I thought this might be of interest to some on the list:
[1]https://www.academia.edu/8387346/The_Memory_of_Paper._An_Incomplete_
History_of_the_Libro_Terzo_dIntavolatura_di_Chitarone_by_Gio._Girolamo_
Kapsperger?auto=download
Gary
--
References
1.
https://www.academia.edu
e him play
lute), and quite a character off stage. In addition to "lute," he also
played "vihuela" and "Baroque guitar" (quotes used intentionally!) . .
. Can't say I'd recommend his early music recordings to students today
though..
Gary
On Wed, Jun 1
Sean,
I'm not sure if it will help or not, but I see 5 surviving exemplars at
RISM locations: B-Br [the mf copy], DK-Kk, F-Pm, GB-Lbl, and NL-At.
Gary
On Sat, May 4, 2019 at 5:24 PM Sean Smith <[1]lutesm...@gmail.com>
wrote:
I found in the recent digitization of t
th the 2nd
string dampened, you're back to Cm and don't really notice that it is
only 4 notes. . .
Using the fretting fingers to dampen strings in this way might be more
common than we think; and perhaps sometimes they are actually notated
into the tablature.
Gary
On Thu, Apr 25, 20
a
particular area in mind I can check . . .
This venerable directory will soon be available online (for
subscription) from the College Music Society, but it is still in paper
at this point.
Gary
On Thu, Nov 30, 2017 at 1:06 PM, jeff <[1]jjnoo...@sbcglobal.net>
wrote:
the time at present.
Gary
On Mon, Nov 13, 2017 at 11:16 AM, Mimmo - Aquila Corde Armoniche
<[1]mperu...@aquilacorde.com> wrote:
Hello guys,
I have found by chances this one:
[2]https://archive.org/details/urn-nbn-se-kb-digark-5441771
Is it already knows?
l the more discouraging that the Giovan Maria
Alemanni is gone; that was the one professional lutenist that Petrucci
published and the most "instrumental" of the tabs! Why couldn't we have
lost Pisador instead? ;-)
Best,
Gary
Virus-free. [1]www.avast.com
On Sat, Oct
rpretation of the tablature and with a lack of knowledge of
the lute. I don't find them "obviously corrupt" or "disastrous"--at
least not to a level I would call "often"--in any case.
Just my 2c,
Gary
On Thu, Oct 5, 2017 at 1:27 PM, Arthur Ne
At first glance, it looks like a ms. copy of a printed book . . .
Gary
On Fri, Sep 29, 2017 at 8:33 AM, G. C. <[1]kalei...@gmail.com> wrote:
There is a Susanna version on 3r-3v which has been crossed out in the
typewritten index.
The tablature looks professional
ot in RISM
It's the next to last source on the page . . . Nice to see a copy of
it.
Gary
On Fri, Sep 29, 2017 at 8:09 AM, G. C. <[2]kalei...@gmail.com> wrote:
I found the following book of german tablature online in Sweden
(50
Mb):
[1][3]http://carkiv.
or melodies for non-specific
instruments. She is a professional--but on the modern flute; a bit new
to early music. What really works?
Thank you in advance; I know this is the quickest way to get an answer
to a question like this!
Gary
--
Dr. Gary R. Boye
Erneston Music
to match the pieces well anyway.
Gary
On Tue, Aug 8, 2017 at 8:04 AM, Ron Andrico <[1]praelu...@hotmail.com>
wrote:
It's interesting how lutenists can get tangled up in the web of
complexities concerning string materials and tensions and the most
historically appro
) Tune high and risk it (!)
5) Try to convince them to play at A430 (seems doubtful)
It's frustrating, but again, I'd like the experience of doing something
to encourage some early music performance here . . . Any thoughts
appreciated.
Gary
--
Dr. Gary R. Boye
Erneston Music
Doesn't it seem a little ironic that those who champion a technique
that's 400 years old are calling Segovia's technique "old fashioned".
Gary
On 2016-10-11 05:04, Ron Andrico wrote:
> As a musician who did NOT come to the lute via classical guitar, I am
> alternately amused
'Twas ever thus.
