Special Tools Broken Beam Tool: Click the box above the staff.
Cheers!
Eric
On 28.05.2009, at 20:45, Christopher Smith wrote:
Hi all,
I have dealt with this before, but I can't remember out what I did.
In 6/8 when you notate dotted 8th, sixteenth, eighth, the sixteenth
beamlet is turned
Noel,
You're probably right about the tempo relations between the
movements ... but it would be important to know if the Viennese
baroque composer (a) was an Italian or influenced by the Italians?
and (b) lived in the early or the late part of which century?. The
second movement is the
Lawrence,
Do you mean TWV 54:D2 (I think this is the only one for three horns)?
According to Ruhnke's catalogue (1999), there are/were two editions:
Amsterdam, KaWe Nr. 126 and 127a (E. Leloir)
Adliswil, Kunzelmann (K. Janetzky)
Ruhnke gives no dates for these, and they could well be older
Andrew,
The thing about the Klingende Geographie is that it is a modern
(i.e. 20th century) compilation of movements from various suites put
together by A. Hoffmann for his edition, and has, if I remember
correctly, nothing to do with the Singende Geographie. Some time
ago I took the
Kim,
As I think I mentioned in an earlier post, things like this happen
fairly often in the cantatas, and is called Bassetchen or little
bass notation by Quantz. Your excerpt is the classic case of the Bc
dropping out temporarily and being replaced by strings (usually
violas, but it can
Has any baroque colleague on the list noticed this? I've been
living with it for a while and suspect that it's new in 2009 ...
(FinMac 1009b, OS 10.4.11, PPC)
I enter a figured bass line as text below a double staff, then start
to add chords to the upper staff ... and the figures disappear!
On 09.02.2009, at 15:52, Christopher Smith wrote:
You say you enter the figured bass as text; do you mean
expressions? Or lyrics?
As lyrics. Ansgar Krause's Final-Generalbass entered via type into
score.
I've noticed your problem of no-show hyphens also, and suspect that
it's directly
Well, Frederick Neumann's tome (Ornamentation in Baroque and Post-
Baroque Music, Princeton U. Press 1978/1983, 630 pages) would be a
good place to start, it being written by someone who spent his whole
life studying the subject. There _are_ more recent books on the
subject, and also older
Well, Frederick Neumann's tome (Ornamentation in Baroque and Post-
Baroque Music, Princeton U. Press 1978/1983, 630 pages) would be a
good place to start, it being written by someone who spent his whole
life studying the subject. There _are_ more recent books on the
subject, and also older
Well, sure, this is what tends to happen when you spend your whole
life researching a subject. You develop opinions. And that's as it
should be. Which is, by the way, probably the way it worked back
then. A performer's preferences were quite certainly the sum total of
his experience over
Try entering the piece with a key signature of --/8 (something over
8, such as 4/8, 6/8 etc., which you can then hide for printout). Then
Human Playback swing will be applied to the next smaller note
values, i.e. 16ths.
Eric
On 21.01.2009, at 21:18, Mark McCarron wrote:
I'm transcribing a
Kim,
You do mean the 1733 print? The TA , vols. 12-14 (1959-1963) should
have a list of sources, which may need some updating, but are
probably more or less accurate.
I seem to remember seeing a facsimile edition of the complete
collection at some Early Music Show recently — from one of the
for Frankfurt.
Eric
On 21.12.2008, at 22:11, David W. Fenton wrote:
On 21 Dec 2008 at 11:39, Eric Fiedler wrote:
I think what Telemann and/or his copiest is doing here in TVWV
1:644 is to alert the viola player to the fact that he is playing the
same line as the bass, albeit an octave higher
Kim,
I think what Telemann — and/or his copiest — is doing here in TVWV
1:644 is to alert the viola player to the fact that he is playing the
same line as the bass, albeit an octave higher. This happens a lot in
Telemann manuscripts, with even the violins often being written in
bass clef
Didn't Phil Farrand invent Finale sometime back in the late Middle Ages?
But as far as making it _successful_ you may be right ... ;-)
eff
Habsburger Verlag Frankfurt (Dr. Fiedler)
www.habsburgerverlag.de
[EMAIL PROTECTED]
[EMAIL PROTECTED]
David,
Thanks for the Altenburg and the tip about the archive. By the way,
according to the latter, the music was engraved with Capella, which
is very big here in Germany (capella-software GmbH, An der Söhrebahn
4, D-34320 Söhrewald, which is near Kassel). A lot of students use it
because
David,
Being an old Altenburg fan, and not having tried the new Smart Score
Lite yet, I took a few minutes off and put your PDF through SSL
(FinMac 2009b). It worked almost perfectly; I only had to add two
eight notes to the final score and could play it back immediately.
