Eeeew.
- Original Message -
From: Daniel Winheld dwinh...@comcast.net
Date: Wednesday, January 11, 2012 12:40 am
Subject: [LUTE] Re: tuning fork at 433Hz?
To: EUGENE BRAIG IV brai...@osu.edu
Cc: lute@cs.dartmouth.edu lute@cs.dartmouth.edu
When did they change from gut saws?
On Jan 10
Regarding:
In fact, do any contemporary composers give explicit
instructions for using a particular string type (or even
instrument material :
brass/silver/gold, reed-type, etc) in order to achieve a
particular tonal colour?
I am aware of one at least similar case. In
: Christopher Wilke chriswi...@yahoo.com
Date: Tuesday, January 10, 2012 3:43 pm
Subject: [LUTE] Re: tuning fork at 433Hz?
To: lute@cs.dartmouth.edu lute@cs.dartmouth.edu, EUGENE BRAIG IV
brai...@osu.edu
Eugene,
--- On Tue, 1/10/12, EUGENE BRAIG IV brai...@osu.edu wrote:
In the song cycle
That's the same knot that is more commonly called the blood knot by anglers and
was previously discussed in this very thread. I think it works best when
joining two lines of relatively limp flexibility and similar diameter. I would
think it would be difficult to tie in gut because of the
Your not likely to find many braids on local-shop shelves clocking 0.6 - 0.8
mm. In typical braids/fusion lines, even 0.4 mm diameters will exceed a
breakage rating of 100-lb/45-kg test. As you might expect, to get to a
diameter of 0.8 mm, you're handily exceeding double that rating. Modern
I'm not familiar with the shell not outside of neck ties. Is this the knot
you'd intended, Alexander? If not, can you refer me to a diagram?
The nail knot to which I'd referred really has a low profile for line to line,
and a bit of burned-end gut would be perfectly suited to it. Have you
Not for knot. Your for you're. Occasion for occasional. I'm
really striking out this sleepy morning. I hope the lute diction police aren't
watching.
Eugene
- Original Message -
From: EUGENE BRAIG IV brai...@osu.edu
Date: Monday, January 2, 2012 10:53 am
Subject: [LUTE] Re
-stretchy pegbox leaders.
To: EUGENE BRAIG IV brai...@osu.edu
Cc: lute@cs.dartmouth.edu
I hope i can post the link Separating the first h in
http for a spam assassins. The shell knot:
h ttp://www.youtube.com/watch?v=0zW6UIGTzGw
Very much depends on the leader material, actually, how slippery
Greetings Herbert and list:
I tie knots, try to catch fish, and pluck gut. Personally, I don't think a
leader would be worth the effort. To be useful, the leader would need to
nearly fill the space from peg to nut. You couldn't keep any reserve of string
wrapped on or coiled beyond peg to
Still, I'm guessing the lutenist was seated right at the horn with
the other performers arrayed behind. The pluck that sounds to be
fretted usually dominates, leaving the voice that seems to be harp
comfortably in the background. The harp often seems to serve only as
ambient
I'm sorry, but I have to admit that the slang implications of the guitar-lute
hybrid instrument's name brought a juvenile chuckle to my lips.
Eugene
- Original Message -
From: Bruno Fournier br...@estavel.org
Date: Sunday, December 4, 2011 9:44 pm
Subject: [LUTE] who is this guy?
To:
Here's a reasonably priced up-and-comer and occasional on this list of whom I
am fond:
http://www.neallutes.com/p/baroque-lutes.html
Chad has done a great deal of repair work for me (including a total rebuild of
an odd East German vihuela) and is contracted to build a new Neapolitan
mandolin
Congrats! I'm looking forward to putting a copy on my shelves.
Eugene
- Original Message -
From: Daniel Shoskes kidneykut...@gmail.com
Date: Friday, July 22, 2011 6:38 pm
Subject: [LUTE] New lute CD Lautenschmaus
To: lute lute@cs.dartmouth.edu
Dear Friends: I am excited to announce
All I can say about T-fret wire is it is relatively old, but for some
reason, it took some time to catch on with some conservative makers.
