleurs. Is this
the same piece?? TIA :)
-Adriel
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Whether the new "My Fair Lady" set was done from the old parts doesn't
matter - they were done very sloppily and full of oddball mistakes that were
not in the MS parts.
I have a memory for such things. The first time I played it (1970) was a
memorable experience for me - I was brought in as a 17-
On Thu, 22 Jul 2004 10:09:01 jef wrote:
helmholtz's system (middle-C = c^1 or c') is used almost exclusively
in german-speaking lands, and the system defined by the acoustical
society of america (middle-C = C4 [or C with small, lowered 4]) is
predominant in canada, and it seems to me in the US.
w
The "Pas de Fleurs" is a waltz from the ballet "Naila". If the flower
duet from Lakmé is in a fake book I'm sure it would be simply "Flower
Duet". It's certainly available separately: ask any good music shop.
Michael Cook
Hi all,
A bit off topic but, I trust the knowledge here.
A client has askd
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