Ok for all, here is my initial testing of said app. I wrote up a very rough
usability document that expresses my concirns with the app. It can be found at
the following link.
https://www.dropbox.com/s/no0qvaxxalnf1m4/usability%20document%20for%20frescobauldi.pdf
I hope this helps a bit. Should
? lol! Ah well. I'm learning slowly and
this project I think will teach me a lot. lol!
thanks all. time to get cracking.
On May 24, 2013, at 12:11 PM, Wim van Dommelen wrote:
>
> On 24 May 2013, at 03:21 , Sarah k Alawami wrote:
>
>> Actually I was thinking the variables f
melen wrote:
> Hi Sarah,
>
>
> On 23 May 2013, at 19:46 , Sarah k Alawami wrote:
>
>> I was thinking of putting my variables in each file
>
> each variable only *once* in a file, I presume
>
>> that way I can do a bit less less typing, at least in that file. w
I was thinking of putting my variables in each file that way I can do a bit
less less typing, at least in that file. will this still work in the end when
I compile all files in to one score and parts for the choir and me and the
pianist? Well, I won't need the score, how ever the person conduc
> lol. try nigh impossible if you have absolutely no knowledge of the terminal.
> I tried frescoboldi in the windows environment and it sucked. I think for
> this arrangement for now I'll have alto2.ly, alto1.ly, soprano2ly, soprano
> 1-1.ly and soprano1.ly then the piano part.ly or what ever
does not sound like a bad idea. I'm gong to be working on an arrangement of oh
come equal and hope to get it done by November or so. it's a surprise for a
very special friend of mine who is let's say very fragile in health and I want
to give it to her choir. I'm thinking of writing all the parts
...@gmail.com> wrote:I think you need to include all your music notation in another set of braces and add a layout block to get printed output, like this:\score {
{ % music notation goes here}\midi { } % need this for midi\layout { } % need this for pdf
}On Tue, May 14, 2013 at 7:13 PM, Sarah
r midi
> \layout { } % need this for pdf
>
> }
>
> On Tue, May 14, 2013 at 7:13 PM, Sarah k Alawami wrote:
> Hello. Your trick does not work too well. I stays completion successful but
> there's no midi on my desk top where i have my files.
>
> Here is an example of a l
te.ly
Description: Binary data
Take care and be blessed, and thanks.
On May 1, 2013, at 12:13 AM, and...@andis59.se wrote:
> On 2013-05-01 05:47, Sarah k Alawami wrote:
>> Is there an easier way to make the midi block with out remembering too much?
>> lol!
>>
> Don't you ne
ts where the octave run away, Those
> "octave check" warnings are the only one you can sort of safely disregard,
> they put thing back on track.
>
> Regards,
> Wim.
>
>
> On 14 May 2013, at 17:47 , Sarah k Alawami wrote:
>
>> Hello to all. Octave checks in
Kastrup wrote:
> Sarah k Alawami writes:
>
>> Hello to all. Octave checks in my viola part are failing. I made sure
>> that the right octave signs are there but I must be hearing it
>> differently then what I'm reading on the page the source that is.
>>
>&g
Hello to all. Octave checks in my viola part are failing. I made sure that the
right octave signs are there but I must be hearing it differently then what I'm
reading on the page the source that is.
I mace sure that unless I want to change o gives each note must be at at most
a 4th a part be
bracket makes the warning go away, so this seems
> to be the problem,
>
> Do you want nested slurs, or is this just a simple mistake?
>
> Andrew
>
>
>
> On 14 May 2013 13:46, Sarah k Alawami wrote:
> Hello there. I've never seen this before. I got "a
Hello there. I've never seen this before. I got "already have slur" I checked and all looks well but this is an odd one.Here is the .ly file. I got rid of all the bar checks except for a few that looked correct. did I miss something? again?
final score.ly
Description: Binary data
I hope one day I
e 427 and leave 429. Because your
> piece is written in concert pitch g major, it should now for the clarinet
> part show a major.