Gary
On 2016-08-05 10:25, John Mardinly wrote:
> To me, the real tragedy of YouTube is that they pander to some of the
> lowest forms of entertainment imaginable. I have, unfortunately learned
> about some of them from my 14 year old daughter. Top of the t
If you're playing on gut strings, be advised that gut shrinks when wet.
This is one of the techniques used to set gut frets , i.e. wetting them
before attaching them.
Gary
On 2015-12-23 18:47, LSA Lute Rental Program wrote:
Every month I try to send all the renters of Lute Society
for the lute by then.
Gary
On Sat, Oct 10, 2015 at 1:59 PM, stephen arndt
<[2]stephenwar...@verizon.net> wrote:
Ron writes: ". . . the bulk of published lute music was vocal
polyphony reworked and arranged for the instrument."
I have recently been wonderi
. They wind the string on the peg towards the thicker end,
forcing the string to pop out when tightened--this is a loose peg.
Learn to string your instrument properly and alot of these peg
problems disappear . . . just my 2 cents.
Gary
Dr. Gary R. Boye
Professor and Music Librarian
Appalachian State
The late Robin Williams was asked on German TV, Why are there so few
German comedians? He replied, Because you killed all the funny
people.
Gary
On 2015-05-04 09:37, Dan Winheld wrote:
In other words, because the only two ethnic/cultural groups that had
any rhythm were invited to leave
a
later period. Who knows what was happening on the streets, but the
Inquisition wouldn't have had much to do if everyone in Spain was a
straight-laced as the vihuela tablatures make it seem . . .
Gary
Dr. Gary R. Boye
Professor and Music Librarian
Appalachian State University
On 5/4/2015 12
Dear Chris,
The only surviving exemplar in my list is in Warsaw (PL-Wu, Biblioteka
Uniwersytecka, Oddział Zbiorów Muzycznych); it is incomplete, missing
the oboe/violin and cello parts.
If you can't find it elsewhere, perhaps you could contact the library
directly . . .
Gary
On 5/2/2015
Dear Chris,
The only surviving exemplar in my list is in Warsaw (PL-Wu, Biblioteka
Uniwersytecka, Oddział Zbiorów Muzycznych); it is incomplete, missing
the oboe/violin and cello parts.
If you can't find it elsewhere, perhaps you could contact the library
directly . . .
Gary
On 5/2/2015
Some servers block emails from servers they (the servers) judge have too
many pop ups and spam without the clients knowledge. The client needs to
access their settings to allow blocked emails.
Gary
On 2015-04-12 07:43, Rainer wrote:
I have tried with a different account (mine, not his
Could it mean, in effect, that they played even better than the muses?
A bit of classical hyperbole typical of the times . . .
Gary
Dr. Gary R. Boye
Professor and Music Librarian
Appalachian State University
On 4/8/2015 12:51 PM, stephen arndt wrote:
If vicere is a noun in the ablative case
, passed the garbage cans, through the
kitchen, and don't touch the Hors D'ouvres (sic) on the way in.'
Gary
On 2015-03-29 22:15, Ed Durbrow wrote:
On Mar 30, 2015, at 1:59 AM, David van Ooijen
davidvanooi...@gmail.com wrote:
David - musician = not smart with money by definition
Reminds
Scrigno when I go to Berkeley, California on 16 March. Perhaps I can
post a message about what I'm finding there to the list. There are about
two dozen other sources of interest . . .
Gary
Dr. Gary R. Boye
Professor and Music Librarian
Appalachian State University
On 3/4/2015 10:29 AM, WALSH
-
From: Martyn Hodgson [1]hodgsonmar...@yahoo.co.uk
To: Monica Hall [2]mjlh...@tiscali.co.uk; Gary R. Boye
[3]boy...@appstate.edu
Cc: Lutelist [4]lute@cs.dartmouth.edu; Early Guitar Dmth
[5]early-gui...@cs.dartmouth.edu
Sent: Wednesday, 4 March 2015, 10:00
Subject: Re: [LUTE] Re
it. From
the sources (RISM and Tyler), it might turn out to be something entirely
different, in my experience . . .
