Re: Copyright symbol

2009/1/13 David Raleigh Arnold : > Mark, were you using emacs by any chance? You can check utf-8 all you > want, but it will only save /new/ files that way. It won't change > previous encoding. There is probably a method, but it's only a problem > with someone else's files if he's been using the wr

Re: Assigning lyrics to stanzas without using \lyricsto

You can also put the notes for the stanza and the notes for the chorus in differently named contexts, so that you don't have to use \skip. It can make it easier if you add or remove measures in a section. And you can just use the required associatedVoice. Am 13.01.2009 um 08:55 schrieb Mats

Re: Slur across voices without taking time with hidden notes

Please provide a snippet about what you are trying. Also, you can fake the time using c4*2 This way it will have the same amount of time as a c2. Bert nick.pa...@internode.on.net wrote: The problem there is that even with \mergeDifferentlyDottedOn and \mergeDifferentlyHeadedOn, LP won't merg

Re: Assigning lyrics to stanzas without using \lyricsto

2009/1/13 Mats Bengtsson > > First of all, I would recommend you to upgrade to the new stable version > 2.12, which > is much better than 2.10, not the least when it comes to the documentation. > Thank you for your advice, but 2.10.33 is the latest package on my distro's repos, and I'd rather no

Re: Assigning lyrics to stanzas without using \lyricsto

How do I achieve that? 2009/1/13 James E. Bailey : > You can also put the notes for the stanza and the notes for the chorus in > differently named contexts, so that you don't have to use \skip. It can make > it easier if you add or remove measures in a section. And you can just use > the required

Re: Long compilation times

On Mon, Jan 12, 2009 at 06:58:07AM +1100, Cameron Horsburgh wrote: > On Sun, Jan 11, 2009 at 05:29:14PM +0100, John Mandereau wrote: > > Cameron Horsburgh a écrit : > >> I'm running a 2.4 GHz P4 with 1.25 Gig of Ram. The machine is aging, > >> but it should be up to this challenge. I've noticed sco

Re: \lyricsto vs. \set associatedVoice

Sorry to not follow-up this thread earlier! Bertalan Fodor wrote: According to my understanding: If you use lyricsto or associatedVoice you needn't (possibly must not) add duration to syllables. Their purpose is to synchronize the syllable's position to the notes of a voice. This is not true,

Re: Assigning lyrics to stanzas without using \lyricsto

Fibonacci Prower wrote: 2009/1/13 Mats Bengtsson First of all, I would recommend you to upgrade to the new stable version 2.12, which is much better than 2.10, not the least when it comes to the documentation. Thank you for your advice, but 2.10.33 is the latest package on my dist

RE: Re: Slur across voices without taking time with hidden notes

Well I managed to get an acceptable result with the following: \relative c' { \time 3/4 \mergeDifferentlyDottedOn \mergeDifferentlyHeadedOn <<{b'4\rest e,2}\\{a,2.}\\ {

Re: Slur across voices without taking time with hidden notes

What if you used \voiceOne in the "hidden" voice instead of the slur length and offset setting? Nick Payne wrote: Well I managed to get an acceptable result with the following:   \relative c' {     \time 3/4     \me

RE: Slur across voices without taking time with hidden notes

That gives the attached... % \relative c' { \time 3/4 \mergeDifferentlyDottedOn \mergeDifferentlyHeadedOn <<{ \hideNotes a8_( e'2) s8

Re: Slur across voices without taking time with hidden notes

I meant: \relative c' { \time 3/4 \mergeDifferentlyDottedOn \mergeDifferentlyHeadedOn <<{b'4\rest e,2}\\{a,2.}\\ { *\voiceOne* \hideNotes

Re: Re: Slur across voices without taking time with hidden notes

Nick Payne wrote Tuesday, January 13, 2009 10:10 AM BTW, extra-offset is not documented as one of the slur settings in the Internals Reference. Yes it is. It is one of the properties defined in the grob-interface, which the Slur object supports. You can read all about interfaces in the Lear

Re: Slur across voices without taking time with hidden notes

BTW, extra-offset is not documented as one of the slur settings in the Internals Reference. I found it in a couple of snippets in the repository. There also seem to be inconsistencies or omissions in the documentation – eg the PhrasingSlur #’positions property is given as an example

Re: Assigning lyrics to stanzas without using \lyricsto

2009/1/13 Fibonacci Prower : > Thank you for your advice, but 2.10.33 is the latest package on my > distro's repos, and I'd rather not compile by hand. This could be of some help: http://lilypondwiki.tuxfamily.org/index.php?title=Upgrade_howto -- Francisco Vila. Badajoz (Spain) http://www.paconet

Re: Slur across voices without taking time with hidden notes

On 1/13/09 3:10 AM, "Nick Payne" wrote: > > BTW, extra-offset is not documented as one of the slur settings in the > Internals Reference. I found it in a couple of snippets in the repository. Actually, it is. If you go to the Slurs page in the Internals Reference, you will see that there a

Re: Fermata over barline problem

Op donderdag 8 januari 2009, schreef Nick Payne: > I have a fermata over a double barline, notated with > > \bar "||" \mark\markup\small {\musicglyph #"scripts.ufermata"} > > This works fine except where the barline falls at the end of a line on the > score, in which case the fermata is placed over

Re: No menu

Am 13.01.2009 um 15:18 schrieb Julio: Hi I am just a new comer. I installed the last version 2.12 (also 2.10) for intel. I have mac os x leopard. The appication does not work. It does not show any option in the menu. Is there anyway to fix it? Yes and no. Yes it is possible to use the

Re: rearrange music flow

Hello, I went back from Carl's parallelStaffs music function to plain lily code but also here have no success in managing parallel staves and lyrics. Horizontal alignment with notes is OK but lyrics for both voices are placed under staff system. How to force lyrics to go under corresponding staff?

