>and that the majority of them were owned by armatures
They were truly nucular! ;)
Like this piece: "Aria del gran Duca", found both in Besard 1603 and this
version (E.M.)
***
-t
-f
{Praeludium}
b
2fda a
3d
xc
xa
x d
x c
x a
x d
x b
x a
x c
x a
x b
x d
x b
b
x a
x b
x d
x a
x b
x
I can vouch for Milan / Spanish tab to be really easy to be able to hear
unplayingly!
G. R.
- Opprinnelig melding -
Fra: <[EMAIL PROTECTED]>
Til: <[EMAIL PROTECTED]>
Sendt: 14. september 2004 14:02
Emne: Perhaps of interest
|
| Dear all,
|
| I once more wondered about tablature, and thi
This very fine duet music has been made available on NAXOS 8.553745, which
also includes duet music by Corbetta for guitar.
- Opprinnelig melding -
Fra: "Stewart McCoy" <[EMAIL PROTECTED]>
Til: "Lute Net" <[EMAIL PROTECTED]>
Sendt: 17. september 2004 21:03
Emne: Theorbe/Visee
|
| -
Fra: "Antonio Corona" <[EMAIL PROTECTED]>
A rough definition of the vihuela could run in these
terms: a "guitar-shaped" (a polemic description, I'm
aware, but also a practical one) instrument used in
15th- and 16th century Spain and areas of Spanish
influence, strung with 5 or 6 courses of string
Yeah, me too ...
- Opprinnelig melding -
Fra: "Arto Wikla" <[EMAIL PROTECTED]>
Til: <[EMAIL PROTECTED]>
Sendt: 13. oktober 2004 08:27
Emne: Re: so quiet around here it's spooky
|
| Dear Ed
|
| > Why isn't anyone posting to the lute net recently? What, are you all
| > practicing?
|
|
Dear Ron,
Many txs for your hilarious recipe. I tried it out with a twist though,
using Vodka instead of whisky, (better for your liver, although still, one
of the most destructive drugs you can use), and chicken instead of turkey.
But something must have gone terribly wrong, 'cause I found myself
Hi Everybody, and New Year's Greetings to all.
I coincidentally just came to listen to to the 2:nd movement of some Dvorcak
symphony which went:
1 2
- -
| |
1.2 0 1.2 01.2 1.2 |1 1.2 |
Hola Manolo,
you'll also find the fac. in Diana Poulton's excellent Renaissance Lute Tutor.
If you can wait 'til next month, I could make you a tab, but I'm sure someone
will mail it to you before then.
Great piece, goes well together with "Tant que vivrai" in the same tutor.
I believe Alain h
Hi Allan,
a quick "delight" search gave the following:
Bacheler's Delight [Bacheler]
Delight Pavan [Johnson]
Delight Galliard [Johnson]
Griffe's Delight [Robinson]
Mathew's Delight [Mathew]
Mistress Norrish's Delight [Dowland]
Mrs Elisabeth Murcott's Delight [Pilkington]
My Lady Mildmay's Delight
I've always been a heretic in lute-matters, but am quite happy playing Weiss
on a guitar tuned to D-minor while octavating the basses. Perfectly viable.
Also, the 11 string guitar is by no means a new invention. The swedish
guitarbuilder Bolin was making his "Altguitars" already in the 60's. Lis
Of Course,
but you can't deny the availability of accessing Weiss in an easy way, my way ;)
On Apr 7, 2005 7:38 PM, Thomas Schall <[EMAIL PROTECTED]> wrote:
> exactly my point! Thanks for that, Alain!
>
> Thomas
>
> Am Donnerstag, 7. April 2005 19:30 schrieb Alain Veylit:
> > I have two remark
>Two: lute music relies mostly on first positions, whereas the guitar
>not only allows for high position fingerings but often sounds best in
>the higher positions.
Does lute music mostly rely on first positions??
Come on
To get on or off this list see list information at
http://www.cs.dartmout
I would say, probably FdM. It's not in Galilei's style, and many of
FdM's traits are there. And GOOD music too.
On Apr 11, 2005 1:23 PM, Wolfgang Wiehe <[EMAIL PROTECTED]> wrote:
> hello all,
> the six recercars in galileis 1563 print (ness 68 to ness 73) are unica
> and seems to me a little b
Hi,
does anyone know of links to lute related podcasting?