Martin in the US (founded in 1833, for those unfamiliar), e.g.,
continued to stubbornly use bar-fret wire well into the 20th c. on all
their
Also at the forefront of reuniting baroque repertoire for mandolin[o] with the
instrument for which it was intended. Still one of the very few to have
recorded gut-strung mandolino in fingerstyle punteado. Missed indeed...
Eugene
- Original Message -
From: Bruno Fournier
nylguts and
go fishing!
:-)
Laura
2010/6/10 EUGENE BRAIG IV [1]brai...@osu.edu
- Original Message -
From: Paul Kieffer
[2]paul.nicholas.kief...@gmail.com
Date: Wednesday, June 9, 2010 10:44 pm
Subject: [LUTE] Re: Carbon strings
Be careful to be just a little more specific on this subject. The generic
description of fishing line is not sufficient to arrive at appropriate
instrument strings. I can't find enough detail to determine the material
you're using, Paul, but I would guess it's nylon from your descriptions of
They are available in modern notation from the mandolin publisher
Trekel:
https://www.trekel.de/cgi-bin/shop/front/shop_main.cgi?func=detwkid=56
630133836085815rub1=Noten%20-%20Sheet%20musicrub2=Noten%20Zupfinstrum
. Without evidence to the
contrary, I suppose anything is possible.
Best,
Eugene
- Original Message -
From: Stuart Walsh s.wa...@ntlworld.com
Date: Tuesday, June 1, 2010 1:14 pm
Subject: [LUTE] Re: baroque mandolins etc---not forgetting the French mandore
To: EUGENE BRAIG IV brai...@osu.edu
Cc
).
Alexander
On 01/06/2010 18:11, Stuart Walsh wrote:
EUGENE BRAIG IV wrote:
Indeed, but the late renaissance mandore
was distinct from Italian
mandolino.
Not that distinct Eugene. Late Renaissance = Early
Baroque? The Ulm
MS (which I would really like to get hold
@cs.dartmouth.edu, EUGENE BRAIG IV
brai...@osu.edu, davide.rebuffa davide.rebu...@fastwebnet.it
Thank you for this.
My original enquiry was not so much about
conducting a survey of what
tensions modern manolino preffered but rather to
cooment on Timmerman's
the
French mandore
To: Martyn Hodgson hodgsonmar...@yahoo.co.uk
Cc: Lute List lute@cs.dartmouth.edu, EUGENE BRAIG IV
brai...@osu.edu
Martyn Hodgson wrote:
Very good point about uniformity of trebles.
Did mandolinos never have
single trebles
: Martyn Hodgson hodgsonmar...@yahoo.co.uk
Date: Sunday, May 30, 2010 4:09 am
Subject: [LUTE] Re: baroque mandolins etc--- tensions and kgs?
To: Lute List lute@cs.dartmouth.edu, EUGENE BRAIG IV
brai...@osu.edu
Dear Eugene,
There is really is no difficulty here. The heart
- Original Message -
From: Stuart Walsh s.wa...@ntlworld.com
Date: Sunday, May 30, 2010 7:08 am
Subject: [LUTE] Re: baroque mandolins etc--- tensions and kgs?
To: Martyn Hodgson hodgsonmar...@yahoo.co.uk
Cc: Lute List lute@cs.dartmouth.edu, EUGENE BRAIG IV brai...@osu.edu
No it's
Of course, I'd meant ...a better ability to cut above accompanying
instruments with mandolino.
Best,
Eugene
- Original Message -
From: EUGENE BRAIG IV brai...@osu.edu
Date: Sunday, May 30, 2010 8:45 am
Subject: [LUTE] Re: baroque mandolins etc--- tensions and kgs?
