Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Aug 13, 2020, at 1:08 PM, Stephanie Hutin
> wrote:
>
>
> I'm very sad to learn of this loss. We worked together when he taught in
> Media Studies. He was a kind person with many talents that
Beautifully put, Adam. Amazing how much Terry accomplished with no
institutional support.
Condolences to Mary and of course the birds. He’ll be missed.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Aug 2, 2020, at 8:09 AM, Scott MacDonald wrote:
>
>
hand-holds a lot better without a zoom — a 10mm Switar
makes it almost usable, if a bit front-heavy.
But I digress. As always.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Jun 29, 2020, at 3:49 PM, Julian Antos
> wrote:
>
>
> Looking for a used
I agree with Scott. The book is from around 1968, so it’s very purely
film-oriented.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Jun 1, 2020, at 4:51 PM, Scott Dorsey wrote:
>
>
>>
>> Would someone point me to a comprehensive resource f
That’s a nice clean one with the optional synchronous motor.
It would be a shame to junk it. I hope someone takes it.
But if you do, save the lower Tube amplifier section — they are in demand on
eBay and go for $2-300. Search eBay for “klangfilm” and you will find some.
Jeff Kreines
Kinetta
16S to S16 is difficult. I’d be wary of most repair people who
claim they can do it.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On May 27, 2020, at 10:53 PM, Isaac Brooks wrote:
>
>
> Jeff & Co,
>
> I’m sorry for the aside, but do you kno
focus won’t hold through the zoom range.
If it were the other way — using the Olympus lens on, say, a C mount camera,
there’s plenty of room — C Mount is 17.526.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On May 27, 2020, at 9:02 PM, Dominic Angerame
>
window. The assistant would load a
cigarette into the far end of the tube and light it. Pleasure ensued. Obviously
not too safe for nitrate, but I guess things were not as strict back then.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Apr 24, 2020, at 5:48
The B&H “foot splicer” is still the industry standard for negative cutters
today. Amazing device.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Apr 23, 2020, at 3:03 PM, Buck Bito - Movette wrote:
>
>
> Bell and Howell's advanced foot-actu
The B&H “foot splicer” is still the industry standard for negative cutters
today. Amazing device.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Apr 23, 2020, at 3:03 PM, Buck Bito - Movette wrote:
>
>
> Bell and Howell's advanced foot-actu
focus with. But it isn’t trying
to be something it isn’t. Famed TV news cameraman Laurens Pierce used that
camera for MOS.
Best of luck to you.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Apr 13, 2020, at 9:55 AM, Dave Tetzlaff wrote:
>
>
&
I think you mean DuAll. DuArt was a film lab famous for losing films in their
vaults.
DuAll is recommended and in NYC.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Apr 12, 2020, at 7:29 PM, Scott Dorsey wrote:
>
> You tried DuArt and B&H
you’re good to go.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Apr 12, 2020, at 7:02 PM, George Monteleone
> wrote:
>
>
> Hi, everyone. I hope you're staying safe.
>
> My trusty Rex-4 was stolen last Fall and I'm ready to invest in
The Chloe Aaron Era at the NEA was a magical time. Great panels and great
grants. I miss those days.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Apr 8, 2020, at 1:17 PM, Green, Ron Green wrote:
>
>
> The NYTimes reported on April 3 that Chloe A
Any reason for the Perfectone? The flat base is nice but it’s bigger for
handheld shooting. Alcan 54 is the desirable one.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Feb 19, 2020, at 4:30 PM, mariah garnett wrote:
>
>
> Any advice on wh
Any reason for the Perfectone? The flat base is nice but it’s bigger for
handheld shooting. Alcan 54 is the desirable one.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Feb 19, 2020, at 4:30 PM, mariah garnett wrote:
>
>
> Any advice on wh
Good advice. Occam’s Razor.
Try it with the motor off the camera, in case the camera is seized up.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Feb 19, 2020, at 1:55 PM, George, Sherman wrote:
>
> I am late to this discussion but have you checked
repair than others, but the boards are probably pretty easy
to work on compared to modern electronics.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Feb 19, 2020, at 1:10 PM, 16mm Directory wrote:
>
>
>
>
>> On Wed, Feb 19, 2020 at 7
Not my choice of repair people...
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Feb 19, 2020, at 7:39 AM, Ethan Berry wrote:
>
>
> You might see if Bernie O'Dougherty still works on NPR's. He has done work on
> my NPR and ACL.