G.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
and this one does'nt qualify
http://wired-dude.blogspot.com/2005/03/lisa-david-show.html
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
16/05, Ron Fletcher <[EMAIL PROTECTED]> wrote:
> Sorry, not yet on Broadbean...
>
> -Original Message-
> From: G.R. Crona [mailto:[EMAIL PROTECTED]
> Sent: 16 April 2005 08:56
> To: lute@cs.dartmouth.edu
> Subject: Lute related podcasting
>
> Hi,
>
> doe
Yeah, Chris, please do! Would be very sought after and much appreciated.
Best Regs
G.
On 4/16/05, Christopher Schaub <[EMAIL PROTECTED]> wrote:
> Does anyone know of jazz standards arranged for ren or baroque lute? I looked
> in the tab archives and couldn't find much. The holiday tabs in the LS
No, no, you're getting it all wrong.
I never said you should not pay for downloading magnatune music.
What I'm saying, or rather asking, is:
"Is there any podcasting out there on lute related matters? If not, I
believe there should be."
The whole idea about podcasting is to upload "home-made" s
On 4/17/05, G.R. Crona <[EMAIL PROTECTED]> wrote:
> No, no, you're getting it all wrong.
>
> I never said you should not pay for downloading magnatune music.
>
> What I'm saying, or rather asking, is:
>
> "Is there any podcasting out there on lute
Very nice Arne, did you compose them yourself? Not strictly podcasting
though in my understanding of the word. It's quite a new format, but I
see a great potential here for all of us interested in the Lute. Just
thought someone had been a poineer already, but I was wrong.
All the best!
Göran
On
David,
I see podcasting more as a way to replicate "home-made" radio programs
on the net. That means taking up lute issues like in a radio program,
f. ex. incorporating music, but not necesarily. Like discussing tuning
issues with sound examples, comparing versions of pieces, analyzing
lute matter
Hi Gabor,
this is really amazing. What a beautiful monster! And what a threat to
all lutenists. Now any keyboard player can play the canon, no matter
how difficult virtuosicly. And incorporate all harpsicord music as
well. This might be something of a revolution when it comes to lute
music.
Best
But on closer scrutiny, not such a threat after all, as the sound was
not "lutenistic" at all, it sounded almost like any other harpsichord.
But it looks fantastic.
G.
On 4/18/05, Domjan Gabor <[EMAIL PROTECTED]> wrote:
> Dear all,
>
> A couple of years ago some members of the list helped me whe
Hi Nancy,
interesting website! As i don't have ADSL broadband I couldn't get it
to work though. Some of us are unfortunately still battling in a
stone-age environment...
Best Regards
Goeran
On 4/19/05, Nancy Carlin <[EMAIL PROTECTED]> wrote:
> I listen to a number of the "radio" stations on
> w
On 4/27/05, Martin Shepherd <[EMAIL PROTECTED]> wrote:
> Dear Ed and All,
>
> I wouldn't describe the 9c lute as "something of an oddity"! There's
> probably more music for 9c than for 10c, and it was obviously very much
> in evidence in England. Just to name a few sources: Francisque (1600),
>
On 4/28/05, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
> My first tutor was Giesbert's book (only the very first starting exercices)
> and then Satoh's book which is usefull if you already have played the
> renaissance lute. If one should start lute playing with the baroque lute
> Giesbert is sti
Grüssdich Mathias!
No, you're right about the un-HIP part. We know more today, 66 yrs after G.
It's still a nice work, both of art and otherwise. And the Bach suite
is the same one as the easiest one of the guitar transcriptions, as it
becomes a-minor for guitar, so many are familiar with it.
Al
On 4/30/05, "Mathias Rösel" <[EMAIL PROTECTED]> wrote:
>No mention of runs with thumb-index which are so common in Gaultier and
>Gallot and Mouton, and still occur in Reusner.
Did you look on page 71 Daumenschlag 3: Wechselschlag zwischen Daumen
und Zeigefinger?
Also a few bars in Gavotte page 7
Hi Arto,
you are one of the (if not the) oldest contributors to this list, and
have been with it from the beginning. I'm sure that many of your
contributions have been insightful and worthwile for many lutenetters.
