dn’t know that there was
a repository on GitLab. https://lilypond.org/development.html links to
https://git.savannah.gnu.org/gitweb/?p=lilypond.git … which is neither
really nice to look at nor easy to use (at least for me), but I’m familiar
with GitLab.
Thanks,
Peter
--
Peter Crighton | M
order, which
made it very easy to just see what changed compared to the prior version
(if you took a look at it with every release).
Cheers,
Peter
--
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https://www.petercrighton.de
forum (or I forgot).
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
https://www.petercrighton.de
On Fri, 27 May 2022 at 10:28, Andrew Bernard
wrote:
> Hello All,
>
> Having had to abandon the Openlilylib (OLL) work I took over from Urs
> Li
On Sat, 17 Apr 2021 at 08:22, Jean Abou Samra wrote:
>
> Le 16/04/2021 à 23:19, Peter Crighton a écrit :
> > when using \magnifyStaff it seems as though the dots of a percent
> > repeat sign will scale accordingly, but not the slash. I cannot
> > imagine th
any method to manually override the slash size. Any
ideas?
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
On Thu, 25 Mar 2021 at 11:36, Peter Crighton wrote:
> On Wed, 24 Mar 2021 at 23:40, Peter Crighton
> wrote:
>
>> On Wed, 24 Mar 2021 at 22:31, Jean Abou Samra wrote:
>>
>>> Silly me, the code was plain wrong. Here is a fixed version.
>>>
>> That wo
On Wed, 24 Mar 2021 at 23:40, Peter Crighton wrote:
> On Wed, 24 Mar 2021 at 22:31, Jean Abou Samra wrote:
>
>> Silly me, the code was plain wrong. Here is a fixed version.
>>
> That works beautifully in my test file, thanks a lot! I’ll test it more
> tomorrow in my ac
On Wed, 24 Mar 2021 at 22:31, Jean Abou Samra wrote:
> Le 24/03/2021 à 22:06, Peter Crighton a écrit :
>
> Thank you. It fixes the error, so the score at least compiles again. But
> it sadly also renders my use of \override
> RehearsalMark.outside-staff-priority = ##f useless.
On Wed, 24 Mar 2021 at 21:11, Jean Abou Samra wrote:
> Le 24/03/2021 à 20:06, Peter Crighton a écrit :
>
> On Wed, 24 Mar 2021 at 18:35, Jean Abou Samra wrote:
>
>> Le 24/03/2021 à 15:15, Peter Crighton a écrit :
>> > I am working on some chord charts, sheet m
On Wed, 24 Mar 2021 at 18:35, Jean Abou Samra wrote:
> Le 24/03/2021 à 15:15, Peter Crighton a écrit :
> > I am working on some chord charts, sheet music that only includes one
> > ChordNames context. See the reduced example below.
> >
> > I am now running into a p
ver"
\override BarLine.bar-extent = #'(-2 . 2)
\override ChordName.Y-extent = ##f
\override ChordName.Y-offset = -1
\override ChordName.X-offset = 0.5
}
}
\paper {
indent = 0
}
Thanks,
Peter
--
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m consistency would be good … either with adapting the text or having a
new logo. But it’s obviously early days with the new website, just to keep
it in mind.
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
o it (regarding
both skill and time), although I had always hoped I would be able to some
day.
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
this snippet fixed it, even for
the shortest possible syllable “i”:
https://lists.gnu.org/archive/html/lilypond-user/2019-05/msg00389.html
There is a very minor drawback, in that the snippet adds a barely
noticeable space after a multisyllabic word. I opened a different thread
about this a few
On Thu, 26 Mar 2020 at 10:14, Kevin Barry wrote:
> Hi Peter,
>
> On Tue, 24 Mar 2020 at 15:06, Peter Crighton
> wrote:
> > I want the lyrics to be absolutely free of melismatic hyphens. How can I
> make sure of that? I have ensured that the note heads take as little space
am
\omit Dots
\omit Flag
\omit MultiMeasureRest
\omit Rest
\omit Slur
\override StaffSymbol.line-count = 0
\omit Stem
\omit Tie
\omit TimeSignature
}
}
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
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oes it have to be 0.5?