No false key
Hi Dennis,
To clarify my last post.
I had printed out David's PDFs and then just gave the printed pages
to Finale (File Scanning: SSL ... with the scanner attached, of
course) The program does the rest. So David wouldn't even have to
generate PDFs before turning to Finale, he could just
Hi Dennis,
It was. Specifically to test it in the situation I (and possibly
David) might want to use it, namely: paper directly to Finale. But
PDFtomusic Pro sounds interesting, too, considering how much music
we're sucking out of the internet in digital form these days.
Cheers!
Eric
Kim,
You might want to take a look at the RIDIM (Répertoire International
d'Iconographie Musicale) homepage:
http://www.ridim-deutschland.de/
Also some of the volumes of the series Musikgeschichte in Bildern
(VEB Leipzig) are pretty good. I think Bowles has done one of the
volumes.
Eric
What's New in Finale 2009a
Staff Assignment Lists for Expressions. Apply dynamics and other
expressions to multiple staves simultaneously using Finale's new
Assignment Lists. See To add an expression to multiple staves and
Expression Selection dialog box.
Expression Assignment Shortcuts.
find built-in tick marks that look like the ones in
your example, so you would have to create a shape for them in any
case.
On Mon, Oct 27, 2008 at 3:21 PM, Eric Fiedler
[EMAIL PROTECTED] wrote:
Hi Robert,
Graphic at:
http://www.habsburgerverlag.de/Pages/Kyrie.jpg
What I want here
:
Eric Fiedler wrote:
John,
As you have probably discovered, you can do this in Finale:
1) Get rid of the tie.
2) Make the first note in the next measure (the held-over part)
invisible
3) go back to the previous measure and give the last note its
proper value
When you exit, Finale will bing
, Oct 28, 2008 at 12:03 PM, Eric Fiedler
[EMAIL PROTECTED] wrote:
Thanks Robert, I think I'm almost there, see:
http://www.habsburgerverlag.de/Pages/Kyrie.PDF
What I'm still not too clear about is how you get the shape
expression to
position itself automatically precisely on the left (or right
Has anyone found a way to make one of four bar lines in a four-voice
measure stack different? I have a client who wants a system of
barring favored in certain circles of early music specialists,
whereby bar lines are on staff only where there is no overlap,
and replaced by small dashes
]
On 27.10.2008, at 10:32, Noel Stoutenburg wrote:
Eric Fiedler wrote:
Has anyone found a way to make one of four bar lines in a four-
voice measure stack different? I have a client who wants a system
of barring favored in certain circles of early music specialists,
whereby bar lines are on staff
to
accommodate them.
All the best!
Eric
Habsburger Verlag Frankfurt (Dr. Fiedler)
www.habsburgerverlag.de
[EMAIL PROTECTED]
[EMAIL PROTECTED]
On 27.10.2008, at 11:43, Noel Stoutenburg wrote:
Eric
Frankfurt (Dr. Fiedler)
www.habsburgerverlag.de
[EMAIL PROTECTED]
[EMAIL PROTECTED]
On 27.10.2008, at 17:06, Robert Patterson wrote:
On Mon, Oct 27, 2008 at 3:56 AM, Eric Fiedler
[EMAIL PROTECTED] wrote:
Has anyone found a way to make one of four
John,
As you have probably discovered, you can do this in Finale:
1) Get rid of the tie.
2) Make the first note in the next measure (the held-over part)
invisible
3) go back to the previous measure and give the last note its proper
value
When you exit, Finale will bing at you and ask if you
On 27.10.2008, at 17:46, John Howell wrote:
At 3:55 PM +0100 10/27/08, Eric Fiedler wrote:
Hi Noel,
It sounds like you're thinking of something along the lines of Van
Crevel's edition of Obrecht in 1959, where he dispensed with bar
lines completely and just used little wedges above
On 27.10.2008, at 17:58, David W. Fenton wrote:
On 27 Oct 2008 at 15:55, Eric Fiedler wrote:
I admit to
having dabbled in Mensurstrich in my youth, as this was more or less
the politically correct way to notate the polyphony of the
Renaissance when I was a student, but this, too, seems
Hi Robert,
Graphic at:
http://www.habsburgerverlag.de/Pages/Kyrie.jpg
What I want here is the alternative bar lines in measure 1 of the
Alto, and in measure 2 of Soprano and Alto. Nowhere else.
