How do I go about changing the email address I have registered with the Lute
List?
Thanks in advance,
Tom
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists_tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
To get on or off this list see list information at
:
Change to a different web host!
My site, www.heartistry.com, is now hosted on Pair Networks:
www.pair.com
I have never had a problem with this since.
All the best,
Tom
Tom Draughon
Heartistry Music
www.heartistry.com
715-682-9362
> On 13.04.2015 07:36, gary wrote:
> > Some servers blo
I've been lurking on this list for a while.. time to contribute!
Soundboard transducer type pickups could be an option, i.e. Fishman:
[1]http://www.fishman.com/products/filter/type:pickups
The link you gave would seem to be a simple type of soundboard pickup
or contact microphone (I'
Best Holiday Wishes Everyone!
Here's my humble gift
http://youtu.be/CIME-0abhcY
Enjoy!
Tom
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists_tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
--
To get on o
bridge?
(i.e. Violin family, Arch-top Guitar ... )
I have found that, on my steel-string guitars with bridge pins,
(i.e. Martin D18 etc.) a higher saddle (thus more downbearing?)
creates a similar result. (It also throws off intonation!)
Thanks again for these great explanations!
Tom
Thanks Bruno! So far, yours is the only response.
I hope to hear some more also : )
Tom
Date sent: Sat, 26 Jul 2014 18:57:28 -0300
To: "lute-cs.dartmouth.edu"
From: Bruno Correia
Subject:[LUTE] Re: Lute Bridge vs Gui
e what has been done in violin research?
Looking forward to your responses,
Thanks,
Tom Draughon
Heartistry Music
http://www.heartistry.com
Date sent: Sat, 26 Jul 2014 15:27:26 +0200
To: "lute-cs.dartmouth.edu"
From: A
Whodathunkit?!!
Tom Draughon
Heartistry Music
http://www.heartistry.com
Sent from my iPhone
715-682-9362
> On Feb 18, 2014, at 10:40 PM, "Franz Mechsner" wrote:
>
> Maybe of (some) interest...:-)
> [1]http://www.youtube.com/watch?v=Br3SunLc8zU
> Hieronymus B
Wow! Somehow, I feel a lot better now!
Tom
Tom Draughon
Heartistry Music
http://www.heartistry.com
Sent from my iPhone
715-682-9362
> On Feb 9, 2014, at 9:44 PM, Christopher Wilke wrote:
>
> I hate, hate, hate, hate, hate changing frets with an abhorrence that defies
> all rea
rybody for all of your insights. It's good to be able to
learn
form others' knowledge and experience.
All the best,
Tom
Date sent: Fri, 13 Dec 2013 15:10:03 +
From: "Braig, Eugene"
However, once again, Mace of
With Viagra he may have had more!
Tom Draughon
Heartistry Music
http://www.heartistry.com
Sent from my iPhone
715-682-9362
> On Dec 10, 2013, at 7:36 PM, Bruno Correia wrote:
>
> Well, with our lifestyle they wouldn't have produced any lute music at
> all. With a big
clean.
Looking forward to the next installment of your article.
Thanks again,
Tom
http://www.heartistry.com/artists_tom.html
Part 2: noise.
Rest assured dear reader, that I have done my Maths. You will find
many opinions on sample rates, and presumably for all the rest of
these
> .. just in case there is any interest, my just a tiny little modest
> try in http://www.youtube.com/watch?v=xFN2nc9B0lc&feature=youtu.be
> best, Arto
Well ... obviously not HIP ... but i like it anyway!
How about "Renard-like Lady"?
T
Tom
.com/catalog_season.html
Compliments of the season early, and
All the best,
Tom
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists_tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
From: "Mayes, Joseph"
Subject:RE: [LUTE] Re: Capo use on early instruments
Well...as long as you used authentic 16th Century hair-ties
I just went with my "gut" feeling ... :)
Tom
Lutelist Subject:
From: Christopher Wilke
Subject:[LUTE] Re: Capo use on early instruments
Tom,
Nice thinking. On a recording, I doubt few, if any people would
notice that you capo-ized. Just to keep your early music street
cred, be sure to make up data for your
st as well.