To: Lute List lute
List lute@cs.dartmouth.edu, EUGENE BRAIG IV brai...@osu.edu
Dear Stuart, The answer is 3.5KG for this spec. Whether it's high or low
tension is moot. I think it's fairly high for such a relatively small
instrument: on a lute-like comparison I'd expect something closer to 2Kg But
most
I don't know why tension should have much to do with punteado vs.
plectrum. I also certainly would not consider approx. 3.0-4.0 kg per
string (as I use on my mandolino) high tension. Guitars are often
much higher, modern classical or even 19th c. It's not even far from
what some
I went digging around the web for a larger image; found this:
http://www.bestpriceart.com/vault/cgfa_devis1.jpg
Soundbox is portrayed a little on the large side, but this appears to
be a classic, late 18th-c. Neapolitan mandolin. You can also see the
case on the bench behind the
PS: Mid 18th-c. is right about right for extant instruments to begin
appearing in decent numbers. The first wave of mandolin popularity
(and almost all the first method books beginning in the 1760s) happened
in Paris. Without knowing anything about the family's history, I
suspect
I agree with Davide. I'm just aware of no baroque-era iconography that
implies plectra/quills on 4th-tuned, gut strung mandolins. If it were
common in the pit for obligati parts, I would think plectrum use would
be at least occasionally evident in the sketchy iconography.
I also
I quite like the Homolya Benko edition...and Bakfark music is hard...and too
seldom recorded.
Eugene
- Original Message -
From: Andreas Schlegel lute.cor...@sunrise.ch
Date: Sunday, March 7, 2010 10:09 am
Subject: [LUTE] Re: Bakfark's fantasias
To: Reinier de Valk reinierdev...@home.nl
Marquetry trim is pretty common to plucked instruments of the 21st century...at
least pretty much any one that isn't a lute.
The pegbox arrangement is quite odd. It looks almost like a renaissance
mandore found itself grafted onto a renaissance lute.
Eugene
- Original Message -
From:
Speak for yourself! (Sadly, just kidding.)
Eugene
- Original Message -
From: chriswi...@yahoo.com
Date: Friday, February 12, 2010 8:49 am
Subject: [LUTE] Re: Robert Spencer Collection
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Lutelist lute@cs.dartmouth.edu
Fortunately for the soul,
I haven't read Isacoff so cannot comment directly. From knowing Isacoff only
via your brief citation, Leonard, there is a point to be made in the
straight-frets argument that seems to have been missed. Setting unsegmented
frets on any lute-like instrument into any non-equal temperament scheme
Way off. Oh well...
Eugene
- Original Message -
From: Rob MacKillop luteplay...@googlemail.com
Date: Friday, July 17, 2009 6:58 pm
Subject: [LUTE] Re: Ukulele and Renaissance Guitar
To: Eugene C. Braig IV brai...@osu.edu
Cc: Lute List lute@cs.dartmouth.edu
I received the following directly regarding a conference to which I contributed
little more than reference to a lengthy 18th-c. set of variations for mandolin.
Does anybody have text for this melody? Please reply directly to
Fabrice HOLVOET m...@holvoet.org.
Hello,
I read on
What would a sewer pipe be doing in a tuxedo!?
Facetiously,
Eugene
- Original Message -
From: chriswi...@yahoo.com
Date: Saturday, March 21, 2009 12:26 pm
Subject: [LUTE] Re: frequent re-fretting, a must... was nylon frets
To: List LUTELIST lute@cs.dartmouth.edu, ml
I have to preface my remarks with the fact that I am not a luthier and
do not execute any but the most trivial repair work myself. However, I
own several original 19th-c. instruments that are old, assembled with
glue and timbers that are now old, and thus are in somewhat frequent
All kinds, including g-to-g'' mandolino/mandola?
Eugene
- Original Message -
From: Ed Durbrow edurb...@sea.plala.or.jp
Date: Sunday, February 22, 2009 3:27 am
Subject: [LUTE] Re: Staff notation software - views?