Gary
On 2/24/2015 9:02 AM, Monica Hall wrote:
Does anyone know where there is a copy of the second edition of Nicolas
Derosiers' little book i.e. Nouveaux principes de la
I'd take German tab over alot of transcribing. The hardest part is
getting the particular letters of the alphabet deciphered for a
particular source; after that, it's not so bad, but M. Neusidler is
challenging enough in French TAB . . .
Gary
--
Dr. Gary R. Boye
Professor and Music Librarian
One of the best moisturizers in the world is uric acid. Egyptian women
used to wrap their faces in towels soaked in cow's urine. They where
renowned in the ancient world for their beautiful complexions. There are
skin creams available that contain uric acid in crystalline form which
is derived
may have been little
more than a convention supplied by the printer to make the book more
marketable.
Gary
--
Gary R. Boye, Ph.D.
Professor and Music Librarian
Appalachian State University
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
alone or with theorbo's
and harpsecord. (London: William Godbid, 1656).
Copies are at: GB-DRc, GB-Lbl, GB-Lcm (inc.), GB-Ob, GB-Och (inc.)
This (aside from the RISM locations) is from my continuo list:
http://applications.library.appstate.edu/music/lute/continuo.html
Gary
--
Gary R. Boye, Ph.D
. It appears to be related to organ tablature.
You know it wasn't long ago that we would teach that there was no
actual music for the 5-course lute . . .
Gary
On 10/15/2014 9:17 PM, Dan Winheld wrote:
I have always cringed every time Luis Milan's tab was called
Spanish
much for bringing this up!
Gary
Dr. Gary R. Boye
Professor and Music Librarian
Appalachian State University
On 10/15/2014 4:18 AM, AJN wrote:
Good morning, Gary!
The Polish music scholar Alexander Polinski owned at leasttwo
manuscripts of lute music. One foundits way to the library
, but I'm still
not sure when the term itself was coined (I assume in the 20th
century?).
Gary
--
Dr. Gary R. Boye
Professor and Music Librarian
Appalachian State University
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
introduction into tablature. This certainly makes Neapolitan
tablature seem more archaic than the Italian tablature with the zero
. . . the surviving sources don't really reflect that, however.
Thanks so much,
Gary
On 10/14/2014 6:44 PM, AJN wrote:
Hello, Gary!
Certainly by now
I'll bite: IS there such a thing?
Silesian lute tablature perhaps from the 18th century???
Gary
On 10/14/2014 6:52 PM, AJN wrote:
Now, what about Polish lute tablature?
On 10/14/14, AJN[1]arthurjn...@verizon.net wrote:
Hello, Gary!
Certainly by now Neapolitan Tablature
Or you can get a power inverter ($60 -$80) and a motorcycle battery
($12)and use any amp you want. A power inverter converts 12 volts DC to
110 volts AC'
Gary
On 2014-08-07 13:47, Tobiah wrote:
I have this guy:
http://www.crateamps.com/products/pindex.php?prodID=25
It has one of those
As Peter Schickle (PDQ Bach) says in the introduction to his duet for
lute and bagpipe, When the bagpipe plays, you won't be able to hear the
lute. But the lute is pleasant to look at. So, when the bagpipe plays,
enjoy the lute.
Gary
On 2014-03-16 04:51, Edward Chrysogonus Yong wrote:
dear
that car accident that took her life.
Gary
On 2014-03-02 13:22, Monica Hall wrote:
Many many thanks for all this fascinating information. Jourdan must
have been quite an important person in Louis' household. I have only
one
comment - Corbetta died in 1681 so he can't have succeeded Jourdon
,
Gary
--
Dr. Gary R. Boye
Professor and Music Librarian
Appalachian State University
I am not a musicologist, so please forgive my ignorance.
But I am
confused, sometimes manuscripts are identified by notations such as,
e.g. RM 4137 olim Mf 2004 and sometimes as, e.g. A-Wn MusHS
17706 - which
out the beginning of Tobias Hume's ironically titled A
Humorous Pavan from his First Book of Ayres.
Gary
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
, just the continuo
sources. For a list of the solo music for archlute, see:
http://applications.library.appstate.edu/music/lute/C17/archlute.html
So I have some trouble limiting the archlute to Rome, but perhaps it
starts there . . .
Gary
On 1/24/2014 2:51 AM, jean-michel Catherinot wrote
Corellis: catalogue raisonné.