>
> - line 176: same problem for the horn: remove it and also the \transpose in
> line 441.
>
> Good luck and have a good performance!
>
> Re
On May 13, 2013, at 2:03 AM, and...@andis59.se wrote:
> On 2013-05-13 07:44, Sarah k Alawami wrote:
>> Hello to the list.
>>
>> I notice that some of my grace notes are also causing the bar check errors
>>
>
> Just a reminder:
> Grace notes are musical ornamen
Hello to the list.
I notice that some of my grace notes are also causing the bar check errors but
most of them I think are happening at the end dog repeats where there's an
incomplete measure as it was filling time so you can go back and repeat the
anicrusis.
Over all thats all I'm noting, t
re.ly
Description: Binary data
I'm still having issues with the grace notes though. I don't know what's up
there. Any help, please?
Thanks and be blessed.
On May 12, 2013, at 7:13 PM, Tim McNamara wrote:
> On May 12, 2013, at 6:45 PM, Sarah k Alawami wrote:
>> Ok.
et to work now.
Attached is the corrected ly file.
final score.ly
Description: Binary data
On May 12, 2013, at 6:17 PM, luis jure wrote:
>
> on 2013-05-12 at 16:45 Sarah k Alawami wrote:
>
>> Ok. can someone please go over the score and correct what I missed?
>
> I f
Ok. can someone please go over the score and correct what I missed? I think I
missed some braces and misplaced some accent marks but please let me know if
the notes are in the proper ranges of the instruments as I'm still 1, learning
them and 2, learning lily pond. I still could not get the bass
:05 PM, Tim McNamara wrote:
>
>
> On May 12, 2013, at 11:52 AM, Sarah k Alawami wrote:
>
>> Ok. in braille music, I see the word "pizz "and i know until I see "arco" I
>> have to pluc the string. In lily pond I don't want to put \pizz over ever
> On May 12, 2013, at 11:52 AM, Sarah k Alawami wrote:
>
>> Ok. in braille music, I see the word "pizz "and i know until I see "arco" I
>> have to plug the string. In lily pond I don't want to put \pizz over every
>> single note especially since
Ok. in braille music, I see the word "pizz "and i know until I see "arco" I
have to pluc the string. In lily pond I don't want to put \pizz over every
single note especially since with the \repeat volta 2 {music} I want to only
have the viola do \arco at the second time through this particular r
I think I got it. I still have errors in the score lay out because I was trying
to add instruments that were not there in the firs place lol! but can someone
plz make sure at least the time sig is right?
Take care and be blessed.
final score.ly
Description: Binary data
In the mean time I'
s the file.
final score.ly
Description: Binary data
On May 11, 2013, at 1:07 PM, Phil Holmes wrote:
> - Original Message - From: "Sarah k Alawami"
> To: "lilly pond discuss discuss"
> Sent: Saturday, May 11, 2013 6:32 PM
> Subject: Re: odd bar check
l Holmes wrote:
> - Original Message ----- From: "Sarah k Alawami"
> To: "lilly pond discuss discuss"
> Sent: Saturday, May 11, 2013 6:32 PM
> Subject: Re: odd bar check errors
>
>
>> What I mean is I want them to go back and repeat the measure once
{ }.
>
> Take my advice: as son as an error pops up, try to fix it in the next round.
> Accumulation of so many errors gets you in trouble.
>
> Regards,
> Wim.
>
>
>
>
> On 11 May 2013, at 18:25 , Sarah k Alawami wrote:
>
>> Ok. I'm in 12/8 and
gnu.org
> [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
> Sarah k Alawami
> Sent: Saturday, May 11, 2013 9:26 AM
> To: lilly pond discuss discuss
> Subject: odd bar check errors
>
> Ok. I'm in 12/8 and i put that in the \global veritable and put the
the bar check errors I counted correctly and they all added up to 12
eight notes as the thing is in 12/8 time.