> b
Try DuAll in NYC. Good luck. The cool thing about the NPR and ACL is that you
can use C-Mount lenses.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Feb 18, 2020, at 7:48 PM, mariah garnett wrote:
>
>
> Hello all,
> My eclair motor seems to ha
editing and audio sections are now
very good.
It doesn’t cost anything to try, and no monthly tithing.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
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https://m
The Nalcom FTL 1000 was apparently made between 1973 and 1976.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Dec 11, 2019, at 6:34 PM, deluge000 wrote:
>
> It may be a modified Nalcom FTL by the shape. The faceplate is different on
> Warhol's camera seems larger as
bout Warhol, and IIRC also mentions it in
the October, 1965 article in “Tape Recording” magazine.
Blake Gopnik and Greg Pierce asked me about it last year, but apparently for a
different book.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Dec 11, 2019, at 3:03 PM, Claire Henry, Cur
Claire:
Where do we find the photo? If it’s the photo I think it is, I answered that
for someone working on the catalog a couple of years ago.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Dec 11, 2019, at 3:00 PM, Claire Henry, Curatorial
> wrote:
&
Great post, old-timer!
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Nov 20, 2019, at 9:53 AM, Scott Dorsey wrote:
>
> Okay, old guy tells stories.
>
>
> Back in the twenties and thirties, doctors would employ open fluoroscopes,
> with an X-
Bill Seery at Mercer Sound is very good.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Nov 2, 2019, at 6:28 PM, Dennis Doros wrote:
>
> I've been using Digital Media Services in New York. Trevor Boelter
> EVP, Sales 818.846.4000
MM:
Give us a link, please!
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Sep 4, 2019, at 12:01 PM, Filmmakers Cooperative
> wrote:
>
> Dearest Frameworkers,
>
> The New York Film-Makers Coop has decided to extend our IndieGoGo campaign
>
Contact printer or optical printer? You don’t need a camera for s contact
printer. Not sure you need the Beser unless you have a color lamphouse and are
going to use it for filtration.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Aug 16, 2019, at 1:50
http://www.cameramanuals.org/flashes_meters/sekonic_l-28c2.pdf
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Jul 24, 2019, at 3:54 PM, Jeff Kreines wrote:
>
> Hold the meter in the same light that strikes your subject, and point the
> dome back at the
prism.
Compare to the camera’s light reading. Are they in the ballpark?
If you can, shoot a test in 1/2 stop increments from 2.5 stops under to 2.5
stops over. That will help you figure out if your meter is accurate and if you
are using it properly.
Good luck!
Jeff Kreines
Kinetta
j
How you use a light meter can also be a significant factor — poor metering
technique can give readings that are several stops off. My personal preference
is an incident meter.
With reversal stock always err towards slight underexposure.
Good luck. Shoot short tests.
Jeff Kreines
Kinetta
j
. Then process
the entire roll.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Jul 3, 2019, at 5:21 PM, Nicole Baker wrote:
>
> I am processing full 100' lengths in buckets. I measure out 2 gallons worth
> of developer and then pull the film off t
frame advance
of the computer to the camera trigger. You can get excellent results. But
with all the testing and hassles required this only makes sense if you have a
lot of footage. Otherwise it will be cheaper and better to use a lab like
Colorlab.
Jeff Kreines
Kinetta
j...@kinetta.com
quite high.) They
also have a 4K Arrilaser if you want a 35mm negative, and their own 16mm 5K
film recorder if you want 16mm.
Colorlab is in Rockville, MD. Very friendly to experimental filmmakers.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Apr 13, 2019, a
What was it scanned on? Fixed-pattern noise typically comes from the sensor of
the scanner.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Mar 20, 2019, at 10:22 AM, Isaac Brooks wrote:
>
> Hi -
>
> Can anyone advise on eradicating or reducin
Sure looks like it, Scott.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Mar 20, 2019, at 4:03 AM, Scott Dorsey wrote:
>
> Is this a machine intended for medical use, to view cineangiograms?
> --scott
> _
Actually, it was used for some sort of cine-microscopy work. Not sure exactly
how, but I think you could compare two samples by adjusting the pivoting
mirrors. Note the long extension tube on the lens.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Mar 17, 2
selling your data...