(Köln: Arno Volk Verlag, 1980). I assume he transcribed the title pages
correctly.
Gary
On 1/23/2014 4:36 AM, jean-michel Catherinot wrote:
not theorbo, but arcileuto as in many publication at the time (including
for instance Mascitti, Haym...). Arcileuto is namely
corelli [I hope to have a
better search function for this page eventually.]
There are over 30 examples (with many reprints) where plucked strings
are specifically mentioned as a possibility in Corelli's works . . .
Gary
On 1/22/2014 12:53 AM, Ed Durbrow wrote:
I noticed this note in the Wikipedia
Since this thread seems to be winding down, I just wanted to thank
everyone who has contributed to it for a stimulating, spirited and
thought provoking conversation. Thank you.
Gary
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I'm not qualified to decide what's right and what's not in any art. I
said, ...from Segovia's point of view...
I'm going to try to refrain from responding any further so as not to
raise the ire of the content police.
Back to the lute when the numbness in my left hand subsides.
Gary
who
would stop a performance to single out a particular student and yell
out, You suck! My advice to my students was to reply, Of course I
suck. That's why I'm studying with you. Teach me not to suck.
Gary
On 2013-12-16 10:41, Alain Veylit wrote:
Granted: Segovia was a grumpy old teacher who
Segovia for accepting his popularity and using it to
further his own taste. I'm sure from Segovia's point of view in
promoting his own tastes he was protecting the integrity of the guitar
and the music.
Gary
On 2013-12-17 13:13, Braig, Eugene wrote:
. . . Not to mention a huge body
The irony is that Michael's turn to steel string guitar and pop/folk
music would only have confirmed Segovia in his disdain.
Gary
On 2013-12-17 13:26, Braig, Eugene wrote:
Chapdelain was the first-ever winner of the Guitar Foundation of
America competition, but now specializes in fingerstyle
sell
more books.
Gary
On 2013-12-15 09:23, Christopher Wilke wrote:
It was shown some time ago that Segovia did not use Sor's original
versions in making his edition of the 20 studies. Instead, he knew
them through versions edited by Sor's student Napoleon Coste. I don't
know whether Coste
How did such an incompetent slouch ever manage to have the likes of
Julian Bream and John Williams singing his praises and traveling half
way around the world to sit at his arrogant feet?
Gary
On 2013-12-15 10:31, howard posner wrote:
On Dec 15, 2013, at 9:26 AM, Tobiah t...@tobiah.org
For me it was Barney Kessell, Jim Hall, Charlie Byrd, Segovia and Julian
Bream.
Gary
On 2013-12-16 07:51, William Samson wrote:
A recent programme blurb for a Nigel North concert says that he was
first inspired by Hank B. Marvin of The Shadows (Cliff Richard's
backing group).
Being
performance.
Gary
This is referred to often:
[1]http://www.youtube.com/watch?v=wiAbqfaYGwk
David
***
David van Ooijen
[2]davidvanooi...@gmail.com
[3]www.davidvanooijen.nl
***
album in homage to Segovia. I saw Segovia in concert
five times and each performance was magnificent. It was his recordings
that drew me to the guitar. It was Bream who introduced me to the lute.
On Dec 14, 2013, at 3:44 AM, gary magg...@sonic.net wrote:
Recently, a message was posted referring
views and his admirers, of which there were many,
gleefully adopted them as guitar gospel, bedazzled by his mastery of the
guitar. I have never heard of any actual bullying on Segovia's part.
Rather, the onus for any intimidation would be on the shear number and
ardor of his admirers.
Gary
, but when they come into a masterclass just wanting to play for
someone and not expecting to actually learn anything, maybe that's just
what happens . . . sort of what Michael says afterwards.
Gary
--
Dr. Gary R. Boye
Professor and Music Librarian
Appalachian State University
On 12/14/2013 6:53 AM
,
ventilation, computers, cell phones, lights, music from tiny speakers
and little earbuds, etc. Things are humming all around us constantly;
true silence is a rarity. Then we just listen to the ringing in our ears
from all of the noise we've been exposed to.
