Chris makes some very good points, ones that I wish I'd made myself! We
must be continuously recalibrating our hearing to be able to deal with all
the effects Chris mentions otherwise the conflict between the physical
sense of hearing and our internal perceptual models would become too
excessive.

   Dave

On 25 January 2016 at 12:40, Chris <ch...@chriswoolf.co.uk> wrote:

> Maybe a silly question...
>
> But how much work has been done on the self-consistency of HRTFs? I'm
> aware that ear-wax, colds, which way round I sleep, etc can affect the
> level and HF response of one ear to another. And clothing, haircuts etc
> must significantly change the acoustic signal round our heads.
>
> So are measured HRTFs consistent over time? Or do we re-calibrate
> ourselves on a continuous basis?
>
> If the latter is true, then I can see that a generic HRTF could work if we
> were given some method (and time for) calibration.
>
> Chris Woolf
>
> On 25-Jan-16 11:45, Bo-Erik Sandholm wrote:
>
>> Just a short note, my wish list for what I think. could be a good way of
>> doing binaural coding is to use these parameters:
>>
>> - the distance between the ears (head size) is the most import factor so
>> maybe 5 sizes to choose from. ( I have a larger inter ear distance than
>> the
>> norm)
>>
>> - use only simple generic compensation for ear shape above ~4kHz.
>>
>> - the shoulder reflection controlled by head tracking data, the simplest
>> way is to assume the listener is stationary and only turns his head. Could
>> this be implemented to be a parametric controlled filter set?
>>
>> Can anyone create a binaural encoding using this?
>>
>> I think the shoulder compensation is something that have not been done.
>> As far as I know all binaural encodings are done using data sets with a
>> fixed head and shoulder position.
>>
>> Best regards
>> Bo-Erik Sandholm
>> Stockholm
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-- 

As of 1st October 2012, I have retired from the University.

These are my own views and may or may not be shared by the University

Dave Malham
Honorary Fellow, Department of Music
The University of York
York YO10 5DD
UK

'Ambisonics - Component Imaging for Audio'
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