Best,
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Mar 17, 2019, at 2:12 PM, Buck Bito - Movette wrote:
>
> Hi Sherman,
> In case no one has ideas here, try the AMIA listserve:
> https://amianet.org/engage/amia-l-listserv/
>
Colorlab sells 16mm black leader for negative cutting. It’s fogged and
processed optical track stock, I think. Very dense. And not polyester base.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Feb 14, 2019, at 10:04 PM, Huckleberry Lain
> wrote:
>
using Amazon Mobile for iPhone
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Dec 14, 2018, at 6:31 PM, Eric Theise wrote:
>
> The frame says –
>
> Download this Exremely [si
It may be the ACL handbook, association of cinema labs. A quick internet search
yielded nothing.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Dec 14, 2018, at 6:10 PM, Jason Halprin wrote:
>
> Hi All,
>
> In one of my computer updates, I seem to
Charles Cohen also gave a home to Filmmaker’s Coop in one of his NYC buildings.
https://www.prnewswire.com/news-releases/cohen-media-group-buys-landmark-theatres-from-wagnercuban-companies-300760201.html?utm_source=CNN+Media:+Reliable+Sources
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
>
>
>
>
> Grateful to Albert and the "clock" thread for reminding me to ask.
>
> Eric
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/framewor
For those reeely big reels.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Aug 3, 2018, at 3:59 AM, Rob Gawthrop wrote:
>
> eighteen foot rewinds!
>
>> On 3 Aug 2018, at 02:46, Dominic Angerame wrote:
>>
>> I have a matching pair of
distinctions anymore.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Jul 10, 2018, at 3:43 PM, Scott MacDonald wrote:
>
> Naaah, Punishment Park is not just faux doc style applied to fiction. Watkins
> devised a fictional situation (based on aspects of t
None of those Peter Watkins films are documentaries. Faux-documentary style
applied to fiction does not a documentary make. You should know better.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Jul 10, 2018, at 2:09 PM, luis ? wrote:
>
> 25Cines/seg (2
Demon Lover Diary, by Joel DeMott.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Jul 10, 2018, at 12:22 PM, Sonya Mladenova
> wrote:
>
> Hello everyone,
>
> Looking for documentary films shot with/within a group of people engaged in
> an
We had this Nizo mod in 1973 at the MIT film section, but of course circuitry
has gotten a lot smaller since then. Christophe does nice work.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Feb 11, 2018, at 6:03 PM, Pip Chodorov wrote:
>
> Hi Jean-Louis
>> <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com>
> https://mailman-mail5.webfaction.com/list
> Cedinsky takes a satirical approach in La Guerra sin fin (I’m very Happy)
>> (2006), while the Colombian filmmaker Camilo Restrepo’s Impresión de una
>> Guerra (2015) visits textile factories, tattoo parlors, print shops, and
>> punk rock concerts to offer up an essayi
TV news when
they shot negative and inverted the polarity for broadcast.
You can also have the negative transferred to digital files with the edge
numbers in a “flex” file that some editing programs can use, but this gets more
complex than you will want.
Jeff Kreines
Kinetta
j...@kinetta.com
ey’d give in-kind grants. Their prices are quite
high for HD — $1.00 a foot for Super 8 scans.
>
> By the way, Facebook is no substitute for this list. I favor text that isn't
> linked to every goddamn idiot looking for a buck.
Jeff Kreines
Kinetta
j.
_
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
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projectorcentral.com always has trustworthy reviews of projectors in all price
ranges. Worth checking.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Aug 24, 2017, at 9:28 AM, Ben Balcom wrote:
>
> Hello Frame-brain,
>
> I'm wondering if
That's the model number for a Sekonic meter, not a Spectra.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Jul 31, 2017, at 6:37 PM, Dominic Angerame
> wrote:
>
> The model number is L 28 c2 Stu
ng about them.
The Kodak camera is a terrible industrial design -- look at the top handle as
an example. Big and ugly and not designed to hold to your eye.
It's Kodak's pathetic attempt to go after the trust-fund hipster market.
Sad!
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.c
It's a camera designed by someone who had never used a Super-8 film camera.
Mindless design. No optical viewfinder, just a flip out video screen. The only
good thing about it is the C-mount lens.
Plus, it is overpriced.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from i
Excellent. Sally Dixon, and the great Travel Sheet (got many gigs from that).
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Jun 30, 2017, at 5:49 PM, Michael Zryd wrote:
>
> This body of research material may be of interest to Frameworks members:
I think it was a Kodak Cine Special.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On May 16, 2017, at 8:38 PM, Margaret Rorison
> wrote:
>
> Dear All,
>
> I can't seem to find any info on what camera DA Pennebaker used to shoot
> Daybreak Express. Wa
cott
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Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
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> https://mailman-mail5.webfaction.com/listinfo/frameworks
> <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>
>
>
> On Feb 10, 2017, at 2:23 PM, Scott MacDonald wrote:
>
> Ed Pincus and Lucia Small
That would be a surprise to Jane Pincus….