To: hodgsonmar...@yahoo.co.uk, LuteNet list
..And, as far as I know, the person named as a maker has never built
instruments, but instead makes inset guitar/vihuela/mandolin roses for hire.
Eugene
- Original Message -
From: Wayne Cripps w...@cs.dartmouth.edu
Date: Wednesday, February 18, 2009 5:18 pm
Subject: [LUTE] Re: possible
I think amongst those who use notation software with somewhat professional
intent, some manner of keystroke entry is key and certainly key to efficiency.
Point and click entry is too slow and too toy-like.
Eugene
- Original Message -
From: alexander voka...@verizon.net
Date: Saturday,
- Original Message -
From: Stuart Walsh s.wa...@ntlworld.com
Date: Monday, December 29, 2008 6:52 pm
Subject: [LUTE] Holborne's New Year's Gift
To: Lute Net lute@cs.dartmouth.edu
I haven't looked at this in years...It's a tricky one, I think -
and I can't find a version of it played
- Original Message -
From: Arthur Ness [EMAIL PROTECTED]
Date: Sunday, September 28, 2008 3:27 pm
Subject: [LUTE] Re: Respighi
To: [EMAIL PROTECTED], Paul Pleijsier [EMAIL PROTECTED]
Cc: Lute Net lute@cs.dartmouth.edu
Please don't misunderstand me...
No one has questioned the
- Original Message -
From: Joshua Horn [EMAIL PROTECTED]
Date: Tuesday, September 23, 2008 8:00 am
Subject: [LUTE] Re: Lineage of early Guitars
To: lute@cs.dartmouth.edu
There's got to be some relation between my
Classical Guitar and Lutes
and such. Because with the right tuning, I get
Greetings Arthur et al.
I very sincerely intended no disrespect in referring to the existence of the
original as a rumor. I have read these accounts before. I do not know the
lutenist referenced nor the owner of the manuscript. I am also a biologist who
deals with wild things. Eyewitness
Vol=2E3 also has suite no=2E9=2E=26nbsp=3B The first 11 vols=2E were
rel= eased on the Canadian label SNE=2C but vol=2E12 was released
independent= ly (that last vol=2E=2C all reconstructed flute-lute
duos)=2E=26nbsp=3B = A couple-few years ago=2C Michel was negotiating
to have the
Sorry=2E=26nbsp=3B I don=27t know why that sometimes happens to my
messa= ges when replying via
webmail=2E=3CBR=3E=26nbsp=3B=3CBR=3EEugene=3CBR=3E= =3CBR=3E-
Original Message -=3CBR=3EFrom=3A EUGENE BRAIG IV =26l=
t=3Bbraig=2E1=40osu=2Eedu=26gt=3B=3CBR=3EDate=3A Wednesday=2C
- Original Message -
From: howard posner [EMAIL PROTECTED]
Date: Saturday, June 7, 2008 8:39 pm
Subject: [LUTE] Re: medieval plectrum, how to make?