Gary
--
Dr. Gary R. Boye
Professor and Music
Ah, the just leave your dogma on the porch dogma.
Gary
On 2013-12-10 18:20, Mayes, Joseph wrote:
Well, I was sort of fearing some push-back from the tap-dancing
barefoot crowd. I don't know how you can speak for most of the
lutenists out there. I certainly only meant to speak for me. Sweetness
I feel more like I do now than I ever did before. The past is the future
of the present.
Gary
On 2013-12-10 18:17, Sean Smith wrote:
If things weren't like they were, they'd be different!
s
On Dec 10, 2013, at 5:58 PM, Tom Draughon wrote:
With Viagra he may have had more!
Tom Draughon
the adjustment. Occasionally, I let my nails
grow a little bit for a different sound, especially on theorbo, but I
keep them short 90% of the time. One thing you can't argue with: short
nails make yardwork or household chores alot easier!
Gary
Dr. Gary R. Boye
Professor and Music Librarian
with piccolo obligato), Jimmy Wyble (The Art of Two
Line Improvisation) etc., etc.
Gary
On 2013-12-07 12:17, David van Ooijen wrote:
Joe Pass, one of my all-time heroes and sources of inspiration. He
apparently spend some time in rehab and came out with a 'new' idea:
melody, harmony
Are you referring to his Harmonic Mechanisms For Guitar? It's
available online? It's in three huge volumes. I've been working on the
first ten pages of the first volume for 20 years, although I do follow
his advice to sweet tooth it by skipping through other parts of the
book.
Gary
On 2013
or his lute sound like an orchestra. He is an amazing artist.
Gary
On 2013-12-06 11:35, erne...@aquila.mus.br wrote:
This is a lute-talk, correct?
I did not know Britten and Villa-Lobos composed for the lute, they are
certainly not known for it.
I know Bream played the lute, but his complete
. . .
Gary
On 11/22/2013 5:45 AM, Markus Lutz wrote:
This scordatura seems to be quite interesting.
Probably it might be - I tried it out, (and now found it also mentioned
in the Database of the Accords Noveaux site): hfhf
In french notation (course-fret):
1a = 2h
2a = 3f
3a = 4h
4a = 5f
http
notes from the source itself that I hope to
put online and, as I've told Arthur, more US-R sources should be
available digitally soon--I've rushed some things to the top of the list
since my visit. Of course, that's rush in library time! Maybe early
next year . . .
Best,
--
Dr. Gary R. Boye
Monica:
Interesting; but wouldn't that throw off the fretting (i.e., the frets
would be placed for the wrong overall length of the string)? It would
sound awful up the neck, unless you began moving all of the frets around
. . .
Gary
Dr. Gary R. Boye
Professor and Music Librarian
You probably are familiar with this, but Bob Thornburg at gourdbanjo.com
is building early gourd banjos that use gut strings.
Gary
On 2013-08-28 04:22, Rob MacKillop wrote:
Thanks, Chris. Only the first string is nylon, The other three are like
classical guitar basses - a nylon silk core
, sadly, it
still applies today. I asked him, How many times a year do you work?
He said, I don't know, six or seven.
Gary
6. http://starrynightskyevents.blogspot.com/
7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Tom Draughon
Heartistry Music
http
Kind of a World Wrestling Federation view of the renaissance.
Gary
On 8/8/2013 6:12 PM, Braig, Eugene wrote:
. . . Many (certainly not all) somehow believing that assuming a bad
cockney accent; whacking each other with wooden weapons while feigning
the inability to use struck limbs
I'm actually abetter musician than I sound.
Gary
On 2013-08-08 11:16, Tobiah wrote:
I believe the criterion for judging good music from bad lies in the
quote
(also Ellington??): If it sounds good, it is good.
This is either tautology or useful advice for anyone in the habit of
judging
, if not it's bad. Still, I believe Ellington is correct in his
opinion of the term jazz which because it's used to mean everything,
essentially means nothing.
Gary
On 2013-08-06 16:20, howard posner wrote:
On Aug 5, 2013, at 5:51 PM, Edward Mast nedma...@aol.com wrote:
Disdain for either
was that the pendulum had swung too far
in that direction.