Is this possible?
Thanks for your thoughts!
Eric
On 27.10.2008, at 21:01, David W. Fenton wrote:
On 27 Oct 2008 at 20:43, Eric Fiedler wrote:
On 27.10.2008, at 17:58, David W. Fenton wrote:
On 27 Oct 2008 at 15:55, Eric Fiedler wrote:
Bar lines are only tyrants if you let them be tyrants ;-)
I disagree. No matter how experienced
Johannes,
We have all our primary and secondary source material (microfilms,
books, new and old editions, etc.) in several File Maker Pro
databases (running on Macs), which can be searched for as many
criteria as you choose to enter originally (composer, performing
forces, performance
I know this has been discussed many times on this list, but ...
A client has just sent us a huge Sibelius file to be worked on. What
is the best way to get it into Finale with as much detail as possible
being saved in the transition? (so a MIDI-solution would only be a
solution if all else
Ryan,
We've been very happy with PDF Pen PRO, which can do what you want
and much more and the registration fee is quite reasonable.
Eric
Habsburger Verlag Frankfurt (Dr. Fiedler)
www.habsburgerverlag.de
[EMAIL PROTECTED]
[EMAIL PROTECTED]
I think alto recorders in in g , while the rule in the 16th and
early 17th centuries, had pretty much disappeared by the beginning of
the 18th c. except possibly in the Stadtpfeifereien, which were
also in many others ways archaic. In any case, Ulrich Prinz, in his
useful book: Johann
If all you want is just a continuation of the word extension line
after the system break without a new syllable, you could just add an
invisible space at the beginning of each new system (on the Mac it's
Option+Spacebar) and then hang a new extension on that.
Eric
None of the cantatas you're looking for is in the DDT volume. (Am
sending table of contents via private). Have you manage to find
Friedrich Noack, Christoph Graupner als Kirchenkomponist, BH
Wiesbaden /1960 (=Beiheft of the DDT-Series); it's a good overview of
the 1400+ (!) cantatas and a
Kim,
Se piace means simply if you want (if it pleases you) and
usually refers (at least in Telemann's opus) to an optional doubling
of the violin part(s) by oboe(s) or flute(s). I don't think I've ever
seen a se piace part as an _additional_ part.
Eric
Kim,
The viola d'amore part is quite certainly meant to sound an octave
lower, particularly if notated in french violin clef (see: Michael
Jappe, Zur viola d'amore in Darmstadt zur Zeit Christoph Graupners
(1683-1760), in: Baseler Studien zur Interpretation der Alten Musik.
Forum
Two solutions:
(1) For a very melismatic text, you can uncheck Lyrics in
PreferencesMusic Spacing: Avoid collision of. Applied on a global
basis, this can unfortunately lead to some very exciting text underlay.
(2) Leave Lyrics checked, and at the offending melisma use the
Measure Tool to
Kim,
Telemann, in his Fast allgemeines Evengelisch-Musikalisches Lieder-
Buch (Hamburg 1730) lists just the one well-known melody (Stralsund
1665), and this is the only one I've ever seen used in cantatas of
the time. By the way, this large printed collection is a good source
of melodies
I'm with you. One bit of (positive) evidence: I just downloaded the
2008a fix and have been playing with a line of music with a very
compact text, squeezing and stretching the measures until the
hyphens appear and/or disappear. So far everything seems to be
displaying perfectly (Hurrah!)
Bruce,
Finale was originally a Mac-only app, which is the main reason I
bought a Mac in 1986. There has been a Windows version since (I
think) about version 2.0 and to judge by the postings of fellow list
members there seems to be virtually no difference between the
versions; at least
Martin,
The Mac OS up to 10.4.10 (Tiger) still can run Classic. Leopard (OS
10.5) cannot. Maybe you could partition your hard drive if you really
need OS 9 capability. Or upgrade just to Tiger. But if everything is
working well, I'd stay with 10.3.9 (I have it on my Powerbook G4 too).
Eric
Dear List,
My response just now to Johannes' question about the Doppelschlag
contained an attachment. Sorry! Mea culpa! I forgot I wasn't
responding directly. Will try to behave more list-correctly in the
future!
