Here is the first video I've made with my new Malcolm Prior 13c
[1]http://lutegroup.ning.com/video/tombeau-de-dubut-by-robert-de-visee
Not strictly 13c repertoire, but close enough. And not a faultless
performance, but I think you get the jist of it.
Pinkie on bridge watchers -
I apologize if this subject has already been discussed here, but I'm
wondering if Bach's Prelude (marked Prelude pour la Luth ò Cembal), Fugue
Allegro BWV 998 is playable as written (i.e. in E flat major, with all
the low bass notes) on a type of lute Bach might have known. If so, what
would
I have heard that 'luth o cembal' was perhaps a keyboard instrument
that sounded like a lute - I've even heard it suggested that it was a
harpsichord strung in gut, but I very much doubt the feasibility of
such an instrument - It would be a nightmare to keep in tune, as we
lutenists
Dear Bill,
Amazingly, such instruments actually seemed to have existed; there
seems to be evidence that JS Bach owned one (or even two). Modern
reconstructions have been made and, indeed, I bought a CD a few years
ago of a recital of the luth o cembal works played by Elizabeth
Dear Bill,
The following comes from one of the websites related to these
instruments. I have not checked the sources myself. Notice that by
drawing the lute stop (ie a row of jacks closer to the bridge) the
writer says the instruments sounds more lute like - perhaps even more
On 19 October 2011 11:12, Martyn Hodgson [1]hodgsonmar...@yahoo.co.uk
wrote:
. Notice that by
drawing the lute stop (ie a row of jacks closer to the bridge) the
writer says the instruments sounds more lute like - perhaps even
more
evidence for us to play our
Good question, Dennis. Interestingly, as Bach was running out of space,
the last 19 bars of the Allegro movement are written in a more concise
organ tablature. That would be an odd thing to hand to a lute player to
play from!
Hopkinson Smith published (Ut Orpheus Edizioni) an
Hi,
I have uploaded a new lute trio for 3 lutes Unisono.
with nice diminuitions. Sounds very well.
- Gabrieli, Andrea - Vieni Flora gentil --
Enjoy.
Anton
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Hi,
I have uploaded a new lute duett for 2 lutes Unisono.
-Bull - Doctor Bull's my selfe (A Gigge) -
Enjoy.
Anton
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On 10/19/2011 12:38 PM, Rob MacKillop wrote:
Good question, Dennis. Interestingly, as Bach was running out of space,
the last 19 bars of the Allegro movement are written in a more concise
organ tablature. That would be an odd thing to hand to a lute player to
play from!
Hello lutenists and guitarists,
I was searching a lot for a nice edition of Monteverdi s Arianna for
continuo and one voice (the complete thing not only Lasciate mi
morire) as I have one but it s not so perfect. I would apreciate if
anybody can send me a link or a pdf.
Thank
Taco,
--- On Wed, 10/19/11, Taco Walstra wals...@science.uva.nl wrote:
BWV995 is also transposed from g to a but this has more to
do with the baroque lute string range which will fit better
in a when using a 13 course.
In modern times, 995 has been transposed from G minor to A minor (Hoppy
Hold it there, Bill. Lautenwerk appears to have been a perfectly real
instrument. Check out fine recordings of Robert Hill, Geoffrey Thomas (in
this case, Bohm's music, not Bach's), Elizabeth Farr, Kim Heindel, etc. on
such a thing.
In this case, Prelude pour La Luth o Cembal literally
On Oct 19, 2011, at 2:09 AM, William Samson wrote:
I have heard that 'luth o cembal' was perhaps a keyboard instrument
that sounded like a lute - I've even heard it suggested that it was a
harpsichord strung in gut, but I very much doubt the feasibility of
such an instrument - It
Here's my first video with my new Malcolm Prior 13c, of a tombeau by
Robert de Visee - not quite 13c repertoire, but close enough.
YouTube: [1]http://www.youtube.com/watch?v=1BTu2pLsye0
Or the same on the Ning
site: [2]http://lutegroup.ning.com/video/tombeau-de-dubut-by-robert-de-
Lovely piece and really well played. The instrument has a very powerful
bass hasn't it.
Hope to hear some more soon.
Monica
- Original Message -
From: Rob MacKillop robmackil...@gmail.com
To: Lute lute@cs.dartmouth.edu
Sent: Wednesday, October 19, 2011 6:15 PM
Subject: [LUTE]
Dear Ron,
the rhythm in bar 33 of the Dowland piece is not correct - I think.
Cf. bar 41.
Rainer adS
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Nice job, Rob!
ed
At 12:15 PM 10/19/2011, Rob MacKillop wrote:
Here's my first video with my new Malcolm Prior 13c, of a tombeau by
Robert de Visee - not quite 13c repertoire, but close enough.
YouTube: [1]http://www.youtube.com/watch?v=1BTu2pLsye0
Or the same on the Ning
Dear Rainer:
So nice to hear from you. I wrestled with whether I should fix that
measure and decided it works as it stands in the ms. The absence of
tablature letters under the rhythm signs can either be treated in the
normal manner, as rests, or as tied notes after the initial
Thanks, Rob. It's really, really nice to hear such good music played
on such a great instrument by such a musical player. Congratulations.
Ron Donna
Date: Wed, 19 Oct 2011 18:15:26 +0100
To: lute@cs.dartmouth.edu
From: robmackil...@gmail.com
Subject: [LUTE] Robert de
Beautiful! OK- the IMPORTANT lautengeek question: What strings is she wearing?
Also, further praise for that great Blind Boy Fuller piece (Meat Shakin'
Woman) Same touch, same hand position technique, and open D tuning- pairs
perfectly with the de Visee. Even a similar mood/feeling- just the
I have all these recordings of the lute-harpsichord and one thing has
bothered me--the baroque lute has octave strings for the bass and the
lute harpsichord almost never replicates this so it sounds more like a
theorbo. Still fun though. There is even a guy on ebay selling
Yeah, I'll mirror those comments. I enjoyed both too.
On Oct 20, 2011, at 8:01 AM, Daniel Winheld wrote:
Beautiful! OK- the IMPORTANT lautengeek question: What strings is she
wearing? Also, further praise for that great Blind Boy Fuller piece
(Meat Shakin' Woman) Same touch, same
Yes, he has an octave on the third course. He told me so. What a
performance! Dominic is amazing. Too bad YouTube limits it to 11
minutes.
On Oct 20, 2011, at 3:11 AM, Monica Hall wrote:
I think he means a fully re-entrant tuning although I thought I
detected a high
His name is Jason Kortis.
ed
I wanted to give credit to korkoliotis for
encoding Daça fantasies. Can someone give me his real name?
Thanks!
--Sarge
__._,_.___
mailto:sa...@gerbode.net?subject=Re%3A%20Who%20is%20korkoliotisReply
to sender |
Beautiful pieces beautifully played! Thanks!
Arto
On 20/10/11 05:24, Ed Durbrow wrote:
Yeah, I'll mirror those comments. I enjoyed both too.
On Oct 20, 2011, at 8:01 AM, Daniel Winheld wrote:
Beautiful! OK- the IMPORTANT lautengeek question: What strings is she
wearing?
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