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
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Try Skip Elsheimer at AVGeeks. He does good work and may be in your price
range.
He has a Kinetta Archival Scanner.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Jan 27, 2017, at 7:59 PM, Ben Winston wrote:
>
> Hey ya'll. I am trying to get my film scanned but canno
I think signal is on the 4-pin connector and power is on the coaxial. Power
probably needs to be clean DC so you don't get any hum from the lamp.
Unfortunately the Moviola amps are desirable for guitar amps so always are
expensive on eBay.
Jeff Kreines
Kinetta
j...@kinetta.com
kinett
http://www.kodak.com/corp/Blog/Blog_Post/?contentId=4295000406
Jeff Kreines
Kinetta
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PM, mstreet...@gmail.com wrote:
>
> Not a bad idea, Jeff. Wondering if the paint and stray bits of emulsion would
> endanger your beloved machine? Let me know what you think.
> Mark
>
> Sent from my iPhone
>
> On Jan 4, 2017, at 11:55 AM, Jeff Kreines <mailto:j...@k
Mark:
If the film is still in rolls -- not cut into short strips -- it can be scanned
on a Kinetta. IndieCollect in NYC has a 5k Kinetta and offers very low rates to
independent filmmakers. Give them a call.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Jan 4, 2017, at 10:18
They are the same lab -- but for some reason still have two names. Tommy
Aschenbach of VGS bought out Colorlab a couple of years ago. (Before then they
did much of Colorlab's work.)
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Dec 28, 2016, at 6:39 PM, Scott Dorse
Colorlab in Rockville MD. Great lab and artist friendly.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Dec 28, 2016, at 2:07 PM, Myron Ort wrote:
>
> I have some new projects (16mm and/or 35 mm) in mind and was thinking I have
> to work with Foto Kem in LA, Are the
pdf>
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
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I'm pretty sure that Colorlab can lock their optical recorders to any reference
-- digital or mag film or even video. No need for mag unless you want it.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Dec 15, 2016, at 5:20 PM, Zach Poff wrote:
>
> Hannes Brun
http://db.tt/5SlAVkbT>
https://dl.dropboxusercontent.com/u/28462740/Memoriav%20Dossier%20--%20a%20response%20-%202012.pdf
)
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Scott, this is pretty useless advice. How many theaters even project 16mm?
How many of those have (16mm) DTS? Of those theaters, how many want to run
Morgan’s film? A tiny subset, at best.
Technicolor Magnecraft — are they still around? Very doubtful.
Morgan just needs to learn how films a
Mag stripe is dead. Not worth considering for a new film.
DTS is overkill.
Do you need a 16mm print with optical sound, in these days of digital (which
has better sound)? 35mm blowups are not cheap.
> On Dec 13, 2016, at 1:31 PM, Morgan Hoyle-Combs wrote:
>
> So, just so I'm caught up in t
ouble system projection….
Jeff Kreines
Kinetta
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Horribly expensive and makes the print unusable for conventional projection,
tho.
> On Dec 13, 2016, at 1:18 PM, Scott Dorsey wrote:
>
> Yes, there is 16mm dts available. The print is printed with a standard
> optical track which contains timecode information. That timecode is then
> used
They could just stick a magnet on the inching knob and use a reed switch, or a
cheap low-res shaft encoder (could make one with a disk with a hole in it).
That would make it immune to content.
Many of us are not immune to content…
Discontentedly,
Jeff Kreines
Kinetta
> On Dec 13, 2016, a
ore expensive. They are both on FB.
The Sharples book is a good place to start. But a lot depends on where you are
located and which lab you are using (for optical, that is).
Jeff Kreines
Kinetta
>
>
> 2016-12-12 21:31 GMT-04:00 Kenneth Linehan <mailto:k...@public-information.org>
is...@indiecollect.org
<mailto:israel.ehris...@indiecollect.org>
Jeff Kreines
Kinetta
j...@kinetta.com <mailto:j...@kinetta.com>
kinetta.com <http://kinetta.com/>
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an A/B roller or anything like that.
>
> It's for a show that opens Nov 6th, so we need the print finished by the 1st.
> Eek!
> can anyone out there help us?