Eric
Habsburger Verlag
Kim,
I just looked at my facsimile of the collection and the small
vertical lines are in all the parts just as they are in the new
edition (right before the bar lines). These bar lines, on the other
hand, are, of course, not in the parts. This suggests that the small
lines are simply a
Kim,
I just looked at my facsimile of the collection and the small
vertical lines are in all the parts just as they are in the new
edition (right before the bar lines). These bar lines, on the other
hand, are, of course, not in the parts. This suggests that the small
lines are simply a
Some or all of the whole-measure rest are real rests, not the
default whole rests. Eliinate these and it should work.
Eric
Habsburger Verlag Frankfurt (Dr. Fiedler)
www.habsburgerverlag.de
[EMAIL PROTECTED]
[EMAIL PROTECTED]
If I remember correctly, Harnoncourt did a version of the second
Brandenburg with natural horn a long time ago and even recorded it.
Just tried to find the recording in the LP collection gathering dust
in the basement, but had no luck. As I remember, it took a while to
get used to the horn
In what period? There is, for instance, an exhaustive discussion with
bibliography on Mozart's tempos at:
www.mozart-tempi.net
Eric
Habsburger Verlag Frankfurt (Dr. Fiedler)
www.habsburgerverlag.de
[EMAIL PROTECTED]
[EMAIL PROTECTED]
On second thought I think the tempo can, within a certain range, be
pretty subjective; compare Chopins Op.57 with Stravinsky's Berceuse
from the Firebird.
Eric
Habsburger Verlag Frankfurt (Dr. Fiedler)
www.habsburgerverlag.de
[EMAIL PROTECTED]
Habsburger Verlag Frankfurt (Dr. Fiedler)
www.habsburgerverlag.de
[EMAIL PROTECTED]
[EMAIL PROTECTED]
On 07.09.2007, at 05:35, John Howell wrote:
... THAT is why I haven't considered it worth the
Kim,
Six Telemann cantatas have parts for oboi/clarini/trombe surdinati,
which is a linguistic variant of the italian word for mute sordina
meaning with mute.
Eric
Habsburger Verlag Frankfurt (Dr. Fiedler)
www.habsburgerverlag.de
[EMAIL
As far as I can remember from doing this a long time ago, the spacing
in the _original_ measure determines the spacing in the ossia. Or
have you already tried that?
Eric
Habsburger Verlag Frankfurt (Dr. Fiedler)
www.habsburgerverlag.de
[EMAIL
Try _dragging_ notes in the source measure with _Speedy_. The changes
will be reflected in the ossia measure.
But you're right, there should be a more direct way of doing this.
Being able to drag a note in the ossia measure itself, for instance.
Eric
Michael,
It sounds to me like you have two separate page numberings going, the
one (page 11) set in frame attributes to one page only , the
other somehow automatic (number pages beginning with page 2). Try
selecting the 11, then setting the frame attributes to all
pages, which should
Johannes,
NovemberExtra has everything you're looking for and more ... but it's
not free. If interested, I could send you a PDF of the symbols prívately
MfG
Eric
Habsburger Verlag Frankfurt (Dr. Fiedler)
www.habsburgerverlag.de
[EMAIL PROTECTED]
To all the PC gurus and/or beta-testers on the list,
I know it's probably a little too early to ask, but have you had the
time and/or opportunity to form an opinion — or develop a gut feeling
— of how our favorite program will run under MS's new OS? I'm not
asking so much for myself, as we
Dean,
Using Adobe Acrobat 7.0 Professional you can save a PDF in (among
other formats) MS Word, Rich Text and Plain Text., all of which can
probably be opened in Apple Works.
Hope this helps!
Fiedler
Habsburger Verlag Frankfurt (Dr. Fiedler)
Die Claves would be the plural. In the singular (and how often does
one have only one??) one should probably refer to der Klangstab.
I've never heard of one Clave.
EFF
Habsburger Verlag Frankfurt (Dr. Fiedler)
www.habsburgerverlag.de
[EMAIL
John,
It does seem to be a pretty rickety site, but I managed to print out
a couple of pages using the following technique:
click: Search NMA Übersicht: (choose Gattung, I chose Kanons),
Go Suchergebnisse: (for instance III/10, p.11 in the right column
in red): click
This brought up the
Johannes,
I have read accounts of how to do this at least two or threes
separate times and have promptly forgotten the details after
following the instructions. But since I have been running Cocktail
http://www.maintain.se/cocktail/
fairly regularly, I haven't been having any more font
Lawrence,
The concertos and orchestral suites are for the most part preserved
in Darmstadt, Hessische Landesbibliothek - Staats- und
Universitätsbibliothek, Music department, with a few scattered pieces
in Dresden and Berlin. If you can get to a good library, take a look
at Martin Ruhnke,
Exactly! Petrucci's print runs were of the of the order of magnitude
of a couple of hundred copies maximum, and Telemann's (two hundred
plus years later) were quite certainly no larger.
