What's a normal a3 divisi? That was part of the original question,
too. The only answer I have managed to find is, Whatever the
conductor
tells you to do.
Orchestras will have a default decision which they will use for such
divisi passages, either dividing by desk and having
Concerning thrid violin part in Shostakovitch Fifth third movement:
Christopher Smith wrote:
I got a look at the other edition's violin parts, finally.
First and second violins are written normally for the entire symphony,
but there is a part for Violin 3 that has mvt. 1,2 and 4 marked
At 1:03 AM -0400 5/14/06, Christopher Smith wrote:
What's a normal a3 divisi? That was part of the original question,
too. The only answer I have managed to find is, Whatever the
conductor tells you to do.
Well, yes, but there are two standard models that most orchestras
probably use, and
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of John Howell
Sent: 14 May 2006 17:46
To: finale@shsu.edu
Subject: Re: [Finale] 3 violin parts and rehearsal letters - numbers
At 1:03 AM -0400 5/14/06, Christopher Smith wrote:
What's a normal
At 6:10 PM +0100 5/14/06, Owain Sutton wrote:
At 1:03 AM -0400 5/14/06, Christopher Smith wrote:
What's a normal a3 divisi? That was part of the original question,
too. The only answer I have managed to find is, Whatever the
conductor tells you to do.
Well, yes, but there are two
... depending on the complexity of counterpoint, perhaps, but any
conductor who can't handle that should not, perhaps, be on the podium!
True...
and can cause chaos if seating plans change.
I don't quite understand why seating plans would change. If someone
is missing (which I
]
[mailto:[EMAIL PROTECTED] On Behalf Of Raymond Horton
Sent: 12 May 2006 20:14
To: finale@shsu.edu
Subject: Re: [Finale] 3 violin parts and rehearsal letters - numbers
This was a thread a couple of months ago. I believe someone
had a score
with 3 violin parts for a movement or so, and I
Many Tchaikovsky works (I recall the 5th symphony particularly) are
notorious for having the rehearsal letters one bar before the phrase
beginings. I don't know if it is a composer preference or a
publisher-editor preference.
Also, thanks for following up on the Shostakovitch 5th 3rd violin
Apologies, but I seemed to have missed out on some emails - what was the
query re. Shostakovitch 5?
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Raymond Horton
Sent: 12 May 2006 17:27
To: finale@shsu.edu
Subject: Re: [Finale] 3 violin parts
: 12 May 2006 17:27
To: finale@shsu.edu
Subject: Re: [Finale] 3 violin parts and rehearsal letters - numbers
Many Tchaikovsky works (I recall the 5th symphony particularly) are
notorious for having the rehearsal letters one bar before the phrase
beginings. I don't know if it is a composer
texture, but was more challenging both for
conductor and players.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Raymond Horton
Sent: 12 May 2006 20:14
To: finale@shsu.edu
Subject: Re: [Finale] 3 violin parts and rehearsal letters - numbers
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