Thanks,
Peter
--
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http://www.petercrighton.de
On Fri, 20 Mar 2020 at 23:04, Timothy Lanfear wrote:
> On 20/03/2020 16:17, Peter Crighton wrote:
> > I haven’t run LilyPond with scripts before. If there’s any
> > documentation or code examples I should look at, I’d appreciate being
> > pointed in the right direction.
On Fri, 20 Mar 2020 at 15:22, David Wright
wrote:
> On Fri 20 Mar 2020 at 12:50:23 (+0100), Peter Crighton wrote:
>
> > So I need to be flexible with what paper variables I choose for each
> book.
> > I can include just those that I need, but I still need to access a
&g
ent = 0
}
\paper {
\someVariable
}
But I don’t know if that’s possible. Maybe all it needs is some other
syntax around the content of someVariable, other than curly braces, or it
is possible with some Scheme magic, but I’m out of ideas.
--
Peter Crighton | Musician & Music Engraver based
}
\paper {
\paperSizeOne
% \paperCategoryThree
}
\relative c' {
c1 \break
c1
}
Thanks,
Peter
--
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http://www.petercrighton.de
(fixed-space . 0)
\override RehearsalMark.break-align-symbols = #'(left-edge)
\override RehearsalMark.outside-staff-priority = ##f
\override RehearsalMark.Y-offset = 0
\override RehearsalMark.extra-offset = #'(-4 . -4)
}
}
\paper {
indent = 0
left-margin = 2 \cm
}
of a staff,
vertically centered and horizontally aligned with each other (which they
already do with break-align-symbols set to left-edge – I’ll shift them to
the left a bit in the end).
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
On Fri, 7 Dec 2018 at 03:00, Ben wrote:
> On 12/6/2018 7:49 PM, Peter Crighton wrote:
>
> Hello all,
>
> I have the following (reduced) scenario where one voice has a chord with a
> glissando in it and I want to tweak both glissandos differently. Is it
> possible? The second
"
one = \relative c'' {
g2
-\tweak Y-offset #0.25
\glissando a
}
two = \relative c'' {
\context Voice = "one" {
c2
% this tweak is never applied
% -\tweak Y-offset #-0.25
\glissando d
}
}
\new Staff <<
\new Voice = "one" \one
\two
>>
T
On Sun, 7 Oct 2018 at 21:12, Thomas Morley wrote:
> Am So., 7. Okt. 2018 um 19:53 Uhr schrieb Peter Crighton
> :
>
> > How would I go about either shifting the parentheses vertically or
> making them smaller? They probably make sense how they are now with regard
> to shar
On Sun, 7 Oct 2018 at 00:27, Thomas Morley wrote:
> Am Sa., 6. Okt. 2018 um 23:48 Uhr schrieb Peter Crighton
> :
> >
> > Hello all,
> >
> > I need the bass note of a chord symbol to be in parentheses, like so:
> > C(/G)
> >
> > How could I achie
Thanks,
Peter
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Am Do., 14. Juni 2018 um 19:57 Uhr schrieb David Kastrup :
> Peter Crighton writes:
>
> > Hello all,
> >
> > I’ve found a weird behaviour:
> >
> > \version "2.19.81"
> > \relative c''' {
> > \slurUp
> > \acci
only when there are
no other notes at all before the acciaccatura.
Would there be a better way to get the desired result than to use the
\shape function for now?
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.pe
east for now I will go with this in my project … I
think it makes the most sense in this kind of music. It is an album of 12
songs, so I might change my mind again when I have listened to and
transcribed all the songs. I’ll go with whatever makes most sense
consistentl
the style of music matter? In Early Music I’d be even
more inclined to notate in d \mixolydian, but in this case it is a pop song
where people might only expect to see major or minor keys.
Curious to hear what you all think.
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver b
forehand that working with different staff sizes
would be such a problem, I simply could have chosen other font sizes, since
those parts don’t actually feature music, only text and chord symbols.
Well, I am wiser for the next project now …
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7)
}
}
}
Thanks,
Peter
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ve to).
It is open source, but you need a licence – the personal one should
suffice, though.
I don’t know if it would make things easier than with your current
approach, but maybe something to look into?
--
Peter Crighton | Musician & Music Engraver based in
oken
shorten-pair.)
