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Maybe your unit is quite old. Do you often use
At the beginning of MD, Sony sold a portable recorder with digital
optical out. Nowaday, the only equipments that have digital out capacity are
MD decks. They very often have optical out but the high-end decks have
TOSLink and S/PDIF.
Concerning me, the only equipment with digital out I own
In the normal (SP) mode, you record 60, 74 and 80 minutes of stereo music. You
also have a LP mode that doubles the record capacity but the sound is monaural
not stereo.
New MD products have normal mode, mono LP mode and MDLP. MDLP consists in two
new modes: recordind durationx2 and x4 in
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As a Mac user, i ignore if there's a
there are a lot of products. You'd better have a look at
http://www.minidisc.org. Look for "Equipment browser" on the left column.
Robin, 50 Watts is already very powerful except if u want to sonorize a
night-club or something like that.
Your optical out, you want it on the CD player or on the
Les connexions RCA sont des prises blanches et rouges. Si tu les branches a
ton Midiman CO2 pour utiliser la sortie optique et ensuite enregistrer
nmériquement, ça ne marchera pas.
La différence entre RCA et coaxial? Les RCA sont rouge et blanc (2
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when we talk about "digital" or "analog"
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I tought that when you burnt a CDR at speeds
will be the SCMS status of this new digital copy (unlimited copy or one
generation allowed?)?
David W. Tamkin a écrit:
Jeanmougin wrote,
| When you make a copy of a CD with optical cable, SCMS is implemented on
| the MD.
SCMS was implemented on the CD to start, but it was set to allow one gene-
ration
When you make a copy of a CD with optical cable, SCMS is implemented on
the MD. The copy bit 10 is written and prevents a second generation
digital copy. But is it the MD recorder that puts SCMS protection on the
disc or does the MD recorder only write the copy bit of the source?
In other words,
Sony still produces 60 minutes MD but it's true that the 74 minutes is the
best-seller. Like you, I hate to use 4 MD74 just to record 50 or 55 minutes.
Moreover, MD 60 are more and more rare.
Jason Selwitz a écrit:
Does anyone still make the 60 minute discs they were a bit cheaper that the
You say that the Sharp 722 has no editing functions? Is it a joke? You have a
button called EDIT or something like that. You access to DISC NAME, TRACK NAME,
COMBINE, DIVIDE, TRACK ERASE, ALL ERASE functions.
Moreover, on my Sharp 722, when I press
Some days ago, I made a digital copy of the Corrs MTV Unplugged album. I
noticed that the total recorded time on MD was inferior to the total
time of the CD. When I played the MD, I noticed that a lot of the tracks
were often amputed of 1 second or 2 (even more sometimes). The result is
that
Jim Coon, do u know a program for Mac that makes the same thing than
VisualRoute?
J. Coon a écrit:
This has no minidisc content, but i thouhgt people might be interested
in it. basically you run the program and put in a web address. The
program
Some days ago, I made a digital copy of the Corrs MTV Unplugged album. I
noticed that the total recorded time on MD was inferior to the total
time of the CD. When I played the MD, I noticed that a lot of the tracks
were amputed of 1 second or 2. The result is that it's quite unpleasant
to listen
As a Macintosh user, I found a little program called Coaster at
http://www.download.com. You can record with the line input of your
computer you plugged to the line-out of your MD recorder. I just had to
set the line-in level to avoid clipping.
When I finish, the file is saved in AIFF. After
What is the interest of overwriting?
Simon Mackay a écrit:
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Is there such a function in the Sony JE530 deck?
If yes, how do I activate it? I couldn't find anything like that in the
manual.
So, I asked myself, when you record something on a MD and after you
erase it, the TOC is edited. But is the recorded material physically
erased or is its access impossible due to the TOC updating (like on a
hard drive)?
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To stop
All the portables have stereo microphone inputs but the majority of mics are
powered with low voltage. The consequence is that if you plug them to the mic
input, you will have to raise the recording volume and, in that case, you will have
a backgroung noise (caused by the mic input). So, you'd
When you have mics with clips, where do u put them? On your shoulders
(not very stealth)? Or near of your collar?
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I think this the default setting. There must have a silence of 2 or 3 seconds
between two tracks and when I say silence, it means that the vu-meter must
nothing. At the end of a track, you may have the mpression that there s silence
but there's still a little entry level. The problem with LP
I've got a Sharp 722. It is said to have an autonomy of about ten hours
in plays mode and 8 when you record. But I have the impression that the
real autonomy is inferior to what is claimed by Sharp. How do they
measure the autonomy? At which volume and which bass level (0, 1, 2, 3)?
I always
You have to use your rechargeable battery. For the external battery case and
which type of battery is allowed, you'd better check your user manual for
details. But I'd say that the use of rechargeable AA batteries isn't
recommended. I may be wrong but that's what I think.
Gordon, Richard a
I ask this question to people that record concerts with MD recorder and
microphones. How do u dress? Where do u conceal the recorder, where do u
conceal mics (when u know that they often have 5-6 feet long cables) and
battery box in order to avoid body checks by the security service?
how do I do to put a Sharp 722 in my undergarnments and walk naturally?
Generally, do they check with attention or do they make it quickly? Is the
decurity service expected to use metal detectors?
Roger a écrit:
To the guy that was asking about mic
Why audio MD can't record data. How can the recorder make the difference
between audio data stream and computer data stream? Explain me.
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60 minutes MD spins at 1,4 m/s linear.
74 minutes MD spins at 1,2 m/s linear.
80 minutes MD has the same linear speed than 74 minutes MD and thinner
groove to increase the capacity.
So, is it possible to make MD with a groove as thin as MD 80's but with
a slower linear speed to increase the
One friend lent me a MD with Conan the Barbarian soundtrack. It is an
analog recording so I can make a digital copy of it. But will I be able
to make a digital copy of this copy?
Moreover, when you make a digital copy with optic fiber, is there a loss
(even unoticeable)?
When you record with the analog input, the MZ-R55 takes care of the input
level. When there's no audio signal during 3 seconds or more, it adds a new
track mark.
Damien Saunders a écrit:
Ok Im still a newbie when it comes to recording ... well no ...
You're right. The man uses a mz-r30 to record the conversation from the
distance. Using a MD is cool but the best is the type of microphone
employed to do it: it is a laser microphone. Very compact, stealth, no
EM or RF emissions. Detectable only with a laser detector.
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