Bill Duncan's Finale fonts has this, and it is a piece of cake to use
This, coupled with a really good microtonal implementation,
is one of
the things that would swing me to *cough* other software
Do you mean it just has the fonts? And that you still have to go
through
At 07:42 AM 5/4/2006 +0100, Owain Sutton wrote:
Stem connections only get applied when the notehead font has been
changed with a staff style. Not if you change the font with the
Notehead Tool (surely the obvious place to do so).
I think that stem connections get applied when changing with the
Le 06-05-04 à 06:45, Dennis Bathory-Kitsz a écrit :
I think that stem connections get applied when changing with the
notehead
tool. It does that for me. Though it would be nice if all the
characters
had a stem connections library. I don't see one.
Dennis
Stem connections will work with
On 5/3/06 5:33 PM, Chuck Israels [EMAIL PROTECTED] wrote:
On May 3, 2006, at 2:16 PM, Robert Patterson wrote:
Amen. And while we're at it, how about swell and reverse-swell
hairpins?
If you really need these, Bill Duncan has a smart shape hairpin
font that does exactly this.
And
On May 4, 2006, at 2:42 AM, Owain Sutton wrote:
Bill Duncan's Finale fonts has this, and it is a piece of cake to use
This, coupled with a really good microtonal implementation,
is one of
the things that would swing me to *cough* other software
Do you mean it just has the
On May 3, 2006, at 7:01 PM, Owain Sutton wrote:
'Beat-attached' expressions.
Already there and always has been, at least since v3.0.
Having read the replies, I still don't get it. It's not there in the
Expression Designer (unless it's an anonymous default option or
summat).
It's
On May 4, 2006, at 8:31 AM, Scot Hanna-Weir wrote:
What we really want is easy dashing of hairpins and ties. (I know about
making a smart shape and setting a slur instead of a tie, but I wish
it were
easier).
I understand about the dashed hairpins (two dashed Smart Lines would be
an
I had no idea that this limitation was there. Thanks for pointing it out. I
would report it to MM as a bug.
Stem connections only get applied when the notehead font has been
changed with a staff style. Not if you change the font with the
Notehead Tool (surely the obvious place to do so).
Manually sounds great, my biggest concern is that throughout a long composition
this won't be consistent? How do I make sure everything is exactly the same?Thanks
On 5/3/06, Noel Stoutenburg [EMAIL PROTECTED] wrote:
Kim Patrick Clow wrote: Hi everyone: I am trying to do two things:
I want to keep
On 5/4/06 8:19 AM, Christopher Smith [EMAIL PROTECTED]
wrote:
On May 4, 2006, at 8:31 AM, Scot Hanna-Weir wrote:
What we really want is easy dashing of hairpins and ties. (I know about
making a smart shape and setting a slur instead of a tie, but I wish
it were
easier).
I understand
At 10:14 AM 5/4/2006, Kim Patrick Clow wrote:
Manually sounds great, my biggest concern is that throughout a long
composition
this won't be consistent? How do I make sure everything is exactly the same?
Unless you've optimized the systems (Page Layout | Optimize Staff
Systems), then changes
Kim Patrick Clow wrote:
Manually sounds great, my biggest concern is that throughout a long
composition
this won't be consistent? How do I make sure everything is exactly the
same?
Thanks
If by manually you mean dragging the handle, if you drag the upper
handle, you adjust that staff
On May 4, 2006, at 2:42 AM, Owain Sutton wrote:
Bill Duncan's Finale fonts has this, and it is a piece of
cake to use
This, coupled with a really good microtonal implementation,
is one of
the things that would swing me to *cough* other software
Do you
At 11:08 AM 5/4/2006, Noel Stoutenburg wrote:
On the other hand, if I know that I want the staves all spaced evenly,
I'll drag the next to top staff to where I want it, and using the Staff
usage item in the drop down menu, see what the difference is between the
setting and the top staff setting,
I worked on a project last week where I ran into the following problem:
The time signature was 4/4, with a two beat pickup at the top of the
song. The cellos had a quarter note triplet, with the other instruments
resting. It looks great onscreen, the score prints out correctly, but when
Hi, Everyone...
I'm trying to put a Cbmaj9 chord symbol in the key of Gb major but
every time I enter it, Finale changes it to read Bmaj9. How can I
make it leave it as a Cbmaj9??!!
Thanks!
Jacki
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Chord tool menu. Uncheck the simplify spelling option.
That should do it.