EFF
Habsburger Verlag Frankfurt (Dr. Fiedler)
Johannes,
rubber eraser would perhaps be better than rubber alone, which
can have other, misleading (!) meanings, particularly to American
ears. Mallet is the usual term for Schlägel.
Cheers!
EFF
Habsburger Verlag Frankfurt (Dr. Fiedler)
Indeed! But of course a similar system is also in place today, at
least with regard to publications in a series. Libraries and other
musicological institutes usually subscribe to a series (if you're
lucky), thus allowing the distributor to know roughly how many copies
of a particular
Kim,
Do try to exercise a little restraint when talking about matters
you're maybe not quite sure about. In principal, all publishers print
on demand, the difference being the size and frequency of the print
runs. Our print runs average between 300 and 400 copies, which, while
certainly
Kim,
You can find this in lots of places. Easiest to locate in your
library is probably the table in Daniel Melameds An Introduction to
Bach Studies (OUP 1998), pp. 55-60.
Eric
Habsburger Verlag Frankfurt (Dr. Fiedler)
[EMAIL PROTECTED]
Kim,
thanks for the note. It's always good to hear of libraries buying our
editions!
All the best for your own projects!
Eric
Habsburger Verlag Frankfurt (Dr. Fiedler)
[EMAIL PROTECTED]
On
Kim,
What you're looking for is the RISM-
Bibliothekssigel.Gesamtverzeichnis, published by the Henle Verlag in
Munich. All good libraries have it. As far as I know, there is no web
page that has so much information (the catalogue is 137 pages long!).
Hope this helps,
Fiedler
Andrew,
The 3rd volume of Ruhnke's catalog (Martin Ruhnke, G. Ph. Telemann.
Thematisch-Systematisches Verzeichnis seiner Werke.TWV51: concertos
for one solo instrument) has a pretty good list of modern editions as
of 1999.
Eric
Habsburger
If by audio files you mean MP3 files (from iTunes for instance), then
the answer is yes. I've done this a lot to archive old iTunes files.
These can then of course only be played back on an MP3 player, not on
a normal CD player...
Hope this helps!
Eric
David,
As far as I know, you can't boot from a USB drive; it's too slow. I
think you can from a firewire drive ... which you probably don't have
on your G3 unless you've added a special card to attach it to, and
even then it might not work, not being a part or the original package.
EFF
Hallo Kim,Text Tool: Insert Page NumberText Tool Frame AttributesAnd by the way ;-) As far as I have ever heard, Telemann's tomb was destroyed with the rest of the Johannisfriedhof during the bombing of Hamburg in WWII.All the best!EricHabsburger
I know the song as
Die Blümelein sie schlafen
I think it's either a lullaby or a spring song.
Hope this helps!
Eric
Habsburger Verlag Frankfurt (Dr. Fiedler)
[EMAIL PROTECTED]
On 15.04.2006, at
Schott has a two-volume practical edition of Susato's Danserye which should still be in print (Edition Schott 2435 2436). Alamire Publishers in Peer, Belgium, also have a nice facsimile edition of the collection (four part books), which may still be available. The only complete edition of
John,
You have a rather large choice between a number of terms, depending
on whether you are thinking of _tremolo_ in it's (assumed?)
historical meaning of a fluctuation of intensity (with or without a
reiteration of the note) and _vibrato_, that is, a fluctuation of
pitch not amounting
On 05.02.2006, at 00:56, John Howell wrote:
At 12:19 PM -0500 2/4/06, Andrew Stiller wrote:
On Feb 3, 2006, at 7:25 PM, Owain Sutton wrote:
Surely the fact that Petrucci part-books are completely different
to the layout of known contemporary performance sources is in
itself evidence that
Petrucci's first publications (Odhecaton, Canti B, Canti C) are fully
in the tradition of the late franco-burgundian small choir-book
format (such as Paris Rès.Vmc. ms. 57 Nivelle de la Chaussèe or
Dijon 517) and their Italian and German relatives (Florence 2439
Basevi Codex, Bologna Q 18,
Dear collective wisdom,
We're finally getting around to moving up from FinMac 2004c to FinMac
2006c on a G5 OS 10.4.3 (I know, I know: Where have you been all
this time? But we were always in the middle of some large project
when the new version(s) came out and were nervous about changing
Hmm. It's not really _that_ difficult. You can attach any number of
Voice-2 notes (I usually use rests) to the one long note, hide them,
and then attach the figures to these hidden notes with the lyrics
tool as usual. Once you get the hang of it, a few key-combinations do
the trick and
I find it faster to use voices, as you only need to activate this
feature when you need it, specifically, when you want to indicate
changing harmonies under a long note. When I'm entering a figured
bass with Ansgar's font, one key combination switches from lyrics to
speedy entry, one click
It doesn't work on my German Keyboard either, so I usually switch to
the English Keyboard Layout when using Finale (except when inputting
text!). If you have activated several keyboard layouts (say, French
and English) in System PreferencesInternationalInput Menu, then you
can switch back
Ansgar Krause's Finale Generalbass ( http://www.ansgarkrause.de/
finalfonts.htm)
On 07.01.2006, at 21:27, Johannes Gebauer wrote:
Which font are you using again?
