List'
Subject: RE: [Hornlist] Re: Recording (NHR)
Just back from the subvault under Jack Benny's the recoding I have is a 10
LP. The jacket has no indication of who released it. There is a note that
reads, Copies of this record are available at many record stores, or, at
$3.95 each plus 50 cents
07, 2009 9:32 PM
To: The Horn List
Subject: RE: [Hornlist] Re: Recording (NHR)
I don't recall Boulder, Boulder. but I think it's possible that he made
another recording at a later date. The recording I made was in 1953. The 10
LP (remember those? Only if you're really old!) has the TransRadio
@music.memphis.edu
Sent: Friday, August 7, 2009 10:32:07 PM
Subject: RE: [Hornlist] Re: Recording (NHR)
I don't recall Boulder, Boulder. but I think it's possible that he made
another recording at a later date. The recording I made was in 1953. The 10 LP
(remember those? Only if you're really old
Foster
Sent: Saturday, August 08, 2009 7:35 AM
To: The Horn List
Subject: Re: [Hornlist] Re: Recording (NHR)
Since my interest is more technical, the first Google hit I got was
wackypedia:
http://en.wikipedia.org/wiki/Nikolai_Lobachevsky
He was a famous mathematician.
I am impressed that you were
...@gmail.com
To: The Horn List horn@music.memphis.edu
Sent: Saturday, August 8, 2009 8:17:49 AM
Subject: RE: [Hornlist] Re: Recording (NHR)
Just back from the subvault under Jack Benny's the recoding I have is a 10
LP. The jacket has no indication of who released it. There is a note that
reads
Oh boy, is this a trip down memory lane. I was introduced to the Tom
Lehrer by my local record shop owner (the ol' drug dealer...). It was
the 10 LP. As I remember, the cover was mostly red, with a scratchy pen
and ink drawing of someone I took to be Tom Lehrer, adorned with devil's
horns and
That's the cover I eas looking at this morning.
On Aug 8, 2009, at 10:39 AM, Richard V. West hornfe...@comcast.net
wrote:
Oh boy, is this a trip down memory lane. I was introduced to the Tom
Lehrer by my local record shop owner (the ol' drug dealer...). It
was the 10 LP. As I remember,
AM
To: The Horn List
Subject: Re: [Hornlist] Re: Recording (NHR)
Oh boy, is this a trip down memory lane. I was introduced to the Tom
Lehrer by my local record shop owner (the ol' drug dealer...). It was
the 10 LP. As I remember, the cover was mostly red, with a scratchy pen
and ink drawing
Ahhh, this discussion brings me back to my freshman year of university.
On keyboard/ sight singing days, our theory teacher would play Who's Next
between victims. (She was a great teacher - the reasons I switched from a
biology major - with a music minor - to a major in music theory. Thanks Mrs.
Are you sure that Boulder, Boulder was Tom Lehrer. I see Abe Burrows had a
skit like that. The discography in the back of my Tom Lehrer song book
shows...
Songs by Tom Lehrer (1953)
An Evening Wasted with Tom Lehrer (1959)
Tom Lehrer Revisited (1960) (live version of songs
-bounces+bgross=airmail@music.memphis.edu] On Behalf Of
Warren Van Camp
Sent: Saturday, August 08, 2009 4:51 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Re: Recording (NHR)
Are you sure that Boulder, Boulder was Tom Lehrer. I see Abe Burrows had
a skit like that. The discography
Hey, I'm impressed! In my youth (just a few years younger than you, Ed),
Lehrer was the MAN! I hold your hand in mine dear, though you are far
away Ah, the beauty of it all.
Richard in Seattle
Glick, Ed wrote:
Incidentally, although I'm sure you're younger than I am (83 - me, not you),
, August 07, 2009 5:21 PM
To: The Horn List
Subject: Re: [Hornlist] Re: Recording
Hey, I'm impressed! In my youth (just a few years younger than you, Ed),
Lehrer was the MAN! I hold your hand in mine dear, though you are far
away Ah, the beauty of it all.