All the best,
Tom
From: Dan Winheld
Subject:[LUTE] Re: Capo use on early instruments
Another good point- the only lute for which I built my own capo (pain
in the butt piece of fussy work) was a 72 cm SL "Division" bass lute
that worked ver
David,
I forgot to mention the lute is 63 cm. Thanks for your suggestions. I
have had Chris at [1]catlines.com help calculate the tensions, but as
I've only had a lute for 3 months, the tension is a bit of a mystery at
this time.
--
Sincerely,
Tom
--
References
ave f
KFG132 - 8 course lute 7th F
NNG88 - 8 course lute 8th octave d
KFG160 - 8 course lute 8th D
As you can see, the srings are either New Nylgut and KFG
--
Sincerely,
Tom
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-
cents of a tone.
I've tried lowering the fundamental by a few cents, but it doesn't seem
to help until the the two strings of a course are out of tune when
open.
Help!!! (please)
--
Sincerely,
Tom
--
To get on or off this list see list information at
http://
Thanks Ernesto,
I think you just organized it!
At least, it's a good start.
I'll see what I can do with these ideas soon,
but won't have any time 'til next week.
I'll re-visit it then.
Thanks again,
Tom
I agree to the out-reach being needed.
Would someone orga
featured
Juergen Huebscher and Dieter Kirsch as ensemble partners.
Wonderful music!
Tom
If we want more audience we need to be inclusive and not exclusive. A
number of comments on this thread appear exclusive; almost a parody of
the attitude that has been attributed to
Yes, "The Renaissance Gilde" is synonymous with a William Daum.
He lived in my town for about 10 years. He abruptly left the U.S and,
last I heard, was residing somewhere in France.
Tom
Nothing specific regarding The Renaissance Gilde. However, in
general, features that mak
y not have the faintest idea
how to make a good pie, and the pie makers
probably don't want them to bother trying to
make a pie correctly.
Still, it benefits the pie makers to have these
people buying and consuming their pies.
Tom
Tom,
I am by no means opposed to the idea of reachi
> The lute world needs to reach out to the non-traditional audience.
Thanks Stephen. I agree.
Tom
[Stephen]
There is an interesting book by Phyllis Tickle entitled The Great
Emergence. It deals with modern Christianity and how it is evolving.
I think her main theme applies to the l
oking at SCA and Ren Faires
solely
as a group of potential music buyers. Why not encourage the interest
and
point it in the right direction?
Tom
On 8/11/2013 11:08 AM, Geoff Gaherty wrote:
> On 11/08/13 9:41 AM, Ron Fletcher wrote:
>> My main point is that true
om/Bruce-Burnsides-Unsung-Stories-Civil/dp/B000V6MF4C
http://bruceburnside.com/civil-war.html
Tom
OK - I'll agree that a lot of folks who get into SCA and go to
"Renaissance Festivals" have a very non-HIP viewpoint on what it's all
about. For them it's basically play-act
od strategy is to set a rock-bottom fee that you will not
compromise.
Use that as a negotiation point. If they won't pay what you feel
you're
worth, it's their loss. Play for nothing and be treated like nothing.
Play for a
resenters can partner
with the school system. Kids will be impressed by the instruments, and
it will leave a good lasting impression. I was able to get Jacques Ogg
and members of Lyra Baroque into our elementary school. How cool is
that!
Tom
I must extend my sincerest thanks to ye
g draw attention to
the music you play.
Just because a person has a warped view of reality, If they had
ultimate respect for what you do, would you not want to see them
as an audience member at your next concert?
BTW - don't ALL of us have slightly warped views of reality?
(Except for me,
herwise you get lots of
people calling you because they think you'll play for free.
Tom
On Wed, 7 Aug 2013 11:23:07 +, Ron Andrico wrote
> Briefly, playing for free
> (or worse, paying to play) doesn't really do any lasting good. It
> only makes the potential audience
ot;fan" audiences.
>
> Cheers, RalfD
>
>
>
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
--
Nancy Carlin
Administrator THE LUTE SOCIETY OF AMERICA
http://LuteSocietyofAmerica.org
PO Box 6499
Conco
I hope nobody thinks I was "trashing Brahms". On the contrary,
I have great respect for his music. My point was that there are
people who are so focused on one genre of music that they seem
to disdain all others. I am definitely not one of those people.
Thanks,
Tom
he great mogul" ;)
In short - It's ALL good!
