Rotten birds from Bird Flu & rotten fish from over polluted
Rhine river & from North Sea, perhaps, who knows it
these days. As with girlfriends (other mothers have
beautiful daughters also !). Other factories make good
lubricants too !
==
I will be out of the office starting 02/17/2006 and will not return until
02/23/2006.
I am out of the office on vacation until Thursday, Feb 23. For management
support in my absence, please contact Joe Carrasco (650) 281-8294
(california) . For admin support please call Incosmea Thomas (70
In a message dated 2/17/2006 10:10:06 PM Eastern Standard Time,
[EMAIL PROTECTED] writes:
Does anyone happen to know what the Alex factory actually uses?
--
Nelson,
If it's a new Alex, then they almost certainly delivered it with Hetman
lubricants. Alexander uses Josef Meinlschmitt valves, an
I recently purchased an Alex 103 and a set of lubricants came enclosed. The
slide lubricant is quite effecitve and when I run out I would like to replenish
with the same substance. But I have noticed that it smells curiously like cod
liver oil. Does anyone happen to know what the Alex factory
If you want to develop a very tight section, get together to play ensembles.
Warm-up with Bach Chorales and play anything else you can get your hands on.
Spend time playing chords and listening for good intonation. Learn how to
tune chords (lowering the third, raising the fifth, etc.), but most
First, get your horns tuned & (most important) the valve
slides adjusted accordingly. Then get tuned to the days
principal horn. He or she is in command for the session.
Next comes next session. But now he or she is in command. If
all is tuned - not to the same note, but in chords, listen
what´s go
Anyone got any tips for learning to play better in tune as
a horn section (in an orchestra)?
I think most of the tuning errors are coming from one of
the players, but not all, and I couldn't swear that I'm always
playing 100% in tune - and maybe I'm being drawn off pitch by the
others?!
The poi
This has exploration all been very interesting and I have to say that I am
not that surprised that the heirs of Herr Strauss may be reluctant to have
his extreme juvenilia released, though I do feel that it is an overly
protective stance.
I would like to apologize for speaking off the top of my he
what orchestra does Jim Rome play in?
Larry
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LT,
From the way your post reads, it sounds like you are urrr, listening
to WAY too much Jim Rome...You don't get racked on this one...
Maybe you should take your diatribe over to the Yahoo list. Bear
asked a legitimate question, he's been a long time member of this
list. I am personally gla
Peter Hirsch wrote:
>I have no idea what the archives' response would be but why
>not give it a try?
I am afraid that I have to confirm Hans Pizka's report. Like Hans (and
probably many others as well) long ago we tried to convince the Strauss
heirs to permit the publication of those etudes, to n
Barry Tuckwell recorded the Strauss concertos for EMI in1990,and I quote here
from his notes in the CD booklet " He dedicated all his early horn
compositions to his beloved papa.(seinem lieben Vater).The first of them were
two
Etudes written in 1873, when he was nine.They clearly show the lat
I must say that is a much more thoughtful, and gracious answer that some
previously given.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
[EMAIL PROTECTED]
Sent: Friday, February 17, 2006 10:00 AM
To: horn@music.memphis.edu
Subject: [Hornlist] Strauss Ho
Thankyou!
From: Carlberg Jones <[EMAIL PROTECTED]>
Reply-To: The Horn List
To: The Horn List
Subject: Re: [Hornlist] Need help writing an advert!
Date: Fri, 17 Feb 2006 08:59:02 -0600
At 2:48 PM + 2/17/06, Christine Ranson wrote:
>Hello, I have a Conn 11D that I need to sell, and I'm ha
"LT" (it would be nice to know who I'm addressing, but that is another
issue, entirely),
I think that you may have misread my posting(s) about Strauss' Etudes. It
is not that they are unknown to me and others, they just don't seem to have
gone beyond the pencil copies residing in the Richard Stra
Dear Colleagues,
I am writing to inform you and your students that the previously
advertised Stipends for Graduate Assistants at Illinois State
University have recently increased to $6,300. per year per. Graduate
Assistantships also include a Graduate Tuition Waiver worth $10,650.
per year f
At 2:48 PM + 2/17/06, Christine Ranson wrote:
>Hello, I have a Conn 11D that I need to sell, and I'm having trouble
>"bigging it up" so to speak.
>Anybody know anything GOOD about it, & any tips for advertising? Or should
>I just be dishonest & blag it to someone who doesn't really have a clue
Hello, I have a Conn 11D that I need to sell, and I'm having trouble
"bigging it up" so to speak.
Anybody know anything GOOD about it, & any tips for advertising? Or should I
just be dishonest & blag it to someone who doesn't really have a clue? (I
dissaprove of the latter! It's unfair & it ha
I have been using some Franz Strauss Etudes for my recent technical
exam..if that's any help?
From: [EMAIL PROTECTED]
Reply-To: The Horn List
To: horn@music.memphis.edu
Subject: [Hornlist] Strauss Horn etudes
Date: Thu, 16 Feb 2006 14:33:17 -0500
As I promised yesterday, I did check the
There hasn't been much news about The Horn Effect day in Pittsburgh on March
19th - so I just want to alert all players out there about this event. The
Website is: http://www.pittsburghchambermusic.org/ed_out/2005/horn.php. The
PSO's horn section is one of the best you will ever get a chance to h
What is so important about "bell up" ? A "bad carnal sound"
can be produced without "the bell in the air". One just
needs the imagination & the playing abilities to do so.
Right hand a bit wider open, more air - not pushed, but
released - to sound a bit hollow. Did Strawinsky have
"nordic lures" in
My goodness, a mature composer as a 50 years old Dukas is by
no means better than a 16 year old Strauss - see the horn
concerto opwhich is - even a favourite for us - a cheap
infusion of Brahms, sorry, while "Villanelle" is a
masterpiece, sorry. And , the op.17, the op.11 & the
second concerto, pl
I thought this was a funny description:
http://www.philharmonia.co.uk/thesoundexchange/the_orchestra/instruments/horns
/effects/
LT
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wow, real composer or a pharmaceutical rep? you be the judge. In the real
world
getting your diabetic blackouts taken care of, is much more important than
what notes horn 5 and 6 play. Why not study the score to Mahler 1? Then if you
write something someone has a problem with, you can just blame
Beauty?? As in the Rite of Spring? Can the horn not produce required "bad
carnal sounds"? Of course Mahler and Tchaikovsky are different. I still wonder
why, if not for "eye candy" (sorry don't know the german translation).
As far as Butterfly, if I remember right, Campana Alzata is notated at
average stuff.??.orchestras all over the world play average stuff every
night. Strauss has written only a handful of pieces for the horn, why are these
veiled? Are they as horrid as the aforementioned Brahms etudes? Those are in
print right?
It seems there should be more of a push for these to
Where in Madame Buterfly BTW "obsioulsy" is a nice
legastenic. So should be "Adamme Tubrefyl".
Really, have played the Madame Buterfly for nearly 50 years
but never with "campana in alto" & cannot remember where
this should be asked for. Could be in the finale act 3 or in
the transition betwee
Surely I have heard about these, what do you think ? But
they are a curiosity nothing else. Just a big name above
average stuff.
===
-Original Message-
From: [EMAIL PROTECTED]
[mai
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