Perhaps it even gives you some kind of "special rights", to do what
you do every on
Dear Ariel,
if you read my mail carefully, you will notice, that I nowhere in it
say that these are my own views about the USA.
I specifically abstained from having any "personal" views. Thought
that this came across...
On 5/6/05, ariel abramovich <[EMAIL PROTECTED]> wrote:
>
> Dear G=F6ran,
>
to say to you that i
> come from the united states, would you automatically
> start to evaluate me according to your list of
> american ills (as listed in your previous contribution
> below) as we speak or would you even see me at all?
>
> - bill
>
> "G.R. Crona"
Follow up question:
Does anyone have this article by Beier readily available?
B.R.
G.
On 5/8/05, Nancy Carlin <[EMAIL PROTECTED]> wrote:
> Here is a note from Paul Beier about his divisions.
> Nancy Carlin
>
> Thanks for this interesting message. The extra divisions in the Galilei
> recording c
Talking about "threads" or "Verbindungen", they seem to be all over
the place. And the "style brise", or broken style, (one of the lutes
many fine techniques, found already in a Marco fantasia (#?), became
the rage (in France/England) from the beginning of the 17th century,
starting with Francisqu
Gary Bryan wrote:
>In other words, the archives for this list are not closed and
>are searchable by Google and other search engines.
Correct me if I'm wrong, but I believe that what is searchable by
Google are the messages posted in
http://www.mail-archive.com/lute@cs.dartmouth.edu/ , which Wayne
There are lots of examples, as Kenneth says.
Phalese has 4 (!) in his Livre III 1547 publication, (the one edited
by Teghi) "Descendat bassus uno tono (maior neruus)"
Berberis 1549
The famous "Italiana" attributed (mistakenly?) to Galilei, has its
equivalents in some Branles in Besards Thesaurus
Hier volget der Juden Tantz, und wer ihn schlagen will, der muss die Lautten
anders ziehen. Nun volget der Zug/ zieh Erstlich den Mitlern Brumer und die
klein Saitten/ die Newen dem mitl Brumer stet/ der zieffer furn/gleich als da 4.
und den klein Brumer. Muss gleich lautten/wie der mitl Brumer w
Hi,
Now, with a little help and reading through the facsimile, I believe
that this should be a more correct version. As said, tune the 5th and
4th courses to "D" and leave 3rd 2nd and 1st courses as they are. So
it's to be played on a five course lute... Hmmm... could be quite an
old piece then hu
Rainer wrote:
from my database:
5609 57/2 The rich Jew copied from 1186, Brookes No. 939, keyboard
1186 100v/2 ye rich Jew. Brookes, No. 939, keyboard
Dd.5.21 12r ???, recorder
>>Dd.9.33 38r/2 de Jerr a mort, lute<<
Dd.3.18 48r The Jewes Dawnce. R Nicolson [index:] Jewes Dawnce., lute
>>Dd.9.
Hi,
just goofing hindsightedly (469 yrs.), trying to see what Neusidler was
really saying. [My brackets]
"Here follows the Jew's dance, and whoever wishes to play it, must tune the
Lute differently. Here is the tuning. First tune the 5th course and the
small strings which lie next to the 5th
his all just a storm in a waterglass? The music I heard was quite
amazing though, and seemed to fit the drug theory...)
B.R.
G.
Hi all,
On Mon, 6 Jun 2005, G.R. Crona wrote:
> surrealistic. The music was definitely what you would today call
> "avantgardistic", although still (barel
Dear Mathias,
I know that! The text in this vocal piece seemed to leave nothing to
doubt though, with lines like "head in the clouds of smoke" "lost in
the smoke" or similar things. Quite extraordinary...
B.R.
G.
On 6/8/05, "Mathias Rösel" <[EMAIL PROTECTE
Thanks a lot Arto!
on the same site, I believe this is the actual album I heard.
http://www.amazon.com/exec/obidos/tg/detail/-/B00R2J/ref=pm_dp_ln_m_2/103-5178046-9712631?v=glance&s=classical&vi=samples
Fascinating!
B.R.
G.
On 6/9/05, Arto Wikla <[EMAIL PROTECTED]> wrote:
>
> Hi all
>
>
I wasn't aware of Codex Chantilly, Solage or Fumeux Fume before
listening to a radio program last Sunday.