Thanks,
Tom
Duke Ellington
is reputed to have said: "There are only two kinds of music; good
music and bad music". Playing early music on recorders and later
music on the cello, I feel fortunate to
From: Bruno Correia
Subject: [LUTE] Re: general public Lute awareness
Dear Tom,
I play mostly solo and in duo, that's not just because I like it
but above all for financial reasons. Sure, a big ensemble will
a
data to support this, but they believe it anyway, even though one of
their pet performers (that happens to play a lot of Brahms)
consistently draws well and is - a duo!
Absurd, and one reason that I stepped down from that board.
How can the early music community begi
IMHO: Viola d'amore - viola of love - and ... "Love is blind."
Tom
On 11.07.2013 09:52, theoj89...@aol.com wrote:
Off topic question: When visiting musical instrument museums, there
are many viols, and especially viola d'amores, that, instead of a
scroll, have the head of
"thinline",
so the contact-mic idea is one possible solution. I have also been
using Samson Airline Micro wireless mics for voice, and I love them!
If I could figure out a way to mount one unobtrusively on the "Gui-lute"
I would go with that. VERY natural sound!
Tom
He
Happy New Year ALL !!
Tom
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists/tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
ologies in advance for modernizing the spelling.
In table format - 2 printable 11 x 17s
Since I can't do an attachment for the list, just email me if you want a copy.
Tom
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> That short fret recalls me of an African instrument, the Malagasy
> Kabosy. See here:
> http://www.boutique.laterit.fr/img/p/69-279-thickbox.jpg
I think have seen this sort of fret arrangement also on Tamburitza.
Tom
> Paolo Busato lute-maker
> www.busatolut
aissance and Baroque
> > recorders, in all sizes including Bass, crumhorns, zincs, and even a
> > sakpipa and a cornemuse from the founder of the ensemble.
> > Does anybody have suggestions for composers and / or specific
> > pieces
> > that would fit well with
Thanks Sam and Everybody Else,
Great info and suggestions all!
Please keep 'em coming.
Thanks again,
Tom
> Dear Tom,
>
>There's a lot of 16th-century consort music for three instruments -
>a good place to start would be to look in Brown's "Instru
Great info!
Thanks!
Tom
> Not an answer to your question, but perhaps relevant if playing part
> music. When I got back to the lute a few years ago, I went to our
> local recorder society meetings to play ensemble music. What I found
> is that recorders generally read an octave
nail. I don't get a bright
"honky"
sound on classical, but I never liked that anyway.BTW, I believe Tarrega
didn't use nails.
Bets of luck,
Tom
>Dear Christopher,
>(and dear lute wisdom),
>
>I just see that you are playing and teaching the guitar
arts - but ... leave one out maybe ... ? )
Thanks in advance,
Tom
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists/tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
That title isn't quite PC these days, is it ... ?
Tom
> .. well, more Balcarres ... the piece is beautiful. Could of course be
> played more cleanly. Just in case somebody is interested:
>
> http://www.youtube.com/watch?v=fVnkBa1hdQc&feature=youtu.be
> h
peg
>box glue joint.
>
>On Sep 3, 2012, at 3:23 AM, Martyn Hodgson wrote:
>
>The neck and peghead of the theorbo is in two seperate pieces and
>are, indeed, glued together at the join.
>
>MH
>
>--
>
>
> To get on or off this li
Thanks. These look very interesting. Do you have any info on
sources for these sources? Are they available as facsimiles, or
doe one have to track them down at a library?
Tom
> There are also non-English sources which this discussion brings to
> mind. Here are a few:
>
> Delab
of the
UK were affected by industrialization at a much earlier date.
This is the theory, at least.
Thanks again,
Tom
> Here's the other one from Appalachia by Sharp. Some other interesting
> "folksong" collections. - Original Message - From:
> To: Sent: Friday
into the popular culture - more in the music hall era than the
Renaissance. But
let's remember that it works both ways: many a "composer" has used a
common
folk tune without overtly crediting it.
I think that between "folk" musicology and "Renaissan
hough
it is all but gone now, the oral tradition was still very much alive in rural
areas into the 20th century, and many source singers were recorded by
Barbeau, Sharp and others as early as 1916 on Edison cylinders.
I'll be happy to share some bibliographies if anybody is interested.
Tom
Thanks C! Exactly why my contracts read, "Payment will be made
immediately prior to performance."