Re: rearrange music flow

2009/1/13 Antanas Budriūnas : > Hello, > > I went back from Carl's parallelStaffs music function to plain lily > code but also here have no success in managing parallel staves and > lyrics. Horizontal alignment with notes is OK but lyrics for both > voices are placed under staff system. How to forc

"transpose" the rythm and rethoric

Hi all! Is there, in a notes context, a simple way or a preprocessor to perform these changes, - change the rythm: - - per augmentationem / diminutionem - - from ternary to binary (6/8 to 2/4) - change the direction around a given axis (f.ex. c g' \chang-dir-with-axis e = g c,) - read the musi

Re: rearrange music flow

Francisco, thank you for the right tip! 2009/1/13 Francisco Vila : > 2009/1/13 Antanas Budriūnas : >> Hello, >> >> I went back from Carl's parallelStaffs music function to plain lily >> code but also here have no success in managing parallel staves and >> lyrics. Horizontal alignment with notes i

Re: "transpose" the rythm and rethoric

Hi, 2009/1/13 Francois Planiol : > Hi all! > > Is there, in a notes context, a simple way or a preprocessor to perform these > changes, > > - change the rythm: > - - per augmentationem / diminutionem Yes. http://lsr.dsi.unimi.it/LSR/Search?q=diminution > - - from ternary to binary (6/8 to 2/4)

stem length plus beam

Hi, I want to change the length of a stem. I know how to do it but not when multiple notes are beamed together, e.g. 4 16th notes. SO how can I change the stem length for notes that are beamed? ___ lilypond-user mailing list lilypond-user@gnu.org ht

Re: No menu

Someone can correct me if I'm wrong, but I think you'll need to build lilypond from source. You'll want to have a look in the program usage about building lilypond from source, and then there is a thread in the developers list on using the binary wrapper once you have the program built. I h

Re: No menu

Hallo all, James E. Bailey schreef / wrote / skribis: Someone can correct me if I'm wrong, but I think you'll need to build lilypond from source. There's no need to do that to use LP on Mac OS X Leopard. describes several methods to use the compile

Re: No menu

Am 13.01.2009 um 20:43 schrieb Ivo Bouwmans: Hallo all, James E. Bailey schreef / wrote / skribis: Someone can correct me if I'm wrong, but I think you'll need to build lilypond from source. There's no need to do that to use LP on Mac OS X Leopard. Ah, but he wants to, apparently. Am 13.

Re: stem length plus beam

Herman wrote: Hi, I want to change the length of a stem. I know how to do it but not when multiple notes are beamed together, e.g. 4 16th notes. SO how can I change the stem length for notes that are beamed? What I like to do in this situation is use a function "slant" that adjusts the stems

RE: stem length plus beam

You can explicitly set the positions of the left- and right-hand ends of the beam. E.g. \relative c'' { \once\override Beam #'positions = #'(5.5 . 6.5) c16 b a g } There's a snippet in the documentation on manually controlling beam positions. Nick > -Original Message- > From: li

RE: Slur across voices without taking time with hidden notes

Ok, thanks, I now can find the references. To make life easier for myself when searching the documentation I just created a PDF portfolio from the PDF version of all the docs, as once the portfolio has been indexed it makes searching across all the documents extremely easy. Nick > -Original

Re: No menu

Am 13.01.2009 um 22:06 schrieb Julio Casares: Dear all Thanks for your support. It is really nice to see there are people taking care of the users. I have some comments from myside: 1) I managed to make it worked but following the first of the ways recommended in your help Good deal.

Re: stem length plus beam

The stem length of beamed notes is controlled by a so-called subproperty of the Stem object. See http://lilypond.org/doc/v2.12/Documentation/user/lilypond/The-override-command#The-override-command for an example of how to do exactly this setting and http://lilypond.org/doc/v2.12/Documentation/user

Re: Slur across voices without taking time with hidden notes

Well, I think this is the ideal solution. \relative c' { \time 3/4 \mergeDifferentlyDottedOn \mergeDifferentlyHeadedOn <<{ b'4\rest e,2}\\{a,2.}\\ { \voiceOne \override NoteColumn #'ignore-collision

Re: Re: Slur across voices without taking time with hidden notes

BODY { font-family:Arial, Helvetica, sans-serif;font-size:12px; } Thanks. That works ideally. Nick On Wed 14/01/09 9:36 AM , Bertalan Fodor lilypondt...@organum.hu sent: Well, I think this is the ideal solution. relative c' { time 3/4 mergeDifferentlyDot

Adding \bookpart to score and parts loses tempo indications from score

I have a score and parts to which I have just added bookpart plus the hack suggested in http://www.nabble.com/Separate-page-numbering-in-separate-book-parts--td20831772.html [1] in order to get the pages renumbered to 1 for each part. What has happened is that the tempo indications have disappeare

Hairpin #'minimum-length doesn't work if hairpin preceded by dynamic marking

Following input gives the output attached: %% relative c'' { override Hairpin #'minimum-length = #5 c8< c c> c! c8pp< c c> c! } %% <>___ lilypond-user mailing list lilypond-user@

Re: Slur across voices without taking time with hidden notes

You know, with the addition of the \voiceOne, this looks oddly similar to my original proposal. ;-) Am 14.01.2009 um 00:06 schrieb Bertalan Fodor: Well, I think this is the ideal solution. \relative c' { \time 3/4 \mergeDifferentlyDottedOn \merg

converting rests with specified vertical position to common rests

L.S. In the process of converting an musicXML file (from capella) to lilypond all the rests are converted to rests with a specifed vertical position. Is there a way to convert them to 'ordinary' rests without ruining the score (due to the use of \relative music notation)? I'd like to stick to usin