Shows how huge holes we have in our knowledge! ;)
FWD:
Date: Wed, 24 Apr 1996 20:48:30 -0500
Reply-To: Early Music List <[EMAIL PROTECTED]>
Sender: Early Music List <[EMAIL
Dear Bernd,
many thanks for your effort in supplying these texts.
As I don't speak french, I'm unfortunately none the wiser.
This [OT] topic probably only interests less than a dozen people on
this list anyway.
Do you know if it has been debated on the EM-net?
I'd like to join that list. Do yo
Stewart McCoy wrote:
> Dante Rosati has suggested that to play dedillo the right-hand thumb
> should support the index finger, as if there were a plectrum in
> between.
FWD:
From: "G.R. Crona" <[EMAIL PROTECTED]>
To:
Subject: Re: Narvaez and 4c technique
Date: 15 Febr
Dear List,
to the presumably few who'd take a peek at ft2 edition of the
Capirola; pls. specify tab format: modern, italian or french w/
ciphers on or above lines. The file is zipped [85 kb] and locked,
allowing page formatting without saving.
B.R.
G.
To get on or off this list see list infor
Hi,
I tried to order it from Kruitvat, but they don't seem to cater to outside
Pays Bas.
Also searched for it on Amazon.de, without result.
G.
On Fri, 11 May 2007 12:51:04 +0200
Gernot Hilger wrote:
> Thank you, David.
>
> I do not know whether Kruitvat ships outsi
After some more listening, the following pieces on CD-1 also sound somewhat
Kaspbergian in idiom:
Nrs. 6 - 17 - 22 - 23.
G.
On Wed, 13 Jun 2007 10:57:37 +0200
"LGS-Europe" wrote:
>> Track 6 on cd 2 does sound like a duet!
>
> On my cd it's Gagliarde III from the secon
David,
I take my hat off to you. This was a delight to behold and is by far the
most impressive stuff I've seen on the net so far! Youtube has definitely
got some catching up to do. Congratulations!
B.R.
G.
On Wed, 17 Oct 2007 20:26:44 -0700 David Tayler wrote:
I've been
Ed, many of those links do not work any more!
On Fri, 2 Nov 2007 18:29:05 +0900
Ed Durbrow wrote:
> Here are some URLs to get you started:
> http://www9.plala.or.jp/edurbrow/webtab.html
>
> On Nov 1, 2007, at 8:21 PM, Joshua E. Horn wrote:
>> Scratch that, where is some lut
He definitely has a marker on the 7th fret in this old clip at least!
On Fri, 2 Nov 2007 07:04:37 -0400
Robert Clair wrote:
>> ha,
>> did you noticed: PoD has a marker on the 7th bar!
>> i need one too!
>
> The "no marker on the 7th fret" is a self-flagellating
>lunatic
WELCOME to the forum of the WW LUTE heavy boxing Championships.
All bets are welcome, at www.lutebash.com
For todays odds, pls. see www.todaysodds.lute.com
Newest arivals:
Mathanya - Turovsky (Odds: 0, to 1)
Mathanya - Arthur (Odds: 0, to 3)
Old combattants:
Thames versus LL
T
Dear List,
Ariel's pledge for the duets of V. Galilei might stem from the
following paper by Dinko Fabris. (So sad he's not on this list!). The
whole text is available on the net, a.o. in "Magnatune's" Paul Bier
recording of Michelagnolo's 1620 book.
"Born in Florence the 18th of December 1575 (a
PS.
Further research yielded the following from "New Grove", so Nr. 3
might just be the one. I'd also love to get my hands on that one. Does
anybody here know of it?
B.R.
G.
WORKS
1. Intavolature de lauto, madrigali e ricercate, libro primo (Rome,
156323); 17 ed. in IMi, iv (1934)
2. Il prim
[FWD] From Wayne's site:
tab by mail
The most productive professional tab users use tab by mail. They don't
have to worry about setting it up on their machines and always have
the latest version.
You can send tab source to the e-mail server,
[EMAIL PROTECTED] as part of the body of your message an
Dear Wayne,
as much as I understand your resons for wanting to shut MO out, I think that
if we start to apply censorship to/in this free and open forum, we would
rather be shooting ourselves in the foot!