To: lute-cs.dartmouth.edu lute@cs.dartmouth.edu
On Jun 6, 2008, at 5:37 AM, Eugene C. Braig IV wrote:
My
- Original Message -=3CBR=3EFrom=3A howard posner
=26lt=3Bhoward= posner=40ca=2Err=2Ecom=26gt=3B=3CBR=3EDate=3A
Thursday=2C June 5=2C 2008= 7=3A39 pm=3CBR=3ESubject=3A =5BLUTE=5D
Re=3A Double headed 12c/loaded/=26= nbsp=3B Demi-fil=E9=3CBR=3ETo=3A
Lute List
- Original Message -=3CBR=3EFrom=3A Rob MacKillop
=26lt=3Blutepl= ayer1=40googlemail=2Ecom=26gt=3B=3CBR=3EDate=3A
Saturday=2C May 3=2C 200= 8 4=3A52 am=3CBR=3ESubject=3A =5BVIHUELA=5D
machete=3CBR=3ETo=3A Vihuela=
- Original Message -
From: David Rastall [EMAIL PROTECTED]
Date: Monday, December 17, 2007 11:22 pm
Subject: [LUTE] Lauffensteiner
Dear Wisdom,
I've been looking for an edition of the works of Wolff Jacob
Lauffensteiner, but without success. I know an edition exists out
there
- Original Message -
From: David Tayler [EMAIL PROTECTED]
Date: Tuesday, November 13, 2007 0:08 am
Subject: [LUTE] Re: Vivaldi
Also works nice on 6 course mandolin, and archlute
in mandolin tuning. On mandolin you have not the
parallel octaves, and the modulating parts are
easier
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
Date: Tuesday, November 13, 2007 12:49 pm
Subject: [LUTE] Re: Vivaldi
heard over an orchestra (you can't play as hard)
And that is the overriding consideration.
..And whatever Vivaldi had in mind when naming leuto is still
Though people debate this issue, liuto in
Scarlatti Vivaldi land generally meant mandolin...
I think that Vivaldi actually designated mandolino in several instances
argues to the contrary. Again, O'Dette took that stance originally, but
recanted.
Eugene
To get on or off this list
My university's spam filter seems to be a little overzealous at the moment. I
don't seem to be picking up all of this discussion.
In addition to only archlute and mandolin, I think the few-course, lute-like
thing called mandora in some places at some times is worthy of consideration
for
- Original Message -
From: Eric Liefeld [EMAIL PROTECTED]
Date: Wednesday, November 14, 2007 5:56 pm
Subject: Re: [LUTE] Re: Vivaldi
Hi Eugene,
Much earlier than Presbler, et al, I'm very much taken by the six-
course 1652
Matteo Sellas instrument in Paris (D.E.CI 7688). The
- Original Message -
From: gary digman [EMAIL PROTECTED]
Date: Tuesday, October 9, 2007 5:18 am
Subject: [LUTE] Re: Amps or no amps
So, c'mon youse guys (and gals). If you're going to play to large
audiences, have mercy on the poor lute players in the back and mic
the darn thing.
- Original Message -
From: G. Crona [EMAIL PROTECTED]
Date: Sunday, October 7, 2007 12:26 pm
Subject: [LUTE] Amps or no amps
The recent discussion of silent Hoppy (although I've never had
the live
pleasure, I've had the great one of hearing him in loud duets
with
PO'D. Sting was
- Original Message -
From: Stewart McCoy [EMAIL PROTECTED]
Date: Tuesday, September 25, 2007 4:04 pm
Subject: [LUTE] Lute concert
On the subject of Tony Rooley's performance, I would say that any
lute in a hall big enough to hold over 800 people, is going to be
difficult to hear,
- Original Message -
From: Edward Martin [EMAIL PROTECTED]
Date: Monday, September 3, 2007 0:16 am
Subject: [LUTE] Re: Harptone
I am in favor of the Kinham case. Yes, they are expensive, but of
high
quality./ Harptone cases are not really form fitted, so they are
somewhat
- Original Message -
From: Wayne Cripps [EMAIL PROTECTED]
Date: Monday, July 30, 2007 5:51 pm
Subject: [LUTE] Mason Williams - no attachments
It seems that there is a block on attaching files, either that
or my
computer is having 'one of those days'.
There is indeed a block
- Original Message -
From: hera caius [EMAIL PROTECTED]
Date: Sunday, July 29, 2007 5:19 pm
Subject: [LUTE] explain some things
I'm very sorry to say this but I think that sometimes people are
getting a little frustrated here. OK by me. Good luck! I think
music is something for the
- Original Message -
From: Howard Posner [EMAIL PROTECTED]
Date: Wednesday, July 25, 2007 0:16 am
Subject: [LUTE] Re: More mandora/mandola
EUGENE BRAIG IV wrote:
The effort to directly parallel fixed-bridge mandolins is obvious
Do you mean to say bridge rather than fret? Are we
- Original Message -
From: David Tayler [EMAIL PROTECTED]
Date: Tuesday, July 17, 2007 1:46 am
Subject: [LUTE] Re: Nigel on YouTube
I think it is interesting that when we actually hear someone
playing historically, we wonder if it is.