Tom
> Thought the lute listers might enjoy this glimpse into the life of
> working musicians in 1790's Virginia. No Lutes involved, just some
> unpaid loot.
From: Adam Olsen
>They probably want to air on
>the safe side and expect you to dispute it, because it's much less
>of a problem to go that route rather than ending up with a lawsuit.
Yes - a lawsuit from ASCAP ...
Tom
>On Jul 4, 2012 4:39
SCAP / BMI coffers. It's no wonder they're pursuing this. It's like the
rackets in Chicago in the 1920s, and the current copyright law is allowing
them to do it with impunity.
There DOES need to be a class-action lawsuit! How can I help?
Tom
>They're really fishing
stiffness sharpens the higher harmonics.
> > > >> Bill
> > >
> > > >> On 25 June 2012 09:39, andy
> > > >> butler wrote:
> > > >>> Harmonics on a plucked string are a little bit sharp,
> > > >> Isn't it the case that harmonics are pure by definition?
> > > >>
> > > >> David
> > > >>
> > >
> > >
> > >
> > > To get on or off this list see list information at
> > > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> >
> > --
> >
>
>
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists/tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
independent of CD Baby, iTunes, etc. if they
want to.
Tom
> The main CDBaby website seems to have disappeared, though the music
> download page seems to work.
>
>
> Martin
>
>
>
>
> On 28/06/2012 00:45, "Ed Durbrow" wrote:
>
> > I think
d on dearly to their CDs, I think
the writing is on the wall. Will my grandchildren stare in wonder at
them like I did 78s?
Still, the big question in MY mind is, what will THEY be listening to?
Thanks all,
Tom
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists/tom.html
the one by Emily White of NPR's "All Songs
Considered".
It is a very telling confession about how an entire generation demographic
between 20 and 40 years of age views buying (or NOT buying) recorded music.
And she's working for National Public Radio!!
Thanks again,
Tom
, but the same can be said for
tuning.
Tom
>I have to say, I'm always amused by these discussions that broadly
>outline the imprint of theoretical measurements on the phenomenon
>of sound. If we look at all the factors, including thickness and
>stiffness of string
bo.
I can say after this, that I probably won't buy another Tascam product.
Good luck with all the rest, and all the best,
Tom
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists/tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
> I am using the ZOOM H4n , tog
Absolutely lovely!
Tom
>Dear all,
>
>I am new on the list and instead of introduction I am sending you a
>link to the short video from the concert in Toronto with Toronto
>Continuo Collective. My solo was just a small part of a concert.
>Both courantes (by
If it really was a dance it seems strange that the tunes would be in
different time signatures. It would be very difficult to dance a structured
dance to common time if the dance was designed for 3/4 and vice versa.
I'm interested to know what the rhythm is supposed to be.
Thanks,
I have been applying this idea to my playing
of songs from John Dowland's "First Booke of Ayres" (and the second)
with good results. It is a very different tactile feeling to come at the
strings
vertically, then brush sideways, but the results speak for themselves.
Thanks a
ll do this?
Thanks,
Tom
>I use InDesign a lot and one of the problems with bringing any pdf
>into it is that what you see on the screen is quite fuzzy. It
>always prints out beautifully, but it's sometimes hard to add
>things on top of the pdf because of the la
ff or any other graphics format
in Fronimo ?
Thanks,
Tom
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Arto, I think you do a fantastic job of driving a zamboni !
( ... http://www.zamboni.com/ )
Really very nice music and very nicely played. Thanks,
Tom
> Dear lutenists,
>
> just in case our List will come alive again:
>
> I re-recorded some Zamboni when warming up my 10-cours
e any of these would blow the doors off your phone's mic.
A big part of the sound problem could be preamp / converter in your android.
Tom
> Is there a good app for recording yourself on Android? I tried a few
> apps, but the sound came out very distorted and blown out. I know the
>
about it?
Knowledge, especially accurate knowledge, is best shared with the world.
And anything done to place the word Lute in front of a wider audience is going
to be good for lutes and lutenists.
I'll look forward to future responses.
Tom
> However, there is at least a fair amount of ref
A very interesting article. I can't wait to see the responses from the rest
of the list! I am reminded that Walther Gerwig did an arrangement of Bach's
Cello Suite No.1 in G major, BWV1007. Very nice and beautifully played -
in Renaissance tuning!