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.co
He's a Dorsky and Brakhage fan.
http://www.indiewire.com/2016/10/art-house-trump-twitter-revealed-interview-1201735340/
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Oct 11, 2016, at 9:38 AM, Dominic Angerame
> wrote:
&g
always impressed.
BTW, 16mm optical tracks are the AM-Radio of film sound. They can sound great,
but you have a limited dynamic range and on a good day (projector-dependent)
you might get 75-6000Hz.
Jeff Kreines
Kinetta
> On Sep 23, 2016, at 3:04 PM, Buck Bito - Movette wrote:
>
> Hi
lved in practice and by
> extension, definition.
Don’t get me started!
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
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> On Aug 29, 2016, at 5:44 PM, Fred Camper wrote:
>
> Do many people care about the difference at all anymore. Don't some
> "theoreticians" even argue that the difference is irrelevant in our "fakey"
> world?
Theoreticians? Is that still a thing?
>
> On Aug 29, 2016, at 12:42 PM, Ken Paul Rosenthal
> wrote:
>
> I'm researching docs that feature expressive dramatizations, either as brief
> interstitial moments or extended scenes such as 'The Act of Killing'. I look
> forward to any and all suggestions.
More proof the the word “docum
> instructions how to dismantle the elements, clean them and then glue them
> with canada balsam.
> But I guess I first have to explore all other options…
>
> thanks
>
> Bernd
>
>
>> Am 22.08.2016 um 10:43 schrieb Jeff Kreines :
>>
>> Not that gr
Scott:
What kind of film have you been running?
4 perf or 8 perf shuttle?
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Aug 26, 2016, at 5:26 PM, Scott Stark wrote:
>
> Hi Jeff, yes it’s one of those “weird” Oxberrys made for still film
> recorders, a Matrix PCS. So
).
Unless you have one of those weird Oxberrys made for still film recorders.
These had small square mags and are designed for still camera film.
What kind of film recorder is it?
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Aug 26, 2016, at 3:32 PM, Scott Stark wrote:
>
&
Not that great a lens-- any reason you can't use a similar focal length that's
more easily found?
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Aug 15, 2016, at 6:38 AM, Bernd Luetzeler wrote:
>
> Dear Jeff,
>
> no it doesn’t seem like it’s easily replaceab
A lot depends on which Angenieux lens it is. If it's a common old lens like a
12-120, cheaper to find a replacement rather than fix it -- or get a used one
to "borrow" the lens group from.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Aug 15, 2016, at 6:09 A
Adam:
Sorry to be such a verité-Nazi….
Best,
Jeff
> On Aug 2, 2016, at 11:44 PM, Adam Hyman wrote:
>
> I accept your point; even right after I sent it, I debated whether
> "verité" was correct.
>
> Best regards,
>
> Adam
>
> On 8/2/16 9:21 PM, &q
sync sound. I realize this film was
made to be usable without requiring subtitles, so there’s no dialog — but it’s
more “early 60’s documentary” style rather than “verité” in my very sectarian
opinion!
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
__
I was talking to Tommy Aschenbach at Colorlab, and he said they just made a new
batch of triacetate, camera pitch, 16mm black leader. He said it’s extremely
dense — their densitometer goes to about 5.1 but it’s denser than that.
If you are planning to cut A&B rolls, give them a call.
means…
I still don’t know… Kodak has always been brain-dead.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
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For those overly interested in lab history in the late 70s, I just stumbled
onto this:
http://ieeexplore.ieee.org/stamp/stamp.jsp?arnumber=7242420
Only geeks need apply.
> On Jul 13, 2016, at 6:55 PM, Jeff Kreines wrote:
>
> Color negative in 16mm was used in Europe, especial
look at older B&W reversal I
shot in the 70s, boy, it sure is silvery!
Jeff Kreines
Kinetta
j...@kinetta.com
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e did — “cull” your original, and only workprint what you
needed.
> I gave Scott Norwood a copy of the 1978 price list from W.A. Palmer films
> which I got when I was working on low budget surf films as a much younger
> person.
Oh, those are so sad to look at now….
Jeff Kreines
Kinetta
mention the work of FRAMEWORKER Patti Zimmerman, noted on the CHM site Buck
> linked.
>
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t; (1910-1912)
> from Georges Monca. There is so little information on the web about this
> film. Has someone know if there is a video copy of this?
Jeff Kreines
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frame. At least these days you don’t have to prepare different versions in
different aspect ratios, since your film can just be pillarboxed for HD. SD,
well, it doesn’t really matter anymore…
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
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