Take care.
On May 11, 2013, at 9:48 AM, Phil Holmes wrote:
> - Original Message - From: "Sarah k Alawami"
> To: "lilly pond discuss discuss"
> Sent
Ok. I'm in 12/8 and i put that in the \global veritable and put the \blobal
veritable in every part of this score that I'm working on for the moment where
it should have gone, I think. How ever, something is still up as 'm counting
where the bar checks are failing and I'm getting the right amoun
Hey thanks for the help all of you have given. I'm writing the timpani
notes as if they are regular music. I tried a new staff but that failed,
probably my error lol! I read about the \drums thing but I don't quite
understand how it will work after the percussionMusic equals \relative c
icates the instrument to be played.
> See here: http://en.wikipedia.org/wiki/Percussion_notation.
>
> The end result would be two staves without grouping, one for timpani and
> another for the bass/snare.
>
> Cheers,
> Carl
>
>
> On Wed, May 8, 2013 at 12:38 AM, Sarah k
Ok. I'v never seen percussion music so I don't even know how to looks. I have
to in this final assignment write for 3 timponies, 1 player playing them, a
bass drum and symbol, one player playing them and a snare.
I know there are to be 3 percussion lines, but in the case of the timpani's how
do
Actually I'm not. The university brailled my piano transcript Im working off
of. It would be nice though if maybe a musk student could learn lily pond and
output it in to braille so all of my stuff could be done in house. using music
vml or some such thing.
Take care.
On May 3, 2013, at 2:30 PM
at 9:58 AM, Urs Liska wrote:
> A MultiMeasureRest for one measure always _looks_ like a whole note rest, no
> matter how long its real duration is.
> Maybe it's this what you mix up?
>
> Best
> Urs
>
>
>
> Sarah k Alawami schrieb:
> Ok. I see there a dotte
May 3, 2013, at 9:23 AM, bobr...@centrum.is wrote:
>
>
> - Original Message -
> From: "Sarah k Alawami"
> To: "lilly pond discuss discuss"
> Sent: Friday, May 3, 2013 4:13:44 PM
> Subject: multi measure rests
>
> I read the docs on how t
I read the docs on how to do this but is there an easier way to memorize how to
do this? the fractions confuse the heck out of me lol! I'm in 12/8 so I'll have
4 doted quarter notes so would the multi measure rest look like this for one
measure
R4. R4. R4. R4. |
for example?
Thanks all. and so
and LaTeX. Basic functionality but with(!) line numbers.
>
> In what way do you prefer a response? I could do the edits and send back the
> file to you for example.
>
> Regards,
> Wim.
>
>
>
> On 2 May 2013, at 17:02 , Sarah k Alawami wrote:
>
>> Hello. t
ds,
> Wim.
>
>
>
>
> On 2 May 2013, at 04:27 , Sarah k Alawami wrote:
>
>> Ok. Even putting in the final score assignment fails. i don't' know where
>> i'm going wrong as lily pond on the mac side of things does not show line
>> numbers. Th
ssing so I will have to add those in if
I can figure out how.
final score.ly
Description: Binary data
Here is my thing attached.
On May 1, 2013, at 12:13 AM, and...@andis59.se wrote:
> On 2013-05-01 05:47, Sarah k Alawami wrote:
>> Is there an easier way to make the midi block
59.se wrote:
> On 2013-05-01 05:47, Sarah k Alawami wrote:
>> Is there an easier way to make the midi block with out remembering too much?
>> lol!
>>
> Don't you need a \score ?
>
> If I add \score { before {\relative c,,
> and add \midi{} } last in th
I'm in. I wish I had more time to learn
everything. lol!
Take care.
On May 1, 2013, at 12:13 AM, and...@andis59.se wrote:
> On 2013-05-01 05:47, Sarah k Alawami wrote:
>> Is there an easier way to make the midi block with out remembering too much?