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
\version "2.19.59"
%%% SNIPPET BEGINS
#(define-markup-command (single-pad layout props axis-dir amount arg)
(pair? number? markup?)
#:category
ave a different
> cordname. Is that possible?
>
There seem to be different ways. (I didn’t know about :9^7.) I use:
\set additionalPitchPrefix = #"add"
ges:5.9
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
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__
tra-space . -2)
proportionalNotationDuration = #(ly:make-moment 1/2)
\override SpacingSpanner.uniform-stretching = ##t
\override SpacingSpanner.strict-note-spacing = ##t
\override NonMusicalPaperColumn.padding = #0
}
}
\paper {
indent = 0
ragged-right = ##f
}
Thanks,
Peter
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the X-offset
for every NoteColumn or ChordName to get the desired consistent output.
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
2017-04-26 23:19 GMT+02:00 Peter Crighton <petecrigh...@gmail.com>:
> Hello all,
&
\override ChordName.Y-offset = #-0.9
}
\context {
\Score
\remove "Bar_number_engraver"
\override SpacingSpanner.strict-note-spacing = ##t
}
}
\paper {
indent = 0
}
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based
2017-04-25 0:01 GMT+02:00 Thomas Morley <thomasmorle...@gmail.com>:
> 2017-04-24 23:02 GMT+02:00 Peter Crighton <petecrigh...@gmail.com>:
> > Hello all,
> >
> > when removing both the Clef and BarNumber engraver, an occasional
> > RehearsalMark at the beg
k \default
\repeat unfold 2 {
\repeat unfold 3 {
c4 c c c
} \break
}
}
\layout {
\context {
\Staff
\remove "Clef_engraver"
}
\context {
\Score
\remove "Bar_number_engraver"
}
}
Thanks,
Peter
--
Peter Crighton | Musician & Music Eng
pacing = ##t
}
}
\paper {
indent = 0
}
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
2017-03-09 18:00 GMT+01:00 Peter Crighton <petecrigh...@gmail.com>:
> Hello all,
>
> I have a layout for lead sheets
title = \markup \overlay {
\transparent \fontsize #1 "|"
"Title"
}
}
Also, the PDF file’s title would be “| Title”, which is annoying (but could
probably be avoided by adjusting \bookTitleMarkup).
I don’t suppose there is a way to change a markup’s reference point to
being
normally has, but at
least with LilyPond’s standard text font and with Gentium Book Basic, which
is the one I’m currently using, it doesn’t work.
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http://www.petercrighton.de
2017-03-10 12:27 GMT+01:00 Alexander Kobel &
"Bar_number_engraver"
proportionalNotationDuration = #(ly:make-moment 1/2)
\override SpacingSpanner.uniform-stretching = ##t
}
}
\paper {
indent = 0
}
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
__
"e"
}
{
c'1
}
}
Can this behaviour be changed?
Thanks,
Peter
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Alright, I wrote to the Bug list.
--
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http://www.petercrighton.de
2016-09-10 21:32 GMT+02:00 Simon Albrecht <simon.albre...@mail.de>:
> On 10.09.2016 20:38, Peter Crighton wrote:
>
>> I came upon some une
Fantastic, I will make use of this a lot! Thank you!
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
2016-09-11 20:46 GMT+02:00 Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com>:
> Yep, nice work Harm.
>
> 2016-09
^x
music = \relative c {
c4 c c c\x
\x
q q q q\x
}
\new StaffGroup <<
\new Staff \keepWithTag #'staff <<
\clef "treble_8"
\music
>>
\new TabStaff \keepWithTag #'tabstaff <<
\tabFullNotation
\music
>>
>>
Cheers,
Pe
2016-09-06 0:48 GMT+02:00 Thomas Morley <thomasmorle...@gmail.com>:
> 2016-09-05 23:47 GMT+02:00 Peter Crighton <petecrigh...@gmail.com>:
> > Hello all,
> >
> > how can I add an automatic space next to parentheses, so they don’t
> collide
> > with other
19.47"
staffSize = #16
#(set-global-staff-size staffSize)
\new TabStaff <<
\relative c' {
\tabFullNotation
\compressFullBarRests
\override MultiMeasureRest.thick-thickness = #(/ staffSize 2)
R1*11
}
>>
Cheers,
Peter
--
Peter Crighton | Musician & Music Engrav
Notation
\relative c' {
c8[ r16 c]
}
>>
Cheers,
Peter
--
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http://www.petercrighton.de
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to the
right (including their parentheses), so the parentheses don’t overlap:
\version "2.19.41"
\relative c'' {
\parenthesize cis4
\parenthesize c
\parenthesize ces
\parenthesize ces
}
Cheers,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.pe
2016-02-17 14:02 GMT+01:00 David Kastrup <d...@gnu.org>:
> That requires a change in the parser. If you put up a respective
> request, I'll take a look whether I can implement it in one of the next
> versions.
