Dear Arto
The recent France musique prog= ramme by Miguel Yisrael,
introduced me to the works of the Austrian Lauffen= steiner (same
period as Weiss). I don't believe I had heard any of his piec= es
before. Miguel's performance of one of his sonatas, is at the end of
thi= s
Oups, sorry, I have to send this from my other mail, or it becomes
garbled, not sure why.
Dear Arto
The recent France musique programme by Miguel Yisrael, introduced
me to the works of the Austrian Lauffensteiner (same period as Weiss).
I don't believe I had heard any of his
On 20 October 2010 10:05, anthony.h...@noos.fr wrote:
introduced me to the works of the Austrian Lauffen= steiner (same
Toyohiko Satoh's most recent CD (2009) is all Lauffensteiner.
David
--
***
David van Ooijen
davidvanooi...@gmail.com
www.davidvanooijen.nl
There is more music available at Trekel.de
On 19 October 2010 22:42, adS rainer.aus-dem-spr...@gmx.de wrote:
http://daten.digitale-sammlungen.de/bsb00050861/image_1
I can't read it but It looks like guitar tablature :)
Spot on, as it says:
Originaltitel: Tabulaturbuch für Guitarre ;-)
Thanks for the link, Rainer!
This ms. is only
Upper right corner David! PDF-download. Ja weiter or english option even
:)
G.
- Original Message -
From: David van Ooijen davidvanooi...@gmail.com
To: Lute net lute@cs.dartmouth.edu
Sent: Wednesday, October 20, 2010 8:38 AM
Subject: [LUTE] Re: Munich 1522
On 19 October 2010
On 20 October 2010 09:04, G. Crona kalei...@gmail.com wrote:
Upper right corner David! PDF-download. Ja weiter or english option even
:)
Danke! 14Mb only.
David
--
***
David van Ooijen
davidvanooi...@gmail.com
www.davidvanooijen.nl
On 19 October 2010 22:29, Stuart Walsh s.wa...@ntlworld.com wrote:
http://www.youtube.com/watch?v=uLEJXWEjH3s
Two Røde NT55 microphones with cardio caps in xy-configuration, about
I've never even heard of cardio caps or xy-configuration.
I learned by doing.
The mics are the budget option.
Anon. Ms. ca.1660 belonging to Adelaida di Savoya (see back) Electress of
Bavaria. Italian mixed tablature and alfabeto. 50 guitar solos and Italian
songs. RISM B/VII, 222-3
G.
- Original Message -
From: David van Ooijen davidvanooi...@gmail.com
To: G. Crona kalei...@gmail.com
Cc:
On 19 October 2010 22:29, Stuart Walsh s.wa...@ntlworld.com wrote:
Maybe this just shows how much an amateur I am, but how do you get the other
takes of the other two parts to match exactly with the 'basic take'? Did you
have headphones on so you could hear the 'basic take' and play along with
Dear Martyn,
The problem with discussions of this sort is that we often have
different things in mind, and the thread has covered different kinds of
performance.
I agree that an amplifier would be out of place for a HIP performance
say for a lute recital in a church, but if,
What a lovely little book.
Is it reasonable to conclude that -
a) the tuning table on pdf page 28 suggests 'normal' tuning rather than
re-entrant?
b) the set of I-IV-V-I passachaglias at the beginning in lots of
different keys (found in many guitar books, incidentally)
Dear Stewart,
It's certainly odd if the amplification used for your large scale
social events is used more generally which is what you appeared to
suggest by your view that 'if you want people to hear what you are
playing, there are times when amplification has its uses' ; this
On Tue, 19 Oct 2010 20:39:10 -0700, howard posner wrote
Some of the posters are seem unaware that Kapsberger's Third Book
was found a few years ago. Diego Cantalupi not only recorded it,
but included a pdf facsimile of the book on the CD. Any theorbo
player who doesn't have it already
On Wed, 20 Oct 2010 11:21:07 +0100, Peter Martin wrote
What a lovely little book.
Is it reasonable to conclude that -
a) the tuning table on pdf page 28 suggests 'normal' tuning
rather than re-entrant?
Looks very much like it (I assume pdf page 28 equals image_27).
Even stronger
Interesting. But I wonder whether this, and the transcription into
staff notation of chords A and B on the Accordatura page, are a later
pencilled addition by someone (probably a non-guitarist) trying to
interpret the tablature?
P
On 20 October 2010 12:03, R. Mattes
On Wed, 20 Oct 2010 12:14:46 +0100, Peter Martin wrote
Interesting. But I wonder whether this, and the transcription
into staff notation of chords A and B on the Accordatura page, are
a later pencilled addition by someone (probably a non-guitarist)
trying to interpret the tablature?
hi,
I have uploaded a new short but very fine Duo for 2 equal lutes.