>> lol!
>>
>
Hello. I'm starting from scratch with a score doing the separate parts then
I'm going to include them all in to one file and transpose where needed with
the instruments that need it. I got through the first part fine, but I want to
hear if I have any mistyped octave marks and stuff. I tried ma
Hehahahaha. Yeah I can transpose as a pianist. I do it all the time. I just
don't note down what I'm playing. Drives singers hattie as I am one to I like
to annoy them by playing hymns in the keys they re not written on the page.
lol!
Btw for the poster who posted the stuff for lily pond v 2.
It's actually for a b flat clarinet but I already changed it to the right key.
the instructor was very very very specific in his instructions lol!
right now I"m working on the parts separately in the file. flute and oboe for
now. The piece is not very creative. lol! I read on how to do this i
In reading the following documentation for repeats
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Repeats
where does the code go? I think in listening to this piece and analyzing
before I go in that there are 2 sets of repeats. and I'm trying to minimize
the work I need to do on th
Ok. I think then I'll prob write it in the \transpose command, but will this
work in v 2.16 and up?
On Apr 28, 2013, at 12:13 PM, David Kastrup wrote:
> Sarah k Alawami writes:
>
>> Ok. coolio. I'm not there yet. as I'm still working on the flute part
>>
Ok, so in this case this thing is in g. so if I write something like
\key g \major
[g fis e d |
} How would that look transposed to the horn in f? besides the key being a
forth higher then what I'm actually hearing. I think. I'm trying to remember my
theory classes from years ago lol!
Take care
On Apr 28, 2013, at 12:10 PM, Sarah k Alawami wrote:
> Ok. coolio. I'm not there yet. as I'm still working on the flute part
> separately. but for the clarinet since it is a major second lower and is a b
> flat instrument do I have to transpose its key in f as the piece
Ok. I read in the manual since this will be a score and parts that it would
probably be easier if I made the files individually. the combined then in t
the score and parts needed for the conductor and students, or in this case the
prof. I think this is a good idea so I don't have to count rests
Ok.. Here is the instrumentation for this final assignment. I do have some
questions so bare with me.
I have the templet almost complete except the choir voices are still in there.
I guess I remove then and change the layout block to reflect that after I'm
done with the music part itself
2 Fl
Hello. In lily pond i am creating my final assignment for the semester. Yee!
lol! except not.
I don't want to write rests and i plan on maybe writing out the repeats. I
don't now yet. I want to though hide empty staves until they are needed, then
hide the staves again. I saw this in a choir sc
lol. Yeah I'll stick with I think it's v 2.16 or something like that until that
2.17 gets released to the public as I'm not quite ready to upgrade my scores
lol!
Tc all.
On Apr 26, 2013, at 6:05 PM, Andrew Bernard wrote:
> Hi from Australia!
>
> You he not given enough information here, beca
Ok. I understand how triplets work. I've played them often enough lol! but in
lily pond according to the manual it says it's written in a fraction. That's
the part I don't get. I'm very horrible at math so is there a way to comprehend
these triplets. I think they are eighth notes if I hear the r
t; >
> >
> > Content-Type: text/plain; charset="us-ascii"
> >
> > > Message: 8
> > > Date: Sat, 16 Mar 2013 15:20:32 -0700
> > > From: Sarah k Alawami
> > > To: lilly pond discuss discuss
> > > Subject: a
Ah thanks. yeah I got it done and hope it's playable tomorrow. We'll see. I
can't play it but i"m not a good pianist. lol!
Thanks for those I'll make note of them as I'm sure I'll be using them in the
class a lot lol!
Sarah Alawami: Owner of Alawami productions, where quality is key. Check us ou
lol. I already fixed that last night. Hehahaha. thanks though.
Be blessed.
On Mar 17, 2013, at 3:54 AM, MING TSANG wrote:
> Hi,
> I am also new to lilypond. I spot typo error on line 181. The code should be
> \bar"I" not \bar"\". I make change and it compiles.