How and where do I do that?
--
Peter Crighton | Musician & M
rovisationOn
8 8 8 \tieFixSlash 8~ 8 8 8 8 |
8 8 8 \tieFixSlash 8(~ 8 8 8 8) |
}
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Thank you, works perfectly!
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2016-01-10 9:44 GMT+01:00 Malte Meyn <lilyp...@maltemeyn.de>:
>
>
> Am 10.01.2016 um 02:50 schrieb Peter Crighton:
>>
mn.tie-configuration = #'((0 . 1) (0 . -1))
c d e f
}
>>
}
>>
>>
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l
e
> score (CC-BY-SA) available on this repo :
>
> https://gitlab.com/sigmate/transcription-pools-vibes-solo
>
> Looking forward to hear your feedback!
Very cool! I don’t quite have a use for it at the moment, but I very
well might soon. Starred the GitLab project, so I keep an eye
a horizontal line? So it would look
something like this (without the enormous spaces, of course):
C
—
E
I tried altering the values of the snippet, but couldn’t come up with
something useful.
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s to carefully check all
> the modified lines. If it were two commits (one "work" and one
> "clean-up") it would be much more obvious.
Sure, thanks, I’ll keep that in mind! This time I only copied what was
already there without thinking about that, sorry.
--
Peter
2015-10-13 19:19 GMT+02:00 Simon Albrecht <simon.albre...@mail.de>:
> On 13.10.2015 02:06, Peter Crighton wrote:
>
>> 2015-09-08 0:23 GMT+02:00 Simon Albrecht <simon.albre...@mail.de > simon.albre...@mail.de>>:
>>
>>
>>
>> Am 07.09.2
sues/130>
>
>> Should be updated with a version switch.
>>
> Done. I included the new file in the issue.
Is anything preventing that fix from being included into openLilyLib? Or
should I go ahead and create a pull request for it?
For now I have updated my local copy of th
2015-06-11 9:21 GMT+02:00 David Kastrup d...@gnu.org:
Peter Crighton petecrigh...@gmail.com writes:
Hello all,
I have defined a function \ringOn which adds a tweaked TextSpanner. The
resulting dashed line has different dash sizes in a Staff and a TabStaff,
due
--
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2015-06-01 15:50 GMT+02:00 Vaughan McAlley vaug...@mcalley.net.au:
On 1 June 2015 at 12:14, Peter Crighton petecrigh...@gmail.com wrote:
2015-05-31 23:43 GMT+02:00 Simon Albrecht simon.albre...@mail.de:
Am 31.05.2015 um 18:25 schrieb Jacques Menu:
Hello Peter,
Maybe tags would
This also works for hyphens, by the way:
\markup \null --
Very useful, thanks, Pierre!
--
Peter Crighton | Musician Music Engraver based in Mainz, Germany
http://www.petercrighton.de
2015-06-02 23:31 GMT+02:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
Hum, 'looks like
the staff and remove it from the other voice:
\editionMod cello 17 0/1 cello.Voice.A _\divisiaIII
\editionMod cello 17 0/1 cello.Voice.B \once \omit TextScript
--
Peter Crighton | Musician Music Engraver based in Mainz, Germany
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the default direction just with
\divisiaIII.