Rafael Velasco
On 4 May 2006 at 14:05, Jacki Barineau wrote:
Hi, Everyone...
I'm trying to put a Cbmaj9 chord symbol in the key of Gb major but
every time I enter it, Finale changes it to read Bmaj9. How can I
On May 4, 2006, at 2:15 PM, Rafael wrote:
Chord tool menu. Uncheck the simplify spelling option.
That should do it.
THANK you!
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On May 4, 2006, at 2:02 PM, Stephen Lamb wrote:
I worked on a project last week where I ran into the following
problem:
The time signature was 4/4, with a two beat pickup at the top of
the
song. The cellos had a quarter note triplet, with the other
instruments
resting. It looks
On May 4, 2006, at 11:22 AM, Owain Sutton wrote:
You can enter the half-sharps and whatnot as
articulations,
and they will be automatically placed and spaced (except for chords,
yikes!) though you won't get microtonal playback. (Frankly, the
barriers involved in correct microtonal playback of
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Christopher Smith
Sent: 04 May 2006 19:56
To: finale@shsu.edu
Subject: Re: [Finale] RE: [Olist] Sibelius/Finale question
(Eek,I openeda can of worms)
On May 4, 2006, at 11:22 AM, Owain
At 5/4/2006 02:43 PM, Christopher Smith wrote:
I haven't run into THIS particular bug, but I have run into so many
other bugs using the Setup Wizard's pickup measure feature that I
stopped using it a long time ago. I create all my pickup measures
manually, using TIme Signature toolOther
On May 4, 2006, at 3:11 PM, Owain Sutton wrote:
The Staff Style stem settings don't let you change the normal stem
length or the stem line thickness. These can only be done globally,
which I've found to be an issue in the past.
The endpoint away from the notehead is the stem length. It can
On May 4, 2006, at 3:32 PM, Phil Daley wrote:
At 5/4/2006 02:43 PM, Christopher Smith wrote:
I haven't run into THIS particular bug, but I have run into so many
other bugs using the Setup Wizard's pickup measure feature that I
stopped using it a long time ago. I create all my pickup measures
Le 06-05-04 à 08:31, Scot Hanna-Weir a écrit :
What we really want is easy dashing of hairpins and ties. (I know
about
making a smart shape and setting a slur instead of a tie, but I
wish it were
easier).
That's one of my most wanted feature. Something I talk about for years.
At least I
Le 06-05-04 à 09:19, Christopher Smith a écrit :
What would be easier than entering a dashed slur?
Christopher, Finale's slur is not tapered like a real slur. It's only
a curved line. It simply doesn't look professional.
Eric Dussault
Finale 2006c for Mac
Real-time Finale discussion -
Owain Sutton wrote:
Off the top of my head, this is the start of my wishlist for
improvements and extensions to Finale's capabilities, in no particular
order (if any of them can be done in a way I'm not realising, please
tell me!):
A better implementation of microtones (or even just a simple
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Christopher Smith
Sent: 04 May 2006 20:53
To: finale@shsu.edu
Subject: Re: [Finale] RE: [Olist] Sibelius/Finale question
(Eek,I openeda can of worms)
On May 4, 2006, at 3:11 PM, Owain Sutton
On 4 May 2006 at 9:19, Christopher Smith wrote:
On May 4, 2006, at 8:31 AM, Scot Hanna-Weir wrote:
What we really want is easy dashing of hairpins and ties. (I know
about making a smart shape and setting a slur instead of a tie, but
I wish it were easier).
I understand about the
On May 4, 2006, at 6:23 PM, Owain Sutton wrote:
Remember that 'document' does not necessarily mean 'composition'. Some
of these tweaks are related to wanting to put together numerous
'examples' as part of a worksheet or handout, without having to export
the graphics and import them into
Hi, Everyone...
Is there some way to extract, for example, the top note in every
chord in a song? Or the middle note or bottom note? I have a song
that is 3-part harmony, all on 1 staff, no layers. Can this be done
simply, or do I have to manually erase the notes I don't want?! What
Hi, Everyone - Just thought I'd update you on this. I finally called
MakeMusic's tech support to ask if there's a way to do this tie
thing. He said there isn't, but offered a work-around that did
okay. I just put in multiple slurs on that chord and then placed
them to look like the 3
For reasons beyond my control, I'm working on a project in Fin2005b
with Petrucci as the default font. It's a piano reduction, so proper
spacing of seconds would be nice, but for some reason the horizontal
displacement is off. Is this a Petrucci vs. Maestro issue? Is there
somewhere I can
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