> Ming.
>
quot;
> correctly paired with an opening brace , "{". This may or may not be the
> case here. It is a place to start checking.
>
> Mark
>
> -Original Message-
> From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
> [mailto:lilypond-user-bounces+cars
ot;{". This may or may not be the
> case here. It is a place to start checking.
>
> Mark
>
> -Original Message-
> From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
> [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
> Sarah k Alaw
Ok. I don't recall changing anything in this templet. All was working fine
until I added some accent marks and such. those compiled ok but now when I
added the \bar"|" I got the compilation errors. I know I'm close. did I miss an
equals sign some wares?
here is the ly file. and I'm aware I miss
Ok. I was for some odd reason surrounding it in quotes. I'll play with that and
thanks goodness I commented in my file where these things were lol!
Will give this a go. Using v 2.16 I think, the latest stable release. Not
ready to go beta as I'm still very much learning and doing my best.
Tc
Hello to all. I was tryign to look up accents and staccato marks in lily pond.
I found a lit of articulations but it just shows the image of music and the
manual at least as far as I can tell does not explain what % and - and + mean
etc etc etc.
I thin I remember how to do it but is there text
6 PM, Mark Stephen Mrotek
> wrote:
>> Sarah:
>>
>> What is the Chopin piece? I may have a copy and could "see" what you want.
>>
>> Mark
>>
>> -Original Message-
>> From: Sarah k Alawami [mailto:marri...@gmail.com]
>> Sent:
No I mean like when you have a fist full of cord and you want the cord to play
on the beat but it's so big you have to role from the top to the bottom.
Here is a badly played example. sorry about the ringing c sharp. it's broken.
http://alawamiproductions.com/dl/DM421359.MP3
It's not arpasia
Actually I copied all the notes to the templet of piano that why i just had to
write in the measures..
Thanks and no worries about your english. it's all good.
On Mar 12, 2013, at 1:30 AM, and...@andis59.se wrote:
> On 2013-03-12 04:46, Sarah k Alawami wrote:
>> I decided to cha
I decided to change threads to make the list archives more clean *smiles* Ok.
now that I have the bar checks sorted at least for these 4 measures and I"ll
stop there for tonight, how do I render it as a midi so I can hear if I"m right
int he octaves or not. I want to do this until I'm comfortabl
Cool. it worked! Now why did the midi file not create? only the pdf. I don't'
want to move on unless I know my octaves are correct. in the right hand
anyways. lol!
Thanks and be blessed.
On Mar 11, 2013, at 8:09 PM, wjm wrote:
> Hi,
> If you move the opening curly brace to below the \relat
rything is being reset with the new staff block.
>
> Hope this helps!
>
> Graeme
>
>
>
> On 12/03/2013 12:13 PM, Sarah k Alawami wrote:
>> Hello. I have 1 bar check failing at what it says is at 1/2
>>
>> I looked at the second beat of the first measur
1-2013.pdf'...
Success: compilation successfully completed
it converted but why the bar check fail?
Take care and be blessed.
On Mar 11, 2013, at 7:51 PM, Nick Payne wrote:
> On 12/03/13 12:13, Sarah k Alawami wrote:
>> Hello. I have 1 bar check failing at what it says is at 1/2
>>
Hello. I have 1 bar check failing at what it says is at 1/2
I looked at the second beat of the first measure and the cord is still a half
note. the time is 3/2 Here is my .li file
piano reduction 03-11-2013.ly
Description: Binary data
Note that I did not even attempt to put it in a piano s
help. lol! I'm determined to learn lily
pond the best I can with out much of a headache. lol!
Thanks and be blessed.
On Mar 10, 2013, at 8:41 PM, Nick Payne wrote:
> On 11/03/13 08:57, Sarah k Alawami wrote:
>> Is there a way to memorize or through pattern recognition how many &#x
to listen to see if I messed up? as that's what I've been
doing and it yeps but it slows me down a lot. and we don't' really want that.