Of course, no matter how scholarly the effort,
- Original Message -
From: bill kilpatrick [EMAIL PROTECTED]
Date: Monday, July 9, 2007 7:06 pm
Subject: [LUTE] Re: richard III and the charango
late at night ... the sandman is insistent ... but the
short answer to your question is:
.. not a lot - they're all (i maintain) in the
- Original Message -
From: David Tayler [EMAIL PROTECTED]
Date: Monday, July 9, 2007 7:48 pm
Subject: [LUTE] Re: richard III and the charango
Many organologists classify the charango as a
lute; I think it would be difficult to trace the precise
line of development. I also think that
- Original Message -
From: [EMAIL PROTECTED]
Date: Wednesday, July 4, 2007 10:42 am
Subject: [LUTE] Re: Mics arrived
Yes, and on Hoppy's Vieux Gaultier CD, you can
hear breathing, buzzes, cracked notes, and even a
storm outside. I think there's a recording by Diego
Cantalupi where
- Original Message -
From: gary digman [EMAIL PROTECTED]
Date: Wednesday, June 20, 2007 3:35 am
Subject: [LUTE] Re: vihuela's black swan
- Original Message -
From: Eugene C. Braig IV [EMAIL PROTECTED]
To: bill kilpatrick [EMAIL PROTECTED];
[EMAIL PROTECTED]
Sent: Tuesday,
- Original Message -
From: David Van Edwards [EMAIL PROTECTED]
Date: Wednesday, June 20, 2007 3:19 am
Subject: Re: [LUTE] Re: Carbon strings
I wasn't trawling with a fishing line, I was using the net to
gather stuff from the underwater world!
Very nice! Sounds like a day on the job
- Original Message -
From: [EMAIL PROTECTED]
Date: Saturday, June 2, 2007 3:40 pm
Subject: [LUTE] Re: the bandore
You can hear replica instruments on some of the music recorded by the
Baltimore Consort.
Not to mention some other broken consort recordings. There's even a nice solo
- Original Message -
From: [EMAIL PROTECTED]
Date: Wednesday, May 2, 2007 5:25 pm
Subject: [LUTE] Re: Another beginner's question
What does every
single beginner need to be reminded of? Don't plant
your pinky on the front of the guitar. I've said
this _thousands_of_times_ in lessons
- Original Message -
From: David Rastall [EMAIL PROTECTED]
Date: Wednesday, May 2, 2007 7:00 pm
Subject: [LUTE] Re: Another beginner's question
On May 2, 2007, at 5:29 PM, [EMAIL PROTECTED] wrote:
Museum instruments may have been cleaned and/or refinished to
make
them
- Original Message -
From: Joseph Mayes [EMAIL PROTECTED]
Date: Tuesday, May 1, 2007 12:04 pm
Subject: [LUTE] Re: Another beginner's question
2. ...bend your wrist too much like playing the classical guitar I have
heard, and continue to hear this stated - it ain't so! Classical
- Original Message -
From: Howard Posner [EMAIL PROTECTED]
Date: Tuesday, May 1, 2007 1:54 pm
Subject: [LUTE] Re: Another beginner's question
On Tuesday, May 1, 2007, at 09:04 America/Los_Angeles, Joseph
Mayes
wrote:
2. ...bend your wrist too much like playing the classical
- Original Message -
From: EUGENE BRAIG IV [EMAIL PROTECTED]
Date: Tuesday, May 1, 2007 2:45 pm
Subject: [LUTE] Re: Another beginner's question
- Original Message -
From: Howard Posner [EMAIL PROTECTED]
Date: Tuesday, May 1, 2007 1:54 pm
Subject: [LUTE] Re: Another beginner's
- Original Message -
From: Howard Posner [EMAIL PROTECTED]
Date: Tuesday, May 1, 2007 3:08 pm
Subject: [LUTE] Re: Another beginner's question
The operative phrase in Joseph's statement was Classical
guitarists
do not - repeat do not - bend their wrists.