Marra, Hettorre della - Spagnoletta
Enjoy
Anton
P.S.:
For al of you who want to know what I do beside my Intavolations
look at
http://www.youtube.com/watch?v=Sn9Hj7CEyzc
here is the complete list:
Going in a slightly different direction, I've noticed that in contemporary
music chamber music concerts involving guitar, the guitar is almost always
amplified. This applies to standard repertoire pieces (Boulez, etc.) as well
as pieces by living composers who are present at the concert and
The confusion arises from the fact that HK is always using the same examples in
his prefaces. The 4-note arp. is always demonstrated p-i-m-i, but illustrated
on strings that result in low to high. So, what if the arp. needs to happen on
strings other than those in the preface? Does HK want
--- On Wed, 20/10/10, Martyn Hodgson hodgsonmar...@yahoo.co.uk wrote:
From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
Subject: Re: [LUTE] Re: Lute volume
To: Christopher Wilke chriswi...@yahoo.com
Date: Wednesday, 20 October, 2010, 14:26
I very much agree with your
Hi Chris
I think it means that most composers understand the classical guitar
like a monkey understands a watch. You are right - using a steel strung,
amplified guitar would usually do the trick. Instead the guitarist must
amplify or overplay to the point where true ugliness ensues. String
On Wed, 20 Oct 2010 06:02:17 -0700 (PDT), Christopher Wilke wrote
The confusion arises from the fact that HK is always using the same
examples in his prefaces. The 4-note arp. is always demonstrated p-
i-m-i, but illustrated on strings that result in low to high. So,
what if the arp. needs
This may be of interest: I have no knowledge of the quality of the
wood. As luck would have it, I've just bought a stock which will see me
out
Martyn
--- On Tue, 19/10/10, Marion Bolton dhbol...@ntlworld.com wrote:
From: Marion Bolton dhbol...@ntlworld.com
Subject:
Having spent some time reading and rereading - and trying - the suggestions
made in his response to Morgan, I want to thank Sam for such a clear and useful
analysis of RH technique. For over a year, I've been working at moving from
thumb over to thumb under in the right hand (without a
Hi!
I am interested in the lute version, too.
Here
http://www.lute-academy.be/docstore/inmylife.pdf
you find a ukulule version. Don't remember whre I found it.
best wishes
Bernd
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Hi Bernd,
I found more ren guitar versions at
http://beatlesite.info/ tho not this one.
Sean
Sent from my iPotato
On Oct 20, 2010, at 9:03 AM, Bernd Haegemann b...@symbol4.de wrote:
Hi!
I am interested in the lute version, too.
Here
http://www.lute-academy.be/docstore/inmylife.pdf
Thanks for all the interest in this little piece!
I will post it on my website soon and send a link.
In the meantime, I think I have sent it to
everybody who has posted interest as of 1:00pm CST US.
Anyone who wants a copy is welcome to send me an email request,
and I will send it to you as
Here is a link to my website where I have posted my transcription of
In My Life by John Lennon in PDF, MIDI, and Fronimo 3
Enjoy,
Tom
Tom Draughon
Heartistry Music
http://www.heartistry.com/artists/tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
To get on or off this list see
I think Valdambrini's 1646 and 1647 guitar books might also add to
this topic. He gives performance information in his introduction and
uses signs that Kapsberger previously used.
Valdambrini's two arpeggio examples suggest to me that Chris may well
be correct -- that the finger pattern
On Wed, 20 Oct 2010 14:28:20 -0500, Mjos Larson wrote
I think Valdambrini's 1646 and 1647 guitar books might also add to
this topic. He gives performance information in his introduction and
uses signs that Kapsberger previously used.
Valdambrini's two arpeggio examples suggest to me
well done! thank you!
Thomas
Am 20.10.2010 20:30, schrieb t...@heartistrymusic.com:
Here is a link to my website where I have posted my transcription of
In My Life by John Lennon in PDF, MIDI, and Fronimo 3
Enjoy,
Tom
Tom Draughon
Heartistry Music
Thanks Dale
for your very interesting comment! Falkengagen being WFB and Hagen being
CPEB of lute really changed my view of those two. Especially this Hagen
case must be checked! Any idea where to find Hagen facsimilies? And
anything by him to 11-courser? I guess not. Or neither for 13-course
Probably pointless to point out that this is copywritten material.
The melody that is, and it's illegal to post this.
Allan
well done! thank you!
Thomas
Am 20.10.2010 20:30, schrieb t...@heartistrymusic.com:
Here is a link to my website where I have posted my transcription of
In
On 20/10/2010 08:33, David van Ooijen wrote:
Stuart
Have a close look (listen) at the sound track, and you'll discover how
much of an amatuer I am! Many edits ... |-o
This was one of my worst clips to match up, by the way, see for more
duets, trios and quartets see
On 20/10/2010 13:39, Anton Höger wrote:
hi,
I have uploaded a new short but very fine Duo for 2 equal lutes.
Marra, Hettorre della - Spagnoletta
Enjoy
Anton
P.S.:
For al of you who want to know what I do beside my Intavolations
look at
Probably pointless to point out that this is copywritten material.
The melody that is, and it's illegal to post this.
Allan
Thanks Allan,
I don't believe this is illegal for the following reasons:
Yes, it IS a copyrighted melody, but I'm not selling it.
Neither am I recording it, nor
Hi Tom,
It is illegal. Doesn't matter if you are selling it. there are plenty
of people giving my things away. go check with a copyright lawyer,
and if you really don't think it's illegal, ASK THE OWNER OF THE
COPYRIGHT. That is how things are done. It's not a grey area, it's
just a self
yes. Hagen's solo sonatas are available @
http://www.saulbgroen.nl/cat/lutaz7.htm He wrote only for 13 (gut) string,
or course, theorbo-lute.
- Original Message -
From: wikla wi...@cs.helsinki.fi
To: Dale Young dyoung5...@wowway.com
Cc: baroque-l...@cs.dartmouth.edu
Sent: Wednesday,
Dear ones,
I received the transcription from Tom. He did a beautiful job, and I
tweaked it a bit. But, it works beautifully.
The reason I asked if anyone on the list had this piece is
thus: every year, for the past 25 years, I have performed in a
service, sponsored by the Grief Support
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