Tc all and be blessed.
On Mar 10, 2013, at 2:23 PM, David Kastrup wrote:
> Sarah k Alawami writes:
>
>> Oh the docs messed
assignment done. lol!
Take care and be blessed.
On Mar 10, 2013, at 12:56 AM, David Kastrup wrote:
> Sarah k Alawami writes:
>
>> I actually tried the let's say e='t or how ever the docs were
>> written. I don't have them up at the moment and it failed with unknow
I actually tried the let's say e='t or how ever the docs were written. I don't
have them up at the moment and it failed with unknown rhythm. Iactually meant
e5 on the piano. so how would have I fixed this if I had if I remember
[relative c'' for middle c if I remember that to and i place an e=
Oh and btw the command E thing does not work. it does not appear to jump to
anything even when running the cmd r command. using v 2.16 here. and voice over
and mountain lion 10.82 with all updates applied.
Is this supposed to do something when hitting control e or cmd e? Can someone
verify this
Hey! I can't help beeing a beginner. lol! Hehahaha. No offense taken btw. It's
like learning anything really. you fall a lot but you keep trying and trying
and one day it just clicks.
I did not know about the control e thing since prefs are dimmed on the mac side
of lily pond for some odd reas
"lil myFile" does the compilation.
>
> Sorry if I over-explained things you already know.
>
> Regards,
>
>
> Le 4 mars 2013 à 06:57, Sarah k Alawami a écrit :
>
>> yeah I'm horrible at compiling stuff and using the terminal. i was looking
>&g
yeah I'm horrible at compiling stuff and using the terminal. i was looking for
a GUI way of doing this. and I've never even heard of JEdit. lol! Not even on
windows. yeah I'm a geek but not much of one lol! plus I'm not sure point and
click will work with voice over. I know it does not work to
Iuse a screen reader called voice over. It is not that good in the terminal so
if line numbers could be enabled in lily pond that would be nice as I could
then see where the mistake is and correct it. or copy and paste the relevant
line on to the list or what not.
Take care. all and be blessed.
Yeah is there a line editor I could use? I thought lilly pond had line numbers
on by default but the since the prefs option is dimmed for some odd reason I
dunno. lol!
You are right that it would speed up my progress greatly. is there a line
editor that's a guy for mac that you know of that can
Actually I took the score templet string quartet and modified it to be the
string score that I wanted violin 1, violin 2 and viola and cello and bass. so
maybe I miscopied the templet or something to that effect.
Tc and be blessed.
On Mar 3, 2013, at 8:11 PM, wjm wrote:
> Greetings,
> I've b
Well I saw a presences thing in the lily pond menu but it was dimmed. Any way
how to make it undimmed so I can see if there is a line numbers thing?
This would make it much much easier in solving errors and keeping track of
where I am in terms of the piece. or pieces I will be doing this semeste
Is there a way to have line numbers turned on in lily pond so I don't have to
count them? I don't' see a way to get to a presences thing in lily pond 2.16
for mac osx. This would help a lot in terms of errors. or can I correct it
direct from the log file? I doubt it.
Thanks.
S
On Mar 3, 2013,
By george I think I'm getting it! Sorry to the rest of you have to watch me
jump for joy but "m sure by the time my final comes around I will be offering
advice rather then asking it lol! or maybe not. We'll see how hard the test is
in may.. Hopefully he will give me a week to do it not a few da
/string_score_assignment_number_1_03-01-2013.png.jpg>
>
>
>
> Sarah k Alawami wrote
>> Ok. wight he viola part and I'm still loosing track of my octaves it's not
>> even funny. I know when to switch but I'm so used to playing on a keyboard
>> I dunno if lil
Ok. wight he viola part and I'm still loosing track of my octaves it's not even
funny. I know when to switch but I'm so used to playing on a keyboard I dunno
if lily pond will switch or if I'll have a violist who will shoot me lol!