Richard in Seattle
Glick, Ed wrote
] On Behalf Of
Richard V. West
Sent: Friday, August 07, 2009 5:21 PM
To: The Horn List
Subject: Re: [Hornlist] Re: Recording
Hey, I'm impressed! In my youth (just a few years younger than you, Ed),
Lehrer was the MAN! I hold your hand in mine dear, though you are far
away Ah, the beauty
=unt@music.memphis.edu
[mailto:horn-bounces+glick=unt@music.memphis.edu] On Behalf Of Bill Gross
Sent: Friday, August 07, 2009 5:32 PM
To: 'The Horn List'
Subject: RE: [Hornlist] Re: Recording
Me too, I still have the copy my father bought. I can't remember the lead
it, but side one ends
Quoting Ed Glick:
I went to your website and saw the picture of the Ampex 200 at the top. I k=
now that the newer recorder we had with 15/7.5 speeds) was a 300. I'm wonde=
ring if the earlier one (30/15 ips) was a 200. It's been a long time (since=
1951) but I remembered that both recorders
@music.memphis.edu
Subject: [Hornlist] Re: Recording
Quoting Ed Glick:
I went to your website and saw the picture of the Ampex 200 at the top. I k=
now that the newer recorder we had with 15/7.5 speeds) was a 300. I'm wonde=
ring if the earlier one (30/15 ips) was a 200. It's been a long time (since
Subject: RE: [Hornlist] Re: Recording
From: Glick, Ed gl...@unt.edu
Date: Mon, August 03, 2009 11:52 am
To: The Horn List horn@music.memphis.edu
Incidentally, although I'm sure you're younger than I am (83 - me, not
you), but you may be of the generation that heard (or heard of) the
recording
Quoting Ed Glick:
If you'll remember, the Ampexes were about the size of a washing machine.
I have no trouble remembering. I can touch an Ampex 351-2 from where I
sit typing this.
The two recordings of the Bach little fugue in G minor linked at the
bottom of
] On Behalf Of Howard Sanner
Sent: Sunday, August 02, 2009 7:52 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Re: Recording
Quoting Ed Glick:
If you'll remember, the Ampexes were about the size of a washing machine.
I have no trouble remembering. I can touch an Ampex 351-2 from where I
sit
@music.memphis.edu
[mailto:horn-bounces+glick=unt@music.memphis.edu] On Behalf Of Howard Sanner
Sent: Friday, July 31, 2009 4:44 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Re: Recording
Quoting Allen Smithson:
Hello All,I'm currently shopping for a recording device so I can
quickly
[mailto:horn-
bounces+glick=unt@music.memphis.edu] On Behalf Of Howard Sanner
Sent: Friday, July 31, 2009 4:44 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Re: Recording
Quoting Allen Smithson:
Hello All,I'm currently shopping for a recording device so I can
quickly listen to practice sessions
I use a digital Olympus voice recorder. I bought mine at Radio Shack. The
replay sound isn't the greatest, but sounds pretty good if I connect it to my
stereo or use ear phones. It's adequate to help me improve certain aspects of
my playing. For example, I used to have a bad habit of
Quoting Allen Smithson:
Hello All,I'm currently shopping for a recording device so I can
quickly listen to practice sessions, lessons, auditions, and so on.
You can read my answer to this question at:
http://www.ampexguy.com/horn/rectips/rectips.html
You may have to copy and paste the
--Original Message--
From: wells123...@juno.com
Sender: horn-bounces+hornboy101=gmail@music.memphis.edu
To: horn@music.memphis.edu
ReplyTo: The Horn List
Subject: [Hornlist] RE: Recording
Sent: Jul 31, 2009 11:40 AM
I use a digital Olympus voice recorder. I bought mine at Radio Shack
Mellophones.
Wat Lewis
Sent from my Verizon Wireless BlackBerry
-Original Message-
From: kendallbe...@aol.com
Date: Mon, 23 Feb 2009 17:02:29
To: horn@music.memphis.edu
Subject: [Hornlist] Re: Recording Techniques
Thanks for your input, Jeremy.
I must respectfully disagree, though
lewho...@yahoo.com wrote:
Now that's a video game that I'd gladly waste time playing!
Kendall, will the Good Professor market it on late night TV and sell
it for $19.95 plus shipping and handling? If one orders quickly, will
they get the Mellophone Marching Band version as an added bonus? I
can
Greg replied:
Now don't get ahead of yourself. You'll have to wait another year for
French Horn Hero 2: Hottest Mellophone Party just like everyone else.
is that like the Girls gone wild videos? I sure hope so! Boy, oh boy! Topless
female Mellophone players marching and playing the Long Call
I heard that yelled at Ormandy a few times followed by a direct object.