Tom
>An interesting
$119.95 from the following:
http://www.biblio.com/details.php?dcx=79067124&aid=bkfndr
Tom
>Dear List,
>I just discovered what it seems a very interesting book:
>Victor Coehlo (ed.), Music and Science in the Age of Galileo,
>Kluwer Academic Publishers 1
The connection would be Saturday Quotes.
> Excuse me, Tom.
> Since my vision isn't what it used to be and these glasses are a bit
> smeared at the moment, would you kindly point out the lute content of
> your post? I seem to be having a hard time spotting it.
>
>
>
is powerless to stop what's happening now.
Tom
>We have contributed our Saturday quotes, this week placing the lute
>song in its noble context. [1]http://wp.me/p15OyV-ni Ron & Donna
>
>--
>
> References
>
>1. http://wp.me/p15OyV-ni
>
>
>
xt long-term viable media format for music sales? Or is
there one?
I'll look forward to all of your opinions.
Tom Draughon
http://www.heartistrymusic.com/artists/tom.html
From: David Tayler
>The dynamic range of digital exceeds the background noise in your
>
VERY nice on all levels!
Tom D
> Hello, I'm happy to present my new vihuela, made by Didier Jarny...
>
> Rosewood and maple back and sides, maple neck and head, snakewood
> fretboard.
>
> Probably not an historical model (but iconographical inspiration), we
> choose,
From: "Braig, Eugene"
Subject:[LUTE] Re: All about micing...redux
>I'm assuming it's still pronounced 'mike' but maybe it's 'mick'?
>Perhaps we should be talking about 'micking'?
I think Jagger has a copyright on that term ...
T
To get on or off th
#x27;re an audiophile,
why
buy music when you can hear and watch it on YouTube for free? We live in a
very
strange world!
All the best,
Tom
>CDs are fake; YouTube is relatively real (with caveats)
>My take on this, FWIW, is that CDs do tremendous harm to the music
>
lute videos are much higher quality than
many others. I pity young people who are trying to sift through it all (am
I sounding OLD, or what?). How can one develop a filter for what is good
art, or music, or film, or TV, when there is so much junk to wade through?
Tom
> To get on or off thi
ed in print that the song was "traditional". For a very
> > interesting thread on this topic see
> > http://mudcat.org/thread.cfm?threadid=12983 Thanks,
> > Tom
> >> JJNiles didn't take credit where he should have, as I recall.
> >> For authoring fol
print that the song was "traditional". For a very interesting thread on
this topic see http://mudcat.org/thread.cfm?threadid=12983
Thanks,
Tom
> JJNiles didn't take credit where he should have, as I recall.
> For authoring folk material.
> RT
>
>
> - Origi
n a good way, too. Don captures the
genuineness
and energy of the tune, whereas Bruce plays it exactly like the 80 year-old
Kentucky fiddler
he learned it from. Both are great, and both deserve a place in the
repertoire, but the "folk
process" is more alive in Don's playing
> We offer a video of Donna singing an Irish ballad that may or may
>not be old. [1]http://wp.me/p15OyV-lK R&D
Beautiful!
Published by Boosey & Hawkes, 1909. Irish Country Songs
Collected in Donegal by poet Padraic Colum and Herbert Hughes
ve to try
> > and understand the world in which they lived if you want to
> > understand the music.
>
> True, but it's so tiresome having to drop acid every time I listen to
> Hendrix. --
I only had to do it once ...
> To get on or off this list see list informa
ve a basis for comparison."With their
> current sound sample I can't tell if it's the violin that's
> responsible for the overall sound and tone, or the string(s). Still,
> very cool.
> Tom D
> > Yes- I got the news from one of my lute students yesterday. I
quot; With their current
sound sample I can't tell if it's the violin that's responsible for the overall
sound and tone, or the string(s). Still, very cool.
Tom D
> Yes- I got the news from one of my lute students yesterday. I heard a
> sample sound bite on the radio on th
ted
> sarcoplasmic reticuli) from person to person
> enable some musicians to play faster than others,
> or (alternatively) whether fast playing results exclusively
> from practice and technique.
>
>
>
> To get on or off this list see list information at
> http://www.cs.d
! Yes, I see that now.