(insert a very bad joke of my instructors here).
Anyways it loo
I dont' recall anything in the tutorial about lyrics. Since I am still learning
about the visual world of music can you give an example as to why you would
want to do this? Just curious here and I absorb everything I learn in case I
need it later.
Tc all and be blessed.
On Mar 3, 2013, at 12:3
Hey thanks for that explenation. I think I'm finally getting it. here is I
think the first 2 or 3 measures od the part. I can't keep track anymore. as I'm
not used to thinking in separate parts. lol! Hehahaha. and I think I'm missing
a closing right brace some ware.
<<
{ c aes, g ees |
ees f
Ok. it looks like the viola part needs to be device as these double stops are
not fun. here it is with the notes and cords with out taking the divisi in to
consideration.
{ c aes, g ees |
ees f | }
Just the first 2 measures
so would I have to imply the double less then sign at the top t
Cool. so if let's say the cello part had a double stop and i don't remember all
the other notes as I'm just waking up but for example the cello part would read
something like
{c c, g |
}
since the double stop is on g and c? the notes before it would be single notes
only. and I mean g2 and c3
Don't apologize. You did not know and nor did I until I tried it. lol!
Take care all. and be blessed.
On Mar 2, 2013, at 5:10 PM, Francisco Vila wrote:
> 2013/3/3 Francisco Vila :
>> Frescobaldi is not a graphical editor. It's a lightweight text editor with
>> integrated .pdf preview, syntax hi
Yeah that's it. I don't' quite understand how that works. I read the section
but was a bit confused on the double back slash method. Is there an analogy I
could use to maybe help me on that one? I'm getting everything else slowly but
yeah. I think where I'm getting confused is when to use that m
Oh btw another question. Let's say I did want the cello part to play the middle
notes in the cluster shall we say. How do I just simply have 1 note be divisi,
or so I show it as a cord with the less then and grader then symbols? I'm
thinking from my days as a string player I can do the latter as
yeah true or I could cut them out the middle notes since I believe the upper
voices are playing them
I'll go back and redo the notes later. I ended up singing the parts or trying
to and so far I've managed to correct most mistakes. lol!
Well if not an a I hope I get some constructive critici
I tried that editor and it is not accessible under windows and nvda. I wrote to
their facebook page and I have no patience trying to compile it under mac osx.
They don't' yet have an easier installer for mac osx but as soon as I do I will
test with voice over to see if it works. For now it is en
s of this class lol!
On Mar 2, 2013, at 1:36 PM, SoundsFromSound wrote:
>
> Hi Sarah,
>
> Try here, this should help you with bars.
> http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Bars
>
> \bar "|."
> etc.
>
> Ben
>
>
> Sarah k
I could if I wanted to, how ever Our orchestra are horrible at double stops and
if you have let's say 10 second violins trying to play a double stop you are
asking for trouble so normally we do a divisi, and he I think wants us to try
it. the cello and bass will be easy actually, or shall I say
an use? I don't' mind dong the double bar line as it will be an indication to me that the piece is done lol!I'll take care of dynamics later but right now as long as I get the notes down …Tc allOn Mar 2, 2013, at 12:26 PM, Urs Liska <li...@ursliska.de> wrote:
he piece is done lol!I'll take care of dynamics later but right now as long as I get the notes down …Tc allOn Mar 2, 2013, at 12:26 PM, Urs Liska <li...@ursliska.de> wrote:
Am 02.03.2013 21:20, schrieb Sarah k
Alawami:
Well I'm getting few
Well I'm getting fewer errors lol! Here is the score attached
second violin part.ly
Description: Binary data
I got some errors but the pdf still produced. here is the log
Processing `/Users/SA/Desktop/second violin part.ly'
Parsing...
/Users/SA/Desktop/second violin part.ly:7:11: error: syntax
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