Gary
On 2013-08-03 07:12, Christopher Wilke wrote:
In America, I haven't found any lack of interest in lute or early music
from the broader public. Many people who are intimidated by
perceived
ritual and stuffy atmosphere of standard classical
music, is a niche market. Upon being asked how one can make
money in music, Henry Mancini said, If you want to make money in music,
go into band uniforms.
Gary
On 2013-08-02 05:17, erne...@aquila.mus.br wrote:
I have done the same for a small baroque orchestra at the University
of Sao Paulo
exemplars of the 1631 book in I-Rv and
US-Wc, as well as the 1636 edition in F-Pn. There is no exemplar in I-Bc
as Tyler states in 1980.
Gary
Dr. Gary R. Boye
Professor and Music Librarian
Appalachian State University
To get on or off this list see list information at
http
and
French.
Gary
On 1/31/2013 5:00 AM, William Samson wrote:
(Semi) serious question. What music was composed for this instrument
outside Scotland? - Is it any good? (- the music from outside Scotland,
that is).
Second question - What did they call this instrument back in the day
the others are not the real
4c guitar?
Gary
On 1/21/2013 8:54 AM, Monica Hall wrote:
Well - obviously the 4-course guitar was played in Spain although the
extent to which it was played in the contrapuntal manner suggested by
the few surviving pieces in Mudarra and Fuenllana is unknown.
The point
Monica et al.,
Note also that--very unusually--the Barberiis pieces are in inverted
Italian tablature . . . with the upper line being the highest pitched
string. Another indication that they are somehow unique?
Gary
On 1/21/2013 5:38 AM, Monica Hall wrote:
I am afraid the pieces
to the
chitarrino at some point, I believe). So an alfabeto source might be for
either?
Finally, I don't believe I have come across anti-semiticism in
Boetticher's work for RISM, but I have certainly encountered
incompetence. Again, it's a starting point . . .
Gary
On 1/21/2013 1:01 PM, Monica
tablature and inverted Italian tablatures
Gary
On 1/21/2013 1:14 PM, Lex van Sante wrote:
Milan also notated the top string as the upper line didn't he?
Op 21 jan 2013, om 19:01 heeft Monica Hall het volgende geschreven:
Yes - that is certainly so - I had forgotten that. It suggest Neapolitan
. .
. Interesting that it does begin to die out after 1700, but it is still
encountered in manuscripts and treatises.
Gary
On 12/11/2012 6:29 AM, Herbert Ward wrote:
According to Wikipedia, Latin was the language
of scholarship, science, and internation communication
until around 1725.
However, I've
Chris,
Interesting that you should bring up rolled chords; there was much
discussion on another list several months ago about this YouTube video:
Louis Podesta's Your Piano Teacher Taught You Wrong
http://www.youtube.com/watch?v=2VPgg3armCI
Gary
Dr. Gary R. Boye
Professor and Music
it . . .
Gary
On 9/2/2012 12:55 PM, Luca wrote:
Peter
Steur
--
Dr. Gary R. Boye
Professor and Music Librarian
Appalachian State University
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
file it down a bit and make things
work--it's that or lose the fret entirely (which costs $$).
And sometimes the opposite occurs: the fret gets sort of mashed and
stretched out at the bent point. Then you could have a low point and
buzzing when fretting . . .
Gary
--
Dr. Gary R. Boye
Professor
added citations for
over 5,000 sources of plucked string music, both prints and manuscripts,
and am slowly adding more detailed information for the sources I have
looked at first hand.
As always, if you spot any errors/omissions, feel free to e-mail me at:
boy...@appstate.edu
Gary
--
Dr. Gary R
originally considered
folk instruments.
Gary
- Original Message -
From: Bruno Correia bruno.l...@gmail.com
To: List LUTELIST lute@cs.dartmouth.edu
Sent: Monday, July 23, 2012 4:35 PM
Subject: [LUTE] Re: Lutes and social classes historically.
Dear Herbert,
2012/7/23 Herbert
Isn't happy existentialist an oxymoron?