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2015-05-30 21:25 GMT+02:00 Thomas Morley thomasmorle...@gmail.com:
2015-05-30 20:28 GMT+02:00 Peter Crighton petecrigh...@gmail.com:
Hello all,
I have a variable divisiaIII = ^\markup { div. a 3 } that should by
default appear above the staff (hence the ^). Now I need it to appear
below
{
{ a1\divisiaIII }
}
another way would be to add an additional _\divisiaIII with the
edition-engraver and remove/omit the markup that has been placed above the
staff. Would that be doable? Simply adding \once \omit TextScript obviously
also removes the _\divisiaIII.
--
Peter Crighton | Musician
I’m not at all experienced with Finale and only have Finale 2012. If that
is sufficient for you, I can do it.
--
Peter Crighton | Musician Music Engraver based in Mainz, Germany
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2015-05-21 19:47 GMT+02:00 Urs Liska u...@openlilylib.org:
Anyone ready for a new
2015-05-16 3:51 GMT+02:00 Thomas Morley thomasmorle...@gmail.com:
2015-05-16 3:14 GMT+02:00 Peter Crighton petecrigh...@gmail.com:
Hi all,
I have this rather long chord name that is taking too much horizontal
space
in a sheet I’m working on. How can I move the “/F” part beneath the rest
far down to
me. I would rather have it vertically center-aligned with the F.
\version 2.19.15
\chords
bes:7sus4/f
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Keep_alive_together_engraver
}
\new Staff \relative c' {
\clef treble
c1 \break c1
}
\new Dynamics {
s1\f s1\p
}
\new Staff \with {
\RemoveEmptyStaves
} \relative c {
\clef bass
c1 R1
}
\new Dynamics {
s1\sustainOn s1\sustainOff
}
--
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to forward this to the lists
to see if someone else has an idea.
Best,
David
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with paper size 2.
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Kontexten” to the second.
This should probably be fixed to avoid confusion.
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{
\column {
\fill-line {
\fromproperty #'header:copyright
}
}
}
evenFooterMarkup = \oddFooterMarkup
}
\score {
\relative c' {
R1*4 \break
R1*4
}
}
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It does exactly what I need, thanks again!
--
Peter Crighton | Musician Music Engraver based in Mainz, Germany
http://www.petercrighton.de
2015-03-26 23:30 GMT+01:00 tyronicus samuelsp...@gmail.com:
Peter Crighton wrote
For further videos I now want to skip GIMP and just let LilyPond
Of course, I have no idea why I didn’t think of putting the titles into the
header, it’s so obvious …
Thank you both!
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2015-03-26 23:11 GMT+01:00 tyronicus samuelsp...@gmail.com:
I think you could
2015-02-04 0:07 GMT+01:00 Noeck noeck.marb...@gmx.de:
So I hope there is more help around here on
the list.
Have a look at this mailing list thread:
http://lists.gnu.org/archive/html/lilypond-user/2011-08/msg00157.html
That multi-mark-engraver works great.
--
Peter Crighton | Musician Music
2014-11-17 0:29 GMT+01:00 pe...@chubb.wattle.id.au:
Peter == Peter Crighton petecrigh...@gmail.com writes:
Peter Hello all, I’m in the process of creating sheets that only
Peter contain lyrics and correctly aligned chords. (This belongs to
Peter other sheets with music in them, otherwise
together line by line in a score. But I have no idea how
to even begin with such an approach.
Cheers,
Peter
--
Peter Crighton | Musician Music Engraver based in Mainz, Germany
http://www.petercrighton.de
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,
but in certain cases (like this one) the output is nicer when avoid-slur is
set to ignore.
Also, have a look at \shape:
http://lilypond.org/doc/v2.19/Documentation/notation/modifying-shapes.en.html
I just noticed that this is not documented in the German version …
--
Peter Crighton | Musician
.
Does anybody know a solution?
Thanks,
Peter
--
Peter Crighton | Musician Music Engraver based in Mainz, Germany
http://www.petercrighton.de
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2014-11-16 0:13 GMT+01:00 Thomas Morley thomasmorle...@gmail.com:
2014-11-15 23:36 GMT+01:00 Peter Crighton petecrigh...@gmail.com:
Hello,
I need to offset a repeat bar line at the beginning of a system without
moving the bar line at the end of the system above before the line
break
2014-10-24 23:01 GMT+02:00 Peter Crighton petecrigh...@gmail.com:
2014-10-24 16:54 GMT+02:00 Robin Bannister r...@dataway.ch:
So it looks like LilyPond wants to merge the rests,
but will do this only if they seem identical.