KB
In a message dated 2/23/2009 1:02:15 P.M. Eastern Standard Time,
horn-requ...@music.memphis.edu writes:
date: Sun, 22 Feb 2009 17:49:48 -0600
from: Richard irich...@flash.net
subject: [Hornlist] Recording
Thanks for your input, Jeremy.
I must respectfully disagree, though, with your assertion that hacks can't
make good recordings. I've heard and worked with many so-called artists
both pop and classical whose live playing or singing did not live up to their
recordings. I've been on many
Yesterday, I wrote:
I'm just saying that you oughtn't fret over whether or not you have a
good
recording; in this case any that doesn't willfully misrepresent what
Franz put to paper (did I once read that this was actually written by
Richard, or am I mixing this up with something else?) will do
Check out my recording of this work (and all of the other of his works for horn
and piano published during his lifetime) at
http://www.public.asu.edu/~jqerics/Les_Adieux.htm
John
+
Dr. John Ericson, horn
Arizona State University
www.hornarticles.com
message: 8
date: Sun, 8
Mark,
This is the link to the 4 recordings carried by ArkivMusic.
http://www.arkivmusic.com/classical/albumList.jsp?name_id1=11680name_role1=1comp_id=49979bcorder=15
I have heard them and they are all at least competent. Frankly, when you
are talking about a piece like this, there is really
.
===
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Peter Hirsch
Sent: Monday, October 09, 2006 9:03 PM
To: horn@music.memphis.edu; [EMAIL PROTECTED]
Subject: [Hornlist] Re: recording of Franz Strauss Theme and
Variations
Mark
On Jul 31, 2006, at 10:32 PM, Linda wrote:
Please, please, please don't rely on Google to find out information
about recording orchestras and horns... There is so MUCH bad
information
floating around on the net, it's hard to sort out the good from the
band
and the ugly!
I loved this
Jeremy Cucco opines:
For all of you who are microphone savvy and are surprised at my obvious
omission of perhaps the most famous microphone company, Neumann - this
omission was intentional. I find most of the Neumann microphones of
today to be flawed, overpriced and hyped.
A man after my
¸¸.·`»
(¸.·'´(¸.·'´ ~ `'·.¸)`'·.¸)
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Jeremy Cucco
Sent: Sunday, July 30, 2006 15:33
To: horn@music.memphis.edu
Subject: [Hornlist] RE: Recording
Please, please, please don't rely on Google to find out information
about recording orchestras
: RE: [Hornlist] Re: Recording
Linda wrote:
-Original Message-
On Behalf Of Donald J. Ankney
On Jul 22, 2006, at 10:00 AM, [EMAIL PROTECTED] wrote:
snip
...That being said, you also have to invest in serious mics
and especially mic pre-amps to capture that signal.
snip
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Donald J. Ankney
Sent: Saturday, July 22, 2006 13:31
To: horn@music.memphis.edu
Subject: [Hornlist] Re: Recording
On Jul 22, 2006, at 10:00 AM, [EMAIL PROTECTED] wrote:
snip
...That being said, you also
Linda wrote:
-Original Message-
On Behalf Of Donald J. Ankney
On Jul 22, 2006, at 10:00 AM, [EMAIL PROTECTED] wrote:
snip
...That being said, you also have to invest in serious mics
and especially mic pre-amps to capture that signal.
snip
In the light of the recent
~~~
message: 1
date: Sat, 22 Jul 2006 10:31:08 -0700
from: Donald J. Ankney [EMAIL PROTECTED]
subject: [Hornlist] Re: Recording
On Jul 22, 2006, at 10:00 AM, [EMAIL PROTECTED] wrote:
If I were
On Jul 22, 2006, at 10:00 AM, [EMAIL PROTECTED] wrote:
If I were getting
something new today, I'd look, at least, for 24 bit sample size, and
probably also for 88.2 KHz or 96 KHz sampling rate. The longer sample
size makes setting levels less critical.