Ah... I should have
- Original Message -
From: Howard Posner [EMAIL PROTECTED]
Date: Tuesday, May 1, 2007 3:32 pm
Subject: [LUTE] Re: Another beginner's question
On Tuesday, May 1, 2007, at 12:26 America/Los_Angeles, EUGENE
BRAIG IV
wrote:
Even if rather small, I'd wager the fingers
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
Date: Sunday, April 1, 2007 10:46 am
Subject: [LUTE] Re: Stung Again
Painful it may be to some. But Sting has real Presence, and we
should be
grateful he used it on Dowland. i.e SOMEONE ELSE'S MATERIAL. The
album is a
- Original Message -
From: Lex Eisenhardt [EMAIL PROTECTED]
Date: Saturday, March 17, 2007 4:41 pm
Subject: [LUTE] Re: [Viols] cello - Italian
This is Millioni's way to say that we can play from alfabeto on
the chitarra
Italiana by omitting all that is on the fifth string. So this
I saw a news segment on Egyptian oudist (is that a word?) Simon Shaheen
collaborating with an Isreali violinist (I think it was Shlomo Mintz, but don't
recall). I wish there was more of that in the popular news media. Kudos to
your efforts, Doc.
Eugene
- Original Message -
From: Doc
. You had your chance. And he played All the Things
You Are.
Gary
- Original Message -
From: bill kilpatrick [EMAIL PROTECTED]
To: Lutelist lute@cs.dartmouth.edu
Cc: EUGENE BRAIG IV [EMAIL PROTECTED]
Sent: Saturday, January 20, 2007 9:36 AM
Subject: [LUTE] Re: For ambitious
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
Date: Saturday, January 20, 2007 8:54 am
Subject: [LUTE] For ambitious lutenists - iTunes
This came up on the Delian listserv:
From: nnamelet [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; [EMAIL PROTECTED]
I'm not sure my
I looked around the Alice Musik site a bit. If you enter their frames page
from the home page http://www.alice-musik.se/ and click Shop, you appear
to be able to buy directly from the label.
Eugene
- Original Message -
From: Werner Bogula [EMAIL PROTECTED]
Date: Saturday, January 6,
- Original Message -
From: gary digman [EMAIL PROTECTED]
Date: Friday, November 24, 2006 4:51 am
Subject: [LUTE] Re: Sting!
Wasn't the illustrious Paul O'Dette a rock guitarist before taking
up the lute?
..as well as McFarlane.
Eugene
To get on or off this list see list
..And the state of knowing how to play isn't necessarily a simple yes or no.
It's a continuum, and any musician worth anything continues learning as his/her
career progresses. So, should we only buy the one most technically perfect
lute performance currently committed to CD as the only one
- Original Message -
From: Narada [EMAIL PROTECTED]
Date: Friday, November 24, 2006 10:05 am
Subject: RE: [LUTE] Re: Sting!
Mmmm,
Without digging my Focus CD's out...Elspeth of Nottingham is a
track on
which the lute appears...
My exact reference.
To get on or off this list see
- Original Message -
From: Bruno Fournier [EMAIL PROTECTED]
Date: Thursday, November 23, 2006 3:54 pm
Subject: [LUTE] Re: Sting!