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
BurnAgain software (http://freeridecoding.net/burnagain) can do this
on the Mac.
Hope this helps.
Fiedler
Habsburger Verlag Frankfurt (Dr. Fiedler)
[EMAIL PROTECTED]
On 29.11.2005, at 22:38, Brad
Matthew (and all the other font gurus on the list ...),
the Figured Bass examples on your website look very nice. Unfortunately
something seems to be happening to the font file in transit that would
seem to be preventing it from being recognized by OS X and/or Font
book, or any other program
Dean,
There's a small shareware program called BurnAgain (I believe the first
verstion was called burn it again Sam!), which you can use to burn
multiple sessions to a normal CD-R disk
(http://freeridecoding.net/burnagain). Alternatively, you could invest
in the excellent programm Toast from
David,
Have just done intensive spot checking on your files — who has time to
listen to _whole_ pieces by Couperin these days? ;-)
Apart from the slight distortion you mentioned, all your files sounded
fine to me (Mac OS 10.3.9, listening with Safari's built-in MP3 player)
Eric
Some info here:
http://www.finalemusic.com/finale/
Fiedler
Habsburger Verlag Frankfurt (Dr. Fiedler)
[EMAIL PROTECTED]
On 22.06.2005, at 21:34, Eric Dannewitz wrote:
No. I have not seen nor heard
Johannes,
I had the same problem until I rebuilt my directory with _Diskwarrier_
(solving another problem!). Now Safari opens up just fine. It may of
course just have been a coincidence ...
Eric
Habsburger Verlag Frankfurt (Dr. Fiedler)
[EMAIL
In the new book I mentioned a few days ago on J.S. Bachs
Instrumentarium there are seven pages devoted to the tromba da
tirarsi amounting to a pretty good summing up of what we know. If
anyone is interested, and can handle the German, I could send them a
PDF offline.
Fiedler
Frankfurt (Dr. Fiedler)
[EMAIL PROTECTED]
On 18.04.2005, at 17:22, Andrew Stiller wrote:
On Apr 18, 2005, at 4:33 AM, Eric Fiedler wrote:
The following book, just published by Brenreiter, has some relevant
information:
J.S. Bachs Instrumentarium
ed
place that has a major library. Is there any possibility
that you could send me a PDF of the pages you mention concerning the
use of tromba in alto clef during the Barock period?
Vielen Dank!
Martin
On Apr 18, 2005, at 4:33 AM, Eric Fiedler wrote:
The following book, just published by Brenreiter
The following book, just published by Brenreiter, has some relevant
information:
J.S. Bachs Instrumentarium
ed. by Ulrich Prinz, Internat. Bachakademie Stuttgart, Schriftenreihe
10 (49,-)
On page 40f. there is a discussion (in the chapter on tromba) of the
three works by JSB with such a clef
Works fine for me. I see the tuplet loud and clear in Preview.
FinMac 2004c, G5, OS 10.3.7
Maybe it's a problem with 10.3.8? Or with Fin2005? (Have it sitting
there on the shelf, but am a bit wary of changing horses in
midstream..)
Fiedler
The Bach font has 32nd notes that can be used in a word processing
document:
http://www.music.qub.ac.uk/~tomita/bach-mf.html
Hope this helps!
Eric
Habsburger Verlag Frankfurt (Dr. Fiedler)
[EMAIL PROTECTED]
Ken,
A Google-search turned up the following link:
http://www.flashkit.com/fonts/C/CG_Omega-Kanan-1212/index.php
Hope this helps!
Eric
Habsburger Verlag Frankfurt (Dr. Fiedler)
[EMAIL PROTECTED]
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