Gary
- Original Message -
From: Ron Andrico praelu...@hotmail.com
To: wi...@cs.helsinki.fi
Cc: lute@cs.dartmouth.edu
Sent: Sunday, July 01, 2012 1:25 PM
Subject: [LUTE] Re: Tuning
Thanks, Arto. I'm glad to know there are other happy
I bought strings from them three weeks ago. Mailed my check to the Portland
address and had my strings within the week: new Nylgut for the first four
courses of my ten course. Played one concert with them on. So far I'm liking
them.
Gary
- Original Message -
From: Alain al
Hi Roman,
I'm confused. Are you saying that the gamba parts are subordinate to the
organ, that the gamba is accompanying the organ and not the other way
around.
Gary
- Original Message -
From: Roman Turovsky r.turov...@gmail.com
To: lute@cs.dartmouth.edu; Gary Digman magg
So were JSB's three gamba sonatas originally intended for trumpet?
Gary
- Original Message -
From: Roman Turovsky r.turov...@verizon.net
To: howard posner howardpos...@ca.rr.com; lute net
lute@cs.dartmouth.edu
Sent: Monday, April 30, 2012 11:34 AM
Subject: Bach’s Lute Suites
Irony is a difficult effect to pull off on a computer.
Gary
- Original Message -
From: Sauvage Valéry sauvag...@orange.fr
To: 'Lute List' lute@cs.dartmouth.edu
Sent: Tuesday, April 10, 2012 12:32 PM
Subject: [LUTE] Re: Paul O'Dette interview
-Message d'origine-
De la part
was also
an altar boy. No one was interested in me. I've been in therapy ever since.
Gary
- Original Message -
From: Christopher Wilke chriswi...@yahoo.com
To: Ron Andrico praelu...@hotmail.com; Monica Hall
mjlh...@tiscali.co.uk
Cc: Lutelist lute@cs.dartmouth.edu
Sent: Friday, March 16
Obviously you were not the demographic they were looking for, Ed. I think
what happened was a move away from a contemplative approach to religiousity
to a social/interactive approach. Maybe we could trace the origins of
Facebook to the abandoning of the Latin Mass.
Gary
- Original
interviewed. As he placed the microphone in my face, I announced to the
congregation, Because we're featuring jazz this evening, there will be a
two prayer minimum.
Gary
- Original Message -
From: Tony ascbrigh...@yahoo.co.uk
To: lute@cs.dartmouth.edu
Sent: Tuesday, March 13, 2012 4
It was a joke! I intended no disrespect to Mr. Jackson (or Quincy Jones),
although his music is not my bag.
Gary
- Original Message -
From: David van Ooijen davidvanooi...@gmail.com
To: lutelist Net Lute@cs.dartmouth.edu
Sent: Monday, March 12, 2012 1:14 AM
Subject: [LUTE] Re
and dance bands are advised to restrict the use
of saxophones of all keys and to substitute for them the violin-cello,
the viola or possibly a suitable folk instrument.
I wonder how the nazis felt about notes inegale.
Gary
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The Michael Jackson approach? Hanging the lute over the balcony railing?
Playing with one hand in a glove?
Gary
- Original Message -
From: Roman Turovsky r.turov...@verizon.net
To: Mark Wheeler l...@pantagruel.de; Ron Andrico
praelu...@hotmail.com
Cc: lute@cs.dartmouth.edu
Sent
If the map is all we've got, then the map is the territory. And maybe the
huckle buck (sic) is what it's all about. This dew drop world, it may be a
dew drop...and yet.
Gary
From: Daniel Winheld dwinh...@comcast.net
To: lute List lute@cs.dartmouth.edu
Sent: Wednesday, December 07, 2011 6:00
Scam!
Gary
- Original Message -
From: Mathias Rösel mathias.roe...@t-online.de
To: Lute List lute@cs.dartmouth.edu
Sent: Wednesday, November 30, 2011 2:28 AM
Subject: [LUTE] Re: SAD TRIPMichael Thames
I cannot believe this. Does someone know if that mess-age is reliable
I believe they're North Korean.
Gary
- Original Message -
From: Edward Mast nedma...@aol.com
To: Martin Shepherd mar...@luteshop.co.uk
Cc: Lute List lute@cs.dartmouth.edu
Sent: Friday, August 19, 2011 3:01 PM
Subject: [LUTE] Re: Renaissance lute string length
A friend just sent me
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