"My bad." (Don't you just hate this modern slang?)
Thanks everybody!
>Best to all, and keep playing,
>
Ditto!
Tom
>Chris.
>
>On Sat, Feb 25, 2012 at 6:33 PM, Sean Smith <[1]lutesm...@mac.com>
>wrote:
available anywhere in Fronimo or PDF?
Thanks,
Tom
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists/tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu
Absolutely beautiful!
What a wonderful way to begin my day. Thanks David!
Tom
> Yet another Kapsberger video :)
> enjoy
> http://youtu.be/CpQw0UH-YV4
> dt
>
>
>
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admi
style of
> >>>composition
> >>> called down(e) or dump? I have four of these: two from Holmes
> >>> (ff. 12, 94) and two from Marsh (ff. 124, 426). Questions: Are
> >>> they basically divisions on a ground? Does one follow a strict
> >>> rhythm with them?
> >>>I enjoy playing (in some cases simply attempting) these.
> >>>Are there
> >>> others, perhaps by different names/titles?
> >>>
> >>> Thanks and regards,
> >>> Leonard Williams
> >>>
> >>>
> >>>
> >>>
> >>>
> >>> To get on or off this list see list information at
> >>> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> >
>
>
> -- End of Forwarded Message
>
>
>
Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists/tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
tely miserable time because he was listening for the
slightest
mistake, while the person next to him was having a religeous
experience.
If you like Karajan's Brandenburgs buy them, listen to them, love
them,
bask in their lush soundscapes, and to &e11 with the critics!
light?
Looking forward to your responses.
Thanks,
Tom
>I don't know about the scholarship, but from personal experience, I
>can say that in a small room a lute can produce enough sound for a
>few people to dance. Especially if you aren't competing with
>
gt;>Regards Anthony PS I suppose it should be really minimal,
> >>>application to the whole string might give an interestingly
> >>>stiff string?
> >>> _
> >>> _
> >>>
> >>>De : Ed Durbrow
> >>>A : David Smith ; LuteNet list
> >>>
> >>>Envoye le : Vendredi 20 janvier 2012 13h20
> >>>Objet : [LUTE] Re: String hairs
> >>> You can try a bit of superglue.
> >>>
> >>
> >>
> >>
> >> To get on or off this list see list information at
> >> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> >
> >
> >
>
>
Tom Draughon
Heartistry Music
http://www.heartistry.com/artists/tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
Thanks Sean,
Mine measures 19cm (7.5") by 13.5cm (5 3/8") actual print on the page.
Roughly 75% + of your edition. Fine for sitting in a chair and perusing.
And the price was very reasonable.
Thanks again,
Tom
> Tom,
>
> I just looked at my old Scolar Press facsimi
rom on a table.
Was the original larger?
And were all the parts for a song printed on one sheet of paper?
What was the original format?
Thanks,
Tom
Tom Draughon
Heartistry Music
http://www.heartistry.com/artists/tom.html
714 9th Avenue West
Ashland, WI 54806
715-682-9362
To get on
ow more playing in high positions, and thicker, higher
bridge for more down -
bearing. Not only are the strings higher tension, they are also
longer. Vuillaume was
one of the first makers to start effecting these alterations for
players like Pagannini.
Interesting thread.
er volume and brighter sound. Even today some orchestras tune to
442 -444,
to take advantage of this effect.
Anthony, if you ever decide you'd like to part with your 433 fork I'd be
interested in having it.
Then maybe I, too, can be in harmony with the universe! (Or close to it?)
Tom
Fleece Navidad!
I love it!
Thanks David,
Tom
> All right then, spirit of the season, or season of the spirit, never
> seem to get that one right. Here's what I have my pupils play this
> year: lots of strings involved, steel as well as gut, and with a bit
> of patience you w
Christmas tunes arranged
for guitar.
Hope you like these:
[1]http://youtu.be/pGUP-Moim9c
[2]http://youtu.be/SB6wWLNjH-Q
Compliments of the season!
Tom
Tom Draughon
Heartistry Music
http://www.heartistry.com/artists/tom.html
714 9th Avenue West
Ashland, WI
Sharp's work on Appalachian
collection.
Is there a comprehensive work on ancient French ballads and songs
from
continental Europe? Title and author(s)? And are there such works for
other
European languages also?
Many thanks in advance!
Tom
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