Best R:s
G=F6ran
On 8/27/05, Wayne Cripps <[EMAIL PROTECTED]> wrote:
>
>
>
> Dear Mr
Dear Wayne and lutelist,
I must say, that I'm very disillusioned by this move to make what has
previously been an open forum, a censored one. It brings forth nasty
memories from the past, as well as orwellian ones. We are all perfectly
capable to decide for ourselves what we wish to read and n
I get it.
It's been played too often...
G.
- Original Message -
From: "Rainer aus dem Spring" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: 23. august 2003 14:06
Subject: Re: Songs imitating animal sounds?
| G.R. Crona wrote:
| > Arto,
| >
Dear List,
does anyone know, if the Castelfranco Veneto Ms. on CD ROM which was
announced to be published in the spring of 1999, was issued and is there a
web-page?
Regards
Göran
Ed
The easiest solution is to download the archive and make standard searches
from Explorer -> Tools -> Find
Pretty obvious. I do it all the time. -94 was a particularly fruitful year
IMO.
Best
G.
- Original Message -
From: "Ed Durbrow" <[EMAIL PROTECTED]>
To: "Stewart McCoy" <[EMAIL PROTEC
Hi Gang,
I tried for the first time to write a PC piece on Stringwalker, and it came
out like this. It's easily playable on an electric guitar, not quite so
easily on lute... Can someone tell me where this chord sequence comes from?
It also seems to look for variations ;)
Best Regards to All
Gör
- Original Message -
From: "Jon Murphy" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; "G.R. Crona" <[EMAIL PROTECTED]>
Sent: 22. oktober 2003 09:37
Subject: Re: First trials
| I'd love to help Goran, but first I'd have to understand your not
Hi luters
I'm working my way through M. Newsidler's 1574 book, in German tab,
(surprizingly not very difficcult to read after you get the Jobin characters
memorized), and came upon this nice little piece which is a catchy tune and
relatively easy to play. I'm just wondering about the title "Fugger
Hi Jerzy
To use the "Cripp's tab" format, you cut the text under the stars and paste
it into f. ex. Windows notepad and name the text file something.tab. Then
you can use it in Wayne's tab-programme. The file is also importable into
Stringwalker or the full version of Fronimo if you have it.
Anot
Hi Rainer,
| I have serious doubts regarding the 241.
| My impression is that he did NOT compose the rather crude "dances" in the
1574 book.
| Some of them are rather incompetent settings of homophonic songs.
|
| Rainer adS
Personally, I think he definitely wrote those dances, or arranged them fr
Dear List,
A correction:
There is some text missing in the MN foreword. after Bomhärt in this
sentence:
"Derhalben ziehe ich disen newen untersten Bomhärt <***> " should be
inserted:
***
Sorry, there are surely other places...
Regards
Göran
José-Luis,
el contenido lo encontrarás aqui:
http://www.cs.dartmouth.edu/~wbc/julia/index.htm
saludos
Göran
- Original Message -
From: "José-Luis Rojo" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: 2. november 2003 17:54
Subject: Novus Partus
| Dear all.
| Please, I would like
Dear List,
I'm boldly hoping that any of the linguists in this well-informed assembly
might take the trouble to translate this short foreword text for us:
"Illustrissimo AC Reverendissimo Domino Domino Christophoro Madrucio
Cardinale ac Principe Tridenti Et administratori Briximen. Domino meo
Col
Jon,
TXS very much for your effort. It made it "a little" clearer!
Regards
Göran
- Original Message -
From: "Jon Murphy" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; "G.R. Crona" <[EMAIL PROTECTED]>
Sent: 3. november 2003 11:23
Subject: Re
WOW Mathias!
Du bist ein Meister!
Thank you very much for the translation!
This list is such a resource!
Best Regards
Göran
- Original Message -
From: ""Mathias Rösel"" <[EMAIL PROTECTED]>
To: "Lutelist" <[EMAIL PROTECTED]>
Sent: 3. november 2003 15:39
Subject: Re: Latin translation
- Original Message -
From: "Ed Durbrow" <[EMAIL PROTECTED]>
To: "lute list" <[EMAIL PROTECTED]>
Sent: 17. november 2003 14:13
Subject: Re: The Right Hand Revisited
| >is there any site with a description of the
| >several right hand techniques?
|
|
| I recommend: http://www.xs4all.nl/~ama
Arto,
If this is the one you mean, calling this simple piece "Mad dog" is IMV
somewhat strange...