A friend whose opinion I respect (and
Howard Sanner said:
message: 2
date: Fri, 21 Jul 2006 17:40:48 -0400
from: Howard Sanner [EMAIL PROTECTED]
subject: [Hornlist] RE: Recording
Peter Hirsch says:
I have purchased 2 Marantz PMD (Models 660 and 670)units over the last
couple of years and am quite happy with their ease of use
Peter Hirsch says:
I have purchased 2 Marantz PMD (Models 660 and 670)units over the last
couple of years and am quite happy with their ease of use and quality of
recording.
The thing that bothers me about these Marantz units is that for
uncompressed audio they do 16 bit, 44.1 KHz (CD
?FolderID=3629CatID=18SubCatID=169
http://www.d-mpro.com/users/folder.asp?FolderID=1582CatID=18SubCatID=169
Peter Hirsch
message: 12
date: Wed, 19 Jul 2006 20:18:23 -0400
from: Howard Sanner [EMAIL PROTECTED]
subject: [Hornlist] RE: Recording
Joni Rice wonders:
Where did you happen to buy
Just a quick note -
Minidisc recorders are actually pretty cool for what they are, but there
are better things out there for around the same $$ which are even
better. Case in point, the Maudio MicroTrack (link to Sweetwater who
sells this in the states -
Joni Rice wonders:
Where did you happen to buy this recorder, and what model # is it. I am looking
for something similar to record myself and my trio for a college project.
Thanks!
I have gotten all my minidisc equipment and supplies from
http://www.minidisco.com
I have no
Bill B wrote
I don't recall that short coming on my Sony Mini disc, but mine is so
old, one of the very first and much bigger, I've been told they they
only made a few of them and that it is more of a prototype. I use a
fairly good stereo condenser mic mounted on a golf ball retriever that
lets
Howard Sanner wrote:
Now for the important question: Can you adjust the recording level
on your Sony minidisc machine without putting it in pause? Mine,
several years old now, I like quite a lot, with the glaring
exception of that. Which is why I bought a Sharp.
Well, for the moment I
= Original Message From The Horn List horn@music.memphis.edu =
[snip]
In fact I did remember, from older posts, about that Sharp/Sony
difference, and asked the shop: but they told me that the Sharp was
out of production (maybe they just didn't have it).
They are out of production, AFAIK.
At 07:49 PM 7/17/06 +0200, Daniel Canarutto wrote:
In fact I did remember, from older posts, about that Sharp/Sony
difference, and asked the shop: but they told me that the Sharp was
out of production (maybe they just didn't have it).
I believe this is correct. Sharp has gotten out of MD
Subject: [Hornlist] Re: recording level
Howard Sanner wrote:
Now for the important question: Can you adjust the recording level
on your Sony minidisc machine without putting it in pause? Mine,
several years old now, I like quite a lot, with the glaring
exception of that. Which is why I bought a Sharp
There are also good, college-level textbooks about how to make
recordings. One is John Eargle's Recording Engineering Handbook,
which has been through three or four editions by now. These books
cover more than classical music, more recent editions including
how to do surround sound for video,
First, a little background about myself. I've been making
recordings since about 1967. When I was in school I had a small
business recording recitals, audition tapes (we used tape in
those days g), and the like. My most recent recording was an
audition CD for the Cleveland Orchestra. (My guy
.
=
-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Im
Auftrag von germania
Gesendet: Samstag, 31. Mai 2003 16:05
An: [EMAIL PROTECTED]
Betreff: [Hornlist] Re: Recording and equipment
I hate to say it, but I always
Perhaps the confusion is regarding the American (English?) idiom -
not on the same page
In this instance I think that Steve meant that the musicians have minor
differences about phrasing, interpretation, etc. - not that the musicians
have big differences, or lack of ability.
Listening to a
Sorry, Jay, I understood it right that way. As a pro I must be more sensitive than
others anyway. If there were big differences, they could never for an ensemble, but I
have seen so many individualists recently even in big orchestras, that I began to
doubt, if they really understood ensemble
Hans wrote:
You have quite strange views about the reality of a professional musicians =
life. If they are not on the same page, as you said, they can NEVER
perform=
at that great level as Canadian or Empire Brass. AND FOR THE RECORDINGS.
T=
HERE IS ALSO A PRODUCER; WHO CAN READ MUSIC
Sorry, Steve, my bloodpressure is lower than most expect, otherwise I could not do
Siegfried etc. And I am not yelling, as you suppose, when I say something absolutely
true. I just wonder about the very curious advise often given by people who have
zero ideas about real professional horn
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