So on top of that, Sting cannot even ENUNCIATE in his own
language.
as for the awakening the sleeping interest we can all gain for, I am
confident the
Jheesh! No, I personally am not too fond of Labyrinth and am not defending it
(although I'm also not criticizing it), but isn't this continued vitriol over
the doings of an admitted pop musician a bit much? Regarding these words of
wisdom, frankly, these sound to be quite reasonable
- Original Message -
From: Michal Gondko [EMAIL PROTECTED]
Date: Thursday, November 2, 2006 6:37 pm
Subject: [LUTE] Re: ISO early guitar
Finally, can anyone recommend a site as reputable
as Wayne's Lute Page for buying one of these things?
- Original Message -
From: Stuart Walsh [EMAIL PROTECTED]
Date: Thursday, November 2, 2006 5:18 pm
Subject: [LUTE] Re: ISO early guitar
Try this:
http://www.earlyromanticguitar.com/
Lots of information here.
Len's site is a visual treat and a nicely catalogued source of info.
- Original Message -
From: [EMAIL PROTECTED]
Date: Thursday, October 26, 2006 11:25 am
Subject: [LUTE] Re: Blackmore, was : A normal voyce ?
In einer eMail vom 26.10.2006 17:20:18 Westeurop=E4ische
Normalzeit schreibt
[EMAIL PROTECTED]:
I never knew Rockettes also played
- Original Message -
From: Ed Durbrow [EMAIL PROTECTED]
Date: Tuesday, October 24, 2006 3:14 am
Subject: [LUTE] Re: A normal voyce ?
On Oct 24, 2006, at 5:55 AM, [EMAIL PROTECTED] wrote:
the URL was wrong it should have been
http://www.myspace.com/suzannesear
Got it.
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
Date: Tuesday, October 24, 2006 7:54 pm
Subject: [LUTE] Blackmore, was : A normal voyce ?
A colleague on a this week's film job, a propmaster, who formerly
was the
leadguitarist with a VERY IMPORTANT RR band (unnamed for
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
Date: Tuesday, October 24, 2006 8:17 pm
Subject: [LUTE] Re: Blackmore, was : A normal voyce ?
A colleague on a this week's film job, a propmaster, who
formerly
was the
leadguitarist with a VERY IMPORTANT RR band
- Original Message -
From: gary digman [EMAIL PROTECTED]
Date: Thursday, October 19, 2006 3:22 am
Subject: [LUTE] Re: Sting and his CD
Thus it would then be incorrect to refer to Dowland as the first
singer/songwriter in the way we've come to understand the term
singer/songwriter, i.e.
To this list and those whom others have named, I'd add Federico Marincola and
(perhaps a bit reluctantly) Anthony Rooley. I also appreciated the
supplemental nod to Julian Bream.
Of course, as implied by my parenthetical comment, great is a matter of
opinion. It seems to me that you're
- Original Message -
From: gary digman [EMAIL PROTECTED]
Date: Thursday, October 19, 2006 3:22 am
Subject: [LUTE] Re: Sting and his CD
Thus it would then be incorrect to refer to Dowland as the first
singer/songwriter in the way we've come to understand the term
singer/songwriter, i.e.
- Original Message -
From: Andreas Schlegel [EMAIL PROTECTED]
Date: Thursday, October 19, 2006 9:17 am
Subject: [LUTE] list of great performer
Dear all
Thanks a lot for all names. Some points:
- I like to take only the modern players (without our fathers
Bream, Ragonssnig,
- Original Message -
From: bill kilpatrick [EMAIL PROTECTED]
Date: Tuesday, October 17, 2006 9:00 am
Subject: [LUTE] sting gossip
Could you imagine Paul O'Dette
accompanying another star, AND staying in the
background?
..As in Hargis O'Dette?
Eugene
To get on or off this list
- Original Message -
From: [EMAIL PROTECTED]
Date: Sunday, October 15, 2006 3:53 am
Subject: [LUTE] Re: Is there a non-spruce topwood in your past/present/future
lute?
In the US Engleman spruce, Picea engelmanii, is
often used.
Regards,
Craig
Indeed.
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