Having read through the regression snippet
and been inspired
2014-10-25 17:51 GMT+02:00 David Nalesnik david.nales...@gmail.com:
Hi Peter,
On Sat, Oct 25, 2014 at 10:41 AM, Peter Crighton petecrigh...@gmail.com
wrote:
I now wanted to improve the function to also skip MultiMeasureRests and
first tried replacing 'rest-event with 'multi-measure-rest
2014-10-24 11:05 GMT+02:00 Robin Bannister r...@dataway.ch:
Peter Crighton wrote:
But I would like to be able to use the function [...]
so it doesn’t only affect the next note,
but a sequence of notes enclosed in { … }:
The source file music-functions.scm defines
music-map
which
2014-10-24 13:57 GMT+02:00 Peter Crighton petecrigh...@gmail.com:
2014-10-24 11:05 GMT+02:00 Robin Bannister r...@dataway.ch:
The source file music-functions.scm defines
music-map
which you can use for this:
bgr = #(define-music-function (parser location music) (ly:music?)
(music-map
#}))
music ))
Note A: found 'rest-event in the Internals Reference
Note B: renamed your parameter to not imply just note
Hope this helps.
Thanks again, Robin, this helps a lot!
The next time I dive into Scheming I might be getting further by myself
before I have to ask on the list. :)
--
Peter
the function as follows, so it doesn’t
only affect the next note, but a sequence of notes enclosed in { … }:
\new Voice
\relative c' {
c4 d e f
}
\relative c' {
\bgr { e4 f g a }
}
Can somebody point me in the right direction how to do this?
--
Peter Crighton | Musician Music
be the explanation for this? and how to stop it?
I don’t get this behaviour (in 2.19.13).
How do you playback the MIDI file? Are the metronome-notes actually in the
MIDI file, or does your MIDI player software maybe have a metronome
activated?
--
Peter Crighton | Musician Music Engraver based
2014-10-07 20:16 GMT+02:00 David Kastrup d...@gnu.org:
Peter Crighton petecrigh...@gmail.com writes:
2014-10-05 16:38 GMT+02:00 David Kastrup d...@gnu.org:
Okay, thanks for explaining. For now I am content with using “\omit
Staff.KeySignature” and “\revert Staff.KeySignature.stencil
2014-10-05 16:38 GMT+02:00 David Kastrup d...@gnu.org:
Peter Crighton petecrigh...@gmail.com writes:
2014-10-05 11:15 GMT+02:00 David Kastrup d...@gnu.org:
Simon Albrecht simon.albre...@mail.de writes:
Am 04.10.2014 um 23:13 schrieb Peter Crighton:
As you can see in the following
2014-10-05 16:13 GMT+02:00 Thomas Morley thomasmorle...@gmail.com:
2014-10-05 15:45 GMT+02:00 Peter Crighton petecrigh...@gmail.com:
Does anybody have more ideas for this (see below)? How can I move the
beginning and end of OttavaBrackets horizontally, or rather change their
alignment
2014-10-07 0:56 GMT+02:00 Peter Crighton petecrigh...@gmail.com:
2014-10-05 16:13 GMT+02:00 Thomas Morley thomasmorle...@gmail.com:
2014-10-05 15:45 GMT+02:00 Peter Crighton petecrigh...@gmail.com:
Does anybody have more ideas for this (see below)? How can I move the
beginning and end
2014-10-05 11:15 GMT+02:00 David Kastrup d...@gnu.org:
Simon Albrecht simon.albre...@mail.de writes:
Am 04.10.2014 um 23:13 schrieb Peter Crighton:
As you can see in the following code and the attached image, there
is a possible bug when using \RemoveEmptyStaves with voices in
different
2014-10-04 18:21 GMT+02:00 Jay Anderson horndud...@gmail.com:
On Fri, Oct 3, 2014 at 8:30 AM, Peter Crighton
petecrigh...@googlemail.com wrote:
I found that dotted rests don’t behave quite satisfyingly with this code
–
there are two dots appearing.
How can this be fixed?
I've noticed
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