On 11/21/2010 1:43 PM, John Howell wrote:
At 7:24 AM -0500 11/21/10, David H. Bailey wrote:
I understand the use of clefs to transpose from concert pitch music to
the differently keyed transposing instruments, but is there a chart
somewhere which does things in reverse?
So that looking at a
At 6:46 AM -0500 11/22/10, David H. Bailey wrote:
What I meant by in reverse is that if I'm looking at a written F
in an F horn part, I can use the mezzo-soprano clef to get the
concert pitch note (Bb). But what if I'm looking at a concert pitch
score, how do I figure out what note the F
- Original Message -
From: John Howell john.how...@vt.edu
Date: Monday, November 22, 2010 1:17 pm
Subject: Re: {Spam} Re: [Finale] OT: historical use of C clefs for voice parts
To: David H. Bailey dhbai...@davidbaileymusicstudio.com, finale@shsu.edu
At 6:46 AM -0500 11/22/10, David H. Bailey wrote
with the other clefs that it would slow me down
immeasurably. I have nothing but respect for those among you who read them
easily!
christopher
- Original Message -
From: John Howell john.how...@vt.edu
Date: Monday, November 22, 2010 1:17 pm
Subject: Re: {Spam} Re: [Finale] OT: historical use
- Original Message -
From: Ryan ry.squa...@gmail.com
Date: Monday, November 22, 2010 2:56 pm
Subject: Re: {Spam} Re: [Finale] OT: historical use of C clefs for voice parts
To: finale@shsu.edu
What method do you use if the horn part doesn't have a key signature?
On Mon, Nov 22, 2010 at 11:01 AM
I understand the use of clefs to transpose from concert pitch music to
the differently keyed transposing instruments, but is there a chart
somewhere which does things in reverse?
So that looking at a part for F horn, for example, which is printed in
the treble clef, what clef would one use to
...@davidbaileymusicstudio.com
Subject: {Spam} Re: [Finale] OT: historical use of C clefs for voice parts
To: finale@shsu.edu
Date: Sunday, November 21, 2010, 1:24 PM
I understand the use of clefs to
transpose from concert pitch music to
the differently keyed transposing instruments
use of C clefs for voice parts
To: finale@shsu.edu
Date: Sunday, November 21, 2010, 1:24 PM
I understand the use of clefs to
transpose from concert pitch music to
the differently keyed transposing instruments, but is there
a chart
somewhere which does things in reverse?
So that looking at a part
At 7:24 AM -0500 11/21/10, David H. Bailey wrote:
I understand the use of clefs to transpose from concert pitch music
to the differently keyed transposing instruments, but is there a
chart somewhere which does things in reverse?
So that looking at a part for F horn, for example, which is
My trumpet teacher at Ohio State in the early 1990's insisted that all his
students learn clefs in order to transpose on sight. Drives all my friends
nuts... :)
Allen
On 6 Nov, 2010, at 1:22 PM, John Howell wrote:
As a bonus, once you have learned to use the entire system of movable clefs,
I recently received the conductor's score of Gounod's Faust (Henschelverlag
Berlin, 1972). I was surprised to find C-clefs used for the voice parts in a
score this recent: all female voices are written in soprano clef and the tenors
in tenor clef. I thought this practice had died out in the
Florence + Michael wrote:
I recently received the conductor's score of Gounod's Faust (Henschelverlag
Berlin, 1972). I was surprised to find C-clefs used for the voice parts in a
score this recent
I'm not surprised to see them in a conductors score, as I've run across
others, while
At 10:14 AM +0100 11/6/10, Florence + Michael wrote:
I recently received the conductor's score of
Gounod's Faust (Henschelverlag Berlin, 1972). I
was surprised to find C-clefs used for the voice
parts in a score this recent: all female voices
are written in soprano clef and the tenors in
On 6 Nov 2010 at 10:14, Florence + Michael wrote:
I recently received the conductor's score of Gounod's Faust
(Henschelverlag Berlin, 1972). I was surprised to find C-clefs used
for the voice parts in a score this recent: all female voices are
written in soprano clef and the tenors in tenor
On 6 Nov 2010, at 19:22, John Howell wrote:
Gounod is hardly what I'd call a recent composer, since he died in 1910.
And that score is undoubtedly a reprint of a much earlier edition.
Of course Gounod isn't a recent composer, but that edition is recent and
certainly not a reprint of an
At 10:06 PM +0100 11/6/10, Florence + Michael wrote:
Of course Gounod isn't a recent composer, but
that edition is recent and certainly not a
reprint of an earlier edition. It was completely
new in 1972, edited by Fritz Oeser who put back
passages that Gounod had cut before the
premiere.
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