1.2 3 2 1 0 1 2 1 2 1
__f_d_c_a_c___d_c_a___c_a_a___c_d___f_d_d_
|_d_|_a___d___c_|_d_d_c_|_d_d_|_c_d_|_d___|_d_d_c_|
|_d__
No, D., they don't seem to be published yet. Why, I don't know... As I
understand it, the work is in progress in Italy, so there are still hopes.
But one duet, from the UK Lute society (ed. Gregory) is available.
Göran
- Original Message -
From: "D. Franco" <[EMAIL PROTECTED]>
To: <[EMAIL
Hi Ed,
| Speaking of which, I couldn't figure out how to download McFeely's
| pictures in one swoop. Everything else is in PDF.
I thought you could find her collection in a folder of JPGs, but haven't
looked lately.
| I'm so glad you mentioned this. I just bought a WONDERFUL John
| Rollins alto
Dear List,
after posting my little version of the Rosetta stone, it struck me, that it
probably wouldn't be very difficult for one of the computer wizards of this
list, to write a simple program which could convert TAB to the text-file
which seems to be prefered by this forum. I don't have such kn
te similar in appearance to Wayne's TAB input. His program writes guitar
tab, his preference as a guitarist. It's very readable. Perhaps he could
help?
|
| Regards all,
| Leonard Williams
|
| ========
| From: "G.R. Crona" <[EMAIL
Dear Jon,
you're wondering into deep OT-land here, bringing up the Didgeridoo. (If the
Aborigenes of Australia are indeed (like I like to theorize) the last
surviving descendants of the Neanderthaalers, their instruments might be the
oldest ones we have.
The musical bow, is the simplest of string
Hi Chris,
in regard to recent discussions, there's also a little exercise book by Tree
Edition for the right hand, thumb-under technique:
Renaissance Lautentechnik, 55 Übungen für die Rechte Hand, (Anton Höger)
1989.
No idea if it's still in print.
Regards
Göran
- Original Message -
th Regards
Göran
- Original Message -
From: Michael Stitt
To: G.R. Crona
Sent: 24. november 2003 23:00
Subject: Re: Instrument Archaeology [was: fretted ud ?]
Göran
It is generally accepted by anthropologists that the Australian Aborigines
settled in Australia on about 2,500 years ago an
Martin,
Couldn't you collect those pieces of the month that you've posted. They are
of excellent quality, and I feel that they should be available to the
lute-community for more than just a month.
Best Regards
Göran
- Original Message -
From: "Martin Shepherd" <[EMAIL PROTECTED]>
To: <[
and Ron, well just continue on that duet using your vacuum-cleaner in
lieu of a proper Didgeridoo, it actually works!
With all due respect
Humorously idiosyncratically
Göran
PS. It must be the time of year...;)
- Original Message -
From: "Jon Murphy" <[EMAIL PROTECTED]>
Wayne,
This sounds great!
What I'd like to know is: Can a normal mortal, without a Ph.D. in computer
programming do it? Words like "build" and "redirect" are Chinese to me. But
I hope, that between guys like Tony, Leonard and yourself, after some time,
it gets sorted out and we might get the opti
Thomas,
I really don't hope that this will catch on!
There must be alternatives to ivory in our advanced world.
PLS. think about the few remaining elephants!
Best Regards
Göran
- Original Message -
From: "Thomas Schall" <[EMAIL PROTECTED]>
To: "Howard Posner" <[EMAIL PROTECTED]>
Cc: "Lau
Dear Leonard,
this all seems very encouraging. The tab you converted from (I gather) an
old tab file found on Wayne's page, is very readable, and nice touch with
the flags (dotted and all:), although IMO numbers also work well. The
bar-lengths look a little strange, not being even (comparing with
Stefan,
as you dig up this old message and re-post it for all and sundry, I feel
compelled to clarify the following:
I did not personally post the piece in question, and had nothing to do with
it landing on the www. (I'm usually trying to be careful about what little I
post on the net, and that i
Stefan,
Phuu... I finally managed to get through the last 2 week's 600 lute mails in
the inbox. What a prolific gang. And the pathos! But what happened to common
decensy?
To answer your question partly, here is what I had to sign before being
issued a microfilm, when ordering a little known print
Very eloquently spoken, Leonard,
a thought-provoking posting in the Christmas spirit indeed.
A happy X-mas to you and your's!
Göran
- Original Message -
From: "Leonard Williams" <[EMAIL PROTECTED]>
To: "LuteNet" <[EMAIL PROTECTED]>
Sent: 14. desember 2003 04:16
Subject: Reflections on o
Dear Arthur,
when reading the postings of this thread, it suddenly struck me: Luís de
Milán... Luigi da Milano. Was he actually an Italian? Or did he get his
epithet from having spent part of his life in Milano? In those days,
surnames often indicated provenance. His music was quite italianate and
tive). Not strangely it is the
most common type of tablature in use today, alas not by lutenists.
Best Regards
Göran
- Original Message -
From: "Edward Martin" <[EMAIL PROTECTED]>
To: "G.R. Crona" <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>
Sent: 1
you quote as the last:
L. Gasser: Luis Milan on Sixteenth-Century Performance Practice
(Bloomington, IN, 1996)
Best wishes
Göran
- Original Message -
From: "Monica Hall" <[EMAIL PROTECTED]>
To: "G.R. Crona" <[EMAIL PROTECTED]>
Cc: "lutenet" <[
> tablatures should
| > be called Neapolitan. I have always thought that
| > Milano's viola
| > tablature should be called Neapolitan, and Milan's
| > tablature
| > Spanish. More observant Lutenetters might have
| > noticed how careful I
| > was to side-step this is
James,
I agree that letters can get messy in the upper registers. Numbers slightly
less so, (but look at Melchior Newsidler, who loves the upper register.
Noone seems to have recorded him yet!)
Your suggestion of modern notation in a different pitch wouldn't help me
much, for exactly the same rea
Some kind of baroque guitar with a funny body?
What time frame is it from?
- Original Message -
From: "Thomas Schall" <[EMAIL PROTECTED]>
To: "Lautenliste" <[EMAIL PROTECTED]>
Sent: 15. desember 2003 21:41
Subject: interesting picture (ad vihuela discussion)
| In the web I found a inte
ere notated as minims and crotchets, not rhythm flags,
| as here.
|
| My preference is still to call this notation Spanish tablature, but
| I have an open mind, and would like to know more.
|
| Best wishes,
|
| Stewart.
|
|
| - Original Message -
| From: "G.R. Crona" <[E
Monica,
you should know that there are many examples of on line French tablature,
(perhaps most?) some of them the earliest, like Attaingnant, (who used
capital letters) Besard, Phalese etc. I wonder what's the earliest between
line French tablature. I suppose it's all a question of printing
histo
Dear Stefan,
I was glad to read your mail, as it reverberated many of my own thoughts on
this issue. If what you say is right, then, I suppose we have no issue at
all. So, those flame-wars were actually only in vain. :) Happy if they were!
Best Regards
Göran
- Original Message -
From: "
Is it true, he once performed a piece where cutting the leg off of a piano
with a saw was part of the score, thereby seriously cutting his own leg,
causing a major emergency.
Long live the Pranksters of this world!
Göran
- Original Message -
From: "Stewart McCoy" <[EMAIL PROTECTED]>
To:
Listening again to Martin Best's LP from 1974, (inspiring record, with much
lute, Argo /Decca ZRG 765) Coverpicture shows a 9 course with top course
removed and 1st and 2nd
single. Nice lute w/ what seems like metal frets (any particulars available?
Not on the record.) Was that
the way to play in e
Thanks Martin
I always thought that short and simple one in 2.11(?) (Rooley) was
excellent.
Merry Christmas
Göran
- Original Message -
From: "Martin Shepherd" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: 21. desember 2003 16:02
Subject: New piece of the month
| Dear All,
|
| In E
I suppose this is what in Lutenet-parlance is called a "Panzer"? Looks good
though. The album also sounds fine. Suppose I should go back and read those
"Panzer"-postings. As I recall, they were mostly negative.
Regards
Göran
- Original Message -
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTE
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